#chloé thomas

[nenan]

Chloé Thomas for Pour Toi Magazine

[promisesbutnevertokeep]

Thomas loves to play with and style book newts hair.

he would so get like little hair clips and make his hair so cutesy. he tries so so so hard to make newt happy and impressed. lowkey spends hours mastering any braid for his boyfriends beautiful long hair.

[camelots-rose]

The fact Gabriel a child abuser, that took part in a murder(Shanghai special), almost murdered an entire family small children included(Senti bubbler), threatened to start World War 3 (new york) and has been terrorizing Paris for over a year not only gets a statute and hailed as a hero but has all of his crimes buried by one of the heroes meanwhile Chloe a child that has done far less than him and whom worse actions(Miracle Queen, Queen Mayor, ect) were the result of being frequently manipulated by Gabriel, not only gets treated like the devil incarnated but is sent off to live with her abuser as a 'just' punishment is quite frankly disturbing

[marcmarcmomarc]

(I wanted to post this in the form of a video with GamingMagic13’s style of editing, but I don’t have the energy for that.)*

People say Chloé’s redeeming qualities only started to show through during Seasons 2 and 3 because Thomas had no involvement in the production of those two seasons as if he wasn’t on the writing team on every episode for those two seasons.

The consensus shouldn’t be, “Thomas went away so the other writers started a redemption arc which Thomas ruined when he came back”. It should be, “Thomas and the other writers spent two seasons tricking people into feeling bad for Chloé by revealing that she was more than just a one-dimensional mean girl, and then yanked the rug out from under them just for the sake of yanking the rug out from under people”.

Thomas, your target audience is literal children. I don’t think subverting their expectations is that much of an achievement to brag about.

Also, does anyone else think that, if people weren’t so antagonistically vocal about Miracle Queen and didn’t harass Thomas over it and the “We thought she was redeemable” tweet, then Chloé wouldn’t have gotten worse and worse as Seasons 4 and 5 went on?

Considering the fact that, after Season 3 ended in Fall 2019, the show went on a hiatus that was forced to be even longer due to the COVID pandemic with only the New York special to keep us company in September before finally returning in Spring 2021, the crew had plenty of time to rework the scripts to worsen Chloé.

I would say this applies to Lila, too, but it’s not like feeling bad for her was ever a common fandom talking point and the only thing about her that could have qualified as a redeeming quality that could have gone somewhere (that she lies for attention that she can’t get at home because her mom is out working for most of the day, which only briefly comes back at the beginning of Oni-Chan) is now irrelevant (now that she has multiple moms and identities) because this show has proven how much it loves its retcons and has done nothing to convince me it’s not misogynistic, not even the half-a**ed attempts at redeeming Nathalie and Sabrina after four seasons of them making Bayonetta faces. I know I’m of the “better late than never” opinion, but that mindset can only go so far until “too little, too late” kicks in.

*When talking about the GM13’s editing style, I’m referring to the one he’s been using since the Top 20 Worst Movies video, as in, the topic he is currently talking about will contain clips from the franchise the current topic is discussing.

Talking about Toy Story? Clips from the Toy Story saga.

Talking about The Incredibles? Clips from the Incredibles duology.

Talking about Cars? Clips from the Cars trilogy.

Talking about The Owl House? Clips from The Owl House.

Practice with this.

[lgbtqmovierecs]

LGBTQ Series of the Day:

Heartbreak High

Description:

After a detailed diagram of which students have been sexually involved is discovered graffitied on the wall of the school, all of the students whose names were on it are forced to attend a new sexual education course. The map’s creator, Amerie Wadia, becomes a social outcast after taking the fall for its co-author, Harper McLean, who has stopped talking to her following a tragedy at a music festival they attended.

