#consider my words

[fellowfights]

The fact that people don't ALSO headcanon Ritsu as autistic is a DAMN crime.

[poorly-drawn-mdzs]

How much longer 'til your luck runs out?

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[panrao]

Spoilers, it's dysphoria

[farceurcole]

[abstractfrog]

THE GLORIA SCOTT - part 2, and a follow up to my comic for the first half of this scene! thanks sm to @crashingmeteorz for allowing me to source validation for my whimsical cosmic approach to this moment <3

[xxplastic-cubexx]

your movie charles art gives me cuteness aggression

obsessed with getting these asks back to back and yet they both hold some truth i think ...... thank you very much everyone ....

[theokusgallery]

Why, hello there, Virgil. Long time no see!

[pathetic-gamer]

local flame emperor considers lilies, but now in full color :D (because i realized doing it in this style means i don't have to learn how colors work, i can just throw down the flats and call it a day)

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[gottagobuycheese]

HEY! YOU!

You've probably heard by now, but from March 4th to 10th 2024, Help Gaza Children will be sending all their donations to families in northern Gaza, where food prices have skyrocketed even more than in the south. Their goal is $25K by the end of the week; at the time of writing this post, it's about halfway a quarter way there! (OG post about it) [EDIT: my mistake, I misinterpreted the numbers in the original post; evidently I cannot do arithmetic anymore]

This is their notion site, which has their donation link as well as additional info, their FAQ, important updates, and proof of purchases from donations they’ve gotten in the past. You can also donate directly to their paypal here.

As such, I'll be open for sketch commissions up from now (March 7th, 2024 ~02:20 PST) through March 10th in exchange for proof of donation to Help Gaza Children!

BASIC OVERVIEW:

Tier 1 - Basic head/bust sketch for $1-5 USD, +50% for basic color. Up to 3 characters.

Tier 2 - Basic screencap resketch for $5-15 USD, +50% for basic color.

Tier 3 - Posed sketch for $15-25 USD, 1-2 characters ONLY.

Tier 4 - Colored clean sketch: $25+ USD, 1-2 characters ONLY.

RULES:

Please provide a visual reference or detailed description of the character(s) you want drawn (and depending on the tier, a screencap or pose/expression you want to go with it)

DO'S: OCs, humans and human-like creatures, other creatures that don't have a lot of mechanical or anatomical detail (as in, I can TRY to do mecha stuff, but I think you and I will both be better of if I don't lol; can ask for further details)

DON'T'S: any NSFW stuff, real people currently alive (as in, historical figures in the setting of historical fiction may be okay, but other things may not be; can ask for further details)

If you've made your donation in a currency that is not USD, I'll give you something of equivalent value according to the tier based on whatever the conversion is at the time that I look it up. If one or both of our economies crashes spectacularly in between the time you send it and the time I look it up, I'm very sorry in advance

DISCLAIMER 1: I reserve the right to decline a commission for any reason; however, if this ends up being the case, I may reach out to you to see if we can come up with a middle ground that suits us both.

DISCLAIMER 2: I don't anticipate being able to do a lot of these, as I've got a full-time job that's in the ballpark ~80+ hours a week with really weird hours. That being said, depending on how far this goes, turnaround time will probably be ~2-3 months, give or take...something. I'll update you monthly until it's done.

FOR PERSONAL, NON-COMMERCIAL USE ONLY!

If you're interested in nabbing a sketch from me in exchange for your donation, email a screenshot (devoid of any personal info please) of your donation receipt and details of your sketch request (e.g. reference, tier, etc.) to gottagobuycheese@gmail.com. For your donation to count for a sketch, it must be made after I wrote this post! (March 7, 2024 ~02:20 A.M. PST)

If you are NOT interested in nabbing a sketch from me, feel free to donate anyway!!

(And if you've got any questions about anything feel free to email, DM, or send an ask!)

