#china 2024 saturday

[umlewis]

lewis hamilton, p2, during the post-sprint press conference, china - april 20, 2024 📷 mark sutton / motorsport images

[umgeorge]

george russell is interviewed after qualifying, china - april 20, 2024

[ummick]

mick schumacher in the paddock on qualifying day, imola, italy - april 20, 2024 📷 andreas beil / imago

[sanzaibian]

Index

Here is an index of all my stories, easy(er) to search !

Since all my stories are quite unique, I will list them in chronological order (newest on top), with main genres specified.

Enjoy !

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Original stories

Saturday is for the boys (Frat bro tf/Nonbinary to male)

That Day No One Cared (Mental Change/Corruption) - as part of @occamstfs' Viral Transformation Stories.

A Willing Puppet (Preppy tf/Identity Change) - for @fafnir19 as part of the Secret TF Writers Swap

Reiwa Rīzento (Greaser tf/Mental Change)

Conversion Powder by Eamora Co. (Gay to Straight/Straight to Gay)

Do Not Forget Who You Are (Muscle Growth/Muscle Loss/Queer Romance)

The Beatty Files (Twink tf/Muscle Loss)

How Can One Move On ? (Body Swap/Nerd to Jock)

Allahu Akbar (Muslim tf/Beard Growth/Mental Change)

A Proper Discussion (Multiple tfs/Satirical) - for April Fool's 2024

Curing the Neighborhood (Hairstyle tf/Himbo tf/Infection tf)

Consultation at Dr. Davod's : Part 1 (Hairstyle tf/Fuckboy tf), Part 2 (Hairstyle tf/Himbo tf/Reality Change) - 200 followers special

The Chechen Mod (Chechen tf/Jock tf/Queer Romance)

Investing in China (Chinese tf/Twink tf/Reality Change)

The Party at Delta Omega Gamma (Frat Bro tf/Himbo tf)

The Good Side of Life is One Good Action Away (Fuckboy tf/Non-binary tf)

Identity in Language and Thought (Tiktok tf/Mass tf)

The True Self (Douchebag tf/Corruption/Straight to Bi)

The Berkley Hills' Abandonned Frat House (Jock tf/Frat Bro tf)

The Business School's Poster-Boy (Twink to Jock/Jock to Twink)

I Am Chris Albanese (Age Reduction/Jock tf/Straight to Gay)

Unfair Competition (Nerd to Jock)

Collaborations/Reblog chains

Happy New Year 2025 ! (Ideal Body tf/hopefully a chain tf ^^)

Anyone feel like transforming me ? (Khmer tf/Bokator tf ~ Boxer tf) - from @transform4u

Your last like is your new body (Moroccan tf/Beard Growth) - from @newchangestf

Asks

The Normal Barbershop (Hairstyle tf) : Mohawk (Punk tf), Curly Undercut (Fuckboy tf), Perm (Footballer tf, Hairy tf), Pompadour (Twink tf, Rubber tf), Wolf cut (Himbo tf, Model tf) - 1000 subscribers special

Heureux Soit Celui qui Demande Sans Donner (Jock tf/Nationality Change)

DBPWH (Hairstyle tf/Jock tf/Dumbing Down) - from @alphajocklover

Immersing Myself in the Culture (Nahua tf/Twink tf) - from @peepshow321

Of Hairy Arab Men (Arab tf/Hair Growth)

Other

My recommended writers

My stance on Gay to Straight : Part 1, Part 2

Subscriber milestones : 100, 200, 400, 1000 - Thank you so much for your support !

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If you're curious about what I like, don't hesitate to check my "main blog", @ykrui73 ! (If I contact you or send you an ask, chances are it's from this account ^^)

[tyresdeg]

logan sargeant | saturday | china 2024

[rainbowsky]

Yibo GT Sprint Challenge 2024 - How to watch

19 and 20 October 2024

Livestream and schedule under the cut.

