#considering the context it could also be part of the joke

[lesbianshepard]

This comparison has been living in my brain for months:

A humorous Roman tombstone from the 1st-2nd century CE:

Translated, the text reads:

Calidius Eroticus made this for himself and Fannia Voluptas while still alive. – Innkeeper! Let’s work out the bill! – You’ve had a sextarius of wine, and bread for one as. Stew, two asses. – Okay. – The girl, eight asses. – That’s okay too. – Hay for the mule, two asses. – The damn mule will bankrupt me!

And a tweet from 2013

[sstrwbrryccke]

—bullying him pt.2 | sub choi soobin

part 1 | part 3 | part 4

tags: bully reader x nerd soobin, gn reader, mean reader, sadistic reader, somewhat possessive reader, one-sided crush but not really (reader has feelings too but doesn’t admit it), public humiliation, public orgasms, dubcon, oral (soob.receiving), vibrator (soob.receiving), unhealthy relationship, heavy exhibitionism, kind of cute at the end?

its a few weeks or maybe months into this weird relationship you two established. or more accurately, you pulling him around and him being at your every beck and call. maybe your relationship with him was a secret, but how downbad he is for you wasn’t. it was real obvious how he looked at you in class, only to look down when you made eye contact with him. a pretty pink blush dusting his cheeks. look at him, getting his hope up and everything. when you call him to your desk during lunch break, he couldn’t help his eagerness, walking past your friends and glancing at you through his bangs. it’s pathetic, really, how excited he gets when you give him attention.

“what… what did you need?” he repeated, barely able to keep himself in check. probably used up all his courage just to choke out those words. your friends stare at the two of you, some holding back their laughter while others were glaring at him. he shrivel under their judging gazes, his tall figure and head slightly slumped as if he was trying to make himself appear smaller. which was impossible, considering how tall he was.

you smile at him, and he lights up a little. “yeah, can you get me a drink at the vending machine?”

he dissipates visibly, a small frown on his plump lips before he nods— you would almost feel bad for him if it weren’t for how cute he looked while sad. he quickly rushed out of the classroom, probably to get away from your friend’s snickering.

soobin’s attraction was no secret even to you. but could you really blame him? just a few days ago, you discovered something shocking (or maybe it was already obvious), not only was soobin a friendless loser (to his own admission), but he also had the biggest, fattest crush on you ever since the start of high school. when he told you, you couldn’t help but grin, this was a gold mine. from then on, it was just so much easier to play with him.

you were slapped out your daze by your friends, they were patting your back while laughing.

“holy shit, you made him your errand boy?” one joked, but you felt a slight rising irritation at their sudden attention towards soobin. it was irrational, seriously, because you really had no problem with it before.

“woah, why the glaring.” another just jested, and you rolled your eyes, packing up your lunch.

“i mean, i would kill for an errand boy. bet he’ll get down on his knees and—“

“shut up. with your face, he doesn’t need to be on his knees to gag” you snap, and perhaps you overreacted. but your friends shrugged it off as a joke, laughing and jabbing at the guy who got insulted

“damn they got you there.”

you put the final item into your bag before standing up and heading for the door.

“yo where you going?”

“rooftop.” you weren’t technically lying.

during school, outside of the classmate context, you pretend to not know him, it was more fun that way. you told him it was because you couldn’t associate with a loser like him, and he meekly nodded. (real reason? teasing him was fun).

it was easy to spot soobin at the vending machine, lamely contemplating which drink you would like the most. so concentrated that he didn’t even notice your figure approaching him until your strong grip was pulling him by the arm. he visibly flinches, wide eyes confused as he stumbles behind you.

“the— you— the drink”

“i wasn’t even thirsty.”

he seemed puzzled at this, but lets you manhandle his tall ass figure anyways (it never ceases to turn him on). you release his arm when you reach the rooftop. he takes a glance at his surroundings before looking back at you. suddenly awkward in his body again, he shifts from one foot to the other while fiddling with the hem of your shirt.

“so uhm… what are we do—“

you roughly kiss him and he shuts up with a small startled noise. you push him harshly into the fence and he yelps into the kiss before having his senses dominated by your eager tongue, forcing into his mouth. he was frozen like always, closing his eyes desperately, pilant under your touch because he had no damn idea what he was doing. after a few seconds, his jittery hands push you off, because he physically couldn’t breathe anymore. he inhales shakily, lips wet with saliva and cheeks tinted red.

you hand lowers and begin to unbutton his shirt, feeling from his chest to his stomach. his skin was always so soft and satisfying to feel. (you once asked if he had a skincare routine and he nodded nervously, asking if you wanted to know) you slid your hand up to his nipple, pinching at one. he trembles at this, hands sweaty and he didn’t know where to place them so he just grips at your shoulders. your hand suddenly palms at his bulge and he jolts, a desperate breathy moan escaping his mouth

“it’s! it’s public! we’re— we’re in public!”

he manages to squeak out, eyes squeezed shut. you stop, a snarky expression on your face. you pull away fully, leaving him with his back flush against the fence. he whimpers softly when he felt your weight lift from his body, eyelids fluttering open to look at you.

“m’kay. i’ll just go then.”

you roll your eyes as you turn your heel.

“wait! wait! i’m sorry. im so sorry. please don’t leave me.”

a grin quirks the edges of your lips as you turn back towards him. hands on hips.

“thought you said we’re in public?”

“yes but… i…” he says between bated breathes, blush deepening.

“you still want me to touch you, don’t you? desperate slut.” you step closer to him, grin on your lips.

he gulps, head lowering until his bangs covered his eyes, but you could see the red tips of his ears. he nods slowly.

“good, then we’re doing it my way.”

you stride confidently to him and he shivers. your hand goes to his pants without hesitation, pulling everything down at once. making his rock hard cock slap against his abdomen, angrily red and leaking. you take it in your hands, pumping it a few times and he cries.

“shush. don’t come.”

you just warn, grasping the head of his cock, hard. his thighs tremble but he nods. you found out, while still in the beginning stages of this weird relationship, that soobin orgasms embarrassingly fast. i guess that’s what you get with a perverted virgin nerd who’s only frame of reference for sex is manga porn. but it wasn’t a bad thing really, you just liked seeing him desperately try to hold it in.

“don’t come until i say so, okay?” you repeat, harshly gripping at his cock again and he whimpers a yes.

without hesitation you kneel down, taking his length into your mouth in one go. you can hear his gasp, but you didn’t need to look up to know he was nervous, you could tell with how his calves and thighs shook. you were only teasing when you called him small earlier, because he was big, big enough to hit the back of your throat. you slowly began to move and he moans softly, so sensitive. he tasted sweaty and salty, but it wasn’t a bad scent. (you made sure he was cleaned up after all.)

you pull your mouth off just up till his tip, your tongue swirling around and digging into his slit while your hands pumped the rest of his length. he cries and thrashes, jittery hands coming up to grasp your hair. but you immediately slap him off, glaring up at him. you were in control, not him. you slide your mouth off his cock and he immediately starts apologising.

“i’m sorry! please don’t be mad, i didn’t mean to! i won’t touch you without permission i—i’m sorry, please don’t stop!”

“instead of worrying about your pathetically small dick, how about you worry about your loud ass moans?”

he quickly clasps his hands over his mouth, ears a bright red, eyes teary. you suck his dick into your warm mouth again and he sobs quietly. his moans came out breathy and squeaky, he’s never been a loud moaner, but it was extra hard to keep it down when his bully was literally going to town on his cock. you were enjoying him like he was a lollipop. your hand creeps up to his ass, one finger slipping into his hole, already loose from the morning. (he stayed over and you took him to school) he doubles over, gasping and squirming, thighs trembling, and you knew he was close before he even whispered it. he shakes his head violently, nearly drooling at the double stimulation— and just before his stomach spasms and he feels his sweet orgasm, you pull off. one hand firmly squeezing the base of his cock, denying his orgasm.

he cries out, eyes wide as he processes the situation. you stand, legs a little shaky due to kneeling for so long, a smile on your lips. when he realises you weren’t going to let him cum, he sobs, tears quick to come down. his bunny eyes glancing at you meekly as if asking why you stopped.

“oh soobin.” you tease, dropping his cock from your grip. “class is about to start soon, you wouldn’t want to ruin your perfect track record, do you?”

he looks at you in a silent fear at what you’re insinuating, but don’t worry, you were far meaner than that. you pull his pants further down, digging into your pocket and showing him the vibrating bullet you bought especially for him. more tears fall down and you just chuckle.

it didn’t take much for you to squeeze the bullet in. but he was squirming and whimpering the whole way through, shaking his head and looking at you so pitifully.

“you’re… you’re so mean.” his voice cracks, bottom lip trembling.

you wipe his tears with a smirk, pulling up his pants and buttoning his shirt, his hard-on uncomfortably pressing against the fabric.

“yet look who’s turned on.”

☆★☆

in class it wasn’t any better, he was clearly ruffled, his hair tousled, collar undone and eyes red from previously crying. one of his legs was shaking unrelentlessly as he sits down. wincing when he feels the chair press up against the vibrator.

he was hyperaware how each movement causes the bullet to shift. soobin tries his best to reduce the friction and calm his erection down, but oh boy were you mean. just when he thinks he’s got it handled, you prove him wrong.

because the moment the teacher walked in, the torment began. you would periodically turn on the vibrator, making him jolt in his seat and hit his knee against his desk. alerting everyone to him as he lowers his head in embarrassment, whispering lightly that he was fine when the teacher asked. he came immediately with the stimulation. it was even worse when he was given a question to answer, you were unrelenting, turning it on to the highest setting and making his thighs shake uncontrollably. it took all his willpower and more to not burst out crying and moaning in the middle of class.

“choi soobin? soobin? soobin?”

he jolts from his daze, fists clenching painfully hard, nails digging into his palm. the teacher has been trying to get his attention for the past minute. a few students around him whisper and he quivers. glancing back at you for a second, catching your smug look, hands in your pockets; before he faces back at the teacher.

“mr choi, are you okay?”

no, he was not alright. he had busted into his pants for the 3rd time now and you weren’t even going to give him a break!

“yep, perfectly okay.”

the teacher looks doubtful and god soobin just wishes she would stop talking. he really shouldn’t be thinking like this about his favourite teacher. but please shut up and stop asking already!

“are you sure? you’ve looked uneasy this entire lesson.” and he wanted to dig a hole in the ground to die in shame. he bites his lips hard and you turn down the vibration. is this salvation? are you being nice for once?

“i’m sur —ck.” he bit down on his words, because if he didn’t he would’ve moaned in front of everyone in class. you turned it to the highest, and he really just came in his pants in front of the teacher. he was so overstimulated, it hurt to come, his whole body clenched hard so he could keep his trembling down.

thinking quick on his feet, he covered his stumble with coughing. “i — i may be sick.” he stammers, never has he been a good liar, and you snicker at his cover-up. the teacher however seemed to believe him, no reason to doubt the obedient straight A student after all.

“you should rest when you get home.”

☆★☆

class ends officially with the bell. the teacher dismisses the students with a quick reminder of the homework, not as if anyone was listening. soobin somehow managed to last through the whole class. and thank god was it the last class of the day, otherwise he might really have died. he slumps over his desk in a big sigh of relief. he would pack his things and rush out the door as soon as possible, but— he was afraid to even stand up and move. he didn’t want to look down at his crotch, he knew he had thoroughly soiled his pants and it probably leaked onto the seat.

you waited with him, putting every item extra slow into your bag. when the teacher had left the room, telling you two to lock the classroom behind you. that’s when you moved.

you stand in front of him, dangling the vibrator remote in his face. he fiddles with his fingers, unsure on what to say. at least you seemed happy?

“let’s see the mess you made.”

you slide him with his chair away from his desk, exposing his spread legs and like he thought, his crotch was wet with come. it was a terrible (and arousing) sight, there was a huge wet patch on his crotch and a small puddle on the wooden chair. he has never come this much before and you never overstimulated him this much either. all of this and you didn’t even touch or embrace him! you were so so so mean to him, and he felt tears fall again, his bunny eyes looking up at you in humiliation.

he was just so cute, you couldn’t help it. you wiped his tears with your sleeve, cooing at him.

“soobin, are you embarrassed?”

he nodded, beginning to whine as he sobbed more. embarrassed is an understatement, he felt so degraded. but it turned him on so much. he was starting to think he was masochistic, or maybe that’s just how downbad he was for you.

“you were so obedient, you want a reward? what reward do you want?”

you wipe each tear as it falls out, gently cradling his face. he pondered for a second, shaking his head.

“i don’t know…”

you chuckle, pulling him up and his legs shakes, you put his face in the crook of your neck and hugged his waist. he slumps over you and you rub his back. damn. this was comfortable, he never thought his bully would give a single shit about his feelings and you never thought you would ever comfort him.

why did you even bother to comfort him? it didn’t mean you tolerated him or anything. he was just cute that’s why you let him hug you, telling him he did a good job in his ear. there was no reason behind it, like how there was no reason behind you walking him back to your house, hand in his hand. (only because he was too jittery and wouldn’t stop shaking)

“lets go on a date tomorrow.” you deadpan. nothing behind those words, nope, nothing at all. just a reward for his good behaviour.

he looks at you with stupidly cute hopeful eyes, ignoring the uncomfortable squench in-between his thighs.

“you promise?”

“promise. you big baby.”

[lotties-ashwagandha]

AGATHA & RIO NSFW ALPHABET

(afab reader, female implied, poly relationship/throuple with them and reader, im disregarding that we can’t kiss rio without dying)

A = Aftercare (what they’re like after sex)

after sex they would both be so soft! depending on the mood both of them can be into pretty rough sex and in general i think sex is very intense for them not just physically but mentally as well, so afterwards they become quite gentle and sentimentally inclined. they're both quick to check on and cater to each other's and your needs, and expect that out of you as well. the time all of you spend together once you're all exhausted and grounded in each other becomes an act of quality time and showing affection through caring for each other. i feel you could get into some deeper discussions with them as well, which you might not usually have the time or focus for otherwise.

B = Body part (their favorite body part of theirs and also their partner’s)

rio loves agatha's neck and shoulders. she likes to run her knife down her neck and her hands are always finding agatha's shoulders to clutch when she's riding her thigh. OH and we know rio loves playing with agatha's hair as well, not in a sexual context but just in general.

agatha loves rio's. she. she loves her boobs man idk someone get this woman the biggest prode flag you've ever seen and scribble down BOOBS on it in sharpie. or whatever.

their favorite thing about you would be your legs, your arms your back your everything. they want every part of you.

C = Cum (anything to do with cum, basically)

rio loves to make you taste yourself after she's finished eating you out. it's validation for her, a trophy and a way of rubbing in the fact that she just made you finish with her tongue.

agatha loves to see your face covered in her cum after riding your face. she wants to make a mess of you, claim you as hers in the way your chin glistens with her cum.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

on the witches road, they MAY have considered each fucking you during a trial and seeing who could make you come the fastest, obviously very funny time limit bc if you don’t complete the trial then u die I mean what who said that!

E = Experience (how experienced are they? do they know what they’re doing?)

they’re both experienced, you’d get good at eating pussy after being around for centuries I would hope.

F = Favorite position (this goes without saying)

when you’re trying to eat one of them out while the other is fucking you with her strap!!! agatha particularly loves making you and rio take her strap, and if you’re in a rough mood degradation kink mood then she loves to bully you, tease you, shame you for being so needy for her and desperate for her to fuck you. she likes to watch you ride it, but really she just wants to lay you down and make you come hard.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

they have to have some level of seriousness to actually like. get off. and with them like I mentioned before sometimes they will get really into the emotionally intimate and romantic aspect of sex, but with them nothing can stay serious for too long so there will be a bit of humor, a few mean jokes, anything to break the tension. if you don’t want that they’ll try to dial it back, but if you do then even better.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

with rio being death and agatha being a witch i dont think either of them have the most time to be meticulously shaving or waxing or whatever hair removal they would prefer. agatha would care more than rio, and i think they would both try to keep up with it to some extent, but time gets in the way. as for you they don't mind whatever you prefer to do (shaving, waxing, not doing anything in the way of hair removal) with yourself as long as you are comfortable.

I = Intimacy (how are they during the moment? the romantic aspect)

sex with rio and agatha can either be sex just to fuck or sex to be romantic. it depends on the mood, it depends on what has turned them on, it depends on the day. but sex for them can be a form of intimacy — neither of them are the best at expressing their feelings with words, and while sex should not take the place of verbal communication, it definitely helps.

J = Jack off (masturbation headcanon)

I can’t see them masturbating as much in a relationship, they’d both just prefer to fuck, but in general I think agatha would masturbate more often than rio?

K = Kink (one or more of their kinks)

do I even have to say knife kink??? knife kink. we all know knife kink. maybe even splurge a little and say blood kink.

bondage!!! they would be really into tying you up (and making a competition out of you somehow, a power struggle), and I can also see rio being so proud of herself if she got agatha to agree to let rio tie her up.

praise and degradation! of course. they’ll pick different sides, one night rio will be praising you and agatha degrading and then the next time it will switch. they crave both, and they want the element of surprise for you when you don’t know what you’re going to get from either of them.

L = Location (favorite places to do the do)

ideally at home in the bedroom but tbh you’ve all probably fucked everywhere including the witches road.

M = Motivation (what turns them on, gets them going)

if you’re a witch, they would get turned on by watching you do whatever magic you specialize in — they like seeing you with power, and they like taking it for themselves. they want to see that you’re powerful and then remind themselves that you belong to them.

N = No (something they wouldn’t do, turn offs)

anything you say no to they’re throwing away the idea of, but in general they would be averse to sharing you with anyone else.

O = Oral (preference in giving or receiving, skill, etc.)

rio would prefer giving, and agatha would prefer receiving. rio wants you and agatha coming on her tongue, wants to be what gives you those highs. agatha wants to completely let go of herself in your touch, forget the rest of the world exists for a little while because all that’s important is how pretty you look between her thighs.

P = Pace (are they fast and rough? slow and sensual? etc.)

it depends!!! if it’s a more emotionally intimate and romance geared night they’re more slow and sensual, and otherwise it’s fast and rough.

Q = Quickie (their opinions on quickies, how often, etc.)

quickies anywhere and everywhere and whenever. as long as you’re in a place relatively safe from being discovered, the two of them are down for quickies. i can see them trying to test the limits of where they can and can’t fuck without being discovered too, so lots of being pulled into public restrooms or dragged off into the woods on the witches road or into an alley or whatever little places you can find.

R = Risk (are they game to experiment? do they take risks? etc.)

they will probably be down to experiment with whatever you bring up within reason, with both of them having been around for centuries they’ve seen it all, and it will take a lot to surprise them when it comes to testing things out.

S = Stamina (how many rounds can they go for? how long do they last?)

they can go for a relatively long time, rio can last longer than agatha but they go until they’re completely exhausted, there’s no such thing as casual sex for them unless you’re in public and it has to be a quickie somewhere.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

apart from vibrators and straps I can’t see them being incredibly into toys, they would much rather just go hands mouth all the essentials.

U = Unfair (how much they like to tease)

an obscene amount it’s not even funny these women would tease you until you’re in tears and then would do it some more. it’s a game to them, like everything is.

I can see them reaaaally being into edging you and overstimulating you as a side note, rio wants to edge you and agatha wants to overstimulate.

V = Volume (how loud they are, what sounds they make, etc.)

they’re both relatively vocal but not necessarily loud. agatha would be louder than rio, she loses every bit of composure when you’re fucking her and rio’s main goal specifically is to pull any moans, whines, anything she can get from agatha while fucking her. rio herself is a bit quieter, i can see her more prone to gasps and low moans — her tells would be more through body language, nails digging into your skin or her grip on you getting tighter.

W = Wild card (a random headcanon for the character)

I’ve posted about this somewhere before but agatha with a mommy kink calling rio mommy. you agree.

X = X-ray (let’s see what’s going on under those clothes)

idk about agatha but I need to see rio in a black lingerie set. bah!

Y = Yearning (how high is their sex drive?)

relatively high??? not super crazy but we all feel the level of longing for lesbian sex right.

Z = Zzz (how quickly they fall asleep afterwards)

it depends, if it’s in the morning or afternoon they probably won’t. if it’s nighttime then not immediately, but not incredibly long after. in general they get some water take a shower make some food (bc i can see rio cooking up a three million course meal for the three of you after sex she gets hungry). they want to make sure you’re doing alright and just bask in the domestic bliss of aftercare before they give in to sleep.

[gin-juice-tonic]

So, for Starters: Book Of Bill Spoilers warning. Another opinion from me below. This new one is about the lost journal pages again, of course.

Originally, I wanted to make a super big crazy essay about all the reasons I think the journal pages in BOB (The Book of Bill’s given name) are fake, and show off my super-cool totally completely sound deductive reasoning techniques in the process.  

Unfortunately, knowing myself I’m not sure I’m actually capable of accomplishing such a feat. You all know how I tend to post things in parts, sometimes out of order, often never finished. However I would like to share something in particular that’s been eating at me that I’ve seen… partially discussed, but only partially. And certainly not the part that I would like to discuss. 

It’s about the rats.

You know, the rats.

I saw these rats being talked about since before I was even able to have a look at the book myself. 

