#Mike Ashworth Collection
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monkeyssalad-blog · 4 months ago
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Cold Cookery : cold recipes : booklet issued by The British Electrical Development Association : London : nd [c.1937] : cover
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Cold Cookery : cold recipes : booklet issued by The British Electrical Development Association : London : nd [c.1937] : cover by mikeyashworth Via Flickr: One of the many publicity booklets issued by the propoganda arm of the electrical industries in the UK, the British Electrical Development Association, to help consumers both choose electrical equipment and use it. The EDA had been formed in 1919 and it survived through nationalisation of the industry in 1948 until its various functions were taken over, at different times, by the Electricity Council. The promotion of domestic appliances, such as refrigerators, was much increased in the 1930s as efforts to sell the domestic use of electricity, especially to new suburban families, developed. Much of the publicity issued at the time was specifically aimed at a more female audience both in terms of the influence on the purchase of 'time saving appliances' as well as assisting in the use of them. The latter was often a case of when new 'modern' householders no longer had access to a more traditional domestic help. The booklet states that it was "issued for the convenience of owners of electric refrigerators" and inlcludes advice as to the use of the 'fridge and recipes that required refrigeration to prepare or store. The colourful cover sadly is uncredited and no printer is shown. The titles are set in the German designed Corvinus Skyline typeface that was available in the UK through the London agency of Soldans Ltd.
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dinnickhowellslikes · 1 year ago
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girlflapper · 6 years ago
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London & North Eastern Railway - Belgian Coast for the Holidays, 1928; design by Fred Taylor
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London & North Eastern Railway - Belgian Coast for the Holidays, 1928; design by Fred Taylor by mikeyashworth
"I say - steady there old girl! The Belgian Coast has possibly never seemed quite so alluring as in this LNER brochure from 1928. The LNER are publicising their sailings from Harwich and Hull (Summer only) on their own ships. They promised Rest & Quietude, Sunshine & Laughter and History and Romance - I wonder which scene this illustrates! Fred Taylor was a regular in the LNER's acclaimed stable of commercial artists. As a company they had very high standards of design and publicity."
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oldadvertising · 6 years ago
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Antiquities at the British Museum; poster issued by London Underground 1932 - artist Austin Cooper
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<strong>Antiquities at the British Museum; poster issued by London Underground 1932 - artist Austin Cooper <a href="https://www.flickr.com/photos/36844288@N00/">by mikeyashworth</a></strong>
Commissioned by London's Underground from Austin Cooper in 1932 this was one of a set of British Museum posters. Of interest is that it names British Museum station (on the Central London Railway) that would be closed the following year with new platforms forming part of an extended Holborn station allowing interchange with the Piccadilly line.
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chadwellheath · 3 years ago
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Collapsible Shelters : advert issued by John Smith & Co (London) Ltd : in Highway Engineers Reference Book, 1950 - 51
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Collapsible Shelters : advert issued by John Smith & Co (London) Ltd : in Highway Engineers Reference Book, 1950 - 51 by mikeyashworth Via Flickr: It used to be the case that alongside most road works and repairs you would find a similar canvas structure designed to allow the workforce to have a break or a cuppa, or shelter in the most inclement weather! These days I suspect a van does the job. There were, of course, numerous companies who made similar collapsible shelters but this advert was issued by the London based concern of John Smith's whose main works were in Chadwell Heath, Essex. Smith's were manufacturer's of tarpaulins - waterproofed canvas sheets that would have been used to create the shelter in the days before plastic materials - and they were major suppliers and hirers of 'tarps at the London Docks, just down the road, and other major ports, etc.
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dummy-kanji · 7 years ago
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Guide to Japan issued by the Japanese Railways, 1925 por mikeyashworth Por Flickr: The majority of the old guides to Japan I have are issued by the then national Japanese State Railways such as this example. By the 1930s much of JNR's publicity used a fascinating blend of Japanese traditional art and modern graphic design - these earlier versions seem more 'traditional' - this elegant view of a landscape dominated by snow capped mountains with stylised trees and lakes is very soothing.
