#clinton street theater

[xplainthexmen]

WHAT?! Somehow, we've been doing this for a decade?!

Jay & Miles X-Plain the X-Men will be celebrating our 10th birthday on April 13 in Portland, Oregon, with a live show at Clinton Street Theater (10 AM - 12 PM) followed by a birthday party at Books With Pictures (2 - 5 PM)!

RSVP HERE FOR ONE OR BOTH EVENTS!

FINE PRINT:

Both events are free and all-ages-friendly (assuming you're down with your kid learning a few choice swears).

The live show is mask-mandatory; masks will be provided at the door for anyone who doesn't bring their own. (The party is outdoors and therefore mask-optional.)

There will be both party favors (free) and merch (legal currency or barter), the latter including a fancy new 10th-anniversary print by Colleen Coover!

We welcome costumes and other benign silliness.

[lapatbol]

Clinton Street Theater, Portland.

[theinternetisaweboflies]

[sweaterkittensahoy]

They're just up the street from us, I should hit the midnight showing!

Clinton Street Theater, April 1, 2023

[tickleinvaforums]

Trail of the Lonesome Pine Outdoor Drama:

The Trail of the Lonesome Pine Outdoor Drama is worth checking out. You'll love their show. The Trail of the Lonesome Pine Outdoor Drama, based on the novel by John Fox Jr., is the Official Outdoor Drama of Virginia and one of the longest-running outdoor dramas in the country. Set in Wise County, Virginia starting at 10 PM. Set in the little town of Big Stone Gap, Virginia, the "Trail" drama is an excellent entertainment experience for the whole family. The theater is outdoors, yet since it seats fewer than 400. Seats are spacious and comfortable, and getting in and out isn't a problem. When you arrive at the Barbara Polly Theater, please be aware there will be metal barricades at Clinton Avenue and Jerome Street. These are to close the street in front of the playhouse for the use of their patrons. You will enjoy their show. No Doubt!

[drchucktingle]

TICKETS LINKS ARE HERE: https://us.macmillan.com/tours/chuck-tingle-bury-your-gays/

YES BUCKAROOS the time has come for you to trot with me live and in person on the BURY YOUR GAYS BOOK TOUR. ask anyone who has previously trotted, this is not your average book tour these are SHOWS so come ready to get RILED. 

on camp damascus tour most book stores did not have enough room and we had to turn many buckaroos away, so this time many of these shows are in off-site theaters. HOPEFULLY there will be enough room in larger venues but i will say it again for the buckaroos in the back, IF YOU ARE THINKING ABOUT COMING TO SEE YOUR BUD CHUCK THEN GET TICKETS NOW because last time most of them sold out. ALSO almost all dates on this tour give you a free copy of BURY YOUR GAYS with ticket purchase.

as of posting this there are three dates that do not have ticket links yet: los angeles, bozeman, and new orleans, but check back for when those trot online. EVERYTHING ELSE IS AVAILABLE NOW

more details for you buckaroos:

JULY 8TH - NEW YORK, NY at STRAND BOOKSTORE

JULY 10TH - BROOKLINE, MA with BROOKLINE BOOKSMITH at COOLIDGE CORNER THEATRE

JULY 12TH - ST. LOUIS, MO with LEFT BANK BOOKS at THE HEAVY ANCHOR

JULY 13TH - DOYLESTOWN, PA at THE DOYLESTOWN BOOKSHOP

JULY 15TH - NASHVILLE, TN with PARNASSUS BOOKS at THE NASHVILLE PUBLIC LIBRARY

JULY 16 OR 17TH - NEW ORLEANS, LA with TUBBY & COOS. more info to come

JULY 19TH - SALT LAKE CITY, UT with UNDER THE UMBRELLA BOOKSTORE at UTAH MUSEUM OF CONTEMPORARY ART

JULY 20TH - BOZEMAN, MT at COUNTRY BOOKSHELF

JULY 31ST - SEATTLE, WA at THRID PLACE BOOKS (LAKE FOREST PARK)

AUGUST 2ND - PORTLAND, OR with ALWAYS HERE BOOKSTORE and guest buckaroo TJ KLUNE at CLINTON STREET THEATER

AUGUST 4TH - LOS ANGELES, CA with NORTH FIGUEROA BOOKSHOP at DYNASTY TYPEWRITER

[humansbgone]

Humans-B-Gone! was accepted to the Oregon Short Film Festival for Fall 2023!