Name: Heartbreak High

Genre: Drama

Age Rating: 15

Release Date: 2022-2025

Relationships: NBLM (Subplot) MLM (Subplot) WLW (Subplot)

Representation: Bisexual, Queer, Non-binary, Asexual, Lesbian, Demisexual

Episodes: 16

Running Time: 45-52 minutes

Country of Origin: Australia

Language: English

Starring: Ayesha Madon, Thomas Weatherall, Bryn Chapman Parish, Asher Yasbincek, James Majoos, Chloé Hayden, Will McDonald, Gemma Chua-Tran, Sherry-Lee Watson, Josh Heuston, Brodie Townsend, Chika Ikogwe, Scott Major, Rachel House, Sam Rechner

[lemondedelamode]

Sienna Miller by Sean Thomas for How To Spend It Aug'24

[blackcatsandlockets]

Jewish Nathaniel Kurtzberg headcanons

It is canon that Nathaniel is Jewish, evident in his surname and absence from the Christmas special. However because "religion is a secular matter and cannot be portrayed in a children's TV show" (🙄), Nathaniel's heritage won't be represented in any of the episodes, so I'll be writing these headcanons.

Nathaniel (like Marinette, Adrien, and their classmates) was born between late 2000 and mid-2001.

The law on religious display in public schools (la loi sur les signes religieux dans les écoles publiques) was signed on March 15, 2004.

The law on face-coverings in public (la loi interdisant la dissimulation du visage dans l'espace public) was passed by the Senate on September 14, 2010.

TW for references of antisemitism and Islamophobia

Nathaniel's great-grandparents were German Jews who fled to France shortly before World War II

his family is not Orthodox but they are religious, they go to synagogue, celebrate the holidays, follow kosher, etc.

Nathaniel has always been a shy, quiet kid but his parents raised him to be assertive and to question authority if necessary

the first time Nathaniel realizes he is different is when he is three years old and starts preschool, during lunch he can't eat what the other children are eating in case the food is not kosher

his parents contact the preschool, who refuse to provide a kosher/pork-free option or let Nathaniel pack his own lunch, they compromise to let him go home for lunch instead

December rolls around, and the other children are excited about Christmas, except for Nathaniel, who is excited about Hanukkah but can't help but feel a bit left out

at six years old, another boy in his class starts running his hands through Nathaniel's hair out of the blue, "I heard that your people have horns, where are yours"

at eight years old, a girl in his class sees the gold Star of David necklace that Nathaniel always wears and starts bombarding him with questions

Nathaniel knows that she has no bad intentions but can't help feeling a bit uncomfortable and othered

at nine years old, during a class debate on the hijab ban, another boy says how anyone who wears their religious symbols are not truly French and should go back to where they came from, leaving Nathaniel flushing with shame and anger

at eleven years old, he begins attending Collège Françoise Dupont

on his first day of middle school, Principal Damoclés makes him remove his Star of David necklace

he is afraid but looks the principal straight in the eye and refuses, "this is my religion and my identity," he says, his heart pounding and his voice shaking

after a few more resists, Principal Damoclés suspends him

when he goes home to his confused parents, Nathaniel breaks down in tears as he explains Principal Damoclés suspending him on his first day of middle school for his necklace

his furious parents storm over to the school to confront the principal, demanding he allow their son back to school immediately and for him to wear the symbol of his religious pride

Principal Damoclés lets him back the next day but Nathaniel never wears his necklace to school again, only at home and in non-school settings

the day he returns to school, fellow classmate Alix Kubdel approaches him

Alix explains her family heritage: her family is of Algerian origin and Muslim, and while she can pass as white, her parents and brother have faced racism, Alix's mother have even had her hijab ripped off by an old white man on public transit and no one defended her

Nathaniel knows that he, as a white-presenting boy, cannot relate to the experiences of Alix or her mother, but appreciates having a friend who understands

he invited Alix to his bar mitzvah

he loves learning about the Holocaust, it is painful but his ancestors' strength and resilience make him proud, he can't stand how all of his classmates seem to stare at him during class whenever it comes up

in his third year, he is placed in Miss Bustier's class with Marinette Dupain-Cheng, Chloé Bourgeois, Sabrina Raincomprix, Rose Lavillant, Juleka Couffaine, Lê Chiến Kim and Max Kanté

when he arrives at school one morning he sees a swastika drawn in permanent marker on his desk, drawn by Chloé "Can't he make sushi like everyone else" Bourgeois

he reports it to a furious Miss Bustier, who sends Chloé to Principal Damoclés, who lets her off with a mere warning, which infuriates Nathaniel and his parents

as much as he wants to stay home from school the next day, Nathaniel is determined to not let Chloé win and shows up at school the next day

a sneering Chloé comes up to him, but before Chloé could open her mouth, fellow classmate Marinette Dupain-Cheng spoke up

