#colonial philippines

[jg-abuyuan-art]

City Shots 6 (2024)

One of my long overdue personal trips was one I spent in the Old City. I've made plans to visit the place before but due to unexpected upheavals (with me moving last year and all), it took until Lent 2024 for me to actually do so. If you haven't been following me, I have a longstanding interest in historic Philippine architecture which had its roots nearly 10 years ago when I started building colonial-themed houses in the Sims 3.

My trip was, like the one in 2022 before it, made during Lent. Unlike in 2022, however, I traveled alone, which gave me plenty of opportunities to explore Plaza San Luis and its neighbors.

I only had time to explore the area around Plaza San Luis and three of its museums (only two of which I elected to share). Inasmuch as I would want to take pictures of the rest of the city's museums (including the ones situated at Fort Santiago) and the other structures around the district, I ran out of time and energy due to how mercilessly hot the day was.

Like with my previous post, more information is shown under the cut.

Camera: iPhone 11

Date: 26 March 2024

Location: Plaza San Luis Complex, Intramuros, Manila, Philippines

Usage: By request. Noncommercial only.

The Old City of Intramuros (meaning "Within the Walls") was the nucleus of modern Manila, built over the flattened remains of the fortress city-state encountered by the conquistador Miguel Lopez de Legaspi in 1570. The city was the crown jewel of the Spanish Philippines and was once the home of the city's elite. Today, the city's residents comprise mostly of students and informal settlers, with the majority of people being tourists and the people who work in the businesses supporting the tourism industry.

Many of the sites in the city are in various states of ruin and restoration, very few of which besides the walls being the original structures at all. Most of the buildings in the city (including the entirety of Plaza San Luis) consist of reconstructed replicas. The Casa Manila Museum (the large yellow structure) isn't even based on a structure from the Old City but is a rebuilt building from a different district altogether.

The only building from the era that survived to be restored is San Agustin Church, the oldest surviving colonial stone structure in the country. Much of the Old City was destroyed toward the end of World War II.

[arkipelagic]

The Spanish surnames of many Filipinos have often misled foreigners here and abroad, who are unaware of the decree on the adoption of surnames issued by Governor-General Narciso Clavería in 1849. Until quite recently in the United States, the Filipinos were classified in demographic statistics as a “Spanish-speaking minority,” along with Puerto Ricans, Cubans, Mexicans, and other nationals of the Central or South American republics. The Philippines, as is well known, was a Spanish colony when Spain was mistress of empires in the Western Hemisphere; but the Americans were “hispanized” demographically, culturally, and linguistically, in a way the Philippines never was. Yet the Spanish surnames of the Filipinos today—García, Gómez, Gutiérrez, Fernández—seem to confirm the impression of the American statistician, as well as of the American tourist, that the Philippines is just another Mexico in Asia. Nor is this misunderstanding confined to the United States; most Spaniards still tend to think of “las Islas Filipinas” as a country united to them through the language of Cervantes, and they catalogue Philippine studies under “Hispano-America.” The fact is that after nearly three-and-a-half centuries of Spanish rule probably not more than one Filipino in ten spoke Spanish, and today scarcely one in fifty does. Still the illusion lives on, thanks in large part to these surnames, which apparently reflect descent from ancient Peninsular forbears, but in reality often date back no farther than this decree of 1849.

Somehow overlooked, this decree, with the Catálogo Alfabético de Apellidos which accompanied it, accounts for another curiousity which often intrigues both Filipinos and foreign visitors alike, namely, that there are towns in which all the surnames of the people begin with the same letter. This is easily verifiable today in many parts of the country. For example, in the Bikol region, the entire alphabet is laid out like a garland over the provinces of Albay, Sorsogon, and Catanduanes which in 1849 belonged to the single jurisdiction of Albay. Beginning with A at the provincial capital, the letters B and C mark the towns along the coast beyond Tabaco to Tiwi. We return and trace along the coast of Sorsogon the letters E to L; then starting down the Iraya Valley at Daraga with M, we stop with S to Polangui and Libon, and finish the alphabet with a quick tour around the island of Catan-duanes. Today’s lists of municipal officials, memorials to local heroes, even business or telephone directories, also show that towns where family names begin with a single letter are not uncommon. In as, for example, the letter R is so prevalent that besides the Roas, Reburianos, Rebajantes, etc., some claim with tongue in cheek that the town also produced Romuáldez, Rizal, and Roosevelt!