[poorly-drawn-mdzs]

(Accidentally mis-clicked enter on my last ask. Here's the full "ask")

What he says...

VS What I read...

("us" as in him and WWX, not the spider just to be clear)

They should make an adaptation called 'The Unfiltered', where Lan Wangji says exactly what's on his mind.

[deadsetobsessions]

Pt. 3

Again, the timing is icky but pretty much everything about it is icky.

——

Bruce wondered when Talia al Ghul would stop upheaving his life.

He loves Damian, but one surprise child was a lot, considering the cult deprogramming they’d had to do.

A second, older, surprise child? That was a bit overkill.

At least this time, the conception was consensual.

Bruce cradled his head in his hands, still-gloved fingers gripping onto sweat-soaked hair. The glow of the bat computer shone on his lone figure, sat huddled before endless screens of investigations and the unraveling threads of Bruce’s sanity.

How was he to cope with the knowledge that a child- his child, like Dick and Damian and Tim and Jason and- suffered so at the man he thought he had beaten so soundly?

It was his fault, Bruce thought, that Ra’s al Ghul tortured his… Bruce’s… daughter so brutally. It was no doubt, a way to assuage his anger at Bruce’s denial of being his heir.

His mistakes always came back to haunt him, but it never laid its furious eyes and hands on his own person. No, when Bruce made mistakes, his loved ones paid for it.

He tried his best, pushed harder as Batman, in penance. But this… his unknown daughter, trapped in the shadows of the league where it is cold and cruel and brutally painful…

How could he repent for the sin of letting his daughter suffer and chained at the hands of Ra’s al Ghul? How could he show her that the shadows could be kind? That he would rather break his own spine and get lost in the time stream again before he could even fathom hurting her? He found himself stuck in the same loop of thoughts that plagued him when Damian first came into his orbit.

The screens turned black, and Oracle’s call sign flashed onto the dark pixels.

“Oracle. I hadn’t finished looking at the cases.”

“Go to sleep, Bruce.”

“No, there is still work to be-” his voice, dipping into the growl, died a quick death when Barbara cut him off.

“Your daughter is coming tomorrow. So, unless you want to look like a disheveled grease racoon when you meet her, go shower and get some actual sleep.”

Bruce paused, feeling oddly offended. His eye bags weren’t that bad.

Bruce caught sight of his reflection in one of the blacked out monitors.

…Nevermind.

He sighed. “…Thank you, Barbara.”

“Anytime, Bruce. I’m always here to kick your ass into gear.”

Bruce huffed, but obligingly got up to change and shower. Alfred silently appeared at the elevators, polished shoes tapping against the stone floor as he raised an imperious eyebrow at Bruce.

“I see Miss Barbara has managed to persuade you to retire at an hour common to regular man, Master Bruce.”

“Ah, yes, she… did.” Bruce felt the urge to apologize, because if Alfred’s up because of him, it’ll wear down harsher on the older man’s health. If there was one thing he took seriously, it would be the health of his loved ones. “Sorry, Alfred. I’ll head up to bed soon.”

“See to it that you do, Master Bruce. I will warm dinner that you had missed by many hours and bring it to your room.”

Bruce lingered as the butler turned around and began making his way back to the main house.

Alfred paused and turned around once more. “If I may offer you some advice?”

“Please. Always.”

Alfred sniffed delicately, most definitely thinking of the times Bruce decided not to take his very well reasoned and seasoned advice. “You have done well with Young Master Damian.”

“Most of that was Dick,” Bruce interrupted, man enough to admit that he wasn’t a present or a particularly good father figure before his jaunt through time and space. Alfred shot him a chiding look, reprimanding him for interrupting. Bruce rubbed the back of his neck sheepishly.

“Perhaps, but you have put in effort towards all of your children in a way that I have yet to see since Master Jason had… gone.”

