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demonicbaby666 · 7 months ago

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Dom Emily prentiss x intern fem reader is all i ask!! Smutty ofc, a lil bit of a humiliation kink if you’re comfortable!!! Thank yewww

Packing Heat

One shot | Criminal Minds Masterlist | Masterlists

Fandom: Criminal Minds

Pairing: Emily Prentiss x fem!Reader

Genre: Smut

Words: 4.8k+

Warnings: 18+, minors DNI, strap-ons (r!receiving), semi-public sex (office sex, again…), praise, degradation, mommy kink, kind of dub-con at one point, top!Emily, bottom!reader

Summary: Interning at the BAU means you don’t interact with the person in charge a lot. Of course, this doesn’t mean you haven’t seen the section chief in passing or exchanged pleasantries; it's that they’re simple, short-lived and often anti-climatic. However one evening, you find yourself in the desolate office with no chance of going home, work to be done, but no one to sit with you through the process. With only one other soul residing on the sixth floor, it seems Emily may be your best bet for company.

A/n: Listen, could she be more dom? Yes. Is there any humiliation? Not really... But I got lost while writing, so please don't be mad at me... Hope you still enjoy!

When you'd first started at the BAU, it was safe to say you hadn't seen much of the woman calling the shots. There were always updates about when the team were taken out of state, what their cases would entail, the steady progress being made, and the brief comical encounters Garcia spewed around the office. When they were back, everyone made an effort to small talk. They welcomed you well and continued to appreciate the little things you did for them daily. Emily, however, was constantly on the go, meaning every encounter you'd had with her consisted of one-way glances and hopeful smiles in the event she decided to notice her surroundings and the human lifeform less than two metres away.

She never did, though, until one uneventful evening.

Almost everyone had vacated the building. The only remaining souls left on the sixth floor were you, Emily, and a one-person cleaning crew—whom you watched exit through glass doors before approaching the brunette's office with shaky knees. Peeking through the window, you saw her attention dart to and from the bright computer screen to the mountains of bureaucratic paperwork lying atop her desk. It was easy to get lost in the little creases between her eyebrows, brought out by the deep scowl she wore, the delicate way her fingers were woven together, and the pads of her thumbs skirting against one another as she pondered in deep thought.

It was nearing eight, and you were struggling to understand how someone could appear so put together at this late hour, given that their day was most certainly jam-packed with non-stop slog.

Emily's eyes suddenly flashed up. She squinted toward her door, trying to figure out who'd be here this late other than herself. When she appeared to have worked it out, she leaned back victoriously in her chair, a smug smile on her face, when she called out, "Are you going to stand out there all night?"

You could have done two things: scurried off like a teenager caught peeping or held your chin up high and walked into the older woman's office with little to no shame. Somehow, you managed to do a mix of both, scurrying in with sagging shoulders, a guilty smile plastered on your face and trembling hands clasping your laptop over your chest.

"Well, it's eerily quiet out there, and I would go home to write this paper. It's just that my roommate and her boyfriend have an awful tendency to forget about volume control when they're—" You cut yourself off, realising it probably wasn't appropriate to talk to your boss about your roommate's over-the-top borderline pornographic soundscape. "I was wondering if I could, you know."

Emily, satirising as ever, waited with a raised eyebrow and a relaxed smile for you to continue your purposefully unfinished question.

"Sorry, I should let you work." You surrendered to your weak resolve with flushed cheeks and began to turn around.

"Sit," she ordered before you had fully turned back around to the door, nodding to the available chair on the other side of her desk. Her eyes followed your journey to the seat, watching as you placed your laptop down and opened it with shaky fingers. Satisfied, she turned her attention back to her work. "I could do with some company."

The following silence, starting as unsettling and stagnant, blossomed into something warm and comfortable. There were occasional glances thrown your way and vice versa. Their acknowledgement and appreciation were shown in the form of timid smiles on your end and double takes followed by teasing smirks on Emily's.

When half an hour had passed, your shoulders had finally relaxed, your fingers had stopped their infernal twitching, and your paper neared its completion. There was a proud smile cresting, and you were trying to prevent it from forming, knowing how dorkish it made you look. But you knew there was no hope when your cheeks ached and your jaw locked. You granted yourself the freedom to display your gloating smile.

Just as expected, Emily had a questioning look on her face when you dared to look up from the document. There was a playfulness to the upward quirk of her lips - the superiority of a predator knowing the power they have over their prey, ready to prove it at any given moment.

"I've almost finished," you timidly admitted, feeling obligated to explain as heat infiltrated your jutted-out cheeks.

Without a second thought, the ravenette stood up and made her way around the desk. She could have easily chosen to turn the laptop around. Instead, she took the far more intimate route.

Soft curves grazed your shoulder blades, causing you to shiver. The weight finally settled, soft padding pressed flat against your back as Emily read your paper, and suddenly, your stomach had worked itself into looping knots, and your heart was racing.

The struggle continued as you fought not to fidget, if only to alleviate the growing tension mounting between your thighs. This was only made worse when Emily's right hand left the back of your chair to drop down over your shoulder and land comfortably on your thigh.

"Such a smart girl," she whispered sultrily into the shell of your ear, squeezing generous flesh between her fingers.

With a scrambled brain, there was little fight to be put up against the meek whimper that crackled against the constricted lining of your throat. Subconsciously, your thighs tensed, and your pussy fluttered as you were reminded how close Emily's hand was to where you could only dream she'd touch.

You'd thought you imagined it—the subtle shift in the room from breezy and light to torrid and all-consuming, but with Emily's fingers veering off course, inching higher and higher, reality came crashing down.

"Thank you," you struggled to get the words out, and when they did come out, they were tremulous and feeble.

Turning to look at her may have, in hindsight, been a mistake because where her gaze should have been fixed on the laptop screen, it was glued to your lips. Unexpectedly, your stomach flipped, and you felt dizzy. She was still superbly perfect up close, skin smooth like silk, cheekbones sharp as a razor, and lips cut from velvet. It was too close, dangerously so, you had to look away. Outside the window, you spotted a swarm of birds barely visible against the night sky. You ignored the clanking of your heart as you focussed on their synchronicity, watching them circle each other until they became one big blur of messy movements.

The hand resting on the leather backing of your chair rose, skirting up and over your neck, until a firm grip was established around your dangling ponytail. She was gentle when she tugged, aware that though she wanted to educate you in the art of being owned, you were delicate.

"I think a pretty thing like you deserves a reward," she baited. "Don't you?"

Her grip on you may have been physical. However, a stronger pull was coming from deep within you, an unimportant piece of scrap metal drawn in by a powerful magnet. It was useless to deny her. The mesmerising glow of her chocolate eyes and the promise of being made to feel special was too powerful. So, you nodded slowly but eagerly, desire painting your eyes dark shades of lust.

"That's a good girl."

Emily didn't miss how you preened at the praise and safely stored that information away for further use. She shifted to your side, hands migrating to the small of your waist, guiding you to your feet. The act of it was far gentler than you'd expected, like a gentleman asking a maiden to dance, sweeping her off her feet to whisk her away into a fairytale land filled with magic and romance.

