#collectible statues

[savage-kult-of-gorthaur]

"...THE SECRET AGENT DIVES HEADFIRST INTO HER NEXT MISSION, INFLITRATING THE STRONGHOLDS..."

PIC(S) INFO: Spotlight on promo shots for Sideshow and Premium Collectibles Studio Aeon Flux 1:3 Scale Statue, a surreal sci-fi collectible inspired by MTV’s cult classic animated series. Limited to 400 pieces worldwide, c. 2023.

MINI-OVERVIEW: "The gravity-defying Aeon Flux 1:3 Scale Statue measures 39.5” tall and 17” wide as the secret agent dives headfirst into her next mission, infiltrating the strongholds of dictatorial Bregna. The dystopian city’s scientific, overbearing aesthetic is evident in the stylized base while Aeon Flux descends with her pistol in hand. She must evade detection and overcome enemy combatants with her espionage abilities on her path to assassinate the tyrant Trevor Goodchild."

-- SIDESHOW COLLECTIBLES, c. early 2023

Source: www.sideshow.com/collectibles/aeon-flux-pcs-909584.

[feldplaybackexperiment]

Three-dimensional sculpture of Li II by H. R. Giger from McFarlane Toys (2003)

[jfkkenndy]

need the world to know how much it means to me when james wilson wears his cozy clothes

[dailyfigures]

Nyota Uhura ; Star Trek ☆ Kotobukiya

[motelgoth]

Anne Stokes Statue ☆

[graphic--horde]

spme of the stamps I made / collected for my spacehey profile

[hoaxghost]

Some File Recovery demon lore! Feat a rather unfortunate example

Angels outnumbered The Fallen by a great deal so many demons resorted to splitting themselves off to boost numbers. Many also took this root to essentially end their conscious, a thing that is rarely ever allowed for immortal beings such as them.

Splits are essentially their own people, the more simpler way I could prob describe this method is 'Reverse 2048'

Also a fun lil fact but Stolforns and Sezzi are of the same Split tree, with the latter often calling the other his brother.

[gooberscollage]

Various Antiques From Antique Price Guides

Sources: Miller's collectibles handbook & price guide 2014-2015 by Judith Miller and Collectables handbook & price guide 2016-2017 by Judith Miller

[kenro199x]

Spiral Studio's Burning Godzilla Statue - Deluxe Edition

The weather in the DMV (DC, MD, and VA) swings like a pendulum. Bright and sunny one hour, and the next, we're hit with rain followed by more swings in weather. This was a pain to shoot as it started drizzling when we assembled him. We, and I say we because this isn't a one-person setup, tried the following evening again to get some shots in as the sun went down. I got some great photos with the light-up features on full display (hoping they all worked without issue) and with the help of a 100 ft extension cord. Eventually, I got all the images I needed. The pictures speak for themselves.

My only drawback with this release is that the largest of the two boxes was too tight of a fit for the styrofoam casing. No matter what, we could only remove the statue by cutting the box open, which never happens, but it did this time. I was disappointed, considering their Spiral King Ghidorah DX was packaged immaculately with zero issues removing and repackaging him afterward. I don't know if that was just an isolated incident with me or if this has happened to other collectors.

That aside, the Burning DX is beautiful and a highlight of 2023, collecting-wise. We're only in May, but this has taken the lead in my Kaiju Collectable of the Year.

Props to Awesome Collector and Kaiju Live for bringing this titan home!

IG: https://www.instagram.com/p/Cr_EXU7uYF3/

[cosmicjoke]

Here’s my Levi vs Kenny resin statue by JR Studio! Freakin’ thing took me almost 4 hours to put together. Things just weren’t slotting together easily and I was sure at certain points I was going to break something. Luckily that didn’t happen. Anyway, it’s 1/6 scale and measures about 20 inches high.

[artmindlens]

The Son of Man by René Magritte (1964)

The Psychology of Transgression and Guilt Magritte’s The Son of Man immediately captivates with its two central symbols: the apple and the figure’s formal attire. The apple, suspended in front of the man’s face, evokes not only the biblical narrative of Eden but also the Oedipal Complex, where transgression against the father’s law leads to guilt. In the biblical tale, Adam consumes the forbidden fruit offered by Eve, symbolizing the birth of self-awareness, shame, and the burden of guilt. In this painting, the man’s face is concealed behind the apple, echoing the unresolved guilt from that original transgression.