It's happening on Sunday, November 12, 2023 at Clinton Street Theater, if you're near Portland!

[lboogie1906]

Sylvia Woods (February 2, 1926 – July 19, 2012) was a restaurateur who founded the restaurant Sylvia’s in Harlem on Lenox Avenue with her husband, Herbert Woods in 1962. The soul food eatery is a popular gathering place for Harlem residents and tourists not far from the Apollo Theater.

She was born to Julia and Van Pressley in Hemingway, South Carolina. She met her husband Herbert Woods in a bean field when she was 11 years old and he was 12. They married in 1944 after he followed her to New York. They had four children together. She graduated from high school in Hemingway. She trained to become a beautician in New York and ran a beauty shop in South Carolina. She worked in a hat factory and as a waitress at a restaurant called Johnson’s Luncheonette in Harlem (1954-62). When the owner wanted to sell, he offered the place to her for $20,000.

During the early 1990s, the business expanded and now seats up to 450 people. It has a catering business. Organized and started by her son Van in 1992, she came out with her line of soul food products that are sold nationally. Her products include many of her special sauces, vegetables, spices, syrup, and cornbread and pancake mixes. She produced two cookbooks: Sylvia’s Soul Food Cookbook and Sylvia’s Family Soul Food Cookbook. The restaurant remains owned and operated by the Woods family. In August 2011, they celebrated 50 years in Harlem. Guests have included Quincy Jones, Diana Ross, Muhammad Ali, Bill Clinton, Robert F. Kennedy, and President Barack Obama.

She stepped down from the day-to-day operations of the restaurant when she was 80 years old. Her husband predeceased her in 2001.

In 2014, the corner of W.126th Street and Lenox Avenue in Harlem was co-named “Sylvia P. Woods Way.” Due to the immense popularity of her soul-food staples, She was known as “the Queen of Soul Food.” Spike Lee used Sylvia’s restaurant as a location for Jungle Fever. #africanhistory365 #africanexcellence

[seph7]

J.T. Walsh (1999)

I like Oliver Stone movies, but I stayed away from his Nixon when it was in the theaters in 1995, and never rented it on video. As the child of good California Democrats, I grew up hating Nixon. When I was in my twenties and he was president, he gave me more reason to hate him than I ever wanted. When he died I didn’t want to think about him anymore.

One night, though, flipping channels after the late news had closed down, I happened onto Nixon running on HBO, and I didn’t turn it off. I was pulled in, played like a fish through all the fictions and flashbacks, dreaming the movie’s dream: waiting for Watergate.

It came into focus with a strategy session in the Oval Office. Anthony Hopkins’s Nixon is hunching his shoulders and look­ing for help. James Woods’s impossibly reptilian H. R. Halde­man is stamping his feet like Rumpelstiltskin and fulminating about “Jew York City.” Others raise their voices here and there—and off to the side is J. T. Walsh, the canniest and most invisible actor of the 1990s, doodling.

As almost always, Walsh was playing a sleaze, a masked thug, here a corrupt government official, White House adviser and Watergate conspirator John Ehrlichman—as elsewhere he has played a slick Hollywood producer, a college-basketball fixer, the head of a crew of aluminum siding salesmen, a porn king who makes home sex videos with his own daughter, a slew of cops (Internal Affairs bureaucrat on the take in Chicago, leader of a secret society of white fascists in the LAPD), and a whole gallery of con artists, confidence men who seem to live less to take your money than for the satisfaction of getting you to trust them first.

Walsh in the Oval Office is physically indistinct; he usually was. At fifty-two in 1995 he looked younger, just as he looked older than his age when, after eight years as a stage actor—most notably as the frothing sales boss in David Mamet’s Glengarry Glen Ross—he began getting movie roles in 1986. Except near the end of his life, when his weight went badly out of control, his characters would have been hard to pick out of a lineup. Like Bill Clinton he was fleshy, vaguely overweight, with an open, florid, unlined face, a manner of surpassing reasonableness, blond in a way that on a beige couch would all but let him fade into the cushions. He had nothing in common with even the cooler, more sarcastic heavies of the forties or the fifties—Victor Buono’s police chief in To Have and Have Not, say, or the coroner in Kiss Me Deadly, their words dripping from their mouths like syrup with flies in it. He had nothing to say to the heavies appearing alongside of him in the multiplexes—Dennis Hopper’s psychokillers, Robert Dalvi’s scum-suckers, Mickey Rourke, with slime oozing through his pores, the undead Christopher Walken, his soul cannibalized long ago, nothing left but a waxy shell.

