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raptorpowersystems · 2 days ago
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How to Mine at Home: A Beginner’s Guide to Crypto Success Learn how to mine at home efficiently with optimized equipment, proper ventilation, and reliable software. Create a cost-effective setup, track energy usage, and ensure long-term performance with tailored solutions for cryptocurrency mining success.
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hamletthedane · 10 months ago
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I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.
What I thought that meant: telling us about unique sculpture materials and paint mixtures.
What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.
What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.
The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.
And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.
But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.
I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.
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numeric-ups · 1 year ago
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New energy to education
The case study highlights the Telangana government's initiative to implement digital classrooms in all schools across the state. Read further to know how Numeric played a critical role in offering an uninterrupted power supply (UPS) solution for uninterrupted learning in record time.
https://www.numericups.com/case-study/new-energy-to-education
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bixels · 1 month ago
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In the past, people in the Animal Crossing community would make fun of Tom Nook as a sleazy landlord. Since then, he's really rehabilitated his image as this 'heart of gold' businessman (he's the one who puts bells and furniture in trees for you to find! he adopted orphans! he donates to charity!), but New Horizons genuinely paints the most devious version of him.
He's successfully privatized settler colonialism: you pay HIM to move to a "deserted island" (which apparently the oceans in the AC world are just full of) and start a colony that he is directly invested in. At best he's running a weird vacation package scam (you arrive on the island with no money and in debt for "using his services"). At worst, he's using you to set up company towns. For god's sake, he literally has his own fake currency that he forces you to use to pay off your debt. But don't worry, he's repackaged it in a way that definitely doesn't sound like an MLM scam: the Nook Mileage Program!
You're no longer just his tenant or his temporary part-timer, you're his business lackey. The entire tutorial section of the game has you spending actual weeks running around completing tasks and doing hard labor to set up his colony. You're even tasked with preparing his properties and finding buyers for them. No, you aren't a tenant anymore. You work for the landlord. You are directly responsible for finding tenants for him. And he doesn't even fucking pay you. Not for setting up town hall and museum, or his nephew's shop –– which is the ONLY store on the entire island that sells necessities –– or bringing KK Slider to town, or helping populate his town. Not a single cent. No, actually, you have to pay HIM to BUY infrastructure like bridges and stairs and park benches. And all the while, he's telling you're the "resident representative"; you get to call the shots! That the reward is the community's progress. That what you're doing is in everyone's best interest (but most importantly, his).
Since NH's release, people have done a lot of legwork to say that Tom Nook isn't a capitalist while the game shows him at his very worst. He owns the only general store in town. You're forced to use a phone that he modified and branded as his own. Buy Nook-branded furniture and merchandise at the self-serve kiosk in the town hall, a governmental building! There's no conflict of interest here!
But hey, if you're tired of being the landlord/business mogul's goon, you can also find work as a deluxe resort home designer for a company that also pays you in their special company currency that can only be used to buy their products instead of a real salary! Because that's what the Animal Crossing franchise needs! More vacation homes!!!
#this is a really long winded way to say i really really really really hate new horizon's storyline and player role#i really hate that not only your house but the entire TOWN. the whole COMMUNITY you're a part of is owed to tom nook's business#i really hate the “vacation getaway package” angle because it shows just how commercialized the entire premise of nh is#and how lost the game is in its original core concept#animal crossing is about the experience of moving to a new town and becoming a part of that community#just to compare: all past ac games have a similar opening#you're on a bus or train or taxi to someplace new. a stranger strikes up a conversation and you get to know them before arriving#new horizons opens with you at customer service desk filling out an client application before a flight.#in prev games working for nook in the tutorial is meant to be demeaning. you want it to be over with so you can actually start living life#but in new horizons working for tom nook IS your life. and it's so rewarding! don't you feel rewarded?#you aren't a person. you aren't a new neighbor. you're tom nook's client. and then his unpaid employee. and the game insists it's fun to be#that's how void the game is#because it's bad enough that a rpg life sim got turned into a sandbox game where you have to build the town yourself#but the only reason why you're building it is because the landlord who you're in debt to TOLD you to build it.#everything is a rewards program! everything is a tour service! be sure to do your daily tasks to earn nook bucks to spend on nook merch!#that really sucks imo.#i mean. the entire game is based around the vacationing industry. of course it all feels fake and temporary. it's only a vacation.#long post#rant#not art#god the fact that your starter villagers can't even decide where to live you have to decide for them#i've never played a game that does the opposite of handholding#where instead it's the PLAYER who has to handhold the npcs through everything. and newsflash!! it's really exhausting and boring
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inkskinned · 5 months ago
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one of the things that's the most fucking frustrating for me about arguing with climate change deniers is the sheer fucking scope of how much it matters. sweating in my father's car, thinking about how it's the "hottest summer so far," every summer. and there's this deep, roiling rage that comes over me, every time.