“I’ll never make that period of time up to Tim.” Bruce whispered. Another thing he was guilty of. Tim still avoided some spaces in the manor, even when Bruce had-

“That is because you sit here, wallowing in your guilt,” Alfred returned. He added a belated “Master Bruce,” and it sounded like ‘you utter buffoon.’

“But…”

“You must take the first step, Master Bruce.”

“What if she hates me? What if I’m not ready- what if I can’t help her?”

“You will try. She deserves that, at the very least. You must try. Even if you are not ready for the day, Master Bruce, it can not always be night.”

“… You’re right.” Bruce straightened his shoulders. Time doesn’t wait. He, of all people, knew that.

“You will find that I am hardly ever wrong.” Alfred primly rested his hands atop each other.

“Thank you, Alfred.”

“Of course. It was also meant literally, Master Bruce, for the sun shall try its best to peek out of Gotham’s smog in approximately three hours and fourteen minutes.”

“I’m going, I’m going,” Bruce grouched.

——

Her mother gave her a slow, cautious hug, akin to approaching a wild animal.

She huffed, and pulled her mother into a crushing hug. She allowed herself, for the first time in a long time, to linger and cling onto her mother’s shirt. Another tendency that Ra’s had thought he’d beaten out of her.

“Be careful,” the reincarnation whispered.

“You as well, my beloved daughter.”

‘You do not have to remind me that I am beloved, mother. I know.’

Talia al Ghul tucked a strand of the reincarnation’s curled hair behind her ear. “No, I do not believe that you do. But that is… my own fault. I will tell you and remind you that you are beloved to me as long as I can. I have two decades of it to make up to you, habibti.”

The flight attendant- a League operative- returned from placing her bags onto the private plane.

——

A sleek car made its way up Wayne Manor’s winding driveway. She’d declined the offer to pick her up from the airport. She had wanted a vehicle of her own, and some time before she met every one else. No doubt, knowing what she knew of her brother and Bruce Wayne, not to mention the little photographer, they were most likely tracing her path to Wayne manor obsessively.

She tapped her nails on the wheel as she drove towards her brother. Brothers. And… Bruce Wayne. On one hand, she’s kept them safe. On the other, she’d sacrificed years of getting to know them. It was odd, to feel this intensely awkward and nervous after years of intense hatred or apathy sprinkled by the the occasional love and fondness for Damian and her mother.

“Hmmm.” She hummed, slight smile spreading a bit more as the sound came out without pain. Two weeks, and the novelty of freedom had not worn off. She thinks that it would never wear off. She cherished it.

The gate had opened without needing a code, so they most definitely knew she was here. It’s a good thing she had prepared gifts in advance. Dodging Gothamites as they drove and jaywalked had been a rather unforeseen ordeal that she was not looking forward to repeating.

She rolled to a smooth stop at the front doors, giving the intricately carved oak doors a passing glance. She huffed a laugh as she saw Damian, flanked by Bruce Wayne and Alfred Pennyworth, staring proudly outside at the front door. They’re anticipatory of her arrival. Warmth spread through her heart, and for the first time in a long while, it wasn’t the heat of rage.

She opened the doors with a quiet click and hiss, stepping out onto the heated paved driveway, and closed the door. At the steps, the two older men had frozen but Damian had come walking quickly towards her.

“Damian,” she whispered as he came near her, suffusing as much fondness as she could into his name. Her little brother all but sprinted towards her, screeching to a stop in front of her with excited eyes.

“Welcome to Wayne Manor, ukhti.” He said formally. Her eyes softened and she pulled him into a hug.

(yā waṭawāṭī alṣṣḡīr is the phonetic spelling.) ("وطواطي الصغير" is the actual spelling. I think.)

“I have missed you, ya wat-wat alssgirr,” she whispered. The familiar endearment, “my little bat,” rung warmly like a warm crease ruffling his hair. The silks of her clothes and the ever present warm sand and candle scent wrapped around him like a hug… like the hug she was currently giving him.