Walsh’s characters are extreme only on the inside, if he allows you to believe they are extreme at all; as he moves through a film, regardless of how much or how little formal authority his character might wield, Walsh is ordinary. You’ve seen this guy a million times. You’ll see him for the rest of your life. “What I enjoy most as an actor,” he said in December 1997, two months before his death from a heart attack, “is just disappearing. Most bad people I’ve known in my life have been transparent. Not gaunt expressions—they’re Milquetoasts. It’s Jeffrey Dahmer arguing with cops in the streets about a kid he’s about to eat—and he convinces them to let him keep him. And takes him back up and eats him. What is the nature of evil that we get so fascinated by it? It’s buried in charm, it’s not buried in horror.”

Walsh’s charm—what made you believe him, whether you were another character standing next to him in a two-shot, or watching in the audience—was a disarming, everyday realism, often contrived in small, edge-of-the-plot roles, his work with a single expression or a line staying with you long after any memory of the plot crumbled. As a lawyer happily tossing Linda Fiorentino criminal advice while an American flag waves in the breeze outside his window, Walsh taps into a profane quickness that for the few moments he’s on-screen dissolves the all-atmosphere-all-the-time film noir gloom of John Dahl’s The Last Seduction. In The Grifters, as Cole Langley, master of the long con, he radiates an all-American salesman’s glee (“Laws will be broken!” he promises a mark) that makes the hustlers holding the screen in the film—Anjelica Huston, John Cusack, Annette Bening—seem like literary conceits. Yet it all comes through a haze of blandness, as it does even when Walsh plays a sex killer, a crime boss, a rapist, a racist murderer, as if at any moment any terrible impression can be smoothed away: How could you imagine that’s what I meant?

In the Oval Office his Ehrlichman, whom America would encounter as the snarling pit bull lashing back at Senator Sam Ervin’s Watergate investigations committee, retains only the blandness, occasionally offering no more than “I don’t know if that’s such a good idea” before returning to his doodles. It was this blandness that allowed Walsh to flit through history—in Nixon playing White House fixer Ehrlichman; in Hoffa Team­ster president Frank Fitzsimmons, locked into power by a deal that Ehrlichman helped broker; in Wired reporter Bob Woodward, who helped bring Ehrlichman down—but as Walsh sits with Nixon and Haldeman and the rest you can imagine him absenting himself from the action as it happens, instead contemplating all the roles in all the movies that have brought him to the point where he can take part in a plot to con an entire nation.

What makes Walsh such an uncanny presence on-screen—to the degree that, as the trucker in the first scenes of Breakdown, or Fitzsimmons as a drunken Teamster yes-man early in Hoffa, he seems to fade off the screen and out of the movie, back into everyday life—is that while the blandness of his characters may be a disguise, it can be far more believable than whatever evil it is apparently meant to hide. Even as it is committed, the evil act of a Walsh character can seem unreal, a trick to be taken back at the last moment, even long after that moment has passed—and that is because his characters, the real people he is playing, can appear to have no true identity at all. You can’t pick them out of the lineups of their own lives.

At the very beginning of his film career, in 1987, in David Mamet’s House of Games, Walsh is the dumb businessman victim of a gang of con men running a bait-and-switch, then a cop setting them up for a bust, then a dead cop, then one of the con men himself, alive and complaining, “Why do I always have to play the straight man?” The straight man? you ask him back. In Breakdown, in a rare role in which he dominates a film from beginning to end, he first appears as a gruffly helpful trucker giving a woman a ride into town while her husband waits with their broken-down car. She disappears, and when the husband finally confronts the trucker, with a cop at his side, Walsh’s irritated denial that he’s ever seen his man before in his life seems perfectly justifiable—even if, as Walsh saw it, that scene “had a residual effect on the audience. ‘Don’t catch me acting’—when I lied, deadpan, on the road, you hear people in the audience: ‘He’s lying!'”The moment came loose from the plot, as if, Walsh said, “I’m not just acting”—and that, he said, was where all the cheers in the theaters came from when in the final scene he dies. He had fooled the audience as much as the other characters in the movie; that’s why the audience wanted him dead.