the stakes are wrong, is the thing. that's part of what makes it not an actual debate: the other side isn't coming to the table with anything to fucking lose.
like okay. i am obviously pro gun control. but there is a basic human part of me that can understand and empathize with someone who says, "i'm worried that would lead to the law-abiding citizens being punished while criminals now essentially have a superpower." i don't agree, but i can tell the stakes for them are also very high.
but let's say the science is wrong and i'm wrong and the visible reality is wrong and every climate disaster refugee is wrong. let's say you're right, humans aren't causing it or it's not happening or whatever else. let's just say that, for fun.
so we spend hundreds of millions of dollars making the earth cleaner, and then it turns out we didn't need to do that. oops! we cleaned the earth. our children grow up with skies full of more butterflies and bees. lawns are taken over with rich local biodiversity. we don't cry over our electric bills anymore. and, if you're staunchly capitalist and i need to speak ROI with you - we've created so many jobs in developing sectors and we have exciting new investment opportunities.
i am reminded of kodak, and how they did not make "the switch" to digital photography; how within 20 years kodak was no longer a household brand. do we, as a nation, feel comfortable watching as the world makes "the switch" while we ride the laurels of oil? this boggles me. i have heard so much propaganda about how america cannot "fall behind" other countries, but in this crucial sector - the one that could actually influence our own monopolies - suddenly we turn the other cheek. but maybe you're right! maybe it will collapse like just another silicone valley dream. but isn't that the crux of capitalism? that some economies will peter out eventually?
but let's say you're right, and i'm wrong, and we stopped fracking for no good reason. that they re-seed quarries. that we tear down unused corporate-owned buildings or at least repurpose them for communities. that we make an effort, and that effort doesn't really help. what happens then? what are the stakes. what have we lost, and what have we gained?
sometimes we take our cars through a car wash and then later, it rains. "oh," we laugh to ourselves. we gripe about it over coffee with our coworkers. what a shame! but we are also aware: the car is cleaner. is that what you are worried about? that you'll make the effort but things will resolve naturally? that it will just be "a waste"?
and what i'm right. what if we're already seeing people lose their houses and their lives. what if it is happening everywhere, not just in coastal towns or equatorial countries you don't care about. what if i'm right and you're wrong but you're yelling and rich and powerful. so we ignore all of the bellwethers and all of the indicators and all of the sirens. what if we say - well, if it happens, it's fate.
nevermind. you wouldn't even wear a mask, anyway. i know what happens when you see disaster. you think the disaster will flinch if you just shout louder. that you can toss enough lives into the storm for the storm to recognize your sacrifice and balk. you argue because it feels good to stand up against "the liberals" even when the situation should not be political. you are busy crying for jesus with a bullhorn while i am trying to usher people into a shelter. you've already locked the doors, even on the church.
the stakes are skewed. you think this is some intellectual "debate" to win, some funny banter. you fuel up your huge unmuddied truck and say suck it to every citizen of that shitbird state california. serves them right for voting blue!
and the rest of us are terrified of the entire fucking environment collapsing.
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beyondthisdarkhouse · 1 year ago
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When I started choosing embroidery patterns for my store, I was really focused on relatively small, simple designs. Things that would be quick and easy for beginners. But honestly... I think I underestimated just how easy the printed interfacing would be, since it's the needlework version of completing a dot-to-dot patterns. They take time, but none of the constant counting and ripping stitches out.
So that meant I've started to get ambitious. Little designs are still great, but what about a few designs that are dazzling from the other side of the room? As a treat?
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Maybe just one of Giovanni Ostaus's shirt opening border designs from 1561?
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Some fancy chickens and um... tulips? pomegranates? water fountains?
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And just for me, a pattern you won't find in any history book, a little confection I made that I like to call: "Strawberry Fieldmice Forever"
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That's only like, half of them. I just dumped a whole bunch onto my Etsy.