Excerpt from the 1973 introduction to Catálogo de Alfabético de Apellidos by Domingo Abella

[artist-ellen]

Pre-Colonial Filipino Mermaid!

One of the most requested historical mermaid designs was a Pre-colonial Filipino mermaid. Of course as a collection of islands there is a huge amount of variation to choose from, and I eventually decided on Visaya fashion with some classic-inspired tattoo designs.

I am the artist! Do not post without permission & credit! Thank you! Come visit me over on: instagram.com/ellenartistic or tiktok: @ellenartistic

[dez-ku]

I drew Monkey King but as a Filipino 😈 I'm more focused on the mythology than lmk on this design

I made a whole explanation about every detail about the design but idk if I should publicly share it?

I try to match his Chinese attire with the Philippines one like.. what makes him the Monkey King or Sun Wukong

[dalandan-oranges]

SPARK

this is. about the dialogue between Bonifacio and Rizal, the impact that one had on the other, the way Rizal's novels could spark desire for freedom like a wildfire that will not be tamed. there's an element of 'I would have gone through life half asleep if I never met you,' to it. the linked tragedies, the characters from the novels themselves seem to echo forward onto Bonifacio and Rizal in their own way as well.

Rizal and the Revolution, Floro Quibuyen

The First Filipino, Leon Ma. Guerrero

Closet Queeries, J. Neil C. Garcia

additionally! the illustrated panel of Ibarra and Elias! it's a combination of a few things; them in Noli, but it's combining the character trajectory Ibarra/Simoun has gone on with El Filibusterismo (hence. the flames. dude said I came here to burn shit to the ground, and damn, it was a speech.) like. do you see the similarities between Bonifacio and Rizal in this because I cannot stop thinking about it.

Introduction to Ma. Soledad Lacson-Locsin's translation of Jose Rizal's El Filibusterismo

🍊 twitter 🍊 pixiv 🍊 bsky

[pinoy-culture]

✨️ After months of planning, the Filipino Book and Study Club is now up and running! 🇵🇭📚

Starting in July, we will be discussing 2 books, Barangay by William Henry Scott and History of the Bisayans Volume 1, the English translation of Francisco Alcina's works in 1668 by Kobak.

I will also be hosting my first class in awhile! We will be discussing various deities from the Philippines, the babaylan, and traditional tattooing. It will be held on Friday, July 19. Time will be announced in the coming weeks once we get closer.

Scanned pdfs chapters of Barangay and History of the Bisayans will be available on my Patreon later this week to those in the Mayari Tier on my Patreon. I will also be posting a study guide for you all based on July's chapter readings. These study guides and scanned pdfs of books will be available to both the Apo Laki and Mayari Tiers.

If you have any questions, feel free to ask! And if you know someone who would be interested in joining the Filipino Book & Study Club, share this post to them or tag them.

I look forward to having the first class of this year we you all!

➡️ LINK TO MY PATREON

[sansimeonsims]

A large luxury hotel built smack dab in the middle of the plaza. Still not sure what to make of it yet, as it could either be a swanky deluxe dormitory, a luxury lounge, a rabbit hole of some sort, or even a resort (where does the large pool go, though?). It's based on a combination of buildings (real world hotels at the Las Casas Filipinas resort and living history museum), one a combination of hotels styled after a historic accesoria and the reconstructed Hotel de Oriente, which used to stand in what is now Plaza San Lorenzo in Binondo.

One of my tentative names for it is the Hotel McCarric, indicative of the owners of the hotel and a deliberate shout-out to @danjaley's McCarric Scenes. I floated up the possibility of having that family in the save a while back. The McCarric family I've planned for this save was one of those merchants who made it big here and decided to invest on a large venture in the walled city. They're likely very distant relatives or descendants of those McCarrics, having made their fortune as traders in hemp rope and sugar.

Historically, this is actually very plausible, as the British had a sizeable presence in Philippine cities as entrepreneurs.

