#considering its literally a village

[dragons-and-yellow-roses]

In the town I'm hopefully moving to I was worried there wouldn't be a coffee shop (I have a crippling caffeine addiction) but there IS and it's INSIDE THE BOOKSHOP!!!!!!! This is going to be wonderful

[sieglinde-freud]

think this is the first time ever i have been disappointed to see an awakening banner

[theskyexists]

Must say i never fully reckoned with every single army in pre-industrial history having been a wave of death rape and torture cutting a swathe of horror though the land

[raven-at-the-writing-desk]

GUYS… 💀

Skully J. “I greet you with a kiss” Graves

You wake up in his arms after blacking out

Calls you “my dear” and “lovely”/“wonderful” even though we literally just met

Comments that your names are beautiful

Offers to escort you (well, Trey technically) through the woods even though Skully has no idea where tf he’s going

Remarks that it would be nice to hold hands and stroll through the forest together

He tends to use the term "fated" to refer to things he has in common with others

Is the first character in all of Twst to have a BLUSHING face

He holds your hand and kisses you (on the back of it??) without even waiting or asking for your okay (avert your eyes, Grim…)????

HE ALSO KISSES GRIM AND ALL THE OTHER BOYS ON THE HAND

HE KISSES YUU MULTIPLE TIMES THROUGHOUT THIS EVENT

HE WALKED OUT OF a DAtinG SIM 😭

Other Skully facts:

He’s taller than Malleus (not including the horns, just judging by the models) and Sebek (stated explicitly in the dialogue)

He’s is a first year student

He’s 16, same age as the other first years (though Skully only recently turned 16)

Speaks very respectfully, even to fellow first years (Riddle remarks on Skully being very gentlemanly and even Vil calls Skully elegant)

He refers to himself using an archaic form of “I” (wagahai)

HE’S AN OTAKU FOR HALLOWEEN, he calls Jack Skellington “Jack Skellington-sama” and says Jack is the person he admires the most dbsksbsiqguzvs

Skully asks everyone else call him Jack-sama too

He comes from a small isolated fog-shrouded rural village; it is located at the bottom of a valley

His hometown considers Jack Skellington the founder of Halloween; Jack Skellington is not known outside of this village

The people in Skully’s hometown love Halloween and its founder, Jack

He seems to be sleep deprived???

Skully tries to tell others at his school about Halloween and Jack, but his peers don’t listen and get mad at him

Skully doesn’t like to talk about his school (and seems to actively dislike it, calling his classmates fools and asking to avoid the topic of school)

He self-admits to not having many people who understand him

Confirmed a mage (Leona says he has the same amount of magic as Epel), but he doesn’t have a magical pen/doesn't seem to know what they are???

He doesn't know Malleus either.

Skully claims he was also sucked into the book while attending the used book fair in Foothill Town

Chunibyo?? Like, he presents as mysterious initially but actually has very excitable reactions to things, lots of purple prose too

Leona calls him a BADGER

He calls his classmates “worthless” for not understanding/listening to him

He thinks lowly of those who disagree with his opinions on Halloween; there is a drastic shift in his personality when the NRC students express dissent

Skully’s ideal Halloween is solemn and desolate, involving: beating up all ghosts, painting rooms entirely black, no decorations, and no music

This is how his village spends Halloween, in solemn silence; Skully grew up thinking this is how it always is

He likes classical music and opera

He acts gentlemanly because he believes Jack is also a gentleman

He wants to learn piano someday

Skully believes that staying traditional and respecting and protecting the past is important

Details about his unique magic

(Side note: GRIM’S NEW oUTFIT 👌 He looks perfect in that suit!! LOOKS At HIS WIDDLE PAW gLOVES… And the chest fluff sticking out gives the illusion of a cravat! Aaaaaah, so cute 💕)

[autisticshadowthehedgehog]

sonic the hedgehog tumblr dashboard simulator

0 notes

💠 extremegayr Follow

got held up in traffic today cause some noob couldnt drive the fucking loop-de-loop. lmfao fucking coward

15 notes

🎛 420zone Follow

ok but robotnik's kind of a dilf tho

🌫 wispgender Follow

he's literally a war criminal can we NOT do this tumblr

🎛 420zone Follow

📰 its-no-use Follow

@wispgender dont u literally simp for nominatus like who is one to talk

🌫 wispgender Follow

NOMINATUS ISN'T REAL????

🛜 viralsensation-destructorofworlds Follow

that you know of

🌫 wispgender Follow

what

10,672 notes

🔷 sonicinthewild

43,834 notes

☣️ lineinthesand Follow

saw sonic the hedgehog irl once. he showed up at my village, released 30 feral pickys in the town hall, paid the ice cream vendor roughly a thousand rings for a single chili dog, told me not to waste my life worrying about the little things, and then caused a fucking tornado

🧿 spiralhillspindash Follow

ok and??? you're not special

☣️ lineinthesand Follow

THIS WAS A PERSONAL POST GO AWAAAAY

173 notes

🌠 chaoinspace2electricboogaloo

sucks that sticks the badger hates all technology you know she would do NUMBERS on here

568 notes

☸️ r0u3e Follow

being an islander be like "are those the kind of eggsplosions i should worry about or the kind of eggsplosions that are gonna repair our crops, fix the economy, and bring my dead grandma back to life"

🌁 eggpawnkindathicctho Follow

being a continenter be like "oh great what primordial diety has risen from the grave to block traffic and fight a 15yo today"

🥭 chao-official

being a chao be like "chao chao chao chao chao"

🌁 eggpawnkindathicctho Follow

you said it my mans

579,056 notes

🏵 sprinkles-the-chao Follow

hold on if sonic the hedgehog is jewish then how is he santa claus

🤖 e123-omegaverse Follow

dont question him

85,628 notes

☣️ sparkygoboom Follow

hey guys real question are human/mobian relationships problematic

💠 extremegayr Follow

op is about to start the anthro church schism of the fifteenth year all over again

🛞 mobotropolis Follow

ok but in all seriousness did your mom never teach you that part of history

🎢 marxiobros Follow

someone doesn't know about the united federations public school system

🛞 mobotropolis Follow

what the fuck is a public school

⏭️ drowningmusic Follow

⚄ paradoxprism Follow

are we gonna talk about op's chaos radiation fetish

💠 extremegayr Follow

OP'S WHAT NOW

🏞 mobiancrossing Follow

ok but am i the only one who thinks that the public school system would be a good idea if handled right? like i know it's traditional to learn from your parents and then experience the world on our own from the ages of 7-13 but like combining all our knowledge and learning together doesnt seem like a bad idea

☠️ fabian-vane-number-1-hater Follow

bitch that's what the internet is for

🌅 s0leanna-apple-barrell

yeah where else am i gonna learn to make infinite chaos emeralds

❇️ freesurge Follow

"infinite chaos emeralds" that's called the phantom ruby

🏳️‍��� rainbowwispforgayrights Follow

everybody on this site has brain damage

❇️ freesurge Follow

yeah. from the radiation

603,573 notes

🐸 froggysfriend

caught this today

🏝 digginginthegroundfortubers

if anything happens to this blog i genuinely hope eggman blows us all up as punishment

950,420 notes

🐊 teamchaotixofficial

Hey guys! Sorry to do this again but rent's a little tight this month :( If we've ever solved a case for you guys or made you guys smile, please consider sending a ko-fi our way! we just need a few rings to get through the month <3

6 notes

🖼 give-the-koco-a-gun Follow

do we ever talk about that time the sky turned blood-red and shadow the hedgehog's demon dad descended from on high to murder us all and we only barely survived

❤️‍🔥 songoose4evr Follow

shadow fixed it it's fine

🎮 n0cturnity

yeah that was like twelve apocalypses ago move on

🎆 robotniksbignaturals Follow

kinda wanted to bang black doom tbh

🖼 give-the-koco-a-gun Follow

THE DEVIL???? FROM THE BIBLE????

🎆 robotniksbignaturals Follow

yeah. move over gayboy i'm boutta be shadow's new dad

856,301 notes

🗑️ berrybarry

starting a conspiracy that time hasnt moved since 2006

🗑️ berrybarry

why the fuck was i shadowbanned after posting this

8 notes

🤡 clownfinite Follow

tfw you finally save up enough rings for ice cream and you go outside and get hit by swatbot pieces and the rings just go fuckin everywhere

587 notes

🔷 sonicinthewild

34,452 notes

🌌 h-o-l-o-l-y-n-x

so did y'all see that genesis wave or was it just me

0 notes

🆙 planetsgiantcrack Follow

the virgin tweeter "if you use a bad word in the same tweet as the word 'cream' you get obliterated off the site" vs this chad site of "i want to put knuckles back in a microwave"

💟 presidentyaoi Follow

BACK????

69,849 notes

⬜️ chao-and-wisps-4-ever-so-cute-2 Follow

ok posting my first fanart to this site pls be nice! <3

2 notes

🌔 emeraldfwuitgummy Follow

why does tails look like he's always about to say "it fucken WIMDY"

🦊 miles-prower-official

Hello, @emeraldfwuitgummy!

I actually quote that image on a constant basis! Sonic thinks it's hilarious every time. He's quite the fan of memes, and it's nice to get a laugh out of him!

Formally,

Dr. Miles "Tails" Prower, PHD

🌔 emeraldfwuitgummy Follow

SO WAS ANYONE GOING TO TELL ME THAT TAILS WAS ON THIS FUCKING SITE OR--

🏅 iwishhumanswerereal Follow

do. do you not know he created tailblr. dude it's in the name lmao

🌔 emeraldfwuitgummy Follow

he

WHAT

🍭 milfwisp Follow

didn't eggman invent this site???

🪫 veganswatbot

THE EGG ABANDONED SCRAMBLR IN ITS TIME OF NEED AND THE FOX RAISED US FROM THE ASHES. YOU WILL NOT DISRESPECT HIM

🦊 miles-prower-official

Hello, @milfwisp and @veganswatbot!

Very good question! This site was Eggman's until I ate his bones. Thank you for engaging! :D

Formally,

Dr. Miles "Tails" Prower, PHD

🌔 emeraldfwuitgummy Follow

YOU

WHAT

🌭 sonicsays

what's not clicking

[breelandwalker]

Wolf Moon - January 13 2025

Shake off the cold and sing to the sky, witches - it’s time for the Wolf Moon!

Wolf Moon

The Wolf Moon is the name given to the full moon which occurs in the month of January. The name is said to be derived from the sound of wolves howling with hunger while prey is scarce in the midst of winter. Given that we now know that wolves howl mostly for communication, my personal opinion is that people huddled in their homes during a very dark and dangerous time of year probably noticed these sounds a lot more readily with little else to occupy their time as they waited out the winter, and thus were set to worrying about ravenous beasts invading their villages and farmsteads. (It’s worth noting that wolves preying on livestock was a very real concern for most people outside major cities for many centuries, so this isn’t entirely unfounded.)

The name also calls to mind the howling of the wind during winter storms, or whistling around the eaves during the long cold nights. And for those of us who might not have been careful with our spending over the holidays, I might cite a tongue-in-cheek reference to the wolves being at the door when those credit card bills come due.

[For those not familiar with the English phrase, to have “a wolf at the door” is a saying that refers to some imminent hardship or disaster. In modern parlance, this is usually applied to poor finances or looming bankruptcy.]

This month, the moon peaks at 5:27pm EST on Monday January 13th, so the moon may appear to be full on the nights of the 12th or 13th, depending on where you are in the world.

Some North American indigenous names for the month of January and its’ moon are Cold Moon (Cree), Center Moon (Assiniboine), Severe Moon (Dakota), Ice Moon (Catawba), and Spirit Moon (Ojibwe). Other names include Mantis Moon (South African origins), Quiet Moon (Celtic), and Moon After Yule (Anglo-Saxon).

What Does It Mean For Witches?

As a new year dawns, it’s time for rest and reflection before we set out on the next phase of our journey. While the cold weather lingers, take some time to sit by the fire, literally or metaphorically, and take stock of where you stand, what resources are available, and what you plan to do with them.

Check in with your near-and-dear following the mad rush of the holiday season as well. Make sure that friends, family, and community members around you are doing all right. Offer support and kindness where you can, but don’t overextend yourself. It’s your time to recuperate too, and it is good and healthy to set boundaries which allow time and space for yourself.

While it's a bit early to expect progress on our goals and resolutions, the beginning of a new calendar year is a good time to lay the foundation for what we intend to do with the year to come and to reflect on the year that has just ended. It's also the perfect time for self-assessment in your craft. Take a moment to acknowledge where you are, how you've grown, and what you might like to do next. Perhaps do some journaling on the subject, if you're so inclined. You can outline your craft knowledge and beliefs, mark the lessons you've learned, or record your progress. (This is a great way to measure future milestones and personal growth!)