Interested?
Beginner-friendly historical and fantasy embroidery patterns, right this way!
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spacedace · 2 years ago
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Love the idea that Red Robin (the restaurant) doesn't exist in the DC universe, but *does* exist in the Pham's home universe.
Just a constant ongoing thing of someone saying Tim's hero name and whatever member(s) of the Pham are there say "Yum" without hesitation.
Everyone in the DC verse thinking that Tim - as Red Robin specifically - is some kind of Adonis to folks on the Ghost/Liminal Spectrum.
It's causing problems. Members of his family that are romantically interested in Pham members are salty. Bruce keeps trying to give him The Talk (the "how to let a group of people all interested in fucking you down gently and professionally" talk, and the "how to form a healthy polycule" talk, Bruce is nothing but thorough). The Younge Justice crew will *not* let him live it down. Dick is going all protective big brother on him, saying that if it makes him uncomfortable just let Dick know and he'll Take Care of It.
He's also deeply confused as to why they all sorta *sing* his hero name before they say Yum?? Is it some kind of call and response ghostly courting thing??
The Pham, notably, are entirely unaware of the chaos they are causing with this. For a long time they don't even know Red Robin (the restaurant) doesn't exist in this universe. They aren't even fully aware that they're doing the Yum thing. It's just too ingrained in them to fully realize it.
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apostaterevolutionary · 25 days ago
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Okay but the thing about veilguard reviews is I don’t care what the gaming review sites think. I especially don’t care what some random ytuber who’s probably just grifting right wing nutjobs for easy money and has never actually played the games before thinks. I don’t even care what an unrelated but accomplished rpg dev thinks
The only opinions I want to hear are from 7 trustworthy sickos (affectionate) who had their brain chemistry permanently altered over a decade ago by critically hated yet loved by me specifically video game Dragon Age 2, and only after I hear those opinions will I decide if I’m buying it or not
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gifs-of-puppets · 10 months ago
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McGarry's Sausage Commercials (1965-1968)
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effinbirds · 2 months ago
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Product sample day is my favourite day.
(You can get these in my shop right now)
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nenoname · 1 month ago
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Journal 3’s references to Stan
(…does the Lost Pages count as J3 when some had to be in J2 and also may or may not be a truth lie turducken? idk. Ford’s TBoB letters sure as hell don’t count as J3 but I’m including them here anyway)
Lost Journal Pages
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"STANLEY COULD HAVE MADE HER LAUGH"
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“My stomach sank a bit when I realized… it was my birthday. This day has felt… odd, since S and I… parted ways.”
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"I was adjusting my TV antennae for weather reports (looking for ideal conditions for F's first portal test) and spat out my coffee when I saw THIS! My brother hawking scams under the name "Panley Stines." I had half a mind to call that number, just to pretend to be the police and maybe scare S straight for once! There is something so galling about seeing your OWN FACE committing crimes on your own TV! When my Muse saw me break my stress ball, I decided it was finally time to vent about Stanley."
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""How about that; you've got an inferior clone! Why didn't you just eat him in the womb? Think of how powerful you'd be!"
"You can't just eat your twin, Bill."
You'd be surprised what you can eat! I say sure, call him if you want him to start mooching off you again! ME, I went no contact with my home dimension and I don't regret it. All they did was hold me back and sabotage my talents! Can you imagine?"
"More than you know. But you do ever wonder if maybe... maybe things could have been different?""
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"Our heat budget was so tight that Mom forced S and me to wear one sweater at the same time. (She called it the "Abominable Snow-Stan." Our cat lived in fear of it year-round.)"
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“DAMN! This morning I found F rummaging through my old copy of Urban Legends of New Jersey, where I had forgotten I had hidden some old personal items! I’ve quickly re-hidden them here, away from prying eyes.”
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"But then he crossed a line. Helplessly I watched Cipher in my own body limp up to a pay phone and dial... STANLEY'S phone number from the infomercial?! No. He wouldn't.
"Hey brother, it's Sixer. I'm going to take a swim in the frozen lake tomorrow, and I might not ever come back, so if you don't hear from me, I just want you to know that it's because I never loved you. BUH-BYEEEEE."
My heart was in my throat until I heard the dial tone... The pay phone was out of order. The message hadn't gotten through. Cipher turned back to address me.