(Her clothes were in blues and silvers. It suited her, she who had been forced in green and golds and cuts of black.)

“I still can not believe you all but told me who father was and I still could not figure it out until mother told me.”

She pulled back. ‘Damian, you were five.’

“I have little doubt you were smarter at my age, ukhti, so do not lie to me.” Damian grumbled. Nevertheless, he stepped back.

‘No, you were smarter.’

And to her, he was. It’s not like Damian had the edge she did, and he wasn’t the one trapped for twenty something years. She had foolishly thought that Ra’s wouldn’t dare to harm her too much, seeing as she was his blood, but Damian knew from day 1. She made sure he did. If she was half as smart as Damian, she would have bent her knee and obeyed, no matter how she felt about killing. She would have taken warning Ra’s issued and soaked in the poisonous praise to bide her time to escape. She could not- she did not- do what Damian found effortless, and paid the price for it.

“Unlikely,” Damian said, turning around fully, but she could see the tips of her brother’s ears burning. Ah, perhaps she had been to stingy with compliments if he was shy hearing a mild one, sincere as it might have been. “This is Alfred Pennyworth. He is the butler, and an integral part of the family.”

Damian glanced at her, taking in her suddenly impassive face, and nods. Good. His attitude towards Pennyworth when he first arrived was… mildly shameful. His ukhti was smart enough to know that and therefore he won the argument.

On her part, the reincarnation followed along like she hadn’t mildly stalked this family for decades. It was nice to see excitement rearing on her brother’s face. It was rare in the league and Gotham’s gloom had ironically cheered him up far more than the suns of desserts ever did. She nodded at Alfred Pennyworth, who had admirably recovered from his earlier shock.

“And this is… Bruce Wayne. Our father.”

She tucked a strand of curled hair back, impassive blue eyes meeting her… father’s.

She offered him a short nod.

——

“My word,” Alfred Pennyworth muttered as his charge’s (his son’s) daughter step out of the car. Her steps were silent, graceful, and lighter than a gazelle.

The way she moved, even as she hugged young master Damian, whispered of leashed lethality and treacherous waters. She moved like if grace had a form and Alfred was willing to bet his entire career that not an iota of air got close to her without her knowledge of it, and it reminded the aging man of the young Miss Cassandra. He knew then, that she could have pretended to be unassuming and that he would have had a hard time equating her with danger. That she showed them her potential for death was a sign of trust.

But it was not the way she claimed death as her own name that caught the former spy’s attention.

No.

It was her blue eyes and the way they ever so slightly crinkled fondly as she laid eyes upon her younger brother. It was the way her hair, curled in a nostalgic style, that curtained her face as she spoke to the young Wayne heir, though he could not hear her voice. It was the way that she tucked Damian against her side, protective but encouraging.

It was the way that she, despite Talia al Ghul’s features, resembled his dearest friend, Martha Wayne, in her every movement.

Alfred Pennyworth felt like he was decades younger, standing before Martha as she fondly tucked Bruce against her side and successfully needled Thomas into going to see Bruce’s favorite movie.

It felt like he had his best friend once more, just a little.

From the way Master Bruce stared, it seemed as though he thought the same.

Alfred straightened when young master Damian introduced him. He was the Wayne Family Butler. And she was definitely a Wayne.

Master Bruce stood there like a lout as his daughter greeted him. Alfred shot him a scathing look- he had taught Master Bruce much better manners than to gape, the nerve!- before smoothly directing the attention away. His hands moved as he spoke.

“Welcome to Wayne Manor, Miss-”

She made a sharp motion to cut him off and signed something. Alfred might be a tad rusty in Arabic sign language (like he and the rest of the family hadn’t spent the last two weeks frantically memorizing and brushing up on their sign language) but he knew a name sign when he saw one.

“al Ghul.” Damian recognized. He did not use regular Arabic Sign Language with her often, vastly preferring their own established sign, but that did not mean he slacked. “You may call her al-Ghul.”