Walsh’s richest role came in John Dahl’s Red Rock West. The mistaken-identity plot—with good guy Nicolas Cage mis­taken for hit man Dennis Hopper—centers on Walsh’s Wayne Brown, a Wyoming bar owner who’s hired one Lyle from Texas to murder his wife. As Brown, Walsh is also the Red Rock sheriff—and he is also Kevin McCord, a former steelworks bookkeeper from Illinois who along with his wife stole $1.9 million and was last seen on the Ten Most Wanted list. Walsh plays every role—or every self—with a kind of terrorized assurance that breaks out as calm, certain reason or calm, reasoned rage. He’s cool, efficient, panicky, dazed, quick, confused. You realize his character no longer has any idea who he is, and that he doesn’t care—and that it’s in the fact that they don’t care that the real terror of Walsh’s characters resides. You realize, too, watching this movie, that in all of his best roles Walsh is a center of nervous gravity. His acting, its subject, is all about absolute certainty in the face of utter doubt. Yes, you’re fooled, and the characters around Walsh’s might be; you can’t tell if Walsh’s character is fooled or not.

At the final facedown in Red Rock West, all the characters are assembled and Dennis Hopper’s Lyle is holding the gun. “Hey, Wayne, let me ask you something,” he says. “How’d you ever get to be sheriff?” “I was elected,” Walsh says with pride. ���Yeah, he bought every voter in the county a drink,” his wife sneers—but so what? Isn’t that the American way? Get Walsh out of ‘this fix and it wouldn’t have been the last election he won.

Watching this odd, deadly scene in 1998, I thought of Bill Clinton again, as of course one never would have in 1992, when Red Rock West was released and Clinton was someone the country had yet to really meet. In the moment, looking back, seeing a face and a demeanor coming together out of bits and pieces of films made over the last dozen years, it was as if—in the blandness, the disarming charm, the inscrutability, the menace, the blondness, moving with big, careful gestures inside a haze of sincerity—Walsh had been playing Clinton all along. He was not, but the spirit of the times finds its own vessels, and, really, the feeling was far more queer: it was as if, all along, Bill Clinton had been playing J. T. Walsh.

[carolinemillerbooks]

New Post has been published on Books by Caroline Miller

New Post has been published on https://www.booksbycarolinemiller.com/musings/the-overthrow-of-reason/

The Overthrow Of Reason

When a high-speed train is barrelling down the track, a person who knows the trestle ahead has been washed away has one obligation–to run in the direction of the impending disaster in the hope of assisting survivors.  Those of us who sense our country is nearing a failed state face the same obligation. Explanations may vary about how our democracy came to this pass. One reason is fear.  Many of us feel our way of life is threatened by a growing number of strangers different from ourselves. Feeling alienated, some of us fall into a frenzy, hoping to preserve what’s familiar but ending up morphing into agents of chaos, ready to destroy the country in a misguided effort to save it. The philosopher Eric Hoffer once noted that the human psyche requires us to believe in the devil.  Hitler depended upon our dark side. If Jews didn’t exist he once said, they would have to be invented. (The True Believer, by Eric Hoffer, Harperennial, Modern Classics, 1989, pg. 91.) Hate has its purpose, Hoffer admits. It releases us from the burden of thought and narrows freedom to a one-way street that ends in tyranny.  The absolute right to bear arms, for example, absolves many from guilt when they see children murdered in their classrooms.   Those who cry, “Right to Life” are similarly infected. Religious conservatives who are willing to impose their absolutes upon believers and non-believers alike seem unmoved by the reality that antiabortion laws result in women’s deaths. Fanaticism, if allowed to grow, drives a stake through the heart of reason. What flourishes in its place are lies. Donald Trump insists the 2020  Presidential election was stolen from him.  His flock echoes the refrain until the lie gains the ring of truth. Oddly enough, there is a reason for this phenomenon. Scientists have proved that people accept lies more readily than truth. Why?  No one knows. Yet it is a fact that robots detect falsehoods better than humans. Lies are common in politics.  A majority of voters believe Democrats are spendthrifts and Republicans are better at handling the national debt. The truth is the opposite.  Reagan took the deficit from $70 billion to $175 billion. Bush 41 raised it to $300 billion. Clinton got it to zero. Bush 43 took it from zero to $1.2 trillion.  Obama halved it to $600 billion.  Trump raised it again to a trillion.     People even lie to themselves. Republican House Representative Lauren Boebert imagined she took a high moral ground when she warned Drag Queens to stay out of her district. Yet, while attending a performance of Beetlejuice, she was escorted from the theater for engaging in heavy petting with a man who owns a bar that hosts Drag Queen shows. Hypocrisy isn’t new.  It has plagued human beings since recorded time.  What’s changed is that shame no longer appends to it. A nation with no respect for truth isn’t choosey about its leaders. The line between private and public benefit gets blurred in the minds of the greedy and self-interest passes for the country’s welfare. A would-be tyrant like Donald Trump may exhort his followers to engage in insurrection under the guise of patriotism, but he makes dupes of them and vulnerable to rudderless malcontents who would destroy democracy for no other reason than they believe it’s possible.     What are we to do, those of us who see our democracy like a train hurtling down the track to its doom? We must vote, of course, in both local and national elections. Walking a precinct or making phone calls for a candidate is important. Writing a check to support a political campaign is also a good idea. But before we take these actions, let us be resolved in this.  We must choose reason and truth in the defense of our country.  …thoughtful citizens can change the world. Indeed it is the only thing that ever has.  (Margaret Mead.)

