#compass pose

[beautyqueenproblems]

Tumblr saw it first 👀

[chiropteracupola]

HELL YEAHHHHHHHHHHH

[the-white-snake]

no moral compass ✧

You are cold, analytical, and you strive to be as objective as a person of flesh and blood can be. Either you don't understand the concepts of good and evil, or you understand it perfectly and think it's a load of bull. Some may call you selfish, some may call you unfeeling, but you're just doing what you believe will yield the best results, plain and simple. Why bother with petty ideals of right or wrong when you can do what will actively help those you give a fuck about? Your goals may be selfish or noble or anything in between, but you will not let anyone make you feel like garbage for going after them. You couldn't care less about what people brand you as. You just care about getting shit done by any means necessary.

Thanks for tagging me, @archaiclumina! I can't think of a more appropriate questionnaire for my beloved Lia.

Tagging @claire-ashe, @captain-styr, @oneiroy, @verysmallcyborg, and @fia-etoinette. I'll spam more on my main, because Yein got tagged too. ⸜♡⸝‍

What type of villain are you? Here's the quiz.

[tinypaperstar]

@junebluues' Sai!

the image in the back is supposed to be an origami whale, which symbolises solitude!

[getpowdered]

Boggling how some audience members are spooked by Caitlyn's turn of character this season but I just wanna bring a kind reminder that this is the same person who went no badge, false councilor signature to a max security prison to interrogate (and later release) an inmate, because she thought, in her opinion that she was doing the right thing (which happens to be an emotional drive to her moral compass that MUCH overshadows her logistic drive in matters of law).

It's really not surprising that an emotional peeve and a newborn vendetta would throw her so starkly off track because literally so did shift her positive outlook for Zaun in S1. Literally, she was inclined via emotion by seeing things from empathy for Vi and just a bit later Ekko. Ofc it was easy bc her grievances weren't so devastatingly personal, and because the oppressed class had not retaliated to their oppressor group in a way that wounded her person to such a scale as this season. On the average tuesday Caitlyn doesn't "hate" the people of Zaun, which yes, means that she's not exactly the undercover asshole all along™ but that she's channelling the weapons of the oppressive class because it benefits her own motives after she trips a bit. Her reason, while isn't political, the social class that she's a part of makes it so, plus that she utilizes the weapons of her social class to enact justice of her personal situation(the opressive power doesn't care if you oppress bc of doctrine or because of an emotional blister, it cares that you do and that you use the weapons they give you). She's not for starters an oppressive asshole, it's just that while her prejudices have been built in her youth and since then marinating, despite them she held a childlike and fragile notion of a progressive attitude that stood there so long as she didn't click. Her tolerance is shallow. It's a paper thin shield.

Again, emotionally, she's as level as is a leaf in the wind added with the power of her station which is an ecochamber for her volatility, and despite the militarized force that she's a part of, she's not a morally reliable officer (as a Caitlyn enjoyer, I would not give this person a badge). Yes, Vi was right to compare her to Jinx in episode 3, because Caitlyn was a loose cannon all along.

[karimelthefloof]

A quick drawing I did of my OC Sophia and Stuffy!!

I loved experimenting in this one since I dont often do poses like this and I actually tried to put detail into the shoes adhsbavyduvsa

Sophia is a character from middle school, apart of a roleplay I did with some old friends! In the original RP she got adopted by a personification of a store (inspired by the Ikea SCP) named Spaghetti Alfredo and a Demon in hiding (I forgot her name sadly) alongside a Spider god of Friendship (My OC Neorik!! I need to redesign him ^w^) Stuffy is a 100% normal stuffed animal, trust. Ignore the glowing eyes and the fact it moves around on its own-

I loved the chaos of the old RP so I'm debating taking it and editting it so I'm not using the original content (which I lost anyways) because the friend group kinda faded away during highschool sadly. (ALSO I LOVED THEM ALL SO MUCH AND DONT WANNA LOSE THEM TwT)

Anyways SPOOKY MONTH (Insert Spooky Month Dance) I always think of her during October because A lot of music that I have for her is kinda halloween-y and october-y so I'll probably draw her a couple more times this month :D

[izzyspussy]

why are they laughing at him as he gets straight up killed??? he doesn't deserve this! he's a sweet kid at heart! he literally just needs one (1) real friend!!