‘Or nothing at all,’ Damian’s sister signed. She looked at him like she was waiting. A test, Alfred realized.

Alfred pushed the slight twinge of disheartening disappointment away. He had wanted to call her Miss Wayne, to perhaps indulge in a bit of nostalgia for a while longer. But he shan’t do it at the expense of his charge.

“Miss al Ghul,” he continued, not missing a beat, imitating the name sign with pin point accuracy. She lifted her chin. Alfred sighed in relief. He passed. And now, perhaps he should revive Ra’s al Ghul and have a nice, entirely civil conversation about Miss al Ghul’s expectation that her wishes would go ignored.

Alfred will bring his shotguns and most likely would abandon pretenses as soon as that old goat got into his crosshairs. Old as he might be, he was still a very good shot, and civility was reserved for those with honor.

“Please head inside. I am sure young master Damian would love to guide you on a tour,” Alfred continued like he didn’t think of violent second deaths for Ra’s al Ghul. “Perhaps Master Bruce will join you, if you are amendable, once he has managed to stop imitating the rather life like form of a smooth brained sloth.”

Alfred congratulated himself on the small crinkle of humor that graced Miss al Ghul’s otherwise expressionless face. Well, expressionless to those that did not know where to look. Fortunately, Alfred and the rest of the family were used to stoic caveman micro expressions, courtesy of Bruce, and therefore it would not be much of a problem.

“I will bring your bags up to your room.”

She scrutinized him and then dipped her head.

‘Be careful. There are dangerous things in there.’

“I assure you the utmost privacy in regards to your belongings,” Alfred said.

“Pennyworth will not peruse your belongings, ukhti. He has more honor and respect than that.”

Alfred would like to interrogate Talia al Ghul to see who he must introduce some lead to, that clearly disrespected Miss al Ghul’s privacy like so. But for now, he will bask in the warmth of young master Damian’s implicit trust.

Miss al Ghul nodded. She opened the trunk of the car- the interior of which Alfred could now perceive to be entirely customized and of extremely quality material. She handed the keys and gave him access to her luggage. Then, placing her hand at young master Damian’s shoulder, followed the young master into the halls where she ought to have been raised. Or, at the very least, ought to have taken a step in at least once before today.

Master Bruce lingered at the doorway, torn between following the siblings and helping Alfred with the luggage (read: running away.)

“The daylight is wasting, Master Bruce.”

Master Bruce skittered in behind them like a newborn colt, wobbling and anxious.

Well, it’s time for Alfred to do his job. There was only a single duffle bag.

Hm. He’ll have to tell Master Bruce to take her out for necessities. He hardly doubted that a single bag could last her very long. And Alfred Pennyworth was hellbent on convincing his granddaughter to stay, may the gods have mercy on whichever poor soul that tried to convince her otherwise for he won’t.

——

She followed Damian as he led her deeper within the walls of a home she knew by heart from afar. She was like the little photographer in that way. Bruce Wayne trailed behind them like a particularly awkward ghoul, and she found it amusing to equate this turtle necked man was the illustrious Dark Knight. How dangerous.

“This is the first parlor. It is for guests of the… regular persuasion.”

Ah, for the civilians. She nodded.

“Ah, the silverware was selected by Alfred.” Bruce interjected, gesturing to the display silverware by the door. Their cabinets were intricate without taking away from the paintings upon the delicate ceramic.

She looked at him, wondering why he was following before giving up and nodding. It was his house.

(Bruce, for his part, felt like his daughter had laid judgement upon him… and found him lacking.)

‘It is… adequate.’ She sighed to Damian. Damian tutted.

“It’s fine to say quaint, sister. It could hardly compare to the palace.”

Bruce jolted, plans for converting the manor into a palace already in the making.

No, he couldn’t. Alfred would murder him with his favorite dish.

‘I like it, even if it is smaller.’

“….you do?”

