#clearing this from the drafts

[psychopomp-namine]

what if humanity built the tower of babel to reach the heavens and just kept going until it reached space, and they realized upon seeing outer space that there was no heaven, so they stopped. and now it's invisible because nobody believes in it anymore. but the tower is still there and has become so incromprehensible because it's not the biblical tower of babel, it's actually the library of babel as described by jorge luis borges in his short story "the library of babel" — a seemingly infinite repository of knowledge that you can get lost in. also there's time travel involved, because of course there is.

that's the worldbuilding premise of black beacon

[sandushengshou]

[ruporas]

it's time to go, my love (ID in alt)

[aardvaark]

in Leverage, in the background of some scenes you can see ads for or clips of another Dean Devlin production, The Librarian movie series. seems like The Librarian movies exist in the Leverage universe. BUT! at the end of the first david job, sophie’s storage unit contains the Judas Chalice, which is the titular arrifact in "The Librarian: Curse of the Judas Chalice". it’s not an actual artifact irl. so there’s kinda 2 possibilities in my head at the moment:

sophie stole the prop, and considers it so precious that it’s stored amongst her stash of very real, very old artifacts. she’s like the worlds biggest Librarian fan.

the plot of The Librarian movies & tv show are real in the Leverage universe, and the movies are dramatic retellings of real events. sophie owns stolen cursed artifacts because of course she does.

(notably, sophie is seen holding & blowing into the judas chalice right after admitting that she has the real second david… you know, her big betrayal? the reveal of her judas kiss? etc etc)

[radittsu]

i ought to post these too

[bobosbillionsknives]

Only REAL trigun fans will get this! (Manga joke)

[chickren]

the way that jaime and brienne are created to be unobtainable to each other is so damned delicious

brienne is the embodiment of virtue. so naturally she thinks jaime is an utter reprobate. irredeemable. and if she didn’t already know more of jaime’s crimes than anyone else on earth, he makes sure she knows the ones no one else ever pinned on him, like rossart. but the thing is, he longs to be considered just. he is dying to be thought honorable.

it rarely comes up in his chapters, but everyone else in the universe knows that he could have basically any woman he wanted. the only time you hear him even vaguely imply it is with catelyn, but it’s a known thing. then he encounters brienne. and she sits there, judging him, obviously wishing she had an excuse to kill him herself. she is not playing hard to get, she actually is impossible for him to get. how could this honorless criminal hope to tempt her? she is beyond his reach.

then you have jaime. a legendary beauty. born the heir to a great house, the most powerful house. he is considered the greatest swordsman in the land. and to top it all off, he’s not only a member of the kingsguard but is the lord commander. he’s both what brienne wants to be and what she wants to fuck.

and he immediately confirms for brienne that he thinks what everyone thinks: she’s ugly. she’s a woman in breeches who fights like a knight, which is grounds for more than half the people she meets to disdain her. and the things that might make her an attractive mate to some men are meaningless to jaime—her inheritance is inconsequential to him, he gave away more power than her lesser house would ever possess. he’s completely out of her league.

so what happens when you tell someone that something’s off-limits? when you say: “them? you can never have them.”

[sunsburns]

summer road trip with luke castellan (16+, implied sex)

it starts with a promise.

made late at night, in the kind of hazy space between sleep and dreaming, when the world feels quiet and nothing’s quite real yet. you’re lying side by side on a roof somewhere—one of those abandoned places luke likes to sneak into. the stars are barely visible, city lights bleeding up into the sky, but you’re not really looking at the stars anyway.

“we should do it,” he says, breathless from laughter after a dumb joke he barely managed to get out. “just take off one day. no plans. no schedules. just you, me, and the open road.”

you laugh into the sleeve of your hoodie. “okay, cowboy.”

“i’m serious.” he props himself up on his elbows. “we’ll make playlists. stay in janky motels. get gas station snacks that’ll probably kill us. it’ll be perfect.”

you hum, eyes fluttering shut. “we’re always saying ‘one day.’ you ever think about making it this day?”

he doesn’t say anything for a long second.

then, “i’ll steal a car.”

you snort. “please don’t steal a car.”