Certain the benign treatment would be short-lived, you granted yourself the leniency to enjoy it whilst it lasted, refusing to get too caught up in the dull ache between your legs that craved the form of savagery Emily displayed in the field.

There was nothing short of passion in how she worked. It drove you crazy. As wrong as it felt, you couldn't help but envy the dirtbag the team was working to catch because you saw how badly the brunette wanted them. The look in her eyes, gratification and disgust all at once, when she'd achieved what she set out to do and was staring the devil right in the face - it made your heart race, your palms sweat and your cunt throb.

The memory kickstarted what could only be described as a brutal attack upon the older woman's lips. To her credit, Emily indulged the outburst for a lot longer than you'd have thought. As if she'd expected it, she quickly responded, pulling you into her body and tilting her head to the side to deepen the kiss. The lead was stolen promptly from your grasp when Emily wedged a leg between your thighs, backed you up against her desk and tactically slid her tongue into your gaped mouth. You would have gasped if not for the fact you were immediately indulged in the minty taste of your boss's tongue skirting over the roof of your mouth. So much so that you scarcely noticed the pressure coming from your core was no longer just a phantom need manifested but taut clothed muscle pressing you further and further into the sharp wooden edge of the desk.

"Emily," you breathily moaned, pulling back and separating your kiss-swollen lips from the brunette's. Ordinarily, you wouldn't have allowed what happened next to occur, but this was Emily, after all, the BAU section chief, and if you were to let anyone order you about, it would be her.

She backed away from you with a final nip to your bottom lip, letting it go with a pop, and you fought the urge to reach out and pull her back to you. You knew you'd already tried to take things into your own hands once, and doing so again may undermine any chances you had of keeping the ball rolling on tonight's affairs.

You could feel the tight pull of your ponytail and all the places where hair had been lead array from the confines of your hairband, and it truly dawned on you how out of sorts you must have appeared. Tracing your fingers over your lips, you could make out how swollen they were - puffy and hot, yet desperate and pouted, begging for more. Your breathing was laboured, filling the room's silence, and your shirt suddenly felt too tight as your chest expanded with each intake of oxygen. It almost came as a relief when Emily opened her mouth to finally speak until you heard what she'd said.

"Take your clothes off," she mindlessly ordered, walking around to her chair and sitting back in it. Her eager eyes trained over your body with the faintest shimmer of mirth.

Initially, it was a shock. Of course, it was. You were in an official government building, personnel still sparsely spread throughout, and a goddess of a woman was asking you to bare yourself to her.

For the longest time, revealing your body to someone always felt like giving up something. Perhaps some kind of purity. The moment you gave it up, it bred only guilt and shame that twisted and pulled at the pit of your stomach until you felt sick. You stood there, waiting for that feeling to come. It never did.

Remaining still, your body pulsed not with nerves but with exhilaration and anticipation. It took a few seconds to realise this was precisely what you wanted. You wanted to give this false sense of purity away. There was not a sudden influx of courage soaring through every living cell of your body. However, there was enough for you to put on a front and do as you were told.

"Slowly." Emily sat further back and placed her elbows neatly over the arms of her chair. She laced her fingers together, offered you an encouraging nod, and then was back to watching you raptly.

Feeling like a glutton, you followed a path of desire and heeded Emily's request, fingers increasingly fumbling over each button of your shirt.

"So obedient." And in no way was it said negatively; the adulatory smile she gave you only sought to prove that further.

The way she looked at you made you feel as though you were already naked. Maybe that was why it was so easy to get lost in the subtlety of undressing. It was art, and you were a performer. That's what you told yourself. And for the most part, it worked.

With closed eyes, you trailed your fingers over your shoulders, letting your shirt drop to the floor. The AC raised goosebumps over your chest, pebbled your nipples under your plain bra, and you smiled. You smiled because this was the most alive you had felt in months. The thrill of moving on to your slacks and deftly unclasping your belt felt like being on a rollercoaster, like missing a step and laughing fear in the face afterwards. You felt utterly fearless.

In the back of your mind, you could sense Emily's eyes still on you. You could hear her moving around but didn't think to check her reaction. You were in your element, and far be it for a look of appraisal, or lack of, to stop you. That was until your trousers hit the carpet with a soft thud, and a sharp breath was heard from across you.

Your eyes snapped open, and you found Emily's smile was absent. The brunette now had her bottom lip trapped between her teeth as she looked you up and down, knuckles white from her deadly grip over the armrests.

She lifted a hand, palm facing the ceiling as her index and middle finger crooked. "Come here so I can get a proper look at you," she said, slightly breathless.

The desk had conveniently covered the lower half of Emily's body, which meant that when you circled around and came to stand next to her, you could see exactly what the earlier ruffling had been about.

"Is that?" You froze, both shocked and utterly intrigued by the thick black dildo jutting out from the older woman's opened slacks.

She didn't need you to finish the question, already nodding as she followed your line of sight. Leaning forward with an outstretched arm, Emily coiled her fingers around your wrist and pulled you forward, causing you to almost stumble over your own feet. At this closer distance, you could tell the faux cock would give you a run for your money. It was thicker than anything you had taken before, though that was not a hard trophy to earn, given that the most you had let anyone put inside you was three fingers.

"Do you want to come sit on mommy's lap?" Emily asked with a tilt of her head.

She didn't miss how your breath caught in your throat, how you seemed to stop blinking, stop moving, stop existing.

"Are you scared?" the lioness asked, sights set on her prized fawn.

You shook your head and placed one foot in front of the other, eyes downcast as you took in the size of Emily's additional appendage. The shake of your jaw gave you away.

"I don't like being lied to," she snapped, eyes dimming to an even darker shade of brown.

She pulled you in by your waist and sat you on her lap, cock brushing over the thin material of your underwear. Instinctively, you wedged your bottom lip between your teeth to quiet yourself. But Emily wasn't having any of it. Her thumb came to your captive lip, where she helped release it with a soft flick.

The smooth texture of Emily's cock through your sodden panties was a needed relief. Its head purposefully pressing against your sensitive bundle of nerves evoked a flurry of shivers to run down your spine. And with nothing holding you back, you moaned in gratitude.

"Feels good, doesn't it?" Emily smirked, watching you rut against her.

"Yes," you uttered, breath caught in your throat.

Happy to watch, Emily relaxed her shoulders and leaned back, enjoying the show you were putting on for her. Only when she recognised the tell-tell signs of frustration wash over your features, from your creased brow to the bite of your lip between your teeth, did a sick smirk lick the edges of her lips. With a mischievous glint shining in her eyes, the older woman shifted her position, pointedly ignoring the sound it pulled from you.

"Something wrong?" she asked with a hitch of one eyebrow, adamant to appear oblivious.

You gave no reply, only held tight to her shoulders in defiance and continually ground down on her, trying so hard to pleasure yourself to no avail that your eyes began to sting with the emergence of tears.

With sweat threatening to spill down the side of your face, the tension between your legs starting to ache, and your release nowhere near in sight, you threw your head back with a sigh and whispered a quiet 'please' to the ceiling.