What Witchy Things Can We Do?

Winter is a prime time for storytelling. Back in the days before internet or television or radio, people would often read to each other or tell tales to pass the time. Consider re-reading a favorite book that inspires you or exploring some region of folklore or mythology you’ve been meaning to look into. If you have children who are of an age to enjoy stories, read them some of your favorites or introduce them to something new. Share stories and discussions with your witchy circle too!

While you’re at it, take a moment to examine the role that folklore and stories play in your practice. If you subscribe to a particular mythos, be it through deities or just general belief, consider which parts of it resonate the most with you and why.

Consider also the lessons of the winter season - the necessity of rest between periods of growth and activity, and the role of death, cold, and darkness in the natural cycles of life. What do these things mean to you and your practice? Are they a source of fear or fascination? Do you come alive in the winter or bundle up and wait for spring? How can you best remind yourself to pause for breath as the year goes on?

And of course, the beginning of a new year is an excellent time for goal-setting and divination. You’re making resolutions for your mundane life, so make a few for your craft while you’re at it, and pull out your cards or runes or pendulum for a New Year forecast on how things might go. If you need some ideas or inspiration, you can check out this article on Casting The Bones or try this craft-building exercise to Create Your Own Personal Runes.

Happy Wolf Moon, witches! 🐺🌕

SOURCES & FURTHER READING:

Bree’s Lunar Calendar Series

Bree’s Secular Celebrations Series

Wolf Moon: Full Moon in January, The Old Farmer’s Almanac.

Why The 2025 January Wolf Moon Is So Insanely Powerful, The Peculiar Brunette.

Casting The Bones: How to Read and Throw Bones, The Peculiar Brunette.

Witchcraft Exercise - Creating Your Own Runes, Bree NicGarran. (Masterlist here)

Moon Info - Full Moon Dates for 2025

Calendar-12 - 2025 Moon Phases

Everyday Moon Magic: Spells & Rituals for Abundant Living, Dorothy Morrison, Llewellyn Publications, 2004.

Image Source: What Is A Wolf Moon?, The Fact Site.

(If you’re enjoying my content, please feel free to drop a little something in the tip jar, check out my monthly show Hex Positive, and find my published works on Amazon or in the Willow Wings Witch Shop. 😊)

[linkspooky]

TOGACHAKO VS. FUFFY: How To Save Your Evil Girlfriend

So, once again My Hero Academia has failed to deliver on its promise of saving / redeeming one of the main villains of its story, and victims of its ficitonal society. This time I'm going to make the added argument that not only does failing to save Toga make the story worse, it also makes Uraraka's character almost completely hollow. While you can dismiss Deku's lack of character development as him being a shonen protagonist, both Uraraka and Shoto had arcs and Ochako's is effectively ruined by her failure to save Toga.

In order to make my point I am going to compare it to a villain redemption arc in another piece of media that does it right, Faith's character, and her strained relationship with Buffy in Buffy the Vampire Slayer. A series which is overall anti-state punishment and pro-redemption and delivers on practically all the themes MHA promised us.

MORE UNDER THE CUT:

THE GOOD GIRL and THE BAD GIRL

There is a reoccurring dynamic between two female characters in media, usually between a heroine and a female villainness that I like to call: The Good Girl vs. Bad Girl complex.

However, if you were a Freudian you'd be calling this a Madonna Whore Complex.

To explain the Madonna Whore Complex, one of the biggest examples in other Media is Aronofsky's Black Swan. The entire movie is themed around the Madonna Whore complex, and the impossible double standards the male perception imposes upon women.

"The white swan and the black swan are not merely characters, and not merely characters that are relevant to Nina. The black swan and the white swan are archetypes of women. They are emblematic of the Madonna and the Whore [...] . The white swan is the Madonna, she is pure, innocent, the ingenue. The black swan is the whore, she is cunning and deviant. The seductress. Nina and her ballet counterpart Odette are characterized as perfect ingénues. Ingénues are young, innocent girls who possess qualities of youth, innocence, kindness, naivete and purity. She is the fawn eyed damsel in distress and in literary films she's often the heroine or protagonist. On the other side of the coin from the ingenue, we have the seductress, embodied by Lily and her ballet counterpart Odelle. The seductress is characterized by her promiscuity, cunning nature and sex appeal. She is the alluring femme fatalle, willing to do whatever it takes to get what she wants. She's most often framed as the village. These draw parallels to Freud's psychoanalytical theory, a theory that suggests in the minds of some men they struggle to fully see women as fully realized and rather view them in archetypal categories." [SOURCE]

Black Swan is also a movie where Natalie Portman attempting to live up to the impossible expectations society has placed on her to be both the White Swan and the Black Swan goes insane, and quite possibly dies at the end of the movie.

Considering that Toga's entire story is that she is a shapeshifter who went mad because she could not fit both her parent's and society's expectations of being a "normal girl" then you can see why the Madonna Whore Complex is relevant, with the oversexualized, vampish, femme fatalle Toga quite obviously playing the part of the whore.

Before you call me a fraud for citing freud though, let me prove my point that the Madonna Whore Complex is quite literally everywhere in media.

I could literally keep going if this post didn't have an image limit: Jean Grey and Emma Frost, Jean Grey and Madelyne Pryor, Starfire and Blackfire, Raven and Terra, The Two Sisters from Ginger Snaps, t's literally everywhere all the way back to Lilith and Eve.

More intelligent takes on this trope play with the concept of the Madonna Whore Complex (MWC) to either present the archetypes as two fully rounded people (Catra and Adora) or demonstrate that it's impossible for women to fit into these two dinstinct categories (Natalie Portman in Black Swan).

Buffy the Vampire Slayer is a work that challenges the MWC, by allowing both its good girl, and bad girl to be fully realized characters. My Hero Academia plays the MWC straight to a sexist extent by not allowing Uraraka and Toga to escape their categorization of Good Girl and Bad Girl, and also going out of its way to punish and kill the seductress for her sexuality like this is a slasher horror movie. Actually, it's worse than a horror movie because at least Jennifer's Body plays with the MWC in a clever way.

It's not just bad writing anymore Hori's writing has crossed over into actively murdering female characters to enforce puritan values, but let's not get into that just yet we'll talk about the writing portion instead.

I'm going to outline what BTVS accomplishes, demonstrate how it does this below, and then go on at length picking apart how MHA fails.

BTVS:

Shows Buffy and Faith as fully realized people

Shows the pressure to conform to the "Good Girl / Bad Girl" label.

Breaks down those two categories

Redeems it's bad girl

With that out of the way let's get the ball rolling.

HOW TO (NOT) SAVE YOUR EVIL GIRLFRIEND

This is the part where everyone in the audience is going to gasp. Even though I'm using Buffy and Faith as a positive example of deconstructing the MWC and redeeming a villain, Buffy does not save Faith. The two of them reconcile in the end, but Faith is not redeemed or saved by Buffy, and in fact Buffy is in part responsible for Faith's fall.

So, why would I say Buffy and Faith are a better example of villain redemption then Uraraka who at least did everything she could to offer a helping hand to Toga?

Because Buffy not saving Faith is THE POINT and Faith receiving redemption even though Buffy gave up on her is also THE POINT. Lemme explain, by starting at the beginning.

BTVS is a story that exists to flip both horror tropes, and the idea of the chosen hero on its head. The concept started out with Joss Whedon noticing that the Cheerleader is always the first victim in any given horror movie, and wondering what it would look like if the Cheerleader could fight back. If the Cheerleader was the thing that monsters ran away from.

Which leads us to Buffy Summers. Buffy is chosen by the universe to slay vampires, she is hero with super strength that can easily take on legions of vampires and often has to fight even tougher villains for each season's conflict. Buffy carries all the classic features of both the ingenue and the chosen one protagonist rolled up into one:. Ingénues are young, innocent girls who possess qualities of youth, innocence, kindness, naivete and purity.

However, after dying in the first season, and having to kill her boyfriend in the second season after he turned evil and inflicted a lot of psychosexual abuse on her Buffy has also got a whole lot of trauma. Which is when Faith appears on the scene. One of the first ways that the show challenges the idea of the "Chosen One" is that there are actually two Chosen Ones, Faith being the other Slayer.

Buffy much like Deku has a case of protagonism brain rot, but in her case she was actually chosen by the mystic powers that be to be the protagonist of reality. Buffy, who views herself as the hero of the story as a coping mechanism (we'll get back to this later) is suddenly challenged when the fates chose yet another chosen hero, challenging her pre-conceived notion that she is the hero of the story. If Buffy is not the only hero then who is she? What is all the suffering she's endured so far if it's not a part of her own personal hero's journey?

Buffy begins to dislike Faith on sight for projection reasons, before Faith does anything wrong. In a way Buffy herself the female lead is enforcing society's standards of the MWC because all the reasons Buffy decides to disturst and dislike Faith on sight are because she exhibits qualities of the seductress.

Faith is openly promiscuous, often comparing the art of killing vampires to sex, she is also someone who is proud of her power as a a slayer and uses it for her own purposes. She is a slayer for selfish reasons (apparently) while Buffy is the selfless hero. In the first episode Faith appears in, Faith, Hope and Trick Buffy is almost immediately hostile to Faith who has so far done nothing wrong for, trying to get along with Buffy's friends, getting a little bit too into vampire slaying and openly relishing her strength, and like occasionally making lood comments.

FAITH: Don't… touch… me…! BUFFY - yanks Faith off the unconscious vamp with one hand, stakes the vamp withher other. Then she turns to Faith who is breathing hard, high on adrenaline, rubbing her fists. BUFFY: What is wrong with you? FAITH: What are you talking about? BUFFY: I'm talking about you living large on the great undead here. FAITH: Gee, if doing violence to vampires upsets you, I'm pretty sure you're in the wrong line a work… BUFFY: Or maybe you like it just a little too much. FAITH: I was getting the job done. BUFFY: The job is to slay demons. Not mash them into sloppy joes while their

Buffy then escalates to like ableist slurs towards Faith within half an episode for getting slightly violent in a fight against vampires that were trying to kill her.

GILES: Well, Buffy, you have to realize you and Faith have very different temperaments… BUFFY: I know, mine would be the sane one. Giles, she's not playing with a full deck. She has almost no deck. She has a three. GILES: You said yourself she killed one of them, she's a plucky fighter who got a little carried away. Which isnatural, she's focussed on Slaying,she doesn't have a whole other lifehere like you --

The twist this episode is that no matter how much Faith tries to present herself as a free-spirit, she's actually a scared homeless girl who just happened to become the Slayer. Unlike Buffy she does not have a watcher, a mother, or friends to support her. She lives in the cheapest motel in sunnydale. The reason she's so violent against vampires is because she is understandably having a trauma flashback because her mentor was murdered right in front of her by a different vamp.

This is repeating pattern throughout the whole season, Faith is shown to be a victim of trauma, and occasionally acts in ways that are understandable for a victim like her to ask, only for Buffy to start mischaracterizing her as someone violent and insane and throwing the slurs.

You can compare both Faith and Toga as characters who are complex victims of trauma who society turns their back on and become bad victims, but Faith is a special case because we actively see her turn to the dark side. Faith starts out trying to be a hero like the rest and she practically does nothing wrong for half a season, and when she does finally make a mistake and become a bad victim it's the hero's desire to punish her and castigate her that turns her into a villain.

We actively see Faith's fall happen onscreen, and it's like totally Buffy's fault. Buffy throws her completely under the bus, because she's so desperate to see Faith as the Bad Slayer and Buffy as the Good Slayer. Faith is almost pushed into evil because of the MWC, the characters around her can't see her as a fully fleshed out human being so they are quick to demonize her when she starts acting like a bad victim.

So the two episodes appropriately named: Bad Girls and Consequences depict Faith's fall. In that episode Faith and Buffy are fighting vampires, and one human is mixed among the vampires. The human grabs Faith by the shoulder, and Faith thinking that the human is a vampire turns him around and stakes him.

It's a complete accident, something that Giles even says later on is an accident that can happen to any Slayer on the job and is completely normal. It's a murder that Buffy herself could have committed.

GILES: This is not the first time something like this has happened. BUFFY: It's not? GILES: A slayer is on the front lines of a nightly war, Buffy. It's tragic - but accidents have happened. BUFFY: What do you do? GILES: The council investigates, meters out punishment if punishment is due… I've no plan to involve them,however. That's the last thing Faith needs right now. She's unstable, Buffy. She seems utterly unable to accept responsibility. Shows no remorse.

However, even in the same breath Giles explains that it's an accident and not Faith's fault, he's also calling Faith unstable and irresponsible. Basically when they're not calling her a psycho (just hitting her with the ableist slurs), the protagonists all lowkey imply that Faith is somehow inherently violent and unstable because she displays symptoms of a bad victim.

