#confidence 100

[glitchdollmemoria]

actually. that post about how its important to have weird kinky queer friends. i think the same is true of really every type of ostracized person but in particular i wanna point it out wrt mentally ill people.

if you watch a movie villainizing DID or schizophrenia or something, and you think, "hey, this seems sort of like its based on what my friend has and theyre just a chill person, why are they making my friends condition seem threatening?" thats good.

if you see someone use narcissist as a synonym for abuser and you think, "what, no, im friends with someone who has NPD and i know theyre a kind person, this isnt true at all," thats good.

if you hear politicians try to frame addicts as violent criminals who should be locked up and you think "no, my buddy sam is just sick, their withdrawals are really painful and they dont have a good support system, they shouldnt be locked up for that," thats good.

being able to counter ableist rhetoric with "i know from experience thats not how these people are" is a good thing. like yeah obviously dont make friends with mentally ill people just for brownie points but also try to make the conscious effort to be open to friendship with people who have stigmatized mental health issues. and maybe even more importantly, be someone who makes it clear to others that youre safe to be open about these things with, because chances are youre ALREADY friends with mentally ill people even if you dont realize it, because a lot of us with more demonized conditions try to hide those conditions out of fear, and it helps a lot to know our friends are allies - and then we might feel safe discussing our experiences, IF we want to, and in turn that can help you better understand the realities and diversities of our situations and be less susceptible to ableist rhetoric.

[sabertoothwalrus]

so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.

First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!

Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.

But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.

On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.

However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.

But this comes with all of the disadvantages of having more in the kitchen.

The alternative is indie animation.

With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.

The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.

And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.

Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.

And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)

And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.

You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!

Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.

So it’s tricky.

Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.

I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.

[nothingbizzare]

Silly terumob doodles because I am tired

[cairafea]

they're matching costumes.

[nenelonomh]

you have to fall in love with the process. that's literally what life is! learning! growing! you will waste your whole existence if you continue to drag yourself to this non-existent finish line. the only real finish line is the end of life. that's not to say to stop having goals, but to not let them be the be all and end all. you are so much more than that!

[babybinko]

fucking hate this guy I want to make him cry so bad.

[no-oneknowsmyname]

Thank FUCK Etho isn't in Real Life, I don't think I'd be strong enough to have evidence of his physical form like that so soon after Tissue Box Reveal™

[tsumuus]

“realistically i wouldn’t be able to pull anyone in haikyuu”

be so fucking fr bc most of these boys are absolute fucking losers (apart from like oikawa and the miyas who, yk are canonically popular) and have probably never even been close to getting w a girl

like sure some characters like kageyama, kuroo, and tsukki are canonically handsome but they’re still lowkey losers lol

that being said, i am plotting 50000 different ways to make atsumu mine wbu

[i-know-the-endss]

new roman empire: colin and penelope laughing together in the carriage after being as intimate as two people can be because at the end of the day they’re still each others best friend.

[memorys-skyscraper]

hey atlus? what the fuck

[stagefoureddiediaz]

This morning I woke up thinking about how Tommy checked in with Buck after he kissed him. The ‘was this ok’ is just so tender and uncertain. The underlying worry that he might’ve gone too far. It’s just so…

[oysters-aint-for-me]

“a lot of gay people are human” big if true

[girlwithrituals]

HOW TO INCREASE SELF AWARENESS?

1. pay attention to what bothers you about others.

2. pay attention to which negative emotion you dislike and avoid the most.

3. identify unhelpful thoughts and beliefs you have.

4. make time to clarify your values.

5. draw a timeline of your life.

6. send out feedback about yourself.

7. practice mindfulness meditation

[turtleblogatlast]

Thinking about how Leo says he uses his jokes to cope and y’know, thinking harder on it I think it may very well be because of what else uses one-liners and puns and that type of humor.

Specifically, 80’s action movies and campy sci-fi. Even more specifically, the protagonists of these.

So I can imagine why, exactly, Leo leans toward this brand of humor. It’s directly linked to things he loves! But even more than that is why I think it’s used as a coping mechanism.

In these genres, these quips tend to be said by the winner - or, if not a winner, then someone who will stay alive. So there’s a confidence behind them, an assurance, almost, that even if things go wrong, things aren’t ever too serious. There’s no bad endings here! It’s all good fun, even if the stakes seem high.

Leo canonically has been known to steer his brothers away from the more brutal villains and toward more fun, lighthearted activities and not-so-dangerous criminals. So for Leo, these jokes definitely make things less heavy, make the situations they find themselves in less intense.

It’s kinda not just coping, but also can be seen as a form of escapism. A safety blanket. A way for Leo to defuse the tension of knowing just how dangerous their lives are and replace that with a levity which implies that things will be okay.

Unfortunately, levity alone does not alter reality.

[kedreeva]

Okay if you haven't yet, and you have Netflix/Paramount+, consider giving "School Spirits" a chance.

It looks like a silly little cheesy teenage ghosts show, I put it on for background noise, and then got totally engrossed in the mystery. It's VERY well written, very well filmed, the mystery was GREAT and the payoff at the end is also great.

One of the things majorly lacking in shows I've recently tried to watch is that they try to do a twist/reveal at the end that comes out of nowhere. They don't want you to guess what they're doing. This show doesn't do that. This show wants you to guess. They give you seven different mysteries and enough clues to guess (most of) what is going on, so that when you get the final puzzle piece to any given mystery, it feels GREAT.

The story premise is this: a teenager in hs wakes up as a ghost in the hs, and doesn't remember how she died, and with the help of the other ghosts, tries to solve the mystery of her own death.

Simple premise. BEAUTIFULLY executed. Not all of the questions that arise get answered, but the main one (what she doesn't remember) gets solved by the end of the season, leaving the "why/how and what comes next" to be carried to the next season. It does a cliffhanger RIGHT. But now I desperately want to see the second season (which I believe has been approved, so it's a matter of waiting).

So pretty please, if you're looking for something to do and a great, engaging lil mystery to watch, consider! School Spirits!!

[royalarchivist]

Pac: HEY CALM— ...What is this, man? I just asked to give him a hug!

Pac may be dedicated to the slowburn, but Sims Fit and Pac sure aren't.