#christianmarclay
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Starting out with a brief of Radius, our peer group decided to go to the train station. I used the image of the radius brief and added a emotional sky, I feel the train station is a place where lots of different emotions happen for different people.
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Christian Marclay, 'Doors'. 2022.
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Christian Marclay’s multifaceted work at Centre Pompidou, Paris. Last days of this amazing exhibition. Altered records, CDS, vinyls, album covers that have been collaged and sewn together, distorted musical instruments, painting and many amazing video works. The American Artist us different media to explore the associations between sound and visual! #christianmarclay #marclay #centrepompidou #art #popart #multimedia #vinyl #covers #cd #contemporaryart #artist #modernart #records #rock #artwork #davidbowie #colors #guitar #recordsleeve #rockartfashion #exposition #paris (à Centre Pompidou) https://www.instagram.com/p/Co5idlrN5lx/?igshid=NGJjMDIxMWI=
#christianmarclay#marclay#centrepompidou#art#popart#multimedia#vinyl#covers#cd#contemporaryart#artist#modernart#records#rock#artwork#davidbowie#colors#guitar#recordsleeve#rockartfashion#exposition#paris
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Silent (Music Box), Christian Marclay, 2005, Brooklyn Museum: Contemporary Art
Pine box with music box mechanism Size: Closed: 2 3/4 x 5 x 3 1/2 in. (7 x 12.7 x 8.9 cm) Medium: Pine, metal
https://www.brooklynmuseum.org/opencollection/objects/218224
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More Encores, Christian Marclay, 1989, MoMA: Drawings and Prints
Committee on Prints and Illustrated Books Fund Size: dimensions vary Medium: 10-inch vinyl record
http://www.moma.org/collection/works/184038
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Get it while it’s hot! Alan Licht’s 592-page interview compendium ‘Common Tones’ is new from @blankforms_ (and probably going to sell out fast)! For the past 30 years, Licht has been a performer, programmer and chronicler of NYC’s art and music scenes. His dry wit, deep erudition and unique perspective—informed by decades of experience as a touring and recording guitarist in the worlds of experimental music and underground rock—have distinguished him as the go-to writer for profiles of adventurous artists across genres. A precocious scholar and improvisor, by the time he graduated from Vassar College in 1990 Licht had already authored important articles on minimalist composers La Monte Young, Tony Conrad and Charlemagne Palestine, and recorded with luminaries such as Rashied Ali and Thurston Moore. In 1999 he became a regular contributor to @thewiremagazine while continuing to publish in periodicals ranging from the artworld glossies to underground fanzines. Common Tones gathers a selection of never-before-published interviews, many conducted during the writing of Licht’s groundbreaking profiles, alongside extended versions of his celebrated conversations with artists, previously untranscribed public exchanges and new dialogues. Even Lou Reed, a notoriously difficult interviewee, was impressed. Interviews with Vito Acconci, ANOHNI, Cory Arcangel, Matthew Barney, Glenn Branca, Rhys Chatham, Tony Conrad, the Dream Syndicate’s Karl Precoda, Richard Foreman, Henry Flynt, Milford Graves, Adris Hoyos, Ken Jacobs, Jutta Koether, Christian Marclay, Phill Niblock, Alessandra Novaga, Tony Oursler, Lou Reed, Kelly Reichardt, The Sea and Cake, Suicide, Michael Snow, Greg Tate, Tom Verlaine, Rudy Wurlitzer and Yo La Tengo’s Georgia Hubley & Ira Kaplan. @irvifran #alanlicht #commontones #michaelsnow @avantgroidd #tonyconrad #henryflynt @therealylt #karlprecoda @officialalanvega #christianmarclay @loureedofficial #tomverlaine @tonyoursler @theseaandcake #matthewbarney @arcangelsurfware #kenjacobs #juttakoether @anohni #richardforeman #glennbranca @rhysrhythmchatham #phillniblock #rudywurlitzer #kellyreichardt @alessandra_novaga #adrishoyos #milfordgraves https://www.instagram.com/p/CSMYJHVM1LP/?utm_medium=tumblr
#alanlicht#commontones#michaelsnow#tonyconrad#henryflynt#karlprecoda#christianmarclay#tomverlaine#matthewbarney#kenjacobs#juttakoether#richardforeman#glennbranca#phillniblock#rudywurlitzer#kellyreichardt#adrishoyos#milfordgraves
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Christian Marclay playing his Phonoguitar in New York, 1983.
