#commercial lot clearing

[wardexcavation]

Lot Clearing Services: Guide for Clearing the Way

What is Lot Clearing?

Lot clearing is the removal of obstacles off a piece of land. This may include trees, stumps, shrubs, rocks, and other debris. It's done with the purpose of producing a blank space for your project, be it erecting a house, installing a pool, or creating an area that is more usable.

Why Lot Clearing?

Lot clearing serves a lot of purposes. It can prepare land for construction, enhance the aesthetic beauty of a property, manage excessive vegetative growth, and even help mitigate safety hazards. For certain situations, it may also be necessary for environmental reasons, like stopping the spread of invasive species.

Who Needs Lot Clearing Services?

As such, lot clearing services are very diverse because they cater to many types of clients. These consist of lots for individual homeowners, business lots, land development lots, government lots, and many more. Even a recreational property land owner who wants to create trails or clear land for farming may hire lot clearing services.

Types of Lot Clearing Services

Lot clearing is not a one-size-fits-all service. Every project is a little different. The following are the common types of lot-clearing services:

Residential Lot Clearing

This type of service clears land around homes. These services could include removal of trees to way for an extension, clearing of brush for a new garden, and preparation of the grounds for a swimming pool.

Commercial Lot Clearing

Commercial lot clearing would handle larger lot projects, like preparing land for new buildings or parking lots and shopping centers. For the most part, it is always considered clearing any weed and tilling the ground to flatten it for construction purposes.

Industrial Lot Clearing

It is even more involved with industrial lot clearing whereby they would clear land for the factories, warehouses, and other industrial facilities. This may need specialized apparatus and expert handling to handle hazardous waste such as industrial waste.

Land Development Lot Clearing

This service prepares raw land for development; often, large-scale clearing and grading occur to create residential subdivisions, parks, or other planned communities.

The Lot Clearing Process

Each project is different, but most lot-clearing services follow a generic process:

Site Assessment

A site assessment will be required to establish the scope of the work. This would include topography study, determination of species of vegetation, and location of underground utilities. 

Permits

The size and location of the project may require permits from local authorities. A good lot clearing service will help acquire all permits necessary.

Vegetation Removal

The clearing of trees, shrubs, and other plantlife is done with various special equipment such as chainsaws, bulldozers, and excavators.

Debris Removal

Debris is to be removed after the vegetation has been removed. It might be hauled away, chipped on-site, or burned, depending on what is permitted.

Grading and Levelling

The plot of land will then be graded and leveled smooth and flat for construction or landscaping purposes.

Final Inspection

A final visit confirms that it is clean, safe, and prepared for purposes at another stage of the project or execution of plans.

Machines Used in Lot Clearing

Bulldozers: Bulldozers are heavy machines that are mainly intended to push and move massive amounts of earth and other debris.

Excavators: These are versatile machines that feature a digging bucket to dig out trees, the digging of trenches, and depositing debris.

Skid Steers: Skid steers are short machines that are made very flexible; this makes them suitable for area clearing in smaller areas or in tight spaces.

Graders: Graders level and smoothen the ground up to a flat surface during construction. Trucks

Trucks serve the purpose of removing debris and transporting equipment to and off-site.

Stump Grinders: The stump grinder removes the tree stump below ground level for easy access and eliminates tripping hazards. It also readies the ground area for planting or construction.

Chippers: Chippers shred branches and other woody debris into smaller chips that can be used for lot clearing.

Environmental Considerations:

Eco-friendly lot-clearing services tend to prioritize environmentalism. Here are some of the key concerns:

Erosion Control: Erosion control measures like silt fences and sediment basins prevent soil loss during and after clearing. 

Dust Control: Water spraying and other dust suppression techniques minimize dust pollution, protecting air and nearby property qualities.

Wildlife Protection: Thoughtful planning and execution help reduce disturbance to wildlife habitats. This may involve relocating animals or scheduling work to avoid nesting seasons.

Recycling and Disposal of Debris: As much as possible, it is recycled or disposed of in an environmentally friendly manner. This can involve composting, mulching, or putting it at a disposal site.

Ready to transform your property?

Ward Excavation provides professional lot-clearing services for residential, commercial, or industrial projects. From the assessment of your site to gathering any needed permits to removing all debris and grading, you can be certain that your land will be completely prepared for the next project. Call us today at (910) 981-1119 or email us at WardExcavationLLC@gmail.com to receive a free estimate, and let's get that Whiteville project going.

[babacontainsmultitudes]

He's a used car salesman. He has a heart of gold. He can't parallel park. He has two gay witch italian dads. He chops the wood. He has a magical talking cat mom. He's an assassin. He isn't an assassin. He's actually the cat from earlier. He's trans (female cat to male human). He's been shot through the heart. He was in Dewar. He was not in the war. He was in Dewar. He's on his last of nine lives. He just had a marble shoved down his throat. He's even bisexual. I didn't say his name, but he popped into your head, didn't he?

[mortimer]

Hey why can no one tell me when Juicy DRop Pops were released

[welcometogrouchland]

It's not that I find Pretty Woman (1990) particularly compelling (like I understand if you do, I see the appeal, but it's not Gary Marshall's best film imo). I'm more just surprised that I haven't found more fanfics that are tagged "inspired by pretty woman". It frankly seems tailor made for hurt/comfort au fics

[cinnabeat]

its really interesting to listen to covers of aimers song bc imo no one really captures the emotion she puts into her singing

[bmpmp3]

when it comes to deep learning style vocal synths vs concatenative synthesis style vocal synths i like and use both, theres pros and cons for each, i adore deep learning synths for their versatility in vocal modes/expressions/appends/whatever and their breaths and of course im a fan of how many have multi-lingual functionality, but one thing they just cant beat concatenative on is the late 2000s-ass NND-ass doujin-ass impossibly fast rapid fire syllable'd japanese pop singing a la disappearance of hatsune miku. to be honest miku barely handles it. thats what the song is about. to me no one does it better than a basic but well oto'd CV utau LOL

[prokopetz]

I think a lot of the disagreements regarding how acceptable it is to be public about media piracy channels boil down to different experiences based on what exactly you're trying to pirate.

Some folks are like "it doesn't matter whether you publicly discuss piracy sites because the publishers 100% already know about them, and if they get taken down an identical replacement will be up and running a week later", and sure, that's absolutely true – if the media you're interested in pirating is relatively mainstream.

On the flip side, if the shit you want to torrent lives at the intersection between "of interest only to a limited audience" and "currently owned by a notably litigious publisher that isn't an all-knowing global megacorp" – and this is where a great deal of fringe media lives – greater caution may be warranted, because there's no guarantee when, or even if, a given piece of media will become available again when wherever it's currently on offer eats a takedown notice.

That's kind of the paradox of trying to preserve and distribute media which appeals only to a limited audience. On the one hand, obviously an archive or repository that nobody knows about doesn't do anyone any good; on the other hand, if a given piece of media has only ever been made publicly available outside of commercial venues via one particular channel, and that channel gets overpublicised and subsequently taken down, it's often far from clear whether anyone will be willing and able to fill the void.

[redflagshipwriter]

Fast Car Masterpost and Prologue

dead on main fic, intro + four chapters.

Summary: The Red Hood starts off his righteous campaign with a lot of nerve but no legal identification that will let him behind the wheel of a car. Public transportation really doesn't have the panache he needs to start off as a fearsome crime lord, so he needs a driver. He finds Danny Fenton, a grungly college student trying not to be noticed by any government agencies or vigilantes.

to subscribe to this post, on mobile open the notes and click the bell on the upper right hand corner of the post. on desktop, open the notes at the bottom and press the bell on the right edge of the notes.

Links will be added to chapter list as the story posts. Chapter one will go up on July 14th. Updates are approximately every other day.