Anyway, about that arch. Should I keep it in place or reconstruct it in front of Fort St. Simeon instead?

[notcaptainjack]

[daphnefisherofficial]

bugna: TAKIPSILIM | destiny's twilight

defy your destiny | rewrite your fate.

Pairing: MCU Moon Knight System (Marc Spector/Steven Grant/Jake Lockley) x Avatar Fem!Reader/OC

Update Schedule: Semi-daily (schedule depends on my work, most of the chapters are already written and I'm writing buffers coz I can't stop, help--)

Summary: Under the luminous full moon of the pre colonial Philippine archipelago in the year 900, Mira Batala's fate to serve their patron moon goddess, Mayari, as an avatar was sealed from the moment a divine kiss was bestowed on her forehead from her infancy. Gifted with a second chance at life, her extraordinary birth marks the onset of a divine oath to be honored and fulfilled as immortality soon became a curse rather than a gift. As she outlived her family and becomes the last of her olden lineage, Mira embarks on a millennia-long journey of protecting her people and guiding the travelers of the night through its darkest.

bugna: takipsilim (destiny's twilight) is a thrilling saga of ancient gods, boundless love, and a woman's timeless odyssey. As Mira confronts her past and embraces her role as Mayari's Avatar, she discovers the essence of her bugna (true destiny) and the interconnectedness of all strings of fate tied to her own: namely her intertwined destinies with Marc Spector, Steven Grant and Jake Lockley as the reincarnated fragments of her greatest love's past life.

TW/CW: Abuse, Age Difference, Alcohol, Alternate Universe, Angst, Comfort, Drama, Dreams and Nightmares, Falling In Love, Fluff, Historical, Hurt/Comfort, I Wrote This Instead of Sleeping I'm Sorry, Idiots in Love, Not Beta Read, Mutual Pining, Polyamory, Reader-Insert Relationship(s), Romance, Slow Build, Smut, Soulmates, Trauma.

MINORS DO NOT INTERACT: I AM NOT RESPONSIBLE FOR THE CONTENT YOU CONSUME.

MASTERLIST BELOW

Prologue | A Kiss Of Intertwined Destinies

Chapter One | Shadows Of The Past

Chapter Two | Dreams Of Fate, Farewell & New Beginnings

Chapter Three | A Chance Encounter Above The Clouds

Chapter Four | The Homecoming

Chapter Five | Ties & Strings That Bind

Chapter Six | Coffees, Paninis & Museum Dreams

Chapter Seven | A Night of Discovery, History and Connection

Chapter Eight | Avatar Of Mayari, Protector Of The Night

Chapter Nine | Forgotten Memories & Inevitable Truth

Chapter Ten | A Taste of Camaraderie & New Adventures

Chapter Eleven | When The Sparks Fly

Chapter Twelve | Between Awakening Desires & Celebratory Nights

Chapter Thirteen | Companionship & Late Night Confessions

Chapter Fourteen | The Hidden Protector

Chapter Fifteen | Bound By The Crescent Moon

Chapter Sixteen | All Has Been Revealed

Chapter Seventeen | Moon Magic & Mysteries Of The Night We Met

Chapter Eighteen | Shared Burdens & Unexpected Alliances

Chapter Nineteen | Choices and Commitments

Chapter Twenty | The Doorway of Accursed Memories

Chapter Twenty One | Lieutenant Darius Carter

Chapter Twenty Two | A Love Forged in War (coming soon)

Chapter Twenty Three | The Jackal and the Moon (coming soon)

Chapter Twenty Four | Il Lamento della Luna (coming soon)

Chapter Twenty Five | Meeting the Sun and Stars (coming soon)

Chapter Twenty Six | Konseho ng mga Diwata // Council of the Gods (coming soon)

MORE CHAPTERS COMING SOON.

Also, I will be cross posting this on Wattpad and AO3 soon, so I have commissioned an artist to create a book cover. Here's a sneak peak.

I'm super excited to show you the rest once she's done. In the meantime, please follow her on Instagram @lindsaynid_arts if you wanna see more of her artwork.

