#cinema de Portugal

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A Divina Comédia [The Divine Comedy] (Manoel De Oliveira, 1991)

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O Estranho Caso de Angélica. Manoel de Oliveira. 2010

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La peau douce / The Soft Skin François Truffaut. 1964

Restaurant R. Nova do Almada 81, 1200-288 Lisboa, Portugal See in map

See in imdb

Bonus: also in this location

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Antecipando o aproximar do aniversário deste grande evento português, partilho esta excelente lista feita pela @criticalroles para as vossas noites de cinema temáticas.

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View this post on Instagram

A post shared by Contos Sobre a Morte - Livro. (@contossobreamorte)

Conheça os nossos #Livros:

bit.ly/baixotubooks 

#ContosSobreAMorte

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Queer Porto 9: Conhecido programa completo com expressiva presença feminina

São 40 filmes que nos trazem as problemáticas levantadas pelas questões de discriminação de raça, etnia, identidade sexual e de género. Queer Porto 9: Conhecido programa completo com expressiva presença feminina 🎬��

O Queer Porto 9 regressa em 2023 ao renovado Batalha Centro de Cinema, entre os dias 10 e 14 de outubro. São 40 filmes que nos trazem as problemáticas levantadas pelas questões de discriminação de raça, etnia, identidade sexual e de género. A nova edição do Queer Porto procura fazer justiça a um olhar queer, não polarizado, um olhar além-fronteiras. É uma edição fortemente marcada pelo cinema…

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Manoel de Oliveira, Vale Abraão, 1993

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Bilheteira Online

Casa do Cinema de Coimbra inicia parceria com BOL para venda online de bilhetes A Casa do Cinema de Coimbra tem o prazer de anunciar uma nova parceria com a Bilheteira Online (BOL) para disponibilizar aos espectadores a compra antecipada de bilhetes pela Internet. Continue reading Bilheteira Online

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Bruno de Almeida, A Palestra, Guimarães, Portugal, 2012

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TugaTV - Canais IPTV e CCcam de Portugal.

Canais de Desporto, Cinema, Netflix, Exclusivos e XXX tudo na distancia de um click de streaming! Veja no telemovel, no pc ou na sua smarttv!... Visite: https://www.portugaliptv.shop/

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A Divina Comédia [The Divine Comedy] (Manoel De Oliveira, 1991)

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Mudar de Vida. Paulo Rocha. 1966

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No quarto da Vanda / In Vanda’s Room Pedro Costa. 2002

Cemetery Cemitério de Carnide, R. Rio Zêzere, 1600-755 Lisboa, Portugal See in map

See in imdb

Bonus: also in this location

[justforbooks]

Marisa Paredes

Spanish star of films by Pedro Almodóvar, Guillermo del Toro and Roberto Benigni, and a champion of leftwing causes

The actor Marisa Paredes, who has died suddenly aged 78, was renowned for her elegance and “calm grace, that gentle cheerfulness that she ignited with one look of her pale eyes”, in the words of Gilles Jacob, former president of the Cannes film festival. She is best known for her roles in six films directed by Pedro Almodóvar.

After seeing her in a play, Almodóvar cast her as Sor Estiércol (Sister Manure) in Entre Tinieblas (Dark Habits, 1983). Later, she starred in his surreal melodrama Tacones Lejanos (High Heels, 1991). For her performance as a writer of romantic novels in his slightly more sober La Flor de Mi Secreto (The Flower of My Secret, 1995), she was nominated for a Goya best actress award. She also featured in Almodóvar’s Oscar-winning Todo Sobre Mi Madre (All About My Mother, 1999).

She became one of Spanish cinema’s great figures, but was also outspoken throughout her life in support of leftwing causes. As president of Spain’s film academy from 2000 to 2003, she attacked the participation of José María Aznar’s Conservative government in the planned invasion of Iraq. Her televised speech at the annual Goya awards in 2003 helped mobilise mass demonstrations: “There is no need to be afraid of culture, entertainment or freedom of expression, and much less satire or humour. We should be afraid of ignorance and dogmatism. We should be afraid of war.”

In the 1980s Paredes built a solid reputation in Spanish cinema, working with up-and-coming young directors, such as Fernando Trueba in Ópera Prima (Debut, 1980), Jaime Chávarri, Jaime Rosales and Agustí Vilaronga in Tras el Cristal (In a Glass Cage, 1986). Her performance in Vilaronga’s macabre anti-Nazi film was her own favourite. For José Sacristán’s comedy Cara de Acelga (Like Death Warmed Up, 1987) she was nominated for a Goya as best supporting actress.

