#class comparison

[julykings]

25 today

[nellasbookplanet]

The fandom god discussion is interesting, but I feel it’s sometimes hindered by an unwillingness to separate gods from mortal society, or even a sort of over-eagerness to project our own reality onto them, which simply doesn’t work. I've seen the gods referred to as rulers or tyrants demanding worship (which I kinda understand because it’s something Ludinus says in-game, though it’s funny to see fandom corners confidently repeat the inaccurate talking points of the antagonist) but more interestingly I've also seen them referred to as a higher/the highest social class, as colonizers imposing themselves on mortals, the raven queen specifically as new money. Overall these comparisons tend to talk about the gods and their actions regarding Aeor in the past and predathos/the Vanguard in the present less as if they're about saving their own lives and more as if they want to preserve their powerful position.

The gods, by their very nature, are above mortals. They cannot be compared to any mortal ruling class because they didn’t choose or strive for that power and cannot feasibly get rid of it/step down/redistribute it (nor do they actually in any sense rule; killing the raven queen, unlike killing an actual queen, will not end the 'tyranny' of death), they simply have it by virtue of being gods. Saying that’s unfair or unequal and that the gods should be killed because of it is akin to saying it’s unfair a mountain is bigger than you and demanding it be levelled, except the gods, unlike mountains, are living, feeling beings who shouldn’t have to die because some people can’t stand the idea of not always being top dog. Thing is, the gods themselves ultimately understood this power imballance and that they can't help but hurt Exandria the way humans can't help but step on bugs, and thus removed themselves from the equation by creating the divine gate. Saying this isn’t enough and that they're clinging to power is just demanding they line themselves up to be killed.

[noodlesarecheese]

So Watcher is launching a Dropout (it's not called Dropout but they're clearly using the same template format platform thing idk what it's called, and the same pricing structure), and the reaction so far has been wildly different than what I remember from Dropout's launch. I was curious about why that was or if I was just misremembering the Dropout launch, so I went back to the Dropout launch video to compare them and I think I can see where some of the difference is coming from.

If you want to make the comparison yourself: Watcher's Video, Dropout's Video.

I wanna clarify first though that this isn't a knock against Watcher or the fans who are reacting one way or another or anything like that, I genuinely am just fascinated with how different the reactions are to what seems to be the same business decision. This also isn't a 'wow watcher sucks and dropout is so much better' I'm just using them for comparison because they did the same thing with different results. ALSO this isn't about the business decision itself, just the presentation! Disclaimers out of the way, here's the analysis.

Title and Thumbnail So the Watcher.tv announcement video is titled "Goodbye Youtube" and the thumbnail is Ryan, Shane, and Steven sitting on a couch looking serious, with a dark background. That really makes it seem like they're quitting (which, ok, they are quitting youtube but not quitting quitting). Viewers are already primed to be upset, and it's easier to go from upset to angry than upset to excited, curious, or neutral.

Compare to the dropout announcement video: "How the Internet is Ruining Comedy" - inline with other collegehumor video titles, might make you curious. Thumbnail - Big News! with Sam smiling and a bright background. We know its big news, but he looks happy, and the exclamation point let's us know they want us to be excited. Viewers are primed to be curious and excited.

Tone The Watcher announcement has 2 main tones. The first half is very sentimental, almost sad or wistful at times, and while there are parts that veer into pride at achievements, it's mostly bittersweet and sentimental. The second half is a bit more uplifting, but still quite serious. It reminded me of a tech announcement, like when they introduce the new iphone or something like that. Very professional, sleek, and serious, which isn't automatically a bad thing! But I do think that's not the vibe a decently-sized chunk of the audience expected or wanted. Many people watch Watcher for the cast's dynamic with each other, humor, and the more relaxed/conversational/friendly feel that most of the series have.

Compare to dropout - excited and comedic tone. Still professional, but also fits the expectations of the viewers. People watch collegehumor for the humor (it was in the name, after all). They also poke a bit of fun at themselves, which lightens the mood, shows self-awareness, and alleviates some of the bad feelings about paywalling.

