#commercial bicycles
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I think the part where lisa is like "you probably didn't even drive back when you were alive. you probably rode on one of those bicycles with the big stupid wheel in the front" and the creature looks at her and she's like "you did" is really funny
#she's so rude. I love her#personally I think he died around 1889 at around 19 because I like the idea that he came back a century after death#so if that's about when he died he would've been around to see both penny farthings and the beginning of commercial cars#take my headcanon with a grain of salt though because there's probably a more accurate way to figure out when exactly he lived and died#I've just only seen the movie once lol#lisa frankenstein#lisa swallows#the creature#creature swallows#EDIT apparently he died 1837 so he would not have ever seen one of those#look at this guy. he doesn't even know what a bicycle is
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Turin Italy
Photo: Dieter Krehbiel
#urban photography#commercial#billboard#advertising#model#bicycle#turin#torino#italia#italy#dieter krehbiel#photographers on tumblr#street photography#2010s#black and white photography#black and white#urban#urban life#photography
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Don’t forget to attend the 1985 Bike A Thon
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Creative Ways You Can Improve The Global Tire Cord Fabrics Market Is Expected To Register A Considerable Growth By 2032: AMR
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I stumbled upon a BBC recording from 1970, where two women in their 90's were interviewed about their teenage years. These women had been born in 1880's so they were in their teens in 1890's-1900's.
One woman recalled how her brother had seen this weird machine on a shop window, and women working with these machines. It was a typewriter and the place was hiring women to learn how to type with it. She also was bicycling a lot in her teens, and told a story how she once accidentally drove into a policeman. She and her friends were summoned to a court and fined 5 shillings each for this preposterous activity. The magistrate has been most horrified and disgusted that these young women hadn't been horse riding but bicycling when this collision happened!
It was amazing to hear. These women has gone such a huge jump in development of society and technologies from 1880 to 1970! I can't remember where I heard it but when we look back at time, humanity globally has advanced between 1900-2000 as much as in the previous 5000 years.
These ladies had seen the dawn of electricity; the very first electric cars and horse-pulled handsome cabs turning into busses, taxes and cars; Titanic; two world wars; suffragette movement fighting for women's rights and women getting these rights; the Wright brother's first plane and it leading to commercial flights and eventually to the moon landing; rise and falls of nations in Europe and changes on European map; the changes in workplaces and work place regulations; the development of radio; the whole history of TV; the fast changing clothing styles by each decade; the invention of plastic. They were born just 4 years after a telephone was patented in 1876.
I'm a pre-internet era child. Pre-mobile phone era child. I can recall when news told how this thing called internet is now open and how we predict it to become important. I can tell how huge difference mobile phones, emails, internet, video services, art programs etc. have done to the world. I'm every day grateful for the internet and technology because it was brought me to all I dreamed of and wanted as a child. Endless amounts of movies, comic, pictures, information, connections to everywhere in the world, exploration. Niche books and stuff I could never even see in my whole life without internet! In a need of a certain character reference? Just google it! Want to see that particular scene from a movie or a game? Go to internet, it's there!
And yet, I can never experience the same gigantic jumps as these 1890's teenagers did.
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Auto-Generated Junk Web Sites
I don't know if you heard the complaints about Google getting worse since 2018, or about Amazon getting worse. Some people think Google got worse at search. I think Google got worse because the web got worse. Amazon got worse because the supply side on Amazon got worse, but ultimately Amazon is to blame for incentivising the sale of more and cheaper products on its platform.
In any case, if you search something on Google, you get a lot of junk, and if you search for a specific product on Amazon, you get a lot of junk, even though the process that led to the junk is very different.
I don't subscribe to the "Dead Internet Theory", the idea that most online content is social media and that most social media is bots. I think Google search has gotten worse because a lot of content from as recently as 2018 got deleted, and a lot of web 1.0 and the blogosphere got deleted, comment sections got deleted, and content in the style of web 1.0 and the blogosphere is no longer produced. Furthermore, many links are now broken because they don't directly link to web pages, but to social media accounts and tweets that used to aggregate links.