LINKS/ chapter count

chapter 1 | chapter 2 | chapter 3 | chapter 4

prologue

“No, Habibi,” Talia said calmly into the phone. “I will not falsify you an American non-commercial driver's license for motor vehicles. If you cannot prove yourself to Gotham without American motor vehicle operating permissions, you will never prove yourself. Rise above this challenge.” Talia covered the phone for a second but he could hear her talking to someone else about tile options.

“It's an unnecessary challenge,” Jason argued, doing his level best not to let his tone go up. It was undignified to whine. He was a man now. “The important parts of the challenge are the tactical planning and the skills.”

Talia sounded like she was filing her nails. “Tactically plan to take the bus. Or walk. Walking is free and healthy.” 

Jason made an indignant sound but she mercilessly hung up. The worst! She made the top three of his worst mother figures, easily.

“She's just doing this so I can't go drinking.” He scowled into the air. “I don't even want to!” His voice broke mid whine, which was an insult to add to all the injuries visited upon him by the cruel whims of women who weren't even his legal guardian. He was an adult in most countries!

The worst part was that Talia didn't care about underage drinking. She just didn't want to hear shit about enabling him from Bruce when he eventually figured out that Jason was alive, 19, and in Gotham. His passport claimed he was 21 because it had to for him to travel alone, but she knew damn well no one used their passport as ID in bars. 

He couldn't just go get a license. Jason sulked viciously and threw himself into fixing his plans to accommodate for this. 

He was legally dead and living under a fake name. If he tried to sign up for the driving exam, it'd be too much scrutiny on his paperwork. But he was not taking the bus around as a crime lord. It lacked panache. More importantly, it didn't go where he wanted it to go.

Fine. He didn't need her help. He didn't need anyone's help. He just needed to download Uber. 

That was how Jason wound up wiping a mob lieutenant’s blood off of his hand onto his pants so that he could use the guy's touch screen phone. Victor Woodward's account put in a request for a ride to the Gotham police headquarters. He killed time kicking ass in all the Words with Friends games that Victor had ongoing, which was really gonna surprise anyone who normally played with that boob. Victor’s last ever play was ‘cat,’ for fuck’s sake.

A few minutes later, a skinny teenager pulled up in his clanker and opened the door. Jason put on a smile and hefted his duffle bag a little higher on his shoulder. 

“Hi! Victor?” The guy, Danny, waved his phone at Jason.

“That's me!” Jason lied breezily. “Can I put this in the trunk?” 

“Go for it.” Danny popped the trunk open from inside the car. He watched Jason with his big blue doe eyes.

For an instant, Jason thought that Danny might have seen something. Paranoia reared up. Was there blood visible? Was it easy to tell that the shapes in the bag were heads?”

The moment passed. Danny cleared his throat and whipped his face forwards again. “Normally I say to sit in the backseat, but I'm not sure that's enough room for your legs. Either is fine.” 

Jason got in the car and let satisfaction wash over his body as the weirdly timid kid pulled them out into traffic at a snail’s pace. Whatever. They wouldn’t get stopped for a traffic violation when the driver was cautious.

He’d done it. His debut as the terrifying Red Hood, hunter of the wicked and bane of the Batman, was launched. And he didn’t need a license to do it.

[antistaticesdcom]

What should be done Prior to Selling Recycled Vehicles On the web

[wardexcavation]

Professional Lot Clearing in Whiteville: Why Ward Excavation is Your Best Choice

If you’re seeking lot clearing Whiteville services, you’re one step closer to making your property into something you can develop, farm, or use for other purposes. Land clearing for residential or commercial land clearing requires precision and experience along with the right equipment. That’s where Ward Excavation steps in. Affordable land clearing is what we specialize in and we deliver high quality results so that your land is ready to be used for whatever project you are thinking of.

What is Lot Clearing and Why Do You Need It?

Lot clearing is the process of removing trees, bushes, rocks, and other obstacles from a piece of land in order to clear it to build on, farm, or landscape. It is usually the first big job in a land development project. This service is for property owners to ensure that your land is free from obstacles that may slow down development and also make your property safer and more aesthetically pleasing.

At Ward Excavation we know that every project is different. Our team does residential lot clearing and commercial lot clearing, so you can be sure that whether you’re clearing a small residential lot or require commercial lot clearing, we have the expertise to get the job done affordably and efficiently.

Key Benefits of Professional Lot Clearing Services

Increase Land Usability: Removing trees, stumps, and other obstructions makes your property usable for the purpose for which it was intended, whether it’s building a home, expanding your business or creating a new agricultural plot.

Enhance Property Value: A well cleared piece of land attracts more buyers, developers and investors. Lot clearing improves the look and value of your property.

Improve Safety: Dead trees, brush or invasive plants can make overgrown lots fire hazards and attract pests. This eliminates the risks and makes the environment for development safer.

Environmental Benefits: Affordable land clearing Whiteville NC can help with healthier land management when done correctly. Native plants can thrive when dense brush or invasive species are cleared and over time soil quality may be improved.

Our Expertise in Commercial and Residential Lot Clearing

At Ward Excavation, we take pride in offering both residential and commercial land clearing in Whiteville NC. Here’s what sets us apart:

State-of-the-Art Equipment: We have modern, industry standard equipment to clear your land quickly and efficiently. Whether your lot is large or small, our tools can tackle the most difficult terrain and dense vegetation.

Experienced Team: Our team of professionals are experienced in the land clearing industry. Commercial lot clearing Whiteville projects are different from other projects due to the larger tracts of land and more complicated regulations.

Customized Approach: Every land clearing project is different. No matter if your need is clearing a lot for a new home, a business expansion or preparing land for cultivation, we tailor our services to fit your needs.

Types of Lot Clearing Services We Offer

Ward Excavation provides a range of lot clearing services to meet your needs:

1. Commercial Land Clearing

Commercial lot clearing is needed for bigger scale projects including retail spaces, office buildings and even industrial nooks and crannies. With our team, we are able to work with vast tracts of land efficiently, so that your project stays on schedule.

2. Residential Land Clearing

Our residential lot clearing services help you prepare your land for development if you’re a homeowner looking to build a new home or expand your property. We clear trees, brush and debris to clear a clean slate for your project.

3. Grading Services

Once you’ve cleared your lot, it’s important to level the land and get it to drain properly. Our lot grading services grade your lot to create a smooth, even surface for construction and address any water runoff issues in order to avoid future flooding or erosion.

4. Forestry Mulching

Turning trees and brush into mulch is environmentally friendly forestry mulching. This service serves a layer of organic material that can be used to enrich the soil; it is perfect for agricultural plots and environmental conscious owners.

Affordable Land Clearing Whiteville NC: How We Keep Costs Low

We at Ward Excavation believe in providing affordable land clearing in Whiteville NC without compromising on quality. Here’s how we keep our services affordable:

Efficient Equipment: With our modern equipment we can clear land faster which in turn minimizes labor costs and downtime.

Tailored Solutions: Depending on the size and scope of your project, we offer customized solutions that only charge you for the services you need.

Competitive Pricing: Being a local business, we want to provide our community with competitive pricing, no hidden fees, no unexpected charges.

Why Choose Ward Excavation?

Selecting the right contractor for your land clearing needs is important to the success of your project. At Ward Excavation we believe in providing quality, reliable services at a reasonable budget and timeline. Here’s why we’re the top choice for lot clearing in Whiteville:

Local Expertise: Being a local business, we know the particular land clearing requirements for Whiteville and the surrounding areas.

Customer Satisfaction: Our reputation for excellent customer service is something we’re proud of. We work with you to bring your vision to life.

Licensed and Insured: You can rest easy knowing that we are fully licensed and insured.

[vyva-melinkolya]

we all agree that the push towards short form, vertical video (tiktok/reels/shorts) is ruining fucking everything right? Tiktok has been useful for the dissemination of political information (e.g Gaza) i’ll give it that, but that feels moreso a result of meta and twitters algorithms being just a little *more*’evil and censor happy. And i want to make it very clear that my hatred for tiktok has nothing to do with the fact that it was a product of a Chinese company, because i see a lot of critiques relying on some sort of sinophobic conspiracy. On the contrary, it’s what tiktok has become in the vacuum of western popular culture and marketing that makes me fearful.