“fine. borrow one.” he nudges your arm. “c’mon. you know you want this.”

you do. gods, you really do.

and maybe that’s why two weeks later you’re throwing a duffel bag in the backseat of an old car luke somehow managed to “legally” obtain (you don’t ask too many questions), a worn paper map stuffed into the glove compartment, and three half-charged burner phones just in case.

you don’t even pick a destination. that’s the point.

it’s about the drive.

the first few days are the best kind of disorganized. you get hopelessly turned around trying to get out of the city, miss your turn like, four times, and end up on some weird detour through a town that seems stuck in the 1950s. you eat breakfast-for-dinner at a diner with cracked red booths and a waitress who calls you both “sweethearts.” luke leaves a doodle on a napkin and tucks it into the jukebox.

the road stretches ahead like a ribbon of possibility, glittering under the sun. the heat blurs the horizon, making everything shimmer like a mirage, and the sky is that kind of obnoxiously perfect blue that feels more like a postcard than real life.

the a.c. in the car gave up somewhere around three days ago, so the windows are rolled down, warm air rushing in and tangling your hair, sticking your shirt to your back. it doesn’t help much, but it’s better than nothing.

you've got one foot propped on the dash and a half-melted slushie wedged into the cupholder, condensation dripping down the sides. the map—the one you swore you didn’t need, and luke insisted you bring anyway—flutters against your knee every time the wind hits just right. it’s already creased and stained, with corners starting to curl. neither of you are really using it.

a cd clicks softly in the stereo, and a hazy guitar riff spills out—something easy, something old. the kind of music that makes you feel like you’re in a movie.

you hum to the songs you know, watching the scenery blur past in golden smears of light and heat.

luke’s driving one-handed, the other resting lazily out the window, fingers tapping against the door in time with the beat. sunglasses slide down the bridge of his nose, and there’s a sunburn blooming along the edge of his jaw that he keeps forgetting to take care of. he looks over at you, grinning.

“you’re gonna fly out the window if you lean any further.”

“worth it,” you say, hair whipping across your face. “this breeze is all that’s keeping me alive right now.”

he chuckles, reaching over to tug the map from your lap. “you’re the one who said we didn’t need to stop for sunscreen. or, y’know, ice.”

“and you’re the one who didn’t want to stop for directions,” you shoot back, watching him squint at the map like it personally offended him. “so now we’re two thirsty idiots lost somewhere between nowhere and hell.”

“romantic,” he says, tossing the map into the backseat. “just the way i like it.”

you roll your eyes, but it’s affectionate. always is with him.

the wind smells like dust and wildflowers, and every few miles, you pass a road sign faded by time and sun. one of them promises a lake in twenty minutes which probably is not true. the next, a diner with the “best pie in the state.” you don’t stop for either. maybe the next one.

you were supposed to take turns driving. that was the deal—fifty-fifty, no arguments. but luke, being luke, never sticks to the plan. he always insists he’s fine, even when you catch his eyes fluttering shut at a red light, head tilting slightly like he’s about to nod off right then and there.

“i literally saw you close your eyes for five seconds,” you say when he pulls into a gas station, the gravel crunching beneath the tires as he parks.

“it was just five seconds,” he groans.

“five seconds away from crashing,” you mutter, already unbuckling your seatbelt. “move over.”

he sighs, dragging himself out from behind the wheel with all the theatrics of someone who’s definitely not fine, even if he still insists otherwise. he grumbles under his breath as he slides into the passenger seat—and is completely passed out the second his head hits the window. no “i’m not even tired,” no “just resting my eyes.” just out cold. mouth open, snoring, even drooling a little.

you drive comfortably after that. there’s less tension on your shoulders now that you’re the one in control, and luke’s quiet snoring is oddly comforting.

he stirs sometime later, sleep-warm and rumpled, his voice still thick with it when he reaches across the console. his hand finds yours with ease, like it’s muscle memory. his fingers slot between yours and, without a word, he lifts your hand and presses a kiss to the back of it. soft. slow. like a thank-you.

somewhere between a cracked-out diner with the best grilled cheese you’ve ever had and a pit stop at a quiet national park, you start feeling it—that warm, slow burn that only summer with luke castellan can bring.

it’s in the way he looks at you when you’re not looking, eyes softer than you’ve ever seen them. it’s in the casual brush of his thumb over the back of your hand. it’s in the way he steals bites of your food, complains about the heat, and still tucks a cold bottle of water into your hands without being asked.