[landfilloftrash]

shoutout to my girl eno’s nightmare bc. Hi! What and/or Who the fuck was that ! its gonna haunt her and i for awhile !

[weekend-whip]

I was much more ambitious than last year, haha. I actually had some trouble choosing pieces to showcase!

...hence why I did a second, character-themed one too, so I could include everything I wanted to! They’re all still from 2022, but they just match up to the characters’ Legacyverse birthdays instead cuz I thought it’d be fun (with the exception of Nya who’s crashing Kai’s month)~ 

See the full pieces in my Art Tag!  And the Original Templates are here!

[darabeatha]

@soverina​ interacted with x ; for the funsies of course! 💐  /  𝐕𝐀𝐋𝐄𝐍𝐓𝐈𝐍𝐄𝐒’ 𝐃𝐀𝐘

   ❝ Surpriseeee ~♥ Ah, yes; I’ve subtmitted my name specifically in this little box. The reason? it’s a special day, of course― .. huh? Don't tell me you thought I forgot? ❞  

Honorable mentions! 

[angstandhappiness]

DUDE

catalysts, protectors

[decaffeinatedpartymuggoop]

The mischaracterization of people from PJO is so funny, but ESPECIALLY from HOO onward like.

“Hazel’s such an innocent little angel. She’s always nice and kind and confused.”

Hazel, who’s always ready to fight in the same way Percy is? Hazel, who made it explicitly clear she probably would’ve rocked Octavian’s shit had he not been blackmailing her? Who gets so angry on behalf of the people she loves, to the point where she doesn’t forgive those who have wronged them? Who Percy described as cursing up a storm in one of their first interactions? Who’s been shown time and time again to be FAST to anger? That Hazel?

Or Nico, who’s “a misunderstood emo. A small bean. Cute like a wet cat and innocent like a bunny.”

Nico, who’s cannonically described by most characters as “scary and unnerving?” Nico, who, for a long time, is one of the angriest characters in the series? Who’s only sassy and sarcastic because it took him FOUR YEARS to mellow out? Who’s described as being one of the most powerful demigods, who a lot of people still consider the scariest? Who’s come into his own as a character from TTC to TSATS? That Nico?

Or Annabeth who’s, “cold and calculating. Doesn’t show emotion or express herself”

Annabeth, who’s the most expressive person in the series? Who cries in EVERY book in the OG series? Whether it be for Luke, or Thalia, or Percy, or Chiron, or a literal DOG? Who expresses passion like no other when it comes to architecture and her other interests? Who’s expressed compassion for people she didn’t know? People who at times posed a threat to her? Who isn’t afraid to be angry, or happy, or snide, or rude, or excited, or scared, or ecstatic? Who’s been unapologetically herself since the moment the series started? That’s who doesn’t show emotion? That’s Annabeth?

[daydreamer-in-reverie]

Started rereading the Hunger Games series and I feel like it’s so overlooked how in 74th and 75th Hunger Games, we don’t know every Tribute’s names, with Katniss only referring to them by their District numbers but in TBOSAS, we knew every single Tribute by name. We associated them with the clothes they wore on the Reaping Day and Suzanne even goes so far as to describe how they looked, however briefly. We see these Tributes and we’re familiarized with them by the little tidbits provided to the mentors and to Snow and Lucy Gray. But we never get this in the original trilogy.