I know that every generation faces a new, polarizing technology and inevitably, there are those among said generation who will critique it. That is the nature of things. However, there is also something to be said about how, with the acceleration of technology (running parallel to the acceleration of capitalism, acceleration towards collapse etc), each coming generation faces an increasingly more malevolent “advancement”. TLDR, i’m going to talk my shit.

I’m going to speak on the aspect that is most relavent to me, as a musician. I am petrified by what short form video is doing to music and to musicians. I think that tiktok provides the illusion of making music and being a musician more “accessible” while actually pouring gasoline on the fire that the pop music machine had already started. Standards for what popular culture “expects” from music are being doubled and tripled. Let’s talk about song length. Success and marketability favoring shorter songs is not something new, it has been the trend for decades. But with short form video, it goes even further. You’re not just hearing the same song over and over on the radio, you’re hearing the same 15-30 seconds of the same song over and over again. This in-turn, starts to influence the way people write music, persuading people to make songs that *could* have that 15 second appeal. There is an art to pop music, there is an art to writing a catchy hook—this is something else. We weren’t meant to hear or understand music like that. There are so many songs from reels that i found annoying, until i heard them in their full context. It’s insidious. It makes everything feel like a fucking commercial, even if nothing is being advertised.

I’m going to pull directly from someone else’s experiences, someone who’s music seems to be everywhere on short form videos. The ambient musician My Head Is Empty has a hundred million streams on the song “i was only temporary”. Despite that exposure, they experience “never ending copywrite issues” and have “received death threats” by people who refuse to credit them when using their song. Pulling a quote here, from a comment on their own post

“vyva_melinkolya unfortunately it just gets worse. i saw a bot content page that steals pod cast footage and spams dozens of videos with my song stolen, comment on a "motivation" spam content , who actually made a post telling people the name of my song, and the previous page i mentioned, the pod cast spam commented on that video saying "Bro stop don't give out the sauce. this audio helps me pull numbers brooo" - so people are actively INTENTIONALLY stealing it and telling people to not credit me. like. u can't make this stuff up”

Beyond this, My Head Is Empty feels frustrated that despite all this exposure, the rest of their work (nine albums) as a musician remains under appreciated, and i think that frustration is 100% valid. People cannot fully appreciate music, or even understand it as a work of art created by another human, when it’s taken so far out of its context. Again, the soul being sucked out of art by “the machine” isn’t anything new but, this is a whole other level. Being a musician is more expensive than ever, streaming earns you fractions of a cent etc, it all feeds into itself.

When a song or a musician i love deeply finds its way on to tiktok (let’s use Duster’s “Stars Will Fall”, one of my favorite songs ever as an example)I am not upset that i cant “gatekeep” it anymore. I’m not upset by the idea of something I love and hold dearly finding a larger audience. I AM upset in the manner in which it is being disseminated. I’m upset with art I hold dear to me being chopped up and used as “trending audio”. When I saw Duster in concert recently, lStars Will Fall” was the song I was most looking forward to hearing. It was the last song they played, and it was the song seemly everyone chose to talk loudly over. The audience was mostly people my age and younger. This complaint might come off as petty or pretentious or cliche, i frankly do not give a shit.

Let’s talk about how musicians are expected to promote music on tiktok/reels. This is a matter of opinion, at the risk of sounding very pretentious: the “POV we are x band from x” “My label says i need x followers before x” “posting this video until c musician notices me”. I understand that some of it is in jest but, what the fuck? When did this become the norm? I do not blame anyone for promoting their music like this, but we should want more for ourselves. I’ve always said being a musician is deeply embarassing, inherently. If being a musician is inherently embarassing then what is this? I dont have a solution for this, and the music industry has always been ugly and bloodthirsty and seldom fruitful— but i feel like the very small amount of dignity we had as artists is now lost and I cant fucking stand it. Artists seem to promote the same single with dozens of reels over the course of months, hoping that something sticks. I dont want to sound like i’m shaming or, again, sound like i can provide a solution. I’m just very fucking sorry that it seems like this is “the way”. And personally, i’m scared that if i dont “get with the program”, im going to fail.

Again, all of this speaks to larger trends in entertainment industry and even larger trends in capitalism. But i’m just airing specifics right now because frankly? I cant take it anymore.

[city-of-ladies]

"Here’s what we know about Julia Felix: she lived in Pompeii from at least 62 CE. She was possibly illegitimate but was definitely not a member of the social and cultural elite. She worked for a living setting up and running a very interesting business and, by 79 CE, she had planned to shift her focus from managing a business to owning property. We know all these things because twentieth-century excavations at her business uncovered an advert, carved in stone and attached to the external wall of her huge building. It reads:

"To rent for the period of five years from the thirteenth day of next August to the thirteenth day of the sixth August, the Venus Bath fitted for the nogentium, shops with living quarters over the shops, apartments on the second floor located in the building of Julia Felix, daughter of Spurius. At the end of five years, the agreement is terminated."

This find illuminated the building it was attached to, bringing what otherwise looked like a very large anonymous domestic house into dazzling focus. With this description of the purpose of each room written by the owner herself, archaeologists and historians could see the site through a whole new lens and they realised that they had discovered a Roman entertainment space for the working middle classes. It is, so far, a completely unique find and it is magnificent. It offers us, as modern viewers, two amazing things: a little glimpse into the lives of the commercial classes of the Roman Empire who are so often completely and utterly invisible, and a brutal reminder that so much of what we ‘know’ about Roman women in the Roman world comes from rules concerning only the most elite.

We’ll do that second part first, because it’s the least fun. Roman written and legal sources are pretty universal in their agreement that although women could own property, they could not control it; they had no legal rights, could not make contracts and were to be treated as minors by the legal system for their entire lives. In order to buy or sell property women required a male guardian to oversee and sign off on any transactions. This is a basic truism of women in the Roman Empire, repeated ad nauseum by sources both ancient and modern including me, and it is undermined by Julia Felix’s rental notice. 

The rental ad makes it pretty clear that Julia Felix is the owner-operator of a business complex including public baths, shops and apartments (there’s more too, as we’ll see), and she doesn’t seem to require anyone else to help her rent it out. She names her father – sort of; ‘Spurius’ might just mean that she is illegitimate – but this is effectively a surname, a personal identifier to differentiate her from other Julia Felixes in the area. It doesn’t mean her father was involved. Furthermore, the use of her father’s name as an identifier suggests that Julia didn’t have a husband and was either unmarried or widowed in 79 CE. The strong implication of her advert is that Julia Felix was an independent lady, a honey making money and a momma profiting dollars who could truthfully throw her hands up to Destiny’s Child.

We will never know if Julia escaped the flames and choking ash of 79 CE, fleeing as it swallowed her business and her home, but one discovery, made on 28 January 1952, suggests that she didn’t. The archaeologists, led by Amedeo Maiuri, uncovered on that day the skeleton of a woman who had fallen while running across the garden during the disaster. It’s clear this fallen woman was well off, because she was wearing a lot of gold jewellery. She carried four gold half-hoop earrings and wore four gold rings. Two of these rings were particularly expensive; both contained a red carnelian gem, one carved with a figure of Mercury, the other with an eagle. Around her neck she wore a necklace of gold filigree, dotted with ten pearls and hung with a green pendant. Someone stole both the necklace and earrings from the Pompeii Antiquarium in 1975 and no one, somehow, had ever bothered to photograph them so all we have are descriptions but the rings that survive are fine and expensive. The woman who wore them – was wearing them when she died – had real money to buy these objects and the woman who wore them did'nt leave Pompei in time.