he’s quiet during the hikes, but he always slows down so you don’t fall behind, even when you insist you’re fine. he keeps snacks in his pockets for you, things he knows you like, things you didn’t even notice him buying. and when you sit beside him on the edge of a cliff, watching the sun drip like honey into the horizon, he kisses your shoulder so gently it sends goosebumps across your skin.

he takes so many pictures of you. most of the time you don’t even notice until he shows you later—sun-drenched, wind-tousled, blurry with motion but sharp with love. he says he wants to remember you like this. you laugh and roll your eyes, but still smile a little too hard when you see them.

you two stop at a few motels every now and then. they were nothing special. peeling paint, flickering neon sign half-buzzed out, and a questionable stain or two on the carpet—but it’s cheap, and it’s got just enough charm to feel like part of the story. luke leans against the counter while you check in, tapping the bell repeatedly until you swat at him.

the old woman behind the desk gives you a room key and a knowing smirk like she’s seen a thousand versions of you two before: sunburnt, road-weary, eyes too bright to be anything but in love.

sometimes, impulses get the best of the two of you. like when one day luke spots a faded little hand-painted sign pointing down an overgrown path off the side of the highway. beach access. there’s no one around. no cars. just the sound of cicadas and wind through tall grass.

you both follow it on instinct, barefoot and laughing, racing toward the sound of crashing waves.

and then there it is: a hidden stretch of shoreline tucked between two cliffs, like a secret carved out just for you. no footprints, no noise except for the ocean. the sand’s hot and soft under your feet, the sun dipping low on the horizon and casting everything in amber.

you run straight into the water, still half-dressed, splashing and shrieking when luke dunks you under and then pulls you back up, breathless and dripping. he kisses you then, water-slicked and grinning, hands on your waist like he’s never going to let go.

and later, after you’ve both sprinted back to the car, giddy and dripping wet, after the sand’s stuck to every inch of your skin and the sun’s painted you gold, you end up tangled in the back seat. skin sticky with sweat, your bodies pressed close in the heat of the car, breathing in tandem.

the windows fog up, the air thick with salt and sun and something heavier. the radio hums low, some lazy summer song playing beneath the sounds of your bodies shifting, touching, needing. his hands roam like he’s mapping you out all over again, rough in the way he holds you but gentle in the way he touches, like he knows exactly where to press to make you shiver.

he kisses you like he’s trying to memorize the taste of salt on your lips, like he wants to bottle this exact moment and keep it somewhere safe. and you, half-laughing between gasps, fingers twisted in his curls, mumble against his mouth, “i told you the backseat would get too hot.”

“guess we’ll have to open the door,” he says, voice low and teasing. “get a breeze in here.”

you roll your eyes, breathless and flushed. “fuck off, if we get caught by some poor park ranger—”

“worth it,” he grins, before kissing you again. deeper, slower this time.

and when you’re breathless and half-dressed, your back pressed to the warm seat and your body aching in all the best ways, you lie there with your head on his chest. his heartbeat is loud in your ear, steady and real.

you tilt your face up toward him, the fading light painting him in gold. “same time next summer?”

his arm tightens around you, his voice soft and full of something you don’t have a name for yet. “you’re not getting rid of me that easy.”

[kiyomitakada]

i greatly enjoy the "lying monster who plays with human lives like barbies" flavor of L characterization myself but i have been spinning around all his more compassionate moments in my head recently (visibly repressing ukita and naomi; ordering all cars off the highway they're chasing higuchi on; asking the other task force members to not look at the yagami household surveillance footage for soichiro's sake; etc) in conjunction with the way he genuinely would rather sacrifice civilians to catch kira than save them with even the mildest possibility kira would get away; and i am thinking about how little we really get into his head and i do wonder how he feels about his job, because he never voices regret out loud but we get to see him think twelve fbi agents dead… twelve precious lives… and so maybe he does feel guilt for who he is, what he does, but ultimately does it matter? they're still dead. he still tries to murder a prisoner to test the thirteen-day rule. corpses don't care about motive. you're just a childish killer playing at divine retribution. what im trying to say is that l lawliet could be representation for a rarely depicted demographic: high empathy people who suck

[frownyalfred]

There’s three types of people in the Batfamily: people who will get into fights because they’re batshit insane (Jason, Damian) people who get into fights because it’ll stave off the impending panic attack they’re trying not to have (Dick, Tim) and people who are secretly both (Bruce)

[nonbinary-vents]

I hate the fact that the thing that has completely broken me is seeing someone say that (((Zionists))) ‘all have facial features so repulsive to look at’. I hate that that’s what finally got me in the end.