But before I get further into it all, I would like to start off with a joke: 

Why did dead rats, eggnog, a land orca, shrimp colors, It’s a Small World After All, and an Anti-Cipherite Suit cross the road? 

Well, that’s easy. To get to the other side. 

Of the book, that is. 

If you’re anything like me, you probably skipped right to the journal pages upon contact with the book. And if you’re even MORE like me, you were probably left a little confounded by them. Not only did they seem… wrong somehow. But they also felt random. Full of odd choices of subject that didn’t make a lot of sense. Could these pages really have come from journal 3? If so, why do parts of them feel so… completely out of context? 

And this is where the rats come in. As I mentioned before, I saw many people discussing them. In particular, they were noting a connection to this passage from earlier in the book:

Many of the related discussions also felt odd to me. Though I lacked the knowledge to be able to articulate why at the time. UNTIL, I read the book for myself from start to finish. That's when I realized something:  This is not the only time something from earlier in the book connects back to the journal pages. In fact, it happens many, many times throughout the earlier passages. (Here is a small collection of them for your perusal.)

And then it started clicking into place. The reasons the pages felt like they were so abnormally out of context… is because they WERE lacking context!

Now, before you can finish saying “Gin, you’re an idiot.” I would like you to ponder these three questions: 

1) Why, if these pages were taken from Journal 3, should they require context from outside of it to be able to be completely understood?

2) Why is it that this context can be found in what Bill Cipher has been writing in the preceding passages up till now? 

3) If you put food in a mogwai’s mouth at midnight EST but drive it over the CST time zone line back to 11PM before it can swallow, will it still transform into a gremlin? 

Okay, you caught me, that third one is unrelated. But the first two I believe require further thinking. So let’s delve a little further into the idea. Consider this the real third question: 

3) Are we to seriously believe that these, the only pages of J3 still lost to us, just so happen to tie into the new topics from the rest of the Book of Bill over and over like this?  

And since you’ve done so well thinking thus far, I’ll ask a fourth question: 

4) Are you aware of the concepts of Watsonian and Doyalist analysis? 

Assuming you don’t and you won’t google it, I’ll skip to the important part. Watsonian analysis is to analyze a story from within it, as if you yourself were Watson making deductions in a Sherlock Holmes novel.  

Now, from a Watsonian point of view, what happens when we try to answer our earlier questions? Why should it be that the Book of Bill provides so many of these points of reference to the journal pages? 

One possible line of thought could be that Bill wrote the earlier passages of his book *around* the idea of what was contained in the pages, but I think this doesn’t work for a few reasons. For one thing, the purpose of the book is to get the reader to make a deal, not to take a whole novel to set the stage for a 3 day mini Ford adventure. For another, not all of what I described prior is really fit to be called “context”, is it? The rats, the “Small World” cassette, and the Bill-Suit are one thing, but Eggnog? Shrimp colors? Land Orcas? I certainly wouldn’t define them that way. If anything, they’d be better suited to being called “references”. And unlike the more contextual ideas, there’d be no real need for Bill to sneak mere references to the pages into his grand story.  And lastly, there are a great deal of Bill pages that have nothing to do with the content in the journal pages at all.

So what exactly am I trying to say here? 

If we do intend to think of the callbacks outlined above as references, the only logical conclusion within the story is that the journal pages themselves are referencing back to the Book of Bill, not the other way around.

But… how? And why? Something Ford has written in the 80’s shouldn't be able to reference something Bill is writing post-weirdmageddon certainly. 

That’s because “Ford” isn’t referencing it at all!

And as for why… Well, have you ever noticed when you're writing a story on the fly, things you wrote earlier all come crashing back to you as you try to wrap things up? I believe personally that the journal pages are not pages actually written by Ford, but more a strange endcap on Bill’s crazy train of thought! That Bill is the one writing them, and the "references" are just fuel that further the pages creation. Almost as if, to quote someone much more knowledgeable than me on this subject…

(This single paragraph has been inserted a good deal after the original writing of this post.) I would like to clarify, I am not trying to claim the ideas presented in the pages have no basis in reality whatsoever. Ultimately, what I'm saying is I think Bill wrote them, and they should be taken with suspicion instead of as complete fact. "Did this event happen exactly this way?", "Does some of this feel distorted?", "Did this part even happen at all?" I think those are questions worth examining with the events detailed on these pages.

In the end, all I've described above (as well as other aspects of the pages I've not mentioned here) leave me with the impression the pages are not real.

As I stated only a bit earlier, the idea that these pages, the only pages of J3 purported to be lost, should be so connected to the rest of the book is beyond coincidence to me. Not to mention that in order to take these pages as total truth, you must give credence to several other passages of Bill's book as well. And I'm not too keen on having to trust him that much.

To all who have read this far, even to those who may have scoffed at the ideas in here or think I've only written up nonsense. Thank you for reading and considering my thoughts.

I am not saying anyone must agree with me on this. I know some people have found the pages to be important and meaningful to them, and I do not wish to give the impression that I think my view is the end all be all correct one, or that I think lesser of those who believe them to be Ford's own writings. I only want to share my own thoughts on them. And to anyone else who found the pages to feel "off" somehow, possibly validate their feelings too.

[lamamasjamas]

Can you write a fic where gn reader finally washes Qimir’s greasy hair after he comes home from a sith mission. Thanks ❤️

Late Night

A/n: Thank you for the request! ❤️ For context, Reader has no idea Qimir is a force user and assumes he’s just some guy that makes potions. Also I was eepy when I wrote the last part and I’m yearning for my ld bf so…

Warnings: A little heated (of the sexual type), but it’s fluffy and cute! Some angst and stuff too. 🤭

The night was still young. You were in bed, looking up towards the ceiling, the candlelight at the tonic shop's entrance still illuminating into the corner of the room further inside and past the counter.

You kept the curtain to the bed bunk open so he would come in at his leisure. Most times he was still in his soiled robes and got into bed next to you. He claimed he was too tired to wake you, or even freshen up.

You'd wake up to his hand lightly placed over your shoulder.

Sometimes your side or stomach. Sometimes squeezing, as if he wanted you closer.

But you weren't anything but a colleague. You watched over his small business whenever he was out for "ingredient collection". He was a sort of boss to you. A friend at most.

You think, considering you barely knew anything about him and yet he knew everything about you.

You often wondered where he even found such rare materials and why he'd come back so grimy.

The front door opened and the first thing you saw as you sat up was his back. You were rarely awake by the time he came back from his travels. You rubbed your eyes clean of sleep quickly and stood as quietly as you could.

But it was like he could sense you awake, he turned to you with a smile on his face, pulling his hood down to his shoulders and lifting the baggy of some root he needed for a medicine playfully.

The first thing you do is cringe, his smile falters. His hair was always a mess. He knew that himself.

You point to the washroom and rush to get a bar of soap and a rag from the drawer above his bunk before he could come any closer to his bed.

...

"What do you expect to find, exactly?"

Your lips twitch and curl in mild disgust, the strands of his hair separate from how drenched they were in dirt, oils and sweat.

"A snee nest," you muttered.

His head was leaned back against the tub, the water below steaming and warm. His eyes were closed, and a faint smile was adorning his face as he breathed in and out deeply. It reminded you of when he was napping, and no one happened to walk into the store for a couple hours.

It was relatively silent. As it usually was for you around him.

It irritated you how little he spoke with you. Then again, you weren't one to partake in conversation. But neither was Mae.

Sure, he joked and had his quirks with you. But with Mae? He was practically a chatterbox. She obviously didn't reciprocate his enthusiasm though, ever.

You refuse to ask why she would come to the shop and ask to speak to him privately every other week. You didn't want to know.

You stare at his brows, his eyelids and the bridge of his nose as your hands massage his scalp gently, using a cup to scoop water and pour it over his hair.

Your gaze led to his lips. They stay there. You didn't even notice that he was staring back up at you and that your hands had stopped their movements.

"You always do that."

You startle and pull away in surprise, but his hand grips your wrist to keep your fingers pressed against his head.

"Sorry-“

He quirks a brow and smirks, his eyes trying to connect with yours.

“what are you talking about?" you stutter at his intense gaze.

You pull away again, confused. He sits up quickly, his damp hair dripping and spraying you lightly with droplets. His tunic dampens and he crowds you as he leans closer.

He holds you in place by not letting go of your hand. He knew you would have been several feet away if he didn’t have you in his hold.

"You always... stare."

His fingers tap at the pulse of your wrist at your silence. His eyes roam over your face, his head tilts. He wanted you to respond.

“No…” your eyes bounce around the room briefly. You feel childish denying what was so obvious.

“I don’t,” you mutter, half embarrassed from being caught and half upset he even brought it up. It wasn’t his business if you stared anyway.

“I’m not dense-“

“Maybe you are,” you retort quickly, swallowing thickly after a beat as you realize that he was still your boss and you had in fact indirectly called him dense.

His laugh booms across the room. For a second you are mortified, but then you’re enthralled by his chortle. It was infectious.

You could feel yourself smile and huff, your shoulders losing their stiffness. He loosened his grip on you and allowed your hands to fall to his lap.

He sighed as his chuckles died down, he leaned closer.

“What are you hiding?” His eyes flicker to your lips. “Talk to me…”

In that moment you reminded him of a hare, skittish, cautious but very observant and curious. Stubborn to a degree. He felt you pull into him like a magnet, still unsure but very wanting.

Your noses brushed and before you could cower away he whispered.

“Show me.”

The kiss was short. He stayed still, waiting for you, his eyes gently roaming over your face as you lingered on his lips afterwards as you separated.

It was like he knew what you were going to do. What you’ve been wanting to do for a while. You yourself had barely made that discovery it seemed.

He was patient enough to wait for you to lean in for another kiss... then another... then another.

Until you had no choice but to make a small noise as his hand reached behind your neck to pull you impossibly closer.

One hand reaches your hip, the other cupping your head firmly. Your own hands move up from his lap to his chest.

He groans in approval and he tilts his head to kiss you deeper, his knee coming between your kneeled thighs.

You didn’t know whose tongue slipped first. All you knew was that it sent an electrifying feeling down your chest to you belly, your belly to your core.

His hand roamed to the swell of your ass and pushed you down onto his thigh roughly. He swallowed your moans, he wanted to devour you completely.

Your hand thread throughout his hair as if they were braided together. Droplets of water glided down your arm as a result.

His mouth followed, his tongue darting out to collect the drops greedily. You let him claw at your tunic, struggling to pull it up your shoulders to get the last drops, desperate to lick your skin clean.

One hand slithered to cup you, his hand grinding down upon your center and distracting you from the way his struggling grip on your tunic caused it to rip and expose your upper half.

The shop door slides opens quickly. The sound of a cold gust of wind makes you tense, immediately making you pull away.

His head jumps from being nestled between your shoulder and neck and he flips you to lay down below him on the tile.

The realization of your current position and state of being finally catches up to you. You could hear Mae call for him.

You feel something stiff poke at your soft stomach. A heady moan escapes your lips unexpectedly as you glance down and realize it was his swollen crotch. His hand covers your mouth quickly, his eyes neither scolding or concerned but very frustrated at the intrusion.

He calls out that he was in the fresher loudly. Mae huffs and groans as he calls out again a beat after, stating he’d be out in a minute.

He sits up and presses his finger to his lip then places it against yours with a smirk. Your eyes flutter at his touch.

The door opens and closes quick enough to allow you to see the shop lights now on.

They weren’t close enough to hear. Most noises were murmurs and mumbles. Teasing remarks made by Qimir about how he would require extra payment for the nightly visit.

The shop’s doors open and close after a couple of minutes. He comes in to see you staring at your half torn tunic, resting against the tub with half lidded eyes.

The exhilaration from before was gone and replaced by drowsiness. It was almost sunrise and you had yet to get a full nights sleep.

His crouches down before you and lifts you. For a second you question how a potions shop owner could carry you with such ease.

The sight of the bed made you quickly forget and lean against his chest. Your hands are lightly placed over his bicep as if you were afraid of him losing his grip and letting you fall.

You woke up that same afternoon with his head buried in your neck and his arms wound around your waist.

His even breaths lulled you to sleep. You snorted weakly at the sight of his hair before falling back into slumber with him.

Despite your efforts, his hair still looks like it could do with a wash. You’d bathe him properly, you thought.

—————

A/n: Reblogs and Comments appreciated! 💋❤️

[libraryofgage]

Good Vibrations Two

This AU got a lot more attention than I expected actually hfjdks I'm so glad everyone likes it!

Anyway, here's part two! We get some concert, some peeks at how Robin helps Steve navigate social situations, and a little Eddie having an itsy-bitsy crisis over Steve's fashion choices.

Have fun! And, as always, if you see any typos, no you didn't (especially for this one since I wrote most of it on my phone actually lmao)

----

Steve stares at the shirts laid out on his bed, arms crossed over his chest. Choosing jeans had been easy, but choosing a shirt is giving him trouble. What do you wear to a metal show at the local dive bar for a small-town band in which the lead singer is a long-time and way-out-of-your-league crush that you've been holding a candle for since the first time you saw him laugh on top of a cafeteria table?

You definitely don't show up in a plain black shirt, that's for sure.

The lights in the hall outside Steve's room flicker, switching off and on three times. Steve just barely notices, which means he doesn't get his pants scared off when Robin appears in the doorway, grinning at him while pocketing the key to the front door he'd given her months ago into a messenger bag. "Hey, dingus," she says, striding into the room and flopping onto the bed.

Steve rolls his eyes, yanking the shirts out from under her and laying them once more over Robin's stomach and legs. "What shirt should I wear?" he asks.

It takes a few seconds for Steve to look from the shirts to Robin, and she patiently waits until he's staring at her to say, "Just pick one. Nobody's gonna care what you're wearing."

"I care," Steve says, frowning as he looks back at the shirts. For the aforementioned crush reason, Steve cares very much about the shirt he wears. "What says 'Hi, we've never talked before but your music is the only thing I can hear and I think your hair is in desperate need of quality shampoo and also I've been halfway in love with you since, like, sophomore year'?"

Robin considers the question for a long moment before picking up a red sweater. "This one says 'I'm horny'," she offers.

Steve blinks, staring at the sweater for a few beats before laughing. "But I'm not," he says.

Despite looking at Robin, she happens to angle her head toward the sweater, and her response is lost on Steve. He frowns, waits until her jaw has stopped moving, and says, "I didn't get that."

After Robin first learned about Steve's deafness, he'd been overly anxious about asking her to repeat things. Somehow, it was worse to constantly ask when the person knew he couldn't hear well, if at all. But Robin had never shown annoyance; she'd just adjust her posture, make sure Steve could see her lips, and repeat her words. She does all of this now, and Steve gets to read her joking response, "Yeah, but you will be."

And, yeah, she has him there. Steve huffs and collapses onto the bed beside her, sacrificing the shirts. "I'll need a jacket," he says, turning his head to look at Robin so he can read her response.

Instead of words, though, he sees her face light up, and she jumps off the bed. Steve sits up, watching as she digs in her messenger bag before pulling out a t-shirt. "Remember when I stayed over a few weeks ago? And you let me borrow a shirt? You should wear it!"

Thankfully, Robin waits until she's done talking to throw the shirt in Steve's face. Honestly, he only understood a few words ("remember," "borrow," and "wear") but he's gathered enough context clues to get the gist of things.

He spreads the shirt out, humming at the Iron Maiden design. It's not one he wears often; for the most part, it's a shirt he wears on lazy days at home because of how soft it is. But as he's studying the design, Steve is suddenly hit with a stroke of pure genius.

He quickly changes into the shirt and then grabs a varsity jacket (not his letterman, but one he'd seen at the mall and bought on a whim because it used a nice shade of yellow) off his desk, tugging it on over the shirt but leaving it unbuttoned. After a few more seconds of digging around, he finds sneakers under the bed and tugs them on.

"Okay," he says, turning so Robin can see the outfit from every angle. He comes to a stop when he's facing her once more, hands buried in his jacket pockets, and asks, "What do you think? How's it look?"

"I think you'll give Eddie a crisis," Robin replies, wrinkling her nose at the varsity jacket. "Not, like, a bad one. But he'll probably ask where you got the shirt from."

Steve grins, thinking that sounds about perfect, and turns to study himself in the mirror. It's a surprisingly solid blend of metal and jock, and it makes him feel oddly confident, the same way he felt the first time he did his hair just right and everyone complimented it.

"Perfect," he decides. "Let's go."

----

The ride to the Hideout isn't exactly quiet, but it's not like Steve can talk and drive at the same time. So it's filled with music blasted as high as it can go on his car stereo, causing the whole vehicle to vibrate with each beat. When he finally turns the car off after parking, Robin grimaces as she rubs her ears.

She waits for Steve to be in front of her before saying, "We're putting the windows down next time."

"Oh. Sorry," Steve says, rubbing the back of his neck a little awkwardly as Robin dismissively waves off his apology.

"No, it's fine, I'm just saying. Now, let's get inside before they start."

With that, she loops her arm through Steve's and drags him into the Hideout. They're hit with a wave of cigarette smoke, spilled beer, and sweat as they walk through the door, the combined smells making Steve dizzy. He frowns, leaning closer to Robin as she squeezes his arm. He feels her thumb tap him twice, their code for asking if the other is okay.

"I'm fine," he mumbles, nodding to a table in the corner. "Let's go sit. I just need to get used to...everything."

The lights are weird, too. Despite the place being dim, the few lights that are on are flickering, and Steve is having trouble processing all the new information his (working) senses are taking in.

Thankfully, Robin pulls him over to the table he pointed to, a small circle near a stage of dubious sturdiness. It looks like it can barely hold the instruments, much less those plus the people who will play them. There's an amp on the side of the stage near the table, which means they'll have the perfect spot to feel the music's vibrations. Steve slides into one of the chairs there and closes his eyes, resting his arms on a table that is surprisingly not sticky.

He feels Robin move the other chair next to him, slide in, and start pulling things out of her bag. When Steve opens his eyes again, there's a notebook between them and a variety of pens in all different colors spread out across the open pages. Robin has already picked up a red pen and is writing with it as Steve chooses a purple one.

When Robin is done writing, she taps the page so Steve can read, "Want something to drink?"

"I'm not sure we can trust the glasses here," he writes back.

"The fact you're calling them "glasses" tells me everything. Just sit tight."

With that, Robin drops her pen, winks at Steve, and heads over to the bar where a woman is wiping the counter. Steve watches her for a few seconds before looking around at the other people in the place. Most of them are sitting in groups, talking amongst themselves. Most of them also have mustaches or beards, making it downright impossible for Steve to read their lips.

Instead, Steve just gets a dull kind of rush in his ears, an ever-present background noise he can't escape. Soon enough, maybe because he's thinking about it too much, a high-pitched ringing starts up in his right ear, growing and growing in pitch until it's all he can focus on. Steve grimaces and looks down at the notebook, trying to keep his shoulders relaxed so he doesn't look as tense as he feels. The ringing persists, and he rubs his ear like that's going to help.

His ear is still ringing, though it has started to diminish, when a water bottle is placed in front of him. Steve jerks, forcing himself to calm down as Robin slides into her seat again with a mug of beer that's more foam than anything else. "They're about to start," she says, waiting until Steve has nodded once to show understanding before taking a sip.

Steve looks up at the stage and wonders how he missed Eddie and his friends arriving. As his friends are setting up behind him, Eddie is resting one hand on the neck of his guitar and using the other to hold the mic close to his mouth. Steve can't read his lips, but Eddie's grin is a little contagious as he says something to a guy by the bar. The guy must say something back, because Eddie bursts out laughing, his head thrown back to show off a neck Steve wants to bite.

A tap on his arm brings his attention away, and he looks at the notebook to see Robin has scrawled out a transcript:

"Eddie: Thanks for coming out tonight, everyone

Guy: Fuck off, Munson

Eddie: Love you, too, Jeremy"

Steve snorts, looking up to see Robin's equally amused smile as she continues to write on another page. When he glances at the stage, Steve sees Eddie still talking into the mic, his eyes roaming over the audience until they reach Steve and Robin. Eddie seems to grip the mic tighter, and he holds Steve's eyes for a few seconds, giving just enough time for Steve to wave awkwardly before Eddie looks away. But his smile seems a little bigger than before, and Steve is happy to let himself think he caused it.

When he looks down again, Robin has finished writing, and she nudges the notebook closer to him. Eddie must talk fast, because her writing is almost indistinguishable from chicken scratch in dirt that a cat got dragged through. Thankfully, Steve is an expert at this point.

"Eddie: Anyway, you know the drill. We'll start with some Metallica, treat you to Iron Maiden, throw in a dash of Black Sabbath, and then grace you with a Corroded Coffin original. If you don't like it, not my problem."

Steve feels the beginning of the set as he finishes reading. He sits a little straighter, planting his feet firmly on the floor and placing his palms on the table with his fingers spread. Robin is still writing next to him, most likely transcribing the bits and pieces of conversation she can hear for Steve to read later and laugh at. She doesn't try to get his attention while she does, already knowing it won't be worth it after Steve has shifted into Music Mode.

In the same way that people can tell what song is playing based simply on the first note, Steve can sometimes tell based on the strength and length of the first vibration. In the same way people know the lyrics of songs after listening to them enough times, Steve knows the vibration patterns like the back of his hand. In the same way people who hear their favorite songs played live can tell when a note is wrong or a lyric is sung too fast, Steve can tell when the drummer or bassist makes tiny mistakes that wouldn't be caught otherwise.