 Moreover, when she was found it was clear that at the moment of her death she was heading not towards the street or towards safety, but towards the shrine to Isis in the garden where all the most valuable possessions were kept. The valuable possessions that Julia Felix grafted for and maybe couldn’t bear to leave behind. There’s no way to tell whether this skeleton is Julia Felix, whether these bones once stood and looked at the plots of land Julia bought and made plans, or whether they belong to a looter or a chancer or someone just caught out. But it’s nice to pretend that Julia Felix, who shaped the city’s roads around her dream and offered respite and luxury to workers and made a tonne of money doing it, died and was buried with the place that still bears her name."

A Rome of One's Own: The Forgotten Women of the Roman Empire, Emma Southon

[seiwas]

₊˚⊹｡ i'll stay on this drive for as long as you'd like | fushiguro megumi

wc: 3.2k

summary: megumi knows you a lot better than you think.

contains: f!reader in mind but can be read as gn!reader, non-curse!au, college!au, established relationship, hurt/comfort.

a/n: some songs for the vibe: streetcar - daniel caesar, the movies - nightly, night drive - red velvet.

part: 1 | 2 | 3 series m.list: by your passenger seat

part of the in's and out's new year/birthday event | request prompt: acting like it’s okay when you know it’s too much 

sponsored by @ceroseis and @itskilau for the @ficsforgaza initiative. please check it out and support if you can!

It’s on the drive back from one of your friends’ graduation afterparty that Megumi can tell something’s off. 

The trees whizzing past your window begin to dwindle, commercial buildings replacing them bit by bit—a clear sign of your trip drawing further away from the party venue and closer to the bustling streets of home. 

He looks over to you every now and then, your back pressed against the black leather seats of his sedan. That spot is yours, adjusted and fitted to your liking; on most days, you settle into it comfortably, but tonight, you sit with unease. 

There’s a tightness around your shoulders that extends all the way down to your clenched fists, and if it still isn’t any obvious from that, it’s one look at how you bite down tensely on your jaw that gives you away completely. 

Are you cold? He wonders, then checks the AC. 

Spring has brought in warmer days, but the nights are unpredictable—

His brows furrow, one hand tightening around the steering wheel as he uses the other to increase the temperature slightly. Just in case. 

—you’re still wearing the microfleece jacket he brought to the afterparty. 

Only a few words have been exchanged between you two so far—which is not unusual. Car rides with you are typically silent, comfortable in that either of you can speak whenever you want; there’s never any pressure to fill in empty pauses and long stretches of nothingness. 

It’s always a shared look, maybe a touch; a joint experience in enjoying each other's company despite not doing much.

But, this quiet is different. Tense. One that’s riddled with feelings you seem to be hiding. 

Megumi can tell. 

You pick your nails from his periphery, your lower lip caught between your teeth as you focus on the road straight ahead. On your lap rests your phone, filled with songs queued up for CarPlay—a task you’ve made your own since marking your permanence in his passenger seat. 

A slow reverb plays as the accompaniment to your silence, and the song is familiar, one he knows full well exists in some of your vaguely named mood playlists. 

“Sometimes you just want to feel something, y’know?”

And Megumi thinks that’s all fine and good; Kugisaki’s called him ‘moody’ more than a few times. But he watches you now and he can’t even tell what you’re feeling exactly, just that you don’t feel okay.

He hears you take in a breath. 

In the years you’ve known each other, Megumi’s learned that you tell him most things, but only when you’re ready. It’s not a problem with him, it’s just your way of processing things—is how you explained it. 

Still, something about the way you’d gradually curled in on yourself and avoided most of the night’s conversations makes him feel worried. It gives him the sinking feeling that if he doesn’t ask about it now, you’ll let tonight play out like nothing’s wrong; you’ll sweep it under the rug and when he asks about it next time, you’ll dust it off like it never happened to begin with. 

Then he’ll never know.

And, that doesn’t sit well with him at all. 

His eyes glance over at the directions on his CarPlay. The breath he takes is crucial, inhaled with contemplation before it’s released with his decision. 

At the end of the song’s chorus, right before it changes key for the bridge, Megumi takes a detour. His palm lays flat on the wheel as he turns it to the left abruptly. An excuse waits at the tip of his tongue, ready to spill out for when you say—

“I think we were supposed to go straight…” your voice trails off, equal parts unsure and fragile. 

“Gojo-sensei wants me to check out a property,” he lies, straight through his teeth. It doesn’t sound too far off from a real possibility. 

“Oh,” you mumble, more resigned than usual as your fingers reach for the screen. “Do you want me to pin it?” 

“No need,” he pauses, eyes momentarily flitting over to your hand. 

The thought simmers for only a second before he reaches for your fingers with his own, interlacing them together and stroking your knuckles with his thumb; back and forth, gently.

It’s a habit he’s developed in well over the year that you’ve been together; a grounding sign of his affection that no longer flusters him as much as it used to. It means many things, but he hopes you can tell what he’s trying to say right now—

“I want you to tell me what you’re thinking,” as he rests your interlaced hands on your thigh.

The warmth on your lap causes you to look up, your lips curling up into a tight smile. 

His grip on the steering wheel tightens. 

Maybe you think it does the job, but Megumi knows you; he knows how you breathe when you’re anxious, knows the way your eyelashes flutter when you’re on the brink of tears. He knows when your smile isn’t any bit genuine, when it fails to reach your eyes and you turn away quickly as if to hide that fact. 

He clasps your hands together and squeezes. 

You hold your breath, turning your head to watch the view: city buildings reverting back to trees. 

It runs down the side of the road in an endless stream, along with time, and the unease that settles in his stomach when you don’t respond to his squeeze with familiar grip. 

He looks on ahead. 

Megumi has no idea where the fuck he’s driving to; the directions on his CarPlay constantly reroute him back to your neighborhood, but he’s taking every wrong turn and crossing every road he isn’t supposed to just to buy some more time to stay in this ride with you. 

“This is that new artist you’ve been talking about lately, right?” he attempts.

You only hum. 

The car slows for a red on the stoplight ahead, and he tells himself he’ll give you this time and wait until it ends. If after this, you’re still quiet—

It turns green. 

—”Is everything okay?” he makes sure to look at you when he asks. 

When your eyes meet his, he can already tell what front you’re about to play up. It’s painful when he watches your face shift into something else, eyes forcibly widening as your smile pulls tightly at your cheeks.

“Yep! Why wouldn’t it be?” 

He hates it. 

How can you pretend to sound happy in front of him, of all people, too? 

He turns away, eyes focusing back on the road. Your hand remains clasped in his, still unmoving; Megumi doesn’t know you like this—you’ve only ever squeezed back just as tightly, if not more, holding onto him all the way home. 

The furrow between his brows deepens as his finger taps lightly on the wheel. Restless. 

He allows the silence to stretch on.

.

A few more minutes find him driving past missed turns and wrong roundabouts, the scenery around you transforming into empty fields of tall grass dimly lit by lampposts. The lights fade in and out on repeat, casting itself as hazy, muddled hues upon your face.

Megumi glances from time-to-time, catching your reflection on the window of his passenger seat. 

The expression on your face remains tight, pulled together in an effort to keep it together. And Megumi isn’t typically one to pry, nor is he the type to outright intervene with what others are going through—

But, he just wants you to tell him what’s wrong. 

The feeling scratches at him, a quiet torture as it turns him impatient. He can only grind his teeth. 

Your songs continue to play as he drives down empty roads, each one turning sadder than the last. And he wonders for a moment when it’ll end; if listening to these songs for long enough will make you feel any better—enough at least, for you to begin to open up. 

In the midst of his rumination, you move, angling yourself away from him ever so slightly as you reach up to run your fingers through your hair, microfleece sleeve brushing against your cheeks lightly. 

You don’t think he sees you, he’s sure, but he spots you on your reflection—

The window of his passenger seat is pitch black, already heavily tinted on its own, but exacerbated more by the darkness of the evening outside. It lends itself as the perfect blank slate to return any image that light casts upon it. Tonight, its subject happens to be you.