In two generations, President Snow alienated the Districts from each other so much that Katniss didn’t even care to know all the names of the Tributes sent into the Arena with her, with the exception being those who posed great risk against her safety and those she felt great compassion for (e.g. Cato, Thresh, Rue, Mags, Betee, Wiress etc.). Katniss even went so far as to call the D6 Tributes in the 75th Hunger Games morphlings, for their affinity to imbibe in the drugs that help them forget their own traumas (an incredibly hurtful description, in my own opinion, to be known by the qualities you hate the most about yourself). We never know the real name of the 74th D5 girl, with Katniss only referring to her as Foxface and we don’t even know Marvel’s name until we get to the second book and he was Katniss’ first personal kill. Katniss even kills the D4 girl in the books with the same tracker jacker venom that killed Glimmer and yet still, we don’t know her name. We are so removed from the identity of the other Tributes that we don’t even know what some of them looked like beyond brief descriptions of mangled bodies and dead Tributes in the bloodbath at the Cornucopia.

And, the thing is, Suzanne established the importance of names in the series. Even in real life, we recognize the importance of being named. It is a fundamental aspect of being human. If you’re ever in a perilous situation where a person might be placing your life in danger, we’re told to remind the person that you’re human. “Keep saying your name, how old you are, where you came from. Remind them you are a human being just like them.” Before any propaganda can work against a group of people, refusing to recognize a person’s name is the first step to dehumanization. And just like the people of the Districts, we don’t care enough about the other Tributes to even want to know their names. Their propaganda worked on us, the readers.

In two generations, President Snow completely wiped out any sense of familiarity and camaraderie the Districts may have shared with the other. In two generations, Snow sowed the seeds of distrust and division into the Districts so deeply that even we, the readers, were affected by the effects of Capitol propaganda. In two generations, the Districts ceased to genuinely care about the others beyond the vague sense of injustice they feel for their shared plight. It’s why Career Districts don’t seem to care about killing the other Tributes. How can you care, to show your compassion and humanity, when you can barely see them as people? Yes, they may have been in the Arena with you. Yes, they may have been starved and beaten and forced into labor like you were. Yes, they might be children just like you. Yes, they might be subjected to the same deplorable system that turned you into virtual slaves. But they are not your friends. They are not your allies. They are strange, with different customs and traditions that you have. You do not share the same values. They do not care about you. At the first chance they get, they will kill you with your bare hands and they will do it with alacrity if it meant their survival. There can only be one Victor and it can’t be them. It has to be you.

[queenofwands89]

The Storm Within Tyler Owens x fem!reader

Summary: What dramatic turn of events unfolds when Y/N storms off after an argument with Tyler, only to face the fury of a tornado that strikes their town and leaves Y/N injured?

Warnings: Tornado (duh lol), angst, arguing, mention of injuries, description of injuries, sad.

Notes: I wrote this because I am a whore for Tyler, and I love angst and pain. Enjoy byeeee

You feel the tension build in the air long before Tyler raises his voice. It's the kind of unease that clings to the back of your mind, an ineffable sense that something is about to go terribly wrong. You stand in the spacious, cluttered garage that serves as the command center for Tyler's storm-chasing crew. The storm models flashing on the multiple screens show bleak promises of another monstrous storm front moving across Oklahoma.

It starts as a simple disagreement. Tyler is passionate—almost recklessly so—about chasing a particular storm cell that evening. You object, voicing your concerns about the jeopardy it poses not only to Tyler but also to the entire crew.

"You never listen, Tyler!" Your voice quavers, your frustration edging too close to the surface. Your heart hammers in your chest. "You treat this like it's some adventure, but it’s dangerous!"

Tyler rakes his fingers through his hair, his expression a mix of determination and exasperation. "It's because it is dangerous," he shoots back. "But we do this because it saves lives, Y/N. If we can predict these storms better, we can give people the time they need to get to safety."

"And what about us? What about the people who love you? Are we just collateral damage in your crusade?"

Boone, who has been editing footage on his laptop nearby, looks up, his usually cheerful face clouded with concern. Lilly and Dexter exchange worried glances, while Dani silently tinkers with a drone, her stoic demeanor betrayed by the slightest furrow of her brow.

"I can’t sit by and do nothing while you risk everything, Tyler!" Your eyes well up with tears that you fiercely try to blink away. "One day, you might not come back."

Tyler sighs heavily. He takes a step towards you, but you instinctively recoil, the hurt in your eyes deepening the chasm between you. "Y/N, you know I love you, but this—this is what I do. It’s who I am."

