#classical studies student

[phoenix-joy]

Author: Sarah E. Bond  Publication: Hyperallergic Timestamp: June 7, 2017 [roughly 9 years old]

Note: this is an article cited in the other one I made an extract for, but I think it's worth giving it its own post.

Extract:

Modern technology has revealed an irrefutable, if unpopular, truth: many of the statues, reliefs, and sarcophagi created in the ancient Western world were in fact painted. Marble was a precious material for Greco-Roman artisans, but it was considered a canvas, not the finished product for sculpture. It was carefully selected and then often painted in gold, red, green, black, white, and brown, among other colors.

[Several] museum shows throughout Europe and the US in recent years have addressed the issue of ancient polychromy. [For instance,] The Gods in Color exhibit travelled the world between 2003–15, after its initial display at the Glyptothek in Munich. [...]

Digital humanists and archaeologists have played a large part in making those shows possible. In particular, the archaeologist Vinzenz Brinkmann, whose research informed Gods in Color, has done important work, applying various technologies and ultraviolet light to antique statues in order to analyze the minute vestiges of paint on them and then recreate polychrome versions.

[...]

Most museums and art history textbooks contain a predominantly neon white display of skin tone when it comes to classical statues and sarcophagi. This has an impact on the way we view the antique world. The assemblage of neon whiteness serves to create a false idea of homogeneity [...] across the Mediterranean region. The Romans [...] did not define people as “white”; where [...] did this notion of race come from?

In early modern Europe, [...] the “scientific revolution” was marked by a desire to categorize, label, and rank everything from plants to minerals. [Inevitably,] humans were similarly subjected to such [man-made] systems of classification. [A]rtists began to engage with mathematics and anatomy and to use classical sculpture as a means [to replicate] beauty through proportions.

One of the most influential art historians of the era was Johann Joachim Winckelmann. He produced two volumes recounting the history of ancient art, Geschichte der Kunst des Alterthums (1764), [...] which came to form a foundation for the modern [...] art history. These books celebrate the whiteness of classical statuary and cast the Apollo of the Belvedere — a Roman marble copy of a Hellenistic bronze original — as the quintessence of beauty. Historian Nell Irvin Painter writes in her book The History of White People (2010) that Winckelmann was a Eurocentrist who depreciated people of other nationalities, like the Chinese or the Kalmyk.

[...]

Too often today, we fail to acknowledge and confront the incredible amount of racism that has shaped the ideas of scholars we cite in the field of ancient history.

[...]

If we want to see more diversity in Classics, we have to work harder as public historians to change the narrative — by talking to filmmakers, writing mainstream articles, annotating our academic writing and making it open access, and doing more outreach that emphasizes the vast palette of skin tones in the ancient Mediterranean.

I’m not suggesting that we go[...] repaint every white marble statue [...]. However, [...] better museum signage, [...] 3D reconstructions alongside originals, and the use of computerized light projections can help produce a contextual framework for understanding classical sculpture as it truly was.

It may have taken just one classical statue to influence the false construction of race, but it will take many of us to tear it down. We have the power to return color to the ancient world, but it has to start with us.

/end of extract

[thedeadpoets-blog]

late night studying in october 🍂☕️🎃📚

[joytri]

a pounding in my heart

[angelicasdigitaldiary]

July 19, 2024, 6am.

Morning study vibe, but of course I have to do a quick Pinterest scroll to set the mood.

[ledalife]

[hamoodmood]

Academic girl

[academic-vampire]

𝔇𝔬𝔫’𝔱 𝔩𝔢𝔱 𝔦𝔱 𝔥𝔞𝔲𝔫𝔱 𝔶𝔬𝔲.

[local-queer-classicist]

I have acquired several dusty tomes (books) from the ancient archives (college library) with which to perform evils (research paper writing).

[xvmbo]

Grab your coffee, and just start.

[literarydesire]

That thing when you ask your professor a question and they get that distant look in their eyes and stare into space for a while and you can see them racking their brain for an answer and then, they get really excited when they realize that they dont know so now they have an excuse to research something new >>>

[phoenix-joy]

Author: Gregory N. Daugherty

Description from Bloomsbury:

This study examines the reception of Cleopatra from the beginning of the 20th century to the present day as it has been reflected in popular culture in the United States of America. Daugherty provides a broad overview of the influence of the Egyptian queen by looking at her presence in film, novels, comics, cartoons, TV shows, music, advertising and toys. The aim of the book is to show the different ways in which the figure of Cleopatra was able to reach a large and non-elite audience.

Furthermore, Daugherty makes a study of the reception of Cleopatra during her own lifetime. He begins by looking at her portrayal in the vicious propaganda campaign waged by Octavian against his rival Marc Antony. The consequence was that Cleopatra was left with a tarnished reputation after the civil war. Daugherty's examination of both the historical and contemporary reception of Cleopatra shows the enduring legacy of one of history's most remarkable queens.

[pagesofjasmine]

STUDY AESTHETIC

[blueprint-9376]

05.04.2024 [🤔]

🌛: 우선순위를 정하자/ Let's prioritize things to do

[rchrml]

books and fall szn

[nenelonomh]

[academic-vampire]