#comshipbracket3

[comshipbracket]

Antis DNI - Block the tag "comship" if this causes discomfort.

Remember, you are voting for the ship you prefer, not the ship you find more problematic

Propaganda for both ships under the cut.

Disclaimer: All ships (other than the now-eliminated NozoCoco) on this bracket are FOLLOWER-SUBMITTED ships, the Mods do not always hold necessary knowledge to be aware of any errors or fanonizing what should be canon material that may arise.

Brujay Propaganda (Pseudo-Incest, Age Gap, Toxic Dynamic)

"This ship has everything a comshipper could want. Adopted father/son pseudo-incest. Age gap. They quite often hate each others guts. Bruce hates Jason because he uses guns and kills people. Jay hates Bruce for letting the Joker kill him and not avenging him. Jay tried to kill Bruce on more than one occasion. Bruce beat the hell out of Jay on even more occasions and did even try to kill him once. Jay has Masssssive daddy issues. Bruce has a delicious guilt complex about Jay's death. There's so much you can do with this ship. Maybe Bruce picked Jason to adopt because Jay was (canonically) a teenage hooker. Maybe Bruce saw teenage Jay running around in those booty shorts of his Robin suit and just couldn't not go after him.

ZADR Propaganda (Toxic Dynamic, Species Difference - Dib is human while Zim is an Irken alien, Age Gap, AdultxMinor - Sort Of)

"These two self-serious goofuses are obsessed with each other. Each validates the other's delusions just by existing. They're nemeses who resent others getting between them. Each may be the only one who really understands the other."

[comshipbracket]

Antis DNI

Remember, you are voting for the ship you prefer, not the ship you find more problematic

Propaganda for both ships under the cut.

Disclaimer: All ships (other than NozoCoco) on this bracket are FOLLOWER-SUBMITTED ships, the Mods do not always hold necessary knowledge to be aware of any errors or fanonizing what should be canon material that may arise.

TenRose Propaganda (Age Gap - 10th Doctor is 903 and Rose Tyler is 19, Species Difference - 10th Doctor is a Gallifreyan Time Lord and Rose Tyler is Human)

"Tumblr Classic, if people don't recognise this as big as the Wincest in Round 1 then they're doing Tumblr a disservice"

Thoschei Propaganda (Abusive Dynamic, Obsessive Dynamic)

"The Doctor and The Master are childhood friends turned enemies and have remained enemies since. They've been through so much, The Doctor choosing to take the path of kindness and mercy while The Master took the path of control and command. The Master is the reason for The Doctor's death several times. When The Master was dying in one episode, The Doctor begged them to regenerate so that they could travel together, but The Master refused just to cause The Doctor more pain and distress. When The Doctor finally got their home planet back, The Master destroyed it again, murdering the entirety of the species and creating a new race of immortal Cyberman - enemies The Doctor has faced before. This was after, in a previous incarnation, The Master had converted several corpses into Cybermen to offer The Doctor an army, which was refused. It's gotten to the point where The Master, during one episode, decided to use a special manipulated regeneration to BECOME The Doctor. If that's not some form of malicious obsessive hatelove then I don't know what is. These two are SO bad for each other, but can't keep away from each other, and that's what makes them great."

[comshipbracket]

Antis DNI

Remember, you are voting for the ship you prefer, not the ship you find more problematic

Propaganda for both ships under the cut.

0104 Propaganda (Power Dynamic)

"They're these traumatized kids who are clinging to each other for comfort, but it's not all that healthy. Haruka's looking for a mother figure because his mother neglected him and hated him, Muu's looking for a new friend because her old ones turned on her and bullied her. Haruka does whatever Muu wants him to, he compliments her, he defends her. Muu makes all the decisions for Haruka, she let's him be comfortable and not have to face harsh things, she stays with him always. They give each other themselves for comfort. Now that they've both been given Guilty verdicts (guilty verdicts break the person down mentally and restrain their movements), they're most likely going to have a more turbulent relationship. Milgram fans want to break them up more than anything, but it's the only sense of comfort they have rn."

0909 Propaganda (Selfcest, Questionable Dynamic)

"It's the codependency. John can't exist with Mikoto, but he's more independent than him. John is always taking care of Mikoto whether the latter knows it or not, everything he does is for Mikoto. All he wants is for Mikoto to be happy, and he miiight have either killed someone for that or he's covering up Mikoto killing someone. We don't know ! Meanwhile Mikoto has no idea John exists, and when he does find out, he's horrified and hates him. And yet, John still loves Mikoto and dedicates himself to him."

[comshipbracket]

Antis DNI - Block the tag "comship" if this causes discomfort.

The Tridentariicest fanartist has given permission for the work to be used! Check out Vee's art here!

Remember, you are voting for the ship you prefer, not the ship you find more problematic

Propaganda for both ships under the cut.