—with tears streaming down your face. 

And it makes his chest ache, heart sinking straight to his stomach. 

The breath you take is heartbreakingly still, a staggered inhale that is so careful and so considerate of the fact that you don’t want him to hear it hitch. Your lips are trembling, bitten down to keep in any sob that might spill out. 

Megumi hates this the most, he’s decided. 

He clenches his jaw. 

Just a few meters ahead is a clearing lit up by another lamppost. The road is vacant enough for him to pull the car over to the side, still leaving room for other cars to pass by. 

So he decides.

Pushing the hazard button and signaling to turn, Megumi slows the car down to a stop. You wipe at your face quickly when you notice, trying discreetly to fix yourself up before facing him. 

“Did something happen?”

Your sniffle slips. 

He doesn’t say anything, shifting the gear into park as he leans back on his seat. The leather squeaks under his movement, each noise amplified now that the car is completely still.

Megumi takes a deep breath.

“Nothing happened,” he starts, considering his next actions very carefully as he turns to face you. 

His fingers reach up slowly, gently wiping at the tips of your eyelashes; your tears glisten at its tips. 

Something in your expression shifts, the front you put up gradually turning into guilt. 

(He knows; he’s noticed you this entire night.) 

Time stops for Megumi in moments you never know: when you laugh, and your cheeks lift life to your eyes; when you hold him, by hand or by heart—he can’t tell the difference sometimes; when you tell him you love him, whether whispered against his collarbone or spoken through your lips locked in his.

You look pretty in all of them, you always do; even now, drowning in the fabric of his clothes with strands of your hair kissing your nose. 

It’s enough to already make his chest hurt. 

But then your tears begin to spill over, rushing down in streams over your cheeks, and he can’t put a name to this feeling—this immense pressure that sinks down to his stomach, twisting and aching. It’s worse than what he felt moments ago. 

His thumbs press themselves to the dampness under your eyes, wiping away where he can as he cradles the rest of your face. 

Megumi is the last person anyone would ever call to handle tears, but his body moves on its own when it leans towards you. It feels natural, right, when his lips rest softly against your forehead, fingers slotting themselves around your ears. 

Your hands hold onto his wrists firmly, as if grounding yourself. 

“Please tell me what’s wrong.” 

He adjusts himself, quickly releasing his seatbelt to lean over the center console. It’s awkward and uncomfortable, and—

(It’s hard, you want to tell him. Nothing ever seems enough sometimes.) 

You tuck your face in the crook of his neck, your arms hooking themselves around his back and onto his shoulders. 

“Did I–” he starts, unsure, as he brings a hand up to cradle the back of your head, “Is it it me?” 

You shake your head. 

(Of course, it isn’t. How can it be?)

“I don’t know what to do, Megumi,” you mumble, choked up as you inch away from him to rub at your eyes. 

He waits for you to continue.

“We just graduated,” your fingers grip at your pants, “I should be happy, and I am, but,” you hiccup, “everyone has all these plans and big dreams and,” a deep breath, “I don’t even know what I want to do.” 

(Your tears soak through your speech, punctuating them in drenched uncertainty.

Everything throbs, a heavy thumping beating in your head. The only thing that cuts through is the familiar ‘click’ of the door unlocking, Megumi’s hand on the handle as you turn towards him curiously.) 

“Let’s step outside,” he directs, his door already half-open. 

When you move to follow suit, he turns off the engine before stepping outside.

The crisp air of spring is sharper in the evening, littering goosebumps down the sides of his arms. A breeze picks up and brushes against his ears, but being near you, in any capacity, has always been enough to make his insides feel warm. 

He circles around the front of the car to get to your side, pausing a few steps in front of you, as if asking for permission. 

You take a step and then another, tears welling up as you inch closer for a hug. 

“I don’t know,” you admit, voice small as you slack in his hold. He tucks you under his chin, hand cradling the back of your head again. “I always thought I’d figure it out eventually,” you continue, “but we’re here and I haven’t, and…” 

Your grip on him tightens.

“Did anyone trigger this earlier?” he asks softly, his finger rubbing against the nape of your neck. 

(That’s the problem, though—there isn’t anyone in particular. You know Megumi is asking so he can steer you clear of any future interactions with said person, but that’s not the case; it’s all you and the things you’ve overheard. All you and the things you see on your social media feed—an insecurity that drowns out anything else around you. 

People often mean well when they ask what you’re up to, but your response always leaves a bitter, acrid aftertaste when you feel like you can never give them an honest answer.) 

You shake your head, digging your face deeper into his neck. Your lips tickle his skin when you speak, “Just overheard stuff.”

Megumi sighs, holding you closer. 

He blinks once, taking in the clear open fields and the endless road ahead. Up above, stars splatter white against the sky, and if he listens closely, he’ll hear the faintest hiss of the springtime breeze. 

“It’s all just… noise,” he mumbles, lips pressing on the crown of your head. “You always tell me…” in the depths of his mind he fishes for a memory as proof,  “everything else is just noise when you have me and good music with you.” 

He feels shy recounting it word-by-word, heat rising to his cheeks; but Megumi has never been good at comfort, and this is his honest attempt at that. 

You chuckle sadly, a little watery as you reply, “It’ll just be me and the music when you leave though.” 

And even though this is your honest attempt at taking the situation lightly, the statement hits him square in the chest with its gravity.  

He hums and chooses to linger with you in the quiet, the occasional wisps of wind whizzing in the background. 

There’s not a lot Megumi can say that’ll make any of his statements valid, because all his plans have been laid out since his third year in uni: work his way through his course (which he did, in flying colors, actually), bag an internship (which he also did, for an extended contract too), and eventually land a job offer (which he also just did, a few days ago for a company in Kyoto). 

But, there is one thing he knows he can say with utmost certainty:  

“We’ll figure it out together.” 

Your head whips up quickly, brows furrowing as you give him a look. 

(If it’s what you think he’s implying, you won’t allow it. He has to—)

“...’ll still go. You’ll kill me if I don’t.” he huffs, leaning back to get a better look at you.

You look confused. 

(Megumi staying behind in Tokyo isn’t even an option for you; not when he has an attractive offer waiting for him in Kyoto, and most especially not when the only reason he’d be staying is because of you.

You’d been the one who encouraged him to apply and you promised yourself that you’d continue to support him all the way through. The fact that he’s leaving is sad, but you’ll never forgive yourself if you end up being the reason he’s held back from something so good.)

“I’ll visit,” he tucks your hair behind your ear, “or you can stay with me whenever you want while we figure something out for you.” 

“You can lean on me.” 

(His eyes meet yours sincerely, deep blue speckled with street-lit hues. It’s honest, and he only means to reassure you, but something inside you is saying—)

“You’re not… you’re not a failure, or a disappointment, or whatever, just because you’re having a hard time figuring it out by yourself.” he continues to speak, finding the right words as his hands fall down to press on your waist. “It’s why I’m here.” 

(—you should still feel bad. Your life is your responsibility, and Megumi shouldn’t be the one holding onto all the pieces when you’re struggling to get it together. And yet—)

When you open your mouth to rebut, Megumi, somehow, already knows what you’re about to say. 

“It’s not baggage, and even if you insist it is,” he pauses, as if working a way to verbalize how he feels. His eyes hold yours in this moment, tears welling up along your lash line; there is a weight to what he’s about to reveal. 

He takes a breath, swallowing. 

“I want to take it on with you.” 

Your tears fall and Megumi catches them, his thumbs gently pressing against your cheeks. 

(There are a lot more thoughts racing through your mind, but for now you focus on the peace he offers you. Megumi is rarely verbal with his feelings, so hearing him be so open like this means more to you than anything.)

“Okay,” you rest your forehead against his collarbone. 

Megumi pulls you closer as you both stand by his car, his arms a steady stronghold that grounds you. He gives you a few more moments of quiet until he feels ready to ask, “Are you ready to head home?”