I don't think going back to web 1.0 will help discoverability, and it probably won't be as profitable or even monetiseable to maintain a useful web 1.0 page compared to an entertaining but ephemeral YouTube channel. Going back to Web 1.0 means more long-term after-hours labour of love site maintenance, and less social media posting as a career.
Anyway, Google has gotten noticeably worse since GPT-3 and ChatGPT were made available to the general public, and many people blame content farms with language models and image synthesis for this. I am not sure. If Google had started to show users meaningless AI generated content from large content farms, that means Google has finally lost the SEO war, and Google is worse at AI/language models than fly-by-night operations whose whole business model is skimming clicks off Google.
I just don't think that's true. I think the reality is worse.
Real web sites run by real people are getting overrun by AI-generated junk, and human editors can't stop it. Real people whose job it is to generate content are increasingly turning in AI junk at their jobs.
Furthermore, even people who are setting up a web site for a local business or an online presence for their personal brand/CV are using auto-generated text.
I have seen at least two different TV commercials by web hosting and web design companies that promoted this. Are you starting your own business? Do you run a small business? A business needs a web site. With our AI-powered tools, you don't have to worry about the content of your web site. We generate it for you.
There are companies out there today, selling something that's probably a re-labelled ChatGPT or LLaMA plus Stable Diffusion to somebody who is just setting up a bicycle repair shop. All the pictures and written copy on the web presence for that repair shop will be automatically generated.
We would be living in a much better world if there was a small number of large content farms and bot operators poisoning our search results. Instead, we are living in a world where many real people are individually doing their part.
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If you were to imagine the first car-free neighborhood built from scratch in the modern US, it would be difficult to conceive such a thing sprouting from the environs of Phoenix, Arizona. [...] But it is here that such a neighborhood, called Culdesac, [...] an unusual experiment has emerged that invites Americans to live in a way that is rare outside of fleeting experiences of college, Disneyland or trips to Europe: a walkable, human-scale community devoid of cars.
[...] The apartments are also mixed in with amenities, such as a grocery store, restaurant, yoga studio and bicycle shop, that are usually separated from housing by strict city zoning laws. ... “It’s positively European, somewhere between Mykonos and Ibiza,” said Jeff Speck, a city planner and urban designer who took a tour of Culdesac earlier this year. “It is amazing how much the urbanism improves, both in terms of experience and efficiency, when you don’t need to store automobiles.” ... [C]ar dependence has been reinforced by zoning laws that not only separate residential from commercial developments, but require copious parking spots added for every new construction. “The result is a nation in which we are all ruthlessly separated from most of our daily needs and also from each other,” Speck said.
Culdesac can be seen, then, as not only a model for more climate-friendly housing – transportation is the US’s largest source of planet-heating emissions and, studies have shown, suburban sprawl fuels more of the pollution causing the climate crisis – but as a way of somehow stitching back together communities that have become physically, socially and politically riven, lacking a “third place” to congregate other than dislocated homes and workplaces. ... Vanessa Fox, a 32-year-old who moved into Culdesac with her husky dog in May, had always wanted to live in a walkable place only to find such options unaffordable. For her, Culdesac provided a sense of community without having to rely on a car every time she left her apartment. “For some, cars equal freedom, but for me, it’s a restriction,” she said. “Freedom is being able to just simply walk out and access places.” ... Driving to places is so established as a basic norm that deviation from it can seem not only strange, as evidenced by a lack of pedestrian infrastructure that has contributed to a surge in people dying from being hit by cars in recent years, but even somewhat sinister. People walking late at night, particularly if they are Black, are regularly accosted by police – in June, the city of Kaplan, Louisiana, even introduced a curfew for people walking or riding bikes, but not for car drivers.