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beautifulcentury · 7 years ago
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<strong>Schweppes Table Waters advert, 1913 <a href="https://www.flickr.com/photos/36844288@N00/">by mikeyashworth</a></strong>
A very fine double spread clour advert for the old established company of Schweppe, the London producer of such waters and carbonated drinks as can be seen on the posters displayed in this high class didning room redolent of the hotels mentioned here; the Savoy, Claridge's and the Berkeley. Schweppes is still of course available and is a major world brand.
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japonesices · 7 years ago
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Japanese poster - Toyoko Department Stores by Natsuo Ishikawa, c1958
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Japanese poster - Toyoko Department Stores by Natsuo Ishikawa, c1958 by mikeyashworth
Presents abound in a c1958 poster for the Toyoko Department Stores. The poster was reproduced in a UK design yearbook.
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krispyweiss · 4 years ago
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Virtual Concert Review: Steep Canyon Rangers from Schaefer Center for the Performing Arts, Boone, N.C., March 26, 2021
The second of two Steep Canyon Rangers webcasts in 15 days was actually the first performance - recorded just before the band’s March 11 livestream - and broadcast March 26.
Such is what passes for normal in an entirely abnormal year that’s slowly - one hopes - improving. In the two weeks between Rangers streams, Sound Bites received his first dose of COVID vaccine and witnessed his first indoor concert in a year - a socially distanced affair in Chicago with Todd Rundgren and 29 similarly stir-crazy, out-of-state fanatics.
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The Sound Biteses were back on the sofa in Ohio for this second SCR streaming affair - a similar but stronger performance from the sextet with Fireside Collective’s Tommy Maher on resonator guitar filling in for quarantining fiddler Nicky Sanders. Maher’s fully integrated into the sextet and newcomers would never know he’s not a full-time Ranger; however, the guitar-heavy arrangements make the band sound like an entirely different animal, given Woody Platt is a strictly rhythm guy.
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This was a 90-minute, 17-song set that found the band having loads of fun but feeling “terrified,” as Platt put it, after so many months idle.
The fun was evident in the band’s exquisite two-, three-, four- and five-part harmonies, their intricate, ensemble playing and Grateful Dead-inspired jamming led by mandolinist Mike Guggino. And the terrified was nowhere to be heard as confidence and strong lead vocals from banjoist/guitarist/harmonica player/songwriter Graham Sharp, Platt and bassist Barrett Smith were the order of the evening.
Bluegrass at their core, the Rangers are really just about music as evidenced by Guggino, Smith and drummer (and guitarist/banjoist) Mike Ashworth fashioned a Steep Canyon Rasta intro to “Sand and Deliver,” one of the few older (a relative term) songs of the evening.
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The set drew heavily from 2020’s Arm in Arm, an album the band still considers new because they’ve been unable to tour it.
Songs like the gospel-tinged “Every River,” the folksy “Bullet in the Fire” and the Dead-inspired “In the Next Life” shone in this setting.
And when Guggino and Maher squared off for a call-and-response bit of soloing on the set-closing “Take My Mind,” the return of in-person concerts seemed closer than ever.
Which makes the lack of crowd noise all the more shocking.
Grade card: Steep Canyon Rangers from Schaefer Center for the Performing Arts, Boone, N.C., 3/26/21 - A-
3/27/21
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monkeyssalad-blog · 2 months ago
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Amtlicher Kraftpost Fahrplan : Deutsche Bundespost : Oberpostdirektion Düsseldorf : Sommer 1953 : artwork by W. Seelback
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Amtlicher Kraftpost Fahrplan : Deutsche Bundespost : Oberpostdirektion Düsseldorf : Sommer 1953 : artwork by W. Seelback by mikeyashworth Via Flickr: With the post bus and bus stop flag dominating the cover, the Summer 1953 Düsseldorf area postbus timetable by W. Seelback.