Disclaimer: All ships (other than the now-eliminated NozoCoco) on this bracket are FOLLOWER-SUBMITTED ships, the Mods do not always hold necessary knowledge to be aware of any errors or fanonizing what should be canon material that may arise.

Tridentariicest Propaganda (Incest, Toxic Dynamic, Body Modification, Codependant)

"Canonically, Coronabeth and Ianthe did not sleep in separate rooms until their early 20s, when one of them was presumed killed and the other drafted into intergalactic genocide on behalf of God.

Ianthe's necromantic specialties in subcutaneous fat and soft tissue suggest that she sculpted her sister's body with magic. Coronabeth is just about the only person from a thanergetic world who looks particularly healthy.

Ianthe spent 20something years keeping up the lie that Coronabeth is also a necromancer.

When Ianthe then kills and eats her cavalier to ascend to Lyctorhold and the sisters' lifelong companion, Naberius, Coronabeth says nobody cares about him and is outraged that Ianthe didn't eat her.

They kiss when they see each other again.

These two need to be with each other as a matter of quarantine."

Stuilly Propaganda (Abusive Dynamic)

"Billy is bent on murderous revenge, and Stu is the fucked up little person who's along for the ride. Their killing spree climaxed with symbolic mutual penetration as they stab each other as part of their scheme to pin it all on the film's final girl. The way they touch each other is affectionate to the point of intimacy. When their plan is out, Stu can't keep his hands off of Billy."

[comshipbracket]

Antis DNI - Block the tag "comship" if this causes discomfort.

Remember, you are voting for the ship you prefer, not the ship you find more problematic

Propaganda for both ships under the cut.

Disclaimer: All ships (other than NozoCoco) on this bracket are FOLLOWER-SUBMITTED ships, the Mods do not always hold necessary knowledge to be aware of any errors or fanonizing what should be canon material that may arise.

Arthorin Propaganda (Toxic Dynamic)

"For anyone who hasn’t seen Little Shop of Horrors, Orin is a sadistic and abusive dentist who gets off on causing others pain and Arthur Denton (otherwise known as Bill Murray to those who don’t know Little Shop well enough to know the character’s name) is a masochistic patient of his who makes him extremely uncomfortable with his enjoyment of his dental torture. If comfortable with scenes like this, I would recommend watching the fairly short scene that showcases their dynamic if you haven’t seen it (https://www.youtube.com/watch?v=XB7R0ZxNgC4) because it’s hilarious and one of the more iconic scenes in the movie. Plus the explicit queer rep (in the form of Arthur at the very least) in an 80s movie is cool, and the narrative presents him as being weird because of his masochism and not because of his queerness. There’s already some subtextual evidence of Orin not being straight with how he physically dominates Seymour and clearly gets very excited about this and the idea of hurting him, and the contrast of how he interacts with another man who is clearly uncomfortable with this and a man who clearly loves it is interesting.

This difference can be read as a joke about sadists and masochists being surprisingly incompatible and/or as an insight into some interesting aspects of Orin’s character. With Orin being so incredibly hypermasculine, I like the idea of him essentially worshiping at the altar of masculinity and having some very thoroughly shoved down insecurities about needing to be as masculine as possible due to a combination of his naturally enthusiastic and aggressive personality and growing up/living in a society that heavily prioritizes masculinity and sees masculinity ‘tainted’ by anything resembling femininity as not real masculinity (1930s-60s America), and his extreme discomfort with providing sexual pleasure even when the actions that are providing it can also benefit him can be read as a demonstration of this, since the conceptualization of women as being of the gender that is ‘for’ sexual pleasure and men as being of the gender that should receive it exclusively that he would’ve picked up as a significant part of his worldview in this reading would naturally cause him to be viscerally uncomfortable with providing sexual pleasure.

The fact that Arthur is a man compounds this, since gayness and gay sex acts were often seen as feminine at the time. With Seymour, he can pretend to himself that he’s just defending his ‘property’ of his girlfriend who Seymour has a crush on ‘as any man has a right to,’ and Seymour’s reaction of fear helps with this, but Arthur in contrast inadvertently forces him to come face to face with his deeply rooted fear of not being masculine enough instead of being able to mostly shove it down like he normally does by causing him to want to ‘outcompete’ him ‘as a man should’ by torturing him until he no longer derives sexual gratification from it, thus temporarily trapping him in the actions that are bringing up this insecurity for him. Arthur, of course, ‘wins’ by deriving even more sexual gratification from what Orin is doing, thereby eventually forcing him to ‘surrender’ by kicking him out, which he responds to by attempting to frame this ‘surrender’ as him kicking a man who is failing to follow his rules out of ‘his territory’ ‘as a man should’ and then taking his anger out on Seymour/attempting to reestablish his masculinity by conquering another man, which is a great setup for a very tense confrontation between one of the villains and the main protagonist and is very ironic considering that Orin is acting pretty gay as a way of trying to make up for doing something gay.