"Please what?" Came the dull reply, tone bored, unamused, unimpressed.

You tried to impale yourself, failing as strong hands held you down. It was driving you crazy—pleasure being so close yet so far.

With one hand removed from your hip, Emily gripped your jaw and turned your attention solely to her stern gaze, "Are you going to stop being a brat and tell me what you want?"

When no answer came, she let go, jerking your head back as if disgusted with the lack of compliance.

"Get up."

Ice, you were made of ice. Sat still, shocked, speechless and slightly mortified.

"Do I need to repeat myself?" Emily's voice was no longer flat; it was not roaring either. Instead, it was layered, resembling the same barbed tone a teacher might use with a disobedient student. It was enough of a motivator to get you to rise to your feet.

Following you closely, the older woman, too, rose to her full height, hands meticulously reaching behind your back to expertly relieve you of your bra. Never once did she look you in the eye.

With the same callous approach, you were turned and pressed against the desk, papers sticking to your heated chest. Emily was quick to loop her fingers through the hem of your underwear and slip them down your thighs, allowing gravity to do the rest.

The full-bodied presence behind you lessened, and you took it as the opportune moment to glance back.

The brunette had let her trousers drop to the floor, allowing you to see how her porcelain skin was directly contrasted by the black leather of her strap-on. Unlike yourself, she did not appear nervous or afraid. As she kicked the tailored pants aside and met your gaze, you realised how in control she was.

Her gaze moved down your body, hands running down your back, until finally, she pressed herself against you and lowered her body atop yours.

"I can feel how wet you are," she teased, running two fingers through the mess between your legs. "Are you always this wet?"

"Emily, please," you begged.

"I asked before, please what?" She raked five fingers down your side, moving them back up till they wound tightly in your hair and gripped your neck to an uncomfortable arch. Two fingers pushed inside you but did no more than that, remaining still as stone. "If you're going to be a baby and refuse to tell me what you want, you'll get nothing."

"Fuck me!" You no longer had the sound of mind to acknowledge shouting something vulgar could attract attention. Logic had evaded you, allowing you to play right into your boss's hands. "Please just fuck me."

Sliding her slick fingers out of you, she proudly stated, "That wasn't hard, was it?"

If the older woman wanted an answer, she did not allow for one. In one fluid motion, she rose from over you and snapped her hips forward, sheathing the entire length of her cock into your cunt. Your breath caught in your throat, resulting in a strained groan tumbling out of your open mouth. The pit of your stomach dropped, and try as you might have not to clench around the toy inside you, you did precisely that.

It was new, the foreign feeling of being filled so fully that one slight move would summon pleasure that sent shivers through your whole body. It wasn't unwelcome, especially when Emily started to move, and heat engulfed your entire body. Her pace was languid, allowing you to feel each slide of her cock along your slick walls, how each push of her hips ended in the tip hitting the spot within you to cause the furling in your stomach to expand tenfold. It was all you could do not to scream when the push and pull and Emily's hips moved with more purpose, jerking your body into the edge of her desk.

"I've barely started, and you're already dripping down your thighs." Her voice was laced with mirth, finger smearing your mess as if to prove an unnecessary point that had your cheeks burning up. "How long have you been thinking about this?" Emily finished her question with an arduous thrust. "How many times have you sunk your fingers into your pussy and thought of me?"

The questions continued, each hitting the nail right on the head. Your cheeks were scorched with the embarrassment that comes with having your desires known and exposed, but it did not take hold of your conscience as the event of falling in front of a large crowd might have. It was comparable to how a blushing maiden may feel when caught by a suitor in only their undergarments. It excited that small part of you that gave in to demoralisation and encouraged you enough to meet Emily halfway as she thrust into you.

As your pleasure mounted, the need for more grew. Your clit, swollen and needy, begged for relief, and you beckoned to its call, sliding one hand from above your head to the juncture between your legs. It was when the tips of your fingers brushed against your sensitive pearl and you gained the briefest taste of the euphoria that Emily removed her hand from your thigh and snatched your hand away, halting all movement.

You could have cried, having everything, then nothing, so quickly.

"Did I say you could do that?"

Abruptly pulling out, Emily stood tall and proud, staring down at you with curiosity and disappointment lining the brown of her eyes. She heard you whimper and acknowledged your sniffle.

"There's no need to cry," she tutted, flipping you onto your back and lifting you by your shoulders. "You're going to listen to me from now on."

You nodded, and she once again lined her cock to your opening, only now she waited, taunting you with possibilities.

"Beg," she instructed.

And you heeded.

"Please. I need you."

"You can do better." She sounded bored, and this struck a nerve within you, one that begged you to impress her, show her you could be a good little girl, and beg as though your life depended on it.

You took a heaving breath and looked into Emily's eyes, sporting your best puppy eyes. "I need you. I want you inside me. I want you to fuck me with your big cock, mommy. Make me scream out your name. I need it."

"There's a good pet," she cooed, mesmerising you with the bating of her lashes as she looked down to where your bodies were so close to touching.

It all happened in a blur. The next thing you knew, your nails were digging into muscled shoulders, legs wrapping around a slim waist as the brunette filled you, wasting no time in picking up a brutal tempo. You barely recognised the sound of your voice as high-pitched obscenities spilt past your lips. You felt your whole body light up, heard blood pulse in your ears, and saw in real-time just how easy it was to aid Emily in calling upon your impending orgasm.

Your vulgar mouth, luckily, seemed to amuse Emily enough for her to let you continue rutting your hips against her. The corners of her lips curled, and her smirk lasted only so long for you to see before she inched forward and kissed you with passion and hunger. It was easy, so easy, to melt into the brief moment of intimacy. The butterflies felt tangible, and the sparks crackled in your ears; it felt so fucking good you'd almost forgotten just where you were. Of course, bubbles eventually popped, and this one was demolished by rustling outside Emily's office.

What little movement Emily allowed, her hands holding you firmly against the desk by your waist, was not enough to wriggle free and glance behind to see what was happening. Instead, the possibility of being caught weighed heavier with each drawled-out second.

"Emily," You tried but were cut off by a tongue sliding into your mouth. "Emily, stop."

With a bite to your lip, the older woman backed off, confusion marking her features, "What is it?" she punctuated her question with a hard thrust.

"Someone's o-" another hard thrust. "Someone's outside."

Emily smiled, picking up her pace, forcing you to breathe so deep you felt your lungs expand.

"You'd better be quiet then."

Whatever protest you were about to give died in your throat when nails skirted up to your chest and dug painfully into your breast, and Emily pushed herself so deep within you that you felt her hitting your cervix. A strangled cry was briefly heard before you managed to clasp your hand over your lips and silence your own mewls. She was fucking you as if her life depended on getting a reaction out of you that would draw attention. Nevertheless, you held firm and stayed as quiet as your muffled sobs would allow you to be.

"Emily, please," you were pleading for release and for the brutal fucking stop because you knew there would be no chance you could keep a lid on your volume; there would also be no chance you would survive not cumming.