[inkcurlsandknives]

So I'd like to talk a bit about the Filipino funeral gold scandal and how as someone writing an anti-colonial Filipino epic fantasy based heavily on early shaman lead rebellions against Spanish colonial rule I have some intense feelings about Filipino actress Beauty Gonzales flaunting wearing funerary death masks taken from a Large number of graves in surigao, butuan and mindinao and rather then treating them with appropriate respect or any kind of cultural ethics and instead turning them into fashion jewelry.

Aside from the damage to important archeological artifacts the utter disrespect shown to the dead who were interred in this way to ensure thier successful passage into the afterlife and to protect their bodies from the entry of evil spirits

For me it calls to mind when I was doing my primary sources research for Saints of Storm and Sorrow into the tree and boat burials of Luzon and reading the accounts of precolonial funerary practices by early Spanish friars and "naturalists" one of these documents was the memoir of Domingo Sanches who in a particularly horrifying account, noted how in the village he was staying in a young girl had died and he recorded how she was mourned and the great love and ceremony with which she was buried and how later that night he snuck back, dug up her grave and stole her body for research purposes. I remember he noted the great hostility of the natives when they discovered his theft and how he'd be unlikely able to return. I can't help being horrified at the thought of a Filipino actress adding to this horrible history of grave robbing and disrespecting the dead. To the colonialist mentality of taking spiritually important items and turning them into decorations. The level of disrespect is staggering. This is not the way to reconnect with our precolonial culture. I'm utterly horrified the more I look at this image and think about all the people who thought this was acceptable

For anyone interested in further reading

News articles citing art and museum critics disapproval

The screenshotted article with snippets from the Spanish naturalists memoir

History of funerary death masks and thier significance

[jg-abuyuan-art]

City Shots 5 (2022)

My opportunities to visit heritage sites have been few and far in between, what with recent upheavals and major life milestones coming about. Unlike in the 2010s, where I could make these trips on a whim, things were different in the 2020s. Up until I earned enough to go on trips on my own, I largely traveled with my family, especially during the pandemic. The images taken here were taken during Holy Week, when my father agreed to do our annual Visita Iglesia in the Old City of Intramuros.

The shots were taken using two phones (an older phone was used in some shots as a precautionary measure against thieves). Due to the afternoon heat, my family could only go down one road rather than pray through all the stations scattered in the district. Despite this setback, I had enough time in between prayer to take a modest selection of images of the reconstructed and themed structures of the city.

This is the first of two parts. View the second post here.

Important historic notes (including one about the street art) below the cut!

Camera: iPhone 6 and iPhone 7

Location: Plaza Roma, Luna Street, various side streets, and the Plaza San Luis Complex, Intramuros, Manila, Philippines

Date: 14 April 2022

Usage rights: By request. Noncommercial only.

Only one building complex, the San Agustin Church and convent, truly survived the bombings of World War II. Older historic buildings (including the Manila Cathedral and the Ayuntamiento de Manila) had to be rebuilt. One building, the Casa Manila Museum, was a reconstructed structure from a different district altogether.

Some of the newer buildings were also made to superficially resemble 18th and 19th Century colonial buildings. The district's current administration mandated that all new structures in the city must be in that style to preserve its atmosphere. The result is not quite an authentic historic district but what feels sometimes like a theme park version of one.

Featured in the parking lot street art is Manila's heraldic animal, the "sea lion," a chimerical mix of the front parts of a lion and the tail of a fish (not to be confused with the animal of the same name). The coat of arms of Manila, which included this creature, was first bestowed upon the city by King Philip II on the 20th of March 1596. This is not to be confused with the Singaporean merlion, which is a chimerical beast with the head of a lion and the body of a fish, first used in 1964.

[arkipelagic]

Asian slaves, indigenous Americans, and identity in colonial era Mexico

The Spanish Philippines had a diverse slave population for local labor and export, including Filipino Indians [i.e. natives; indios], Muslim war captives (moros), and foreign slaves from as far away as Portuguese India.