From a psychoanalytic perspective, the apple mirrors the child’s desire for the mother and the violation of paternal boundaries, evoking the tension between desire and punishment. Before consuming the apple, Adam was unaware of his nakedness, just as the child, before transgressing paternal laws, is innocent of their own desires. Magritte’s man, in contrast, is fully dressed—his body covered by a formal suit, suggesting an overcompensation for that earlier transgression. His attire, like the suit of a corporate leader, represents conformity to societal rules and the defensive structures built to contain one’s hidden impulses.

However, it’s the apple that holds the deepest psychological weight. By hiding the man’s face—his core of identity and expression—it creates a psychological tension between the desire to be seen and the fear of being exposed. For a leader or executive, this speaks to the unconscious burden carried beneath the polished exterior, where the drive for success is continually shaped by the fear of transgression and the guilt of overstepping social or professional boundaries.

The Suit as a Symbol of Conformity and Defense The man’s formal attire serves as more than just a uniform of professionalism—it becomes a psychological defense. The suit, much like the hat perched atop his head, symbolizes social status and conformity, a way to signal adherence to the expectations of society, much like corporate leaders navigate the demands of shareholders, regulatory bodies, and industry norms. Yet, behind this polished exterior, the apple remains—a reminder that no matter how much we align ourselves with social structures, the hidden burden of guilt and the desire to transgress still linger beneath the surface.

Leaders who resonate with this painting might feel an unconscious connection to this duality of identity. On one hand, they must project a facade of control, success, and conformity. On the other, they may grapple with the weight of unresolved guilt from past decisions or actions—choices that, like the apple, remain hidden from public view but deeply influence their sense of self.

Transgression, Authority, and the Pursuit of Power The Oedipal Complex present in this work also extends into the realms of power and authority. The apple, symbolizing forbidden desire, creates a tension with the suit, a marker of societal success and control. For those drawn to this painting, it may evoke a subconscious acknowledgment of the transgressive impulses that often drive ambition—the desire to challenge authority and push past boundaries, while simultaneously seeking approval from the very structures they seek to defy.

For executives or professionals who might display this work, The Son of Man serves as a psychological mirror, reflecting the internal struggles faced in their journey toward leadership. The fear of exposure, the guilt of transgression, and the need for external validation all intertwine within the image. It reminds us that no matter how elevated one becomes in status or authority, the unconscious drive to rebel and the weight of guilt are never fully erased.

The Apple as the Unconscious Burden of Guilt At its core, the apple not only hides the man’s face but represents the guilt of wanting more—more power, more success, more control. In leadership, this often translates into a continuous striving for achievement while carrying the fear of overstepping boundaries. The man’s face, hidden yet central, reminds us that in the pursuit of success, there is always a part of the self that remains concealed—driven by past transgressions and the desire to surpass societal limitations.

For those drawn to this painting, it could signal an unconscious recognition of the cost of ambition—that the pursuit of power, while necessary, also comes with a burden of guilt and the need to reconcile one’s hidden desires with public expectations.

[savage-kult-of-gorthaur]

“MY NAME'S AEON FLUX. I'M HERE ON A MISSION TO ASSASSINATE TREVOR GOODCHILD."

PIC(S) INFO: Spotlight on promo shots of Premium Collectibles Studio Aeon Flux 1:3 Scale Statue, c. 2022, a surreal sci-fi collectible inspired by MTV’s cult classic animated series. Limited to 400 pieces worldwide.

OVERVIEW: "The gravity-defying Aeon Flux 1:3 Scale Statue measures 39.5” tall and 17” wide as the secret agent dives headfirst into her next mission, infiltrating the strongholds of dictatorial Bregna. The dystopian city’s scientific, overbearing aesthetic is evident in the stylized base while Aeon Flux descends with her pistol in hand. She must evade detection and overcome enemy combatants with her espionage abilities on her path to assassinate the tyrant Trevor Goodchild.