In the 90s, her leading parts in Almodóvar films broadened her career into international cinema. She worked with Alain Tanner in France, Manoel de Oliveira in Portugal and shot two films with the Mexican Arturo Ripstein: Pintura Carmesí (Deep Crimson, 1996) and El Coronel No Tiene Quien le Escriba (No One Writes to the Colonel, 1999), a successful adaptation of a Gabriel García Márquez novel. She was in the Italian Roberto Benigni’s La Vita è Bella (Life Is Beautiful, 1997) and Guillermo del Toro’s El Espinazo del Diablo (The Devil’s Backbone, 2001). Over her six-decade career, she acted in more than 70 films.

The youngest of four daughters, Marisa was born in Madrid, in the block of flats on Plaza de Santa Ana where her mother, Petra (nee Bartolomé), was the concierge. Her father, Lucio Paredes, worked in the El Águila beer factory. These were years of hunger after the civil war (1936-39) and her family was poor. From the age of six, she told her mother she wanted to be an actor: the Teatro Español, one of the city’s main theatres, just across the square from her home, inspired her. Reasonably, her parents opposed this insecure career: they aspired for her to become a secretary. Paredes was always proud of her working-class origins. “My elegance comes from my grandfather, who was a farm-worker,” she would say.

Focused on her ambition, she left school aged 11, defeated parental opposition to study at the Madrid dramatic arts school and pushed her way into small film roles at the age of 14. In 1962 she met Fernando Fernán-Gómez, anarchist and brilliant actor and director, who helped mould both her acting and her view of the world. She acted in his film El Mundo Sigue (The World Continues, 1965).

In the 60s and 70s she worked in many films without breaking through to leading roles. The story was different on Televisión Española, where she acted in around 80 plays, often dramatisations of novels. “I had the good fortune that, as I don’t look Spanish ... when television was cultured and broadcast plays, I was in all the dramas of Chekhov, Dostoevsky, Ibsen. I was the Russian soul,” Paredes explained. She was an all-round talent, acting not just in theatre and highbrow TV, but in musicals, comedies and even a spaghetti western.

With her height, aristocratic bearing and blond hair, Paredes was reminiscent of a classic Hollywood star. Yet she was not vain: she had a warm smile and generous nature, and had the enthralling gift of great screen actors of expressing emotion with a single look or grimace.

She won prizes for her theatre, television and film work, and an honorary Goya for her career in 2018.

Paredes supported #MeToo vigorously and campaigned in the July 2023 general election for Sumar, the junior leftwing partner in Spain’s coalition government. As recently as 30 November, she read the manifesto in a demonstration against Israel’s actions in Gaza. She understood her political commitment in no narrow terms: “Freedom, education and culture are fundamental to human life. This is what remains. Art is what remains.”

Paredes had a daughter, María, with the film director Antonio Isasi-Isasmendi in 1975. From 1980 until her death she lived with José María Prado, director for 27 years of the Filmoteca Española (Spain’s film institute). She did not believe in marriage.

Prado and María survive her.

🔔 Marisa (María Luisa) Paredes Bartolomé, actor, born 3 April 1946; died 17 December 2024

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O Lisbon Motorcycle Film Fest é um evento cultural de dimensão internacional, que durante três dias celebra no mais emblemático cinema de Portugal, o Cinema São Jorge, duas paixões: motos e filmes.

Destinado aos amantes das duas rodas e do cinema, desde 2016 que o Lisbon Motorcycle Film Fest, também conhecido por LxMFF, promove a criatividade proporcionando uma oportunidade única para os construtores e customizadores de motos, pilotos, artistas, realizadores e atores, mostrarem a sua arte, a sua paixão pelas motos.

Além da exibição dos filmes, o programa é composto por diversas ações, tais como Talks com convidados nacionais e internacionais, exposição de motos, Night Ride pelas mais belas ruas da cidade de Lisboa e pela transmissão em direto da prova rainha do MotoGP, no grande ecrã do Cinema São Jorge.

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Festival Política regressa a Braga em 2024 com estreia do filme "Onde está o Zeca?"

"A liberdade nunca pode ser um espaço que desumaniza, porque se assim for perdemos tudo." Festival Política regressa a Braga em 2024 com estreia do filme "Onde está o Zeca?" de Tiago Pereira

Pormenor do cartaz do filme Onde Está O Zeca? para o Festival Polícia Braga (2024) O Festival Política está de regresso a Braga, entre os dias 2 e 4 de maio de 2024, no Centro de Juventude, trazendo como tema central “Intervenção”. Este ano, a programação inclui 23 atividades variadas, destacando-se a estreia nacional do documentário “Onde Está O Zeca?”, uma obra de Tiago Pereira, em colaboração…