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dinnickhowellslikes · 1 year ago
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midcenturyblog · 6 years ago
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<strong>London Opinion March 1950 - cover by Bruce Angrave <a href="https://www.flickr.com/photos/36844288@N00/">by mikeyashworth</a></strong>
A jolly cover to this popular post-war publication by Bruce Angrave (1914 - 1983) whose work included the use of such folded paper and collage techniques.
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girlflapper · 6 years ago
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Wincarnis - the wine of life! Poster c1925 by mikeyashworth
"Wincarnis, still available, has a long history dating back to at least the 1880s when it was made by Coleman's of Norwich and then included Liebig's meat extract (in other words OXO). I'm not sure when the blend of meat and port recipe changed but the modern version is a mix of herbs and wine - a veritable tonic! This poster repro dates from 1925 when they were selling the tonic to young flappers no doubt to recover from the wild nights in the West End! It was produced by Publicity Arts Ltd, the blocks by W F Sedgwick and printed by The Jackson Press of West Ham."
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oldadvertising · 6 years ago
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<strong>Polaroid double-action day glasses and sunshields - advert issued by Polarizers (UK) Ltd, 1951 <a href="https://www.flickr.com/photos/36844288@N00/">by mikeyashworth</a></strong>
"The famous Polariod sunglasses seen here in a 1951 advert issued by Polarizers (UK) Ltd based in Harlesden, London. The company seems to have existed to utilise the technology patented by the original Polaroid Corporation of America, founded in 1937 by Edwin H Land who developed the use of polarizing materials and lenses. The company was an amazing powerhouse in its time, with Land also developing the famous Polariod camera and film. The advert includes the simple 'test' for polarized materials."
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cinemalerta · 4 years ago
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93rd Academy Awards Nominees
BEST PICTURE
The Father – David Parfitt, Jean-Louis Livi, and Philippe Carcassonne
Judas and the Black Messiah – Shaka King, Charles D. King, and Ryan Coogler
Mank – Ceán Chaffin, Eric Roth, and Douglas Urbanski
Minari – Christina Oh
Nomadland – Frances McDormand, Peter Spears, Mollye Asher, Dan Javey, and Chloé Zhao
Promising Young Woman – Ben Browning, Ashley Fox, Emerald Fennell, and Josey McNamara
Sound of Metal – Bert Hamelinick and Sacha Ben Harroche
The Trial of the Chicago 7 – Marc Platt and Stuart Besser
BEST DIRECTOR
Lee Isaac Chung – Minari
Emerald Fennell – Promising Young Woman
David Fincher – Mank
Thomas Vinterberg – Another Round
Chloé Zhao – Nomadland
BEST ACTOR
Riz Ahmed – Sound of Metal as Ruben Stone
Chadwick Boseman (posthumous nominee) – Ma Rainey's Black Bottom as Levee Green
Anthony Hopkins – The Father as Anthony
Gary Oldman – Mank as Herman J. Mankiewicz
Steven Yeun – Minari as Jacob Yi
BEST ACTRESS
Viola Davis – Ma Rainey's Black Bottom as Ma Rainey
Andra Day – The United States vs. Billie Holiday as Billie Holiday
Vanessa Kirby – Pieces of a Woman as Martha Weiss
Frances McDormand – Nomadland as Fern
Carey Mulligan – Promising Young Woman as Cassandra “Cassie” Thomas