[psychopomp-namine]

(wikis a more comprehensive summary of the seagull). oh. oh okay. I see. putting him in a glass jar and shaking it vigorously

[marcskywalker]

alright alright

Merlin has made a habit of laying protective charms and spells on Arthur's armor. The man is a big liability (king or not, Merlin will say it as it is). Running into danger head first, without thought or concern, is his top favorite activity.

It's what makes Arthur Arthur; his courage in the face of death.

So yes, it's become a necessity for Merlin to charm his armor for strength and endurance.

He decides to charm the King's new set of armors in his royal chamber in the middle of the day, while Arthur is away presumably listening to another one of mind numbingly boring reports from his knights.

What is a safer place for Merlin other than this room? Where else can he walk in as he pleases? Move about as he pleases? Leave a mess, jest around, lock the door and loiter as he pleases?

Within these walls, no one would dare to question him.

The King's trust is loud enough.

So, Merlin lays out all the metal on the floor and begins. He holds the cold, sharp chestpiece in his hand. Imagines Arthur under it; Arthur's beating heart and his warm, soft, breakable skin.

His magic flows out of him without command or permission, desperate to erase all the images of his mortal king bleeding and weak.

Oh, protectors of Earth and Magic! Cradle him as you would cradle your son.

His eyes are ember, words still on his lips, the shimmer of magic over the metal, when door swings open.

"Leon is one of my oldest and closest friends, but by Gods he makes me miserable," Arthur lets out a long breath, as if to blow out all the air in his body, looking right at Merlin as he does so.

The gold finally fades from his eyes but Merlin is frozen in place, his bones and breath refusing to move, watching Arthur's face scrunch in confusion, a myriad of feelings flashing through his face before settling on stern eyes and pursed lips.

"Mingling with the druids a lot now, are we?"

"Arthur, I-"

"I know, I know!" he sighs, commanding his face to neutrality, stepping over Merlin and metal towards his desk, "They are my people, too. You're allowed to trade and learn from each other."

Despite his resigned tone, Merlin knows how hard Arthur has worked to ensure a place for Druids in Camelot. Writing in stone, clear as day, that he is more than his father's son; he has claimed them as citizens of Camelot, opening the doors to courts and trade and provisions equally for all in the Kingdom.

Watching Arthur grow into the prophesied will be Merlin's greatest pride. Even if magic is still prohibited to practice under the law, magic users aren't hunted like animals for existing. And Merlin has all the faith in his King that when the time is right, he will bring magic back into the land. Until then, he's happy to live in half shadows.

"I'm allowed to learn magic?" he can't help the skepticism and shock bleed into his tone.

"Well, no! I'm not allowing you for anything, Merlin. But I'm not stupid enough to believe that that's about to stop you."

"So," he draws out the word, unsure of how to step out of the conversation. Unsure if he should even be stepping out of the conversation. "I can learn more magic?"

"You know how I feel about this. The price I have- we have had to pay for it. If you still find yourself curious, do what-" gestures to the laid out armor on the ground, "-ever this is. I only ask that you be careful."

"I'm enchanting it. To keep you safe."

"In exchange for what, Merlin?"

"Nothing-", Merlin loses his grip on the conversation faced with the frightened heartbreak on Arthur's face; the courageous bones bending in unfamiliar ways. "I swear. Nothing. It's not any big magic. The druids do it all the time, we won't have to pay a price for this, Arthur."

"We'll see."

[antiadvil]

RPF stands for real person FACT. Every time you make Dan and Phil kiss in a fic they have to kiss in real life :(

[mothcpu]

love this thing

[fulcrum-art-fox]

Blue Eye Samurai really was like. hey you know that trope you like about characters seeing themselves in their swords

What if we took that and fuckin ran with it