I might also remind you Faith has not done anything to earn any of these accusations, until she kills someone in a complete accident. A complete accident that Giles once again said wasn't her fault and wasn't really a big deal.

FAITH: My dead mother hits harder than that.

Faith is stated to be a victim of physical abuse, heavily implied to be a victim of sexual abuse, and is homeless (none of the main characters offer to let her stay in her house she spends half a season in a terrible motel). However, Faith is quickly demonized by the white wealthy main characters for acting in ways that are completely typical for a homeless teenager.

The moment she commits one mistake they all turn on her and use that mistake as proof of these violent tendencies they all want to accuse her of having. Faith can never be the ingenue so she must be the seductress, because she can't just be a person.

Buffy: So, I, uh... (sees Faith scrubbing) How are ya doin'? Faith: (still scrubbing) I'm alright. You know me. Buffy: Faith, we need to talk about what we're gonna do. Faith: (looks at Buffy) There's nothing to talk about. I was doing my job. Buffy: Being a Slayer is not the same as being a k*ller. Faith has nothing to say. She's finished scrubbing. Buffy: Faith, please don't shut me out here. Look, sooner or later, we're both gonna have to deal.

It is essentially two episodes of this, Faith after killing someone on accident in a life or death fight is constantly called a murderer by others. She wasn't even like, drunk, or high, or being especially reckless she was being a normal slayer.

FAITH: So the mayor of Sunnydale is a black hat. Shocker, huh? BUFFY: Actually - yeah. I didn't get the bad guy vibe off him. Faith shakes her head. Scoffs. FAITH: When you gonna learn, B? It doesn't matter what kind of "vibe" a person gives off. Nine times outta ten he face they're showing you? It isn't the real one. BUFFY: I guess you know a lot about that. FAITH: What's that supposed to mean? BUFFY: Look at you, Faith. Less than twenty four hours ago you killed a guy. And now you're laughing and scratching and zipidee doo dah. That's not your real face, and I know it. I know what you're feeling because I feel it too. FAITH: Do you? So, fill me in. I'd like to hear this. BUFFY: Dirty. Like something sick creeped inside you and you can't get it out. And you keep hoping what happened wasjust some nightmare…

Faith is dirty, faith is disgusting, faith is unstable, Faith is sick for... killing a guy on accident in a way that Giles said was a perfectly understandable accident, and not showing clear guilt because the moment she did it everyone around her jumped on her and started accusing her of being a murderer.

Why do the selfless main characters suddenly start demonizing this girl before she even did anything wrong - well it's because she's poor problem solved.

No, but it does play a factor. Why do most american white middle class look down on the homeless? Because, they must have done something to deserve it, right? If Faith killed a man, that clearly is an indication that she was violent all along and the heroes don't have to sympathize with the fact she's homeless or you know lift a finger to help her.

Now, this makes it sound like I hate Buffy, but Buffy is actually my favorite character in the whole show. The thing is Buffy's complete lack of sympathy for Faith makes her a better character. Buffy needs to demonize Faith and throw her under the bus, because Buffy is a victim of sexual abuse too. Her boyfriend turned evil after having sex with her once, and spent an entire season stalking her and terrorizing her the entire season 2 Buffy / Angel plotline is a thinly veiled groomer metaphor.

The thing about Buffy is she's not allowed to show any kind of reaction to her trauma. The episodes preceeding Faith, Hope and Trick are Anne, an episode where Buffy runs away from home after being sexually abused (stalking is sexual abuse) by Angel for a whole season and feeling like no one would understand her, and Dead Man's Party, an episode where every single one of Buffy's loved ones ruthlessly criticize her for having run away. Like, how dare a teenager not react perfectly to being horribly stalked by a serial killer after she had sex with him for like half a year.

JOYCE: Buffy! You didn't give me any time. You just dumped this… this thing on me and expected me to get it. Well -guess what? Mom's not perfect. I handled it badly. But that doesn'tgive you the right to punish me byrunning away. BUFFY: Punish you? I didn't do this to punish you XANDER: Well you did. You should have seen what it did to her. BUFFY: Great. Would anybody else care to weigh in? What about you? By the dip. XANDER: Maybe you don't want to hear it, Buffy. But taking off like that was selfishand stupid. Buffy's breaking down. It's all too much. BUFFY: Okay - I screwed up! I know it - alright!? But you have no idea. You have no idea what happened to me or what I was feeling

The reason Buffy is so hard on Faith is because everyone else is equally hard on her. The label of the ingenue is so difficult for Buffy to maintain, because she has to be pure, and without any flaws, especially when reacting to trauma that she throws Faith under the bus for her bad victim behaviors.

The white middle class demonize the homeless because they don't want to face the reality it can happen to them, Buffy doesn't want to reflect on all the things her and Faith have in common because she could very easily become Faith. Buffy is the victim of extremely similiar trauma to Faith, and being pressured to be the perfect victim of that trauma in a way that's destroying her mentally slowly.

FAITH: It was good, wasn't it? The sex? The danger? Bet a part of you even dug him when he went psycho BUFFY: No FAITH: See - you need me to tow the line because you're afraid you'll go over it, aren't you, B? You can't handle watching me living my own way and having a blast - because it tempts you. You know it could be you... ( Something snaps in Buffy. She rears back and POPS Faith a good one. Faith falls back, but she's smiling as she puts a hand to her bleeding mouth. ) FAITH: There's my girl…

Buffy is suffering under the expectations of the MWC too, but in her desperation to make Faith out to be the seductress instead of... like... a csa victim... Buffy is reinforcing those standards on both herself and another woman.

The entirety of Bad Girls and Conesequences is Faith being called a murderer by several people, having another trauma flashback to a sexual assault because Xander came to her motel room under the guise of "helping her", getting hit over the head and chained to a wall, then getting the swat team called on her and almost dragged to London for trial. Then the heroes do nothing to help her. The first thing Faith does is go to the main villain, who buys her an apartment AND A PLAYSTATION. So... the evil main Villain of the show helped Faith with her homelessness situation while none of the main characters lifted a finger.

it sounds like it sucks but it doesn't because it's all intentional. Buffy cannot process her own sexual trauma so she is just awful to people who are also domestic abuse victims. here's one of my favorite scenes, Buffy yells at a girl being beaten by her boyfriend with a visible black eye.

Buffy: Where can we find him? Debbie: I-I don't know. Buffy: You're lying. Debbie: What if I am? What are you gonna do about it? Willow: Wrong question. Buffy takes her by the arm again and pushes her up against the sink in front of the mirror. Buffy: Look at yourself. Why are you protecting him? Anybody who really loved you couldn't do this to you. She takes a few steps away. Debbie turns around to face them. Debbie: Would they take him someplace? Buffy: Probably. Debbie: (shakes her head, sobbing) I could never do that to him.(Willow sighs) I'm his everything. Buffy: (disgusted) Great. So what, you two live out your Grimm fairy tale? Two people are dead.

That poor girl gets her neck snapped like five minutes later and Buffy just kinda, moves on even though it would have been an easily preventable death.

Buffy getting mad at an abuse victim for showing textbook behaviors of abuse victims in bad relationships. Buffy is a good character because she is a hero, she can be empathic, but she really only understands heroism in term of defeating the bad guys, and when called to relate to people with complex trauma, especially trauma that reflects her own trauma she can't! She just can't process it! The expectations of being the ingenue, the perfect hero are so crushing she can't cope with a messy reality so she needs to have a black and white view of herself and other people.

Buffy needs to be firmly in the good category, and Faith needs to be firmly in the bad category in order for Buffy's brain to keep working.

Not only does Buffy's conflict with Faith characterize how much Faith suffers for being a bad victim, it shows how the pressure to be a good victim destroys Buffy mentally to the point where she starts using Faith as a punching bag.

Literallly.

It's all intentional too, Buffy gets called out on it, Faith always gets the last word and the final episode of the season makes out Buffy to be a hypocrite. After Buffy literally threw Faith under the bus, called her disgusting for murdering a man, Buffy is completely willing to murder Faith to get a cure for her vampire boyfriend who's been poisoned.

All human life is sacred and needs to be protected, but Fuck Faith I guess.

Faith: I could say the same about you. I mean, you're still the same better-than-thou Buffy. I mean, I knew it somehow. I kept having this dream, I'm not sure what it means, but in the dream the self-righteous blond chick stabs me, and you wanna know why? Buffy: You had it coming. Faith: That's one interpretation, but in my dream, she does it for a guy. Faith: I wake up to find the blond chick isn't even dating the guy she was so nuts about before. I mean, she's moved on to the first college beefstick she meets. Not only has she forgotten about the love of her life, but she's forgotten about the chick she nearly k*lled for him. So that's my dream. That and some stuff about cigars and a tunnel. But tell me, college girl, what does it mean? Buffy: To me? Mostly, that you still mouth off about things you don't understand. (Sirens) Uh-oh. I guess somebody knows you're here.

So the show goes to great length to show you that there are two sides to this conflict, Buffy demonizes Faith, because her friends expect her to be the perfect hero. Faith reacts badly to trauma because she has no support system, and the people around her have no empathy for her because they're too privileged to imagine the things in Faith's life ever happening to her.

Buffy and Faith are fully realized people.

Buffy and Faith are presented to the audience as the ingenue and the seductress but they're both fully realized characters. Buffy's not the ingenue because she's just as capable of murder as Faith is. Faith isn't the seductress because she's a homeless teenager. They are both victims of sexual trauma, though one reacts in what people consider an "acceptable way" and the other is a total slut about it.

Shows the pressure to conform to the "Good Girl / Bad Girl" label.

Buffy throws Faith under the bus specifically because the pressure in her life to be the perfect slayer is so immense that it could be her that takes the fall so she needs to believe in black and white concepts like she is inherently good and Faith is inherently bad to justify the bad things that happen to Faith and therefore convince herself said bad things could never happen to her. "You can't handle watching me living my own way and having a blast - because it tempts you. You know it could be you..."

Faith: Angel said there was no way you were gonna give me a chance. Buffy: I gave you every chance! I tried so hard to help you, and you spat on me. My life was just something for you to play with. Angel - Riley - anything that you could take from me - you took. I've lost battles before - but nobody else has -ever- made me a victim. Faith: And you can't stand that. You're all about control. You have no idea what it's like on the other side! Where nothing's in control, nothing makes sense! There is just pain and hate and nothing you do means anything. You can't even.. Buffy: Shut up!"

Buffy needs to fit her and Faith into neat little boxes because she cannot face the inherent senselessness of the world (and also that she is a victim too "you made me a victim")

Breaks down those two categories

Even in Seasons where Faith is not present she haunts the narrative, because the writers were well aware that Buffy and Faith are the same person under different circumstances.

All of Season 6 Buffy is faced with many of the same situations that Faith was, she suddenly becomes poor and in danger of losing her house, she has extreme depression from coming back from the dead (long story) she can't share those feelings with any of her friends because they treated her much like they did Faith - having no sympathy for imperfect victims. Buffy even gets into an unhealthy, sexual relationship, and like Natalie Portman basically changes from the ingenue into the seductress.

A relationship she has to keep a secret because once again, Buffy must fit into the box of the ingenue in order to be loved by her friends. This leads to her committing several bad behaviors, and at times borderline emotional abuse towards her sister (and debatably her boyfriend) and all comes to a head when Buffy is faced with the exact same situation as Faith.

Buffy in Season 6 believes she has killed a person accidentally while being the Slayer. It's a repeat of Bad Girls with several paralels, including someone trying to hide the body only for it to turn up later, and Buffy insisting she has to turn herself into the police and face jailtime.

However, in this version Buffy unlike Faith has friends who try to stop her from turning herself in and explain to her the murder wasn't her fault - and Buffy still reacts the same way Faith does. She basically borderline quotes Faith.

Faith: Shut up! Do you think I'm afraid of you? [Faith grabs Buffy and throws her down, then sits on top of her and starts punching her.] Faith: You're nothing. [Punch. Punch.] Faith: Disgusting. [Punch. Punch.] [Faith grabs Buffy's hair with both hand and bangs her head.] Faith: Murderous bitch. [Bang. Bang...] You're nothing. [Bang. Bang...] Faith: [Switches back to punches] You're [Faith is now crying.] disgusting.