BEST SUPPORTING ACTOR
Sacha Baron Cohen – The Trial of the Chicago 7 as Abbie Hoffman
Daniel Kaluuya – Judas and the Black Messiah as Fred Hampton
Leslie Odom Jr. – One Night in Miami... as Sam Cooke
Paul Raci – Sound of Metal as Joe
Lakeith Stanfield – Judas and the Black Messiah as William "Bill" O'Neal
BEST SUPPORTING ACTRESS
Maria Bakalova – Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan as Tutar Sagdiyev
Glenn Close – Hillbilly Elegy as Bonnie "Mamaw" Vance
Olivia Colman – The Father as Anne
Amanda Seyfried – Mank as Marion Davies
Youn Yuh-jung – Minari as Soon-ja
BEST ORIGINAL SCREENPLAY
Judas and the Black Messiah – Screenplay by Will Berson and Shaka King; Story by Will Berson, Shaka King, Keith Lucas, and Kenny Lucas
Minari – Lee Isaac Chung
Promising Young Woman – Emerald Fennell
Sound of Metal – Screenplay by Darius Marder and Abraham Marder; Story by Darius Marder and Derek Cianfrance
The Trial of the Chicago 7 – Aaron Sorkin
BEST ADAPTED SCREENPLAY
Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan – Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, and Lee Kern; Story by Baron Cohen, Hines, Swimer, and Nina Pedrad; Based on the character Borat Sagdiyev by Baron Cohen
The Father – Christopher Hampton & Florian Zeller, based on the play by Zeller
Nomadland – Chloé Zhao, based on the book by Jessica Bruder
One Night in Miami... – Kemp Powers, based on his play
The White Tiger – Ramin Bahrani, based on the novel by Aravind Adiga
BEST INTERNATIONAL FEATURE FILM
Another Round (Denmark) in Danish – directed by Thomas Vinterberg
Better Days (Hong Kong) in Mandarin – directed by Derek Tsang
Collective (Romania) in Romanian – directed by Alexander Nanau
The Man Who Sold His Skin (Tunisia) in Arabic – directed by Kaouther Ben Hania
Quo Vadis, Aida? (Bosnia and Herzegovina) in Bosnian – directed by Jasmila Žbanić
BEST ANIMATED FEATURE FILM
Onward – Dan Scanlon and Kori Rae
Over the Moon – Glen Keane, Gennie Rin, and Peilin Chou
A Shaun the Sheep Movie: Farmageddon – Richard Phelan, Will Becher, and Paul Kewley
Soul – Pete Docter and Dana Murray
Wolfwalkers – Tomm Moore, Ross Stewart, Paul Young, and Stéphan Roelants
BEST DOCUMENTARY FEATURE
Collective – Alexander Nanau and Bianca Oana
Crip Camp – Nicole Newnham, Jim LeBrecht and Sara Bolder
The Mole Agent – Maite Alberdi and Marcela Santibáñez
My Octopus Teacher – Pippa Ehrlich, James Reed, and Craig Foster
Time – Garrett Bradley, Lauren Domino, and Kellen Quinn
BEST CINEMATOGRAPHY
Judas and the Black Messiah – Sean Bobbitt
Mank – Erik Messerschmidt
News of the World – Dariusz Wolski
Nomadland – Joshua James Richards
The Trial of the Chicago 7 – Phedon Papamichael
BEST FILM EDITING
The Father – Yorgos Lamprinos
Nomadland – Chloé Zhao
Promising Young Woman – Frédéric Thoraval
Sound of Metal – Mikkel E.G. Nielsen
The Trial of the Chicago 7 – Alan Baumgarten
BEST PRODUCTION DESIGN
The Father – Production Design: Peter Francis; Set Decoration: Cathy Featherstone
Ma Rainey's Black Bottom – Production Design: Mark Ricker; Set Decoration: Karen O'Hara and Diana Sroughton
Mank – Production Design: Donald Graham Burt; Set Decoration: Jan Pascale
News of the World – Production Design: David Crank; Set Decoration: Elizabeth Keenan
Tenet – Production Design: Nathan Crowley; Set Decoration: Kathy Lucas
BEST COSTUME DESIGN
Emma – Alexandra Byrne
Ma Rainey’s Black Bottom – Ann Roth
Mank – Trish Summerville
Mulan – Bina Daigeler