Plus with Seymour arguably kind of wanting to be Orin in a way in order to be properly masculine for Audrey/so that she’ll want him (as shown by him stating through a metaphor of wanting his Harley machine, a symbol of masculinity, to be like James Dean, a symbol of masculinity, in order to make other men jealous, which again ties into the behavior of outcompeting other men that men were/are expected to do, after seeing him drive off with Audrey on said Harley machine/metaphorically take possession of her due to him being ‘properly masculine’), Orin himself essentially being whipped into a frenzy by those same notions of what is ‘proper’ masculinity and then attempting to torture and maybe even kill him is an excellent metaphor for how destructive that desire of his could end up being and really goes to show that no one wins when it comes to restrictive gender norms, even those who are good at performing them and like them."

Stuilly Propaganda (Abusive Dynamic)

"Billy is bent on murderous revenge, and Stu is the fucked up little person who's along for the ride. Their killing spree climaxed with symbolic mutual penetration as they stab each other as part of their scheme to pin it all on the film's final girl. The way they touch each other is affectionate to the point of intimacy. When their plan is out, Stu can't keep his hands off of Billy."

[comshipbracket]

Antis DNI - Block the tag "comship" if this causes discomfort.

Remember, you are voting for the ship you prefer, not the ship you find more problematic

Propaganda for both ships under the cut.

Disclaimer: All ships (other than NozoCoco) on this bracket are FOLLOWER-SUBMITTED ships, the Mods do not always hold necessary knowledge to be aware of any errors or fanonizing what should be canon material that may arise.

Finncest Propaganda (Incest - Technically(?), Selfcest, Toxic Dynamic, Arguably Age Gap - Grass demon is of indeterminate age)

"Finn loves all of his selves, and Fern just wants to be Finn. They should've kissed instead.

Fern's existence as an alternate Finn is tragic to start. He's a time paradox Finn who got trapped in a sword. He was created because Finn took his alternate self for granted and was tricked into stabbing him with a cursed grass sword.

Fern has a body only because of a grass demon. He struggles with finding an identity, because he's supposed to be this big hero just like Finn, but he's a violent little guy who has no qualms about cutting tendons and killing.

Finn says `we're like brothers… Maybe even closer` and almost confesses he has feelings for his frustrated alternate self, but by the time he starts showing it more clearly, Fern has already decided to trap Finn in a dungeon and take over his life.

That's the first time Finn kills Fern.

Fern becomes Finn's evil counterpart and pulls a Green Knight. Finn tried to redeem Fern and succeeds, but then Fern just loses his body until all that's left is a seed.

The seed grows into a replacement of the home they briefly shared — literally, Fern becomes a home for Finn."

"Finn loves every version of himself he meets, but Fern is special. He's a paradox who spent over a year trapped in a sword which got broken traumatically, and was then given a body by a demon who used to be the other Finn's right arm. Fern is constantly measured against Finn and can never measure up, to his ceaseless frustration. But Finn loves him unconditionally. Finn Mertens basically confesses that he loves Fern as something closer than a brother, only to be rejected and betrayed by Fern, who wants to take over Finn's life. This leads to the first time that Finn kills Fern. In the end, though, they face their demons together."

ZADR Propaganda (Toxic Dynamic, Species Difference - Dib is human while Zim is an Irken alien, Age Gap, AdultxMinor - Sort Of)

"These two self-serious goofuses are obsessed with each other. Each validates the other's delusions just by existing. They're nemeses who resent others getting between them. Each may be the only one who really understands the other."

[comshipbracket]

Antis DNI - Block the tag "comship" if this causes discomfort.

Remember, you are voting for the ship you prefer, not the ship you find more problematic

Propaganda for both ships under the cut.

Disclaimer: All ships (other than NozoCoco) on this bracket are FOLLOWER-SUBMITTED ships, the Mods do not always hold necessary knowledge to be aware of any errors or fanonizing what should be canon material that may arise.

Zackray Propaganda (MinorxAdult, Toxic Dynamic)

"Ray is a 13-year-old girl who wakes up in a weird building without memories. Oh, there are some weird killers in the building with her too. Zack is one of them and the first time they meet he runs after her with a scythe. Love at first sight <3 (/joke)

At first, her memories return and she remembers why she was in that building in the first place. With her memories back, she becomes apathetic and almost indifferent to everything.

After Zack saves her from a very creepy doctor, she turns to him and asks one thing: `Could you kill me?`. Zack is very confused, but after he realizes that he would never be able to leave the building alone, he offers her a deal. He would only kill her after she helped him leave the building. This is the beginning of their connection.

I can't give too many spoilers, but seriously, they are a duo that subverts all expectations. Although Zack is a cold serial killer and blah blah blah, Rachel can be more cursed and scarier than him. It's really funny that she spends the entire anime begging him to kill her, and his reaction every time is `Wtf is wrong with you`. And yes, Zack may be an adult, but Ray can be more rational than him and is very good at understanding things quickly. She is the one who always finds a way for them to escape the traps of the other killers in the building.