"Well, I can't do this right now," you say, your voice cracking. "I need to clear my head."

Without another word, you grab your coat and storm out of the garage, slamming the door behind you. The echo of the slam lingers, punctuating the silence that envelops the room.

Tyler turns back to his crew, realizing that the argument has sapped the collective energy and morale. Boone breaks the silence with his usual attempt at lightening the mood.

"She'll cool off, man. Just give her some time," he offers, though his eyes betray the uncertainty he feels.

Lilly nods, her calm demeanor trying to instill a sense of reassurance. "Tyler, she just needs space. She loves you; that much is clear. Just let her process this."

Dexter, wiser and ever the emotional compass, adds softly, "Sometimes the best way to show love is to step back and let them come to terms with their fears on their own."

Tyler nods, although doubt gnaws at him. There is a sort of irony in chasing something as unpredictable as a tornado and yet being completely at a loss when it comes to matters of the heart.

You storm off down the gravel road, away from the storm-chasing headquarters. The expanses of Oklahoma stretch around you, vast and indifferent. You walk quickly, your thoughts a tumultuous whirl that rivals the storm brewing on the horizon.

Before long, a low rumble of thunder echoes in the distance. Your instincts tell you to seek shelter, but you are too consumed by your emotions to heed the warnings. Your phone buzzes, probably Jake checking in with you, but you ignore it.

As minutes turn to an hour, the sky darkens ominously, the oppressive weight of the storm hanging palpably in the air. You look up just as the first sharp gust of wind howls past you, sending a chill down your spine.

Your phone rings again. This time, you pick it up. It is Tyler.

"Y/N, you need to get back here. Now! There's an strom projected to hit our area. It's not safe out there!"

Before you can respond, the roar of the wind drowns out his voice. In the distance, a wall of debris begins to rise—terrifying in its beauty and formidable in its power. You feel a jolt of fear as you realize the windstorm is bearing down on you.

Panic-stricken, you try to find cover, but there is nowhere to go. The winds intensify, whipping your hair across your face and pulling at your clothes. In a desperate attempt to hold onto something, anything, you grab onto a nearby fence post as the monstrous tornado descends upon the town.

Back at the garage, the team is glued to their screens, tracking the terrifying path of the cyclone. Tyler's eyes are wide with dread, his breaths coming in ragged gasps.

"We need to go find her!" he shouts, his voice breaking with worry as he lunges toward the door.

Dexter and Boone spring into action, their grips tight on his arms, holding him back with all their strength. "Tyler, we will find her," Dexter insists, his voice steady yet intense. "But rushing headfirst into this will only get us all killed. We need a plan."

Tyler struggles against their hold, desperation etched into every line of his face. "You don't understand! She’s out there, and every second counts!"

Lilly's eyes mirror his fear but she nods in agreement with Dexter. "He's right, Tyler. We have to be smart about this."

Dani is already at the armored storm-chasing vehicle, her fingers flying over the controls as she starts the engine. "Let's go," she commands, her voice a beacon of resolve amidst the chaos.

The ride out is like plunging into a nightmare. The town around them is unrecognizable—a hellscape of uprooted trees, shattered windows, and debris swirling in the violent wind. The roar of the storm is deafening, a monstrous wall of sound that seems intent on swallowing them whole.

Every turn is fraught with danger, every street a potential deathtrap. The armored vehicle groans under the force of the gale, but it presses onward, cutting a determined path through the destruction.

Tyler's eyes scan the devastation, his heart pounding, every fiber of his being focused on one thing: finding you. The storm's fury lashes at them, but their resolve is unbreakable. They are driven by a singular, desperate hope—to bring you back alive.

As the harrowing storm begins to relent, the world around you is a landscape of devastation. The monstrous tornado has passed, leaving behind a chaotic aftermath. The team ventures deeper into the wreckage, eyes scanning anxiously for any sign of you.