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Christian Marclay - Green Plop on Yellow (2014)
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Multimedia artist #christianmarclay exhibition @centrepompidou 👍🏻 (presso Centre Pompidou) https://www.instagram.com/p/CmAJjtMra5S0CdCRsFZ_meChlYbLdo92sO07t80/?igshid=NGJjMDIxMWI=
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Christian MARCLAY . #centrepompidou #christianmarclay #christianmarclayexhibition #christianmarclayistheartist #musique #disque #ɪɴsᴛᴀᴘɪᴄ #photoofthedays #parismaville (à Centre Pompidou) https://www.instagram.com/p/Cl8pha0qZHz/?igshid=NGJjMDIxMWI=
#centrepompidou#christianmarclay#christianmarclayexhibition#christianmarclayistheartist#musique#disque#ɪɴsᴛᴀᴘɪᴄ#photoofthedays#parismaville
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Christian Marclay “Scream (Tongue)” @marcianoartfoundation #christianmarclay #popuppainting #comicart (at Maurice and Paul Marciano Art Foundation) https://www.instagram.com/p/BrHlA6ElmE_/?utm_source=ig_tumblr_share&igshid=1e2qtdu6w9zn2
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“ʀʀᴍʀʀʀᴍᴍᴍʀʀᴍ” ᴄʜʀɪꜱᴛɪᴀɴ ᴍᴀʀᴄʟᴀʏ #translating #christianmarclay #naomiosaka #kotobukishiriagari #kazuyosejima #shuntarotanikawa #pattismith #ichiroyamaguchi #reikawakubo #stormzy #switch #carharttwip #supreme #daidomoriyama #commedesgarcons #photography #kaws #futura2000 #fragmentdesign #hiroshifujiwara #virgilabloh #nigo #louisvuitton #iphonephotography #hypebeast #highsnobiety #doverstreetmarketginza #unprecedent #sidelinetokyo #jamfromwkym “ᴄᴏᴍᴍᴇ ᴅᴇꜱ ɢᴀʀᴄᴏɴꜱ ꜱʜɪʀᴛ” (Dover Street Market Ginza) https://www.instagram.com/p/CfCGUPwhQHS/?igshid=NGJjMDIxMWI=
#translating#christianmarclay#naomiosaka#kotobukishiriagari#kazuyosejima#shuntarotanikawa#pattismith#ichiroyamaguchi#reikawakubo#stormzy#switch#carharttwip#supreme#daidomoriyama#commedesgarcons#photography#kaws#futura2000#fragmentdesign#hiroshifujiwara#virgilabloh#nigo#louisvuitton#iphonephotography#hypebeast#highsnobiety#doverstreetmarketginza#unprecedent#sidelinetokyo#jamfromwkym
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Memento (Lag Wagon), Christian Marclay, 2008, Brooklyn Museum: Contemporary Art
Christian Marclay. Courtesy of the artist, Graphicstudio/USF and Paula Cooper Gallery, New York. Photograph: Will Lytch Size: Sheet: 51 1/2 x 99 in. (130.8 x 251.5 cm) Frame: 55 x 102 1/2 in. (139.7 x 260.4 cm) Medium: Cyanotype
https://www.brooklynmuseum.org/opencollection/objects/186420
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Graffiti Composition, Christian Marclay, 2002, MoMA: Drawings and Prints
Donald B. Marron Fund Size: sheet (each): 13 x 8 7/16" (33 x 21.5 cm) Medium: Portfolio of 150 digital prints
http://www.moma.org/collection/works/87778
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#1YearAgo: MCIAA > 57th Venice Art Biennale Diaries #5 - preview days 10-11-12 May, 2017 - My Cat Is An Alien opening @xavier_veilhan's #StudioVenezia project, French Pavilion; co-curated by @lionelbovier and #ChristianMarclay Live footage courtesy @cobosocial #VeniceArtBiennale #VivaArteViva #MyCatIsAnAlien #MCIAA #MaurizioOpalio #RobertoOpalio #XavierVeilhan #FrenchPavilion #recordingsessions #liveperformance #contemporaryart #experimentalmusic
#maurizioopalio#recordingsessions#christianmarclay#studiovenezia#frenchpavilion#contemporaryart#experimentalmusic#mciaa#veniceartbiennale#xavierveilhan#5#mycatisanalien#vivaarteviva#robertoopalio#liveperformance#1yearago
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