And Steve loves it. He loves how his entire body thrums with each vibration that travels from the amp. He loves how he can close his eyes and picture a story based on the music, one that probably doesn't match the lyrics but tends to replace them in his heart. He loves that this is something he can still share with his friends, even if most of them don't realize how different his experience with music is.

So, for all the little bumps and dips that occur in the vibrations as Corroded Coffin plays, for all the tiny slips that certainly go unnoticed by anyone else, and for all the fact that Steve doesn't get to hear Eddie's voice, he can confidently say he loves the show. He's never heard the songs played like this before, and it helps diminish the gut-deep desperation for new music.

And then Corroded Coffin starts a new song. It's one Steve doesn't recognize, one with vibrations that are completely foreign to him, and he jerks his head up to watch Eddie play his guitar in an opening solo. It thrums across the floor, climbing up his legs and spreading in waves from his palms on the table. Steve feels goosebumps chase after it, a new wave washing over him when the guitar solo ends with a particularly strong vibration that's immediately followed by the drums and bass.

Eddie throws himself into the music, moving and twisting and strutting around the stage like he's playing to Madison Square Garden. Steve can't look away, the lyrics incomprehensible but replaced by the jerk of Eddie's hips and the tilt of his head and the little half-spin he does on his heel.

It ends too quickly with one final, reverberating strum that lingers in Steve's bones, burrowing into his marrows as Eddie pushes his hair back and grins into the mic. He says something breathlessly, his shoulders rising and falling rapidly as he tries to catch his breath, and Steve knows he's gone.

He's hopeless.

He's desperate.

He needs more Corroded Coffin, more Eddie, in whatever form he can get.

----

For the first time, Corroded Coffin gets genuine applause after playing. Usually, the patrons of the Hideout will politely clap (if they even notice the set is over) for about two seconds. Tonight, however, Eddie and his friends are graced with excited clapping, a few shouts, and one very strong whistle from a small table to the left of the stage. And it spreads because even rough biker dudes can fall to peer pressure when it's that enthusiastic.

So, yeah, genuine applause all because of Steve Harrington and Robin Buckley who, Eddie thinks, is surprising company for the former King of Hawkins High. No matter how unexpected, he should still thank them and ask what they thought of the set now that it's over. He carefully sets his guitar on a stand and glances over his shoulder, catching Jeff's gaze and flashing a grin. "I'll be right back," he says before jumping off the stage and heading over to Steve and Robin's table.

As he gets closer, he notices the notebook and pens spread out, colorful writing filling the pages and Steve grinning with amusement as he reads it. Robin is watching him like she's waiting for him to understand an inside joke already so they can laugh about it together. If Eddie didn't already know Robin was like him (band camp, summer after his junior year, during an unfortunate game of Seven Minutes in Heaven where they awkwardly stood in a closet together before Robin commented on his black bandana), he'd wonder if something was going on between them.

"How'd you like the set?" Eddie asks when he reaches the table, suddenly nervous enough to tug on a lock of his hair and pull it in front of his mouth.

Robin looks up, but Steve doesn't. He's still reading the notebook, snorting at whatever is written there like he didn't hear Eddie. It's not until Robin elbows him that he raises his head, eyes widening when he sees Eddie. "Sorry, could you repeat that?" Steve asks, his gaze dropping to Eddie's mouth (Eddie definitely isn't imagining that) and faltering some.

"I asked if you liked the set," Eddie says, frowning slightly as Robin grabs a pen and scribbles something on the notebook. It's too small for him to read, but he doesn't miss how Steve glances down for less than a second before his eyes light up with realization.

"Oh!" he says, looking back at Eddie and flashing a charming grin. "It was great. You guys are so loud, and I've never f-uh, heard anything like your original song before."

Eddie catches the way Steve fumbles, faltering like he wanted to say one word but forced himself to say another. Something is tugging at the back of Eddie's mind, but he can't quite grab onto it just yet. For now, he leans forward, placing both hands on the table so he can be closer to Steve. "You listen to metal often, Harrington?" he asks.

Steve stares at his mouth for a few seconds before nodding, and Eddie feels the thrill of learning something completely unexpected. "I like Black Sabbath best, but Judas Priest and Guns N' Roses are close seconds," Steve says.

"Yeah?" Eddie asks, "What do you like most about it?" He wants to know. Does Steve Harrington (King Steve, Steve "The Hair" Harrington, Steve fucking Harrington) like metal for the same reasons he does? Does he like the stories and the passion and the heavy theatricality of it all?

Steve seems to hesitate, possibly thinking about how to answer, before finally saying, "I like how it's music I can feel. When I listen to metal, it digs into my bones. Other music doesn't."

Somehow, Eddie's grin gets impossibly wider, and his cheeks are hurting from the sheer force of it. He's about to say more when Robin glances at the clock and swears under her breath. "Shit, I promised Mom I'd be home ten minutes ago," she says, grabbing the pens and recklessly throwing them into her bag.

It's the movement that seems to catch Steve's attention, and he looks down at Robin's hands before looking up at the clock. "Oh, fuck, your curfew," he says, looking at Robin like she hadn't just said the same thing two seconds ago.

"Yeah, no shit, dingus," Robin says, pausing long enough to speak while looking straight at Steve before throwing the notebook into her bag, too. She jumps to her feet and hauls Steve out of the chair, making his varsity jacket fall open to reveal an Iron Maiden shirt.

And Eddie thinks his heart just about stops. He doesn't know why, but seeing Steve in a metal band shirt under an undeniably jock jacket makes him feel....something. This is, like, sacrilege, right? How dare Steve Harrington allow Metal and Jock to meet? Doesn't he know the two styles clash? Or, well, they're supposed to clash, but Steve somehow wears them well, and Eddie thinks he's upset and annoyed by the fact.

Before Eddie can analyze that feeling, Steve says, "Sorry to run, Eddie. You played really well. Let me know when the next show is."

There's a lot to unpack there, too. Steve Harrington wants to come to another Corroded Coffin gig. Steve Harrington is sorry he has to cut the conversation short. Steve Harrington thinks his band played really well. Before Eddie can say anything in response, Robin is dragging Steve away, throwing a goodbye over her shoulder.

Eddie doesn't want Steve to go without something, though, some kind of departing word, so he shouts, "See ya later, big boy!"

Steve doesn't look back, but Robin nearly trips over the doorway. She then pauses long enough to say something to Steve, watching with sheer delight as he splutters and glances at Eddie before dragging her through the door. Eddie couldn't stop the grin if he tried, and he didn't try.

Later, when Eddie is sprawled on the floor of his room, staring up at the ceiling and thinking about Steve's stupid combination of Metal and Jock, he'll be struck by a sudden, consuming thought. What if Steve was wearing just the Iron Maiden shirt? What if he wore just the jacket?

Eddie swallows around the sudden lump in his throat, his mouth going dry as he scrambles to his feet and gets ready to take a very, very cold shower.

----

Tag List (the tag list is completely filled up! There definitely wasn't enough room for everyone who requested a tag orz

Please follow the tag "good vibrations Steddie" or put on notifications for my blog to see when new parts are posted :D)

@hallucinatedjosten, @queenie-ofthe-void, @r0binscript, @jewellthebooknerd, @paintgonewrong, @vacantwatchers, @newagemyth, @gutterflower77, @just-a-tiny-void, @littlebluejane

@whenindoubtb72, @different-tale-student, @sharingisntkaren, @current-steddie-brainrot, @willim-billiam-byerson, @nuggies4life

@lostgurl-12, @anomalygal, @synonym-for-strange, @sani-86, @missmagillicuddy, @ilikechocolatemilkh, @thoughtfulbreadpolice, @harringrieve, @awesomeimportantfan, @fredtheemoplant, @warlordess, @therealscarletpumpernickel, @gsvshsjsbs, @mightbeasleep, @mollymawkwrites

@lil-gremlin-things, @honorarybrit81, @sonny-ray-of-goth, @potent-idiocy, @fandomcartographer, @heartsong18, @lingeringmirth, @ko0kyco0kies, @ccomandercody, @spiderman-stilinski, @l0st-strawberry, @xxsky-shockxx, @stilesstickitinme, @boxsam, @thepansexualsnake, @37-screamingfrogs, @yourmom-isgay, @brainsteddielyrotted, @plasticcrotches, @hannahhook7744

[gendercomsumer]

hiii ^^ I would like some headcanons for riddle, malleus, vil and rook with a fem mc that accidentally ends up making them laugh (because what she says or does is very random xd maybe an example would be like jennifer lawrence sjjs she is very funny ) well that's all, thanks and take care <3

Riddle, Malleus, Vil, and Rook with an S/O who can make them laugh with the most random things

A/N: Hello to you too Anon! I know this has been in my inbox for gods knows how long- But thank you still for sending this in! I hope this is to your liking! I actually did watch some Jennifer Lawrence videos for inspiration and I have to agree the comedic timing she has is perfect!! I also used some google translate in Rooks part so it may not be accurate ^^;

Characters: Riddle, Malleus, Vil, and Rook

Warnings: Cursing to a mild degree, playful mention of stalking in Rooks (I love him I swear!!!), lightly proof read

Fem!Reader

Riddle Rosehearts

Riddle is a bit difficult to get a good genuine laugh out of, at least in my opinion.

Like sure you have a small chuckle when he finds something amusing, but i feel like it'd be a bit of a challenge to get a good genuine laugh out of.

Then you came in, saying the strangest things at the most unrelated times!

And Ace and Deuce find this absolutely hilarious

You'll say the most out of pocket shit with the straightest face and somehow half the people around you start to laugh some others breaking out in giggles

Ace and Deuce have definitely talked about this 'talent' of yours, at least in their words.

You had said some of these strange comments around Riddle and he found them strange a bit endearing as well

I'd think the time you got a good laugh out of him was when you had come with him to take care of some of the hedgehogs

The two of you were sitting in the grass some of the hedgehogs were playing while a few had decided that climbing on the two of you was a good way to pass the time

One had wandered up onto your head and almost fell off but luckily you were able to save the little guy before he fully hit the ground

After Riddle worriedly checked the little guy over you while looking over his shoulder at the small animal said:

"Well at least we know this one has no self preservation"

Unwillingly, or maybe subconsciously, a small laugh makes it's way through Riddles chest to his lips.

Well, now maybe he saw what those two were blabbering on about

Your little comments were always appreciated with Riddle

Even if they didn't cause him to laugh they did brighten his mood at least somewhat

"Yes, this one does tend to be a bit of a handful. Reminds me of a certain rose I know"

He teased before you two fell back into the pattern of caring for the small animals

More chuckles and comments to come no doubt

Malleus Draconia

At first Malleus didn't understand why the rest of Diasomnia found your remarks so comical

Yes his child of man did tend to bring a certain warmth where ever she walked

But he didn't see this as an excuse for the amount of laughter you cause people around you

Most of the remarks you make will fly over his head

I'm sorry but he seems like the kind of guy to not get the joke until you explain it to him-

Now the Thorn Prince does share a few chuckles with those around him when he finds something amusing, similar to Riddle

But it's even more difficult to get a laugh out of him considering he doesn't get a lot of the play on words type of jokes

but something abrupt and slightly out of context?

I feel like that would get some sort of laugh out of him

One day you were talking with Malleus about some of the things you did in your old world

The topic of amusement parks came up and you started listing the rides you used to go on as a child

Roller coasters, bumper cars, lazy rides where you could relax, until you blanked on the name of a ride

It was frustrating considering it was probably something simple and you would remember it after their conversation, but you wanted to keep the ball rolling

Malleus mean while was partly enjoying seeing how frustrated you got over a simple word

You really were a strange thing weren't you Child of man?

"I'm sorry Mal- I know what I'm thinking of! It's on the tip of my tongue- It's like one of those horse tornado things!"

Horse.. tornado..?

Now that got Malleus attention

he understood the other rides you described, favoring the lazy rides

but what ever this horse tornado was... it sounded.. strange, yet curious at the same time

"CAROUSELS!! FUCKING CAROUSELS, THAT'S WHAT THEY'RE CALLED!"

Malleus let out a small puff of air before he started chuckling under his breath

You truly were a strange one weren't you child of man, just like the world you came from

Malleus pressed a kiss to your forehead letting out one more chuckle before speaking

"Truly fascinating, maybe one day you could bring me to one of these 'horse tornados' you have me interested"

Sure jokes your fly over his head, but he would tease you some what for your small skips in memory

Vil Schoenheit

Now Vil, having acted in a lot of movies, (If I'm correct) Would have probably had a few good laughs in that line of work

Weather that be on set or behind the cameras

But he doesn't often let out a good laugh in public, it's not really part of the proper image he'd want to put out there

As for behind closed doors or with close friends he's definitely willing to have a laugh

And who better to bring a smile to his face than his lovely sweet potato?

Though one good moment always stuck out to him that caused him to have one of the most genuine laughs in awhile

The two of you were getting ready to go out to a fancy restaurant, courtesy of Vil of course, hair, makeup, shoes things like that

While Vil was sitting at his vanity working on his eyes when you came out of the bathroom in a stunning dress hand picked by Vil

It brought out all your best features while still being enough coverage to where it wasn't uncomfortable to wear into a public area

The two of you made idle conversation as you sat on a near by chair to slip on a matching set of heels for the dress

As you stood up in the heels to work on your own makeup you lost your balance thanks to the new height the heels provided

Although Vil was quick to catch you making sure you came no where near the floor he still was concerned

"Oh sweet potato are you alright? What happened?"

Yes looking back on it the question seemed dumb but he was concerned

but you just let out a giggle while regaining your balance before saying:

"Well I'm not sure what happened, but I remember wanting to yell 'fuck' as my last words before I embarrassed myself"

Vil took a moment while looking at you

then a chuckle escaped his lips which soon turned into the two of you sharing a small laugh

Now Vil doesn't know why he laughs at your antics, in hindsight they're just normal phrases

But maybe it's the delivery?

Or the way you smile at him?

What ever it may be it always causes a smile to grace his lips or a chuckle to be drawn from him

Sure Vil maybe all about preserving beauty and making sure he looks flawless

But if he happens to get a few smile lines because of your antics, he will never hold it against you

"Well my darling, I'm glad to hear you're alright. It would be a shame if you or your lovely dress got roughed up before we left. Now come, you still want to do your makeup don't you? Allow me to help"

Rook Hunt

Now Rook has plenty of laughs in his life

Weather that be from stalking some poor soul or a genuine laugh among friends

Rook out of the four is probably the easiest to get a laugh from

He's a joyful guy wanting to see all nature and the world has to offer! Can you blame him?

Then enters you who some how can't help but leave Rook giggling when ever you do something!

You put your tie on wrong? Oh silly Trickster aren't you just the sweetest thing!

Then comes your words which to Rook is a whole new ball park

Rook tends to hold onto every word meant for him, weather that be written or spoken out loud

His darling Tricksters words are so elegant and so sweet how could he not treasure everyone!

What really gets him chuckling and laughing is the moments when your words aren't as sweet and graceful

Cut to one day when you and Rook were in the fields often used for flying class

Rook had a desire to teach you archery so he happened to drag you along with a quiver and bow to some targets set by his hand

After the first few moments of Rook teaching you how to properly hold and aim the bow and making sure your arm guard was secure (He wouldn't want his darling trickster to get rope burn!) He let you shoot

All was going well as you hit targets in an... acceptable way

But all that seemed to end when a large gust of wind sent your best shot yet off course and into the ground

And just as Rook was about to offer some encouragement to keep going and try once more

some colorful language came from you to say the least

"Wind!? Really!?! Could you not wait two fucking minuets!! Nooooo! You just had to thro my best shot off course you-!"

Now don't get Rook wrong he hold the sweet words you two share close to his heart

But there was just something about you yelling at the wind of all things that caused him to start laughing

As he laid on the grass of the field eyes closed as he laughed

Oh? It seems your colorful language is directed towards him now? Even better!

"Trickster- reine de mon coeur! Please I believe- I believe you have shared plenty enough words with the wind today!"

A/N: This is actually the first time I've taken a good look at the name of Malleus' dorm. Dia = Dragon. Somnia = Sleep

Diasomnia = Dragon of sleep

just a ting i found silly :)

[astronicht]

Hi I hope this isn't presumptuous, but so, that post you made about Tolkien making the lads leave their weapons outside the hall and CS Lewis thinking the hall was gonna get burned down by a lady who also wanted to kill herself... what's the historical precedent for that? Is there a trope in medieval lit where people like... do that? I ask because uh. I am obsessed with Children of Hurin and there's a scene where that like, happens. And I'm obsessed with that scene, and would love to know if there's like, cultural/mythic context that would enrich my knowledge!

OH BOY, sorry I'm getting to this late, it's been uhhh a summer, but one, this is a very good question!! And two, yes there is absolutely precedent, particularly in early medieval literature, and high medieval literature set in the early medieval (circa 500-1100 AD) past. I'll let someone else debate how often people actually historically locked their enemies into a hall and burned them, but especially in Old Norse literature (and if Fellowship felt like it leaned a little more on Old English literature, Two Towers, where Eowyn appears, felt a little more Old Norse) this is common. Off the top of my head, you've got many Icelandic family feuds ending in burning the whole family in their hall, like Njal's Saga (Old Norse), Attila the Hun dramas (yeah he's a big guy in the burning halls circuit, but actually not in the way you might expect) like his cameos in Volsung Saga (Old Norse) and Nibelungelied (Middle High German), and my vague recollection of a few Irish and Welsh versions that no search engine is giving up for me right now.

This, predictably, got long and slightly off topic.

Disclaimer: As usual, I should say I come from an Old English-centric background, and Old English literature is actually notable among all its neighbors for not burning down too many halls. Second disclaimer, all links are not proper citations, they just go to wiki.

Hall-burning in literature is, to my understanding, part of the concerns of a few early medieval cultures in which revenge is not only expected but in many cases legally reinforced and codified, and one in which conflicts could spiral to engulf -- figuratively, or literally and in flames -- entire families. Many medieval Icelandic sagas are focused on this exact type of destruction of whole families or friendship/community units. Most relevant of these to Eowyn, Two Towers, and the vibes of Edoras (since alas I am only partway into RotK and can't speak to Children of Hurin yet!) is Volsung Saga, which is set on the Continent, not Iceland, and actually has to do with Attila the Hun. As mentioned before, an incredible amount of stuff turns out to have to do with Attila. We will come back to him!

So, on the particular post you're talking about, a few people iirc have replied pointing out that the hall in TT is clearly supposed to be based on a hall from Old English literature, namely the hall in Beowulf, which famously did not actually get burnt down. And that's all true! I was not posting with much nuance; I was mostly having a joke at the expense of CS Lewis. However, I was also referencing a very very common trope in Old Norse/early medieval stories, and I personally think JRR was as well (AND I think Beowulf was also very consciously referencing the exact same motif anyway) (no one has to agree with me, a tumblr blog, on any of these points).

The thing about the hall when our heroes approach is that the scariest damn thing in that hall is Eowyn. Certainly not every hall-burning story requires a woman with no other recourse to set the fire (in fact, the "warrior band approaches unknown hall which might have a grudge against them" is a trope that can get you killed in a pretty homosocial environment, as I guess Aragorn at least was aware, being a big reader). Still, the presence of a woman who is swiftly running out of options does fit what I'd consider one of the or perhaps The best known version of the early medieval burning hall trope: Gudrun, who shows up in at least a dozen different texts in both the Scandinavian and the German language traditions, including Volsung Saga, a text which itself often gets paraded around as the basis of lotr (which I'm sure it is, in that JRR appears to have simply and very fairly based lotr on every piece of early medieval vernacular literature I can think of).

In a portion of Gudrun's story (which of course changes a bit in each retelling), after her first marriage she is unhappily married to Atli, who is none other than our main man Attila the Hun. After Attila kills her brothers for reasons (in one version, her father), seeing no other way to take the necessary revenge and no other way out, she kills the two sons she had by him, serves them to Attila for dinner, has Attila killed, and then sets fire to the hall with everyone in it. After this, she attempts to drown herself.

The self-destruction of this act is a really important beat, and has only gotten more-so as a comparison to Eowyn the further I've read into RotK (currently, I'm at the houses of healing after merry and eowyn take on the witch king). It's a lot clearer in the book than the films, for me, that Eowyn going off to battle was not so a straightforward empowering and/or freeing move, despite allowing her some agency, but more the one path she saw as available to her with which to die with honor (which was pretty much exactly what Gudrun was facing as well). Like Gudrun, whose first husband was a great hero but has died, Eowyn's romantic choice is a hero who is presumed dead (sorry Aragorn they did Not believe in your ghost skills). In fact, in some versions Gudrun does put on armor and fight with her brothers before they're killed. She kills Attila with her own hand, with the help of another man who needs to avenge a blood feud against Attila.

So while Eowyn didn't get forced into marriage to Attila Wormtongue (with apologies to both historical Attila and that one historical skald also called Wormtongue who was reportedly hot) and burn the whole place down, she's still trapped, and like Gudrun chooses destruction alongside her household.