[xplainthexmen]

Jay & Miles X-Plain the X-Men, Episode 449 - Dressing the X-Men, with Russell Dauterman

In which artist Russell Dauterman joins us to discuss super-powered costume design!

X-PLAINED:

Why it’s important to get a professional to design your superhero costume

Why Miles doesn’t trust the government

Russell’s history at Marvel

Designing for the Hellfire Gala

Mutant fashion

The word “fashionize”

Iconic looks

Modernizing superhero costumes

Powers vs. personality

Punk goddess Storm

Designing for drawability

Magic hair

Russell’s influences

Definitive Rogue costumes

X-Men ‘97

Best X-team costumes

Jay’s holy grail cosplay

Magic hair, cosplayed

Costume retrospectives

Where to find Russell online

Evil twin trends of the 1990s

Fuck You Pink

NEXT EPISODE: Jay & Miles Live at the Clinton Street Theater!

Check out the visual companion to this episode on our blog!

Find us on Apple Podcasts or Spotify!

Jay and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here!

Buy rad swag at our TeePublic shop!

[lauraglazer]

Every Monday in March is the Agnès Varda Forever Festival @cst_pdx! My fave is on 3/13! Movies start at 7pm and we usually go early for a drink next door @lucky_horseshoepdx so meet us there 💌 Le Bonheur - Monday, March 6 Daguerréotypes - Monday, March 13 Mur Murs - Monday, March 20 The Beaches of Agnès - Monday, March 27 Buy tix or series pass online www.cstpdx.com #agnesvardaforever #agnesvarda #agnèsvarda (at Clinton Street Theater) https://www.instagram.com/p/CpRivTKOYKW/?igshid=NGJjMDIxMWI=

[portlandnet]

If you go to the Clinton Street Theater (and it's a great theater), you might see NET featured on a pre-film slide! Thank you to Steven Williams at the Clinton Street Theater for getting NET in front of filmgoers and, I will add, the longest running Rocky Horror Picture Show cabaret in the world!

[aunt-grandma]

What I Listened to in August 2024

1. HIT ME HARD AND SOFT—Billie Eilish

• Rate: 9/10

• Favorite song: BIRDS OF A FEATHER

• Least favorite song: CHIHIRO

2. Younger Now—Miley Cyrus

• Rate: 8/10

• Favorite song: Miss You So Much

• Least favorite song: Rainbowland

3. Sincere—Khalid

• Rate: 6.5/10

• Favorite song: Adore U

• Least favorite song: Dose

4. 21–Adele

• Rate: 8.5/10

• Favorite song: Don’t You Remember

• Least favorite song: I’ll Be Waiting

5. Gloria—Sam Smith

• Rate: 7/10

• Favorite song: Love Me More

• Least favorite song: Six Shots

6. eleven achers EP—Nemahsis

• Rate: 8/10

• Favorite song: immigrant’s tale

• Least favorite song: suicide

7. Tell Me You Love Me—Demi Lovato

• Rate: 8.5/10

• Favorite Song: Cry Baby

• Least Favorite Song: Sexy Dirty Love

8. Wasteland, Baby!—Hozier

• Rate: 9/10

• Favorite song: Almost (Sweet Music)