The Aeon Flux Statue is fully sculpted and highly detailed to transform the iconic animation style of the series into a three-dimensional collectible figure. Her costume features glossy purple paint application to recreate the tight top, harnesses, and thigh-high boots. Aeon Flux has a muscled physique, and her signature swooping hairstyle frames the fearless and determined expression on her portrait. Fans won’t want to miss their chance to bring home this unique tribute to a piece of pop culture history for their collections."

-- PREMIUM COLLECTIBLES STUDIO, c. 2022

Source: https://collectpcs.com/aeon-flux-1.

[feldplaybackexperiment]

Preview photographs of four three-dimensional sculptures comprising The Passage Temple by H. R. Giger from McFarlane Toys (2003)

[webdiggerxxx]

꧁★꧂

[dailyfigures]

Hatsune Miku ; Vocaloid ☆ Prime 1 Studio

[astoundingbeyondbelief]

I was a skeptic about Criterion releasing any post-Showa Godzilla movies on disc, but lo and behold, they're teeing up Godzilla vs. Biollante, my favorite movie of all time, for 4K Ultra HD + Blu-ray (or just plain Blu-ray) on March 18. The description:

SPECIAL EDITION FEATURES:

New 4K digital restoration, with 5.0 surround DTS-HD Master Audio soundtrack

In the 4K UHD edition: One 4K UHD disc of the film and one Blu-ray with the film and special features

New audio commentary featuring film historian Samm Deighan, host of the podcast Eros + Massacreand coeditor of the book Revolution in 35mm

Making-of program from 1993 featuring director Kazuki Omori and special-effects director Koichi Kawakita, among others

Short documentary from 1993 about the Biollante and Super X2 vehicle concepts

Deleted special effects

TV spots and trailers

New English subtitle translation

PLUS: An essay by science-fiction and horror film expert Jim Cirronella

Yes, this means they're skipping over The Return of Godzilla and not waiting until all the Heisei films are in their hands to unload them as another box set. I was surprised at first, but it makes sense. Biollante is the only Heisei movie Toho has released on 4K in Japan so far (with The Return of Godzilla and Godzilla vs. Mechagodzilla II joining it in June), and arguably the best-regarded. Toho's always going to prioritize the domestic market first, so this is Criterion's best shot at a new release during Godzilla's current swell of popularity.

I have mixed feelings, as is usual when any new English kaiju/tokusatsu home release is announced. I'm glad the movie is back in physical circulation; it's again become legendary as the most difficult Godzilla movie to find on home video for a reasonable price. Only one library in my county owns it, and that number is about to spike. It'll be a major visual upgrade to boot. The non-G54 movies in the Criterion Showa box set didn't have audio commentaries, so I'm glad they sprung for one this time. I'm not familiar with Samm Deighan's work, but I think she's the first woman to record an English commentary for a Godzilla movie.

But...

I saw the Criterion presentation of Godzilla vs. Biollante at the Dryden Theater in October, and the subtitles were... simply not proofread, or at least not proofread by anyone who should have a job in the field. "More typos than a Mill Creek Ultraman Blu-ray" was how I described it at the time. I believe Criterion is using a number of vintage (we're talking probably-shown-in-Hawaii) subtitle scripts for the Toho tokusatsu films they're made available on streaming but not on disc, and I dearly hope they show more care with the Biollante 4K.

There's also no English dub.

This suggests that Toho is now doing its best to bury all the pre-Reiwa Godzilla dubs, even the ones they commissioned themselves. I doubt Criterion will bother to include the film's English visuals either. So... the version of Biollante I rented from Blockbuster some 20 years ago, the version I grew up with, will just be completely erased from the latest-and-greatest (and last?) edition. Depressing stuff. The current incarnation of Toho might be embarrassed by those old dubs, but as an indignant woman in the Diet Building once exclaimed, the truth is the truth! And Biollante's one of the films I prefer to watch dubbed (for one, nobody can argue that the English the actors spoke on set was better than that recorded by the Hong Kong Players).

Lesser concerns: I'll have to double-check, but I think the making-of program and the short documentary were on the old Echo Bridge discs too. The trailers would be new, but, well, they're trailers. So potentially nothing fresh in the featurette department, certainly not a retrospective with surviving cast and crew. (Somebody get one of those done before we lose even more of them!) And I do feel bad for Ed Godziszewski, whose commentary for Echo Bridge was effectively pocket-vetoed by Toho and is now truly never going to see the light of day.

Bleh.