Pinocchio – Massimo Cantini Parrini
BEST MAKEUP AND HAIRSTYLING
Emma – Marese Langan, Laura Allen, and Claudia Stolze
Hillbilly Elegy – Eryn Krueger Mekash, Patricia Dehaney, and Matthew Mungle
Ma Rainey's Black Bottom – Matiki Anoff, Mia Neal, and Larry M. Cherry
Mank – Kimberley Spiteri, Gigi Williams
Pinocchio – Dalia Colli, Mark Coulier, and Francesco Pegoretti
BEST VISUAL EFFECTS
Love and Monsters – Matt Sloan, Genevieve Camailleri, Matt Everitt, and Brian Cox
The Midnight Sky – Matthew Kasmir, Christopher Lawren, Max Solomon, and David Watkins
Mulan – Sean Faden, Anders Langlands, Seth Maury, and Steven Ingram
The One and Only Ivan – Nick Davis, Greg Fisher, Ben Jones, and Santiago Colomo Martinez
Tenet – Andrew Jackson, David Lee, Andrew Lockley and
BEST ORIGINAL SCORE
Da 5 Bloods – Terence Blanchard
Mank – Trent Reznor and Atticus Ross
Minari – Emile Mosseri
News of the World – James Newton Howard
Soul – Trent Reznor, Atticus Ross, and Jon Batiste
BEST ORIGINAL SONG
"Fight for You" from Judas and the Black Messiah – Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas
"Hear My Voice" from The Trial of the Chicago 7 – Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite
"Husavik" from Eurovision Song Contest: The Story of Fire Saga – Music and Lyric by Savan Kotecha, Fat Max Gsus, and Rickard Göransson
"Io Sì (Seen)" from The Life Ahead – Music by Diane Warren; Lyric by Diane Warren and Laura Pausini
"Speak Now" from One Night in Miami... – Music and Lyric by Leslie Odom Jr. and Sam Ashworth
BEST SOUND
Greyhound – Warren Shaw, Michael Minkler, Beau Borders, and David Wyman
Mank – Ren Klyce, Jeremy Molod, David Parker, Nathan Nance, and Drew Kunin
News of the World – Oliver Tarney, Mike Prestwood Smith, William Miller, and John Pritchett
Soul – Ren Klyce, Coya Elliot, and David Parker
Sound of Metal – Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortes, and Philip Bladh
BEST LIVE ACTION SHORT FILM
Feeling Through – Doug Roland and Susan Ruzenski
The Letter Room – Elvira Lind and Sofia Sondervan
The Present – Farah Nabulsi
Two Distant Strangers – Travon Free and Martin Desmond Roe
White Eye – Tomer Shushan and Shira Hochman
BEST ANIMATED SHORT FILM
Burrow – Madeline Sharafian and Michael Capbarat
Genius Loci – Adrien Mérigeau and Amaury Ovise
If Anything Happens I Love You – Will McCormack and Michael Govier
Opera – Eric Oh
Yes-People – Gísli Darri Halldórsson and Arnar Gunnarsson
BEST DOCUMENTARY SHORT SUBJECT
Colette – Anthony Giacchino and Alice Doyard
A Concerto Is a Conversation – Ben Proudfoot and Kris Bowers
Do Not Split – Anders Hammer and Charlotte Cook
Hunger Ward – Skye Fitzgerald and Michael Shueuerman
A Love Song for Latasha – Sophia Nahali Allison and Janice Duncan
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artdecoblog · 7 years ago
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"Essolube - the 5-star motor oil" - advert issued by Esso Oil, April 1934
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"Essolube - the 5-star motor oil" - advert issued by Esso Oil, April 1934 by mikeyashworth
The use of the familiar Esso lettering on this advert - aimed interestingly at reassuring women motorist at a time when they were forming a growing section of the car and motoring market here in the UK. The stylish glass oil bottles are also shown - and the bold use of red against the black and letterpress is striking.
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