If neighborhoods like Culdesac are to become more commonplace, then, cities will not only have to alter their planning codes, but there will also have to be a cultural switch from the ideal of a large suburban home with an enormous car in the driveway. [...]
Johnson, who said he is planning to bring the Culdesac concept to other cities, is upbeat about this. “This is something that the majority of the US wants, so they can work all over the country,” he said. “We have heard from cities and residents all over the country that they want more of this, and this is something that we want to build more.”
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[ID: Buttermilk being poured from a Moroccan ceramic cup with orange and black geometric designs into a glass. End ID]
لبن نباتي / Lbn nabati (Vegan traditional buttermilk)
Lbn (لْبْنْ or لْبَنْ; also transliterated "lban") is a Moroccan buttermilk drink. It is not to be confused with standard Arabic لَبَن ("laban"), meaning "milk"; with Levantine لَبَن ("laban"), also called لَبَن رَائِب ("laban ra'ib"), which is curdled milk (a.k.a., yoghurt); or with Levantine لَبْنَة ("labna"), which is yoghurt that has been strained and thickened.
Instead, lbn is a traditional buttermilk. It is historically made the same way Western traditional buttermilk is: by leaving raw milk to sit at room temperature while the cream separates and rises to the top, allowing the cream to ferment, and then churning the cream until it separates further into milk solids (cultured butter) and a cultured liquid byproduct (traditional buttermilk). Commercial Western buttermilk, and some Moroccan lbn, is now no longer traditional buttermilk but instead cultured buttermilk, which is produced by fermenting low-fat milk; this produces a thicker, more acidic liquid than traditional buttermilk. Lbn is usually made with goat's milk, though cow's milk is also often used.
Lbn—very sour and tangy, slightly sweet, and about the consistency of milk—is consumed as a refreshing after-dinner drink during the summer. It is also used to soak كُسْكُس ("couscous") (made from durum, barley, or corn flour). Couscous with lbn is called سَيْكُوك ("saykouk") in Darija (Moroccan Arabic), or أزَيْكُوك ("azaykouk") in Tamazight.
Saykouk is a cold dish, commonly eaten in the desert and in rural areas during the summertime; but it is also sold from food carts and by vendors on bicycles year-round in cities. On Fridays, Moroccans often eat couscous dishes with lbn on the side, and may make some on-the-fly saykouk by pouring lbn into their bowls to soak the couscous that remains after the vegetables or meat in the dish have been eaten.
This recipe resembles cultured buttermilk, in that it ferments non-dairy milk with live cultures to achieve a sour taste. However, it more resembles traditional dairy buttermilk in taste and texture. Note that this lbn is intended for drinking and for recipes that call for Moroccan traditional buttermilk, and not for replacing Western cultured buttermilk in pastries or pancakes.
Recipe under the cut!
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Ingredients:
2 cups full-fat oat milk
1-3 vegetarian probiotic capsules (containing at least 10 billion cultures total)
A few pinches salt
A few pinches granulated sugar
Make sure your probiotic capsules contain no prebiotics, as they can interfere with the culture. The probiotic may be multi-strain, but should contain some of: Lactobacillus casei, Lactobacillus rhamnosus, Bifidobacterium bifidus, Lactobacillus acidophilus. The number of capsules you need will depend on how many cultures each capsule is guaranteed to contain.
Instead of probiotic capsules, you can use a specialty starter culture pack intended for use in culturing vegan dairy, many of which are available online. Note that starter cultures may be packaged with small amounts of powdered milk for the bacteria to feed on, and may not be truly vegan.
Other types of non-dairy milk may work. My trial with soy milk did not succeed (it never became notably tangy). Soaked and blended cashews will thicken substantially, so be sure to blend cashews with at least twice their volume in (just-boiled, filtered) water if you want to use cashews as your base. I found that oat milk, as well as being more convenient and cheaper than cashews, more closely mimicked the taste of lbn. I have not tested anything else.