Taking note of this, the older woman took the route of giving you your release, dragging a thumb down over your clit and applying the right amount of pressure to have your tense legs turn into a shaky mess of tremors. She didn't stop there; with a brief slide, she ran your slick over your bundle of nerves and started to circle steadily.

"Fuck!" You screamed out, missing the way the ruffling outside suddenly stopped. "I'm cumming. I'm cumming."

"That's it," the brunette encouraged, her fingers coming up to crook and tangle through the mussed mess of your hair, nails slowly working against your scalp. "Let everyone hear what a slut you are, letting me fuck you over my desk."

She didn't stop, though, not when your clit felt raw and your pussy tender, not when you begged and not even when you reached out and tried to grab her wrist. Emily only yanked you down by your hair, relishing the thud the brutal move made. She fucked you harder till stationary fell to the floor from your thrashing arms, and by then, her lips were already wrapped around a nipple, sucking firm whilst you cried through a second orgasm.

When you finally felt empty, you didn't even try to open your eyes. You knew your vision would be blurred if not blacked out. Instead, you focussed on coming back down to earth, steading your breath and not thinking about how you strangely missed being filled by Emily despite being so fucking sore.

"Are you still alive?" a smug voice asked from above, and you pried your bleary eyes open to weakly smile.

"I think so," you whispered, peeling your sweat-slick back from the desk. That was when you remembered the unknown personnel outside and shot a look at the door.

"They're gone," Emily said, cupping your chin and turning you back to her. Again, you were greeted by that conniving smirk. "After your commentary, I think they understood we didn't want to be disturbed."

"But-"

"Uh-uh." she silenced you with a finger to your lips, the smell of yourself still narrowly fragrant. You took the digit into your mouth, patting yourself on the back as you watched Emily's eyes turn dark. "You want to make Mommy feel good now, don't you?" She knew the answer, but oh, how she loved to watch you sink to your knees and eagerly nod anyway. You helped unclasp the straps of her harness, then set to pealing the last barrier keeping you from her heat down her legs.

"My good little pet," she said, smiling down at you and happily watching you beam. Her hand cupped your jaw before moving to the back of your neck, where she pulled you to her core and began singing a melody of moans.

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akanemnon · 1 year ago

Text

TWIN RUNES MASTERPOST

Because of the limited amount of links you can put into a post, you can find the links to each page in these sub-posts:

To be continued...

FAQ under the cut!

TWIN RUNES MINI COMICS

Glasses - Fallen down - First steps - Press [C] - Frisk Dance - But nobody came - Whatstheirface - An acquired taste - Eye opening - Smalltalk - Connection issues - Not-To-Do-List - All You Can Eat - Beach Episode - Salute the Frick - Morning Routine - The Universe is a Hologram - Normal Human Behavior - Page 75 EXTRA - Trick as a Treat - Taste the Painbow - Dungeon Doofus

______________________________________________________________

TWIN RUNES - FAQ

What exactly is this AU about? Twin Runes is essentially a comedic crossover AU between the universes of Deltarune and Undertale. No fancy nicnacs. Just the characters being their chaotic selves. But there might be some darkness lurking up ahead... ____________________

When is the next comic? The comic updates most Sundays at 6:30 PM Central European Time. ____________________

Why is this AU called Twin Runes? The name is more or less a play on the typical naming format of most AU's by featuring the "Runes" part. There are no literal Twin Runes. The whole name is more of a stand in for Undertale and Deltarune as parallel worlds. Hence the "Twin" part. ____________________

When does Twin Runes take place? This AU takes place between a hypothetical Chapter 3 and Chapter 4 of Deltarune. On the Undertale side of things, it takes place post neutral route just as Frisk was about to deliver Undyne's letter to Alphys.

How many pages are there going to be? The script for this comic estimates that the comic is going to be 137 pages long (if I don't make any major changes). ____________________

Is the Player a thing in this AU? The Player(s) lost control over both human children as soon as Frisk entered the world of Deltarune. Essentially, the reader takes the role of the Player. You have no influence on the outcome of the story anymore. All you can do is watch. Both Kris and Frisk refer to the Player as "It" and "the THING". ____________________

Is there going to be a Weird Route? Due to the lack of Player, all choices made by Kris are now their own. How to engage in battle all depends on Kris, and not the Player. Because of that, there are NO DIFFERENT ROUTES. There is only one route and that one is based on Kris' choices. Because of the lack of save points, there is no "what-if" scenario. ____________________

When Chapter 3 and 4 are released, will it affect the story? Any chapters after Chapter 3 won't affect the story in the grand scheme of things. Twin Runes created a new timeline so to speak. ____________________

How old are the characters in this story? Frisk appears to be around 9 years old. Kris thinks they're 14. (Both Frisk and Kris don't know their actual age.) Chara died when they were around 10-11. Susie is around 15-16 (she was held back once) Ralsei appears to be the same age as Kris. ____________________

What's up with Kris' and Frisk's hair? The red bits of their hair is more or less a representation of their souls. That in turn is also why Chara doesn't have that feature. They are soulless. It's a stylistic choice. ____________________

What's that thing on Kris' chest? It's a scar they got from tearing out their soul.

And why do they have weird lines all over their body? Both Kris and Frisk's anatomy resemble that of ball-jointed dolls. They appear just as markings across their bodies. Think of them as elaborate birthmarks. Kris and Frisk are still made of flesh and blood, but are in fact hypermobile. The reason as to why they do is still a little secret :) People here like to refer to these markings as "puppet limbs". You can get a better look at them and the scar in this artwork

Why does Kris have braces? This is why:

Why is Dark World Frisk green? Frisk changes their main sweater colors with Kris when they enter the Dark World.

Can other ghosts see Chara? (pre Darkner transformation) No, only Frisk and Kris are able to see Chara. ____________________

IS KRIS NOW FRISK'S COUNTERPART OR CHARA'S???? :) ____________________

So, was Chara in the locket all along? No, Chara possessed the locket to become a Darkner. ____________________

Where are Jevil and Spamton? Are they in Castle Town? The Fun Gang have already fought these two in the previous chapters and added them into their inventory. Outside of that little dream sequence, neither will be making an appearance. ____________________

Is anyone from Undertale Yellow gonna make an apperance? Outside of a tiny cameo from Clover (that has no greater bearing on the story) no one from Undertale Yellow is going to make an appearance. ____________________

Is (insert character here) gonna go to the Dark World/underground? With the way the story is going to play out, only the main group will be heading to this new Dark World. The rest of the story will be taking place there. ____________________

How did you come up with the idea of Twin Runes? Twin Runes is an offshoot of a separate script I wrote. It's a similar concept but turned on its head. The funny moments in that script made me just continue what now is the start of Twin Runes. I pretty much just wanted to see if I am actually capable of drawing a comic to begin with. So... in a way Twin Runes is my first attempt at a comic ever. If I ever finish Twin Runes, then I know I can tackle turning that mammoth project of a script into a comic too. In the grand scheme of things these two projects are sister series. They have A LOT in common and even share similar plot elements. When Twin Runes is over you will automatically also know certain mysteries of The Other Script. ____________________

What is The Other Script? As of this moment I call The Other Script: "Lost in the In-Between". At its core it's an inverse of Twin Runes. I.e. Kris falling into the underground and being aided by Frisk on their quest to return home. The story and jokes are a considerably more grounded than in Twin Runes and so are the characters. Though they do have their moments from time to time. The overall mood of that script is a lot darker in nature and it's a 200+ page passion project of mine. ____________________

Am I allowed to make fanart? ABSOLUTELY! You are very welcome to make fanart if you feel like it. Please let me know if you do by tagging me, so I can share it with everyone to see so that you get the appreciation you deserve :) ____________________ Can I use the funny faces you draw for memes or for stuff like memes or for profile pictures? That's what they're here for :) ____________________

Is there x ship in this comic? The focus of the story is not on shipping. If it's in the game it will very likely be mentioned or brought up, but that's about it. ____________________

What pronouns do you go with for the human children? I try to stick as close as possible to the games so I use THEY/THEM FOR ALL OF THEM WITHOUT ANY EXCEPTIONS.