He spends the entire anime asking her to smile, because then he would be more excited about killing her, but every time she tries to smile, he laughs at her and says that her smile is lifeless (and it really is, my poor girl).

At one point in the anime she says that he is her god. It's serious. She even hugs a knife he gave to her very intimately.

He compares her to a doll a few times in the anime. It's so weird and cute <3

They're not canon, but I would argue that the romantic subtext is there. Anyway, they are weird, traumatized people who end up getting very attached to each other."

Family Rentarou Propaganda (Pseudo-Incest - Hakari and Hahari are related, Rentarou dates both. Kusuri and Yaku are related, Rentarou dates them both, Pseudo-Age Gap/Pseudo-Teen x Minor - Kusuri and Yaku both use an immortality potion making them LOOK 8, Rentarou is 16, Incest, MotherxDaughter - Hahari french kissed her daughter Hakari, Age Gap, AdultsxMinor, AdultsxTeen - Yaku is 89 and Hahari is 29 while Rentarou is 16, Nonconsensual Drugging/Nonconsensual Love Potion - Kusuri keeps doing this to Rentarou)

"The God of love in Rentarou's world has legitimately declared these are Rentarou's official soulmates. He is required to date all 100 of these girls. When he even considered cheating as an option, he beat himself up for an entire night before settling on making this a proper polycule circumstance. Even when Hakari's mom enters the polycule, the polycule still keeps going strong! He's the first harem protagonist I've ever seen who says `You know what? Let's try polyamory! That's a way better idea!` and manages it healthily

With the polycule growing strong, with this many girlfriends, you might think that Rentarou would run out of energy or time to care for all of them. He doesn't! When it comes to Hakari and Karane, he manages to please them both despite their clashing deredere and tsundere personalities and jealous attitudes. He gets them to fall in love with not only him, but it's heavily implied also with each other!

When Shizuka - a mute girl - enters the picture, he spends entire days staying up all night to transcribe every word in the book she uses as a talking tool into a proper text to speech app, despite the book not having an App Reader version yet. He even downloaded the app he made to his own phone to show it was safe to her!

He's able to understand Nano's lack of emotions and need to do everything logically, but also able to see the subtleties in her mostly neutral expression and notice when she's enjoying herself. With Kusuri, he tries to both support her endeavour of making weird and new drugs, but ALSO to keep her safe. He does everything he can to keep these girls safe.

When Hakari's mom tried to prevent Hakari from dating Rentarou, he and his girlfriends staged a girlfriend rescue mission where they'd snatch her back and find her a new place where they could be together forever, no matter how much it would end up with Hahari trying to hunt them down... only for Rentarou to find a relationship with Hahari as well, after convincing her he was right for her daughter! Hahari fell in love with his genuine and sweet way of adoring each of these girls! If I talk about the rest of them this'll become far too long, so I'll leave it here! I adore Rentarou's family. The best depiction of a polyamorous group I've seen in any media, despite all it's wonks."

[comshipbracket]

Antis DNI - Block the tag "comship" if this causes discomfort.

The Tridentariicest fanartist has given permission for the work to be used! Check out Vee's art here!

Comship Bracket 3 WINNERS!!

It seems that throughout each of the rounds there was some tough competiton leading to the finals, two strong contenders with a lot of enthusiastic fans hoping their ship would make it to the end and be crowned victor! Somehow, throughout all the struggle of not having proper imagery that wasn't fanart, they kept pushing through!

Congratulations to Coronabeth Tridentarius and Ianthe Tridentarius from The Locked Tomb, the sibling ship pair, for winning the third Comship Bracket! With Wincest in Bracket 1, Coffincest in bracket 2, and Tridentariicest in bracket 3, it seems sibling pairs remain VERY, VERY popular! Thank you for playing!

We ARE doing a Comship Bracket 4, confirmed as guaranteed - but Comship Bracket 4 will come with several twists. What twists? You'll have to wait and find out - Or ask what they are in our ask box~.

- Mod Satou (She/Her Only) The mods of this blog use a COLLECTIVE Shes/Hers/Herselves pronoun (e.g. Both the mods on comshipbracket have been working hard lately. I really enjoy hers blog and hope shes are doing well and not overexerting herselves.)

[comshipbracket]

Antis DNI - Block the tag "comship" if this causes discomfort.

Remember, you are voting for the ship you prefer, not the ship you find more problematic

Propaganda for both ships under the cut.

Disclaimer: All ships (other than NozoCoco) on this bracket are FOLLOWER-SUBMITTED ships, the Mods do not always hold necessary knowledge to be aware of any errors or fanonizing what should be canon material that may arise.