Instructions:
1. Boil several cups of water and use the just-boiled water to rinse your measuring cup, the container you will ferment your lbn in, and a wooden spoon or rubber spatula to stir. Your bowl and stirring implement should be in a non-reactive material such as wood, clay, glass, or silicone.
2. Measure oat milk into a container and open probiotic capsules into it. Stir the powder from the capsules in until well combined.
3. Cover the opening of the container with a cheesecloth or tea towel. Ferment for 24 hours: on the countertop in temperate weather, or in an oven with the light on in cold weather.
Taste the lbn with a clean implement (avoid double-dipping!) to see if it is ready. If it still tastes 'oaty,' continue fermenting for another 1-3 days, tasting every 12 hours, until it is notably tangy.
4. Blend lbn with large pinches of salt and sugar; or put lbn, salt, and sugar in a jar with a lid and shake to combine. Taste and adjust salt and sugar.
5. Store in an airtight container in the refrigerator for up to a week. This lbn will continue to culture slowly in the fridge and will eventually (like dairy lbn) become too sour to drink.
Serve chilled.
#I'm really excited about this one guys I have been racking my brain for a way to make vegan lbn forever!!#but that was before I knew about the power of culturing#Moroccan#cultured#fermented#vegan recipes#vegetarian recipes
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Robert William Thomson was born on July 16th 1822 at Stonehaven.
The names of the great Scottish inventors roll easily off the tongue; John Logie Baird, Alexander Graham Bell, Charles Macintosh, and John Dunlop inventor of the pneumatic tyre, or should that read re-inventor of the pneumatic tyre?
Indeed it should read re-inventor; the pneumatic tyre was in fact patented by one of Scotland’s most prolific, but now largely forgotten, inventors, Robert William Thomson on 10 December 1845, some 43 years before John Dunlop’s re-invention. Thomson’s “Aerial Wheels” were subsequently demonstrated in Regents Park London in 1847 and proved to all present that they could both reduce noise and improve passenger comfort.
Robert was born in Stonehaven, the was the son of a local woollen mill owner and was the eleventh of twelve children. Originally destined for the ministry, he apparently had great difficulty coming to terms with Latin,so refused his family’s wishes.
Instead, at age 14, Thomson was shipped to an uncle in the United States, where he served an apprenticeship with a merchant. Upon his return to Scotland, Thomson immersed himself in science, learning all he could about chemistry, electricity and astronomy, and soon began improving the design of mechanical devices in the family’s household. After serving an engineering apprenticeship, Thomson found work as a civil engineer and soon after designed a method of detonating explosive charges via electricity, this saved thousands of lives in the coal mining industry alone.
On December 10, 1845, at the age of 23, Thomson was granted a British patent for the very first pneumatic tyre, a device he called the “Aerial Wheel.” Intended for use on carriages (because bicycles had not yet been popularized), the Aerial Wheel used a rubberized fabric tube filled with pressurized air and encased in a thick leather outer skin. This leather “tire” was bolted to the rim, and the tread section was then stitched to the tyre’s sidewalls. By period accounts, Aerial Wheels yielded a much improved ride compared to conventional solid wheels, and even proved durable enough to accumulate more than 1,200 miles before wearing out. The following year Thomson applied for and received a French patent for his pneumatic tyre, and in 1847 he was granted a U.S. patent for his design.
Though revolutionary, Thomson’s Aerial Wheels were never commercially successful. The cost of the rubber needed for construction of the wheel’s pneumatic bladder priced the product beyond the means of most, and the improvement in ride quality failed to justify the expense in the eyes of the public.
It wasn’t until 1888 that another Scottish inventor, veterinarian John Boyd Dunlop, improved on Thomson’s design to create a pneumatic tire for bicycles, as a means of preventing the headaches suffered by his son when riding his bicycle on bumpy roads. In 1888, Dunlop was given his own patent for the improved pneumatic tyre, but two years later, this was rescinded due to its conflict with Thomson’s Aerial Wheel. Undeterred, Dunlop continued his work on the pneumatic tyre, and by 1890 was mass-producing tyres for bicycles at a factory in Belfast.