Focus The Watcher announcement focuses a lot on the creative journey of the cast and company, as well as how this move will benefit them. Which isn't a bad thing, that's actually quite interesting! The problem here, I think, is actually more about what isn't here - a solid explanation of how this will also benefit the viewers and why the viewers should be excited. There's a brief description of one new show, and the promise that existing shows will get an upgrade, but we weren't given many specific details about how they'll be improved, and there's only one new show to tempt us into subscribing. Some people will be excited for that, some people won't, and some people will be excited but not enough to subscribe. Having 2 or 3 series (even if it's 1 fleshed out plus a few teasers of what's in production or what is being planned) plus some more details about how existing shows will be improved would've helped. Without that, it really does seem like it'll just be the same stuff viewers were getting for free, but now paywalled, rather than new and exciting stuff. That makes a big difference. I think with the fans not getting as much focus, this also led to some (accidental, I hope) hurt feelings. Based on what I've seen from fan reactions, all the talk about hitting the peak of what they can do on youtube and wanting more, translated for many people to 'youtube isn't enough' which became 'you (the current viewers) aren't enough.' Which I don't think was their intent! But I also don't think fans are wrong for feeling hurt by that.

Compare to dropout: They clearly explain how the move will benefit fans, and reassure viewers that existing content will stay where it is, and only new content will be behind the paywall. (Watcher clarified this too, but in a comment. It's not in the video itself, which is a huge problem.) They include clips of several new (at the time) series that would be premiering on dropout, including things that specifically could not be made on youtube (due to weed, violence, and sexual humor), so the reason for the shift is clear to the audience.

Advertisers Both videos contain the sentiment that being monetarily successful on youtube means working to appease the advertisers, and that over time what the advertisers want and what the creators want drifts further and further apart, putting strain on the creators.

However, I think the message gets lost a bit in the Watcher vid. Instead, it leaves viewers with the idea that the main problem is just ads are annoying instead of advertisers putting constraints on content. I'm not even sure what the specific constraints are for watcher, because they didn't give any examples. And the focus on ads being annoying leaves viewers frustrated because people typically either don't mind ads or they already have an ad blocker.

Timing and Size Okay, this isn't exactly about presentation, but it is still a factor that impacts perception so I'm tackling it. And I'm actually going to do dropout first. CollegeHumor launched dropout in September 2018. Pre-pandemic, but also pre-Sam Reich as CEO. The company was still owned by IAC. It was a Company, and while it wasn't huge it wasn't tiny either. So launching dropout was a Company Decision, a Business Strategy. Some people were upset about, but it wasn't a personal betrayal (generally, anyways). If I remember correctly, this was also not a high point for the company. They kinda needed dropout to do well to keep things running smoothly (which is why they shut it down and sold it to Sam just 1 1/2ish years later), so the sudden shift made sense.

Watcher Entertainment is a company, but it doesn't feel like one. Ryan, Shane, and Steven own and operate things, but they're also the faces, and they're youtubers. Which makes every business decision they make feel more personal to viewers, especially those who have been watching for a long time. They've also seemingly been doing well on youtube, which makes it more difficult for viewers to understand why the sudden change is happening now. They do talk a bit about it, about the company expanding and wanting to do things that advertisers don't like (which I've already covered). However, mostly the choice to start a streaming platform is framed as 'the next big step' without much clarification on why it's the next big step. Plus, it's post-pandemic, and a lot of people are still struggling financially with the ripple effects of that. Yes, $6 isn't a wild amount of money, but there have been some months where $5 absolutely meant the difference between paying all my bills or not, and I know I'm not the only one. This, coupled with a lack of clarity about why exactly they're doing this, leads to fans feeling hurt, betrayed, bitter, and frustrated.

Now, presentation and framing isn't everything. No matter how perfect your announcement is, some people are still going to be upset. It's a big change, of course people will be upset! But I do think a more careful presentation would've alleviated some of the hurt and anger that fans are feeling. While I do think a lot of the reaction we're seeing is due to the decision, I think (based on what I've seen) that some of it is also based on the poor communication in the video itself, and that could've been avoided!

So I'm gonna get a little speculative and describe what I would've done. In this hypothetical, they've decided to launch the streaming service and brought me on just for the announcement.

Firstly, switch the title out. If they're married to Goodbye Youtube then add a (and hello...?) after so it's at least obvious they aren't fully quitting. The dark color scheme of the thumbnail fits their regular vibe, but they want everyone to be excited so they should look excited. Next, let's lighten the tone up. Being proud of what they've done so far is great, but we don't need the sentimental music and bittersweetness. Remember, the goal is to get viewers excited about what come's next - so let's focus on what actually comes next! Talk about specific show plans and mention why they wouldn't work on youtube. Then, take some time to reassure the fans. Predict a few likely worries and address them in the video. Acknowledge that it's a big change, that it will take time to get used to, and that not everyone will be onboard, and let the fans know that it's ok if they aren't onboard.