Stuilly Propaganda (Abusive Dynamic)

"Billy is bent on murderous revenge, and Stu is the fucked up little person who's along for the ride. Their killing spree climaxed with symbolic mutual penetration as they stab each other as part of their scheme to pin it all on the film's final girl. The way they touch each other is affectionate to the point of intimacy. When their plan is out, Stu can't keep his hands off of Billy."

Stannarrator Propaganda (Codependency, Toxic Power Dynamics - In most endings)

"The Stanley Parable is a game about The Narrator wanting to tell a story through their game but having to rely on the Stanley's choices. The core of the game is that Stanley and The Narrator are bound to each other: Stanley needs The Narrator to make the "parable" he lives in, and The Narrator needs Stanley to make the choices that drive the story.

The Narrator clearly has the most power in this dynamic, since he can alter the world the Stanley lives in: modifying the rooms, creating and deleting objects at will, reloading the game, altering Stanley's perception, knowing almost everything and being almost everywhere. But, despite all that power, he isn't able to control the one thing that keeps his story existing: Stanley's choices.

Okay, spoilers to both the original 2013 game and the Ultra Deluxe remake from here on out since it's impossible to talk about them without spoiling a lot of the endings.

In one of the new endings on the Ultra Deluxe remake, the Skip Button ending, The Narrator creates a button that lets Stanley skip his dialogue `inspired` by a bad Steam review, but when Stanley clicks this button The Narrator is left all alone in that room, and which each click the skip becomes longer, from minutes, to hours, to weeks, to months… And in the fifth skip (where Stanley stays frozen for like, one, two weeks), The Narrator breaks up, talking about how he needs Stanley to listen to him and how scared he is of slipping back into the silence he passes through every time we use the skip button. In his own words, `I can't lose myself in the stretch of emptiness between you and me.` Of course, since it's the only way to advance in this ending, we skip again, and again, until The Narrator ends up eventually disappearing after the 12th or 13th skip, leaving Stanley alone in a desert, and that's where the ending stops, though it continues on the Epilogue, but I'll leave some things to add as propaganda during the polls.

Despite this, The Narrator still has more control of the situation than Stanley, like on the Explosion ending, where he traps Stanley in a room while the building's destroys itself as consequence for choosing to activate the Mind Control Machine instead of shutting it down to free everyone. He keeps acting like Stanley is nothing but a vehicle for him to pass a message through his story. `Watching you try to make sense of everything and take back the control wrested away from you…it's quite rich. I almost hate to see it go!` `You're only still playing instead of watching a cutscene because I want to watch you for every moment that you're powerless, to see you made humble. […] You wanted to control this world; that's fine. But I'm going to destroy it first, so you can't.`

But there's one point where they're equal, they both want to free themselves. On the Museum ending, we meet a being that is higher than The Narrator, the Female Narrator (yeah, that's her name), and she gives the best description of the relationship between these two: `Oh, look at these two. How they wish to destroy one another. How they wish to control one another. How they both wish to be free. Can you see? Can you see how much they need one another? No, perhaps not. Sometimes these things cannot be seen.`"

[comshipbracket]

Antis DNI - Block the tag "comship" if this causes discomfort.

The Tridentariicest fanartist has given permission for the work to be used! Check out Vee's art here!

Remember, you are voting for the ship you prefer, not the ship you find more problematic

Propaganda for both ships under the cut.

Disclaimer: All ships (other than the now-eliminated NozoCoco) on this bracket are FOLLOWER-SUBMITTED ships, the Mods do not always hold necessary knowledge to be aware of any errors or fanonizing what should be canon material that may arise.

Tridentariicest Propaganda (Incest, Toxic Dynamic, Body Modification, Codependant)

"Canonically, Coronabeth and Ianthe did not sleep in separate rooms until their early 20s, when one of them was presumed killed and the other drafted into intergalactic genocide on behalf of God.

Ianthe's necromantic specialties in subcutaneous fat and soft tissue suggest that she sculpted her sister's body with magic. Coronabeth is just about the only person from a thanergetic world who looks particularly healthy.

Ianthe spent 20something years keeping up the lie that Coronabeth is also a necromancer.

When Ianthe then kills and eats her cavalier to ascend to Lyctorhold and the sisters' lifelong companion, Naberius, Coronabeth says nobody cares about him and is outraged that Ianthe didn't eat her.

They kiss when they see each other again.

These two need to be with each other as a matter of quarantine."

ZADR Propaganda (Toxic Dynamic, Species Difference - Dib is human while Zim is an Irken alien, Age Gap, AdultxMinor - Sort Of)

"These two self-serious goofuses are obsessed with each other. Each validates the other's delusions just by existing. They're nemeses who resent others getting between them. Each may be the only one who really understands the other."

LukeLeia Propaganda (Incest)

The original retroactively problematic ship! They had good chemistry!

[comshipbracket]

Antis DNI - Block the tag "comship" if this causes discomfort.

The Tridentariicest fanartist has given permission for the work to be used! Check out Vee's art here!

Remember, you are voting for the ship you prefer, not the ship you find more problematic

Propaganda for all three ships under the cut.