You lift your face from his chest, eyes puffed up and a little dry. Your hand searches for his, interlacing your fingers together when you find it resting against the small of your back. 

“Can we drive for a little bit longer?”

He nods and his lips curl up into a smile, small and knowing as he opens the car door. 

But before you go back in, his hands take hold of yours, rubbing them gently to heat them from the cold. He brings your fingertips up to his lips, the display of affection rendering him pink, still (to you, the look on his face never gets old); he kisses them lightly before he lets go, walking to his side of the car so he can stay on this drive for as long as you’d like, until you’re ready to go home. 

a/n: i hope you enjoyed! thank you so much for reading 🥺 writing this was deeply personal, and writing megs will always be one of my favourite things 🥺

thank you notes: @pastelle-rabbit for thinking about drive megs with me and sending me songs! 🥺 + @ceroseis @mieiri for everything always 🥺

comments, tags, and reblogs are greatly appreciated ♡

[ghostfacd]

WIRED AUTOCOMPLETE. | TOM BLYTH

PAIRING. tom blyth x fem!actress!reader

SUMMARY. in which you and tom make a special appearance on wired’s autocomplete interview

installment of this au | recommend reading for more context

“Hi — we’re Y/N Avocot and Tom Blyth — and this is the Wired Autocomplete Interview!”

You’re both handed a white board, bigger than your face, and there’s a list of questions with some of the words covered.

“Do you want to go first?” Tom asks, giving you a small smile.

“Yes! I’m pretty excited actually,” you begin to peel off the first question. “Okay, first question: what was Y/N Avocot’s first role?”

You think for a moment, “well in terms of roles in general, my first acting role was very small and I believe it was for this ice cream commercial as a kid. I’m not sure if it’s still up but my mom had signed me up for it and they thought I was a really cute kid so they casted me.”

Tom laughs, “really?” He then retrieves his board from the crew. “Okay my turn. Why does Coriolanus Snow turn evil?”

That question makes you slightly giggle, because it’s so broad that it’s nearly impossible for Tom to narrow down exactly what it is that made Coriolanus suddenly switch. “I believe you should be asking Suzanne Collins, shout-out to her for making the entire trilogy and prequel. But honestly? I think he was always power hungry, and even though Tigris tried her very best to bring out the humanity in him, it was just never enough. Especially after Sejanus’s death, I think Coriolanus realized there was no going back.”

“Oh wow,” you say, very impressed with how he decided to answer it. “That was a terrific answer Tom.”

“Thank you m’lady.” You giggle at his antics, rolling your eyes jokingly.

“What role does Y/N Avocot play in The Ballad of Songbirds and Snakes?” You clear your throat, imitating one of your character’s iconic resting bitch face.

“I play Balleona Laurent, duh.” You joke. “Anyway, yes, I play Balleona, also known as Leona. She’s originally from the Capitol just like Coriolanus. They met at the academy and she automatically knew she had to have him. She comes from the Laurent family, which is a very very wealthy, well off, intimidating family that Coriolanus knows he just has to get into, which is why they start dating. I don’t wanna spoil too much of Leona and Corio in the movie, soooo you guys should definitely check it out!”

“Alright,” Tom adjusts himself in his seat, ripping off the paper for the next question. “Does Tom Blyth have a girlfriend?”

He pretends to think, which makes you bite your lip, suppressing a laugh. “Hmm, very complex question.”

“Oh give the people what they want!” You tease, “yes he does. He’s inlove with Jennifer Lawrence.”

“I am not inlove with Jennifer Lawrence!” He exclaims quickly, “although I greatly admire her work. My girlfriend is Y/N Avocot over here, sadly.”

“Sadly?!” You fake offense, “cut the cameras. I’m gonna beat Tom up.”

You peel away at your next question, the interview already being loads of fun for the both of you. “Is Y/N Avocot a good singer?”

Your head falls forward, and Tom’s automatic instinct is to catch you, not realizing you’re only joking. “Oh God, I hope so!” You say, laughing as you pick your head up. “I’m no Mariah Carey but I like to think I’m a pretty okay singer.”

“More than okay,” Tom chimes in, which makes you laugh.

“Aw, thanks Tom.”

Tom reaches to peel another question off. “Is Tom Blyth American?” This question makes you almost spit out the water you were currently taking a sip out of. “Well, a lot of people get shocked when I say I’m from the UK. I mean, is my American accent that good?”

“Guess so,” you shrug. “Okay next. Is Y/N Avocot in The Summer I Turned Pretty?”

You clasp your hands together excitedly, giving the camera a wide smile. “Yes! I play Maekella Fisher, also known as Ella Fisher, Steven Conklin’s love interest and sister to Conrad and Jeremiah. The first season airs out soon so please stay tune for that! I’m so excited to be apart of this amazing show with such amazing people.”

“I always come to watch her on set,” Tom says, “they’re all such funny and charismatic people. I swear I’ve became friends with everyone on Y/N’s cast.”

“Okay, my last question,” Tom peels off the paper, grinning. “Will Tom Blyth star in another movie soon?”

He smirks, eyes playfully looking into the camera. “Who knows? But I do know that something exciting will be coming out soon so prepare yourselves!”

“Way to tease the crowd Blyth,” you say, rolling your eyes. “Anyway! My last question, this was quick. What is Y/N Avocot’s skincare routine? Oh, I’ve been waiting for this one.”

You sit on the edge of your seat, and Tom finds it endearing that you’re so excited about something as small as this.

“First, I rinse my face with cold water and I dip my face in a bowl of ice and water for 3 minutes. Afterwards, I put on my dewy toner from Innisfree, it’s so smooth and nice. Sometimes I’m too lazy for this step but I also put on sunscreen, it’s important so I always remind myself to not forget— but I love to use Supergoop Unseen’s Sunscreen. I use drunk elephant’s bronze drops if I wanna go for a sunkissed look that day, but I usually don’t. And then I just shake my Tower facial spray and spray it all over my face. Usually, I touch up my eyebrows and do my eyeliner but that’s really about it!”

“It’s true,” Tom adds. “She asked me if I could go buy her the tower spray yesterday because she was almost out.”

“No need to expose me like that,” you say, clinging your arms onto his. “Well thank you guys for watching!”

“Thank you!” Tom and you wave at the camera, smiling brightly.

[formulawolff]

xiv. the aftermath - t.w.

pairing: female driver!reader x toto wolff

word count: 3.3k

warnings: ANGST, lots of angst, mentions of sexual relationships, slight mentions of misogyny, cursing, slut-shaming, mentions of divorce, toto is lowkey yearning through this messiness, yadayadayada

prev. | next.

“do you have any idea how serious this is?”

you huff, rolling your eyes slightly, “i am quite aware.”

“you are actively engaging in a sexual relationship with the team principal of another–”

˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧⁺˖

“james,” a voice interjects, “do not make assumptions. we are not quite aware of the details or nature of their relationship.”

james scoffs, folding his arms across his chest, “i think i have a pretty good idea of the nature of their relationship. she fucking kissed him. in front of the entire world, nonetheless. it was not just a small peck either it–”

“james,” the voice’s tone shifts, hardened with a sternness, “she’s a twenty-two year old woman. she can speak for herself. i am aware that you are very passionate about the current reputation of the team, but i think we need to let her speak for herself, hmm? would you like to make a comment regarding the incident in monaco?”

your gaze falls on sir patrick head, co-founder of williams racing. surrounding you were members of the board, along with members of the management committee. all around, the paper white walls of the board room were blank, reminiscent of an interrogation room. the lack of notebooks, tablets, and laptops on the table were no help either, as you felt the entire focus of the room was lasered in on you. to your left was james, alex on your right. 

marcus prosser, one of the heads of commercial and marketing sat across from you, his phone lying on the table, recording every single second of the ongoing conversation. you swallow the lump in your throat, shifting uneasily in your chair. 

