#claudia talks

[homosexualslug]

the difference between these scenes is killing meeeeee

[sarcastic-clapping]

LET YOUR DAD DIE: IT'S FINE IT'S FINE IT'S WHAT HE DID TO HIS DAD.

Lestat + Claudia: Patricide & The Cycles of Violence - INTERVIEW WITH THE VAMPIRE (2022) - Catherine Lacy, "Cut" (2019) / Anne Rice, "The Vampire Lestat" (1985) / Anne Rice, "Interview with the Vampire" (1976)

[saintundying]

claudia tucked away her victims' last words. lestat plays with his food. armand seduces them into embracing death. louis refuses the kill now. i think daniel is going to swallow his victims blood and visceral, unhinge his jaw and take every ounce of their soul. louis cannot stomach the emotions as he eats, but daniel has made them his drug, his nourishment. feed me your desires, your fears, and your body. i eat you whole because we are the monsters. daniel, the dream-eater and addict, is gorging himself on your story.

[userarmand]

That's what you said to me, right? Standing in my blood, stroking my hair.

[this-world-of-beautiful-monsters]

drives me glass-eating batshit how Claudia and Amadeo were both teenagers rescued (or "rescued") from violently traumatic situations and taken in by paternal gentlemen vampires who taught them about the world and kept them safe and spoiled them rotten and loved them so so so much in profoundly unhealthy and dehumanizing ways. Claudia and Arun both entering the vampiric world as blank slates (like Claudia remembers her pre-turning past but we only get the barest details, it's hardly ever mentioned) and a wash of divinity, angel imagery and merciful gods. then as Claudia and Amadeo grew they started to pick up on the things that were off in their world and display aggressive behavior (Claudia's killing spree and Amadeo's The Shining moment, etc.) only to be physically punished for it. and then they experience the brutalities of life outside their maker's protection (Claudia under the floorboards and Armand under Rome) except she's able to come back home hardened and confront the realities of what's been done to her while Armand never gets that chance, he's stuck with the Children of Darkness, he's stuck deifying Marius, he's stuck clinging to ritual and tradition and all the things Claudia defies like breathing.

and then they finally cross paths and they're inverted mirrors of each other, Claudia the grown woman desperate to escape her teenager's body and Armand the grown man who wants to be loved and precocious and fascinating like he was as a teenager. Claudia being able to effortlessly pull off the veneer of innocence that Armand has to work so hard to maintain and she's not even grateful for it. she's got the youth he wants, she's got Louis's love, she's more free than Armand has ever been, she fought back against her Maker and got away with it, it's not Fair, it isn't right. so Armand punishes her with it, subjects her to the same cycle of objectification and dehumanization and violence that Amadeo went through (because it could be Worse right, he could be Donating her right). and when that's not enough to make up for everything he's missing he fucking kills her in an elaborate show just like she killed Lestat with the elaborate show that was Mardi Gras, only his writings recording the process damn him just like her writings damn her, their need to leave some mark of themselves above all else consuming everything.

and after killing her Armand spends years dragging around with a Louis who hates him just like Louis dragged around with a Claudia who hated him. he's the good nurse for Louis the way Claudia was and he competes with Lestat's ghost the way she did and he watches a fragile life with flowers growing from dead things all come crashing down in ash and dust like she did, all because of what he did to her. and at the end of the day they're both fucked-up kids whose most commonly used last names stem from the fathers who fucked them up and they could have lived each other's lives and in some ways they almost did.

[manichewitz]

honestly, this might be my favorite thing that rolin jones has said about the show [x]

[thomas-the-goat-of-satan]

"our beautiful little daughter," he says. while he drags her lifeless, charred body behind him. as he grips onto her arm with only one hand. he has the strength to carry her. he doesn't. her wheezing breaths. her wide, unseeing eyes. the haphazard way in which he drops her to the ground so that he can kneel and clutch at Lestat's legs. hmm. her name. what's her name, Louis? "it's never been about me!" yes. it's never been about her, indeed.

[hobermallowed]

Louis’ family + photographs

[holdouthepalmofyourhand]

Whatever people say, to me it IS a big deal that we have our first ever woman president and that she's leftish leaning (as much left as possible in a place with a dying left in general).

A lot of people went to vote and she won by a landslide, so this is definitely the will of the mexican people.