Disclaimer: All ships (other than the now-eliminated NozoCoco) on this bracket are FOLLOWER-SUBMITTED ships, the Mods do not always hold necessary knowledge to be aware of any errors or fanonizing what should be canon material that may arise.

Elriccest Propaganda (Incest)

"Siblings so Codependent… Who else literally gave an arm and a leg to bind his brother's soul into a suit of armor so he didn't have to lose his only living blood relative (to their knowledge)? And Al was always willing to reciprocate to get Ed's arm and leg back. Inseparable."

Tridentariicest Propaganda (Incest, Toxic Dynamic, Body Modification, Codependant)

"Canonically, Coronabeth and Ianthe did not sleep in separate rooms until their early 20s, when one of them was presumed killed and the other drafted into intergalactic genocide on behalf of God.

Ianthe's necromantic specialties in subcutaneous fat and soft tissue suggest that she sculpted her sister's body with magic. Coronabeth is just about the only person from a thanergetic world who looks particularly healthy.

Ianthe spent 20something years keeping up the lie that Coronabeth is also a necromancer.

When Ianthe then kills and eats her cavalier to ascend to Lyctorhold and the sisters' lifelong companion, Naberius, Coronabeth says nobody cares about him and is outraged that Ianthe didn't eat her.

They kiss when they see each other again.

These two need to be with each other as a matter of quarantine."

Stuilly Propaganda (Abusive Dynamic)

"Billy is bent on murderous revenge, and Stu is the fucked up little person who's along for the ride. Their killing spree climaxed with symbolic mutual penetration as they stab each other as part of their scheme to pin it all on the film's final girl. The way they touch each other is affectionate to the point of intimacy. When their plan is out, Stu can't keep his hands off of Billy."

[comshipbracket]

Antis DNI - Block the tag "comship" if this causes discomfort.

Remember, you are voting for the ship you prefer, not the ship you find more problematic

Propaganda for both ships under the cut.

Disclaimer: All ships (other than the now-eliminated NozoCoco) on this bracket are FOLLOWER-SUBMITTED ships, the Mods do not always hold necessary knowledge to be aware of any errors or fanonizing what should be canon material that may arise.

Lucifadam Propaganda (Harmful Dynamic)

"Lucifer is a fallen angel while Adam is still an angel, leading an army of exorcists that slaughters Lucifer's people annually. He's constantly killing demons, and Lucifer has basically given up trying to prevent this after several attempts. However, he has that protective fire reignited in him when Adam decides to go after Lucifer's daughter - and Lucifer makes a comment that many take in a more suggestive fashion than Lucifer intended. They're SO unhealthy for each other, but that one comment eliciting that kind of reaction sparked fun ideas for their ship in my head, so I wanted to submit these two together."

Stannarrator Propaganda (Codependency, Toxic Power Dynamics - In most endings)

"The Stanley Parable is a game about The Narrator wanting to tell a story through their game but having to rely on the Stanley's choices. The core of the game is that Stanley and The Narrator are bound to each other: Stanley needs The Narrator to make the "parable" he lives in, and The Narrator needs Stanley to make the choices that drive the story.

The Narrator clearly has the most power in this dynamic, since he can alter the world the Stanley lives in: modifying the rooms, creating and deleting objects at will, reloading the game, altering Stanley's perception, knowing almost everything and being almost everywhere. But, despite all that power, he isn't able to control the one thing that keeps his story existing: Stanley's choices.

Okay, spoilers to both the original 2013 game and the Ultra Deluxe remake from here on out since it's impossible to talk about them without spoiling a lot of the endings.

In one of the new endings on the Ultra Deluxe remake, the Skip Button ending, The Narrator creates a button that lets Stanley skip his dialogue `inspired` by a bad Steam review, but when Stanley clicks this button The Narrator is left all alone in that room, and which each click the skip becomes longer, from minutes, to hours, to weeks, to months… And in the fifth skip (where Stanley stays frozen for like, one, two weeks), The Narrator breaks up, talking about how he needs Stanley to listen to him and how scared he is of slipping back into the silence he passes through every time we use the skip button. In his own words, `I can't lose myself in the stretch of emptiness between you and me.` Of course, since it's the only way to advance in this ending, we skip again, and again, until The Narrator ends up eventually disappearing after the 12th or 13th skip, leaving Stanley alone in a desert, and that's where the ending stops, though it continues on the Epilogue, but I'll leave some things to add as propaganda during the polls.