"you suck, Chloé." Marinette glares at the blonde. "you speak of him as if he is below you, but he's got more nerve in his finger than your entire body"

Rose and Juleka join in, "Leave him alone, Chloé" "go pick on someone your own size, someone with an overinflated head like you"

Chloé started bullying Marinette

meanwhile, Nathaniel starts to fall for Marinette and becomes closer to Rose and Juleka

in the middle of his fourth and final year, he gets over his crush on Marinette/Ladybug and instead starts falling for Marc Anciel, with whom he works on their Ladybug comics

he confides his feelings for Marc to Alix

"you might be bi or pan," Alix, who is aromantic and an expert in LGBT terminology, explains to him

he first comes out as bisexual to Alix, who is nothing but incredibly supportive and proud of her best friend

Rose and Juleka (canon girlfriends!) are the next to know, and he grows closer to the girls than ever

Nathaniel is hesitant to come out to his parents, however: he feels like he is betraying the Jewish identity his parents instilled in him since childhood by coming out to them

he begins to research queer Jewish identity on the Internet and hears stories of others from all across the globe, who are queer, Jewish and proud

Nathaniel eventually asks out Marc, who agrees to be his boyfriend and he is happier than ever

Marc isn't Jewish but is more than happy to learn about Jewish culture and to fight anyone who dares to say anything antisemitic, whether about Nathaniel or not

since he started dating Marc, Nathaniel gains the courage to come out to his parents, who immediately accept him, much to his pleasant surprise

"you are our son, and our religion accepts everyone," his father says

"love is love, and if this boy Marc makes you happy, that's all that matters," his mother says

he gets into the same design school as Marc and Marinette for high school

in his first year of high school, he and Marc finally publish their Ladybug comics, which quickly become successful

towards his final years of high school, he begins studying for the baccalauréat while continuing his relationship with Marc and their comics and applying for his birthright trip

on his final year of high school, he passes the bac littéraire along with Marc and Marinette, and the three reunite with their middle school friends to celebrate

soon after graduating high school, he leaves for birthright (Alix cried buckets of tears at the airport)

the trip is the best ten days of his life, Nathaniel feels at home as he connects with other French Jews and Jews from across the globe and visits the cultural sites

shortly after his return to France, Nathaniel invites Marc to the Seine, where he gets down on one knee, much to the latter's delight (they both cry tears of joy that night)

his and Marc's wedding was the most beautiful day ever, they have a traditional Jewish wedding filled with ketubah, chuppah, glass breaking, joy, light and love

[luegootravez]

Chloé Coutau by © Jared Thomas Kocka

[generalluxun]

Every reason thats been given for why we should have known thar Chloe's redemption was a red herring is more applicable to Felix.

Seems Likely. I just 🤷‍♀️ at this point. Thomas doesn't understand child development at all, or he doesn't understand writing at all. Take your pick.

[phoinexboi]

Me after Thomas made that supposed "joke" about Chloé's plane crashing

[majormeilani]

i'm ultimately fine with like how they had a reverse style episode for ml where Marinette and adrien were 'bad guys' in some mirror universe but i still don't understand why if GABRIEL AGRESTE got to be the good guy but apparently chloé's still evil i guess like whatever but that makes no fuckin sense

[promisesbutnevertokeep]

Twelve days of newtmas 2024- Day 1

Should’ve worn a bloody scarf. masterlist

Trigger warnings: Mentions of illness, light amounts of swearing.

this was an idea by @jocollins so thank you!

Tag-list: @elliebellie-isthebest @griffinclawforlife @jocollins

“Fucking hell tommy.” Newt sighed when he hung up the phone call with Frypan.