Like I said, this wouldn't fix everything. There are a few differences in between dropout and watcher that don't have anything to do with presentation. Dropout launched with primarily new shows rather than new seasons of existing shows, and they continued uploading to youtube relatively regularly in addition to the content behind the paywall, which I do think went a long way to keeping fans happy. At this point it's unclear if watcher will do either of those or not. But, while I don't think it would fix everything, I do think improved communication in the announcement would've helped.

[fallloverfic]

I'm sure it's been pointed out, but when you realize manhwa Yoojin/Hyunje did the Sophie/Howl air walk thing...

Ah terrifying, tall, special coat-wearing, magical blonde men from other worlds and their shorter, dark-haired, terrified partners...

[yrrtyrrtwhenihrrthrrt]

All these posts I see with the nerve to say, "We'll be alright, we'll be okay, we'll continue to fight, we'll continue to hope," have made me more weary than the plain truth.

It's over. That's it, it's over. Our country has been taken from us.

The genocide will be invigorated, and any hope of U.S. pressure bringing it to an end is gone. I'm so sorry.

Everyone with a uterus will lose any semblance of human rights they once enjoyed. You can say goodbye to being considered a human being, you can say goodbye to any consensus whatsoever that your very life ever mattered.

Every queer and transgender person will face outright persecution and lose the right to so much as exist as themselves, alongside which even cishet people will lose all right to self-expression.

Immigrants will lose whatever fragile hold they had allowing them to pursue life and happiness in this country and will be forced away from their families, jobs, and loved ones if not worse.

Police abuse against people of color and any political dissenters will be invigorated and their immunity from justice will expand.

The prices will continue to rise and the wages will drop or remain stagnant at best.

Disabled Americans, including any American with any pre-existing condition, will lose all access to healthcare as medical costs will skyrocket and our meager insurance will be stripped of us. We will be left in the street to die.

So don't fucking tell me to "hold onto hope" and don't you dare fucking tell me "we will be okay." Who is we? It isn't me, or any of my friends or loved ones. There is not a single person I know that doesn't fall into at least one of the above-mentioned categories. Not one person in this country am I acquainted with who has neither a functioning uterus, nor ANY medical condition whatsoever, nor is an immigrant or from an immigrant family, nor is a person of color, nor is a member of the LGBTQ+ community. Think about it. Do you?

So, in God's name, who the fuck is "gonna be okay"? Anyone lucky enough to survive? Anyone who lucks out and manages to avoid a dangerous pregnancy (which will be soo easy once we lose access to birth control, I'm sure), or manages to stay under the ICE's radar, or manages not to be pulled over by a pig who needs to take out his rage over his wife surviving her last beating, or manages to not get sick or injured ever again? That's somehow not as comforting as people think it is.

And as for the genocide, I'm so sorry. I'm so, so, so sorry that my country has once again failed the people of Palestine. I hope all the people who abstained from voting because Kamala wasn't pro-Palestinian enough feel really good about themselves when they watch countless more children being slaughtered as Israel is bolstered in its capacity to accelerate the genocide beyond any level we've seen thusfar. I'm so, so sorry to my brothers and sisters in Palestine. I'm so sorry that we failed you.

This isn't to say we should stop fighting. But the time for hope and handholding and singing kumbaya is over. Compassion and love have failed, today has proved that. Violence is our only option left.

[perplexingly]

look at my party of pets and summons lol

[deimosatellite]

imgoing to fucking throw up from laughing so hard i found the slides that i used for my screenplay pitch for one of my classes and these images are giving me psychic damage together

[whamss]

Every now and then I think I'm kind of sleeping on classpect analysis, but also what you have to understand about me is that I'm way less enchanted by the act of defining classes and aspects and way moreso by how individual Characters contextualize their relationship with their aspects and assign meaning to it based on their experiences

Something that I always found striking about late Act 6 Kanaya was the way she recontextualizes her relationship with her aspect as something so specific to her and her own experiences. Something about the juxtaposition between Alt Calliope mapping out hard rules about her classpect, saying "This is what it means to be a Space player" "This is what it means to be X" while Kanaya talks about how her experiences formulated her own relationship with her classpect. It's a fascinating difference between them where I never think that the story tries to say that either of them are Wrong about how they view Space. But there's such an underappreciated depth there where Calliope is demonstrated to be somebody who's obsessed with rules, strict categorization, while Kanaya says "this is what my experiences have told me, this is what Space means to Me." And Alt Calliope saying things like Space players are inseparably tied to loneliness are interesting claims, but also putting these beliefs in context with each other you can just as easily see how Alt Calliope's views of space can be formulated by her lifelong (deathlong) experience with isolation.