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HEARTSTOPPER INCORRECT QUOTES
Tao: Sir, can I listen to music?
Mr. Farouk: No Tao, you could be cheating!
Tao: Oh ya! Because Ed Sheeran gonna sing to me isn’t he! *eye roll*
Mr. Farouk: Tao, are you mocking me!?
Tao: Yes! That’s what I do when someone says something stupid!
Mr. Farouk: Also, Darcy! Why do you have your feet up on the desk?! Would you do that at home!?!???!
Darcy: Would I put my feet up at home? Yes you moron!
Mr. Farouk: Apologize for that right now!
Darcy: But whyyyyyyyy?!?!
Mr. Farouk: Until you apologize, you’re not going to lunch
Darcy: I don’t care! The food here tastes worse than your nans feet!
Mr. Farouk: It’s your time you’re wasting!
Darcy: It’s not though is it.
Aled: Sir, don’t act like you don’t want to go see Mr. Ajiei after class!
Mr. Farouk: How the fuck do you know about that!!!????!!!!
Class: *Histarical laughter*
Nick: *Talking to Charlie* Ok, so, you make 10 meals you’re not a chief, you make 20 paintings you’re not an artist!
Charlie: *See’s Ben lying on the floor*
Nick: BUT YOU KILL ONE PERSON!!!!
Charlie: I’m going to a party
Tori: Are you going to get drunk?
Charlie: No
Tori: Are you gonna get in fight?
Charlie: No
Tori: Are you gonna get dick?
Charlie: No
Tori: Then why the fuck do you wanna go to a party?!
Tori: Some people have a boyfriend
Charlie: *blinks*
Tori: Some people have a girlfriend
Charlie: *blinks*
Tori: But IM stuck with DEPRESSION!!!???
Charlie: You wanna know how I’m like a bicycle?
Nick: Because when people learn how to ride you, they never forget. *smirks*
Charlie: *blushes* I..I was gonna say because I was 2 tired 😳
Charlie: My boyfriend is too tall for me to kiss him on the lips. What should I do?
Tori: Punch him in the gut and when he doubles over in pain, kiss him.
Elle: Tackle him!
Tao: Dump him!
Darcy: KICK HIM IN THE SHIN!!!
Nick: NO! TO ALL OF THOSE! Just ask me to lean over!
Imogen: *About Ben*Look at that face! How can anyone spend all day with that face and not fall in love?
Nick: Well, at some point that face starts talking.
Charlie: Tell me something I don't know.
Tori: Without mucus, your stomach would digest itself.
Charlie: Tell me something else. Something less disturbing.
Charlie: Quick, take my hand!
Nick: *Takes it* Now what?
Charlie: Oh nothing, I just wanted to hold hands.
Tori: I was just having a bad day.
Charlie: You threatened to decapitate a man over a parking space.
Tori: A very bad day.
Darcy: You can de-escalate any tense situation by saying 'Are we about to kiss?'
Darcy: It doesn't work on cops though.
Darcy: I’m invoking the “no judgments” clause of our relationship.
Tara: Oh God, what did you do this time?
Harry: So Nick, are you hanging out with us tonight?
Nick: Sorry guys, I can't. Charlie and I have plans.
Harry: Oh come on! Bros before ho-
Nick: *Glares*
Harry: ...Your boyfriend.
Tao: There's nothing sadder that cold hot chocolate.
Aled: Sure there is! What about cold hot chocolate with ketchup in it?
Tao: ...I'm going to pretend you didn't say that.
Charlie: How many times have I told you not to bring wild animals into our apartment?!
Nick: ...None?
Charlie: I shouldn't have to tell you!
Elle: You can't rush perfection.