“do you want me to start from the beginning again or?”

“if you would like,” patrick shrugs, “you are not inclined to share every detail regarding your relationship with the mercedes team principal. we would like to know the gist of it, that’s all. is it strictly personal? borderline business? has he spoken of any future contract deals? that sort of thing.”

“well,” there was no reason to lie anymore, “after the first grand prix, in bahrain, he approached me. that was the beginning of our personal relationship.”

“did he mention any sort of thing about a future contract with mercedes?” marcus inquires, jotting down a few notes, “look, to put it plainly, the fia wants to ensure that your contract was not breached. that is the main thing that everyone is buzzing about. if he approached you with a contract deal and then began a personal relationship with you, then that’s textbook manipulation. mostly due to the fact that he was using the deal as leverage to kindle that relationship. and he deserves to be punished for that.”

“but what about me?” you raise a brow, “i consensually agreed to the personal relationship. i wanted–”

“you have to remember that you are thirty years younger than this man,” marcus’ voice is quiet, “he took advantage of you. he knew your age, and he began a relationship with you.”

“what happened to me being an adult?” you counter, “i am so sick of this bullshit that everyone is spreading around. i wanted a relationship with him. it wasn’t like he cornered me and demanded that we start seeing one another. it developed over time–”

“developed over time?” patrick’s brow furrow, “elaborate on that.”

“oh my god. i feel like we’ve been over this about a million times,” you exhale, “the relationship started in bahrain after the grand prix. we have been seeing one another in private since that night. i made things public in monaco. are we forgetting that here? that i was the person who initiated that kiss?” 

“so in summary,” marcus clears his throat, his eyes honed in over the plethora of notes before him, “you placed eighth in bahrain. toto wolff approached you later that evening, stating that he wanted a personal relationship with you. in these last few weeks, the two of you have been engaged in a romantic relationship. is that correct?”

“let’s not forget that in that time, he did approach me inquiring about her contract,” james interrupts, “that was around jeddah or miami, i don’t really recall the details.”

“while i appreciate the statement,” marcus’ eyes narrow, glaring over at the team principal, “i was speaking to your driver.”

sucking in a breath, you nod, “everything we have discussed thus far has been answered to the best of my ability.” 

“i see no further need for questioning,” marcus leans forward, pressing the stop icon on his screen, “if no parts of her contract have been breached, then i see no issue with their relationship. additionally, i trust that she has a good head on her shoulders and would not betray the team in any fashion. however, if there are future contract talks or negotiations, then you must facilitate a meeting with not only us and mercedes, but with the fia. they will want to ensure that you are not treated differently than any of the drivers or given perks that most drivers are not.” 

“that’s it?” james coughs, “what about—“

“you can speak with her on your own accord,” patrick leans back in his chair, folding his hands behind his head, “you have to remember james, she has won us a significant number of grand prixes. she is currently in first place for the title. and with her current trajectory, i do envision her standing on that podium, showered in champagne.” 

“you see,” marcus taps his pen against the table, “if anyone’s reputation is suffering, it’s toto’s. he is the one who has a family. he is the one with an established career at mercedes. our american girl here, sponsors, investors, and the general public can forgive and forget. especially when there are world titles at stake.” 

“but what about our team?” james retaliates, his voice growing louder with each and every word, “what about our reputation?” 

“to be quite honest,” james, the other marketing head chips in, “we haven’t seen much talk regarding our reputation. most of the focus is on toto, like marcus said. additionally, imagine the publicity that are going to come out of this. drive to survive has already sent usa number of inquiries regarding an episode about our american girl. the fans are raving. in their words, they’re excited for the drama that will unfold in the coming season.” 

“so to clarify,” you pipe up, “i’m not in trouble?” 

“no, you’re not in any sort of trouble,” patrick’s voice was gentle as he spoke, “this is something that has never happened before in the history of formula one. there is sort of a grey area. at least, right now. per your contract, we cannot dictate who you can or cannot date. however, if you end up deciding that you would like to join toto at mercedes, please be as transparent with us as possible. additionally, be forewarned that the fia may not allow it due to conflict of interest.” 

“right,” you nod, fiddling with your thumbs, “i thought i was going to lose my seat, if we’re being honest.”

“as long as you do not leak confidential team information with mr. wolff, then i do not see an issue with it,” patrick affirms, “we can’t afford to lose you. you’re our little shining star.” 

at his tenderness in his words, tears brim your eyelids, threatening to spill over. your lower lip trembles, alex wrapping an arm around your shoulders as your voice shakes, “i-i can’t th-thank you guys enough. for everything. thank you for sticking by my side as we figure this mess out.”

“it’s not the worst we’ve seen,” a chuckle bubbles up in patrick’s throat, “sure, we may appear to have a no-nonsense policy, but we consider ourselves to be pretty flexible. also, this isn’t a mess. honey, it’s your personal life. of course we’re going to make sure that your well-being is prioritized. if you want to pursue a relationship with this man, we just want you to be happy.”

“besides,” marcus shoots you a wink, “it’s our job to keep the press at bay. if you would like, we can release a statement that we have thoroughly investigated the matter and will not make any further comments. that will keep the media satisfied until mercedes releases their own statement.”

“that would be nice,” you sniffle, wiping away a tear, “again, thank you so much. you guys have no idea how much this means to me.”

“we’re not going to force you to end things with someone just because you’re on different teams,” patrick rises to his feet, crossing over to you. patting your shoulder, he continues, the corners of lips curled into a sympathetic smile. 

“besides, susie wolff worked with us for quite some time. although the circumstances are a little bit different this time around, this wouldn’t be the first time we’ve had a williams driver and a mercedes team principal involved in a romantic relationship.”

in the wake of monaco, it almost felt as if your little secret was completely exposed, for the entire world to pick apart and ridicule. 

well, it was your fault, after all. 

to make things worse, you could no longer seek out your escape, as he was thirty-nine miles away. 

in the moments following the kiss, the wave of realization came crashing over the two of you, the cameras flashing, gasps arising from the crowd. you were whisked away by james, the image of toto almost disappearing as more and more journalists swarmed him, their phones and mics poised, eager for any sort of information regarding what just occurred. 

it didn’t take long for the headlines to be blasted all across social media, tabloids, and any sort of press associated with the world of formula one. 

toto wolff, team principal of mercedes-amg petronas, was deeply involved in an affair with the twenty-two year old williams driver.

to put it lightly, you spent the following hours sobbing in your motorhome, the guilt filling you to the brim, pouring out as the tears splattered all over your pillow. 

alex was the first one to offer solace, reaching out hours after the monaco grand prix. 

when you didn’t answer the phone after about sixty-seven calls, he showed up, flowers and snacks in hand, a mix of emotions painted across his features. 

yet, the second he noticed the tears, he set the items down at the door, scooping you up in his arms, rubbing your back as the sobs rang out, filling the space with your wails. 

“are you okay?”

“d-does it look i’m okay?”

“can i come in?” 

“if you even want to talk to me right now. the entire world hates me.”

“even if the world hates you, i love you. let me in.”

so, you allowed him in, your walls crumbling completely as you started from the very beginning, recalling every possible detail. you began with bahrain, filling in the spaces through monaco, including the spat with daniel, as well as your time in brackley. at first, alex was stone-faced, taking it all in. however, once you were finished, wiping away your tears once again, he leaned over the couch, offering you a tissue. 