Reading her arc feels so much like watching Tolkien write a fix-it for Gudrun. What if she got this one little chance, and this one other little chance, and this one more -- tiny little shifts in the narrative that allow her to get out, and not through fire, and not through death.

Anyway, this got away from me. I hope it added some context to the Children of Hurin arson case! Thanks for the ask

[loosethreadsofyoursoul]

while i will always love and appreciate the bisexual dean winchester agenda, i truly believe that if he was raised differently—or maybe if he grew up today instead—that boy would have been gay. like his love for women in a romantic/sexual context was always such a caricature and was continuously used as a symbol of masculinity that played against the roles assigned to him by his father growing up for the sake of suppressing any queerness he might exhibit. now whether that suppression was purposely written into his character or was a reaction to the character they had created, i’m not sure, but it’s there regardless.

i don’t mean to dismiss the love he felt for cassie or lisa, but particularly with lisa, i’m not sure he was ever in love with her, despite the fact that he did care for both her and ben. i get so frustrated watching the end of s5 because him going to her house and his perfect “apple pie life” being with her in suburbia genuinely came out of nowhere and i’ve never understood a) why it had to happen, and b) why it had to be lisa. but thinking about it in this sense, she was the closest thing he had in his life to everything he was raised to believe he should want by one john winchester, who lost his perfect wife, perfect family, perfect apple pie life and sent all of them down this path in the first place. so of course to dean, his happy ending would be with someone like lisa. but that’s the important part. someone like lisa, not lisa herself. he may have had love for her and he may have been able to picture a life with her, but it wasn’t necessarily because she was everything he wanted; she was a symbol of the things that tore his family apart and so to be with her felt like he was finally able to put some of it back together. and that makes me so sad for him because all of that is a result of the sense of responsibility ingrained in him growing up by john, not something he wanted for himself.

but back to his general attitude towards women, there was an excellent post that said he only acts like the typical womanizer he has a reputation for being around women deemed “stereotypical” by the misogynistic perspective. otherwise, he tends to take on a fairly brotherly role; he doesn’t tend to pursue any women he can “take seriously,” and is more intimidated or impressed by them than anything else. with the exception of cassie (which was pre-series and we never got full context for in the first place), he only ever pursued women with whom he would have a definitive ending—by that i mean women who he knows he’ll never see again or who would have a clearly defined role during the time they’re together that wouldn’t threaten the status quo. and yes these could also be the traits of a commitment-phobe or someone chronically on the move, but for one, sam doesn’t tend to do the same thing (see ruby, amelia, and eileen), and for two, given the things i mentioned already, it makes me consider it more of a result of him not actually being interested in women romantically.

his reaction to women when not purposely used as the butt of a joke or to perpetuate the “womanizer dean winchester” agenda is often so innately fraternal, caring in a way that doesn’t have any expectations behind it. and when there is a romantic context, so much of the relationship can be attributed to the way john raised him and the beliefs he has as a direct result; it’s never simply been built on the foundation of love.

every time he is dismissed as this macho het guy, it also dismisses so much of what makes him a wonderful character, and yes a lot of that is his queerness. so in a world where he didn’t grow up with roles and responsibilities that shaped him into someone he knew his dad hated and forced him to create this character for himself in order to survive? i think he would have been gay and he would have been okay with that.

[pia-nor481]

Lando norris nsfw alphabet

A- Aftercare (what are they like after sex)

I feel as though it’s very dependent on his mood, sometimes it’s a little chaotic running around grabbing water and rushing to the shower, where other times is just soft pillow talk and cuddles.

B- Body part ( their favourite body part of theirs and their partner)

In my mind he favours his hands due to their size, maybe a little bit of a size kink. He enjoys the difference and perhaps how one can cover most of her throat, or how he could easily grasp both of his partner’s wrists together

While on his partner, we know he likes ass so I don’t know what you expected. However, I feel like he might also really like tits, but keeps it a secret because it’s considered “childish” by some (mainly in the uk). In a less sexual sense, I believe he’d really love his partner’s eyes, whether it be staring at them, or how you can tell so much emotion from them.

C- Cum (anything to do with cum)

I don’t know why I get the feeling that he cums a lot in one go. Anyway I think he’d like to pull out and cum on his partner, whether that be tits, thighs or stomach etc. But if can cum inside he definitely would, this would be a main factor in deciding the type of aftercare given.

D- Dirty secret (a dirty secret of theirs)

He may or may not have jacked off to a normal voice note of his partner. The context wasn’t even sexual, he just missed hearing their voice and was very horny.

E- Experience (how experienced are they?)

Is it bad I don’t think he has that much experience? We don’t know about many ex girlfriends. But I think he likes to fuck a lot, so he would be very experienced in pleasuring just his partner after learning (being taught) what gets them off.

F- Favourite position

I think we can all agree he likes doggy, but not for the reasons as most men ((boys) bc a man would never!)) He really wants to be able to see his partner’s face and reactions to what he is doing, he likes the ego boost. Plus I think he likes spanking, not too hard in this specific position, just a few light taps and some groping.

But cowgirl gets an honourable mention, as mentioned above he does like tits so getting so stare at them really gets him off

G- Goofy (how serious are they in the moment?)

Very dependent on the lead up. There are times where sex just has inconvenient moments; struggling to take clothes off so that just leads him to resting his head on his partner’s shoulder, letting out a sigh then a little chuckle. Or maybe a time where he’s just hard, not for any specific reason and asks (begs) for his partner to get him off, and he’s all giddy about it, so it’s just laughs in between moans and groans. On the other hand, I think there are times where he’s very serious , mostly when sex is on the rougher side or post race. Maybe even on an anniversary or special occasion he’d try to be much more serious. But in general I don’t think he’d actually make a joke, or at least not on purpose.

H- Hair (how well groomed are they? Does the carpet match the drapes?)

I’ll be honest, I think it’s a little darker than the hair on his head. I don’t think lando is clean shaven (now that he actually has pubic hair), he tries to keep it quite short though, but sometimes he gets a bit busy and so neglects the length and doesn’t trim it. But I think he may refrain from blow jobs at this time and opts to fuck his partner’s tits instead. Separate thing, but, I think he also has Sunday everything showers on non-race weeks.

I- Intimacy ( how are they during the moment? Romantic? Pleasure driven?)

I think a mix of both as he’s a very horny man so sometimes he rushes for pleasure, yet other times he likes to be slow and passionate, making love not fucking. He would really like to take his time, traveling from room to room, spending lots of time feeling up his partner.

J- Jack off ( masturbation headcanon)

I think he masturbates a lot, a few times a week and I think it would be roughly at the same time of day as well. But he can’t just sit there, he needs material!! Whether that be just pics or short videos in his ‘my eyes only’. Again let me mention the voice notes, he does think it’s bit strange how much he liked it, and how quick he came. But he would much prefer phone calls where he’s limited to just his girlfriend’s voice. Almost teasing himself. And her

K- Kink (one or more of their kinks)

As mentioned above size and voice.

But he really likes control and being dominant. He knows that dominance isn’t just position. He knows how to dominate without putting in any of the physical work

Sensory deprivation- so blindfolds, mainly again as he really likes control (as said in some interview) and he knows not being able to see will heighten your other senses so he would talk/whisper a lot more and be more feather light with touches. This idea can also tie in with the only phone calls not face time

Impact play- again linked to dominance, I think of this of being very specific and planed out. It doesn’t happen just because he got hard 10 minutes ago, but this is specifically reserved for non-race weekends. Mainly trying new toys, whether it be a crop or any object. Maybe just his hands. I think a lot of this is exploring based; testing different areas like the very top of the thighs, instead of just the ass. He always makes notes (during the sex in his head, then after maybe in a book as that can’t get leaked) but this started with a lot of communication to prevent any real injuries, making sure to use a safe word system (I imagine the traffic light system as it fits best) and ensuring that he only hits fatty areas not where organs reside. He wants to play yet it must be safe or it isn’t fun.

Katoptronophilia- mirrors. I believe that he likes to make his girlfriend watch what he’s doing to her as well as see the pleasure he’s giving her. It’s like a power rush as well as a sense of accomplishment/ achievement.

L- Location (favourite place)

Definitely bedroom. This is mainly due to privacy, but I also think it’s because he’s not very tall, so perhaps his hips aren’t high enough for counter sex. I’m not sure though, I may have tested it ( for context when I’m on my tiptoes I’m almost his height and my hips were not above the kitchen counter.) but tables I think he’d like, as well as bending her over the sofa or in the bathroom sink in front of the mirror.

M- Motivation (what gets them going?)

I think most things would turn him on, but I think being challenged would give him motivation to put his girlfriend in her place. Also, just generally intimate/ domestic situations

N- No (something they wouldn’t do, turn offs)

Probably watersports etc but to be honest I don’t know with him. To me I think most people don’t really like that, or at least won’t say they do.

Electro stimulation- it just seems a bit too scary

O- Oral (preference on giving or receiving, skill)

He’s a man so will probably prefer receiving, but he would really enjoy eating his girlfriend out for a sense of pride. However, I feel as though you may have to teach him a little, like he knows what he’s supposed to do but may struggle with actual delivery, but he’s so willing to learn, all smiles. We should take into consideration that he is an athlete so his breath control will be amazing.

P- Pace (are they fast or slow? Rough or sensual?)

Not to be repetitive, but, it will depend on the situation. However, I believe he leans more on the rough side, I don’t have evidence but I stand with that opinion. Furthermore, he’s likes to be rough due to the power and trust it gives him.

But he usually isn’t particularly fast as he’s been informed (generally speaking on the internet) that women will say harder but a man would go faster and they wouldn’t like it. (I know that’s super generalised but he would definitely listen and do what would give her pleasure) he likes research and found some study that wearing socks can make women cum harder and immediately suggested it.

As mentioned before he likes to make love, so winter or summer breaks are reserved for kinky fucks and sensual love making. I rest my case

Q- Quickie (their opinions, how often etc)

He absolutely loves them. He gets horny very quickly and so would want a release as quick as possible. Also the convenience of his drivers room allows for quickies all the time, pre and post race. But if he’s at home he’ll want long and more passionate sex

R- Risk (will they experiment? Do they take risks?)

If it’s not a hard no he’ll probably try it at least once, but he also must worry about his career. Although he really wants to fuck publicly, he can’t take that risk

S- Stamina (how many rounds can they go for)

Again he’s an athlete so can go for long periods of time yet I don’t think he could cum more than twice in one go. He can definitely cum many times in the same day, but he needs a few hours break. But he will make the time he’s fucking his girlfriend as long as possible.

T- Toys (do they own any? Do they use them? On a partner or themselves)

He knows toys are his friend not his enemy (as told by the bathtub toys thing.) Anyway, I think he once bought a vibrator when he was single just because he saw some men talk about how amazing the orgasm felt and he would have really enjoyed it, but always cums way to fast for his liking, he wants to last longer than three minutes. He will definitely use toys on his partner, whether that be a dildo or vibrator of some kind. He also really wants to try hand cuffs but he feels as though he needs to build up to it, as such a physical restraint can be quite a mental strain; so he decides to try it with just paper first so she could very easily get out it she wanted to, then tried those silicone “cuffs” for the same reason. Then finally used metal ones with a lock. But he will always cuff her hands in front of her.

U- Unfair (how much do they like to tease)

I think verbally he teases A LOT. But physically not too much. He may deny the orgasm once or twice before letting her actually cum. But foreplay will be quite lengthy, he wants to slowly drag his hands along her thighs or only push his cock in 2 inches before pulling out fully.

V- Volume (how loud are they, what sounds do they make?)

I think he will always be making noise just not overly loud. Always groaning and moaning (thank you for the twitch streams) he can be completely quiet, except for heavy breathing, if he really needed to.

W- Wild card (a random headcanon)

I think, at some point, he bought one of those moulds to make your own dildo. Just the thought of his girlfriend fucking herself with a silicone version of his cock really gets him going. Along with those remote control vibrators. He would love them especially when she can’t be at a race and so he can make her cum when he’s on the other side of the world. (I didn’t know that was possible until the other day) it’s just so hot to him.

X- X-ray (how big are they?)

You know what they say about the skinny ones. He’s either very long and is relatively thin. Or average length but girthy as fuck. Contrary to popular belief, I don’t think his tip is pink/ red ish. I’m totally basing this off the colour of his lips. But you know. Just a thought.

Y- yearning (how high is their sex drive)

This man is so horny. 8 or 9/10

Z- Zzz (how quick do they fall asleep afterwards?)

I don’t think very quick, unless it’s been a super long session, but even then he’d make sure his girlfriend is situated before daring to fall asleep. He likes cuddles so expect to be in his arms for as long as possible.

If you have any other ideas/ headcanons please comment. I really want to see other people’s opinions.

[reunionatdawn]

My Analysis of the Best Paired Endings in 3H (Part 19: AM Sylvain/Felix)

Sylvain: I hate Crests, you know. They mess everything up in life, the future, everything… Just because I have a Crest, I'm treated as the heir, and my older brother nearly killed me because of jealousy. Bitches... they swarm to me, no, to my blood, like ants... Mercedes: …I'm sorry. Did I remind you of something you didn't want to remember? Sylvain: …Sorry, I slipped. Ah, damn, I didn't mean to show such a pathetic side… Mercedes: …No, I'm glad. It feels like I saw your true face for the first time.

The localization watered down, omitted, or completely rewrote a lot of the more interesting gender-related dialogue. In his Japanese B-Support with Mercedes, the word Sylvain used for women was "女ども" (onnadomo). This term is derogatory. It is used to refer to females in a demeaning manner and carries a tone of contempt or disdain. It is considered offensive and is avoided in polite conversation. A comparable word in English might be "bitches" or "wenches."

Sylvain: …Oh, what's up, Professor? Haha, sorry, didn't notice you at all. We've been meeting quite often lately. Oh, could it be that you're interested in me? (Female Byleth): ...Just kidding, it's a joke. Please don't make such an obvious disgusted face. (Male Byleth): Sorry, my arms are reserved for girls only! I'd prefer not to lend them to bastards.

The localization also changed some lines in Sylvain's B-Support with Byleth pretty significantly. If you are playing as Male Byleth, he refers to males as "野郎" (yarou). It's an informal term that is somewhat similar to "guy" or "dude" in English, but it's more derogatory. It's a gendered insult and it suggests that the person being referred to is undesirable or contemptible in some way. It implies qualities like rudeness, roughness, or unpleasantness. It is also considered offensive and impolite, and it's generally not used in polite contexts.

Sylvain: My brother was always a truly irredeemable bastard. Selfish, conceited, and arrogant. I've always had to clean up after him…even after he died. But, thinking about it, if my brother, not me, had been born with the Crest… Would I have become like my brother, or would there have been a different fate for me…?

"Yarou" is often translated as "bastard". In Hopes, if you take Sylvain on an expedition and ask about his likes, he says it's talking to girls. If you ask what he dislikes, he says it's being surrounded by guys, and he uses the same term. And he often used it when referring to guys in general, such as during teatime. I think he was even more of a misandrist than a misogynist, and it's a shame that wasn't as apparent in English because it's pretty integral to his character.

Sylvain: If someone is in trouble, you help them. That's what a knight, no, what a human being does. Whether it's a cute girl or a rugged big guy, it's the same thing. Ashe: …！ Sylvain: Hey, don't give me that look. Are you falling for me? Unfortunately… Ashe: What are you talking about? …I'm just a little surprised.

Even though Sylvain disliked most women, he still vastly preferred their company over men. In their B-Support, he saved Ashe's life, and Ashe came to thank him (quite similar to Sylvain's A-Support with Felix, actually). And he basically told Ashe "no homo". In the localization of their C-Support, he asked Dimitri to come to town together with him to pick up girls. But in the Japanese, he simply encouraged him to invite girls out to dinner on his own.

Sylvain: Hey, Professor. If you're free, wanna go out to the town together? (Female Byleth): I found a place with delicious food. I thought I had no choice but to invite you, Professor! (Male Byleth): In search of unseen beauties… No. Just kidding. Please don't give me that look.

While there are plenty of hints that Sylvain is bisexual, I think it makes perfect sense that he can't end up with Male Byleth or any other male character except for one. He had a VERY specific type. I don't even think Female Byleth was truly his type. But ya know, self-insert.

Sylvain: Dorothea, Hilda, Mercedes… Lady Rhea is also quite the beauty. Ah, the Officer's Academy is great, Professor. Beauties everywhere you turn! Haha!

So, what was his type? Well, he tells you on the first day of school who he was interested in. Three girly girls and Lady Rhea, who represents the Mother Goddess archetype, the embodiment of the divine feminine principle.

Sylvain: Professor, have you seen Felix? He's always disappearing when you take your eyes off him. Byleth: I saw him at the training ground. Sylvain: Well, I thought it might be something like that. Sorry, Professor. Thanks for your help! Taking care of horses, you know, it's quite soothing. They repay trust with trust. Sigh… In that regard, dealing with girls is quite tricky.

Sylvain liked damsels in distress he could swoop in and help. He thought Hilda was cute until he learned that her "delicate flower" act was insincere. And he was attracted to Dorothea, whom he compared to a beautiful flower in bloom, until he suspected she had an ulterior motive.

Yuri: Oh, is this what they call mutual affection? I'm up for a rendezvous anytime… But next time, could you use better lines than when we first met? That was terrible! "Hello, young lady, delicate as a little bird! Would you care to chat a bit over there…" Sylvain: Oh, come on, I already apologized plenty for mistaking you for a girl! How many times do I have to say it! Yuri: I didn't really need an apology, you know. Look at this face; there are plenty who make that mistake. In fact, I even think I should have conversed with you, even if I had to pretend to be a woman. There's nothing wrong with maintaining a relationship with the future Margrave, right? Sylvain: What an enthusiastic pick-up line… I can't help but feel strange myself.

What mattered to Sylvain was whether his brain registered someone as a girl. He tried to woo a crossdresser at a harvest festival. And the pick-up line he used on Yuri was changed in the localization. He called him "delicate as a little bird" in Japanese. And he was not turned off by the idea of Yuri pretending to be a woman with him.

Sylvain: ...Sorry. Well, I understand, but it seems my mind was refusing to comprehend... Certainly, you... I mean, you're a woman. Yes, a lovely young lady, indeed. Oh no, I've been rude. I'm terribly sorry, miss. Leonie: What's with that tone... Sylvain: I really am sorry. This is a first for me, too. Even if Leonie is ro… I mean, even if she's an active girl, something like this… Leonie: You were about to say "rough", right!?

He knew Leonie was a girl, but his mind just didn't see her as a one. He used the word"粗雑" (sozatsu). It means "rough" or "crude". Later, he compared her to a sunflower, rather than a delicate flower.

Sylvain: It might also be one of the knights… Oh, wait, me!? Ingrid: I'll hit you. Sylvain: W-wait, I was just kidding! I'm against violence! Being too rough ruins a beauty, you know! ………… Uh, well. I-I mean, when I say "beauty," I'm not talking about flirting or anything, yeah!

In his A+ Support with Ingrid, the Japanese word he used was "乱暴" (ranbou). It means "rough" or "violent" in English.

Sylvain: I'm weary from the nonstop battles. A gentle and beautiful young lady who can heal my troubled heart, I wonder if she’s lying around out there somewhere… (Best Answer): She might appear someday.

Even his notes to the advice box suggested that his ideal partner was a "Yamato Nadeshiko". The term describes the "flower of Japanese womanhood" or "traditional daughter of Japan". It's a nostalgic term for the perfect woman under the ideology of Japanese patriarchal society. Sylvain adored traditional femininity and wanted a partner who was the epitome of feminine beauty.

Sylvain: To be honest, I left home without telling my father, even though the country was in a difficult situation. Haha, I can imagine my father's angry face. "That idiot son of mine…" Haha, scary, scary…

But it was not because he was interested in upholding patriarchy. In fact, it he hated patriarchy and did not have a good relationship with the men in his life. His father was known as the "Wall of Ice". Matthias only cared about whether he had a Crest and could wield the Lance of Ruin. He didn't have much regard for his son's life and wanted him to take out a group of bandits by himself to earn his inheritance.

Ingrid: As you know, Sylvain and I have known each other since we were children. In the past, he often had bruises and other injuries on his face and body. Every time I asked, he would say he got them during training, but still…

And growing up, Sylvain was regularly beaten by his older brother.

Dimitri: Who's naïve and serious…? Besides, compared to you, most men are probably the same. Sylvain: Oh, really? A man who gives a dagger as a gift to a girl he likes is quite… Dimitri: How many years ago was that story? …If I seriously slap your head, will you forget about it? Sylvain: If I were hit with that monstrous strength, I'd die… It doesn't sound like a joke.

His Japanese voice acting during his C-Support with Dimitri conveyed a lot more distress than the English version did. Because of how overly serious Dimitri was, and his history of being abused, he genuinely could not tell that he was just joking about hitting him.

Sylvain: Ah, damn it… Joining the Empire… I wonder what Father would say… And then there's His Highness… He's definitely furious, right? That guy, when he's angry, he's downright terrifying… I wonder how I'll be killed… Just imagining it makes my legs tremble. However… it's your decision. I'll follow you…until the end. Haha, I wonder what's gotten into me. I should be scared out of my mind… and yet…

If you recruit Sylvain into CF, you'll learn that he was terrified of Dimitri's anger. He was a childhood friend, but he was never as close to him as he was to Ingrid and Felix. Dimitri was, after all, the future patriarch of the Kingdom with superhuman strength. Which would be kind of intimidating to an abuse victim. In CF, he calls Dimitri a stubborn "yarou". While he is on good terms with him in AM after his boar phase, he doesn't even have an A-Support with him.