Tao: I'm not rushing perfection, I'm rushing you.
Darcy: I have good news and bad news.
Tara: What's the bad news?
Darcy: The kangaroo pooped in the shower.
Tara: We don't have a kangaroo.
Darcy: Well, that takes me to the good news.
Nick: I wasn't that drunk last night.
Charlie: You kept flirting with me.
Nick: So?
Charlie: You asked if I was single. And cried when I said no.
Charlie: Hey sweetie, why are you crying?
Nick: It's just so beautiful how much they love each other!
Charlie: ...This is a commercial.
Charlie: For detergent.
Darcy: Do you think if skeletons were real boner would be a slur for them?
Elle: ....skeletons are real.
Darcy: That's the spirit, Elle. They're real for me too.
Elle: You're the most jealous guy I know!
Tao: You know other guys? Who are they?
Nick: I know I've been talking about him all morning, but another thing that I love about Charlie is that he just gets me.
Tao: Can he come get you right now?
#heartstopper#darcy olsson#tara jones#nick nelson#charlie spring#tao xu#isaac henderson#aled last#tori spring#imogen heaney#paris squad#elle argent#funny
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"If you think it's more "spiritual" to become a vegetarian, buy Organic Foods, practice yoga and meditate, but then you find yourself judging those who don't do all these things, you fell into an ego trap.
If you think it's more "spiritual" riding a bike or public transport at work, but then you're judging those in the car, you fell into an ego trap.
If you think it's more "spiritual" to stop watching tv because it cancels your brain, but then you're judging those who still look at you, you fell into an ego trap.
If you think it's more "spiritual" to avoid reading newspapers and gossip magazines, but then you judge those who read them, you fell into an ego trap.
If you think it's more "spiritual" listening to classical music or sounds of nature, but then you're judging who listens to commercial music, you fell into an ego trap.
You always have to be careful about the feeling of "superiority". it is the most important clue we have to realize that we are dealing into an ego trap. The ego is cleverly hidden in noble thoughts like to start a vegetarian diet or use the bicycle and then turn into a sense of superiority towards those who do not follow the same spiritual path.”
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Because
Because a hotel cannot, like ever, throw in a free suite for a day in exchange for above suite - the most expensive on offer, currently, mind you - to be featured in an interview. It's called product placement and it's a very common, basic even, commercial gesture.
Because a picture staged as hell on a bicycle means at least savage sex to a dozen middle-aged idiots fawning on an obscure blog. Mind you, I am no architect and my 3D vision sucks, but I still think there is something very strange about these two pics of the same spot, when you put side by side...
...the real Beach House Suite of The Shutters....
... and the one on BBC's selfie:
Where is the blue carpet? The undercover Shipper Pterodactyl ate it in a fit of rage, perhaps. What is that golden frame rim that is not featured in the regular pic? Why did they move the table where the couch was, given the dining room's layout? To do what? Ease traffic? Are you fucking with me? Why the completely in your face, totally inorganic mess on that table (motorcycle helmet- check, roses in a box -check)? Why is the perspective so bizarre?
Nothing makes sense. But it's a legit fuckation, because *urv said so.
Maybe the key is here, maybe not, but: there are two Beach House Suites in that hotel. With a slightly different layout:
The virtual tour only shows the two-bedroom one, that being said. There is no way to compare and the other has no dining room area, in all fairness. Still, it should have a table of sorts, only a smaller one and proportions would be slightly different, too.
Because likes and follows, for even Montana Trash was resurrected for a like on IG, as we speak. It's been preached before, but once again would not hurt: if a like means sex/love, then I am the biggest whore in town and I am aggressively hitting every single day on all my married male friends, on Facebook.
But sure, go ahead and believe the Impetuous Pirate Ukulele Fanfic. What's next? A Tiki-Hide-and-Seek Adventure?
Barely. It seems BBC is back home. How convenient. Look here, not there.