I think a big reason that I always found it hard to engage with a lot of classpect analysis is that there's this insistence that classpects must have strict categories that define people, when throughout the comic we consistently see how things like aspects and classes mean different things to different people. The way that Kanaya, Calliope, and Jade all see Space and their relationship to it is so so different, I sort of wonder if they'd have any common ground if they actually discussed it between each other (or wrote their thoughts down and passed it around, as Calliope would undoubtedly dominate that conversation lol). The same goes for Rose and Vriska with Light, the Time players... I don't know, it's striking to me. I can understand why the rumored Hussie Classpect doc is supposedly only a sentence or so per classpect because what do you even say? When the variety of experiences is so broad among them, it's impossible to define Classpects cohesively. Alternatively, aspects are something strictly defined by the meaning that people (characters) assign to them

[serpentface]

Palo and Tigran standing casually in place to provide an outfit reference.

They are wearing the most typical day to day clothing for Galenii monks. This consists of three main parts:

-A simple, ankle-length sleeveless robe (white in initiate monks and black in the fully initiated). -A dark woolen cloak, which doubles as a blanket. This cloak is the foundational item of clothing throughout much of Imperial Wardin as a whole, and worn by all social classes. They tend to be cut shorter and highly decorative in the upper classes, serving only the practical purpose of shielding the arms from the sun. Poor laborers may wear only the cloak and a loincloth and nothing else. In the case of Galenii monks, it is standardized, simple, and dark blue-gray. -The sash. This is a very long scarf that is the primary visual signifier of a Galenii monk. Its open ends drape down the front side of the body and are tied at the chest. It is slung over the shoulders and hangs in a loop around the back. These sashes are dyed an expensive royal blue, indicating the significance and relative esteemed status of this religious order.

Additional elements:

-The sign of the horns: a small iron pin used to fasten the cloak. This is the symbol of the Lunar Face Of God (the specific aspect to which the Galenii are devoted, which is primarily associated with fertility and the cycles of sacrifice and rebirth). This is very common among monks but not standardized wear. Galenii priests wear the sign of the triple horns (though more commonly as an amulet).

-Ear piercings: Galenii monks and priests wear thick earrings of dark meteoric iron and stretch their earlobes. One is added to each ear for each year of the initiatory process. Palo is a year in, and Tigran is fully initiated and has five bands per ear. Body modification is exceptionally rare in Imperial Wardi culture, largely in relation to taboos surrounding body integrity. The exception here is done with great significance and care- these earrings can be made only with true meteoric iron, considered to be the blood of God Itself. Permanently marking their bodies with this metal signifies this priesthood's integral connection to maintaining the continual cycle of sacrifice/rebirth that is believed to keep God's domain stable, and binds them to this role.

-Sandals: usually very simple in construction. Monks are often expected to go barefoot, but the cities are quite dirty so most prefer to avoid this if possible.

-Ceremonial dagger: a sign of a fully initiated monk. It is curved and its sheath is decorated with a tuft of lion's mane (a signal of the Galenii order's close connection to the Odonii order). Most of its uses are ceremonial, but it will be periodically used to perform animal sacrifices. A smaller razor blade is kept in the home for personal bloodletting.

-Hair: Fully initiated monks shave their heads, while those in the process of initiation have relative freedom with hair dressing. Palo is wearing his hair in a single braid tucked around the front. Broadly speaking, braiding the hair is associated with female beauty standards throughout much of Imperial Wardin (though generally in two braids). There is no cultural convention Against men doing so, but it is regarded as mildly effeminate (particularly in the south and southeast).

-Lore Friendly Sunglasses: Palo has photosensitive epilepsy. No effective treatments for epilepsy exist in the setting (most 'treatments' in Imperial Wardin are alchemical in nature, ie: ambiguously helpful at best or literal poison at worst), but understanding of the Nature of epilepsy as a neurological disorder is relatively accurate, and the concept of photosensitivity is loosely understood (though not with great accuracy, it's assumed to be caused by light in General). Palo had this pair of (VERY expensive) sunglasses commissioned as a youth, which Do slightly reduce the frequency of his seizures. Devastatingly stylish as they may be, his glasses do not offer much visual clarity so he only wears them in bright conditions.

[maybe-boys-do-love]

Scams, Fakes, Performance, & Belief

Peaceful Property: On Sale, ep. 4

This week's episode was filled with fakes: online order scams, magicians, compromised democratic processes, and a fake ghost. What reasons do we have to believe in anything? Everything is just an attempt to pull the wool over our eyes while the rugs get pulled out from under us so others can make a quick buck and protect their own hide. Who wants to be fooled by all the shams?