Sylvain: Thinking that he's in the next room makes me hesitate to invite a girl over at night. I'm already scared and scared of the scolding the next morning... (Best Answer): Maybe I should reconsider the room assignments…

Sylvain's note to the advice box was about how he was afraid to invite girls to his room because Dimitri was next door. He didn't take his scoldings from Ingrid or Felix very seriously. But Dimitri's seriousness seemed to remind him of his father. And Sylvain was deathly afraid of his father. I'm sure that's why he felt like he had no way out of his arranged marriage.

Sylvain: As someone with a Crest, I was raised with great care by my parents. But my older brother, who didn't have a Crest, was suddenly treated very coldly when I was born. …My older brother even pushed me into a well and abandoned me in the snowy mountains. I understood it even as a child. I had taken everything from him. How could I complain in front of someone who wanted a Crest but couldn't get one? So, the persistent stares of women, the appraising looks of noble daughters… I had to smile and accept them. …Because I had the Crest.

Sylvain bears the Crest of Gautier which is associated with the Death Arcana in Tarot. And the theme of "death" certainly played a large role in his character arc. Growing up, he was constantly told that he should go die and his brother tried to kill him. But Death doesn't mean literal death. It signifies a time of significant transformation, transition, and change. The old version of you needs to "die" to allow the new you to be created. 

Sylvain: Ever since King Lambert passed away, I hardly get to see my childhood friends anymore…

Death also represents a resistance to change. In Hopes, if you take Sylvain on an expedition and ask him about his memories of the past, he sadly recounts how he and his old friends stopped hanging out much after King Lambert died. Sylvain would have been fifteen at the time. The same age he was when he hit on Lord Gwendal's daughter, prompting Ingrid to finally leave her room out of concern for him.

Sylvain: Actually, I have a history with Lord Gwendal. Yes, that was a story from many years ago. I met a lovely young lady, fell in love, and was nearly killed by her father… And that father happened to be Lord Gwendal. Oh boy, I was truly prepared to die at that time!

In Japanese, Sylvain's Classic Mode death quote uses the word "覚悟" (kakugo). It means "prepared for" or "mental readiness." And in Japanese, he uses that exact same word when talking about the Lord Gwendal incident. Sylvain's childhood antics (such as hitting on Ingrid's grandmother) could be seen as a harmless ploy for attention to compensate for his terrible home life. However, his involvement with Gwendal's daughter appeared to be way more serious.

Sylvain: …Well, whatever you think, Professor, I don't intend to change my attitude. You see, I may be a good-for-nothing, but I'm still a noble with a Crest… I try not to get involved in serious relationships. They only bring trouble. Eventually, I'll be quietly married off to some suitable partner and settle down.

Sylvain was extremely disingenuous with girls. He would use them for sex, then dump them in public. He was dreading the fact that his life would change after he got married and he blamed them for it.

Ingrid: Right? We're just childhood friends, right? Then why do I have to clean up after your messes? Sylvain: Haha, nobody asked you to do that! Well, just think of it as your role and accept it. For some reason, it's been like this since we were kids, and it'll probably continue. Ingrid: …Continue like this? So, you don't have any intention of changing your ways!?

The only way Sylvain knew how to cope with his fate was by pretending that he just couldn't resist falling in love with every cute girl that he laid eyes on. But the truth was that he disliked girls and was even afraid of them. He was being literal when he said he would stake his life on flirting.

Ingrid: You keep earning resentment from women, and eventually, you'll really get stabbed. Sylvain: Haha, well, if I get stabbed, I get stabbed. I suppose that's just how it goes. Ingrid: …Dying for such a silly reason is definitely not okay, are you stupid!? …Glenn was the type to make those kinds of jokes too. And he really never came back.

Ingrid's line in her B-Support with Sylvain was changed slightly. She specifically warned him that he would get stabbed if he didn't change his behavior. And he just laughed, as if he were prepared to die.

Sylvain: I just, uh… Well, you're going to think I'm being a jerk or hitting on you or whatever… When we're side by side like this, training, I feel— I don't know—oddly at ease. Ingrid: I know what you mean. It's probably because we've been friends for so long. Sylvain: That must be it. Let's never change. Friends forever?

All Sylvain wanted was for things to go back to how they were when he was a kid. In their Houses A-Support, he emphasized that he was not trying to hit on Ingrid. The idea that things wouldn't change between them just put him at ease.

Ingrid: What do you mean you feel relieved seeing me eat? Sylvain: Haha, sorry, sorry. I didn't mean anything by it. Just seeing you enjoying your meal like that makes me, you know, feel relaxed. [...] Nobody can stay the same as they were in the past. You said something like that recently too, didn't you? That's why having something that doesn't change is really comforting for us.

In their Hopes A-Support, he offered to treat Ingrid to dinner not as an attempt to woo her, but just so that he could watch her eat. It was a relief to him that some people never change.

Sylvain: Hey Felix, you free? You must be free, right? Let's go flirt with some girls together again today. Felix: Tch… You're disturbing my training. Go by yourself. Sylvain: Don't say that. Come on, we've known each other for a long time, haven't we?

The one change that bothered Sylvain more than any other was the change in Felix's personality. While he didn't like girls becoming attached to him, he was sad that Felix seemed to have outgrown that tendency and no longer wanted to spend time with him.

Felix: We've certainly known each other for a while, but that's about it. Besides, it's not what I wanted. It was just our parents' wishes. Sylvain: So, you're saying it's a rotten relationship, huh?

The phrase "rotten relationship" is kinda hard to translate. It is "腐れ縁" (kusareen) in Japanese. It means "a relationship that cannot be severed even if one wants to." It's usually a relationship that has persisted for a long time, often against one's will or preference, because it is bound up in some work, social, or family obligation. It tends to have a negative connotation, implying that the relationship is undesirable or plagued by difficulties.

It was derived from "鎖縁" (kusari-en) or "chain relationship", a term that refers to a close and inseparable relationship between two people, often described as being bound together by chains. "Chain relationship" was a positive term referring to two people bound by fate, as if they were destined to be together. But over time, the "rotten" part was added, and it took on a negative connotation.

Felix: That boar prince, it's been a rotten relationship since birth… No, even before birth. That's why I'm warning you… He harbors a beast within. You can trust in his skill in combat and brute strength, but as a person, he's utterly untrustworthy. You better be careful not to be devoured yourself.

Felix used the exact same term when he warned Byleth about Dimitri in Chapter 2. And the way he described his relationship with Sylvain is actually a far more accurate description of his relationship with Dimitri. Felix did have fond memories of their childhood together, but Dimitri's sadistic smile while torturing the rebels was ingrained in his mind. After that, he no longer wanted to associate with him, but he couldn't break off their relationship due to his family.

Sylvain: So, you're saying it's a rotten relationship, huh? Come on now, Felix. You used to cling to me like glue back in the day. You couldn't beat your brother, got into fights with His Highness, and every time something happened, you came crying to me. Back then, you were so meek and innocent. I doted on you like a little brother… Felix: ...Enough.

Sylvain disagreed that his relationship with Felix was just a rotten relationship. The implication was that it was more of a chain relationship and Felix was trying to downplay how close they were because he was hurt by the way Sylvain was acting.

Felix: Listen. I've held back until now, but there are plenty of things I want to say to you. In your personal life and even on the battlefield, you're frivolous. Whenever something happens, it's always about women… Sylvain: Hmm, what's wrong with that? It's rude to ignore cute girls… Felix: There's a limit to that, you sex fiend. If your sword skills were solid, I could acknowledge that. But you slack off even in training… Do you not feel any guilt about hurting others' feelings and holding them back?

Sylvain's womanizing certainly hurt Felix's feelings, but he was even more hurt by his frivolousness in battle. The implication was that he had no choice but to double down on his training because he was always babysitting Sylvain on the battlefield.

Felix: Being in this military academy, one becomes speechless at the sheer number of fools who, indulged by the power of their Crests and the status of nobility, neglect their training. It's truly astounding. (Best response): It would be good to give them training.

Felix's note to the advice box was undoubtedly written with a particular person in mind.

Sylvain: You know, since way back, I've been doing stupid things, and you've always been there to yell at me… Felix: Both of us getting lectured by Ingrid because of you… Try to put yourself in my shoes, I got dragged into it every time. Sylvain: Yeah yeah, that's right. Our relationship hasn't changed no matter how many years have passed. But you've changed, Felix. You were so adorable when we were kids… Now, you've become completely warped. I wonder why you grew up like this… Felix: Tch… You, on the other hand, are still a good-for-nothing, just like in the past. Sylvain: Ahahaha, what's that? Is that something the person who has always been by my side would say? Even now, look, you came all the way to me with the intention to apologize for what happened the other day, right?

Sylvain wasn't intimidated by Felix. But being yelled at by him still hurt his feelings and he kept his distance afterwards. And Felix came crawling back to him to apologize. He couldn't sever their relationship even if he was so hurt that he may have wanted to. He was afraid of losing their friendship, so it proves he was lying when he called it a rotten relationship.

Felix: …The boar prince and I have been acquainted since before birth. Before I knew it, he was always by my side… You might even say that, at one time, we were best friends.

Dimitri and Felix were always together as little kids and Felix used to whine unless they could do everything together (Ironically, Dimitri was probably the one who viewed it as a rotten relationship when they were kids). I've seen some people say that they were best friends up until the incident suppressing the rebellion when they were 14 or 15. But that didn't appear to be the case. At the time the Tragedy of Duscur occurred, when he was 13, Dimitri considered Glenn his best friend.

Sylvain: However, both His Majesty and Felix have really grown up, haven't they? Ten years ago, they were the kind of guys who would squabble over breaking each other's swords and whatnot…

Felix always went crying to Sylvain whenever he and Dimitri fought. Dimitri broke Felix's sword when they were nine years old. So, even by that age, Felix was clingier with Sylvain than Dimitri.

Sylvain: A little laziness is just right. If you push yourself too hard, you'll just get tired. Oh yeah, I'll treat you to a meal, so let's go out to town together, Felix. Felix: No. Sylvain: Which is more important, going to town with me or training? Felix: Training. See ya.

Sylvain lamented how cute Felix used to be in Houses, Hopes, and even Heroes. He was the only male character that Sylvain was ever interested in spending time with one-on-one. He even invited him out to dinner like he did with girls. It is very likely that he was so sad about how much Felix changed because he used to be his ideal "girl".

Sylvain: More importantly, it's time for the ballroom dance now, isn't it? There's also the White Heron Cup competition, right? So, Professor, who are we sending from our class? (Byleth chooses Sylvain as the representative for the White Heron Cup) Sylvain: Huh, me? Well, um, that's fine I guess. It's a good opportunity to show the girls what I can do. (Byleth does NOT choose Sylvain as the representative for the White Heron Cup) (Japanese) Sylvain: If anything, I'd rather see a beauty dancing than watch a bastard dancing, you know. (English) Sylvain: I get it. No worries, really. I'd rather see a beautiful person dancing instead of some goof like me.

Sylvain lumped himself into the "yarou" category, too. He was eager to impress girls during the Battle of the Eagle and Lion. But he will sound a bit disappointed if you choose him as the representative for the White Heron Cup. He's happier if you choose a beauty. The term he used for a "beauty" was "美人" (bijin). It means "beautiful person," but it is primarily used to refer to women.

It can sometimes be used to describe an exceptionally attractive man, although less commonly. Generally, "bijin" is more commonly associated with feminine beauty in Japanese language and culture. While it can technically be used to describe individuals of any gender who are considered beautiful, the term often carries connotations of traditional or stereotypical feminine beauty standards.

And since "yarou" is gendered, you'd think that "beautiful girl" would be the obvious way to translate that line, right? On the first day of school, “beautiful girls” was used. But I have to give the localizers credit where credit is due. They used "person" rather than "girl". Because they knew Sylvain would not have minded one bit if Felix had been the White Heron Cup representative.

Felix: You seem like you have something to say. …You're not seriously considering choosing me as the representative for the White Heron Cup, are you? (Byleth does NOT choose Felix as the representative for the White Heron Cup) Felix: I see. That's fine then.

Felix is unsociable. He gets annoyed if Byleth stares at him too long during teatime and he struggles to maintain eye contact when talking to people. Yet he was not as opposed to participating in a dance contest as you'd expect. He even brought it up himself. If you don't pick him, he doesn't sound relieved like most of the others. In fact, in Japanese, I'd say he sounds a tiny bit disappointed. His objection seemed to be dancing with a girl, not dancing in general.

Felix: I'd much rather swing a sword at the training grounds than dance with a girl at the ball. Sylvain: Huh? Your Highness and Felix, are you joking…? You can dance with all the girls in the school. Do you mean to say that on such a wonderful day, you two dudes will be practicing swordplay with each other…? That doesn't seem like a sane idea!

One the "Night of Promises", Dimitri was not looking forward to the ball because he was sad that he was never going to rekindle his spark with Edelgard. He still attends the ball, and the cutscene shows him dancing next to Edelgard, as if to imply that he wished he was dancing with her instead. Felix felt the same way as Dimitri. He said he was going to skip out and train instead, something that made Sylvain sad. He used the word "yarou" once again here, emphasizing the masculine nature of the activity he's criticizing.

Felix: But… to the casual observer, it might not look entirely unlike a tryst between a man and a woman. If you're truly dissatisfied, then that's your compromise. Byleth: Unfriendly. Felix: Call it whatever you want. I'm about to head back to the training grounds.

If Byleth meets Felix at the Goddess Tower, his dialogue indicated that he did indeed skip the ball to practice at the training grounds.

Sylvain: When I heard you were heading to the Goddess Tower, I wondered who you were having a tryst with… I never expected you'd just be standing there alone, lost in thought. Byleth: Tryst...? Sylvain: Wait a minute. Seriously, what's going on? When someone goes to the Goddess Tower, isn't it to meet a lover? Here, vows exchanged are sure to be fulfilled… It's the lovers' sanctuary, you know. (Option 1) Byleth: Why did you come alone? Sylvain: Huh? Oh, well... Truth be told, I was curious about who you were waiting for. I hurried to catch up, only to find you alone in the end... Well, I must say, it put my mind at ease.

Sylvain goes to the Goddess Tower simply because he was curious about who Byleth was waiting for and was relieved to find out that she was alone. Then afterwards, he offers to make a vow with her.

(Option 2) Byleth: Don't you need to invite a female student? Sylvain: That's true. I could have invited someone, but my true love is right in front of me. Being alone at the Goddess Tower means I can try to woo you, right?

The phrase Sylvain used for "true love" was "本命の相手" (honmei no aite). "本命の" (honmei no) translates to "main," or "primary". "相手" (aite) translates to "partner" or "opponent," depending on the context. The phrase typically refers to the person that the individual truly loves or considers as their ideal romantic interest.

HOWEVER. It also translates as "favorite opponent" in specific contexts, particularly in sports or competitive activities where "aite" means "opponent" or "rival." In that context, it refers to the most formidable opponent in a competition or match, the one whom the athlete or team considers their top rival or challenger.

Byleth: …Me? Sylvain: Yes. Who else would I be talking about?

Who else would he be talking about? Well maybe someone who spends a lot of time with Byleth as a sparring partner? Someone who was absent from the ball? Perhaps someone he made a promise together with in the past?

Sylvain: Hey, Professor, I won't make you unhappy. So, how about getting married… Byleth: You're not trustworthy. Sylvain: Haha, well, that's true.

Sooo. Why did Sylvain go to the Goddess Tower? Was Byleth his true love? Or was she actually his primary rival for his true love? Well, I think we can rule out the "true love" option.

Felix: This is troublesome… The enemy is just a bunch of thieves. I doubt there are any skilled fighters among them. Sylvain: Don't be so cold. I'm looking forward to it. Come on, there might be a beautiful female thief among them.

Felix was always trying to prove his worth in battle. And Sylvain was always goofing off because he didn't value his own life. Before the group's first battle against bandits in Houses, he wasn't acting serious because there would most likely not be skilled fighters among them. He even made a joke about flirting with one of them.

Felix: If they're in a state of confusion right now, we can easily round them all up. I'm on my way. Sylvain: …No, no, no, hold on a second. Don't you think there's something strange about that fortress?

In Hopes, the bandits were a much greater threat than they anticipated, and Sylvain completely changed his tune. You gain Support points with Felix if you suggest charging the fort. But you gain points with Sylvain if you suggest a more cautious approach.

Sylvain: Ah, I thought since it's a festival day, there wouldn't be any lectures, and we could play all day… Hey, Professor. Even if you were planning an assassination, would you really choose the day of the Rite of Rebirth for it? I feel like there might be times when security is less tight. Or is there a reason it has to be this day?

Before the Rite of Rebirth, there was an assassination attempt on Lady Rhea. Sylvain didn't take it seriously because he knew the monastery's security would be tighter than ever on that day, and he was just goofing off and chatting up Hilda.

Sylvain: …But it's strangely quiet these days. Is it because the knights are out and about? Felix: I heard the knights are putting all their effort into tracking down the enemy. Sylvain: Putting all their effort… Isn't that a bit too much? Is it okay to neglect the monastery's defense? Felix: …How do you see this situation? Byleth: Maybe you're worrying too much. Sylvain: Is that so… Well, I hope the knights come back soon.

But after Jeralt was killed by intruders, he was standing with Felix, worrying about the thin security with all the knights out looking for the enemy. It's a very nice bit of subtle storytelling, showing that, even if he seemed like he was always goofing off, he was serious about Felix's safety and always kept an eye on him.

Sylvain: Come to think of it, you don't like sweets, huh? Well, thanks. I'll eat it later. …So, what do you want me to do? Ah, you want me to play matchmaker with a girl? Felix: Is your head filled with sugar or something? I'm just here to thank you for the battle the other day. If you hadn't noticed the ambush, I would probably be dead by now. Sylvain: Oh, right... But isn't that just how it goes? On the battlefield, it's all about mutual support. That's what comrades do, right? Felix: …You haven't changed a bit. Sylvain: Yeah, I'm still the same as ever. Felix: You always…

Felix is the only partner who will confess their feelings for Sylvain at the end of the Support chain. You could tell that he was mulling it over in the A-Support. He even brought a gift of sweets for Sylvain before he planned to tell him how he felt. But he chickened out. Still, he was going to say that he was grateful to Sylvain for always protecting him ever since they were kids.

Sylvain: His Majesty or Felix would probably make better hunting partners than me. I prefer to just sit back and watch.

While there are no specific childhood anecdotes related to this, a comment Sylvain made during his Hopes expedition did imply that he occasionally accompanied Dimitri and Felix on their hunting trips.

Felix: Boars are naturally wary animals, but this one seems injured… If it senses us, it'll charge. We can't afford to get injured by its massive rush. Raphael: Huh? Felix, you sound like you've fought something like this before? Felix: It's a story from many years ago, but I once let a similar quarry slip away. [...] House Blaiddyd and House Fraldarius used to go on hunting trips together. On one trip, a certain prince killed so many deer it proved impossible to fit them all on the sled. Meanwhile, I went off hunting on my own, encountered the boar, and barely escaped with my life.

Felix had a near-death encounter with a wild boar as a child. And I strongly suspect that Sylvain was the one who saved his life and got pretty hurt in the process.

Felix: You've always been like this since we were kids. Normally so unreliable, but you've always thrown yourself in harm's way and helped us when it really counted. …Every time you managed to put on that carefree smile for us, I cannot deny that I wanted to hug you a little. Sylvain: O-Oh… You're the one spouting those kinds of lines? Have you eaten something strange? Felix: Tch… I won't say it again, you fool! Now that I know you're safe, I'm going back to my room.

In the A+ Support, Felix will finally say what he was thinking back in the A-Support. He will mention how Sylvain would literally put his body on the line and then smile afterwards. And Sylvain told Marianne that a smile was the true measure of a person's worth. He always smiled because it made him feel strong.

Felix uses the word "抱いていた" (dakishiteita). It means "embrace" or "hold." It can mean to literally hold, hug, or embrace someone in a physical sense. Or it can be used metaphorically to express the idea of cherishing or harboring a feeling of admiration or longing. But the writers probably chose that word for its dual meaning.

Felix was certainly trying to communicate his admiration for Sylvain's ability to smile even when he's hurt and in a lot of pain. And in doing so, he made his intense longing for Sylvain clear. And I do not think the localizers were wrong to have Felix express his desire to hug Sylvain in a literal sense. It was all part of the same package.

Sylvain: Alright, alright. Then I'll wait while having a meal until you feel like it. Come on, Felix, let's grab a meal in town. I'll treat you. How about some meat? Felix: …Alright. I owe you one. Just for today, I'll go along. Sylvain: After we fill our stomachs, then we can go chat up some girls… Felix: ………. Sylvain: Just kidding, jeez, you're really short-tempered. Come on, let's go together, Felix!