This is an earlier scene which plays out as an exact parallel to this scene:

BUFFY: You can't understand why this is killing me, can you? SPIKE: Why don't you explain it? She hits him a few more times. He takes it, not fighting back. SPIKE: Come on, that's it, put it on me. Put it all on me. (She kicks him) That's my girl. BUFFY: (yelling) I am not your girl! She hits him hard. He falls back onto his butt. Buffy gets on top of him and begins hitting him over and over. BUFFY: You don't ... have a soul! There is nothing good or clean in you. You are dead inside! You can't feel anything real! I could never ... be your girl! She continues hitting him throughout this. Now Spike goes back to human face. He's looking very bruised and bloody, but he doesn't fight back, just takes it. Buffy hits him again and again, looking angry and desperate. Finally she stops and looks at him in horror.

So if Buffy can react the exact same way that Faith does, when faced with the same trauma there is no good girl or bad girl, there's only two people who are complicated human beings.

The story *gasp* lets the hero be a bad girl.

Redeems it's bad girl

Faith's redemption is a shocking contrast to MHA the plot of BTVS does not allow Faith to commit suicide in order to redeem herself. In fact, her entire arc is an argument against the "put her down like a mad dog" trope. Starting with the fact that the heroes who are partly responsible for Faith's fall in the first place, are all too willing to just let the homeless teenager fall by the wayside, and then put her down for her own sake.

As I stated above, the inherent hypocrisy Buffy shows in her calling Faith a murderer and irredeemable for killing someone on accident because all human life is sacred to her, and then going on to try to murder Faith at the end of the season already shows the "put her down like a mad dog" argument doesn't work. Faith isn't too far gone, it's just Buffy who sees her that way. And because Buffy has given up on Faith she's failing at being a hero.

As I said above, Buffy is not the one to rescue Faith. In fact, in the episodes where Faith's redemption arc starts, Buffy is the one trying to hunt her down and enforce punishment on her. The episodes "5x5" and "Sanctuary" are both focused on Buffy going to LA to hunt down and interfere when Angel is trying to help Faith get back on her feet. The two episdodes basically explore the concept of redemption vs. punishment and how punishment saves no one.

5x5 depicts Faith's spiral as she runs away to LA to escape Buffy who is hunting her down, and accepts a job to assassinate Angel, which if she succeeds will get her rich and also get the cops off of her trail. We're led the whole episode to believe Faith has learned nothing until the confrontation with Angel at the very end, which you should really watch because it's great television.

Faith: You hear me? - You don't know what evil is! - I'm bad! - Fight back! Faith keeps whaling on Angel, sometimes he ducks, sometimes the hits connect. Angel grabs a hold of her: Nice try, Faith. He tosses her away from him. Then walks after her. Angel: I know what you want. She hits him and he hits back dropping her. She comes back up hitting and screaming, but not making much of a dent. Wesley leans out of the window and sees Faith beating up on Angel. He goes into the kitchen and grabs a butcher knife, then heads for the door. Angel as he dodges another hit: I'm not gonna make it easy for you. Faith throws herself against Angel screaming: I'm evil! I'm bad! I'm evil! Do you hear me? I'm bad! Angel, I'm bad! (She begins to sob, grabbing a hold of Angel's shirt and shaking him) I'm ba-ad. Do you hear me? I'm bad! I'm bad! I'm bad. Please. Angel, please, just do it. Wesley comes running out of the house. Faith sobbing: Angel please, just do it. Just do it. Just k*ll me. Just k*ll me." Angel wraps his arms around her shoulders and pulls her against him. She over balances them and they sink to their knees, Angel still holding her as she cries. Angel: Shh. It's all right. It's okay. I'm here. I'm right here. Shh.

Faith tries to take the Toga approach to commit suicide in order to atone, but Angel actively understands that is what she's trying to do, and denies her the chance to die to redeem herself and instead holds her until she calms down.

Angel doesn't just save her once though he spends the entire next episode defending Faith from Buffy who has come to LA to take her revenge, and trying to talk Faith into believing she can still keep on living in spite of all the bad things she's done.

Faith: Are you saying I got to apologize? Angel: Think you can? Faith: I don’t' know. - How do you say 'Gee, I'm really sorry tortured you I nearly to death? Angel: Well, first off I think I'd leave off the 'Gee.' And secondly I think you have to ask yourself: are you? Faith: What? Angel: Sorry. Faith: And what if I *can't* say it? There are some things you can't just take back, no matter how sorry you *are*, right? Angel: Yeah, there are. I've got some experience in that area. Faith: Right. And you've been doing this for a hundred years! I'm not gonna make it through the next ten minutes. Angel: So make it through the next five, the next minute." Faith: "I don't think I can. Angel: Yes, you can. Faith walks away: God, it hurts. I hate that it hurts like this. Angel follows her: Oh well, it's supposed to hurt. All that pain, all that suffering you caused is coming back on you. Feel it! Deal with it! Then maybe you've got a shot at being free.

Angel's advice is "Guilt is supposed to hurt but if you face your pain you can try to find a way to be free of it" which is something much more profound then any of the forgiveness crap they peddle in MHA. More importantly though, the conflict the whole episode goes out of its way to show that revenge is bad, and punishment doesn't save a soul.

Angel: I didn't - I didn't think it was your business. Buffy: Not my business? Angel: I needed more time with Faith. I'm not sure... Buffy: You needed - do you have any idea what it was like for me to see you with her? That you went behind my back... Angel: Buffy, this wasn't about you! This was about saving someone's soul. Buffy: I came here because you were in danger. Angel: I'm in Danger every day. You came here because of faith. You were looking for vengeance. Buffy: I have a right to it. Angel: Not in my city.

Faith's suicidal ideation is a recurring theme that carries through her character arc in the following season - she does in fact go to prison for awhile (Elizabeth Dushku had to go make Bring it On) but Buffy remains anti-state punishment because going to Prison doesn't help her whatsoever. In fact, she just breaks out when she has to save Angel and spends the rest of the season free.

There are two episodes that actually are dedicated to showing prison didn't help, and what Faith needs to redeem herself is to spend every day of her life trying to be good, not just accepting punishment.

ANGEL: Faith, wake up! FAITH: (wakes) I've rolled the bones. You for me. ANGEL: I used to think that. That there'd be a point when I'd paid my dues. Angel and Angelus are fighting in the alley again. Angel leaves the fight and goes over to Faith's side, holding her up in his arms. ANGEL: Faith, listen to me. You saw me drink. It doesn't get much lower than that. And I thought I could make up for it by disappearing. FAITH: I did my time. ANGEL: Our time is never up, Faith. We pay for everything. FAITH: It hurts. ANGEL: I know. I know. ANGEL: Get up! You have to get up now. Faith, you have to fight. I need you to fight. Do you understand what I'm saying?

So you have one manga series where the teenage girl who did bad things commits suicide because she believed she was going to be in prison for the rest of her life and had no future, and you have the other where the teenage girl tries to commit suicide - only for Angel to stop her and encourage her every step of the way that there's still a future for her even if she can't be "forgiven".

One work ends Toga's life because she's done "unforgivable things" and the other tells Faith that the things she should feel guilty for the things she's done, and she should feel that guilt so she can keep working to be a better person every single day.

One of these is a good message to send to your teenage homeless trauma victim, the other is incredibly harmful. With that out of the way let's switch to BNHA.

HOW TO BURY YOUR GAYS

Now I'm going to attempt to demonstrate why MHA fails to truly deconstruct the MWC, and this not only ruins any potential character development for Uraraka, it also sends a deeply harmful message with Toga's death.

I think I've gone to great length above explaining how BTVS communicates it's stance of being anti-punishment and pro-redemption and even goes as far to demonstrate how punishment does not save anyone. Yet, here is the manga about heroes saving people that completely fumbles those exact same themes.

MHA:

Doesn't show Toga and Ochako as fully realized people

Doesn't show the pressure to conform to the "Good Girl / Bad Girl" label.

Doesn't break down down those two categories

Doesn't redeem it's bad girl

So let me start by saying outside of the context of the story Ochako and Toga both had the potential to be great characters. Unforunately this isn't Gacha, so the way the characters are written in the story, and the quality of their story arcs affects how well they are characterized.

Toga is much better off as a character as opposed to Ochako who sort is reduced to a satellite that revolves around Deku, but their story arcs and the way they conclude does a disservice to both of them as characters. They fail entirely to be shown as fully realized people by their narratives, because of the narratives desire to force them into the good girl and bad girl box.

More or less, Ochako isn't allowed to have flaws, and Toga isn't allowed to redeem herself in any way that doesn't involve killing herself.

Let's get to the characters though, the basic premise of the comparsion between Toga and Ochako is that Ochako perfectly fits into the mould of what society considers a "good, nice girl" she perfectly embodies the ingenue. Whereas Toga was horribly abused for most of her life until she snapped, because she was unable to simply pretend to be the normal girl that Ochako is naturally.

One thing I will give credit to MHA for, it does Toga being pushed to the margins and eventually falling off the edge of society as a young eventually homeless girl that no one cared enough to help about as effectively as Faith did. Toga and Faith were also both demonized before they did anything wrong, and were further demonized because they didn't act the way good victims were supposed to act.

The manga is almost masterful at portraying how much being forced into the box of the ingenue caused Toga's mental decline, until she eventually snapped and became the seductress instead.

Toga hasn't even done anything yet, she's already being punished and demonized simply for appearing deviant. Because once again the categories of Ingenue and Seductress aren't for viewing women and girls as fully realized people, you are either a perfect, innocent, girl, or you're a whore.

Toga is also hypersexual the same way Faith is. Of course it's not done with any of the same amount of nuance of BTVS because Hori has a habit of using Toga for fanservice, but Toga does have a habit of sexualizing herself, in a way that would be classified as deviant love. We also in the manga first view her as nothing more than a shallow yandere who creeps Uraraka out with her blushing and hot desire for blood, only to be shown she's actually capable of being an emotionally intelligent and caring individual when it comes to how she relates to her friends.

Toga viewing sucking blood as love is a clear metaphor for deviant sexuality, or even hyper sexuality, it's something that makes her a literal vamp. Toga being overly sexually aggressive and suggestive with the way she sucks blood is something the society she's in demonizes her for, Deku even makes a thoughtless comment that pushes her off the edge that he'd never even think of hurting someone he loved.

Faith is a CSA victim who is constantly trying to play off her trauma, so she's totally into sex guys, she loves sex, she loves it rough, she goes to clubs and grinds on guys, she's all into sex and violence and safety words are for chumps.

Toga was told her way of expressing love and attraction was wrong and deviant from a young age, and as a result of that the same way that Faith embraces hypersexuality, Toga embraces her femme fatalle / yandere persona and plays it up. Well everyone was right about her, she's fine with being a monster, so she just wants to live as a monster stabbing people randomly and taking their blood before moving onto the next victim.

They can't ever be the ingenue, so Faith and Toga embrace being the seductress instead. Yes, Hori does use Toga for fanservice, but at the same time you can't deny she's deliberately playing up her sexuality like a femme fatalle in a way that is not healthy (Faith is a hypersexual teenager too, I'm saying it's a trauma response for both of them).

MHA also shows much like with Faith how Toga despite being just a teenager is someone all of society has given up on - the same way that everyone gave up on Faith for being a homeless teenager. Then further demonized her for acting in ways homeless teenagers act, until she at last finally committed one crime and they turned on her.

Toga's first crime was committed after her mental breakdown, but it's revealed much later on that Toga wanted to ask Saito for permission to drink his blood, and if she'd just been granted it or at least the emotional abuse heaped on her had stopped she never would have had her breakdown.

For Toga it was Saito, for Faith it was killing by Mistake, after being abandoned they endured violence that further radicalized them with no help from the heroes.

Toga's character also textually acknowledges that the heroes are not going to help her, and are likely going to kill her, whereas in Buffy it stays subtext. Which isn't a problem, it trusts it's audience to go "Oh, the good guys are being jerks here" however, it's a direct facet of MHA's worldbuilding that Toga has watched the heroes kill her best friend, and now thinks she has to fight to the death because the heroes will kill her too. She can't back down and let herself be saved, because the heroes don't even see her as human.

Buffy can't forgive Faith for accidentally killing some random guy because all human life is sacred, but also she tries to kill Faith multiple times, because Faith's not human I guess. Uraraka and Deku believe themselves to be heroes but they actively support people like Hawks, who murdered Toga's best friend and have done absolutely nothing to show her that they won't kill her.

Toga reflects a lot of Faith's suffering for being a bad victim that society allowed to fall through the cracks, and a Seductress who needs to be punished for expressing her sexuality. In fact if it were just Toga, you could call it at least an effective deconstruction of the "seductress/whore" because Toga is a fully realized character and her entire backstory is about how society's expectations for her to be a perfect ingenue, and then punishing her when she wasn't a perfect ingenue is what led to her complete mental breakdown. She couldn't be the white swan or the black swan, so she became the blood-soaked swan instead.