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ABOUT ASKS

Asks will open for 24 hours after a new comic has been released. Your questions will then be answered over the course of the week.

Try not to submit multiple asks. If necessary, just keep everything in one post.

Keep in mind that I receive AL LOT of asks, so not every question can be answered...

Questions containing spoilers will not be answered on principle. Wouldn't be as fun if the surprise was ruined, right?

Before leaving an ask (mostly for everyone who's new), please make sure to read the FAQ section above. A lot of times your question might have been answered already :>

I love memes and dumb jokes as much as the next guy, but try not to spam

It probably goes without saying, but please stay civil. I want to give everyone the respect they deserve, and naturally like to be treated the same way.

Please be mindful about drawing requests. It is understandable if you're eager to see a certain character drawn in my style, but I do not like to be bombarded by requests. The more it happens, the less likely I am to do it. Be kind and ask nicely.

I don't take unsolicited comic ideas.

Don't use other people's posts that I reblogged to ask me questions! It has happened before and I do not wish to see this!

This isn't an ask blog. The comic has a script that will not deviate. Reader interaction with the characters won't be possible due to the overall "no Player" subplot.

Please do not ask me to put your characters into the story. Like I said, the script is already finished and I'm quite happy with it. Your characters are in better hands with yourself and your own stories. Please have respect for mine.

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ABOUT SUBMISSIONS

The submission box is for FANART ONLY!

It is meant for those who do not want to submit their fanart to their own blogs, in case they feel scared or intimidated to do so.

ASKS AND REQUESTS THAT ARE SUBMITTED THIS WAY WILL NOT BE ANSWERED.

Please wait until the ask box opens. You can read more on how asks work in the section above.

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REFERENCE SHEETS

The following are ref sheets of characters that don't have established Dark World forms yet (as of writing this comic). The list will be updated as soon as a new character enters the Dark World. Here you will also find references of characters that might appear as surprise cameos, or maybe even completely new faces...

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FULL ART

#twin runes #twin runes masterpost #masterpost #deltarune comic #comic #deltarune au #crossover #undertale #my art #FAQ #frequently asked questions #important #please read #deltarune

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elbdot · 9 months ago

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And this marks the end of Gladions Arc... It's been 3 long years since I started this arc. Granted, I was on hiatus for a full year due to my animated Comic Dub, but still. I'm glad I finally managed to finish this story after all this time. As always, thank you for your patience and thanks for reading!

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Some notes for future updates: I will most likely change my shading style and break free from the set 16:9 format I have been presenting my comic panels in for the past few years. I noticed how much time I'm wasting on shading and rendering my panels, as beautiful as it may look in the end, for a comic it's an incredibly inefficent way to work and I want to improve on that, so that I may be able to finish comics more regularly in the future. "El's Alolan Adventures" is only one of many projects I'm working on, so if I want to continue it, I should learn to actually work like a comic artist instead of an illustrator.

If you want to support me on my journey and see wips on art, comics and more, then you can join me on Patreon! https://www.patreon.com/elbdot

Joining any pledge will also grant you access to my Discord server.

#els alolan adventures #gladion #pokemon sm #pokemon sun and moon #pokemon #professor mohn #pokemon comic #silvally #corsola

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azulcrescent · 2 months ago

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Will you ever update I want to be a cute animal girl again? /lh

Also I love your comics I’ve been a fan for so long on WEBTOON!!

I wrote an answer to this on twitter, but ill answer it here too.

Short answer : yes, and im trying to draw but i have a pretty bad mental block rn.

Long answer : [same response on twitter] On Cute Anime Girl, its not abandoned. I'm currently dealing with a mental block. On the last arc, where Erica was explaining to Cheryl about HRT, a bunch of trans people said they didn't want to read it because they already knew it, and it kinda really irked me. Cuz I felt like trans people should be the last to have the "fuck you, got mine" and it soured my experience with the comic somewhat. I started thinking "im not sure i want to draw if this is my audience" but i know its unreasonable cuz its not everyone. and i will try and i *am* trying to continue drawing it, but its hard. Because that's not everyone, and i do want to tell more of the story. Its just that i realized the story i want to tell might not be what people want to read, but ill still tell the story in my mind. thank you

and tenk q. glad u like my comics, sorry for the wait TvT

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genericpuff · 6 months ago

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Lore Olympus just pulled off the biggest whiff in webtoon history.

I promised I would choose one of two headlines and of course, this is the one we wound up with. But should we really be surprised? Rachel herself seemed to be telling on herself down to the minutes leading up to the finale, fully confirming to us that yes, she's been writing this comic at the last minute, by the seat of her pants, for ages now.

(that second one was literally posted TWENTY FUCKING MINUTES BEFORE THE COMIC UPDATED.)

Welp, let's get into it. Possibly the last essay I'll ever write about this dumpster fire of a comic (but probably not, let's be real LOL)

CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT AND FASTPASS SPOILERS FOR THE SERIES FINALE AHEAD!

Holy crap, where to even start with this. I knew it was going to be bad. I knew it was going to be rushed. I knew it wasn't ever going to live up to what I had hoped it would be years ago when I was still a diehard fan.

But I didn't think it was going to fall quite this hard. Despite bracing myself for the worst, Rachel has once again let my expectations down through a final display of explosive mediocrity and disappointment.

Yes, the episode is called "You're Welcome", and yes, that instant "ick" you're feeling is the exact same as what we're all feeling. This title plays into the dialogue later, but what a shitty, lowkey mean-spirited title for the series finale.

Now, before we get into the actual episode, the WT ads for this are just... so desperate and misleading.

They are trying SO HARD to hype up something that isn't there, and at the last minute to boot, because Rachel definitely hadn't written any of this ahead of time.

First off, the bit about the gods being in "eternal chaos" of course isn't a stake worth worrying over because Gaia literally does away with Ouranos in the first 5 panels.

Did you really think I was joking about that 5 panels thing?

That's it. That's the death of Ouranos. As mysteriously and quickly as he arrived, he was gone, after Gaia ripped out of him what appeared to be some purple sunny side up - but it's actually, in fact, Apollo.