‘You are happy here. It is warm to you. I like it.’ She repeated.

Damian latched onto her sleeve. “I- I shall show you my art. And then introduce you to the rest of the bumbling fools we have for brothers-”

She tilted her head. Bruce paused as well when Damian’s words cut off.

“If… you want them as brothers. It would be… helpful, to integrate.”

She waited.

“But… I am the first. Your blood. And-”

‘I will make room in my heart for them, if you wish it. I already know some of them.’ She allowed a small smile to show. ‘But that does not mean you will ever lose your place, little bat.’

Damian felt extremely thankful that father had not managed to pick up their version of sign language yet.

“Well… as long as you’re aware.” He marched further into the manor. She followed, once more, a look of fond indulgence gleaming in her eyes.

——

She stood in front of a painting her younger brother had done.

‘I made it two weeks ago,’ he’d told her, fingers curled into her palm.

It was green. She hated green. And gold. And ominous. Rage. Harsh, bold strokes and spots where the texture of the canvas were either globbed over or painfully showing through.

Her hands traced the single stroke of blue amidst the turbulence of green.

She tucked Damian against her side and realized that perhaps he understood after all, what it felt like. Perhaps not all of it, but enough.

——

“Here is your room, ukhti.” Damian stood watch as his sister scanned the room. She quickly removed three listening devices as Damian sighed.

‘You’ve gotten better.’ She crossed the room and plucked the listening bug from its place on the door frame.

“Clearly not good enough.” Damian huffed. “But I have beaten your knife game record. What do you think of the room?”

His sister rolled her eyes and handed him a blade she pulled from somewhere on her person.

An implicit challenge.

“No cutting your fingers off, please.” Father interceded.

“Begone, father. We are doing sibling bonding, something I remember you insisting that I participate in.”

Damian shut the door on his stupefied face, matching his sister’s sharp smirk as he splayed his hand on the dresser and raised the blade.

——

Alfred walked in with a covered plate and paused at the sight of the dresser.

Then, he looked on as Damian sat at the desk, rapidly signing to his sister in their own version of the language as said sister pulled out an entire wardrobe and a half to fill in the walk-in closet.

Alfred made a note to study some more magic.

“Miss al-Ghul. I bring you a snack that young master Damian made and to inform you that the others will be arrive en masse, within an hour.” Alfred paused. “Might I interest you in a mat before the two of you decide to… take a gander at furniture redecoration in the future?”

“Of course, Pennyworth. Apologies.”

“I’ll try to make sure they won’t overwhelm you. They can be a lot, at once.” Bruce said from the doorway. Miss al Ghul glanced at him and dipped her head in thanks. Her eyes wandered right back to the dessert.

Alfred made another note.

‘You made this for me?’ She asked, switching to standard.

Damian grumbled. “Do not eat it. I could not get the spice quite right, no matter how many variations…”

‘I am sure it will be good.’ She took the plate from Alfred’s hand and uncovered it.

They all had the fortune of witnessing a true, genuine wide eyed smile from a stoic face.

Alfred inhaled sharply. He had thought Master Bruce and young master Damian had inherited Thomas’ dimples. But she had inherited his entire smile.

‘Bstilla!’ She turned to Damian. ‘My favorite! You made this?’

“I know that. I am not incompetent as to not notice when you snuck three of them from the palace kitchens. You must give me the recipe from the cooks. I could not get it to taste like the spices they used. I even imported spices!”

Miss al-Ghul, like she had forgotten he and Master Bruce were there, stabbed a fork into the pie and put it into her mouth.

“Ukhti! Don’t- do not eat that! Spit it out! The pastry is too thick and-”

She held up her hand. ‘It’s good. I know what it is missing.’

She strode to her magic bag and pulled out a bottle.

She sprinkled flakes on top and offered a forkful of b’stilla to the young master who, shockingly, did not insist on his own utensil.