Pangpang does. Jan Ployshompoo has been fantastic in this role, and she got to devour this episode. Jan specializes in a 'camp' performance style that's easy to undervalue. 'Camp' acting involves overacting the characters and emotions, and lesser actors often approach it with self-awareness and cynicism. Jan understands my favorite note on camp that Susan Sontag wrote.

“56. Camp taste is a kind of love, love for human nature. It relishes, rather than judges, the little triumphs and awkward intensities of “character.” . . . Camp taste identifies with what it is enjoying. People who share this sensibility are not laughing at the thing they label as “a camp,” they’re enjoying it. Camp is a tender feeling.”

The tender affection in Jan's 'camp' hits the themes of this episode home (no pun intended) because she infuses compassion for her over-the-top characters. They get to have range and reasons for their shallowness.

Pangpang's manic overperformance as a social-media influencer has been all about naively buying into every gimmick for herself and from others. Home, probably from his own similarities, points out to Peach how she's doing this as a form of compensation. All along she needed to believe in something because she needed to believe in her brother, to believe when no one else would in his debilitating fear and grief. She didn't need evidence to believe he saw ghosts as he said. She needed to believe she could be there for him even if she didn't know how. Pangpang chooses enchantment because staying true to her brother and her own feelings of loss over their parents are more important than being the winner of some existential argument.

The problem of deception lies at the heart of performance, and I often have a sense that performers and production crews invest a little more when they have to address it (Foei Patara who played Chobkol GAVE!). They have to prove that there is value and truth in the make-believe and assisting people in doing it. For a while, they need their audience to return to the magic of childhood so that they'll clap to show they believe in fairies when Tinkerbell's light begins to fade.

I loved how Peaceful Property symbolized this return to innocence as an egg, a kind of spiritual rebirth. If we want to believe in the magic of fantasy (Kan), the potential in ourselves (Peach), and the value of others (Home), we have to let go of our guarded cynicism. It won't eliminate the harsher truths of reality. They'll arrive one way or another. But we don't need to be the person who crushes our own dreams or who crush others' dreams just because we're scared of being vulnerable. We need to be people like Pangpang who want to believe and help others on their journey to believing good things are possible.

[dykedvonte]

Can you talk about trans!Curly a little bit more? I'm curios if you have any headcanons and the like

-💀

It's just such a thing in my mind because it adds a truthful sadness and differing aspect to mouthwashing.

If Curly was trans it adds the horror of the horribly selfish thought he could have easily been in Anya's situation. It could've been him but it wasn't and he so conflicted on the pit it put in his stomach that brings and the shameful relief it wasn't. In this scenario he is friends with Jimmy for a long time still. Jimmy likely knew him pretransition. Maybe he gave Curly weird looks then, maybe they never stopped after, maybe they seemed meaner. They are guys now, bros, both of them are. He doesn't really have to worry what those looks mean anymore, Jimmy just has that face with him sometimes. It's recontextualizing a lot of things for him that he was in denial about or too ashamed to admit. How naive he was being and how he let that get another person hurt.

Specifically with Anya, it's he knows the dread and fear she's feeling. He can understand it because he had to live with it for a good portion of his life, he knows it cause he still does, just in a slightly different way. It makes him think of all the times he's been alone with Jimmy, all the times he's been way more drunk off his ass and not remember the night, Jimmy was always with him the next day. Makes him think of the comments he would laugh off both because that's what guys do but because that part of being a girl says to laugh so Jimmy doesn't do something. It's the selfish realization that he was never safe and he's uncertain now too. Mad at himself for forgeting that feeling, espcially since for a long time he would've been considered the only woman on a crew (with all that implies) for a long time.

He should've taken those blinders off, step back into that position for just a moment and it's so much more painful that Anya likely came to him because he should've gotten it. Those thoughts don't leave his mind after the crash when he's in an even more vulnerable position than she was...

[balleater]

braius being an oath of the ancients paladin brings up a very interesting dynamic going on with its tenets compared to the commandments of asmodeus

[elbiotipo]

Honestly the notes in that robot/clone poll is so weird. "Yeah I wouldn't care about being a robot after the initial shock" THE INITIAL SHOCK OF NOT BEING A BIOLOGICAL LIVING BEING????????????

[pinkinsect]

watching haikyuu after being in the blue lock pit for a while is so refreshing. like they're so normal

[peachphernalia]

guys No Way its kris deltarune .Real Life . also frisk and chara theyre there too i guess

i might change this design not sure how i feel about it

[nando161mando]

Ants and borders