First Round 19 October

19 October Official broadcast - Qualifying and onward (starts 19 October 10:30 am CST*, 18 October 7:30 pm PST, 10:30 pm EST, 2:30 pm GMT)

Weibo

Livestream Saturday 19 October - First round final (starts at 1 am PST, 4 am EST, 8 am GMT):

YouTube

Second Round 20 October

Livestream Sunday 20 October - Second round final (starts 19 October at 10:50 pm PST, 20 October at 1:50 am EST, 5:50 am GMT):

Weibo Evisu official broadcast

YouTube

iQIYI

Schedule

There are a series of events happening over the next few days. Schedule is as follows:

Friday 18 October

Practice - 16:30 to 17:30 CST*

Saturday 19 October

Qualifying 1 - 11:15 to 11:30 CST*

Qualifying 2 - 11:40 to 11:55 CST*

First round final - 15:55 to 17:00 CST* (55 minutes + 1 lap)

Sunday 20 October

Second round final - 13:45 to 14:50 CST* (55 minutes + 1 lap)

Second round finals award ceremony - 15:00 to 15:15 CST*

I will be updating this as information is released or changed, so check back here if you have any issues.

*China Standard Time

[justinspoliticalcorner]

LATROBE, Pa. — When fascism finally went mainstream in America, it came hawking a $60 made-in-China Bible and shadowed by a 50-foot American flag braced by construction cranes — and it opened with a story about Arnold Palmer’s private parts. I’d driven nearly five hours into and under the Allegheny ridges of Western Pennsylvania — up and down slopes that got steeper each mile with the volume of Donald Trump flags and yard signs that proclaimed “I’m Voting for the Convict 2024″ — out of a sense that the decline and fall of American civilization has reached a depth that I needed to personally bear witness. It was a fever dream — maybe I could find words that have eluded everyone else. Just six days earlier, Trump came to the Philly suburbs and turned a supposed town hall into a 39-minute dance party as his deeply confused crowd watched a once and wannabe future U.S. president sway awkwardly to Sinead O’Connor and Luciano Pavarotti or look utterly frozen in the bubble of his 78-year-old head. And yet when the alarm goes off the next morning, it’s still Groundhog Day in America, an election with a 50% chance of the music-trance guy winning. Something both incredibly momentous and weird is happening at the same time. Now, the sun was nearly setting over the runway at Arnold Palmer Regional Airport. With the most consequential U.S. presidential election since 1860 just 17 days away, about 3,000 to 4,000 of the most die-hard MAGA Trump fans who weren’t exhausted by the campaign and the GOP candidate’s frequent visits to Steelers’ country had been waiting for hours on a sunbaked tarmac. They’d let out the obligatory whoop for the obligatory flyover of Trump Force One, and then finally the man tasked with bringing their country back was on the podium, filtered by bulletproof glass. Donald Trump’s red meat of mass-deportation camps and R-rated attacks on his opponents would have to wait. Monday’s DJ was now Saturday night’s comedian, with his cult as captive audience. What started out as an obligatory shout-out to Latrobe’s famous native son — Palmer, the late great golfer who brought the sport to your TV screens in the 1960s — went on for five minutes, then 10, then 12. What started as a nice but meandering tale about Palmer’s working-class roots grew into a stone silence during long detours into stuff like types of golf club shafts as the tale grew increasingly instead about Trump — about how his own power and wealth allowed him to claim friendship with this great man. You are standing in the twilight wondering if this could get any stranger when of course it did. The man who bragged in his first campaign that he could shoot somebody on Fifth Avenue and people would still vote for him now wants America to know he can tell a penis joke with the cameras rolling and still get elected as the 47th president. [...] So I came to Latrobe to try and write the 72-point headline that the Times editors can’t — “PHALLUS-JOKE MAN AND DANCING FOOL COULD LEAD THE FREE WORLD AGAIN” — and to scream at the top of my lungs from the bluffs overlooking this tiny airport that this would-be emperor telling the shower story is actually wearing no clothes. Who will shout that Trump’s “closing argument” is the melding of his increasingly public breakdown with how that might lead to an all-too-real domestic war of midnight raids and armored personnel carriers against the fiction of an “Occupied America”? Ironically, Trump’s endless Arnold Palmer bit seemed part of an effort Saturday night to prove that the rambling candidate is not “exhausted,” something that his own aides reportedly said after several recent interviews were canceled. But the Republican nominee — kind of like Madonna’s “Sex” phase and shock photos when her 1980s were ending — also appeared to sense that he needs to get more and more outrageous to get attention, after numbing America to his Hitlerian language that immigrants “will cut your throat.”