And that's when we start to get some of the worst dialogue I've ever seen throughout LO. Remember when I said LO's dialogue was like Shenmue 3? Welp, the finale decided to continue that tradition and further fuel the suspicion that this entire thing was written by ChatGPT.

Oh, by the way, that "thank you, ma'am" was Artemis' first and last line of the episode. So once again, just like in Episode 248, we're completely robbed of her reaction to Apollo being a rapist piece of shit and the character development she could have had as a supporting character. The women in this "feminist retelling" really couldn't be more half-baked.

Gaia stumbles upon Persephone, and I'm not even gonna fucking bother showing the panels where Gaia says it's time to "make things right" because they literally don't matter. Why don't they matter? Because Rachel just had to get in one more pointless time skip.

We're shown a sequence of pointless images that I'm not gonna show as I don't want to waste my image limit on them, depicting Hades having a sad day because his small wife isn't with him and oh nooo what could have happened?? Did Persephone finally divorce him ??

Nah, we couldn't possibly have an actually happy ending in this comic. Instead we get a completely pointless phone conversation between Hades and Hecate-

Not only is the grammar particularly bad in this episode, but the actual script-writing is atrocious. We literally did not need this phone conversation to happen because-

-we're cutting BACK TO THE PRESENT THAT WE JUST CUT AWAY FROM FOR A 3 MONTH TIME SKIP. FOR NO REASON BESIDES SHOWING HADES BE SAD OVER SOMETHING THAT ACTUALLY ISN'T THAT BIG A DEAL, AS YOU'RE ABOUT TO SEE.

I- I LITERALLY HAVE NO WORDS. I HAVE NO WORDS TO DESCRIBE WHAT THE FUCK THIS IS. ALL I CAN HEAR IN MY BRAIN IS THE LEGEND OF ZELDA ITEM GET MUSIC-

youtube

-BECAUSE THIS WHOLE THING SUDDENLY SOUNDS LIKE SOME CONTRIVED FETCH QUEST. WHAT DO YOU MEAN HADES AND PERSEPHONE HAVE PROVEN 'TRUE LOVE' IS REAL? WHAT DO YOU MEAN THEY HAVEN'T USED 'LOVE' AS A FORCE FOR DESTRUCTION?? ARE WE FORGETTING THAT HADES MUTILATED A GUY IN THE NAME OF 'LOVE'? THAT PERSEPHONE LITERALLY INVADED THE HOME OF HADES' CANONICAL FIRST WIFE BECAUSE SHE FELT MILDLY THREATENED BY HER?

This whole concept of "true love" that Rachel is trying to convey feels so juvenile especially for a series that has sold itself as being mature and thought-provoking and progressive.

HAHAHA SO FUNNYYYYYYY why does Rachel write like this. this is, at best, the writing of a 13 year old on fanfiction.net, which I SHOULD KNOW, because I WAS ONE OF THEM. BUT I'M 28 NOW AND RACHEL HAS ANOTHER 10 YEARS ON ME.

Okay, this is the part where I'm CONVINCED Rachel either just mashed this into the episode in the MINUTES leading up to its release, or she used ChatGPT or something. Because NONE of this dialogue makes any sense. Beyond how stilted and lifeless it is (seriously, this dialogue reads like something from Empress Theresa) Gaia is clearly meant to 'replace' Erebus here which I SHOULDN'T HAVE TO EVEN EXPLAIN IS SO FUCKING DUMB, but ALSO what is even Persephone trying to communicate here? "That is true, but it was a deal I was willing to make and ties me to the Underworld. Please don't change me." What? Gaia hasn't even insinuated that she's going to do anything to Persephone, why is Persephone immediately jumping to this conclusion? What does 'changing' her mean? Is she asking Gaia not to force her to sacrifice something (which she never did)? Or is she asking Gaia not to strip her of her Underworld status? Because again, why is that even something Gaia would do?

Maybe this is harsh but I'm pretty sure even Empress Theresa is more coherent than this, what in the flying fuck is Gaia talking about?

"I can just see the potential for conflict! To relieve you from the burden of the whats, the hows, and wheres." Like... okay, first of all, that second sentence isn't even a complete sentence, it's a dependent clause left hanging, but also what the fuck does this MEAN. Is she EXCITED for the conflict but then contradicting herself by saying she wants to relieve Persephone of that conflict? Or is she saying she can see the conflict it would cause for Persephone to have to perform duties in both realms and trying to insinuate that she's going to relieve her of those complications?

Here's what I think happened - I think that second 'sentence' wasn't supposed to be a sentence, but the start of the sentence to the next panel-

So with that theory in mind, the sentence becomes, "To relieve you from the burden of the whats, the hows, and wheres, you are to spend three months in the Mortal Realm to do spring and the rest of the year in the Underworld. That seems fair to me."

It's still a very poorly written line of dialogue, but at least with that fix in mind it makes sense. But man, you can really fucking tell this episode was submitted at the last minute because that's a serious syntax error that should NOT have happened in this two-time-Eisner-winning comic.

Errors aside, it's clear that Rachel is following through on having Persephone spend only three months in the Mortal Realm, rather than the traditional six. There ARE other translations that have that number closer to four, but those four are the time she spends in the UNDERWORLD, meaning she's always spending either equal or MORE time in the Mortal Realm. Of course, Rachel doesn't want her self-insert small wife power fantasy to actually have to be separated from Hades despite this being a retelling of The Abduction of Persephone, so instead of her spending three months in the Underworld, she's now spending them in the Mortal Realm, literally doubling the MINIMUM amount of time (four months) she was originally meant to reside in the Underworld.

But oh no, apparently those three months are STILL NOT SHORT ENOUGH FOR PERSEPHONE-

Of course, Rachel "Retcon" Smythe had to have her cake and eat it too. I always worried something like this was a possibility, but I never thought she would actually prove me right - not only is Persephone only separated from Hades for three months out of the year, but actually he can visit her any time he wants to, so really, they're not separating at all.

I think Rachel needs to look up "reunion" in the dictionary, because if you can visit each other any time, then that means the 'reunions' are no longer special occasions. This completely removes any semblance of depth or meaning from all of the storytelling leading up to this, all of it with the expectation that this was a retelling of the Abduction of Persephone, because that's what Rachel said it was going to be. At this point it's safe to say that Rachel has zero business attempting to "retell" mythological stories, because she doesn't even seem to grasp the concept of why they were written the way they were to begin with. Either that, or she really just doesn't care, and the only reason for making LO a Greek myth comic at all was to propel her career.

This also brings me back to those promotional ads, the other one that posed the question, "Will sacrifice be enough to bring these two back together?"

This is stating the obvious, but I need to make it perfectly clear - Hades and Persephone have never sacrificed a single thing. The only thing they could POSSIBLY quantify as a "sacrifice" is "not being tied at the hip for a few hours", because even Persephone going on the equivalent of a work trip next door is apparently enough to make Hades sad as we saw in the 3 month time skip panels. Why is Hades so sad and lonely if he can visit her any time? Why is he acting like he hasn't seen her in years when he's actually on his way to reunite with her? Why is Hecate calling to ask him if he's "okay" as if he JUST got separated from her, but actually he's about to literally go to the Mortal Realm to reunite with her?