Thomas, Frypan and Minho thought it’d be a great idea to go out in the freezing cold weather “it’s snowing we can’t miss the opportunity!” they said. newt had hopelessly tried to make them Wear warm clothes, unfortunately, only Frypan took heed of his wisdom.

now, Thomas was coming down with a cold in Frypan’s flat, and newt had to pick up the pieces.

it took ten minutes for him to drive to the flat, and when the door was opened, he could basically sense Thomas’ whining. The blonde walked in, apologetically looking at Frypan “I’ll get him out of your space soon, sorry.”

He walked over to Thomas, his love laid sprawled out with blankets near suffocating him, yet he still shivered “C’mon Tommy, home.” Thomas was about to refuse, complain and say he was too tired, but when Newt was looking at him with his disappointment frown, there was no room for question.

Newt had several different facial expressions that if misread, could be a disaster. He had the ‘thinking frown’ which made his eyebrows furrow and his hands often wandered to prop his chin up, his “sad frown” involved a slight downward turn of the mouth, and the ‘disappointment frown’ which was distinguishable by a silence and slight glare that made Thomas shudder. and that’s only to name a few.

Thomas propped himself up, walking so slowly it would make a snail look like it was sprinting. Newt got him to the car and they sat in complete silence. It wasn’t a comfortable silence. Thomas was itching to break it but he didn’t want a lecture, he’d rather die than hear Newt be disappointed in him.

And oh how disappointed he was.

“You should’ve listened Tommy. I told you to wear the bloody scarf and you didn’t. look where that’s got you. Now, when we get home, you’re gonna change into some comfy clothes, you’re gonna lay under the blankets and you’re gonna lay with Bubbles. I’ll get you some food, you’re resting until I see you’re well again. Understand me?” Newt didn’t look at Thomas once, looking dead ahead at the road.

Thomas mumbled a quiet yes, head hung in shame. He didn’t like upsetting Newt.

They arrived home, bubbles greeting them at the door with a happy meow and jump up onto the counter. The second she sensed Thomas’ illness she licked his hand, making sure he was okay. She laid down with him in an attempt to keep him warm.

After getting Thomas some soup, newt laid down next to him as he finished it all. He could tell that Thomas was upset with himself, thinking he’d annoyed newt. “I’m not angry at you Tommy,” he reassured “ just remember a scarf next time yeah?” he pressed a gentle kiss to his temple.

Thomas was half asleep, snuggled into Newt’s side. One incoherent mumble of agreement later and he was out like a light.

The brunette always remembered to wear a scarf afterwards.

woo! Happy first day of the twelve days of Newtmas!

this one’s a short one but I hope y’all enjoy.

[nerdy-chocomallow]

I always feel like Zoé should’ve been like a few months or year older than Chloé, while still being in the same grade and age range. I think it just more sense to me.

Zoe’s age would have made more sense if they said Chloe was one years older than the rest of the class.

They could say that Chloe was held back a year, because she still didn’t have Sabrina to do her homework, or Andre only put her on school a year later because he didn’t want to stress Chloe while Audrey was in New York or something.

Like, neither alternatives make sense, but, they are better paths than what they did in canon.

Like, they have different fathers and are the same age, when suddenly Chloe and Mendeleive’s class is retconned into being one year younger.

[lemondedelamode]

Sienna Miller by Sean Thomas for How To Spend It Aug'24

[lc-holy]

Conférence Masterclass 808 (Translation)

I've taken the liberty of translating the conference that took place last year with the writing director of Miraculous (Sébastien Thibaudeau). It was only made public when someone posted a video of the conference a short while ago.

In this conference, Sébastien Thibaudeau will talk about the creation of Miraculous and his work on the series. He is joined by Chloé Paye, a new scriptwriter working on Miraculous season 6.

Sébastien talks a lot and repeats himself a bit, so the summary can be a bit confusing.

I strongly advise you to go and listen to the video if you understand French. There are a lot of details I'm going to leave out, and Sébastien is very funny.

Photo belongs to mlbfanfr on twitter.

Please be respectful in comments or tags. If you want to debate on things related to this conference, please make your own post. I apologize if there are any mistakes, I'm French and I'm not fluent in English.

-12 years ago, Sébastien arrived at Zagtoon, a studio that was just starting out and had yet to produce and broadcast any series. The producer (Jérémy Zag) and Sébastien hit it off and decided to start working together. Zag decides to give Sébastien total freedom over his projects. Sébastien then decides to put the spotlight on scriptwriters, because in this profession they are unfortunately poorly paid and never stay on the same projects.