Where the comparison starts to fall apart is Ochako. Toga is a character, and Ochako is not. Just like Deku Ochako more or less just kind of morphs into a plot device that exists to save the villain counterparts to prove what good heroes the kids are - and then she doesn't even do that part. Failing to save Toga is the final nail in the coffin for Ochako being a character and not a plot device to show how good and virtuous the heroes are.

BTVS goes to painstaking extents to establish how Buffy and Faith are the exact same girl in different circumstances. They are both victims of sexual abuse. They're both the Slayer. They both lose their mom at different points in the story. They both struggle with the fact that slayers are also killers, they're both the "chosen one". They both have issues that makes them conflate sexuality with violence.

Buffy is put through several situations that parallel Faith, she loses her mom, she becomes financially destitute, she starts exploring her sexuality in a very faith-like way. The two of them swap bodies at one point and nobody can tell the difference.

There's no strong parallel between Ochako and Toga to give the audience a reason why we should care about the relationship between the two girls in the first place. Ochako's connection to Toga tells us nothing about her character, because there's no strong parallel as shown to us by the story.

There are some parallels, the story attempts to tackle the emotional repression angle of how much the ingenue suffers because she's forced to repress her emotions and how much she envies Toga's free expression.

Why does Ochako think that way? Why does she focus on Toga in particular? The plot tells us why Buffy feels she has so much in common with Faith, they're both the chosen one but Buffy feels like she's under such intense pressure to be perfect that seeing Faith get to act out and express herself makes her jealous.

The manga tells us that Ochako is emotionally repressed, but it doesn't show us, because there are never any real consequences for Ochako repressing her feelings. Natalie Portman in Black Swan, and Buffy both experience mental spirals because the pressure to be the perfect woman is too much for them - to meet the impossible purity standards of the ingenue while still being a sexual creature.

In Uraraka this is the extremely simplified belief that she can't have feelings for a boy, while also being a hero because those beings are selfish and she should be focused on saving people. However, we never see her suffer because of these feelings. We don't even get the bare minimum of having her angst over unrequited love.

I don't want to give Ochako too little credit, there are several things that could have been a connection to Ochako, but they all turn out to be non-starters. Ochako is poor and often makes remarks like "The best way to save money is to not eat" in omake and she hangs out with mostly rich friends. She had early angst about the fact that her friends were becoming heroes for mostly altruistic reasons and she became a hero for money.

That could have also connected to the scene where Ochako witnessed the scene of a hero quitting amongst all of the destruction after the end of the first war arc, to show her the consequences of all the heroes who were heroes for less than altruistic reasons.

Ochako could have even told Toga something along the lines of "I was poor, I know how it is to struggle" especially since Toga spent a good portion of time homeless after she was throne out by her parents.

Instead that goes unaddressed except in this scene which makes it look like Toga is ignorant for assuming Ochako never suffered.

Toga and Ochako both feel like they need to repress their feelings but Toga was emotionall abused by her parents, then experienced psychiatric abuse, and then was disowned after her mental breakdown led to a violent incident. Uraraka feels like she can't tell the boy she loves how she feels. One of thsee things is not like the others.

There are more possible connections that you could draw between them, Uraraka gives a big speech about how the heroes have it rough too guys and at that point it cuts to a picture of Toga crying and that could have led to a revelation that if Ochako is asking the common people to see heroes as human beings, then they should try to see villains as human beings too.

This could also couple well with the fact that Toga believes Ochako wants to kill her the same way that Hawks killed Twice. Both of these facts, Ochako originally only being a hero for money and watching heroes for money quit, and also Ochako learning about Twice killing Toga's friends could lead to some self-reflection on the hero system and Ochako could listen to Toga and be the one to convince her that heroes will save her.

However, none of these happen so we don't know why Ochako feels compelled to save Toga, other than the fact that Ochako is just that nice.

It is really a repeat of Deku's writing, we are told that Himiko just really, really, really wants to save Toga, but not only are we never given an in character reason why that is, but we're also supposed to ignore all the evidence that contradicts this.

Ochako wants to reach out and touch the sadness inside of Toga, but she never actually does anything to try to understand or talk to Toga until the last possible minute. In fact, it's Toga who reaches out several times and Uraraka who ignores her. It is Ochako who insists several times that Toga's deeds are unforgivable and then the conversation stops there.

There's also the scene where Deku and Ochako are looking over the cliffside and Ochako is actively reminding herself of the damage that Ochako caused as a reason that she doesn't have to think of her as a human being.

Ochako doesn't even go in with a plan to take down Toga non-lethally like Shoto did with Toya, nor does she even think about what she wants to say to her until the last possible moment.

Ochako's actions make her more like Buffy, someone who actively doesn't empathize with the villain and doesn't want to save her because of her own personal hangups. (However, we're given no personal hangups for why Ochako, the most perfect hero ever wouldn't want to save Toga). Her actions are like Buffy's, not reaching out a hand to Toga she only gets worse and worse, but we're told the opposite. That she's someone who wants to reach and touch Toga's sadness.

It would be better if Ochako DIDN'T want to save Toga, because at least there would be an arc to it. The lack of empathy would be a character flaw on Ochako's part, something that she needs to overcome to be a proper hero. It would be better if Ochako DIDN'T want to save Toga, because then she'd need an in character reason why she doesn't empathize with Toga, like Buffy does with Faith.

Ochako is supposed to be deconstructing the ingenue, but she's not allowed to have any flaws, or be anything other than the perfect, empathic hero and because of that she ends up reinforcing the Ingenue instead. The ingenue isn't allowed to be anything other than perfect, and the Seductress must be punished.

Doesn't allow the Bad Girl to be redeemed:

Toga's death ends up reinforcing basically every backwards double standard about the MWC including the need for men to punish and villify women who freely express their sexuality. Toga's entire character arc is asking the question if soemone like her is allowed to live in this society, if the heroes will save the life of someone like her and the answer we receive is: no she can't live.

Toga can't live in this world, she has to die. Not only does Twice die and never receive justice and his murderer get off scott free, Toga who asks the question of if she's going to die too, the answer is yes.

In both of these plotlines you have young woman who have done bad things but are still teenagers, who are struggling with suicidal ideation who believe their only escape is death. Faith is told that the guilt of the things she's done is painful, but she has to live in order to make up for it because that's the only way to free herself. Whereas, Toga comes to the conclusion that there is no future for her other than being in jail for the rest of her life and therefore it's not worth living.

Toga has to be punished by the narrative in a way that's completely unnecessary, because characters like Bakugo and Edgeshot somehow survived doing open heart surgery in the middle of an active battlefield, but Toga dies from a blood transfusion.

One of these narratives is telling a troubled young abuse victim who's still a teenager to live, and the other is telling her to die. Now which one of these plotlines would you want a young girl to read?

[hoshizoralone]

a post where i separate every woman in smash by how i would categorize them in relation to samus if she had a dating sim and they had to be assigned a character type (that im saving here in case i ever want to go back to think about this) . and other samus & smash girls shipping thoughts

firstly i originally posted this on bluesky so if you’re not following me there.. go do that!! @hoshizoralone.bsky.social

explanations for the tropes are as follows:

childhood friend - palutena (kid icarus and metroid game overlaps of which there are many. like come on man... this is a nobrainer)

energetic cute girls - peach/daisy/pyra (daisy is jock leaning)

jocks - wii fit trainer/alex/mythra

mysterious transfer student - sheik/mii gunner/rosalina/lucina (though samus is not in school. but i'm not sure how else to explain this trope. maybe just "mysterious character")

the love interest that openly flirts with the mc - bayonetta

(varying degrees of) nerds, the smart girls - byleth/robin/zelda/isabelle (like lets say they were put into a scenario with samus. they would be the brains of the operation. robin would have had the adam stuff in dread solved immediately)

i don't care - corrin (i really tried to think of what trope she could be but i don't even imagine samus would like her)

not viable (teenagers). these two become a background couple - min-min/leaf (well, i had thought this, but after making the post on bluesky someone told me leaf’s canon age is 11. i had thought she was nebulously teenaged…. so either age her up here, or forget this tier exists)

not viable (babies) - villagers/inklings/wendy/nana

i do think the idea of creating a sim revolving around samus would be fun, only issue is the pression has truly kicked my ass this year and i really am all out of writing ability. i have two other games already sitting in my drafts half finished…