Sylvain offered to treat Felix to dinner in their B-Support, and he got rejected. In the A-Support, he offered again, and Felix agreed because he owed him. Now, Sylvain offered to treat Byleth—even the male—to dinner in his Paralogue because he saved his life, and he owed him. So, that probably wasn't what he wanted to hear.

In Sylvain's mind, relationships were always transactional, and he was very suspicious over whether anyone really wanted to spend time with him. He even suspected that Felix came to give him the sweets just so he could set him up with a girl. So, he apparently tested Felix's intentions by suggesting they chat up girls afterward. Ya know, just to make sure they're on the same page and it's really a date. In light of what Felix intended to say, it's clear why he was upset.

Sylvain: ...Hey, uh, Ingrid. Training again today? Ingrid: No, today I'm going to the city to buy supplies. Training comes afterward. Is there something wrong? Sylvain: N-no, you're still as serious as ever, huh? Some things never change. Ingrid: …What are you talking about? I haven't changed at all. Sylvain: Y-yeah, you're right, haha. Ingrid: …Hey, what's up, Sylvain? Did you eat something strange? Sylvain: N-no, it's not that. Um… Have you found someone you like?

Sylvain was always smooth whenever he was flirting with girls. But in his A+ Support with Ingrid, he was incredibly flustered and stumbling over his words. He's a completely different person when he's really fallen for someone. Taken at face-value, the player would assume that he has fallen for Ingrid. And while that is certainly a valid interpretation, it actually isn't the only interpretation. He was particularly worried that she had been training a lot lately.

Sylvain: No, it's not like I'm flustered or anything. …I was just a little curious about the reason, that's all. Ingrid: …The reason for the makeup, huh. What do you think it is? Sylvain: Well… Is it because of a guy? If we're talking about someone you might like, going by your past tendencies… Felix…No, His Highness is also a possibility.

And the first person he asked about was Felix, due to Ingrid's history with Glenn and how Felix had changed to be more like him. But was it because he was afraid Felix would steal Ingrid from him? Or was he afraid Ingrid would steal Felix from him? While many people consider Ingrid the "canon" love interest for Sylvain, they deliberately left their A+ Support open to interpretation. I have no doubt that the writers preferred Felix as Sylvain's love interest, but they didn't want to make a gay pairing too obvious, so they left it open for Ingrid, too.

Sylvain: I've been given the opportunity for revenge. I won't waste it… even if it means stabbing each other to death…!

Regardless of which one you interpret as his love interest, Ingrid and Felix were the two most important people to Sylvain. If you do not recruit them in CF, they will die at Arianrhod, and Sylvain's dialogue changes in response during "Field of Revenge". The Japanese verb he uses "刺し違える" (sashichigaeru) literally refers to stabbing one another and killing each other.

Sylvain: Professor! Has it really been five years? We ought to raise a glass to the occasion. Celebrate your return. Nah, I'd rather commemorate it with your death.

Sylvain's CF arc is very interesting. He becomes like Miklan. The foreshadowing in his B-Support with Byleth was intended for this exact moment. He was so jealous of Byleth's ability to live freely that he wanted to kill them. And now he gets the chance. He doesn't care if he dies as long as he gets his revenge for his two friends. Sylvain felt like his parents only valued him for his Crest and his brother wanted him dead. But those two really loved him. He was so driven to kill Byleth in CF because s/he took everything from him.

Mercedes: You can't choose where you're born. It's like flowers not being able to choose where they bloom. Since we don't suffer from hunger or thirst, we can't complain even if the place is cramped. It's the same for both of us… We all have to bloom where we're planted. Sylvain: It's true that flowers can't choose where to bloom. They can't go where they want to go until they die, and if the environment is bad, they will just wither away.

Because of the arranged marriage looming over his head, Sylvain felt like a flower with his roots firmly planted. He didn't feel like he could go where he wanted to go until he died.

Sylvain: Finally… I can go to the place where they are… I'm sorry, Your Majesty… I… will go ahead and wait… Dimitri: Thank you, Sylvain. I will also… definitely go to where you all are.

And where did he want to go? To the place where Ingrid and Felix were. CF!Sylvain was relieved that he could finally join them upon his death, something that was sadly not included in the localized version. That line was especially relevant to his relationship with Felix because they promised to die together.

Sylvain: Me… disliking girls? Hahaha, no way, no way, not at all! I'm always serious when it comes to girls. I put my life on the line to woo them. Dorothea: You should focus on one person and then say that. You only have one life, and usually, there's only one person you can love enough to stake your whole life on.

Sylvain has the fewest number of paired endings out of any student. Understandably, very few women would consider marrying him. Mercedes would in order to escape her arranged marriage, but she'd have to give up her dream. And Ingrid would because she loved him and thought she needed to take care of him or else he'd end up like Glenn. But she'd also have to give up her dream.

In his S-Support proposal, Byleth was not quite sure if Sylvain was being sincere because he was still using shallow words. And Dorothea did not trust him, either, because he had to propose to her at least ten times. And of course, Dorothea will marry pretty much any nobleman in the game to secure her future. Felix had no one pressuring him and nothing to gain from being with Sylvain.

Sylvain: Do you remember? We made a promise when we were kids. That we'd die together. Felix: ...I remember. Sylvain: So, you see, there's no way I'd die before you and leave you behind.

In English, "dying together" could be taken as platonic. Just brothers-in-arms or best friends. However, there's a cultural nuance to it in Japanese because that phrase is often used in a romantic context. It implies that they will not just die but spend their whole lives together. It was, in essence, a marriage proposal.

Felix: …Well, I suppose that's true. But I'm fed up with getting terrified like this. You shouldn't just fool around all the time. Take your training seriously for once. …If you end up carelessly throwing your life away, I won't be able to die with you. Sylvain: Yeah, you're right. Once I'm healed, I'll try to be a bit more serious.

Felix uses the phrase "肝を冷やす" (kimo-o-hiyasu). It's an expression that literally translates to "cooling the liver" but figuratively means "to be frightened" or "to be scared stiff." It refers to the feeling of fear or nervousness that causes a person's body temperature to drop, often likened to a sensation of chilling one's liver.

Their entire Support chain was about how Felix never really changed. He always prioritized his training over hanging out because he was absolutely terrified that Sylvain would get himself killed and they wouldn't have a future together. After finally realizing this, Sylvain reaffirmed his childhood promise. He no longer wanted to die.

Sylvain: Anyway, I suppose you just said the things I usually say, right? Even if it's the same pick-up line, serious guys' words are taken seriously.

When Felix said Sylvain was frivolous in their C-Support, he used the word "不真面目" (fumajime). When Sylvain said he'd be more serious from now on, he used the word "真面目" (majime), which is the opposite. He also used this word in his Support with Dimitri. It means "serious" or "earnest" in English. It describes someone who is diligent, takes things seriously, and is sincere.

The "Sincerest of Knights" was not just saying that he would take his training seriously. He was also saying that he would take his personal life seriously. He wouldn't be frivolously going around picking up girls and telling them he loves them enough to stake his life on them anymore. Because he already found the one.

Sylvain: These five years, fighting and fighting… Finally, the tough times have come to an end. A new era is about to begin. …So, I thought it's about time I put an end to my own fate. Byleth: Put an end to? Sylvain: Yes. My fate is not determined by something like a Crest; it's determined by me… This is the first step towards that. Not someone trying to use my Crest, not someone decided by someone else, and not just a playmate…

Death is the arcana of transformation and typically refers to a need to start over by letting go of the past. It is about moving forward from outworn and outgrown ways of life. And that's what Sylvain's character arc was all about, regardless of whether he marries Byleth.

The term for "put an end to" is "けじめ" (kejime). It can be translated as "closure," "settling accounts," "bringing something to an end," or "establishing a clear boundary." It suggests that Sylvain is finally ready to confront his fear, establish firm boundaries with his father, and decide for himself who he forms intimate relationships with.

Sylvain: But our feet aren't roots. We can move ourselves and go where we want. If we navigate cleverly, we might not have to give up what we want to do. [...] I'm not trying to court you or anything like that. But if I, as the legitimate son of Gautier, were to propose to you… The other party would have no choice but to withdraw. It might sour our relations a bit, though. Afterward, you can do as you please. You can work at the church or become whatever you want. Mercedes: But if you did that, Sylvain, you wouldn't be able to marry the person you love, right? Sylvain: Hahaha, I'm not being serious about that.

Sylvain is a Gemini. Being the Twins, they'll flit from person to person to see what everyone has to offer, but once they commit, their lives are complete and whole. Because he and Felix made such a promise before the game even started, it suggests that they were both in love with each other, regardless of whether you go for their paired ending.

And if Sylvain already had someone that he wanted to spend his life with, but that he wasn't free to do so because they were the wrong gender to produce heirs, then it casts his behavior in a different light. His storyline was about forbidden love. He changes his behavior in Hopes because he realizes that he can go where he wants and doesn't have to give up on being with the person he loves.

Felix: I was raised to value strength above all else. Whereas you had a reason, an ambition, pushing you toward that hunger. So, tell me. What was the reason? Why were you driven to become so strong?

Not only is Sylvix the best relationship for Sylvain's growth, but it is also the best relationship for Felix's too. Felix was also a victim of Faerghus's patriarchal culture. He was taught to swing a sword before he could write and was raised with the motto: "Grow strong so you may live, and live to grow stronger".

Felix: It's like training with my brother. He always won—always—and died before I could win a single bout. From the first time I held a sword, all I wanted was to surpass him. And that's what drove me to become so strong.

Since Felix was a child, his main ambition in life was to surpass his brother, who he always lost to while sparring. And that sense of purpose continued to subconsciously drive him, even nine whole years after he died.

Rodrigue: …My eldest son was quite outstanding, you know. He was knighted at the age of fifteen.

Glenn possessed exceptional swordsmanship ability. Felix was probably so obsessed with surpassing his brother at swordplay because he was trying to earn the admiration of his father.

Felix: Sorry, but I'm not "Emile." And of course, I'm not your brother. Tch… It's so annoying being compared to someone else. Mercedes: I'm really sorry… I'll be on my way then. …Oh, the tea refill is here. Please help yourself if you'd like. …Well, see you. Felix: …I am me. Regardless of what anyone says, I'm not anyone else. …Isn't that right…Brother.

The English localization changed several lines in Felix's C-Support with Mercedes, giving it a slightly different meaning than the original Japanese version. The verb used by Felix is "重ねる" (kasaneru). It means "to pile up" or "to layer". Metaphorically, in this context, it conveys the concept of overlapping an image of one person with someone else, because they remind you of them. The Japanese version made it sound like "You're you, not anyone else" was something Glenn had to remind Felix often.

Shez: Is Dimitri really that much like his dad? Rodrigue: Oh, yes, absolutely. Well, the late King was a bit more hot-headed, it seems… Compared to me and my son, they are spitting images of each other. See, we don't resemble each other much. Shez: Yeah, you're really not very similar at all. Your looks aside, of course.

The concept of "kasaneru" played into Rodrigue's relationship with both of his sons. He had trouble viewing them as their own people, rather than just reflections of himself. He was very proud that Glenn took after him and disappointed that Felix did not. He also projected his own feelings onto Glenn. While it did seem like he chose to defend Dimitri to the death, he was not satisfied to die.

Felix: …Hmph. It's a waste to keep someone like you as a woman. Leonie: Oh, come on. That's what's wrong with you. Strength has nothing to do with gender. It's because you underestimate your opponent that you fall into traps. Felix: …Yeah, you're right.

I've seen some people accuse Felix of being a misogynist because of several comments he made to female characters. One comment was to Ingrid about finding a husband, which I'll get to later. Another was his comment to Leonie about being impressive "for a girl". His comment in Japanese is actually entirely different. He was saying that Leonie is so strong that it's a waste because strength isn't a trait that is appreciated or expected of females in Fódlan.

Felix was implying that her talents might be better suited for manhood. And she actually made him question that way of thinking. This Support showed how Felix was aware that some people don't naturally conform traditional gender roles and it would make their lives much easier if they were the opposite sex. Which is something he had undoubtedly thought about himself.

Felix: It's all well and good to remember the dead, but sentimentality will get you killed. All the tears in the world couldn't bring them back, after all. Ingrid: You have always viewed the world in such stark terms. It might even be one of your strengths. But one day, you will learn that emotions and sentimentality are also a strength, not a curse.

Felix is a Pisces, which is considered one of the most feminine signs of the zodiac due to its association with sensitivity, intuition, empathy, and creativity. Pisceans are often described as dreamy, compassionate, and deeply empathetic individuals who are attuned to the emotions and needs of others. As a child, Felix was meek, innocent, clingy, and would cry easily. These are stereotypically feminine traits which would certainly not be valued in a strength-obsessed culture like Faerghus. And especially not in a boy.

Felix: I am tired of it. For years, I've been forced to be a "replacement" for the dead. I had an excellent brother. He was a splendid knight worthy of admiration… He's dead now. After my brother's death, his presence haunted me like a shadow.

The Mother Goddess archetype is a powerful and ancient symbol found in various cultures and mythologies around the world. It represents the qualities of nurturing, fertility, protection, wisdom, and interconnectedness. Some examples are Isis from ancient Egyptian mythology and Mother Mary in Christianity. Sothis was the embodiment of the divine feminine principle.

The one who embodied the divine masculine principle was Nemesis. He represented the Warrior Hero archetype, which embodies qualities such as courage, strength, and valor. Figures like Achilles in Greek mythology, King Arthur in Arthurian legends, and Beowulf in Anglo-Saxon literature exemplify the ideals of the Warrior Hero.

Despite being the most religious country, the actual values of Faerghus were much more aligned with the Warrior Hero than the Mother Goddess. The Crest of Fraldarius is associated with the Emperor arcana. It represents the divine masculine principle. As the replacement heir, Felix's patriarchal duty was to serve as the king's sword and shield. But he hated the ideals of chivalry.

Dimitri: Heh. You know, Felix, you really are growing more and more like your brother. Always so sarcastic, and constantly looking for a fight. But deep inside, more than anyone, you—

The concept of "kasaneru" factored into Dimitri and Felix's relationship as well. Felix's gruff personality was not the natural effect of puberty. It was the result of being forced into a role he wasn't suited for. He hated bloodshed. His first battle left him horrified and he needed to desensitize himself to cope. After losing his brother and becoming a squire, his naturally sentimental and meek personality changed to become more like his brother, "sarcastic and constantly looking for a fight". Stereotypically masculine traits.

Bernadetta: Felix, did you just smile? And it was a really big smile, right? Hehehe, it's like cracking open a tough nut and finding a sweet smile inside… Felix: Tch… Don't get cocky, silly girl. Bernadetta: Oh no, the shell closed! Felix: …You've got guts to tease me like that. Seems like you really want to get in trouble.

The word Bernadetta used was "甘い" (amai). It is used for "sweet" and, just like in English, is often used to describe something that is sweet in taste or metaphorically sweet in demeanor or expression. In Japan, sweets are culturally coded as childish and feminine and liking meat is considered masculine. Did Felix truly not like sweets? Or did he just avoid them because of how they are perceived?

Bernadetta: Felix, please try this. This candy has a reputation for not being sweet. (Normal) Felix: I refuse. Whether it's sweet or not, I don't like candy. (Felix & Lysithea support level B reached) Felix: Candy, huh... If you say it's not sweet, should I take some?

It's worth noting that Felix will refuse to eat unsweet candy that Bernadetta offers him in their A+ Support. But he will actually give the candy a try if he has reached B-Support with Lysithea, after he tries her cake. And in their paired ending, he gives up the sword to spend to his life baking sweets with her. So, it suggests that he was just concerned with keeping up appearances.

Felix: If I were to die here, would you say something like you did when it was my brother? "That's the true end for a knight."

During World War II, ultra-nationalists popularized Yamato Nadeshiko as the female manifestation of Yamato Damashii. It is the term for an idealized Japanese man and refers to the traditional virtues and characteristics associated with him. These include loyalty, courage, honor, selflessness, and a strong sense of duty. This concept is deeply rooted in Japanese culture and history, reflecting the values upheld by the samurai class and other historical figures. The Kamikaze suicide pilots were said to embody Yamato Damashii.

Dimitri: My closest friend was a knight who served the royal family. He was near to my own age, and I admired him greatly. But one day, I watched him die. He stood his ground and fought bravely, but his life was snuffed out in the blink of an eye all the same. Ingrid: I always looked up to Glenn. He was the very picture of a perfect knight—noble and virtuous. In the end, he laid down his life—the ultimate sacrifice. I feel proud of him in ways that words can't quantify. Rodrigue: To this day, I'm proud of Glenn. He gave his life to protect Prince Dimitri. If he had abandoned His Highness and fled, I don't know that I could have forgiven him… I would have been deeply ashamed.

Glenn was less a character and more an archetype. He represented the ideal man of Faerghus that Felix was supposed to aspire to be. Since he was a child, his purpose in life was getting strong enough to beat Glenn at sparring. He felt like he would only be valued if he became more like his brother. And after the Tragedy of Duscur, he felt like his father would only value him if he died.

Sylvain: The old Felix was really adorable, but what happened to make him like that? (Best Answer): Say it's part of growing up.

Whenever Felix lost to Glenn at sparring, he would go crying to Sylvain. It is likely that Sylvain was the one person, other than Glenn, who made Felix feel appreciated for who he really was. Rodrigue, Dimitri, and Ingrid always talked about how admirable Glenn was. Sylvain always talked about how adorable Felix was and was sad about how he had changed. After losing his brother, Felix probably felt like his purpose in life was keeping his promise with Sylvain.

(If Byleth is male) Felix: Having heard of your skills, I'm eager to meet you in battle. Come to the training ground later. There, you will show me what you're capable of.

Regardless of gender, Felix viewed Byleth as his personal rival, just like he did with Glenn when he was a kid.

(If Byleth is female) Sylvain: Such benevolence is a sight to behold! I don't suppose you would care to join me for tea? We could discuss education…and marriage. Felix: Control yourself, Sylvain. I have more important matters to discuss with our new professor. Come to the training ground later. There, you will show me what you're capable of.

Although, interestingly, it was Sylvain's marriage proposal that prompted him to challenge Female Byleth to a sparring match when she first became Professor.

Felix: …What. I thought it might be someone else, but it's you. Byleth: Meeting someone? Felix: I didn't have such plans. …I just wanted to come to a quiet place.

Felix skipped the ball. But he was already at the Goddess Tower when Byleth arrived. He said he just needed some quiet, but wouldn't the training grounds already be quiet on the night of the ball? In Japanese, it's clearer that he was actually expecting someone else instead of her. There's only one person he could possibly have had in mind. The person he made a promise with long ago.

Felix: You know the legend of the Goddess Tower, don't you? The one where vows always come true. It's so absurd it makes me feel like vomiting…but trying to believe in it might be amusing. Let's make a vow to the Goddess of Fódlan. I will… I will, someday, surpass you. I'll surpass your sword, your skills, and as a warrior, I'll defeat you.

Byleth rejected Sylvain's request to exchange vows. And her vow with Felix was quite unromantic. Before swearing his vow, Felix closed his eyes, which he also does in his A+ Support when he remembers his promise with Sylvain.

Byleth: What kind of vow is that? Felix: What, unsatisfied? If you're looking for a romantic relationship, I'm sorry, but hit up some other man. Unfortunately, I've lived a life devoid of such things. Blades, blood, and battles. That's all I am.

Felix wasn't disinterested in love. He was disillusioned with love. After feeling unloved by his father and cheated on by Sylvain, he was trying to fill the void of love with strength. The only way he knew how to prove his worth to himself was on the battlefield. And that was the only sense of purpose he had left in life, anyway.

Felix: Once I decided to fight alongside you and the emperor, I was prepared. …Prepared to abandon my country, to strike down my father, and to kill a man I once called a friend. But… my sword feels a bit heavy.

I found Felix's character arc in CF very interesting due to the whole "rotten relationships" idea. Remember how it means "a bad relationship that cannot be cut even if you try"?

Dimitri: Felix… You killed Rodrigue… your own father. Felix: I decided to cut down anyone who stood in my way. Even if it's my own father… Even if it's a friend I spent my childhood with. Dimitri: I see. After this exchange… I have finally resolved to kill you.

When it came down to literally cutting Dimitri out of his life, CF!Felix was very hesitant. He had a sad expression during this dialogue. And it was the same when he fought Ingrid.

Sylvain: Hey, Felix… Remember back when we were kids? We promised we'd die together, didn't we? Felix: ...Yeah, I remember. Sylvain: So… Now, it's gonna be you and me, killing each other. Felix: …Sorry, Sylvain. I'm gonna have to let you die first.

However, he showed absolutely NO hesitation killing Sylvain. In fact, he was even colder to him than he was to Rodrigue. Sylvain was clearly the real target of Felix's revenge in this chapter, not the boar. When Ingrid warned Sylvain that he was going to get stabbed if he kept cheating, it was probably foreshadowing for this moment.

Sylvain did not take CF!Ingrid's disloyalty personally and was not angry at her. He was just happy that her stubbornness hadn't changed. But he was very angry at CF!Felix. It was the betrayal he wanted revenge for. He specifically brought up their promise before expressing his desire to fight to the death. He was fully prepared to be stabbed to death, but he wanted to take Felix with him.

Rodrigue: Hmm. The dreams I held dear as a child have either already come true…or never will.