Onwards.
[edited: I am told, with good reason, that the bizarre perspective is due to the pic being a selfie. It's also very true I am no expert at those. Point taken, of course, and gladly so. But the rest, oh, the whole damn rest stays.]
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July 6, 1964 - The Beatles' first feature film, A Hard Day's Night, had its première at the London Pavilion.
A Hard Day's Night is a 1964 British musical comedy film directed by Richard Lester and starring the Beatles—John Lennon, Paul McCartney, George Harrison, and Ringo Starr—during the height of Beatlemania. It was written by Alun Owen and originally released by United Artists. The film portrays 36 hours in the lives of the group.
The film was a financial and critical success. Forty years after its release, Time magazine rated it as one of the all-time great 100 films. In 1997, British critic Leslie Halliwell described it as a "comic fantasia with music; an enormous commercial success with the director trying every cinematic gag in the book" and awarded it a full four stars.[The film is credited as being one of the most influential of all musical films, inspiring numerous spy films, the Monkees' television show and pop music videos. In 1999, the British Film Institute ranked it the 88th greatest British film of the 20th century.
The movie's strange title originated from something said by Ringo Starr, who described it this way in an interview with disc jockey Dave Hull in 1964: "We went to do a job, and we'd worked all day and we happened to work all night. I came up still thinking it was day I suppose, and I said, 'It's been a hard day ...' and I looked around and saw it was dark so I said, '... night!' So we came to A Hard Day's Night."
PLOT
Bound for a London show from Liverpool, the Beatles escape a horde of fans ("A Hard Day's Night"). Once they are aboard the train and trying to relax, various interruptions test their patience: after a dalliance with a female passenger, Paul's grandfather is confined to the guard's van and the four lads join him there to keep him company. John Lennon, Paul McCartney, George Harrison, and Ringo Starr play a card game, entertaining some schoolgirls before arriving at their desired destination ("I Should Have Known Better").
Upon arrival in London, the Beatles are driven to a hotel, only to feel trapped inside. They are tasked to answer numerous letters and fan mail in their hotel room but instead, they sneak out to party ("I Wanna Be Your Man", "Don't Bother Me", "All My Loving"). After being caught by their manager Norm (Norman Rossington), they return to find out that Paul's grandfather John (Wilfrid Brambell) went to the casino. After causing minor trouble at the casino, the group is taken to the theatre where their performance is to be televised. After rehearsals ("If I Fell"), the boys leave through a fire escape and dance around a field but are forced to leave by the owner of the property ("Can't Buy Me Love"). On their way back to the theatre, they are separated when a woman named Millie (Anna Quayle) recognizes John as someone famous but cannot recall who he is. George is also mistaken for an actor auditioning for a television show featuring a trendsetter hostess. The boys all return to rehearse another song ("And I Love Her") and after goofing around backstage, they play another song to impress the makeup artists ("I'm Happy Just to Dance with You").
While waiting to perform, Ringo is forced to look after Paul's grandfather and decides to spend some time alone reading a book. Paul's grandfather, a "villain, a real mixer", convinces him to go outside to experience life rather than reading books. Ringo goes off by himself ("This Boy" instrumental). He tries to have a quiet drink in a pub, takes pictures, walks alongside a canal, and rides a bicycle along a railway station platform. While the rest of the band frantically and unsuccessfully attempts to find Ringo, he is arrested for acting in a suspicious manner. Paul's grandfather joins him shortly after attempting to sell photographs wherein he forged the boys' signatures. Paul's grandfather eventually makes a run for it and tells the rest of the band where Ringo is. The boys all go to the station to rescue Ringo but end up running away from the police back to the theatre ("Can't Buy Me Love") and the concert goes ahead as planned. After the concert ("Tell Me Why", "If I Fell", "I Should Have Known Better", "She Loves You"), the band is taken away from the hordes of fans via helicopter.