• Least favorite song: Shrike

9. Snow Angel—Reneé Rapp

• Rate: 9/10

• Favorite song: I Hate Boston

• Least favorite song: Willow

10. Deeper Well—Kacey Musgraves

• Rate: 6/10

• Favorite song: Lonely Millionaire

• Least favorite song: Anime Eyes

11. Plastic Hearts—Miley Cyrus

• Rate: 9.5/10

• Favorite Song: Angels Like You

• Least favorite song: Gimme What I Want

12. Bird’s Eye—Rayvn Lenae

• Rate: 9/10

• Favorite song: Love Me Not

• Least favorite song: 1 of 1

13. Calico—Ryan Beatty

• Rate: 9/10

• Favorite song: Little Faith

• Least favorite song: Hunter

14. Chaos Angel—Maya Hawke

• Rate: 7/10

• Favorite song: Okay

• Least favorite song: Dark

15. hell is a teenage girl EP—Nessa Barrett

• Rate: 6/10

• Favorite song: the one that should’ve got away

• Least favorite song: BANG BANG!

16. Tiny EP—Sifa

• Rate: 5/10

• Favorite song: 2009

• Least favorite song: The Truman Show

17. MAYBE SOMEDAY IT’LL ALL BE OK—Clinton Kane

• Rate: 7.5/10

• Favorite song: ONE MORE DAY WITH YOU

• Least favorite song: I WISH I COULD HATE YOU FOR BREAKING ME AND CALLING IT LOVE

18. NOIRE EP—Avenoir

• Rate: 9.5/10

• Favorite song: TRACK 02 (Dangerous Lover)