Then they see you. Crumpled on the ground, clutching a fence post as though it’s the only thing tethering you to life, you lie unconscious, battered by the storm’s fury. Debris is scattered all around, a haunting testament to the storm's wrath. Tyler's heart wrenches at the sight.

Without a second thought, he leaps out of the vehicle, ignoring the stinging wind and flying debris that tug at his clothes and batter his body. "No, no, no," he mutters under his breath, sprinting towards you with a singular focus.

"Y/N!" he cries out, his voice breaking as he nears you. The sound barely cuts through the howl of the wind. He kneels beside you, wrapping his arms around your frail form, shielding you from the remnants of the storm. "Please, Y/N. Wake up."

Boone, sitting in the driver’s seat, immediately jumps out of the vehicle as well. He turns to Lilly and Dexter, his expression serious and determined. "Lilly, grab the emergency blankets. Dexter, I need you to help get Y/N into the truck, now!"

Boone rushes over to Tyler, his mouth set in a grim line. "Tyler, move aside. We need to get her stabilized." He swiftly yet carefully checks your pulse and breathing. "She's still with us. We have to move quickly."

“Be careful!” Tyler shouts over the wind to the crew, his voice tinged with panic. “She’s hurt!”

They work with meticulous care, gently extricating you from the wreckage. Tyler's hands shake as he helps lift you, his mind a whirlwind of desperate prayers and fear.

Dani, standing nearby, fights back tears, her voice breaking as she says, "Hang in there, Y/N. We’re not losing you."

They rush you back to the relative safety of the vehicle, urgency in every step. The vehicle starts moving, navigating through the storm’s terrible wake with a singular mission: to get you to medical attention.

Tyler sits beside you, cradling your hand in his, his eyes never leaving your face. “Hang in there, Y/N,” he whispers, as though sheer willpower could keep you tethered to life. “We’re almost there. You’re going to be okay. I promise.”

The crew speeds through the chaotic aftermath, dodging fallen branches and uprooted signs. Dexter keeps a vigilant eye on the road, never slowing down. Lilly's hands shake as she dabs at your wounds with a cloth from the medical kit, trying to do whatever she can to help.

All the while, Tyler stays with you, his heart breaking and yet holding onto hope, as the vehicle barrels towards the hospital, each mile bringing you closer to safety. Tyler holds you tightly, his voice trembling and tears mingling with the rain on his cheeks as he whispers, "I'm so sorry. I love you. Please, hold on. Just hold on a little longer, baby."

[the-irreverend]

THIS is the scariest scene in the entire show (yes even more than the goddam lab scene from episode 6).

He's not bluffing when he says that he loved Rose, and that's what makes his actions that much more despicable. He is capable of loving and caring for others, yet he demonstrates that he is more than willing to suppress it if it means protecting the interests of the corporation he works for.

What do you think is more terrifying? A person with no compassion or empathy, or a person who IS capable of those things BUT CAN TURN IT OFF AT A MOMENT'S NOTICE?!

I can't imagine how Lucy felt hearing him say that he no longer considered Rose to be part of the family (or even as a person) just because she posed a possible threat to Vault-Tec's plans for total control.

And that's what ultimately separates him from Barb Howard:

Barb wanted to use her position at Vault-Tec to help her family.

Hank wanted to use his family to help his position at Vault-Tec.

[sage-nebula]

This has been spinning around in my head since I watched season 2 arc 1, and I can't refrain from putting it down to post anymore.

In season 1, Jayce and Viktor get into a fight when Viktor evades the blockade to go speak to Singed in Zaun. During their fight, Jayce snaps at Viktor that he didn't know that Viktor's friend was from the undercity, and when Viktor asks why that matters, Jayce says the above: [people from the undercity] are dangerous (earlier he had also said, "there are people down there who seem hell-bent on destroying us!"). That's when Viktor grows cold, reminding Jayce that he is from the undercity, and even after Jayce apologizes, Viktor knocks his hand away, choosing to stand up on his own.