“you’ve been wiping away your own tears the last few hours. let someone else do it for you this time.”

the only aspect you did not include was the offer to sign with mercedes. as much as you wanted to tell someone, to get that crushing weight off your chest, you knew you couldn’t. that was far too risky. well, not like there were many risks left. your biggest secret had been spilled to the entire world, no thanks to you. 

so much for keeping things between the two of you. 

as much as you wanted to believe that the other drivers despised you after monaco, that was far from the truth. 

lando, charles, lewis, george, and oscar had reached out, mostly voicing their support. lando was shocked, but he was more concerned about your well-being. same with oscar and charles. 

lewis and george on the other hand, had somehow gotten ahold of your number, leaving a series of voicemails. 

hey, hey, hey. it’s lewis. george and i want to come over and talk for a little bit, if that’s okay? i promise we just want to comfort you. toto is not doing too well either. if you want, we can sneak him over here somehow. it may be kind of hard, but we’ll try our best to make it happen. 

hello, it’s george. we know that you’re really in the chatting mood right now, but we want to come over and bring toto. we know you need him. we would just make sure that no one comes by or bothers the two of you. just let us know what’s the best option. i hope you’re okay. 

however, you never called the british drivers back. 

it wasn’t like you didn’t want them to bring toto or comfort you, it was just the matter at hand. 

they didn’t deserve to be whisked into this. 

and fuck, they sure as hell did not deserve any negative press if they were spotted around your motorhome or speaking with you.

sure, you were really fucking scared of was what to follow in terms of your future career following the kiss of monaco, but you were more apprehensive of the press. the fia was vicious at times, but nowhere near as ruthless as the headlines, articles, and videos the press created. if the fia was a storm, the press was a hurricane.

and sure enough, it seemed as if the media was never going to let this go. even though the entire grid was prepping for canada, here the press was, pestering you for comments or tidbits on your little “affair” with the team principal. they nearly salivated over it, the slightest morsel or crumb of information dramatized into a lengthy article or used for clickbait, generating thousands upon thousands of views. 

you were called a slut. you were called a whore. you were referred to as a homewrecker. it was stated over and over again that you should never set foot in a garage or sit behind the wheel of a car ever again. 

this is why women should not be in formula one. they fuck everyone and everything in sight. even married men. 

god, what a fucking slimy slut. fucking a married man? breaking up a family? the fia should ban her from competing for the foreseeable future. 

yet, the general public was unaware of one crucial piece of information. 

toto wolff was a single man. 

a very single man. 

˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧⁺˖

“i cannot believe you. i cannot fucking believe you.”

toto wolff sat in his office chair as a figure paced back and forth, shaking her head, her tone laced with a venomous barb. 

before him stood susie wolff, her neatly cut hair bobbing as she moved, “toto, you have fucked up before, and i have happily stood behind you, supporting you with everything i have. but this? oh my god. oh my fucking god. this is absolutely atrocious.”

yet, the team principal’s mind was focused on other matters. 

his mind wandered, relishing the way your plush lips felt in that moment in monaco. the way your arms were around his neck, pulling him closer and closer to you as your mouths molded together, his tongue slipping in as your head rolled back, granting him more access. the way your beautiful lashes fluttered. the way you marched up to him, determination deeply embedded across your gorgeous face. the way the entire world around slowed, the team principal completely lost in you as the cameras recorded, taking in every second of the kiss. 

fuck, he missed you. 

too much. 

so much that he took every blow from susie’s frustration with ease, still as a statue as she continued on, the words drowning in his ears. 

“are you even fucking listening to me right now?” the question snaps him out of his trance, the team principal blinking.

“sure.”

“what the fuck is wrong with you?” she growls, pointing a finger at him, “do you have any idea how much this has diminished our reputation? our marriage?”

“what marriage? we’ve been divorced for some time, susie.”

“the marriage we’ve been putting on for the cameras!” the blonde exhales, bringing a hand to her temple, “we’re supposed to be happily married, toto. or was that something that slipped your mind as you were fucking that little american driver? in our home, nonetheless.”

at the sheer spite in her tone, the team principal’s jaw clenches, “you have no idea what you’re talking–”

“i know you toto,” fingers massage her temple, “it’s pretty obvious that you’re screwing her. if you weren’t, you would have dropped her like a fucking hat the moment she pulled that little stunt in monaco.” 

since monaco, the days blurred together. 

how was he supposed to rebuild his broken reputation, his shattered world when you were thirty-nine miles away? 

well, not like there was much to repair. 

after the incident, the team principal was thoroughly investigated by mercedes, as well as the fia. he answered every single one of their questions with his full capabilities, ensuring to include every detail that would grant him some grace. well, there were a few things he left out. 

one, your visit to brackley. 

two, the numerous conversations involving his offer to sign you with mercedes. 

three, the fact that you were joining him at mercedes for the 2025 season, driving alongside george russell. 

there were no recorded conversations, messages, or evidence proving that he was planning to sign you. so, there were no repercussions. the only incident found was the time he spoke with james, inquiring about the details of your current contract. 

sure, toto was a little careless when it came to keeping things private. 

but he was not an idiot. 

he was not going to lose his job over this, that was for sure. if the fia was to discover about his offer to make you a world champion at mercedes, he would be terminated immediately. so, that part was to remain in the dark. 

at least, for the time being. 

after speaking with the board members of williams racing, mercedes made it very clear that if there were to be talks of signing the american driver, or even hints of wanting her to join the team, then it needed to be officiated among both teams, in a space where the conversation could be recorded. there were to be no special perks, exceptions, or favoritism towards the driver. each and every aspect of a future contract would be detailed in a manner to ensure fairness and equality. 

additionally, since this was one of the first few times that a team principal was involved in a romantic relationship with a driver, there were not a lot of rules or regulations regarding the subject. the fia made it clear that they truly had no direction or idea of how to go about the matter. and since it was not a prominent issue in the world of racing, they were going to leave it up to the teams to deal with the matter. 

thank god for the gray areas. 

yet, there were repercussions. consequences of his actions. 

and one of those repercussions was standing before him, her eyes narrowed, her brows knit together, foot tapping against the floor.

“toto, just tell me this one thing.”

“and that is?” toto presses, leaning back in his chair. 

susie inhales a sharp breath, her fiery gaze breaking away from the team principal as she stares at the floor, eyes glossy from the promise of tears. 

“are you in love with her?”

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[three-blogs-in-a-trenchcoat]

Okay but think of the comedic potential of the Leverage OT3 having been together for years by the time of Redemption, and at one point the others find out.

Breanna would be like "oh my god how did I not see that". Sophie would go "oh that explains a lot of things". (And yeah, it would also be on board for her to know, but one, it's been established that unconventional relationships are kind of a blind spot for her, and two, Parker is weird enough and Eliot's act is good enough that it would help throw her off the scent.)

(Harry wouldn't care much probably.)

And the possibilities of how it could happen. Like. Hardison is up in space, Eliot and Parker are doing something for a con, they see someone coming, Parker is like "quick, let's make out", and throws herself on Eliot. Eliot is like "no, not the lips", but he goes along with it, and then when they're in the clear, he's like "why do you always bite my lips? you didn't have to bite my lips", to which Parker replies "I was playing a character. Clara is a lip biter", and Eliot goes on an angry rant about the whole thing, but also the others overhear it, and Breanna checks in like "Eliot always says it? how often do you guys make out on cons?" and Parker goes "Eliot's not talking about the cons."

OR Parker is upset by something, and leaves the room, and Eliot goes after her, and when he doesn't resurface for a while Breanna goes after him, and they're kissing, and Eliot shouts at her to get out, but she's like "Okay. This is not cool. Eliot, you're super scary and I can see you're pissed at me right now, but I gotta call Hardison," and they're both like no, you don't have to do that, but he's already on call, and Breanna tells him everything. Eliot is facepalming and sighing the whole time. Parker is just like "what? they had to find out eventually." And then Breanna finishes, everyone is dead silent, waiting for his reaction, and Hardison is like "So y'all wasted my time with this? [five-minute rant about how busy he is]" Breanna is flabbergasted. "So Eliot makes out with your girlfriend and that's your reaction?" So Hardison just goes "Damn sis I better damn hope that when my girlfriend is upset our boyfriend would go and comfort him. Get yo act together." He hangs up, camera cuts to Breana, her face frozen while trying to process the information. Then she just goes "HOLY SH-" [commercial break]