From beatlesbible:
The première was attended by The Beatles and their wives and girlfriends, and a host of important guests including Princess Margaret and Lord Snowdon. Nearby Piccadilly Circus was closed to traffic as 12,000 fans jostled for a glimpse of the group.
“I remember Piccadilly being completely filled. We thought we would just show up in our limo, but it couldn't get through for all the people. It wasn't frightening - we never seemed to get worried by crowds. It always appeared to be a friendly crowd; there never seemed to be a violent face.”
~ Paul McCartney, Anthology
It was a charity event held in support of the Variety Club Heart Fund and the Docklands Settlements, and the most expensive tickets cost 15 guineas (£15.75).
After the screening The Beatles, the royal party and other guests including The Rolling Stones enjoyed a champagne supper party at the Dorchester Hotel, after which some of them adjourned to the Ad Lib Club until the early hours of the morning.
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If you think it's more "spiritual" to become a vegetarian, buy organic foods, practice yoga and meditate, but then you find yourself judging those who don't do all these things, you fell into an ego trap.
If you think it's more "spiritual" riding a bike or public transport to work, but then you're judging those in the car, you fell into an ego trap.
If you think it's more "spiritual" to stop watching tv because it cancels your brain, but then you're judging those who still watch it, you fell into an ego trap.
If you think it's more "spiritual" to avoid reading newspapers and gossip magazines, but then you judge those who read them, you fell into an ego trap.
If you think it's more "spiritual" listening to classical music or sounds of nature, but then you're judging who listens to commercial music, you fell into an ego trap.
You always have to be careful about the feeling of "superiority".
It is the most important clue we have to realize that we are dealing with an ego trap.
The ego is cleverly hidden in noble thoughts - like to start a vegetarian diet or use the bicycle, and then turn into a sense of superiority towards those who do not follow the same spiritual path.
- Mooji
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(2/15) “Christmas, 1983. The year I learned it was all a dupe. I was twelve years old. And the holiday season began like any other. With my mother sitting me in front of the TV to watch the Thanksgiving Day parade. Every five minutes I’d run into the kitchen with updates: Mickey Mouse! Yogi Bear! But she just kept on cooking. ‘Tell me when he comes,’ she’d say. Then after what seemed like eternity, after the Pink Panther, after the Giant Turkey, after the mayor, the marching bands, the baton twirlers, after everything that wasn’t Christmas. Poof! There he’d be. Waving down from his plastic sleigh. I’d yell into the kitchen: ‘Here he comes! Here he comes!’ And my mother would come running in, wearing her schmock, her ‘schmata,’ a wooden spoon in one hand. And her eyes would fill with tears. Santa! The real Santa. This wasn’t the Bloomingdale’s Santa. This wasn’t the Santa from King’s Plaza Mall. Those were Santa’s helpers. Santa needs helpers, he can’t be everywhere at once. Because after the parade he goes to the eighth floor of the 34th Street Macy’s. Where for five glorious weeks he collects the wishes of children. After Thanksgiving dinner we’d gather around the calendar and choose a night to go. Every single year; since I was a newborn. When the night arrived we’d pile onto the N-Train, the Brooklyn Polar Express. Drops you right across the street from Macy’s. Then it’s onto the escalators: up, up, up, until the stairs turn wooden. Santa looked a little different back then. They weren’t exactly going for authenticity. But that made no difference to my mother. She’d speak to this man like he was real: ‘Oh Santa, you look so nice. Oh Santa, we come every year.’ My two younger brothers went next. Steve asked for a baseball glove. Anthony asked for his first ever bicycle, with a basket on the front. Then it was my turn. That year I knew exactly what I wanted. I’d been seeing the commercials on TV for weeks. A full set of Tannen’s magic tricks: color-changing rabbits, disappearing coke bottles. These weren’t close-up kiddie tricks. These were real parlor tricks. Stuff that you could do on a stage. This was the year I’d finally become a real magician.”
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