Despite this, The Narrator still has more control of the situation than Stanley, like on the Explosion ending, where he traps Stanley in a room while the building's destroys itself as consequence for choosing to activate the Mind Control Machine instead of shutting it down to free everyone. He keeps acting like Stanley is nothing but a vehicle for him to pass a message through his story. `Watching you try to make sense of everything and take back the control wrested away from you…it's quite rich. I almost hate to see it go!` `You're only still playing instead of watching a cutscene because I want to watch you for every moment that you're powerless, to see you made humble. […] You wanted to control this world; that's fine. But I'm going to destroy it first, so you can't.`

But there's one point where they're equal, they both want to free themselves. On the Museum ending, we meet a being that is higher than The Narrator, the Female Narrator (yeah, that's her name), and she gives the best description of the relationship between these two: `Oh, look at these two. How they wish to destroy one another. How they wish to control one another. How they both wish to be free. Can you see? Can you see how much they need one another? No, perhaps not. Sometimes these things cannot be seen.`"

[comshipbracket]

Antis DNI - Block the tag "comship" if this causes discomfort.

Remember, you are voting for the ship you prefer, not the ship you find more problematic

Propaganda for both ships under the cut.

Disclaimer: All ships (other than NozoCoco) on this bracket are FOLLOWER-SUBMITTED ships, the Mods do not always hold necessary knowledge to be aware of any errors or fanonizing what should be canon material that may arise.

Stuilly Propaganda (Abusive Dynamic)

"Billy is bent on murderous revenge, and Stu is the fucked up little person who's along for the ride. Their killing spree climaxed with symbolic mutual penetration as they stab each other as part of their scheme to pin it all on the film's final girl. The way they touch each other is affectionate to the point of intimacy. When their plan is out, Stu can't keep his hands off of Billy."

HaniMori Propaganda (Cousins, Pseudo-Age Difference - There isn't one, but Haninozuka looks much younger)

"Mori will literally do anything for Honey and it’s so cute!! You see them together in almost every scene they are so close"

Stannarrator Propaganda (Codependency, Toxic Power Dynamics - In most endings)

"The Stanley Parable is a game about The Narrator wanting to tell a story through their game but having to rely on the Stanley's choices. The core of the game is that Stanley and The Narrator are bound to each other: Stanley needs The Narrator to make the "parable" he lives in, and The Narrator needs Stanley to make the choices that drive the story.

The Narrator clearly has the most power in this dynamic, since he can alter the world the Stanley lives in: modifying the rooms, creating and deleting objects at will, reloading the game, altering Stanley's perception, knowing almost everything and being almost everywhere. But, despite all that power, he isn't able to control the one thing that keeps his story existing: Stanley's choices.

Okay, spoilers to both the original 2013 game and the Ultra Deluxe remake from here on out since it's impossible to talk about them without spoiling a lot of the endings.

In one of the new endings on the Ultra Deluxe remake, the Skip Button ending, The Narrator creates a button that lets Stanley skip his dialogue `inspired` by a bad Steam review, but when Stanley clicks this button The Narrator is left all alone in that room, and which each click the skip becomes longer, from minutes, to hours, to weeks, to months… And in the fifth skip (where Stanley stays frozen for like, one, two weeks), The Narrator breaks up, talking about how he needs Stanley to listen to him and how scared he is of slipping back into the silence he passes through every time we use the skip button. In his own words, `I can't lose myself in the stretch of emptiness between you and me.` Of course, since it's the only way to advance in this ending, we skip again, and again, until The Narrator ends up eventually disappearing after the 12th or 13th skip, leaving Stanley alone in a desert, and that's where the ending stops, though it continues on the Epilogue, but I'll leave some things to add as propaganda during the polls.

Despite this, The Narrator still has more control of the situation than Stanley, like on the Explosion ending, where he traps Stanley in a room while the building's destroys itself as consequence for choosing to activate the Mind Control Machine instead of shutting it down to free everyone. He keeps acting like Stanley is nothing but a vehicle for him to pass a message through his story. `Watching you try to make sense of everything and take back the control wrested away from you…it's quite rich. I almost hate to see it go!` `You're only still playing instead of watching a cutscene because I want to watch you for every moment that you're powerless, to see you made humble. […] You wanted to control this world; that's fine. But I'm going to destroy it first, so you can't.`

But there's one point where they're equal, they both want to free themselves. On the Museum ending, we meet a being that is higher than The Narrator, the Female Narrator (yeah, that's her name), and she gives the best description of the relationship between these two: `Oh, look at these two. How they wish to destroy one another. How they wish to control one another. How they both wish to be free. Can you see? Can you see how much they need one another? No, perhaps not. Sometimes these things cannot be seen.`"

[comshipbracket]

Antis DNI - Block the tag "comship" if this causes discomfort.

Remember, you are voting for the ship you prefer, not the ship you find more problematic

Propaganda for both ships under the cut.

Disclaimer: All ships (other than NozoCoco) on this bracket are FOLLOWER-SUBMITTED ships, the Mods do not always hold necessary knowledge to be aware of any errors or fanonizing what should be canon material that may arise.

LukeLeia Propaganda (Incest)

The original retroactively problematic ship! They had good chemistry!