So they produced a cartoon called Kobushi. A little-known series that did rather well, even if it didn't stay on the "Gulli" channel for long. The scriptwriters and producer were happy with the end result, as it was produced in a very short time.

Jeremy Zag then proposed another project, which he thought was quite good, but which he was unable to sell to broadcasters. At the time, the project was called "Ladybug". No one was interested, as the project was aimed more at an adult audience than a children's audience. Sébastien had to make sure that the project could be broadcast on Disney and TF1.

There was only a "trailer" also called "Ladybug" (but you'll find the video under the title Ladybug PV) animated by Toei animation. At the time, Sébastien had not yet been hired by Zagtoon. It was Jérémy Zag who convinced Toei animation to work with them (no mean feat, since Toei animation doesn't work with anyone).

So Sébastien started working with Thomas Astruc (the man who wrote and created the "Ladybug" project). At first, he didn't want to work on this project because he found it complicated. Thomas wanted to make a series for adults, but at the time, it was very complicated to make a cartoon for adults. What's more, they didn't have enough money to take on such a project. Sébastien finally agreed, but there were some changes to be made, which Thomas accepted.

-What Sébastien appreciated most in this project was the romantic comedy, the love square between the two main characters.

To meet the requirements of the cartoon industry, "Ladybug" had to be set in a neutral universe, in other words, in an imaginary country or the USA, but Zag, who loves Paris, declared that the cartoon had to be set in Paris.

In the end, Thomas Astruc's entire project was discarded, leaving only the love story between the two heroes and the city of Paris, where the story was to take place.

------------------------------------------------------------------------------

-Sébastien explains how he writes Marinette's first dialogues: He says he talks a lot in real life, so he writes Marinette like him. She says out loud whatever she's thinking.

For Chat noir, he makes him tell his father's jokes. Something TF1 doesn't accept. The TV channel went so far as to refuse to validate the Bible (a collection of information on the series and episodes) until it had removed the sentence: “Chat noir makes jokes”. Sebastien has therefore removed the sentence, but will continue to make Chat noir tell jokes.

-The writing director's job is to get the producer, creator and broadcaster to agree. The series broadcast on TF1 and Disney are very different. TF1 wants series whose story can be told in a single episode, unlike Disney, which wants series whose story spans several episodes.

Sébastien and TF1 agree that Miraculous will be a series with one story per episode, a "Formula Show".

He cites the example of Dora the Explorer episodes, where every episode is the same: Dora goes on an adventure from point A to point B, she has to find 3 clues, then she meets Swiper, she sings a song to make Swiper go away, she uses the talking map to get from one place to another, then Dora manages to get to point B and the episode ends.

This episode format is used for children, to give them a reassuring framework, as they build themselves up through repetition. That's why series like Dora work so well with young children.

So Sebastien sold the Miraculous series to broadcasters as a formula show. A person gets angry, is akumatized, then marinette transforms into Ladybug then frees the person from the akumatization and… The End.

It's also for this reason that Marinette tries to confess her love for Adrien in every episode, but is unable to do so.

But he tried to go against what he had planned with TF1, by slipping little extra stories into certain episodes. Audiences were receptive to these slightly hidden stories. The TV channel even asked Sébastien if there really were hidden things in the series, but he denied everything. Thanks to the positive reception from the public, TF1 agreed to develop the characters of Marinette and Adrien and flesh out the universe a little more.

------------------------------------------------------------------------------

-Once the bible is written, they have to write a script. But first Sébastien, as writing director, needs to know the mood of the series, and to do this he calls on Thomas Astruc, the series creator. Thomas is a great fan of classical painting. A single painting can tell a complex scene with lots of detail. He wants the episodes of miraculous to be like these paintings, there will be very few shots, but in a single shot a lot will happen.

-Sébastien explains that one of the things Thomas wanted to convey in the series was emotion. They didn't want to do what a lot of children's cartoons do, which is to beat the bad guys and win at the end of the episode. They wanted to tell kids that it's normal to have negative emotions. We can also become better people, learn from our mistakes and so on. It also reassures TV channels by setting up scenes that are repeated in every episode: people get angry, people akumatize then people deakumatize, end of episode...