Will Bunch at The Philadelphia Inquirer on Donald Trump's Latrobe rally (10.20.2024)

Will Bunch wrote in The Philadelphia Inquirer about Donald Trump’s fascist insultfest in Latrobe, PA in which he infamously obsessed about Arnold Palmer.

[mariacallous]

Usually held in the two weeks after the Olympic Games in the same host city, the Paralympics showcase the best athletes with physical disabilities from around the world competing for their home countries. (The Paralympics are not to be confused with the Special Olympics, which feature athletes with intellectual disabilities.) This year, the Summer Paralympics will take place from August 28 to September 8 in Paris, France.

Quick history lesson: The origins of the Paralympics began shortly after World War II, during the 1948 London Olympics, where 16 wheelchair-using veterans participated. The first official Paralympic Games took place in Rome in 1960 and featured 400 athletes from 23 countries. Since then, the Games have taken place every four years and now feature 4,400 athletes in 22 sports (the Olympics have 32), with 549 gold medals up for grabs.

There are athletes competing from 177 countries (this year’s Olympics had athletes from 184 countries), including 10 countries that have never been represented in the Paralympic Games before, along with representation from the Neutral and Refugee teams. In case you missed it, at the last Paralympics in Tokyo, China earned the most medals, with Great Britain behind it and the US in third.

Since the 1988 Summer Games and the 1992 Winter Games, the Olympic and Paralympic Games have been held in the same cities and venues. Although Paralympians still strive for equal treatment as Olympic athletes without disabilities, there is a large gap in funding between the Olympics and Paralympics.

Where to Watch

This year’s Games will make history as the first Paralympic Games to offer live coverage of every one of the 22 sports played. Like the Olympics, every event at the Paralympics will be available to stream on Peacock if you’re in the US.

If you prefer going old school and watching on basic cable, a select number of events will be airing on the NBC channels NBC, CNBC, and USA Network, along with E!, Golf Channel, and Telemundo, which offers coverage in Spanish. In an effort to make the Games more accessible, closed captioning will be available for every Paralympic event (regardless of the platform). You can also watch highlights and athlete interviews on Paralympic.org.

In the UK, Channel 4 has more than 1,300 hours of live coverage scheduled. Folks can also watch through their streaming service or Channel 4 Sport’s YouTube channel, which will show the entirety of the Games for the first time. BBC, BBC Radio 5 Live, and the BBC Sport website will also air highlights and select coverage. The Paralympics website also has a complete list of where to watch by country.

Opening Ceremony

The Opening Ceremony will begin August 28 at 8 pm Paris time, 7 pm BST, 2 pm EDT, and 11 am PDT. Similar to the Olympics opening ceremony, the Paralympics opening ceremony will be held outside of a stadium at one of the major squares in Paris, Place de la Concorde, and the iconic avenue Champs-Élysées will be transformed into the opening ceremony stage.

The competition starts the following day, on August 29, at 11 am EDT (8 am PDT). Like with the Paris Olympics, the start times will be similarly early and continue throughout the day. The specific timing of some of the events might change, so check the schedule of events on the Olympics' Paralympics schedule webpage.

Blind Football (Soccer)

Blind football is an adaptation of football (or soccer, if you’re American) for athletes with vision impairment played with an audible ball. This men’s competition starts early on September 1 and continues on September 2, 3 and 5, with the gold medal match on Saturday, September 7.