His expression lightened. “This is it. What is it? You know of the chefs’ methods?”

She sprinkled the mysterious spice on the food. ‘You’ve never eaten anything the chefs have made. I made your food by hand to prevent assassinations and inoculate you against toxins. Also, this is poison.’

Alfred stiffened.

“It’s what?!” Bruce spoke up, rushing into the room, finally to try and look Damian over.

‘It is fine. He has been immune since he was three.’

Miss al Ghul placed a piece of poisoned b’stilla in her mouth and ate. Young master Damian batted his father off, saying that poison inoculation was hardly a surprise. What was a surprise, though, was something else.

“That is- you- you’re the one who made my meals?” Young Master Damian demanded, looking guilty. “But- I- why did you not tell me? I made all of those demands in the middle of the night- what about the time I sent back the knafe fifteen times?”

She nodded.

“Why would you- why did you not tell me?”

‘You knew what grandfather thought of women. And besides, it was the only time I was allowed sweets. He did not want me to ruin my figure as it would lower my marketability.’

Alfred itched for his gun.

“You are not a commodity,” Master Bruce stated, intense as he tended to be. Miss al Ghul blinked at him.

‘… I am aware. But… thank you.’

“Ah. Yes. Of course.” And there went the emotionally intelligent Master Bruce. May he rest in peace until the next time he decides to make an appearance.

“I believe today is a chocolate chip cookie day, do you not, young master Damian?”

“Yes, Pennyworth, I believe it is.”

‘I have never tried it before.’

“You will love it. Pennyworth’s cookies are the best in the world, as is expected.”

Alfred watched as young master Damian tugged his sister out and marveled. The sides of his grandson they rarely get to see was so easily pulled out by his older sister.

——

Y’all I wanted to write her meeting the siblings but Alfred came out of no where and went haha nope feel the angst of a man who lost his best friend and had to raise her vigilante child.

Alfred, seeing Bruce put on the bat cowl for the first time: martha, why have you forsaken me

——

Me: what would baby assassins play as a binding game?

Me, remembering my past as a kid: I Spy, but with trackers and bugs. oh wait… THE KNIFE GOES CHOP CHOP CHOP

——

Also, I think B’stilla was food meant only for royalty and was probably rooted in slavery, so I thought it would be a meaningful nod to her position of privilege and how she are like a king but was treated as a… bed warmer and a slave. Yeah. If anyone knowledgeable on food history wants to school me on b’stilla, feel free to do so. I did like, a cursory research at best.

[bumblingbabooshka]

I think Vulcans should nuzzle their faces together when they like each other but it's like, not something you do in front of other people. That's something to do in private or if you're a little kid. Babies don't really know how to do this properly and are prone to just headbutting their parents/siblings instinctually. They want to 'get closer' to what they feel telepathically emanating from the people around them. This nuzzling is a form of telepathic communication but it's very unskilled (a baby can and will do it) and you only get broad feelings/thoughts from it. But that's alright bc typically the only feeling/thought you're hoping to get from or communicate with such an action is 'I like you'.

[colorpuzzled]

does anyone fw him . the ringer

[choccy-milky]

guys im getting cloras hairclip commissioned and was just sent pics AND IT LOOKS SO GOOOOOOD!!!! 😭😭😭crying pissing shitting throwing up

I FEEL LIKE THE LEONARDO DICAPRIO POINTING AT THE TV MEME.... LIKE HEY!! THATS THE THING!! ITS REAL!!! ill never actually wear it myself but i love collecting cool and sentimental trinkets AAA (thank you to Joinhas on etsy!!) now i just need to buy these official harry potter plushies and my seb and clora merch will be complete

i wanna buy these and swap their scarves💖🥹 (this is what having dogshit selection of official merch does to a person LMFAO....sometimes u just gotta make your own...😔🙏) (due to request, here's clora's hairclip ref, in case anyone else is thinking about commissioning one!)

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3 Part 5

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.