Once the TV channels had been reassured, they set about writing a script.

-Sébastien asks Thomas to write the ending, as they're not sure the series will work. They also wondered what the aim of the series was, and what they wanted to say to the children. The two of them sat down in an office and wrote the ending, which turned out to be just the end of an arc. He even adds that now that they've written a lot more, it's important for them to write in advance so that everything is clear to them.

-The first season was written by 19 authors, from home. He found it interesting that the series was written by several different authors, even if some of them didn't quite understand the premise of the series. One episode that Sébastien particularly appreciated was written by two “autrices” (I think it's weird to say “two female authors”, so I'll use the French word): the refletkta episode, with the story of Juleka who couldn't get into the photos. (Note that all the episodes were proofread by Sébastien and Thomas).

After that, they kept a few people on to work together on the scripts for subsequent seasons.

Sébastien explains that he keeps a close eye on the production of the episodes, to make sure that everything that goes into the picture is as faithful as possible to what they've written in the script.

------------------------------------------------------------------------------

-The kwamis exist thanks to Toei, who wanted funny little animals to sell plush toys. So the scriptwriters had to find a way to integrate kwamis into the story.

-(Again, Sébastien advises people to check out the Kobushi series if they can still watch it somewhere, or ask the leaker who leaked the whole of season 5 to give them the episodes (that's a joke, of course)).

-Sébastien talks about the Ikari gozen episode, which could have been a total failure because the storyboarder didn't fully understand the scenario. Sébastien asks Zag to redo the storyboard, which will add 10 weeks to the episode's deadline. The storyboarder admits that he's always done storyboards mechanically, without worrying whether the episode is good or not, whether the jokes are funny or not. Eventually, the episode was redone by the same storyboarder, resulting in the episode we all know today.

- They still have a lot to tell with Miraculous, to the point where they're wondering if they'll have enough seasons to tell everything they want to tell. Sebastien says there will be a season 6 and 7, and probably a season 8 and 9.

------------------------------------------------------------------------------

- Chloé Paye met Sébastien when she was looking for an internship. She had never worked in animation, and knew nothing about Miraculous. She tells us how the scriptwriting team works. Each time, all the scriptwriters in the room have to be convinced of the script. They can sometimes spend hours on details to get everyone to agree.

------------------------------------------------------------------------------

- The driving force behind the series is that there must always be a secret between Marinette and Adrien. The lovesquare can never be broken, otherwise there's no series. Sébastien knows that some people are worried about this. Will they continue the lovesquare for another 4 seasons or more? How will they evolve? Sébastien says not to worry, they know where they want to go.

-It takes them 14 to 16 months to produce an episode, but it's often much longer due to unforeseen circumstances. And they don't work on one episode at a time, but on several at the same time. One episode takes a long time because of the 3D animation.

One of the things that's complicated with Miraculous 3d animation is that they can only display 3 characters at a time on screen, whereas the series requires them to display many more characters. It's also very difficult to correct animation errors, as this takes a lot of time.

-The TV networks were very surprised by the success of miraculous. They didn't think adults and children alike would watch the series. The TV channels were a little confused because they usually make series for a specific age group, but since miraculous had people of all ages watching, they weren't sure what to do.

- Sébastien says he's very happy that miraculous inspires a lot of people to create things, like writing fanfiction, however he's not interested in it because he doesn't want to be influenced by certain fans who would love to see certain things in the series.

- Writing direction also means paying attention to how the characters speak. They all have their own way of speaking. For example, Adrien will never say "j’te parle", but rather "Je te parle".

- During the writing process, the writers sometimes act out scenes to make the dialogue more natural. This is what happened with the episode "Gang of secrets". They felt that, with the success of the show and the pressure it was generating, they needed to write something to relieve their stress. So they wrote about Marinette and the enormous pressure she was under to keep all her secrets. The final scene, in which Marinette tells Alya that she's Ladybug, came naturally when they performed it together.

[luegootravez]

Chloé Coutau by © Jared Thomas Kocka