• Least favorite song: LINK UP

19. Cathexis—Bambi Thug

• Rate: 7/10

• Favorite song: Doomsday Blue

• Least favorite song: Bye Boy

20. The Death Of Summer & Other Promises—Etta Marcus

• Rate: 8.5/10

• Favorite Song: Theater

• Least favorite song: Skin Parade

21. Retired from Sad, New Career in Business—Mitski

• Rate: 9/10

• Favorite song: Class of 2013

• Least favorite song: I Want You

22. Ancient Dreams In A Modern Land—MARINA

• Rate: 9/10

• Favorite song: Venus Fly Trap

• Least favorite song: Flowers

23. IF THE SHOE FITS, WEAR IT EP—Tristan

• Rate: 6/10

• Favorite song: let’s hope i move on

• Least favorite song: Last Girl on Earth

24. Deadpan Love—Cautious Clay

• Rate: 7.5/10

• Favorite song: Bump Stock

• Least favorite song: Box of Bones

25. Lychee—BENEE

• Rate: 6.5/10

• Favorite song: Beach Boy

• Least favorite song: Make You Sick

26. What’s It Like?—Sure Sure

• Rate: 7/10

• Favorite song: Sedona

• Least favorite song: Good Thing

27. if i could make it go quiet—girl in red

• Rate: 10/10

• Favorite song: Serotonin

• Least favorite song: You Stupid Bitch

28. Stick Season (We’ll All Be Here Forever)—Noah Kahan

• Rate:10/10

• Favorite song: Dial Drunk

• Least favorite song: Your Needs, My Needs

29. Downers Grove EP—Kevin Atwater

• Rate: 6.5/10

• Favorite song: Caleb

• Least favorite song: christopher street

30. Unaired EP—Hozier

• Rate: 7/10

• Favorite song: That You Are

• Least favorite song: Nobody’s Solider

31. This Is How Tomorrow Moves—beabadoobee

• Rate: 8/10

• Favorite song: This Is How It Went

• Least favorite song: Post

32. Emotional Creature—Beach Bunny

• Rate: 8/10

• Favorite Song: Weeds

• Least favorite song: Love Song

33. For Lovers—Lamp

• Rate: 9/10

• Favorite song: Out On Sunny Sunday

• Least favorite song: Words of Love

34. Underdressed at the Symphony—Faye Webster

• Rate: 8.5/10

• Favorite Song: Underdressed at the Symphony

• Least favorite song: Lego Ring

35. Cape Elizabeth EP—Noah Kahan

• Rate: 9/10

• Favorite song: A Troubled Mind

• Least favorite song: Anyway

36. Inner Light (Phase 1) EP—Kid Bloom

• Rate: 7.5/10

• Favorite song: That’s What Happens

• Least favorite song: How to Breathe

37. <ASSEMBLE24>—tripleS

• Rate: 7.5/10

• Favorite song: Chiyu

• Least favorite song: Non Scale

38. Camp Nowhere—Peach Tree Rascals

• Rate: 9/10

• Favorite Song: OOZ

• Least favorite song: papá

39. All The In Betweens—Syd Franklin

• Rate: 7/10

• Favorite song: Stay

• Least favorite song: Liability

40. Butterfly Paradise—Jessica Domingo

• Rate: 5.5/10

• Favorite song: Things Unsaid

• Least favorite song: Keep On Loving You

41. The Alternate Ending EP—Liza

• Rate: 5.5/10

• Favorite song: In The End

• Least favorite song: Shades

42. Fantasy Girl EP—Olivia Escuyos

• Rate: 9.5/10

• Favorite song: Change Your Mind

• Least favorite song: Fantasy Girl

43. CHAPTER 4: The End EP—Madeline The Person

• Rate: 9/10

• Favorite song: Watercolor Flowers

• Least favorite song: Things I Carry

44. Comedy & Tragedy: Act 1 EP—Catie Turner

• Rate: 9/10

• Favorite song: God Must Hate Me

• Least favorite song: Control

45. Made By These Moments—The Red Clay Strays

• Rate: 10/10

• Favorite song: On My Knees

• Least favorite song: God Does

46. eternal sunshine—Ariana Grande

• Rate: 8.5/10

• Favorite Song: don’t wanna break up again

• Least favorite song: yes, and?

47. A Cheetah Hunting In Slow Motion—Chloe George

• Rate: 4.5/10

• Favorite song: Outward

• Least favorite song: Glad You Came

48. War + Raindrops EP—iyla

• Rate: 8.5/10

• Favorite song: Juice

• Least favorite song: Power (I)

49. THE ALCHEMIST—Qveen Herby

• Rate: 5.5/10

• Favorite song: MAGIC

• Least favorite song: MIRROR MIRROR

50. Kansas Anymore—ROLE MODEL

• Rate: 10/10

• Favorite song: Scumbag

• Least favorite song: Deeply Still In Love

51. Violence EP—FIGHTMASTER

• Rate: 7/10

• Favorite song: Bad Man

• Least favorite song: Hot Shame

52. Freak Show EP—ALT BLK ERA

• Rate: 5/10

• Favorite song: Misfits:SOLAR

• Least favorite song: Freak Show

53. Fatherless EP—Cinnamon Babe

• Rate: 9/10

• Favorite song: Loose

• Least favorite song: Typecast

54. FAIRY PHONK—Banshee

• Rate: 5/10

• Favorite song: SADIST

• Least favorite song: cant get u out of my head

55. MY MASOCHISTIC MIND—Siiickbrain

• Rate: 7.5/10

• favorite song: Idols

• Least favorite song: Three Eyes

56. GOLDEN HOUR: Part.1 EP—ATEEZ

• Rate: 5/10

• Favorite song: WORK

• Least favorite song: Shaboom

57. SMITHEREENS—Joji

• Rate: 9/10

• Favorite song: NIGHT RIDER

• Least favorite song: Feeling Like The End

58. Solar Power—Lorde

• Rate: 8.5/10

• Favorite song: Mood Ring

• Least favorite song: The Man with the Axe

59. Every Sun, Every Moon—I’m Glad It’s You

• Rate:5.5/10

• Favorite Song: Lost My Voice

• Least favorite song: Big Sound

60. Short n’ Sweet—Sabrina Carpenter

• Rate: 8/10

• Favorite song: Slim Pickins

• Least favorite song: Sharpest Tool

61. 私をしも—mei ehara

• Rate: 5.5/10

• Favorite song: The Night Is Over

• Least favorite song: Next Time

62. Revisit—VIDEOTAPEMUSIC

• Rate: 6/10

• Favorite song: Nomozaki

• Least favorite song: Susaki (Flotsam)

63. Chemtrails Over The Country Club—Lana Del Rey

• Rate: 8.5/10

• Favorite song: Let Me Love You Like A Woman

• Least favorite song: Yosemite

64. Juggernaut:Alpha—Periphery

• Rate: 8/10

• Favorite song: Psychosphere

• Least favorite song: The Scourge

65. 21st Century Hippie EP—Bebe Wood

• Rate: 5/10

• Favorite song: Timed Test

• Least favorite song: Bubblegum

66. i’m somewhere out there EP—Michael Cimino

• Rate: 7/10

• Favorite song: Stay The Night

• Least favorite song: MAKE ME WANNA DANCE

67. OMR—Omar Rudberg

• Rate: 7.5/10

• Favorite song: Que Puedo Hacer?