The Hero's Relic of House Fraldarius is the Aegis Shield, a reference to Greek mythology. It's likely no coincidence that Rodrigue's middle name is "Achille". He was probably inspired by Achilles, the warrior hero from the Iliad. Achilles' strong reaction to his childhood companion Patroclus' death is often taken as a sign that their relationship was possibly deeper than friendship. He lamented, "My dear comrade Patroclus has fallen—he whom I valued more than all others, and loved as dearly as my own life? I have lost him."

Rodrigue: No matter how much we grieve, the dead won't return. There's no way for them to hear our words. That's why their presence binds those living in the present like a curse. The more we cherished them, the more we become entangled and suffer… I'm not strong enough to scold His Highness for his foolishness. Byleth: Even so… Rodrigue: Yes. It seems scolding and getting them back on their feet is our duty as adults, isn't it? …Despite speaking so arrogantly, in the end, I am unfit to be an adult, aren't I?

When I first played AM and got to the scene called "Entrusting the Future", I assumed Rodrigue was still talking about Glenn when he lamented how the dead can't return.

Rodrigue: We both have a disposition where we can't just live without purpose. Both Felix and me. I lived to serve him, the late King Lambert… to support him as his right hand. Having lost the king I should serve, having lost the purpose of my life… I thought about what I should live for… And in the end, I made fulfilling our promise my new purpose. Shez: A promise… What was the promise about? Rodrigue: He asked me to admonish and correct his child if he ever strayed from the right path.

But after playing AG, there was another scene called "Entrusting the Future". And I realized he was actually talking about Lambert all along, not Glenn. AM!Rodrigue understood why Felix hated him for his comment about Glenn's death and he didn't blame him.

Dimitri: Every time I see the expression of longing on your face when you remember my father, there's always a thought that crosses my mind. I wonder if you wished to live and die alongside him. Rodrigue: …Haha, you're overthinking it, Your Majesty. Despite appearances, I consider myself quite resilient. No, I didn't wish for my own death when Lambert passed. However… if it were to fulfill a promise with him, I believe I'd be satisfied to die.

The concept of "kasaneru" played a large role in Rodrigue's relationship with Dimitri. It was very telling that he decided that his new reason to live was not to help his surviving son get back on his feet, but instead keeping his promise to Lambert. Dimitri had strayed from the right path, but Rodrigue could not scold him. In VW, this enabling caused Dimitri to throw everyone's lives away at Gronder Field. In AM, when the consequences of Dimitri's actions came back to bite him, Rodrigue took the punishment on himself, stating how there are no sins or punishments on the battlefield.

Rodrigue: He left home on his own, and now… this foolish son of mine. Felix: I have no intention of returning to you. Nor do I have any intention of returning to that boar. Rodrigue: …When a child misbehaves, it's the parent's responsibility. Felix… right here and now, you'll die!

Yet Rodrigue said he would not have forgiven Glenn if he had run away at Duscur. He could not even forgive his own teenage son for an act of cowardice on the battlefield. And if Felix joins CF, he has absolutely NO problems punishing him with death. I could understand and empathize with Rodrigue more after playing AG. I don't think he was a bad person. But he was certainly a bad father. He valued Lambert's (and Dimitri's) life above all others, even his own. And even his own sons. And Felix could pick up on that.

Felix: So, the old man's dead… Dimitri: Yes. Felix: I'll cut you down. Prepare yourself, you damn boar! Dimitri: Very well. Come at me, Felix!

There is unused dialogue that was apparently meant to be an alternate scenario based on whether Felix was defeated in Part 1 and was unrecruited in Part 2. I suspect much of his vitriol towards Dimitri in AM stemmed from jealousy over his father's affection. And because of him, he lost the chance to ever make up with his father. Their AM battle dialogue is the opposite of CF. This Felix had no hesitation cutting Dimitri out of his life violently and was prepared to die with him.

Felix: Sylvain, stand aside. My blade thirsts for his blood, not yours. Sylvain: Then surrender already. I don't want to fight you, either! Felix: …Sorry. That isn't up for discussion.

But he had no desire to cut Sylvain down. Because they could not finish their Support chain, Felix could not reaffirm his promise and find a new reason to live. I'm sure Sylvain knew that he was throwing his life away by trying to kill Dimitri and he was desperate to stop him. It's hard to overstate just how much more emotional Sylvain sounded in Japanese. He really did NOT want to fight Felix.

Rodrigue: Remember when I told you about the time I acted foolishly and got myself into trouble? Lambert broke through enemy lines and told me, "Don't waste your life." Although he was covered in wounds, so it wasn't very persuasive, was it? Dimitri: Haha, indeed. You two were truly good friends. I'm so envious of my father. Rodrigue: Haha, saying that would only make my son jealous. He'd ask, "What am I to you?"

As a descendant of the hero Fraldarius, Felix was expected to have the same kind of bond with Dimitri that Kyphon had with Loog and Rodrigue had with Lambert. But I never got the impression that he did. In Hopes, he inherits his father's title and position as the king's right-hand, similar to his solo ending in Houses.

His duty was to act as the Shield of Faerghus, and that involved protecting Dimitri, primarily from his own suicidal recklessness. That was a role he played in Houses as well, but he was mainly protecting Sylvain from himself instead of Dimitri. That's not to say that Felix did not care for Dimitri's safety in Houses. He just delegated those duties to Byleth, like when he asked her to "cage the boar".

Sylvain: Be careful, will you? …Jeez, you've even got bruises on your neck. If something were to happen to you, we don't know what will become of Faerghus, do we? Felix: I won't say it'll go smoothly without me, but I always assume I might die on the battlefield. Sylvain: Seriously, Felix… if you were to disappear now, what would happen to Faerghus and His Majesty?

It did not seem like being the Shield of Faerghus gave Felix a true sense of purpose or a reason to live. Sylvain's appeals for him to survive because Faerghus and Dimitri needed him did not seem to be very effective. In Hopes, he was pretty nonchalant about dying on the battlefield, causing Sylvain to scold him for being reckless. It was the exact opposite of their Houses Supports.

Sylvain: You and me, we'll support His Majesty and Faerghus, by complementing each other's weaknesses. Felix: …Yeah. Um… in the future too, I'll count on you. I hate to admit it, but I probably need you. Maybe. Besides… without you, everyone else would be insufferably gloomy. Sylvain: I get it. You don't have to say it. I'll always be with you, no matter what.

In Hopes, Felix was there to help Dimitri get back on his feet, both literally and figuratively. But Sylvain was the only one he could ever lean on. Felix was raised to believe it was his duty to be a literal human shield. And that's why it meant so much to him that Sylvain would always protect him.

Shez: Well, you know, Sylvain, who always fights with you, ends up being swarmed by enemies... Felix: …That's because every time, he boasts about taking charge with nonsense like "Leave it to me." Well, I believe he'd manage to get through any predicament, no matter how dire.

There was a change in Felix's C-Support with Shez. The localization stated that Felix would always get surrounded by enemies when fighting with Sylvain. But in the Japanese, it was the opposite.

Matthias: Rodrigue, fall back with the duke. The escape route is secured… Leave it to me. Rodrigue: Matthias… What a fool. Make sure you come back alive. You must! Matthias: It's been a while since I've fought to protect a friend's back. My blood is boiling with youthful fervor! Claude: Risking your life to let allies escape, huh? That's the knightly spirit of Faerghus we admire.

When Matthias died in GW, he said he would be waiting for Rodrigue and Lambert on the other side. It's extremely similar to what Sylvain says when he dies in CF. And there were many parallels between Sylvain and his father in Hopes.

Felix: I can still stand… I can still wield my sword. I can still fight…! Tch… With injuries like these, I won't withdraw…! Sylvain: Felix! Stand down! Aww, look at you all beaten up… Leave this to us and fall back, okay? Felix: Ugh… You better come back. If you're planning to die, I won't forgive you, Sylvain!

When Dedue is low on health during the SB battle at Ailell, Dimitri begs him to fall back because he cannot afford to lose him. But when Felix is low on health and can no longer stand, Sylvain is the one who comes to his aid. Rodrigue made it clear that he expected his son to fight to the death. But because of Sylvain he retreats. His future with Sylvain was the reason he chose to keep on living.

Sylvain: Ah… Felix. I'm glad you're safe. Felix: You, always trying to shield me... Don't be reckless. Even though you're weak, you always, always...! Sylvain: It's fine as long as you're safe. As long as you're alive, I… Felix: You stupid bastard! Don't joke like that. If you ever dare to die, I won't forgive you…!

It's more obvious in Japanese, but what Felix said to Sylvain at the Valley of Torment was almost the exact same as their A+ Support. Sylvain probably knew he was going to die, just like Matthias did in GW. He was fighting to the death as he avenged Ingrid. Even though he wanted to die together with him, if it came down to it, Sylvain was always content to sacrifice his life to let Felix live. He died as a true knight so that Felix wouldn't have to. Felix had the type of bond with Sylvain that he was supposed to have with Dimitri.

Felix: …Well, I was prepared for it to come to this. With Father… and also with that boar, we'll eventually have to part ways.

Felix did not want to become a knight for many reasons. In Japanese, he used the phrase "袂を分かつ" (tasuki wo wakatsu). It literally means "to separate the sleeves" and is often used metaphorically. The imagery evokes the idea of two individuals going their separate ways, often signifying a farewell or divergence of paths. That is his entire motivation if he joins CF.

Felix: For the past five years, I've been fighting under the emperor. …I've slain quite a number of enemies. Now, I must look just like that boar from back then. …It's the face of a cruel beast that revels in blood and violence.

But if he takes that path, he becomes the very boar he hated.

Felix: …He's dead. I heard he was beheaded… But… I didn't see his head. If, by some chance, he's leading that army… Byleth: Are you truly ready to fight? Felix: …Don't underestimate me. Even if it's him, I'm prepared to kill.

In VW, Felix suspected that Dimitri was still alive all along. But he still chose to stay with the Alliance.

Felix: …I never truly understood his hatred and anguish towards the Empire. If it were me…could I have saved him? Could I have… stopped him?

Afterwards, he wondered if he could have saved him from dying like a wild boar. Even if he had stayed with the Kingdom, it wouldn't have made a difference. Only Byleth would have been able to stop him. Felix would have just died pointlessly at Gronder like everyone else. But there was no way for him to know that. In both routes, he suffers from regret and wishes he'd died alongside Dimitri. He is a lost soul, who lives only for the sword and fights with a will to die.

Felix & Sylvain (Non-AM) After the war, minor skirmishes continued throughout various regions in Fódlan. Felix, upon learning that there were battles still to be fought, chose to forsake his noble status and make a living as a swordsman. Over a decade later, he took on the role of a mercenary, and his employer turned out to be Sylvain, who had inherited the title of Margrave Gautier. The two of them were overjoyed to reunite, but their diverging paths meant that their fates would never intertwine further. After finishing his work, Felix left Sylvain's territory, embarking on another journey as a wanderer. It was a few years later when Sylvain received a sword that was unmistakably Felix's.

This is the ending you get if Felix uses his sword to cut a path to his ideal future. While he can eventually give up the sword and find some peace if he has a female partner, his paired ending with Sylvain is the single most tragic ending in the game. Despite having a chance reunion, Sylvain is unable to save him. While the reason for this is never stated, the Japanese ending offers a clue.

The phrase used for “diverging paths” in Japanes is "道を違えた" (michi o tagaeta). It also translates to "took the wrong path" or "strayed from the path." It implies making a mistake or deviating from the correct course of action, moral path, or intended direction. It emphasizes the idea of going astray or making an error in judgment.

Sylvain's arc was about realizing that his Crest did not decide his fate, he did. After Felix left him, he probably settled down with a random noblewoman, had children, and it was simply too late for him to start a new life with Felix. Because Felix went astray and chose an immoral path, it caused Sylvain to make a big mistake. Felix follows in Glenn's footsteps and dies alone, full of pain and regret. And I can't imagine that Sylvain's fate was any better when Felix's sword arrived on his doorstep. He probably became the next Wall of Ice. They can only be together in AM and their non-AM ending strongly emphasizes how that was the intended path for them.

Felix: Why did they die while I lived? …Even now, there's not a day I don't question. But I'm not as spoiled as you. I'll take my regrets to the grave. There are more important things to me now.

The localization did a faithful job with the Dimitri/Felix A-Support. It's just that, in Japanese, there was a line about how Felix would take any regrets to his grave. It was very similar to his A-Support with Rodrigue in Hopes. In AM, Rodrigue dies, and Felix never got to apologize for punching him. He even left a note in the confession box about that. But in Hopes, he could get closure with his father.

Felix and Dimitri's relationship was FAR from healthy. It probably would be much better for both of them to sever their rotten relationship once and for all and walk separate paths in life. And their A-Support was written with the idea that, if this was the final time Felix spoke to Dimitri one-on-one, that would be okay. He said what he needed to say and wouldn't have any regrets. Dimitri could sense his underlying compassion and was content to leave it at that.

Flayn: But isn't there a future beyond that where Felix can avoid taking lives? Felix: …It's fine to dream of such a future, but I don't belong there. After all, I've been swinging a sword ever since I was born. ...Swordsmen are troublesome creatures. Fighting for peace, yet losing our purpose when peace finally arrives. Flayn: …Haha, if that's the case, you need not worry. […] If you felt like you lost your purpose in life, surely you would find a new purpose. It's not like you to fear loss. Felix: …...… You really are something, aren't you? Huh… I've never even thought about it. Maybe there is such a way of living after all. ...I'm starting to get interested. Perhaps swinging a sword for the future you dream of wouldn't be such a bad idea.

One way Felix resembled his father was that he couldn't live without a great purpose in life, and if he lost that purpose, he'd need something to fill the void. He needed a future to look forward to during peacetime. He was intrigued by the idea that one day he could chop wood, fruits, and vegetables instead of people.

Felix: The millennium festival? Talking about festivities at a time like this, you're as carefree as ever, huh… Sylvain: No, no. While it's a celebration, it's also a political gathering where rulers from various countries gather. It wouldn't hurt to think about the future, right? You can't stay uninvolved either. Felix: Well, that may be true. For now, focus on the battle at hand, Sylvain. If you die here, there won't be any millennium festival or anything. Sylvain: Oops, a valid point! Well then, for now, I'll quietly prepare for the deployment. Felix: Do that. Don't neglect your preparations and end up losing your life in some trivial place.

He wielded a sword because he was afraid of loss. Getting stronger would not fulfill him the same way a relationship could. His non-AM endings really emphasize the fact that the sword was just filling the void of a partner.

Felix: I find it easier to wield a sword than to hold a woman's hand.

But personally, I think he was the only gay character in 3H (well, other than perhaps his father). He got along well with women, but I was struck by how unromantic his paired endings with them were. He is the only man to propose to Byleth at the training grounds instead of the Goddess Tower. He spends a lot of time apart from her in their paired ending and is happiest exchanging swords instead of words when they actually do see each other. It felt more like he was replacing the loss of his brother through her than really being in love.

In his ending with Flayn, he continues to wield a sword as Dimitri's right-hand and only gives it up in favor of a quiet life on his estate when Dimitri dies. When he marries Mercedes, Bernie, or Dorothea, he becomes the king's right-hand and travels across Fódlan with Dimitri. He spends a lot of time away from Bernie. Dorothea has to accompany him on the battlefield to get quality time.

His ending with Leonie is not romantic and they just become drinking buddies. In his ending with Ingrid, he gives up the sword when he's injured and does not regret it. The only two female paired endings that don't mention warfare, swords, or knighthood are Annette and Lysithea. But it felt like the joke was that he actually fell in love with he singing, not Annette herself. And with Lysithea, she dies young and leaves behind her cake recipe.

Felix: You're not cut out to be a knight. How about you start seriously looking for a marriage partner? Ingrid: …What's that supposed to mean? Felix: Just as I said. Ingrid: I understand that you dislike things like chivalry and knightly pride. Just because of that, you keep running away from your duty as the heir of the house… You have no right to speak so high and mighty.

In Japanese Felix did tell Ingrid to go find a husband, but he used the word "結婚相手" (kekkon aite) instead of "夫" (otto) which means husband. "Kekkon aite" refers to someone whom you are seriously considering as a potential marriage partner but may not be formally engaged to or married yet. He wasn't telling her to go find the next man to offer a huge dowry and immediately get engaged.

He was saying that she would be better off dating, finding a serious partner that she loves, and eventually getting married. He did not say this in a disparaging way. He didn't want her to end up like Glenn nor did he want her to blindly follow the orders of a king who he considered bloodthirsty. He genuinely thought that being a wife would be a safer and more fulfilling lifestyle than being a knight.

Dimitri & Felix Dimitri formally succeeded to the throne of the Holy Kingdom of Faerghus after his coronation, dedicating his lifetime to the governance and reform of Fódlan. Behind many of his achievements stood Felix, the Duke of Fraldarius, who sometimes acted as the king's right-hand man and at other times served as his advisor. Bound by a lifelong steadfast friendship, it is said that Felix mourned more intensely at Dimitri's passing than even the queen herself. The tale of their lives, akin to the legendary Lion King Loog and his sworn friend Kyphon, will be passed down through the ages as one of the stories that adorn the history of Fódlan.

In any case, Felix was projecting his own feelings onto Ingrid. If you pair her with Dimitri, it says she supported him as a wife and queen, but still insisted on fighting on the front lines in battle like a knight. If you pair Felix with Dimitri, it says he mourned the king's death more than the queen. Ya know, the wife. Chivalry promotes homoromantic social bonding among men. Rodrigue had a wife and kids, but he devoted his life to a married (presumably heterosexual) man. He used his position as "sworn friend" of the king to fill the void of an actual gay relationship. He lost his reason for living when Lambert died. In this ending, Felix ends up following in his father's footsteps. I don't think that's a satisfying ending for him.

Dimitri/Felix: "彼らは生涯固い友情で結ばれ" means "They were bound by a lifelong strong friendship." This phrase emphasizes the steadfast and enduring nature of their friendship. The word "固い" means "firm" or "strong," implying a friendship that is resilient and unwavering. Sylvain/Felix: "生涯無二の友であり続けた" means "They remained lifelong inseparable friends." This phrase emphasizes the unique and unparalleled nature of their friendship. The term "無二" means "unparalleled" or "incomparable," suggesting that their bond was extraordinary and unmatched.

I would also like to compare the descriptions of friendship in the Dimitri/Felix ending to the Sylvain/Felix ending. Both phrases convey a deep sense of friendship, but they emphasize slightly different aspects. Dimitri/Felix emphasizes the enduring strength and solidity of their bond. In terms of depth, Sylvain/Felix carries a stronger sense of exclusivity and uniqueness in their friendship.

The term "無二" was also used in Ingrid's AM paired endings with Ashe and Dedue. Her arc was about belonging to herself, not a man. She wanted to go down in history as a knight, not as a wife. For that reason, her AM paired endings with Ashe and Dedue don't specify her marital status. But the writers still wanted to suggest that she and her male partner were possibly lovers. Since it can also mean “inseparable” in certain contexts, "無二" was chosen for their bond.

Felix & Sylvain (AM) Felix, who succeeded his deceased father Rodrigue as Duke Fraldarius, and Sylvain, who inherited the title of Margrave Gautier after his father's passing, both devoted their efforts to the restoration and prosperity of the Kingdom. Even amidst their busy days, their friendship never wavered. Felix would occasionally show up at the Gautier family's residence and insult Sylvain, and Sylvain, in turn, would visit the Fraldarius house frequently, solely to tease Felix. Throughout their lives, they remained inseparable friends, and there is even an anecdote that they coincidentally passed away on the same day.

In this ending, both men inherit their fathers' titles, but neither of them is forced to fulfill their unwanted patriarchal duty. Their bond is characterized by mutual devotion, not chivalry or bloodline. Their relationship effectively goes back to how it was when they were kids. He apparently made peace with Sreng as Sylvain is free to go where he wants and spends his life with someone he loves, not just someone he can have Crest babies with. While he becomes a famous cheater in his solo ending, and a renowned lord in his others, here historians remember him most for his closeness with Felix.

Like Rodrigue, Felix wished to live and die alongside another man. When paired with most of his wives, he becomes the king's right-hand, a role that would require him to wield a sword and travel. But not in this ending. He stays in Fraldarius territory so he can be available for frequent surprise visits. Sylvain was his true purpose in life, and neither can live without the other. And to me, that is the ideal ending to both of their character arcs. The Shield of Faerghus died like a true knight. "The Shield's Successor" died like a true wife.

[masterdizzi]

Let's talk about Spacetoons Mineta...

Spacetoons is an arabic channel that semi-recently dubbed MHA. Some may call it "Arabic 4kids," but as someone who watched a substantial amount of shows in a 4Kids dub. (namely SonicX), that's not a fair comparison. The only 4 kids dub I actually enjoyed was that of "Kirby: Right back at ya"

Anyway, the BokuNometaAcademia sub brought to my attention the way that Mineta is written here. I have always hated how Hori used Mineta to live out his weird fantasies. The inclusion of Mineta's "comedy" turned a lot of people, me included off and honestly, why wouldn't it.

Spacetoons is more child-tuned so they did a lot of censorship, for example, look what they did to Momo

(They also greatly improved her character)

You may be asking, "What did they do with Mineta?" Valid question considering 70% of his character is horny jokes. Well, the completely removed the perv aspect and made him a loveable kid who wants to fight his insecurities and be great hero.....