"TSK, TSK, TSK. LOOK WHAT YOU MADE ME MAKE YOU DO! TOMORROW'S TAPE IS GONNA BE MUCH WORSE.""
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(Bro secret code) "miss you"
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“The snow has begun to fall again and there’s very little time. There’s only one left I can turn to to protect my journals while I prepare for the journey…”
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"S is an overgrown child with none of my rigorous mental training. Who knows what could happen if Cipher stepped inside Stanley's mind for even one minute...
What if Stanley somehow manages to destroy the portal just like he destroyed my perpetual motion machine? I suppose that machine did work in its own way... It kept me perpetually angry for thirty years."
(Bro secret code) "HAVE I BEEN TOO HARSH ALL ALONG?"
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"What if he tries to rope me into his latest get-rich-quick scheme? His latest commercial was for "Stan Sauce: The Miracle Sauce that's too cool for the FDA!"
What if... he mocks me? What if he sees that I abandoned our family to become a recluse on the brink of madness? Could I risk admitting that I was... wrong?
PROS: I have no one else. Well, that settles it. It's time to come face-to-face with a face I haven't seen in 10 years. My own face. Which... is my brother's face. God, I miss sleep."
Ford’s Letters
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"In the weeks since Weirdmageddon, I conducted numerous tests on Stanley's mind (his terrible jokes are still intact) and inspected the state for dimensional leakage (we also took turns kicking the statue, and Stanley took a few cracks with a crowbar). I burned every Cipher-shaped item I had ever collected, and even threw away all my one-dollar bills, just to be safe (Stanley, of course, found and pocketed them).
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“I emerged from my lab after days of agonized contemplation to find- to my shock- that Mabel was reading the book, out loud, to Stanley, Dipper, Soos, and Wendy!”
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“They didn’t see me as an irredeemable screwup. Stanley said, "So, your past is just a giant pile of mistakes? Congratulations- you really are a Pines!”“
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"Bill may tell you that happiness requires conquering galaxies and living forever, but I've seen enough of the universe to tell you that he's wrong. I've found my happiness. And it looks like this:"
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"If you're reading this... then I am dead. Kidding! Sorry, Stanley thought that would be funny. Ha-ha! We're currently out shopping for harpoons to prepare for our trip to the arctic."
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"Stan, if you end breaking into my lab at some point later today- Bravo! Still as good a locksmith as in 8th grade. Beers are under the desk."
(It kinda strikes me that the BoB Lost Journal pages about Stan sound far more like post-portal Ford’s opinions on Stan instead, where he’s openly angry at both being pushed into the portal + at the portal being opened again + his murder suicide attempt being foiled + Stan disowning him + turning his house into a tourist trap + taking his identity vs pre-portal Ford being more… melodramatic(?) constantly being reminded of him but not wanting to linger too long? idk the vibes are different
Plus pre-portal Ford pretty consistently only calls Stan "S” or just refers to him as his brother (with the exception of him writing his name in a Caesar cipher). I think he only ever messes up the general naming scheme a single time when he wrote Fiddleford instead of F
…not to mention the perpetual motion machine comment says thirty instead of ten years)
Other sections: Pre-Portal, Post-Portal, Post-Weirdmageddon
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raptorpowersystems · 4 days ago
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Robust Military PDU Solutions for Mission-Critical Operations Equip your operations with a Military PDU built for durability and precision. Engineered to handle extreme conditions, these units ensure reliable power distribution, advanced surge protection, and customizable options to meet military-grade standards.
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opera-ghost · 8 months ago
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society if phantom of the opera was back on broadway
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numeric-ups · 1 year ago
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Ensuring the central nerve of the Railways go uninterrupted
The CRIS COA project aimed to automate control charting at the Railway Divisional Offices by setting up 78 micro data centers across 27 states. Read this interesting case study on how Numeric played a key role in this project by providing a scalable and efficient power backup solution that met stringent deadlines and ensured uninterrupted operations.
https://www.numericups.com/case-study/ensuring-central-nerve-railways-go-uninterrupted
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iraprince · 11 days ago
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animated pngtuber done for @/sammycaffeine on twitch!! i would love to do more models for people, i really love it <3 the deco frame was done by me too, and it's a separate png so it can be arranged as the client likes in the overlay!
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blueskittlesart · 3 months ago
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
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