it could make for a fun rom hack though. Maybe instead of the chozo giving you power ups its the other girls . And at the end you have to Save The Girls not the animals. Someone make that happen.

~~~~

the above isnt arranged by how much i ship it but the below is. imagine gandrayda (of metroid prime 3 fame) right under samus and then a massive powergap and then the rest of the chart:

two professional girlfailures are facing off head to head in this 500 chapter slow burn sam/palu fanfiction - palutena (palutena is a girlfailure at everything but samus only falls into that category for women. it would be an extremely long time for samus to realize palutena likes her . could they make it work when they're both so busy? read my nonexistent fic to find out)

samus has a one sided crush - peach/rosalina/wii fit trainer. (samus will never confess. peach has mario and samus isnt messing w that. samus thinks she's not cool enough for rosalina. wft is already in a relationship consult the lone wii fit trainer lore)

(in my head samus’s one sided crushes are justified like this:

peach - she is literally so pretty it’s blinding. peak femininity is making samus short circuit

rosalina - parentless lady from space who has been left alone/feels lonely resonates hard

wft - she gives constant positive feedback which i think samus is starved to hear)

i used to love sam/bayo but bayo3 sucked so i kinda dont care about it anymore - bayonetta. sad day.

one sided crush on samus - alex/robin/zelda/lucina

samus-neutral - sheik/byleth/isabelle/gunner/pymythra/daisy/corrin. (they probably wouldnt pass up the opportunity to kiss samus if given one but they're not having their thoughts occupied by her)

one sided childhood crush (thinks she's cool) (not reciprocated) - min-min (samus is sort of like a celebrity. it's sort of like having a crush on zac efron when hes 18 and youre 7)

i consider samus in her 30s so every teenager and baby who doesn't have a cute unreciprocated crush is out of the running - leaf/villagers/inklings/nana/wendy

someone had asked… where’s dark samus. for me as one of the five samus x gandrayda shippers, i think if there was a dating sim and dark samus was in it samus would immediately halt the events of the dating sim to go hunt her down as repayment for everything + the whole killing her girlfriend thing. like she cant exist in this world.

the only other samus thing i ship that isn’t mentioned here already is samus x cortana. it could be cute. i do Naut ship her with any guys. lesbian samus for life

aside from samus x gandrayda which will probably always be my ride or die ship, i think the ship with the most interesting stuff to explore is samus/palutena… they aren’t alike characterwise at all, but it’s just that their series are linked in a metatextual sense, so its fun to imagine them together. in a “we’ve been hanging around each other for a while!” kind of way. well, opposites attract..

anyways that was my post. If you read this and have thoughts let me know. Maybe i’ll draw some stuff in my freetime. Cool thanks love ya bye.

[oh-no-its-bird]

Body swap through time Kakashi and Tobirama at like, ages 12/13ish

Kakashi wakes up as Senju Tobirama at the height of the Uchiha/Senju conflicts

Tobirama wakes up as Kakashi in the lead up to the Kyuubi incident

They're actually alarmingly similar in skill level and personality, so they're able to get away with the switch on a surface level, even to those who know them well. But problems very quickly arise when it comes to fighting or anything that requires knowledge of history

""Tobirama"" taking to the field with a totally different skill set and jutsus than he's ever used before (Izuna is taken so off guard, it gets bad, fast)

""Kakashi"" suddenly does not seem to respond to any ANBU signals or codes, and where as before he was a shoe in for becoming an ANBU captain he suddenly seems to be fucking up at every other opportunity. You'd think the guy WANTS to lose his job with how suddenly awful at it he is, but he's Kakashi. There is no world where that kid fucks anything up on purpose

They're both definatley in a "holy shit I can NOT tell anyone ab this" position— Kakashi would probably be fr killed as an imposter, and while Tobirama would probably be ok (especially since Minato would be in charge of his detainment n stuff) he doesn't know that?? As far as he's aware, he is in enemy territory and will act accordingly.

Kakashi doesn't know how tf to interact with Tajima or Hashirama, but especially Tajima. He probably uses the wrong forms of address for people bc Tobirama uses more old fashioned honorifics than Kakashi is used to (Anija/Chichuie vs Nii-san/Otou-san)

Kakashi refusing to kill Uchiha bc like, village loyalty fuck you. Also just in general he probably has feelings ab killing anyone with a sharingan on multiple levels. But not just not killing them but going out of his way to help— these aren't his Uchiha, yeah, but it definatley fucks him up to see ANY uchiha die when all his life Uchiha = konoha = his people

Oooo, Kakashi instinctivley channeling chakra through Tobirama's eye after a solid couple years of getting used to the sharingan, possibly accidentally doing,,, something there. Idk what tho but SOMETHING

Meanwhile Tobirama is in that stupid fucking village of his brothers (that he will not shut up about, especially at that specific age) and its???? Real??????? It worked?????????? Huh.

He's surrounded by Uchiha and can't find any Senju (Tsunade just left the village rip Tsunade) but if he investigates it looks like the Senju died out naturally? Impossible, it has to be some kind of Uchiha plot—!

Hes also struggling to come to terms with there being a STOLEN SHARINGAN IN HIS FUCKING EYE !!!!!!!! Made extra super fucked up by the difference in intense hatred and taboo of bloodline theft in modern/warring era (with it being even more taboo in the warring states, like THE ultimate evil to any shinobi)

Maybe he, as Kakashi, is supposed to go to like special Uchiha class where they teach him ab the Uchiha n stuff bc of the eye, and Tobirama is sitting there eating all this shit UP (enemy intel!!!) But also, like, lowkey brainwashed kid brought up to do nothing but kill this one specific group of people, literally being forced to at least pretend to embrace their culture. He's in such a unique position to learn from and about them, and it'll probably end with him being some kind of sympathetic.

It helps that in modern Konoha, where the Uchiha may be considered overly traditional/religious, that's actually just Tobirama's normal. So there's also this added layer of "being around the Uchiha feels the closest to home / least strange than being around literally anyone else" which just pisses him off even more tbh

I'm tempted to say that somehow Rin is still alive just so I can have that one specific Rin and Kakashi queerplatonic codependent relationship from my other post, and then Rin being the one to finally notice that Kakashi isn't Kakashi anymore

Both Tobirama and Kakashi kind of piecing together the life stories of each other, immersed in eachothers histories and paths without ever directly interacting even once. Constant wonderings ab what the other boy was like / might do here, and if they're really so similar that no one has noticed the switch and all those implications (bc on one hand, that's good!! But on the other hand uhh— has anyone at home noticed...? Bc if not, fucking ow??? But also like, probably for the best tbh.)

[ganondoodle]

(OC Lore and design time!)

(it got longer again ... sorry ... idk how to make things short, i just need to talk, but i guess if you can read the written stuff in the pic thats the barest bare bones of what i wrote here)

i was asked what new lore story stuff i had thought about that made me sad which i mentioned a bit ago, and while that is too hard to explain given all the missing context i thought i could at least talk about lore having to do with it :D

so, (Lord) Eadrya is one of my fav OCs (big blue lad, here a rough sketch in humanoid form) they are both one of if not THE most powerful demon alive and the most battle trained;

at the mid point of the story the demon world gets invaded by the celestials (the angel inspired things i talked about in the previous lore post with Xaror) and Shargon, as the king, should be their first and only frontline, but at this point his life is only being sustained by maschinery after being mortally wounded, he cannot fight (he realizes what is going on, rips himself off the maschinery to get at least his youngest child to safety, barely managing it before dying- the guardian, the demons god, takes over his body to attempt to fight against the celestials but cant keep itself alive long enough since its host is already dead) Eadrya takes the role of the frontline fighter (despite being very full of themselves and aggressive they care about their 'job' of protecting their own, also giving them the chance to show off just how strong they are); the fight was going well for them all things considered, but when the guardian activates it drains the power of all elemental lords (which Eadrya is one of, and since they have the most strength it also takes the most from them), so much so that they lose the fight and suffer deadly wounds (the worst being a spear through the chest made of a material that grows hard, root-like formations when in contact with demonic blood like a fungus but worse, also stopping any self healing processes) after the guardian falls apart it creates a huge shockwave of energy that stuns every living thing within a certain distance and possibly more-

Eadrya (in true demon form, so like a blue whale in size at least) was likely taken through an active gateway to the human world in a large tidal wave also created by the guardians fall; they wash up in the harbor of a small secluded village, the head of which is 'lady 13'; although never having seen a demon before and everyone being afraid (largely thinking its a strange hurt animal, only she suspected otherwise), they still gather all villagers to pull out the celestial spear, which is diffcult and brutal given that its already taken root, but the village lacked both knowledge and means to help any other way- doing so damaged their heart which is how they were able to collect samples of all three demonic blood types ('normal' -red like humans-, energy -essentially purely magic- and heartblood -highly concentrated energy only found within the heart of a demon and the only one to contain genetic material) (this is the start of Eadryas character arc, having to deal with the fact that their world is likely destroyed, them failing what they didnt think they could fail, having lost a battle so badly (even if not really their fault) for the first time and not knowing if literally anyone else has survived .. also being now stuck in the human world, which they dont like)

Lady 13 (placeholder name? stands for experiment 13) is a human that was tricked by demon hunters to enroll into a series of experiments trying to create hybrids of demons and humans, which they hoped would be powerful and easily controllable tools for their endeavours, though the two are inherently not compatible, they tried grafting body parts of demons on humans to make them compatible- all experiments failed except for her, more or less, though she never got to see the hybrid she carried and was then told it had died too, they threw her out believing she wouldnt survive much longer either and all such experiments were cancelled due to the high cost of human life, research material (demons are still rare) and upkeep with no successful results Lady 13 survived though (perhaps even via the pirates picking her up?) and she ended up living in said small village far away, hiding her half demonic body, though most know there soemthing 'wrong' with her (her being this tall when it doesnt fit the rest for one), only few know the full extent; she enjoys the life she has now, perhaps on the more poor side but safer and more loved than ever before; she largely lead the efforts to try and help Eadrya when they ended up in the harbor, though there wasnt that much anyone could do it was still enough- they leave immediately after waking up, but return after really having nowhere to go and struggling to deal with everything that has happened; over time (probably years) they start to open up towards the people there (though not .. very much) enough to get rather close with Lady 13 too- she actually falls madly in love but after Eadrya (extremely aro/ace) rejects all her attempts quite clearly she respects their boundaries

However, after hearing news of potential demon sightings Eadrya decides to leave in hopes of not being the last demon left after all; Lady 13 then decides to reveal her secret to them (though hearing and seeing what lengths hunters would go to for their experiments makes them absolutely seething with rage- she insists on not being out for revenge) and asks if they would be willing to donate a small amount of heartblood; shes always wanted to be a mother but is now incompatible with humans too- through things she picked up back at the experiments facillity, hers and her doctors research she is sure that is all that is needed, she dares to ask since she does not know when, if ever, she will meet another demon, much less one she could actually trust enough for this though Eadrya hesitates (why would she want to go through the same thing again that didnt work and threatened her life, if it does work, do they want to be involved with any of this? what if hunters find out it worked after all?) but after her ensuring that they would have no part in it other than giving up a little blood and would not be considered a parent in any way, nor made responsible for anything that might happen to her, but considering it all in the end they agree to it

only for her to reveal shes had a small bottle of it already, along with multiple samples of the other types, which she collected when Eadrya was bleeding out into the harbor not knowing if they will survive, though not wanting to make use of it without their consent either way (they are actuallly rather touched by this)

alot later the main group returns here and it turns out to have worked (though she is unable to walk/bedridden for a long while bc it did alot of damage to her body, which can heal since its demons parts, but only really slowly bc she does not have a full functioning system and no demonic blood of her own -she uses the other samples for the healing process-) though its a little awkward to explain, especially considering that 13.1 took alot after Eadrya xD (their theory as to why it worked so "well" that time is that even though the sample was already taken, them giving their consent for it still made it less likely to be rejected; demons dont need partners to have offspring, and all can do it, they just have to decide to- so them agreeing to it, even though its long been outside their body, still had an effect on the blood sample)

[niqhtlord01]

Humans are weird: Minecraft

Alien: What is the point of this game? Human: It doesn’t have one; you can do whatever you want. Alien: Can I burn this world and leave nothing but ash? Human: Disturbingly specific but go ahead.

------------

Alien: How do I get wood? Human: Punch some trees. Alien: ……….. Alien: Punch some trees. Human: Yup. Alien: Are you mocking me? Human: What? Alien: Do you think I’m some sort of joke? Alien: An object of ridicule for your amusement!? Human: Okay, before you over react let me just show you. Alien: *Starts reaching for sword when they see the human literally start punching trees for wood* Alien: Oh. *Puts sword away* My apologies. -------------

Human: Why aren’t you playing? Alien: There is a monster in my home. Human: Is it an ender man? Alien: No. Human: Skeleton? Alien: No. Human: Creeper? Alien: Nope. Human: ………… Human: Zombie? Alien: Thwarp no. Human: *Takes controller and goes inside the house* What could it possibly be- *Sees creature* Human: That is a pig. Alien: It is the stuff of nightmares. Human: What the hell is scary about a pig? Alien: Look into its eyes. Alien: It has no soul; no remorse. ----------------

Alien: What are you making? Human: A doomsday device. Alien: Are you allowed to build that on a public server? Alien: Surely the admins would seek to stop you. Human: They can’t stop it if they can’t find it. Alien: What did you build? Human: I placed a claim block, fifty blocks down, and started a cow farm. Alien: That doesn’t sound so bad. Human: There are currently five hundred cows in a four block pen. Human: I have seen the amount of lag it generates drive men to madness. Alien: You are the worst of your species. ---------------

Alien: How goes it? Human: I’ve created a massive creeper farm. Alien: Dear gods why?!?! Human: I want to see what happens when one of them is hit by lightning. Alien: Why? Human: I heard that it turns them into a super creeper. Alien: Why would you want to make the sentient explosive even deadlier? Human: To leave as a surprise for that griefer who blew up my chicken farm last week. Alien: Ah. ----------------

Alien: What are you building today? Human: A nether portal Alien: Is that the purple doorway thing in front of you? Human: Yup. Alien: What does it do? Human: It’s a portal to this world’s version of hell. Alien: WHAT?! Alien: Is that not dangerous? Human: I mean, I want glow stone for my city; and the only place to get glow stone is in the nether. Alien: I weep for this world that has you as its caretaker.   ---------------

Alien: Why is all the sand from my beach gone? Human: Needed it. Alien: For what? Human: Copious amounts of TNT. Alien: Do I even want to know why? Human: Remember that village that I defended only for the golem to attack me? Alien: Yeah. Human: Good. Human: Because that memory of yours is all that is left of it. -----------

*stumbling down extensive mine network to find human friend deep underground.* Alien: You ever coming topside again? Alien: I just found these things called “Pandas” and they are adorable. Human: Not until I find a diamond. Alien: Oh gods, here we go again. Human: There’s only fucking copper down here! Human: What the hell can I even use for copper!?! Alien: I think you can make lightning rods out of them. Human: Oh yeah, sure, lightning rods. Human: I’m sure those will be useful SIXTY BLOCKS UNDERGROUND!!!! ------------

Human: What’s this? Alien: I’ve created an elaborate rail system that will allow me to transfer the citizens of one village to another village to make it a super village! Human: Isn’t that considered kidnapping and human trafficking? Alien: ……….. -------------

Alien: I have created these five iron golems to protect my home. Alien: Nothing shall destroy it while I am away! *Alien leaves into mines* *Returns after an hour of mining to find the entire home destroyed by creepers* Alien: What the flarp! Alien: Where are my go- *Turns to see all five golems distracted by some flowers* -------------

Alien: Something just occurred to me. Human: What’s that? Alien: If you can use the portal to this nether, why can’t things down there use it to escape? Human: Pfft. Human: That’s impossible. Alien: Is it? Human: *Dramatic pause before sprinting over to portal with alien behind him* *Both arrive to find legion of pigmen pouring out from the portal* Alien: Congratulations, you created the end times. Alien: I hope that glow stone was worth it. Human: *draws sword* It really was.

[clanwarrior-tumbly]

can i get a scarlet/violet gang x ghost trainer reader who lets their ghost types possess them for pranks ?

This took a minute to think about until mochi mayhem dropped--then I got ideas haha

...........

During the events of Mochi Mayhem...you seemed remarkably unfazed by Pecharunt's "curse" spreading throughout the village, finding it more amusing than frightening.

And it's because you were no stranger to being possessed yourself.

Your first experience occurred after a Spiritomb's soul got separated and found you as a temporary host while you were exploring some ruins in Paldea (with your poor Fuecoco at the time being terrified for you).

Fortunately it wasn't an aggressive one, just a scared lonely spirit that was piloting your body around until it was reunited with the other 107 souls of that Spiritomb....which turned out to be a shiny!

In a show of gratitude, it decided to join your team--and soon you found your true calling as a ghost type trainer.

So you've picked up other ghosts throughout your journeys in Paldea, Kitakami, and BB Academy.

At some point you trusted your main team enough to allow them to possess your body.

Initially, they only did if they believed it was necessary (ie saving you from a fall or sudden Pokémon attack).

But then you decide to let them do so for pranks and such--mainly reserving those for whoever bothered your friends, while other times your friends are the hapless victims.

Exhibit A: When a BB Academy student is harassing Kieran over how he used to act, you see him getting upset and have one of your Shiny Spiritomb's souls possess you, enabling you to creep up and stare at the bully--all behind his back without him ever noticing you.

He's confused when they suddenly look terrified and run away....and then he slowly turns around, screaming a bit upon seeing your face in the likeness of a Spiritomb (like in that one episode of Journeys where Ash gets possessed by one).