… Upon their arrival, chino slaves [i.e. any Asian slave, not just Chinese] were absorbed by the urban economy of Mexico City, where they mainly worked as domestic servants or in textile mills (obrajes) … For their part, working in the city provided chinos with some possibilities for manumission. Chinos in domestic service were especially apt to embrace the limited opportunities available to them and to experience some social mobility. In the obrajes, chinos had few of the freedoms given to domestic servants, but they did benefit from government oversight of the industry. During official visits, chino slaves appealed for protection from overt exploitation by claiming that they were Indians (even if they were from Portuguese India). Remarkably, visiting inspectors listened to their complaints, and they often responded by liberating individual chinos under the assumption that they were indeed native vassals and could thus not be held in bondage. The overall experience of chinos in the viceroyal capital confirms the benefits of living close to the center of colonial power.

The presence of free indigenous immigrants from the Spanish Philippines in Mexico reinforced the idea that all chinos were Indians. The complex governing structure of colonial Mexico involved two republics or political communities (the república de indios and the república de españoles); this organization separated the indigenous majority from everyone else to facilitate the collection of tribute and the ministry of the Catholic Church … [N]ative immigrants from the Philippines purposely sought to confirm their membership in the Republic because corporate status provided personal advantages. They asked to be tallied in tribute rolls in Mexico to benefit from concomitant privileges, such as trading rights and legal representation through the General Indian Court. At the same time, free Filipinos were frequently confused with chino slaves - a situation that had serious consequences for Filipinos' relations with colonial institutions and enslaved individuals. Some immigrants resented having their indigenous identity questioned and sought to maintain a sense of their Indian-ness by keeping their distance from chino slaves. The majority, however, expressed solidarity with chino slaves. Filipino artisans, for example, took on chino slaves as apprentices and taught them marketable skills. Similarly, Filipino traders incorporated chinos into their own credit networks to facilitate self-purchase.

Individual chinos who were manumitted also embraced an Indian identity, regardless of whether they were from Goa, Macau, or other places in South and Southeast Asia. In this way, chinos challenged official attempts to define them solely as former slaves. Instead, they sought to join the free republic. The possibility for this kind of social integration caused widespread concern among slave owners. To defend their property rights, masters started to brand chino slaves on the face, rather than on the chest or arm as they did with Africans, in order to dissuade them from fleeing and "passing" as free Indians. This horrifying development shows that Indian communities welcomed runaway chino slaves and, by extension, that slave owners sought visible markers of their slaves' status.

Excerpt from the Introduction to “Asian Slaves in Colonial Mexico: From Chinos to Indians” (2014) by Tatiana Seijas

[filipinfodump]

Hi, I want to ask if you have any topics about the Philippine-American War? I have gotten myself in Philippine History and I want to know deeper. Thanks:)

I was thinking of many ways on how to answer this because this is such a large and complicated topic but I could just try to summarize some stuff here and tell you what I know and what I could find.

The Filipino-American war mainly started as Filipinos felt betrayed by their former American allies after the country was sold to them by Spain after the Spanish-American war during the Treaty of Paris of 1898 for $20 million alongside other Spanish colonies like Puerto Rico, Guam, and Cuba (American Historical Association, n.d.). This feeling of betrayal had come from the fact that the leader and dictator president of the Filipino revolutionaries, Emilio Aguinaldo of the Kataastaasang Kagalang-galang Katipunan ng mga Anak ng Bayan (en. The Supreme and Honorable Association of the Children of the Nation) or the Katipunan for short, actually sought assistance from the Americans in Hong Kong during the Filipino Revolutionary War against Spain which was happening at the same time (Kedmey, 2013). This is why tensions were so high with the Americans when they first formally colonized the Philippines.

Interestingly, the purchase also included some territories that weren't actually part of Spanish rule such as the Sultanate of Sulu as well as some indigenous territories which led to a strained relationship with the Americans moving forward such as the independent Moros of Muslim Mindanao later being forced to assimilate to the rest of the colony of the Philippines despite previous agreements that state that they will leave them alone, mirroring the way the United States government treated Native Americans (Gowing, 1968).

Fighting between the American army and the Filipino army first broke out when on February 4, 1899 after Private William W. Grayson fired at 4 Filipino soldiers who cocked their rifles in response to them ordering the men to halt which later broke out into the Battle of Manile of 1899 (Chaput, 2012). As the Filipinos and Americans declared war on each other, the Katipuneros resorted to the mountains to start guerilla warfare against the American army (Philippine-American War, n.d.) which then lasted until 1901 when Aguinaldo was captured on March 23, 1901, just a day after Aguinaldo's birthday actually with the capture being attributed to two of his men, Lazaro Segovia and Hilario Tal Placido who betrayed him to the Americans with his other men still being too relaxed from the festivities the day before (Ocampo, 2010).