Hades hasn't 'sacrificed' a damn thing, neither has Persephone. They've both always gotten exactly what they wanted, even at the cost of breaking the story's own established rules. Their 'sacrifice' is equivalent to what billionaires think are 'sacrifices' when they can't buy another yacht or go on that third overseas vacation for the month.

And even outside of this episode, when have these two ever sacrificed anything?

I've tried so hard to think of what sacrifices have been made by the characters within LO, and I genuinely can only think of one - and that was when Artemis chose to go to the Mortal Realm with Persephone instead of staying with her family in Olympus. That was a genuine, selfless sacrifice, made by a character who has been shelved in favor of focusing on the self-centered pink and blue airheads.

Being forced to be apart for a couple days to do the equivalent of a day job and whining about it the whole time is not a 'sacrifice'. Neither of these characters have ever sacrificed anything, they just feel like sacrifices because they have the integrity and empathy of soggy cardboard.

sigh Anyways, we're back in the present and Hades and Persephone immediately decide they're gonna have sex because ofc, and then we get this gem of a panel-

MMMMMM

FUNNYYYYYYYYYYYYYYYYYYYY JOKE

For some reason it's just a common thing for people to just be in Hades' home, and they can't seem to get any privacy as a result of this, but I digress. Turns out they still need to have that coronation for Persephone.

There is... so much wrong in these three panels.

First, to state the immediate issues - why the fuck are they mentioning Apollo at Persephone's coronation? Like first of all, no shit Apollo isn't gonna be there, but also, if this is supposed to be an event for and about Persephone becoming Queen of the Underworld, then why in the WORLD is Apollo even being mentioned? This is supposed to be a "feminist retelling" where the victims are empowered and heal from their trauma, but LO once again can't try to show any sort of positive growth for the victims without bringing up the assaulters and giving them screen time. It just goes to show that Rachel's idea of "healing" is purely rooted in the revenge, and not the growth. It's a very high schooler approach to this subject, hellbent on showcasing how all the meanies from the past are losers now and life just sucked for them forever, but inadvertently proving its own point that the victims haven't and can't move on because the narrative is spending so much time on caring what's going on with the abusers. It's the "I don't care! Look at how little I care! I'll prove it to you by putting in the effort of showing you how little I care!" approach, it doesn't really feel like moving on.

It's not about how Persephone and his other victims could have grown and healed, no, Rachel always needs to highlight just how much worse the bullies and haters and abusers are doing to make the victims seem like they've healed by comparison. Don't get me wrong, I can understand wanting to showcase the downfall of a character like Apollo, but this just... isn't the right context for that? Because it's once again taking attention away from the victim to focus on the abuser. It's once again spending screentime on the voices of the oppressors rather than the oppressed.

And speaking of, what the fuck is this punishment even? I knew Rachel wasn't gonna be able to resolve this plotline properly, she never had the capability to, but ... community service? Are you fucking for real? What is this even a punishment for even? Was this EXCLUSIVELY the SA, or does this ALSO include his attempts to overthrow Zeus by poisoning him, nearly killing Daphne, Eris, Eros and Psyche, trapping Eros and Psyche in an enchanted basement, and framing his father's 'death' on his half-sister? Because if so, how in the world is anyone content with community service? He hasn't even been turned into a mortal, HE'S STILL A GOD, so what's to stop him from going "WE'LL MEET AGAIN, SPIDERMAN" and trying something else? How is this a reasonable resolution in ANY context?

This is why I talked at length about what an issue it was to hide what Apollo really admitted to. Because now we really don't know what exactly he confessed to, and thus we can never really see the point of views of the victims outside of just Persephone - and we still don't even get Persephone's, because she just walks away from him and then he gets eaten by Ouranos and next we see of him is him doing community service! Once again, any emotional development that could be given to Persephone and the other victims is stripped away to make room for the point of views of the oppressive men. In this, the two-time-Eisner-winning "feminist comic" that is LO.

And that brings us to the "where are they now" segment. Yes, as we all feared, there's a "where are they now" segment, and it's as rushed and underwhelming as we ought to have expected it to be.

There is just... so much to unpack here, and yes, all of it is delivered in the dumbest way possible that only raises more questions than answers.

So Rhea and Metis are just back and we're not gonna talk about the implications of them being alive again?

Dionysus is a 3 month year old in the body of a teenager / young adult, and his mom is just alive now because Hades conveniently got his hands on more ambrosia and brought her back to life offscreen? But somehow Triptomelus and Hedone are still child-sized relative to their ages?

How did they 'heal Zeus'? And why is he so content with losing his power as King and Apollo being sentenced to community service after making an attempt on his life? How does he feel about the letter that Hera gave him? Did he even read it?

Where the fuck is Hebe in all of this? Is she okay? Do people still think it was her who put Zeus in a coma? Or did Apollo confess to that, too?

You're telling me Hera and Echo are just in a relationship now despite the fact that Hera is literally racist towards nymphs and there is ZERO reason for them to have a relationship in the comic beyond the fans making gratuitous headcanons out of it? How is Rachel, a bisexual woman, so bad at writing actual lesbian relationships and giving them the same amount of attention as the heterocis ones without shoving them into the background as props for insincere queer rep? And what about Hera herself? How did she overcome her role as the Goddess of Marriage to finally divorce Zeus?

"Ares is still a dog!" Haha! Ares is still a Persephone simp! Happy end!

Why is Eros just standing there smiling at the camera struggling to be seen past Hedone who's just floating right in front of him? You're telling me there wasn't a better place to put her out of that entire panel?

"Hades and Thanatos have been making more time for each other. Sometimes they even have a conversation." I'm sorry, is this supposed to be funny? The man abused Thanatos for years, treated him as just a lowly employee when he was literally his adopted son, and now you're trying to play it off as a joke that they're "making more time for each other"? What the fuck is this?

TGOEM disbanded? Why? What about the women who were genuinely a part of it?

Also, Artemis and Selene are just good friends now because reasons? Because they're both affiliated with the moon, I guess? Why is Selene even in this comic-

"They are still looking for Kassandra". Who? And why? This feels like such a last minute addition to acknowledge a character that the comic spent WEEKS foreshadowing only to have her finally appear as a pointless McGuffin, but it's so last minute that it does nothing. I'm assuming it's Eros and Psyche looking for her, but like... why can't they find her? They're gods, tracking down one mortal shouldn't be that difficult LOL ???

And also, where the fuck is Leto?? You're telling me she was an accessory - maybe manipulating Apollo, maybe not - but we don't see what happened to her? Is she just back to being a social outcast then? jesus christ this comic isn't finished-

Kassandra is where the "where are they now" sequence ends, and we're treated to one final horribly written dialogue scene between Hades and Persephone, where they tell each other how much they love each other in a desperate attempt to convince the audience that this is, in fact, a romance.

There's this thing in romances called chemistry, and if you're good at writing it, you shouldn't have to write dialogue like this. You should be able to see how much the characters love each other through their actions, through their small behaviors around each other. It's not always about what they say out loud, it's about what they don't have to say, because when two people really share that close of a bond based on love and trust and chemistry, words often aren't necessary.