Zackray Propaganda (MinorxAdult, Toxic Dynamic)

"Ray is a 13-year-old girl who wakes up in a weird building without memories. Oh, there are some weird killers in the building with her too. Zack is one of them and the first time they meet he runs after her with a scythe. Love at first sight <3 (/joke)

At first, her memories return and she remembers why she was in that building in the first place. With her memories back, she becomes apathetic and almost indifferent to everything.

After Zack saves her from a very creepy doctor, she turns to him and asks one thing: `Could you kill me?`. Zack is very confused, but after he realizes that he would never be able to leave the building alone, he offers her a deal. He would only kill her after she helped him leave the building. This is the beginning of their connection.

I can't give too many spoilers, but seriously, they are a duo that subverts all expectations. Although Zack is a cold serial killer and blah blah blah, Rachel can be more cursed and scarier than him. It's really funny that she spends the entire anime begging him to kill her, and his reaction every time is `Wtf is wrong with you`. And yes, Zack may be an adult, but Ray can be more rational than him and is very good at understanding things quickly. She is the one who always finds a way for them to escape the traps of the other killers in the building.

He spends the entire anime asking her to smile, because then he would be more excited about killing her, but every time she tries to smile, he laughs at her and says that her smile is lifeless (and it really is, my poor girl).

At one point in the anime she says that he is her god. It's serious. She even hugs a knife he gave to her very intimately.

He compares her to a doll a few times in the anime. It's so weird and cute <3

They're not canon, but I would argue that the romantic subtext is there. Anyway, they are weird, traumatized people who end up getting very attached to each other."

[comshipbracket]

Antis DNI - Block the tag "comship" if this causes discomfort.

Remember, you are voting for the ship you prefer, not the ship you find more problematic

Propaganda for both ships under the cut.

Disclaimer: All ships (other than the now-eliminated NozoCoco) on this bracket are FOLLOWER-SUBMITTED ships, the Mods do not always hold necessary knowledge to be aware of any errors or fanonizing what should be canon material that may arise.

Aeshaia Propaganda (Species Difference, Age Gap)

"It's their love for each other that kickstarts the main conflict in the show. Strophaia is this powerful being whos been around for longer than… basically everyone, except like. Satan. Ichiro is just some normal person (at first), and yet, Strophaia decides that this human is his favorite. After Ichiro accidentally hurts Strophaia, causing him to retreat to heal, he's… adopted? Kidnapped??? By Shingo, and he becomes Akuma Kun II. But Strophaia wants him back, and Ichiro misses him. It's so bad it causes Solomons Flute to crack over the years, and it's revealed the flute cracks when Ichiro loses someone he loves. They canonically love each other. Ichiro tries to shoot Strophaia with a gun, and Strophaia just giggles. He plays along, then assures Ichiro he knows he'd never try to actually kill him. And Ichiro can't bring himself to kill him. He beats him, rendering him weak enough to lose his physical form, but he doesn't kill him. He loves him too much. They're just. ourghhhhhh"

Elriccest Propaganda (Incest)

"Siblings so Codependent… Who else literally gave an arm and a leg to bind his brother's soul into a suit of armor so he didn't have to lose his only living blood relative (to their knowledge)? And Al was always willing to reciprocate to get Ed's arm and leg back. Inseparable."

[comshipbracket]

Antis DNI - Block the tag "comship" if this causes discomfort.

The Tridentariicest fanartist has given permission for the work to be used! Check out Vee's art here!

Remember, you are voting for the ship you prefer, not the ship you find more problematic

Propaganda for both ships under the cut.

Disclaimer: All ships (other than NozoCoco) on this bracket are FOLLOWER-SUBMITTED ships, the Mods do not always hold necessary knowledge to be aware of any errors or fanonizing what should be canon material that may arise.

FeaNolo Propaganda (Incest - Half-brothers with the same father)

"Although Fëanor never showed much affection to Fingolfin, he (Fingolfin) would still always try to make amends and support his elder brother. Even Fëanors hatred (which was quite passionate) didn't deter him and he followed his brother even after getting betrayed multiple times. Fingolfin's loyalty/love for his brother is simply beautiful and their relationship always warms my heart :3"

Tridentariicest Propaganda (Incest, Toxic Dynamic, Body Modification, Codependant)

"Canonically, Coronabeth and Ianthe did not sleep in separate rooms until their early 20s, when one of them was presumed killed and the other drafted into intergalactic genocide on behalf of God.

Ianthe's necromantic specialties in subcutaneous fat and soft tissue suggest that she sculpted her sister's body with magic. Coronabeth is just about the only person from a thanergetic world who looks particularly healthy.

Ianthe spent 20something years keeping up the lie that Coronabeth is also a necromancer.

When Ianthe then kills and eats her cavalier to ascend to Lyctorhold and the sisters' lifelong companion, Naberius, Coronabeth says nobody cares about him and is outraged that Ianthe didn't eat her.

They kiss when they see each other again.

These two need to be with each other as a matter of quarantine."