The fighting continued despite his capture and surrender until the last of the generals, General Macario Sakay, surrendered in July 14, 1906 who was then later executed along side his men on September 13, 1907 despite the initial promise of amnesty by the American government (Pangilinan & Pimintel, 2008).

The war ended the lives of 4,300 American soldiers with only 1,500 having been killed in action with the rest succumbing to diseases, while Filipino forces suffered 20,000 casualties alongside the death of 200,000 Filipino civilians due to hunger, disease, and combat (Philippine-American War, n.d.).

The violence of the situation and especially committed by the American soldiers prompted a lot of protests in the United States to stop the war immediately, as letters of the situation had been sent back to their homes which describes in excruciating detail the war crimes that these soldiers were ordered to commit such as blockading and burning down villages, extreme torture of captured and suspected enemies, and much more. The most well-known of these torture methods that I remember being taught to us in history classes as early as 4th grade was the "Water Cure" where American soldiers would force water down the victim's throat in and force them to vomit it back out. This article has a detailed account of the exact nature of this torture method as it discusses the torture of Mayor Joveniano Ealdama of Igbaras, who, although no American troop was actually hurt in his town, was tortured with his town being burnt down by the Americans the very next day (Vestal, 2017).

I do have to be honest, I was utterly shocked at how little Americans really knew about the Philippine American colonial era and by extension the Philippine-American war especially with the sheer amount of brutality the Americans had done to Filipino locals as well as the large impact the American government and American culture has had in my country and I am glad that more and more people are starting to learn more about this but it's still rather disappointing.

Videos on the Philippine-American War

If you want to learn more about the Philippine-American War, I have a couple of recommendations for videos that you can watch.

This video by Crash Course explains the origins of American Imperial idealization as well as the wars that led up to the colonization of the many territories that America acquired during this time era:

Here's a good summary by history teacher Mr. Beat of the major aspects of the war as well as the American public's perception of it that you can watch:

Here's a video made with a Filipino-perspective by Jonas Tayaban on the topic:

Here's a summary in Tagalog. It doesn't have English subtitles though but it does detail more things about the build-up and the subsequent wars between Spain and America and later the Philippines and Spain and then America too:

Movies about the Philippine-American War

I would also be remiss to not suggest some historical movies that tackle the events of this time period and especially TBA Studios' Artikulo Uno films Heneral Luna (2015) which focuses on the most popular and effective general of the revolution Gen. Antonio Luna, and Goyo: Ang Batang Heneral (2018) which focuses on Gregorio "Goyo" del Pilar, one the youngest generals of Filipino history who died a very tragic death at a young age:

You can watch the full movie here complete with English Subtitles

Another well-known movie about this time period is Viva Films' El Presidente (2012), although I had heard people say it's very much biased to the controversial dictator president Aguinaldo's side with many people citing that as the reason why they don't like the film.

Here's a reupload of the full-movie. It doesn't have subtitles though.

I don't know of any American-made movies that focuses on this topic and I know there's several other films that focus more on the politics of the Katipunan and the Filipino Revolutionary War against Spain, but not necessarily the Philippine-American War so if anyone has other suggestions, please let me know.

I would also like to suggest documentaries but most of the ones I've seen are on World War II and the others are other YouTube videos by history channels that I'm not too familiar with made by mostly white American YouTubers. Not that that would disqualify their videos (I did reference both John Green and Mr. Beat here) but I don't know these history channels and their hosts enough to recommend them in good faith as of right now.

Books and Further Reading on the Philippine-American War

For books on the subject, I often reference the many writings of Ambeth Ocampo such as his Looking Back series, specifically:

Looking Back 2: Dirty Dancing (Shopee, Lazada, Amazon)

Looking Back 11: Independence x6 (Shopee, Lazada)

Looking Back 13: Guns of the Katipunan (Shopee, Lazada)

I'm also currently interested in buying some other books about the topic like The Hills of Sampaloc: The Opening Actions of the Philippine-American War, February 4-5, 1899 (Shopee, Amazon) but I don't really have any extra money to spare for it right now.