I have always said it, Mineta holds some great potential. His moment during the USJ arc was a great stepping stone for some great character growth. The idea of a coward pushing to become a true hero is so different from the norm, but as we know, when it comes to MHA, potential don' get used.

From what I hear from spacetooneta, he is actually really likeable. He is so different from Canoneta that people mistaken him for a girl. The scenes where he is being pervy are either edited out completely or altered convincingly.

They changed the scene from season 3's filler episode so that the context is as follows:

Kaminari and Mineta want to goof off at the pool

Mineta has overheard that the girls have booked the pool too

They convince Izuku to come w/them so that they can get there before the girls

Izuku invites Tenya and the others and Tenya makes them train instead of goofing off

The girls are here, goofing off while they have to train

The most nuts part is that viewers of that dub absolutely LOVE HIM. He suprassed Bakugou in popularity even. This shows that Hori could have made one of the most loveable characters in Shounen. Think about it, his design is already cute, just slap a cute personality on and everyone would love him. But no, he had to be a creepy perv.

Canon Mineta sucks man

[nqueso-emergency]

The use of Bummy really upsets and annoys me so I want led to write down my thoughts and I hope you can share 💕

Is the use of Bummy as a ship name offensive?

Yes, it is correct if you put the BU from Buck and the MMY from Tommy. Yes you get “Bummy”.

So what is the issue? It’s common practice in shipping, fans combine two characters names together, forming a new ship name (portmanteau or smushword). For instance, the ship name for Dean Winchester and Castiel from Supernatural is referred to as Destiel. The 'De' from Dean, and 'tiel' from Castiel.

Well, it’s the use of “bum” as part of the portmanteau and the closeness to the word “bummer” and “bumming”.

Why is that an issue?

Number one because the word “Bummer” is a gay slur word in British English & slang. Number two because this is a gay ship. Number three the majority of people using this ship name dislike the coupling. It’s generally used as part of a wider negative sentiment about the couple. Number four the fact one member of the pairing is a British actor meaning it’s a bit close to home.

One of the common responses to people saying the name being homophobic and offensive is that pro BuckTommy fans have dug up an obscure slur to find issue with the use of the ship name.

Let’s break it all down… we’ll start with the etymology first.

American English and British English as a language has a good few words with very different meanings. It’s understandable that both side would be unaware of subtle language differences. It’s easy to talk about trash vs. rubbish. It’s much harder to talk about words that could be used as offensive or considered a slur. I don’t want to start listing slurs for obvious reasons that fall under this umbrella (there is actually a few) so I’ll try to be concise.

Let’s use the example of “fanny” as word that in UK considered a vulgar word meaning the female genitals but actually means butt in America. A polite way to say fanny in the UK would be “front bum”. Because your ass, or buttocks in the UK is your bum. Aka your gluteal muscles.

So it’s means your bottom. But like most words you can use it in multiple ways and it can have multiple meanings. Bum, bummer, bumming etc. Various meanings depending on the context. A bum can be a homeless people or my backside. If I add an action word “to bum” it’s anal sex. If I said “what a bummer” I might be saying that’s disappointing. Or I might be using it as a slur to describe a gay person. Everything from tone of voice and inflection to your physicality can change the meaning.

Does the fact it’s of British language, history and cultural background mean it doesn’t count?

Is it obscure?

The slur “bummer” in the UK and Ireland is one of a number of terms beginning in the 1980s, and especially in the late 1990s, as an insult amongst young people. While curse words were cracked down someone using it as an insult could mostly fly under the radar. A school yard taunt.

The peak use of the word as a slur was over 20 years ago. Of course if you’re 21 years old that feels completely irrelevant. If you’re a millennial and lived through that peak of popularity then you have entirely different perspective.

In fact, as UK or Irish society has evolved in the last 20 years and become more progressive homophobic language is widely unacceptable in polite society. It’s not that specific slurs have become obsolete but that any slurs or micro aggressions in general have becoming broadly intolerable.

For me, obscure would be a word where no one living would recall it.

Similarly the word “gay” its self which was also used with derision during this time (being stupid, or equivalent to weak.) The pejorative use of the word "gay" was waved away as banter for more than a generation. But even then using such words and slurs as “a joke” had a knock on effect. So for example, college-age men were more likely to repeat the word negatively if their friends said it, while they were less likely to say it if they had lesbian, gay or bisexual peers.

Words such as “queer” or “gay” have been reclaimed by the Queer community since but it isn’t as clear cut as that and often there is a generational issue where younger people — millennials are fine with it. Gen Xers are less comfortable with it. And then older people or boomers, maybe, who find its use problematic.

What is the relevance of bringing in the wider use of homophobic slurs? Well we see fans waving away concerns about the use of Bummy as “not that deep” it’s just their names mashed together. Dismissal of the slang term as obscure and BuckTommy fans scraping the bottom of the barrel to find a reason to be offended. That narrative is repeated whether true or not because their side of the Fandom said it. The main demographic using the term is younger Gen Alpha Gen Z and American. A cohort with no frame of reference. And seemingly uninterested in extending curiosity to learn or to listen.

That all mirrors behaviour we have seen before. Does that mean I think anti BuckTommy fans are homophobic… no actually I don’t think that at all. Because there is nuance. Instead I think that they are okay using an offensive portmanteau because they intensely dislike the ship and that is simply slippery slope.

But is there a counter argument to that? Why jump to that conclusion?

Let’s say they just don’t want to use Tevan as that has Evan as part of the name. Okay, that’s a good reason. But wait? Why not use BuckTommy the most popular ship name? Or Kinley? Or Tuck? Why say Bummy Bones and not BuckTommy Bones? Why despite being told it’s offensive and having the ability to just Google it do they hand wave that away with wilful ignorance.

I do think the ship name of Bummy is used to intentionally have negative connotations. It’s meant to annoy BuckTommy fans. Perhaps it’s just engagement bait.

I've held on to this ask waiting for a good time to post it.

Today is that day.

[zepskies]

Hey loved your Sam having a crush on Dean's gf! I was wondering if I could request the flipped version where Dean has a crush on Sam's gf 😏😏

Oh my God, hun! 🫢

The way I didn't even contemplate this!! But it's so delicious...

(And thank you for reading that Dean imagine! It was angsty, but oh so fun. 😘)

See this imagine for context: You are Dean's one exception.

Word Count: 1,300

Imagine: Dean gives you an impossible choice.

Dean hates this. He hates it more than anything.

He hates the look of you, all soft curves and smiles that brighten your eyes. Your hair looks even softer.

(He wants to tangle his fingers in it, tight, until your voice echoes in his ear.)

He hates that you bake cookies on Saturdays. (He also hates that you're learning how to make pies, just because he mentioned off-handedly that you should try. If your snickerdoodles are this good, he can only imagine what you could do with some cherry filling.)

He hates that you greet him, every morning, without fail, with a hand on his shoulder and asking how he's slept. (Even better if you'd joined me, he thinks.)

And then his mind gets truly creative, imagining all the ways he could make you lose sleep. All the ways his hands and tongue could get creative, tracing the contours of your body.

He hates all of that too.

But what he hates most of all?

That you're Sammy's girl.

Sam's known you longer, since college. The two of you reconnected after the second apocalypse diverted. Or was it the third one? Dean's lost count at this point.

So you're smart. Sam studied Latin, but you studied Greek and Spanish, and even symbology. You consider yourself a linguist -- a fact that had Dean grinning from the moment he met you...

But as many times as he made you blush and smile with his charm and a well-placed joke, it was Sam who hooked you with one of his dimpled smiles and asking you for help on a case.

You'd agreed, for him. The two of you bonded over your nerddom, with heads bowed over ancient texts and shared personal history, and Dean tried not to feel like an outsider.

And yet, even when you fell for his brother. Even when you moved into the bunker, taking up his counter space with your ridiculous baking appliances. Even when you doted and touched and kissed and promised Sam more with your eyes, Dean couldn't shake the feeling that he'd missed his chance.

So Dean backed off. He made excuses not to be around you and Sam when it got too much for him. Had to ignore the way his stomach churned (and maybe his heart clenched too).

...Until his chance comes. He sees it.

He's also a bit drunk.

"Aw, Dean. You okay?" you ask, picking up a large, empty bottle of whiskey by his hand, which still holds a fifth of a glass.

"Oh, I'm good," he replies, raising his brows with a smile. "I'm real good."

You snort with a laugh. He smirks at the sound; he would never admit it, but a small part inside him always swells with warmth when he makes you laugh.

You bring him a glass of water with just a few cubes of ice. You know he doesn't like it packed to the top. "Drink this."

"What's the magic word?" Dean teases, even as you take the glass tumbler out of his hand.

You then sit next to him at the kitchen table and offer him a wry smile, resting your chin in your hand while your elbow rests on the table. "Please, will you hydrate yourself?"

"Already did," Dean remarks.

"Dean," you say, more seriously gesturing to the water. "Please."

He hesitates. But seeing your face, he finally rolls his eyes and dutifully sips at the tall glass of water.

You reach out for his shoulder. His inebriated gaze is drawn to your hand, the smooth skin of your arm, and back to your face that shows soft concern.

"You don't drink like this unless something's on your mind," you say.

Dean falters. When did you get to know him so well?

"What, a man can't drink alone anymore?" he says wryly.

"He can, but he's gonna have to spill his guts sooner or later," you smirk. Dean grimaces at the image. Suddenly the Jameson sloshing around in his gut doesn't feel all that nice. But the longer he looks at you, the worse he feels.

"Trust me, you don't wanna know," he says. He gestures, with the hand that holds his glass, up at his head. "'S not for newcomers."

"Yeah, but I'm not a newcomer, am I?" you quip.

Dean can't help it. He stares at your face. Your damn perfect face. Perfect for him.

His heart clenches with the pain of guilt. With thoughts he shouldn't have. How he'd rather slit his own wrists than hurt his little brother. Not like this, for fuck's sake.

But Dean's got a problem. It's eating him down to the bone.

He wants you. He really wants you. More than he's wanted anything in so long...

"You really wanna know?" Dean asks. His voice is both a rumble and a coarse whisper. His green-eyed gaze falls to your lips.

For your part, you suck in a subtle breath. Your eyes widen, and your body's frozen, suspended in time.

You stare back at Dean's handsome face, overgrown with stubble, like he’s forgotten to shave. And you finally know what he's been hiding for the past few months. Why he sometimes ducks out when it's supposed to be the three of you, hanging out, watching a movie, sharing a pizza, being friends and family all at once.

You sometimes thought Dean had something against you, no matter how many times Sam has said, "That's not it." With one of those pensive looks on his face.

Like he knows something you don't, and just doesn't want to speak it into existence.

But then, Sam would distract you with his hand stroking your cheek. A kiss to your lips, sweet, but with urgency. You like that about Sam. You even love that about him -- how he can be both kind and considerate, but passionate in his affections.

But now, you stare at the eldest Winchester's face. You don't even know what you're thinking.

Dean sees you fidget, and has a feeling that you’re blushing.

He leans in, slowly. He’s mere inches away from finding out how sweet you really are.

He hears your shallow breath. His eyes flick up to yours, briefly capturing you again. You smell whiskey on him, but it doesn't completely drown out his cologne. His Deanness.

You can feel your face heating up further, down to your neck. What the fuck is happening right now?

"Tell me no," Dean says. Tell me to stop, or I swear to God...

"Dean, what..." you whisper. But that's not a no.

Still, he can't. He just can't do it. Not to Sam.

Dean just reaches out with a hand to soothe a gentle thumb across your cheek. He realizes then that he loves you. He loves you enough to let you go, if he has to.

"It comes down to this," Dean says. His voice is deep, full of grit and desire. You can see it in his eyes. He sees the conflict in yours.

He swallows. His heart is pounding against his ribcage, but he uses every ounce of self-restraint he has left, forcing his hand to fall away from your cheek.

"You've got two choices, sweetheart," he says. And he pulls away, leaving you there at the table.

Dean doesn't know it, but your heart is about to burst just like his. What the hell! How could he do that? Why...

But you realize then, holding a hand to your wildly beating, guilt-ridden, confused heart.

You never told him no.

AN: I love Sam, don't get me wrong. But because I'm unequivocally a Dean girl, I had to leave it a bit ambiguous. 😏

Read the Sequel!

Here's the requested sequel to this, in which you have to make a choice (contains both Sam and Dean endings):

Imagine: Choosing him.

Dean Winchester Imagines

Dean Winchester Masterlist

Main Masterlist

DW Tag List:

@hobby27 @this-is-me19 @kazsrm67 @letheatheodore @agothwithheavysetmakeup @jacklesdeanvessel @foxyjwls007 @wincastifer @ades106 @emily-winchester @deans-baby-momma @melancholictearz @luvs4dria @nic-kolas @katherineann83 @sleepyqueerenergy @wayward-lost-and-never-found @tipthejar @ajjustice @thewritersaddictions @samanddeaninatrenchcoat @deanwanddamons @antisocialcorrupt @adoringanakin

@theonlymaninthesky @teehxk @midnightmadwoman @mrshalverson2021 @iprobablyshipit91 @agalliasi @venicesem @waters-2567 @chriszgirl92 @lyarr24 @ladysparkles78 @solariklees @xsophianicolex @deansbbyx @mimaria420 @candy-coated-misery0731 @curlycarley @sarahgracej @bagpussjocken @ultrahviolentart @beskarfilms @skyesthebomb @deans-spinster-witch @tmb510 @iamsapphine @fics-pics-andotherthings-i-like @chernayawidow @syrma-sensei @fabimaou @simpforbuckyb @vanillawhiskeyflavoredkisses @roseblue373

[dtmsrpfcringe]

We don't hate women. We hate women who are abusive towards their partners.

Michael and David both deserve better and just because you want to buy into what PR and social media tells you, you don't have to attack other people for being upset over actors they care about possibly not being happy.

David wouldn't leave Georgia, they are married and have children, so he feels responsible. He always puts other people before himself. And Anna played it well with the babies, as harsh as it sounds. Michael would feel terrible leaving the girls. People staying in relationships doesn't prove you right, sadly. It's no sign of anything other than commitment and commitment doesn't always come from a place of love.

By saying that Michael and David shippers want to see them unhappy in their relationship, you show that you're missing the point. The whole point of shipping them is wanting them to be happy. You just want to be hateful towards people who don't suppprt your narrative, it seems.

GOD I WISH TUMBLR WOULD LET ME ADD TEXTS BEFORE ASKS SO I COULD SAY “Warning: you’re about to hear one of the most moronic takes I have ever heard” *insert gif of amanojaku from ghost stories here* okay let’s…we have to break this down it’s too much for me to just laugh at and go “wow this is dumb as hell”

“We don’t hate women, we just make up stuff so we can justify hating them”- you. where’s…where’s any shred of proof that either women are even a little bit abusive? I mean don’t you think we would have seen some of that by now? And no, enty lawyer doesn’t count as proof and neither does random screenshots of a bit of text with zero context. Also neither do jokes online with your partner when they’re okay with it (and make the same jokes quite literally all the time) and nobody sees a problem with it except the people that conveniently hate these women.

2. “Michael and David both deserve better” yes I’m sure the rich white middle aged men who are two of the most popular actors in their countries who have girlfriends/wives and kids who love and adore them are surely hurting because some weirdo on tumblr says it.

3. Hate to tell you this but married people with children divorce all the time. It’s not like if they divorce he is going to suddenly vanish in a puff of smoke babe.

4. Even if that’s true, your theory of him only staying out of responsibility is bullshit. Someone who stays for the kids isn’t going to dip their wife into a kiss on the red carpet and look at her like a hozier song sounds. If there’s any event or interview where he can find a way to praise Georgia, he does it. He always talks about her. After events they’ve been seen kissing deeply and walking arm in arm honeymoon style.

5. as for Anna and Michael, (David and Georgia too but they seem more open to pda) they don’t owe you pda. Michael has been more than adamant about defending his girlfriend on twitter and good for him about it.

6. if you guys were genuinely concerned with Michael and David’s impending relationship crashes, why is it always tied to their love for one another? The only people who see This rampant “abuse and unhappiness” is this group of people who believe David and Michael are actually in love and want to elope together. Nobody else. Not even other Sheenant shippers. You guys literally just hate them, I mean Invisibleicewands has been talking shit on Anna since she posted her first photo with Michael back in 2019 and hasn’t stopped.

7. “And Anna played it well with the babies, as harsh as it sounds.” seriously what the absolute crap is this supposed to mean my dude? I’ve gotta be honest….you know how smex works right? Michael could absolutely choose to use protection!!! Why is it on her? Not on him. He’s had kids before I think he knows that a stork doesn’t bring the baby. Holy hell you people make my eyes hurt

8. (finally) funny you should bring up narratives, you know considering you’re part of the group that thinks any affection towards anybody else that isn’t them is PR (thinking of the Joseph Fiennes hug fiasco) that lied about Georgia and Anna being abusive, that has tried time and time again and moved the goalpost, that fabricates evidence and tries to send death threats to people who speak out, and then lie about it, that your group is the one who can’t handle women working together and have to call everything PR. The same group that ignores the fact that Anna and Georgia are friends, to talk grave shit on them. Newsflash sweetheart, we aren’t the ones pushing the narrative here. You only want to see David and Michael happy as long as it aligns with your delusion. Have the day you deserve.

anyways, I think this is going to be my pinned post. Mostly because I want this to be embarrassing if you ever try to come back here and lie on Betty whites internet again, but also because I think this addresses so many tin hat talking points at once. Just because we love aziraphale and crowley doesn't mean we get the right to insert ourselves into their personal lives, you wouldn't want someone else praying for your relationship to fail.

[ghostflowerhotpotch]

The hidden story behind these few seconds.

(Originally, this post was going to be about "Meet the Parents Part 3," But I feel that since I was focusing so much in Jeff and Rio's reaction, so I decided to make a little post about her.)

I had been looking at this and thinking about it a lot, and hearing the dialogue and reflecting about the story. This moment means A LOT.

I see a lot of videos about Spider-verse, which I imagine makes sense considering how much I love this movie.

And in videos, in tiktoks and online as well, I had seen a lot of people been confused as to why Gwen tried to talk to Miles's parents instead of dipping out.

And you know what? I think the answer is in these few seconds, and what she does after.

Let's give context at this scene.

Gwen had realized that the Spider-society is bullshit, and not just because the system is corrupt, but also that canon can be defied, which means she can also help Miles defy canon if necessary. She knows she owes him that much, and she wants to make it up to him.

So she goes to 1610, wanting to talk to him to tell him the news, probably apologize and say that she is on his side.

Except, that there is no one.

But that's not the only thing, she also listens to his parents talk about the situation.

She hears them talk about Rio trusting Miles, and being her idea to let him go (something Gwen of course didn't know.) Jeff may be angry, but you can hear that he is scared.

But funnily enough, what else he says?

Look, is Jeff over his head and thinking the worst of Gwen? Yeah, and I will talk about it on the other post.

However, let's see this from Gwen's perspective.

Because she went to see Miles, she didn't look after the Spot, which went to Pavitr's dimension, and Miles followed her, then the joke villain became extremely powerful and threatened Miles. Now Miles is in who knows where, with Miguel and Spot hunting him down and his family.

Now, do I blame Gwen? No, she couldn't have predicted this, and she is a teen that is hurting and afraid. While I think she needs to apologize to Miles, I can't be mad at her (especially when she is doing all of this to MAKE IT UP TO HIM!)

But do I think the girl who couldn't had known debris was going to fall on top of the lizard, and that would be enough to make them human (because Gwen didn't know this was a human mind you,) and still feels like she failed him; would feel this is her fault?

Oh what do you think?

And let me tell you, NONE of this is helping.

Gwen knows that Miles has a crush on her. She has seen the drawings, how he acts around her, what other people say. And now his mom, who saw them together for just a few minutes, can tell that Miles was shining around her.

That has to be a gut punch.

She knows Miles did what he did to help her, as well as because he is amazing. And she wants to be with him obviously, even if she before felt she couldn't.

And to top it all of, she is being confronted with the fact that Miles was right about his parents.

Let's remember that while Rio and Jeff assumed the worst of Gwen, she did something similar.

So she is confronted with the fact that Miles is in the right about trying to save his dad, and that his parents are probably worth telling the secret (not to mention that now she knows there was still hope with her dad), and that if she hasn't interfered, none of this would had happened.

And she says so herself.

And this, is why she is doing it.

Remember how I mentioned earlier about people tho didn't understand why Gwen did this? This is why.

She feels guilty, she feels horrible that she put Miles in this mess, and that Miles's parents are feeling this torn about this ordeal.

Sure, you could argue it may be better to not mention anything to his parents, to dip out and find a way to fix this mess before they know.

But I think she feels she owes Miles and his parents this much; she knows how much Miles loves his parents, and would probably appreciate a head-ups to them if it is necessary.

You know how I mention this was the scene where Gwen probably realized how right was Miles about his parents, and probably gained a new appreciation for them? I wonder if we would have the inverse scenario next movie.

Of Miles's parents realizing Gwen means well and adores their son, and would do the impossible and more for him.

If you like my work, please share and support me in ko-fi if you can, if not, please share this post!