You feel bad, especially after the soul leaves your body, and you promise that you'll never do that again.

Although he is grateful you saved him from that intense moment.

Exhibit B: You're hanging out with Penny at your house, watching her play some horror game on your console.

Your Gengar gets the mischievous idea to turn the lights off and possess you, creating a creepy atmosphere all around the house, making your friend paranoid of whether the sounds were coming from the game or elsewhere.

In hindsight, it sounds hilarious..but you forgot Penny doesn't fw horror movie tropes like that.

As she commands Umbreon to attack you out of pure instinct-

Only to see you and Gengar get forcibly separated and hit the ground hard.

Knock Off was no joke.

She apologizes but is a bit annoyed bc she couldn't save her progress thanks to your "prank".

Exhibit C: While Arven is giving Nemona, Penny, Kieran, and Carmine lessons on the art of sandwich crafting, you stroll over with some purple mochi, offering it as a dessert.

Obviously they decline, seeing Pecharunt literally hovering beside you and wondering if you already forgot what happened.....and are horrified when you shrug and eat one, your eyes turning purple.

Yet before anyone can fully freak out, you just laugh and start talking normally.

To make a long story short, you and the mythical 'mon came to an agreement that you'll eat the mochi it provides as long as it doesn't make you do anything harmful (like battling) or anything ridiculous (like dancing and saying "mochi" nonstop) while possessing you.

It's still mischievous at heart, of course. You'll allow it to have a little bit of fun considering its troubling past.

Exhibit D: Your Skeledirge was the first 'mon you used the Synchro Machine on after arriving to BB Academy, walking around and battling wild Pokémon in the terarium for a few good hours.

This "reverse possession", however, left some adverse effects on you even after desynchronizing...as for several days you developed a habit for singing, could taste smoke in your breath, and even your partner's little fire bird companion decided that it wanted to nestle atop your head.

You realize what a funny prank this could be.

So you pull up to the cafeteria to the "date" Drayton invited you to and freak out the rest of the Elite Four (except for Crispin who immediately realizes you own a Skeledirge and thinks you're awesome).

That also makes for a rather...awkward reunion with Kieran who thinks you've seriously gone off the deep end, and you drop the act right away.

But he's too caught up in the idea of battling you and winning to care about why tf you're possessed rn.

[niteshade925]

April 20, Beijing, China, National Museum of China/中国国家博物馆 (Part 6 – Ancient Chinese Jade exhibition/中国古代玉器展 and part of The Power of Science and Technology exhibition/科技的力量展):

Starting with the Ancient Chinese Jade exhibition today, this is a Qing dynasty (1644 - 1911) Qianlong era (1736 - 1796) jade brush holder. It's impossible to tell from this angle (my bad lol), but the relief on this brush holder actually depicts the Sanxing/三星 (lit. "three stars"), which is the name of a group of three Daoist deities: Fuxing/福星 (lit. "Fortune Star"; Jupiter), Luxing/禄星 (lit. "Prosperity Star"; Mizar of Ursa Major), and Shouxing/寿星 (lit. "Longevity Star"; Canopus). These three gods are frequently depicted together for auspiciousness.

A Qing dynasty Qianlong era jade gaiwan/盖碗 (lit. "lidded bowl"), decorated with gold inscription of Qianlong Emperor's poetry and plum blossoms. Gaiwan are a specific type of Chinese tea cup that can be used to both infuse tea and drink tea, and may consist of three parts--a bowl, a lid, and a saucer. Because of this three-part structure, it's also called sancaiwan/三才碗, where the lid, bowl and saucer correspond to "heaven", "human", and "earth" respectively. Alternatively gaiwan can be more literal like the one here, which only has a bowl and a lid. Some say the gaiwan originated in Sichuan in Tang dynasty (618 - 907 AD), but evidence suggests that true gaiwan (with lid) only appeared in late Ming dynasty to early Qing dynasty (around 16th-17th century). Gaiwan was very popular in Qing dynasty and remains popular today.

Left: Ming dynasty (1368 - 1644) diancui/点翠 and jade ornament, with egrets and lotuses carved into the jade part. As mentioned before in the second historical fashion exhibition post, diancui (the blue parts) is a method of decoration that uses the iridescent feathers of kingfishers. Because all species of kingfishers are now protected by law, all diancui on the market currently are imitations.

Right: Ming dynasty wooden table screen with carved jade insert depicting a dragon. This is pretty cute tbh considering how small it is

Qing dynasty jade decor called a shanzi/山子, with a visual depiction of the chengyu 老马识途 ("old horses know the path") carved into the jade. Shanzi pieces are characterized by their retainment of the original shape of the jade, and depictions of scenes and stories within the jade with methods including reliefs, full reliefs, and openwork sculpting.

Left: Jin dynasty to Yuan dynasty (1115 - 1368) jade ornament depicting chrysanthemum flowers.

Middle left: a Ming dynasty copper daikua/带銙 (basically belt decoration) inlaid with carved jade depicting deer and pines.

Middle right: a Qing dynasty jade pendant in the shape of two badgers.

Right: Qing dynasty jadeite daigou/带钩 (basically belt buckle) with fish and bat motifs. In traditional Chinese symbolism, fish symbolizes "surplus" (鱼 is a homophone of 余), and bats symbolize "fortune" (蝠 is a homophone of 福).

Notice how each of the above pieces utilize the colors inherent in the jade itself to lend color to the subject depicted. This method is still widely used today in modern jade/stone sculpting, and sometimes the finished piece can be stunning. Here's a modern example that's not from this exhibition: the piece 山乡晨曦 ("Mountain Village in Dawn's Light") by 黄日富. This entire scene is fashioned from a single stone.

And back to the exhibition, I forgot to take pictures of the placards for the next two artifacts, and the museum's complete online catalogue doesn't have a search function (UGH)......so I'll put my best guess here, but don't take my word for it lol

A jade decor depicting a dragon, probably from either Ming or Qing dynasty:

This seems to be a jade jianzhi/剑璏, no idea what time period it's from. Jianzhi are basically flat belt loops attached to the sheath of the jian sword scabbard, so that the jian sword may be carried on its owner's belt.

And onto The Power of Science and Technology exhibition. The pictures I'm sharing here will be primarily focused on ancient Chinese science and technology.

Ink rubbing of the famous Southern Song dynasty (1127 - 1279) star chart stele (called 天文图碑 in Chinese), showing the positions of the Chinese constellations. This star chart was drawn by Southern Song dynasty astronomer Huang Shang/黄裳 based on observations made between 1078 and 1085 (during Northern Song dynasty), and the stele was erected in 1247. The stele itself still stands in the Confucian Temple in Suzhou, China. Here's a link if anyone wants to see a clearer image of the rubbing (to avoid confusion: the rubbing in this webpage was made in Qing dynasty, but the stele was erected in 1247).

Chart of the Twenty-Eight Mansions/二十八宿 from the Ming dynasty illustrated encyclopedia Sancai Tuhui/三才图会, Volume 1. The Twenty-Eight Mansions are regions around the ecliptic used to identify the location of the Sun, Moon, Venus, Jupiter, Mercury, Mars and Saturn. This is an important concept for both traditional Chinese astrology and astronomy.

Top left: ancient observation of a solar eclipse documented in the Book of Documents/《尚书》.

Top right: ancient observation of Halley's Comet in fall of 613 BC documented in Spring and Autumn Annals/《春秋》. Apparently Chinese historical records never missed a single observation of the return of Halley's Comet from 240 BC to 1986, which is pretty amazing (note: this author may have made a mistake regarding the year of the observation recorded in Spring and Autumn Annals).

Bottom left: ancient observation of a nova documented in Book of Han/《汉书》 (completed in 111 AD).

Bottom right: ancient observation of a sunspot documented in Book of Han.

If one flips through any of the 24 official histories of China (二十四史), one will find these records of historical events peppered with observations of astronomical phenomena. This is because of the traditional Chinese astrology concept known as "interactions between heaven and mankind" (天人感应), where it's believed that whatever happens in the heavens will be reflected in the mortal realm in some way, and vice versa. Because of this indistinction between astronomy and astrology, the vast majority of Chinese dynasties would have an imperial bureau set up just to observe, record, calculate, and interpret the movement of celestial bodies and astronomical phenomena, since these were viewed as reflections of the state and fate of the entire country. In reality however, this bureau often functioned as a special panel of political advisors to the emperor. This bureau is referred to by different names throughout Chinese history, but the two most well known names are 司天监 and 钦天监.

A representation of a piece of ox scapula oracle bone from Shang dynasty (~1600 - 1046 BC; original artifact is in this museum) inscribed with terms from the Sexagenary Cycle, called Heavenly Stems and Earthly Branches (tiangandizhi/天干地支) in Chinese, or Stems and Branches (ganzhi/干支) for short. This cyclical system of 60 terms is used to record the year, month, day, and hour in traditional Chinese calendar (for example right now is still the year 甲辰, but after Chinese New Year, it will be the year 乙巳); however, in Shang dynasty, this system was only used to record days. The Sexagenary Cycle is still used by traditional Chinese painters and calligraphers when dating their works.

Four of the calendars used in different time periods in Chinese history, the Taichu Calendar/太初历 of Han dynasty (top left), created in 104 BC; the Daming Calendar/大明历 of Southern dynasty (top right), created in 462 AD; the Dayan Calendar/大衍历 of Tang dynasty (bottom left), created in 729 AD; and the Shoushi Calendar/授时历 of Yuan dynasty (bottom right), created in 1281. All of these are lunisolar calendars.

The Northern Song dynasty (960 - 1127) official military compendium Complete Essentials for the Military Classics/《武经总要》, by Zeng Gongliang/曾公亮 and Ding Du/丁度. The version seen here is the version included in the Qing dynasty book collection Complete Library of the Four Treasures/《四库全书》, completed in 1782.

And the book that has appeared a couple times throughout this series of posts already, the Ming dynasty illustrated encyclopedia Sancai Tuhui/《三才图会》:

This is the Ming-era Chinese translation of the mathematical work The Elements by Euclid, titled 《几何原本》. The translators were the Jesuit missionary Matteo Ricci and Xu Guangqi/徐光启 (there's more information on the placard).

Here is one of the ways in which ancient Chinese science and technology still contributes to the world today, a lesser known example than the famous Four Inventions: the discovery of the antimalarial drug artemisinin (named qinghaosu/青蒿素 in Chinese) by Chinese chemist Tu Youyou/屠呦呦 in the 1970s. Artemisinin is derived from the plant Artemisia annua L., which was recorded in The Handbook of Prescriptions for Emergency Treatments/《肘后备急方》, a book on traditional Chinese medicine written by Ge Hong/葛洪 in 340 AD, as effective against malaria. Since its discovery, artemisinin and its derivatives have saved millions of people, and are now recommended by the WHO as part of the frontline therapy for malaria. For her discovery of artemisinin, Tu Youyou was awarded the Nobel Prize in Medicine in 2015. On display here are Tu Youyou's letter to the Chinese plant biologist Qian Yingqian/钱迎倩, and her revisions to the draft of Discovery and Development of New Antimalarial Drug Qinghaosu (Artemisinin).

For thousands of years, Chinese people gazed at the stars in awe and wonder what messages the heavens wished to convey. Today, with modern science and technology, the heavens are not so mysterious and out-of-reach anymore, and people can appreciate the universe simply for its vast beauty. In 2013 China sent its first lunar rover, Yutu/玉兔, to the moon. In 2020, Chang'e 5/嫦娥五号 brought back a sample of lunar soil. The names of Yutu and Chang'e come from the names of the moon rabbit and the moon goddess of traditional Chinese mythology respectively (here's an old post I wrote on Chang'e and the moon rabbit, if anyone's interested in the legend).

Left: 1:1 model of the 2013 Yutu/玉兔 rover. (both pictures from National Museum of China official site; I saw the actual model and the actual sample but didn't take a picture of it)

Right: part of the lunar soil sample that Chang'e 5 brought back in 2020.

Looking at the lunar soil sample really made me appreciate how far humanity has come, and how much China has developed. I remember witnessing China's first manned spaceflight in 2003, that was just a little over 21 years ago. These are truly exciting times.

Phew. Another post that ended up being way more involved than I initially thought......the next post will be the last one of the museum posts in the 2024 China series, and it will be on the history of tea, wine, and food in China (mmm). It will be posted by the Friday before Chinese New Year. Stay tuned!

[droopywrites]

did you ever did a part 2 to jjk dudes meeting their child who’s from the future?

⋆｡Part || of JJK MEN meeting their future kids｡⋆

Author's notes: I don't think I've posted it! Considering it kind of left my mind and the old draft is gone, but I did write everything I remember here. Also, it's like 3am and I wrote this crying, not proofread.

CW: Swearing, killing, cannibalism(?) like mention of eating people, children.

Pronouns used for the kids: She/her for Geto and It/its for Sukuna.

Part | (Warning, it's from 2021)

Geto

Starting off strong with Geto.

Definitely another girl. He's such a girl dad.

On a regularly scheduled day like always; it was wake up, talk with his connections, mingle with his family, check on Mimi and Nana, see whatever the hell the non-sorcerers wanted, get greeted by a little girl that wasn't supposed to be on the estate...

What the fuck.

How did she even get here? Why is she here?

Geto would stare at this child in confusion and look around, waiting for someone to claim her.

He has a soft spot for children. Sorcerers, of course. Non-sorcerers, debatable.

So, low and behold this little girl running up to him to clutch at his robes. Him trying to pry her off of him with her relieved cries of "Papa! Papa!" escaping her lips.

Papa?

Holds her by the shirt's scruff like a cat and squints, ready to scold her but pauses when he sees her face.

Because, holy shit, that's literally his twin. And suddenly every rare hookup played in his mind.

But no, she looked no older than 3. He hadn't been with anyone at that time, or ever yet. Not that far.

Drops everything for the next couple of days just to make sense of the situation, only telling his beloved family.

Mimi and Nana fawn over the idea of a little sister but are a bit restrictive if it's not a permanent thing.

The girl didn't speak much except for addressing Geto, the twins, oh and you.

You...?

You.

You.

You, who had just returned from your trip overseas to oversee some tasks involving curses.

You, who the little girl immediately ran to and called "Mama! Mama!"

You, who Geto stared wide-eyed at and surprised as you two tried to settle the fact nothing even happened between you.

Yet.

When that little girl eventually left to her own time, with everything still fresh and confusing, Geto eventually approached you.

Because, well, he wanted to see that little girl again.

After few dates, then a relationship, then marriage. Maybe.

Sukuna

Listen, he is NOT spreading those cursed genes of his pre-human/post-cursed-spirit.

Man hates love.

But, during the Heian period. When some stupid kid wandered into his life as if it always belonged there, maybe, maybe, there was something else in that space in his chest but hunger and his definition of love.

So, there it was. Whatever it was. Standing there with large eyes focused on him with a semblance of admiration and malice.

"What are you looking at, brat?"

"You."

The audacity of this thing. He killed it immediately.

And then it came back. So, he killed it again. And again. And... what the fuck.

This little shit was persistent.

His kid. He doesn't know how. But definitely his kid.

A worthy successor? Fuck no, he's not dying or leaving it as some birthright to a hindrance.

Learning of its origins was pretty interesting, to say the least.

"Not a human? I figured. A curse made from me, huh? Someone weak must hate me so much."

That meant a human parent. Or multiple human parents. Gross.

He wasn't getting into that.

The kid was though.

It often visited this village to... eat? Kill? Fight? Whatever makes it happy.

...

The hell do you mean it was visiting its human mother?

It had a mother? It had a mother that cursed him so much it resulted in a personalized cursed child?

He could see it stare longingly at that woman's village and before he could even kill her, his offspring said goodbye.

"I'll see you in the future, yeah?"

And then Sukuna was sealed.

He probably searched for his offspring in the Modern era.

Author's notes 2: Stopping with these two because it's been a while since I've posted seriously on this account, 2 years? Maybe I've gotten better, maybe not. This was the idea but with updated better minds. Maybe I'll do the others separately again, Yuji, Yuta, Megumi, Toge. Just did the adults first. Doing Choso and Higuruma definitely.

[melanie-the-artful]

Genshin Character Names` Meanings Pt. 4

Tighnari | Most likely a reference to Arab Muslim botanist (as well as traveler, poet and physician) Al-Tighnari (born in village Tignar), who wrote a treatise on Middle East agriculture

Collei | Uncertain, but there seemingly is a Persian name Collei that means «Aware», «Sentimental», or «Noble»; Also literally «Lost» in Welsh

Cyno | Originates from Cynopolis, an Egyptian city which used to be centre of Anubis cult, and as we all know, Cyno is based on Anubis

Sethos | Most likely references Seth, the God of deserts, storms, disorder, violence and foreigners in Ancient Egypt. Known to have accompanied Ra on his barque in repelling Apep, but in the Osiris myth depicted as the usurper who murdered and mutilated his own brother, who is Osiris himself

Dori | Literally «Shining», «Glowing» in Persian, also derived from the word dor (دُر) which means «Large Pearl»

Nilou | «Water Lily», «Lotus» – Persian Name

Candace | «Clarity», «Whiteness» – An ancient title derived from word Kandake, once used by queens of Ethiopia; has Latin roots

Dehya | «Leader of Soldiers» – Algerian Amazeigh/Berber name, which refers to Kahina Dehya, the female Algerian priestess, who was a religious and military leader

Layla | Literally «Night» in Arabic

Faruzan | «Luminous», «Shining», or «Resplendent» – Persian Name

Alhaitham | Haitham is a first name and it means «Young Eagle» or «Young Hawk». Meanwhile Al is a prefix usually used in Middle East last names before the name of the family/tribe itself. Basically, it is a definite article, like 'the' in English. He is also most likely named so after Hasan Ibn al-Haitham (Latinicized version of his name also sounds like Alhazen) who was an Arab mathematician, astronomer and physicist during the Islamic Golden Age

Kaveh | «Of Royal Origin» – Persian/Iranian Name; Might be based on Kaveh the Blacksmith from Iranian mythology, who launched a national uprising against the evil foreign tyrant Zahāk and re-established the rule of Iranians

Nahida | «Delightful», «Gentle», «Kind», «Soft» – Persian Name. Another version – Nahiya, means «Advisor»

Kusanali | Derived from the Pali words «kusa» (kusa-grass, a sacred plant used in Hindu ceremonies) and «nāḷi» («a hollow stalk or tube»).

Buer | Comes from Governor Buer, the 10th of Goetia Demons 

Rukkhadevata |  रुक्खदेवता – "tree-goddess" in Shaivism is a Yakṣiṇī who is worshiped as the goddess of wealth or the guardian spirit of practitioners. The Yakṣiṇīs are the female counterparts of the Yakshas in Hinduism and Buddhism, and also appear in Jātaka literature, where they are considered as local deities living in trees and sometimes referred to individually as "rukkha-devatā".

Cuilein-Anbar | Literally «Darling Amber». Cuilein (directly translating to «pup/cub») is a Gaelic term of endearment commonly used for young animals, equivalent to «darling», while anbar is an Arabic word meaning «amber».

Mehrak | «Like the Sun» – Persian Name

Faranak | Derived from the word پروانه (parvâneh), which means «butterfly» in Persian

Dunyarzad | Likely named so after Dunyazad (دنیازاد in Persian), who is the younger sister of Queen Scheherazade from One Thousand and One Nights

Sorush | Originates from Zoroastrian divinity of «Conscience» and «Observance», with its name having those two exact meanings 

Apep | Based on an ancient Egyptian deity of darkness and disorder, also known as Aphoph or Apophis, who also was often depicted as a snake