I remember that my father had some other books about this too but the names had escaped me and it's far too much work to try to sort out through his entire book pile in our house.

I hope this answer's comprehensive enough since the subject is, as I said before, quite complex and rather large so I can't really get into all the specifics right now.

References:

American Historical Association. (n.d.). How Did America Enter the Picture?. Retrieved on 3 February 2024, from https://www.historians.org/about-aha-and-membership/aha-history-and-archives/gi-roundtable-series/pamphlets/em-24-what-lies-ahead-for-the-philippines-(1945)/how-did-america-enter-the-picture

Chaput, D. (2012). Private William W Grayson's War in the Philippines, 1899. Retrieved on 3 February 2024, from https://ne-test-site8.cdc.nicusa.com/sites/ne-test-site8.cdc.nicusa.com/files/doc/publications/NH1980GraysonWar1899.pdf

Gowing, P. (1968). Muslim-American Relations in the Philippines, 1899-1929. Retrieved on 3 February 2024, from https://asj.upd.edu.ph/mediabox/archive/ASJ-06-03-1968/gowing-muslim-american%20relations%20in%20the%20philippines%201899-1920.pdf

Kedmey, D. (2013, June 13). Exiled in Hong Kong: Famous Company for Edward Snowden.Time. Retrieved on 3 February 2024, from https://world.time.com/2013/06/15/exiled-in-hong-kong-famous-company-for-edward-snowden/slide/general-emilio-aguinaldo/

Ocampo, A. (2010). Looking Back 2: Dirty Dancing. Anvil Publishing

Pangilinan, F., & Pimintel, A. (2008, September 9). A Resolution Expressing the Sense of the Senate Honoring the Sacrifice of Macario Sakay and all other Filipinos who Gave Up their Lives in the Philippine-American War for our Freedom, Senate Resolution No. 623, 14th Congress of the Republic of the Philippines. Retrieved on 3 February 2024, from http://legacy.senate.gov.ph/lisdata/83927584!.pdf

Philippine-American War. In Britannica. Retrieved on 3 February 2024, from https://www.britannica.com/event/Philippine-American-War

Vestal, A. (2017). The First Wartime Water Torture by Americans. Retrieved on 3 February 2024, from https://digitalcommons.mainelaw.maine.edu/mlr/vol69/iss1/2/

[mothmiso]

Ruins of the past (2) (3) (4) (5) (6) by _Tursiops

Via Flickr:

(1) Remains of the old prison at Fort Santiago overshadowed by the city towers. Manila, Philippines. (2) Decorative ironwork atop an old doorway at Fort Santiago, Intramuros. (3) The old moat and adobe walls of Fort Santiago are overlooked by the encroaching city tower blocks.     

[dalandan-oranges]

PATAY NA ANG KAPATID KO

I am so upset about Andres Bonifacio all the time oh my god. like. I can't handle what may have been his last words being about his brother, it makes my heart ache.

Lazaro Makapagal's account of the executions of Andres and Procopio Bonifacio [quoted here]

The Philippine Revolution, Apolinario Mabini (trans. Leon Ma. Guerrero)

Warfare by ‘Pulong’ Bonifacio, Aguinaldo, and the Philippine Revolution Against Spain, Glenn Anthony May

🍊 twitter :/ 🍊 cohost

[doodleswithangie]

I got to draw for @theknightswhosay's fic for @go-minisode-minibang! She wrote a beautiful story that blends pre-colonial Filipino mythology with the Good Omens universe. Read it here!

[Image Description: Fanart done for a "Good Omens" historical fanfic, set in pre-colonial Philippines. It is a realistic pencil sketch of Crowley sleeping, done by Aziraphale in his journal. Alt text provided and copied below the cut. End ID]

Continued Copied Alt Text

Crowley is curled up on his side, his long dark hair spilling over the pillow. He wears a traditional loincloth tied with a cord around the waist. His limbs and torso are tattooed with heavy lines and zig zag patterns.

End Copied Alt Text