Hades and Persephone do not have that chemistry. It has been apparent for years now, but this final exchange really is the nail in the coffin. There are no microexpressions or subtle emotions, no subtlety in their word choice, and nothing unique setting their voices apart. It's all just "wow thank you for being such a wonderful amazing partner, you are amazing and I love you" word salad that has to do all the heavy lifting for the completely non-existent chemistry that's been at its absolute worst throughout this entire season.

And worst of all, despite this story trying so hard to be focused around Persephone, around her story, her trauma and her healing, her voice... it's still all just about Hades. In the end, she's thanking Hades, and forcing him to say "you're welcome". All of it is trying so hard to convince us that Hades has been a positive addition to her life, that she 'owes' so much to him, but we've obviously seen plenty throughout the comic that begs to differ. And even if he were a better person than he is, it still doesn't change the fact that once again, the men are being held up above the women, with the women being grateful to the men who choose them. LO can try its hardest to convince people that it's feminist, but it is, at best, reinforcing the very same structures of the patriarchal system that it claims to despise and rebel against.

We do get one line from Hades acknowledging Persephone's part in the relationship-

-and it falls so fucking flat because it's still about him and what she does for him, and because nothing about their relationship was built on any sort of organic chemistry. There was a lot more chemistry back in S1, but it was still predicated on Hades lusting after a vulnerable 19 year old girl.

Yep, and that's it. That's the end.

Except it isn't because Rachel wanted to try and be smart by including an 'epilogue' that's really just stretching the episode out pointlessly for another few panels. And of course, we had to get another time skip, just a final dose of salt in the wound, this time to years ahead when we inevitably had to reconnect with Persephone and Hades in the future after Melinoe was born.

To recap, Melinoe doesn't remember... because Hades had Morpheus erase her memories.

This plotline has really started to give me the ick because it actually feels very familiar. Bear with me here, because I'm gonna go on a bit of a tangent about my own original work, but it's because I wrote a plotline exactly like this years ago.

There's this... turning point, in Time Gate: Reaper, when the main character Uzuki is kidnapped by a Reaper (see: undead) who wants to experiment on her in the hopes that he can somehow gain her abilities to bond her soul with others (which later allows her to literally possess people after she becomes a Reaper herself). Mitsuhiro, the male deuteragonist who kickstarts the plot by telling Uzuki she's got a limited amount of time left to live (which he knows thanks to his magical death timers that mark themselves on his skin), feels an immense amount of guilt after finding out she was kidnapped by the Reapers (at this point she's been gone for three months), as they were originally after him; he worries that she was made a target simply due to him associating himself with her, and vows to rescue her.

With the help of some other spunky teenagers and anime trope characters, Mitsuhiro does eventually rescue Uzuki - but for the three months she had been gone, she had been tortured, abused, and experimented on, causing her mind to split and for her to lose any sense of awareness of who Mitsuhiro or her other friends were. She was no longer herself after the hell she had been through.

Mitsuhiro's solution to this is to have Springlock - another Reaper with motivations that are not yet clear to the cast - erase her memory. This is not a light decision that comes without consequences - for the remaining duration of the story, Uzuki is plagued by night terrors and panic attacks, unable to really remember what happened to her aside from whatever brief flashbacks her brain recalls in its haze of memory loss. She is traumatized, both physically and mentally. She has lost three months of her life and memories, and doesn't know how to explain why she's covered in scars that are still healing, why she's missing organs, why she's now blind in one eye, and why the sound of scraping metal and ticking clocks gives her panic attacks. Mitsuhiro has convinced her friends that she's suffering from memory loss due to trauma, but only he knows the truth that he forcefully took her memories away from her, without her consent. This was not the right choice to make. It was not noble of him, it was not a grand gesture of love, he made a decision on her behalf without her consent that has now resulted in her becoming a nervous wreck. Sure, she still would have had PTSD if she remembered what happened, but at least she would know why and could then seek adequate help. Without those memories, she has nowhere to begin to heal. And so we see the consequences of this throughout [AFTERBIRTH] and even the upcoming Thread of Fate. It is a long-term problem that is not going to be solved overnight, especially not with Mitsuhiro withholding information from her.

Reading about Melinoe having dreams about her experiences trapped in Tartarus with Kronos ... it felt familiar enough that I had to talk about why the insinuations of this are so fucked up. I know there are people who are gonna handwave it away as "she's just a kid", "these are gods so what does it matter", etc. but ... it just feels like such an oversight to have Hades effectively erase her memory of her trauma and then hint at them still being present in her mind through her dreams. She did not ask for that. And the fact that she's now dreaming about it all does not bode well. But we're supposed to think Hades made the correct choice, regardless.

But none of this is effectively expanded on or explained, because we get one final scene of Melinoe and Demeter visiting Persephone, who has just given birth to... Makaria?

So it turns out Persephone and Hades are just able to have biological children now. Don't know why, but of course they both look exactly like Hades.

What I was really confused by though is the fact that it's Makaria and not Brimos. Do you remember Brimos? The child that was foreshadowed in Hades' original fantasy dream sequence about his future children about Persephone?

Either Rachel completely forgot about him, or she saw all the criticism over the fact that Brimos isn't a confirmed child of Hades and Persephone (rather, an epithet that can apply to basically any Underworld god including Persephone and Hades) and that her "research" was dependent on a book she read when she was 13 and decided to axe that. But she went to the effort of establishing that all the dreams Hades had were , in fact, canon visions of the future, so good job Rachel, you created yet another plothole on top of the hundreds of others.

And that's where the series ends, on a final nuclear-family-photo of Persephone, Hades, Melinoe, and Makaria. Of course, Dionysus and Thanatos aren't present in this shot because this is Lore Olympus and only biological children count /hj

Why Rachel couldn't move the "the end" portion to THIS part, I don't know, but I'm also expecting way too much of the person who finished this 20 minutes before it was due.

So that's it. Six years and that's what we get. I didn't expect much, but I was still incredibly disappointed, as were many others who walked away from this dazed and confused. Maybe it's all the "haters" deserve at this point. But what of the fans? While many of them are celebrating this ending at best and tolerating it at worst, I can't help but think of the fans of this comic who hung on for so long in the hopes it would "pay off", just for it to go out as gloriously as a wet fart.

As for me, I have such mixed feelings about Lore Olympus ending, but none of them pertain to the comic itself. Most of what I'll miss from this comic isn't the comic itself, but the people who have made reading it every week so fun, the artists and writers who have enriched the content with their own interpretations of what could have been, and the experiences of being part of such an amazing community made up of people who are as long-term-obsessed about this piece of media as I am.

I get people who ask me a lot if it's "worth it" to be so engrossed in the LO slander, who assume that I'm going to "regret" ever being a part of it all... but from where I'm standing right now, I couldn't ask for a better view.

Even if I didn't love every minute of it, everything I have here I owe to this comic. This stupid, wonderful, boring, amazing, pile of shit comic.

#lore olympus critical #anti lore olympus #lo critical

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