• Least favorite song: Coast Side

68. Trouble In Paradise—Chlöe

• Rate: 6.5/10

• Favorite Song: Might As Well

• Least favorite song: Rose

69. Eve—Precious Pepala

• Rate: 6.5/10

• Favorite Song: Pls Cheat On Me

• Least favorite song: Bubble Wrap

70. Poetic License EP—Janani K. Jha

• Rate: 6/10

• Favorite song: Library Card

• Least favorite song: Two Roads

71. Deep Love EP—KOIAI

• Rate: 5.5/10

• Favorite song: A New Picture

• Least favorite song: One Way or Another

72. alloy—Mellows

• Rate: 10/10

• Favorite song: Candy making

• Least favorite song: himitsu closet

73. Gone—Clyde and the Milltailers

• Rate: 6/10

• Favorite song: Keys

• Least favorite song: Next Year

74. Entropy—DeathbyRomy

• Rate: 6/10

• Favorite song: No Mercy

• Least favorite song: I Don’t Believe in Anything

75. Matriarchy—girli

• Rate: 5/10

• Favorite song: Overthinking

• Least favorite song: Feel My Feelings

76. black cat—PISSKISS

• Rate: 5.5/10

• Favorite song: white lighter

• Least favorite song: black cat

77. Love Lies Bleeding EP—Love Spells

• Rate: 6.5/10

• Favorite song: Out My System

• Least favorite song: Someone Like me

78. CHAOS NOW*—Jean Dawson

• Rate: 8.5/10

• Favorite song: GLORY*

• Least favorite song: 0-HEROES *

79. = —Ed Sheeran

• Rate: 9/10

• Favorite Song: Bad Habits

• Least favorite song: Be Right Now

80. I Don’t Know How to Explain It EP—Michael Cera Palin

• Rate: 8/10

• Favorite song: If It Makes You Happy

• Least favorite song: Southern Comfort

81. Clap Your Hands Say Yeah—Clap Your Hands Say Yeah

• Rate: 7.5/10

• Favorite song: Over and over Again (Lost and Found)

• Least favorite song: Let the Cool Goddess Rust Away

82. Western White Pines—Colby Acuff

• Rate: 6.5/10

• Favorite song: Rollin’ With the Wind

• Least favorite song: Boy and a Bird Dog

83. Broom—Someone Still Loves You Boris Yeltsin

• Rate: 9.5/10

• Favorite Song: Anne Elephant

• Least favorite song: Pangea

84. How Many People How Many Dogs—Yes Ma’am

• Rate: 7/10

• Favorite song: Paradise Lullaby

• Least favorite song: The FTRA Took My Baby Away

85. Anomalies in the oddity space EP—The Poles

• Rate: 9/10

• Favorite song: Oddities

• Least favorite song: Space Kids

86. Toy—Patatoi

• Rate:7.5/10

• Favorite song: Shade

• Least favorite song: Vanish

87. Hard Times/ Bad Trips—Pity Party (Girls Club)

• Rate: 5/10

• Favorite song: Stuck on u

• Least favorite song: Something bout u

88. Isotope EP—Wasia Project

• Rate: 8/10

• Favorite song: To Get Better

• Least favorite song: Takes Me Back Home

89. Holy Water Branch—Brennan Wedl

• Rate: 8.5/10

• Favorite song: Bag of Bones

• Least favorite song: Mt. Saint Paul

[leopoldainter]

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So many people interested in getting to the bottom of this colony

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He doesn't need anything more to hold.

At this point nothing to lose just some thing to choose

All of it I would one drainskims into net it's what does den Noosi.teo

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[drchucktingle]

ROLL CALL FOR PORTLAND. lets trot oregon, come see chuck tingle live at the clinton street theater thanks to ALWAYS HERE BOOKSTORE. AND this show features special guest buckaroo TJ KLUNE. get tickets while you can