In season 2, chembarons hired by Ambessa (though no one knows that at the time) attack the memorial for the dead council members. In the aftermath, Caitlyn calls them animals. Notably, Vi shows no reaction at all to this; she doesn't so much as flinch at Caitlyn's word choice. Instead, while she does downplay what happened to an extent ("they wanted the spectacle, they're trying to scare you"), what's notable is that she separates herself from the people of Zaun. This is especially notable when she tells Caitlyn to call off the invasion, because of the risk it poses for those not from Zaun:

"Down there, you'll be on their terms."

Viktor seems to have pride in the fact that he is from Zaun. He has love for his home. As difficult as life was there, as much as the pollution led to his illness and disability, he has no shame that he's from Zaun and he still sees value and has love for the people there. This is why, when Jayce writes the Zaunites off as "dangerous", Viktor grows cold. He is no different from them, in his mind; if they're dangerous, then so is he.

Vi is . . . different.

In season 1 arc 1, Vi expresses to Vander that she has bought into and believes that those in Piltover are more than those in Zaun:

Now, here, Vi is still grouping herself in with the rest of Zaun. But there is a level of self-hatred (and hatred for one's home) that we don't see in Viktor. Viktor doesn't see himself as lesser than those in Piltover. He doesn't see the Zaunites as lesser than those in Piltover. Vi, however, does. She states this as if it is a fact. And while she loved her family, and has parts of Zaun that she likes (e.g. Jericho's food), it's worth noting that at the end of season 1 episode 1, she isn't telling Powder that they'll liberate Zaun, or fight for Zaun, or anything like that. Instead?

"This city's gonna respect us." This city. Not our city. Here is the first moment we see in which Vi puts some separation between herself and the rest of Zaun. She wants to make them respect her (and Powder). Even if she's less than those in Piltover, she still sees an opportunity for herself to be above those in Zaun.

All of this is to say that, when she has no reaction to Caitlyn calling Zaunites "animals", when she refers to them as "they," when she refers to Zaun as "their terms" . . . ultimately, it isn't too surprising. Vi represents a type of person who does exist in marginalized groups: the self-hating type, who hate others in their group for "drawing aggression" or "negative attention."

Think about queer people, for instance, who hate those who are flamboyant or open about who they are and who they love. The ones who think, "If we just assimilate more, be less of a bother, be less obnoxious, then the queerphobes will accept us." Obviously, other queer people find this type of person extremely frustrating, sometimes even infuriating, because we know that it doesn't matter what we do or how we act; bigots will never accept us.

But what we should understand, and extend compassion for, is that self-hating marginalized people are that way because it's a defense mechanism -- a survival mechanism, really. They can't square why bigots hate them, so they reach for any kind of explanation they can find, even if that explanation ultimately blames others in their own group and does more harm than good. Not to mention that hating yourself for who you are is often a result of long-term, systemic abuse -- the exact same kind of abuse that comes from living under an oppressive regime that murdered your parents and will assault you at any given opportunity, even for something as petty as your little sister miming shooting them with finger guns.

Vi says that she, "grew up knowing [she] was less than them." This is extraordinarily damaging to the psyche, and Vi's self-hatred -- and the extension of that hatred toward Zaun, not wanting to save them but wanting to make them respect her -- is a trauma response to that. One that Viktor, obviously, doesn't share (and neither does Ekko, or Jinx) -- but everyone reacts to trauma differently.

The point is, we saw shades of this already in Vi's childhood; her statement that she's less than topsiders, but that she wants those in the undercity to respect her. So when Caitlyn calls the Zaunites animals, Vi doesn't flinch. She agrees. And she speaks of them as separate from her, because Caitlyn has already designated her as one of the good ones (reinforced to her by what Maddie told her Caitlyn said right before the memorial), and because, well, those who attacked the memorial did do something horrible. And maybe if they wouldn't do that, and maybe if Jinx hadn't blown up the council building -- maybe if they were better behaved -- then the enforcers wouldn't have to invade and do what they were about to do, now would they? Those in Zaun -- or at least those in Zaun who decided to strike against Piltover -- brought it on themselves, so Vi isn't with them. She's with Caitlyn, and is okay with referring to them as animals.

It's interesting to think about.