[sumeria]

SHE IS THE GIRL ANACHRONISM!

[i-think-i-thunk]

I see so many posts talking about how Eddie can't wrap gifts or bake for shit and Steve is amazing at it.

Well I call bullshit.

Eddie had Wayne there to teach him. To sit down with him and answer his million questions and laugh when something turned out a little funky. Wayne would say it's wholly Eddie, which makes it perfect.

Steve didn't have that. He had parents who were barely around, much less teaching him these things when they were. Steve survived off school lunches, box dinners, and whatever Claudia Henderson made for him. Steve 100% buys gift bags for every present he gives.

Steve may have grown up with his parent's money, but Eddie grew up with Wayne in his corner.

[thelolarahaii]

Why is she here? Sage here is a valued new member of The Seven.

SUSAN HEYWARD and CLAUDIA DOUMIT in "THE BOYS"

[dreadfuldevotee]

The fundamental issue with how people talk about Louis is that people think he needs to be coerced and magic'd into making bad decisions. Don't let his proximity to the two craziest fuckers in this universe make you forget that he saw Lestat freeze time in their second meeting and was not only un-phased, but actively attracted to it. Claudia, came to him and told him Armand was using the knowledge of Lestat against her and Louis scoffed and went "Nah he wouldn't do that" like that's some shit his sisterdaughter, of all people, would lie about. I proooomise he is more than capable of making delusional, dickmatized moves with the best of them, I pinky swear.

[sneaky-eel]

Desmond, bartender in 2000s-2010s New York would absolutely binge shitty reality tv and adore eavesdropping on patrons when he can't get his drama fix. He's the RPG tavern owner who you ask if he has heard any rumors and his eyes light up because now he can info dump all the shit he hears. This follows him to the past, where now he has to actively seek out this entertainment.

He abuses his enhanced senses to sit on roofs and listen in with a hand to his mouth like, "oh my god. They were roommates." He is both the best informant and the worst because, while he is a master at getting information, the details he focuses on are useless to the Order.

"Yeah so this guy will be here at this time at this place, whatever. But! More importantly this guy has been having an affair with his wife's sister AND her brother and-"

"Please, Desmond, I am begging you just tell me the information for the mission."

--------

In Altair's time, Malik was originally Desmond's go to but after being chased out one to many times for "loitering and disturbing the peace of the bureau" (i.e. Malik's peace) Desmond switches to the Rafiq in Damascus since he "at least appreciates me." Eventually Malik would begrudgingly miss his presents and send a request for him to come back because Desmond is the only one he can rant at about Altair.

Altair does not know what the hell Desmond is talking about half the time, but now he does know the baker has three sons that his wife never knew of and one of the sons has shown up at the baker's home.

He normally will just let Desmond keep talking cause he likes his voice.

---------

In Ezio's time he is best friends with Claudia and her girls love him. He'll drop in and gossip with them about their patrons or even warn them about some of them. "Be careful I heard that he has some craziness going on between the legs." or the girls will ask questions about Ezio.

"I heard he is a beast in bed, is that true?"

"Well you didn't hear it from me, buuuut~"

He is 100% going off of hazy animus memories, but all the courtesans totally think he has either A.) slept with Ezio or B.) is actively sleeping with Ezio

With Claudia he talks about the goings on in Tiber Island and what Ezio is up to. Ezio doesn't know how the hell his sister knows everything he is doing or why he gets a message from her forbidding him from doing something he hasn't even gotten to do yet and Desmond just stands off to the side sweating.

---------

Connor is gonna go gray early with how often Desmond just disappears from the Homestead because he seems hellbent on not staying still as it gets "to boring there". Desmond will normally pop up in the strangest of places. Either Connor will find him, head tilted like a dog as he listens in on a group or Desmond will just hunt Connor down himself. "Heard you were in the area."

At time he loves it because Desmond always has a ready flow of information and he is very good at sowing discontent with it, making for good distractions. On the other hand he can do without the open commentary or rampant attention he gives any interaction Connor has with his father.

"It's so much more interesting when it's not me"

*Connor and Haytham both glare at him*

[this-world-of-beautiful-monsters]

that dopey fucking grin when Armand hears this about a woman HE MURDERED will never not fuck up something deep and profound inside me.

[ivyithink]

some doodles because iwtv brainrot continues strong as ever