~~~~~~~~~~~~~~~~~~

........Hi

Not even gonna make up excuses this time, just want you to know that I do have an intention to finish these series, it`s just that God knows when I actually will

In any case, I wanted to add Jeht as well, but I couldn't find a reliable source that would tell me where her names comes from, so I would be grateful if anyone knowledgeable helped me out here. I think I saw a version that says it's an Arabic name meaning «Freedom Lover» or «Scholar», but I'm not sure if that's right??

Anyways, see ya soon, hope you'll have a great year, take care of yourself, stay hydrated and bye.

[yinyuedijun]

bofurin trio in feudal japan | youkai au

inuyasha-esque au featuring the wbk characters as youkai and other feudal era figures. I watched too much inuyasha as a child and you can tell lol

kitsune!suo x fem!reader hcs here

sakura haruka | nekomata-possessed human

→ a nekomata possessed him while he was still in the womb. its memories are gone, but its powers remained. consequently, sakura was born as a human with nekomata features (including his black & white hair, superhuman strength, and a tendency to severely misbehave).

→ he can switch completely between forms. he cannot shift into the form of another human or radically change his human appearance, however.

→ he tends to prefer existing in his human form. (If he spends too long in his nekomata form, he becomes afraid that he'll forget how to be a human and permanently stay a monster.)

→ when he gets embarrassed or very emotional, his ears and two tails come out.

→ suo teases him a lot for this and will try to provoke it as much as possible lmao. he likes to offer sakura towels and ask him to dance whenever his tails are out. (the first time this happened, sakura tried to maul him lol)

→ growing up, sakura was referred to as a "demon child" and ostracized his whole life. after a demon attack on their village, sakura was blamed and his parents were killed for having given birth to him. he escaped to the mountains (where nekomata tend to hide) and lived mostly as a cat for some time before re-entering human society due to nirei.

→ this is why he's so poorly socialized and literally has feral cat energy btw lol

→ misses and longs for human connection, but is also afraid of it!

→ hates vegetables because he is a cat, likes meat because he is a cat, and likes eggs because his mom used to cook them a lot.

art by yoshitaka amano

nirei akihiro | human onmyouji

→ an onmyouji related by blood to the abe clan. originally a young and talented officer working at the bureau of onmyou, he became frustrated (frightened) with its politics and left for the private sector. he loses the court official hat, but he keeps the clothes because I think they're pretty 👍

→ his talents mainly lie in astronomy, divination, and calendar-making. very analytical stuff!

→ due to his family having been affected by disease spirits when he was younger, he has a strong wish to become skilled in exorcisms and always attempts to engage with evil spirits and demons to build experience.

→ chronicles his encounters with the supernatural, at first for his own learning, but now because he wants to put together a publication to help others interested in recognising supernatural phenomena and understanding common exorcism practices.

→ at some point, nirei was privately contracted to perform a purification ritual at a small mountain village. he heard stories about a boar demon that had been causing problems, so he went to go search for it, and it nearly killed him. sakura (living in his nekomata form) happened to be nearby at this time and saved him. he expected nirei to try to attack him or run at this point, but nirei instead tried to communicate with sakura, despite his monstrous appearance.

→ upon realising that sakura could actually adopt a human form, nirei convinced him to go back to the mountain village with him by offering to treat him to oyakodon.

→ the villagers were somewhat frightened by his appearance, but warmed up when nirei explained that sakura had killed the boar.

pictured above are japanese works depicting kitsune, which suo would be considered, but some of the below is influenced by lore regarding the related chinese myth of the huli jing

suo hayato | nine-tailed fox spirit

→ a nine-tailed fox spirit who was originally quite powerful; however, his hoshi no tama was stolen in a fight with a demon, which left him weak and nearly dead.

→ after these events, took refuge in a village with an inari shrine and acted as their guardian deity for some time as an act of gratitude.

→ having lost his hoshi no tama, suo's powers are now limited but still substantial. notably, he can still shapeshift freely between a number of forms—his original form of the common fox, different human appearances, etc.—but he cannot adopt his true form of a giant nine-tailed fox.

→ in his typical disguise, he is indistinguishable from regular humans. however, if you manage to catch his shadow in the light of a full moon, it reveals his true ears and nine tails. (based on this art!)

→ his disguises are otherwise so skilled that even other youkai and animals have difficulty recognising him. however, all dogs can sense fox spirits and are consequently terrified of suo. suo, himself, prefers not to interact with dogs.

→ while sakura did not immediately recognize suo as a youkai, he correctly identified him as a shitty person at his core (lol) and was later unsurprised to learn that suo was a kitsune. ("oh, the worst kind of demon.")

→ on the other hand, suo immediately recognized that sakura was a nekomata lol

→ being a fox spirit, suo is quite skilled in jujutsu and eventually trains nirei in exorcisms and/or demon extermination techniques.

→ sakura has a preference to travel and hunt demons at night, partly because there are fewer people around to make a spectacle of him, and partly because it's just his inclination as a cat. since nirei is a human and cannot see well in the dark (unlike his two youkai companions), suo lights up mountain pathways with kitsunebi to allow nirei to see.

→ in addition to enjoying tea and sweets, suo likes aburaage (since he is a fox spirit). if you offer aburaage to the kami at a shrine, there's a 9/10 chance that suo will come by and eat it before any of inari's actual messengers can visit.