Boccia

Boccia is one of only two sports with no Olympic equivalent. It was originally created for athletes in wheelchairs who have impaired motor function or coordination. To win, each team must get the most balls closest to the white ball called the jack, with athletes allowed to make modifications according to their needs. Men’s and women’s individual games start August 29 and go through September 1, with the gold medal individual matches on September 1 and 2. Mixed pairs and teams start September 3, with gold mixed pairs and teams matches on September 5.

Goalball

The other sport of the Paralympic Games without an Olympic equivalent, goalball is a team sport for the visually impaired and blind, in which players wear special black eye-covering-type glasses so they fully can’t see and are thus more equitable (and honestly, look cool as hell). If there’s anything that the Olympic Games have taught us, it’s that the people go crazy for some out-of-the-norm eyewear. The audience needs to stay as quiet as possible because the ball has bells inside. Thus, the athletes have to rely solely on sound, while they use their whole body to try to block the ball from making it inside the goal. (Lets see Neymar try to do that.) Men’s and women’s games start August 29 with the gold medal games for both on September 5.

Para Archery

The first game played at the early iteration of the Paralympics in 1948, para archery now has men and women’s individual and mixed teams, with wheelchair or standing, and with recurve and compound bows used. Men’s and women’s individual events begin August 29 and continue through September 5, with gold medal matches in individual, teams and with different bows across multiple days.

Para Athletics

One of the most beloved sports in the Paralympics is para athletics, which has been a popular fixture in the games since the inaugural Rome Games in 1960. Today, it spans a wide range of track, jumping, and throwing events, as well as marathons. Because of the wide range of men’s and women’s events, competition begins on August 30 and happens daily with gold medal matches until the Games end on September 8. Check the full para athletics schedule for more specific events’ times.

Para Badminton

Para badminton debuted at Tokyo 2020, although it has been hugely popular for decades. Like badminton, players compete as singles and pairs, as well as standing and in wheelchairs. Group play begins on August 29, with men’s, women’s, and mixed doubles beginning August 31. Gold medal matches take place September 1 and 2.

Para Canoe

The Paralympic Canoe competition features two types of boats: the kayak and va’a (traditionally used in Oceania for travel between islands). Para canoes are basically the same as those used in the Olympic Games, but just have a wider bottom for greater stability. The races begin September 6 with gold medal games on September 7 and 8.

Para Road Cycling

Throughout the years, like many other events, Paralympic cycling has grown to adapt to many disabilities, and uses standard bicycles, handcycles, tricycles, and tandems. In road cycling, there are road races, time trials, and relay events. Both the men and women’s individual and relay events and gold medal races take place daily September 4 through 7.

Para Track Cycling

Para  track cycling is similar to road cycling but takes place on a velodrome track (as the name suggests). Competition is divided into time trials, individual, and tandem or team sprints, using standard bicycles and tandems (all of which can be adapted for the specific athlete). The various track cycling events and gold medal races take place simultaneously August 29 to September 1.

Para Equestrian

Unlike the three equestrian events at the Olympic Games, the Paralympic equestrian program only includes the dressage competition. Para dressage essentially focuses on how well the rider and horse gel, with riders judged on their riding and performance with the horse. All the events are individual mixed, and each competition has gold medal rounds, taking place August 3, 4, 6 and 7.

Para Judo

Para judo is one of two martial arts competitions at the Games. The Paralympics judo follows the same rules as its Olympic equivalent, except it’s practiced exclusively by athletes with vision impairments—and is way more badass, in my humble opinion. (I think I’m allowed to make that assertion since I’m also disabled, don’t come for me.) With the athletes unable to see their opponent, they must use their sense of touch and careful listening—including slight differences in breathing and movement—to sense what their rival may do next. Men’s and women’s matches take place September 5, 6, and 7 and have gold medal matches at the end of each day.

Para Powerlifting

Para powerlifting is a men’s and women’s bench press competition that tests upper body strength where the athletes compete in different weight categories. All of the events are individual and there are gold medal rounds for each competition (which varies by gender and weight class) taking place September 4 to 8.

Para Rowing

A relatively new sport, rowing debuted at the Paralympic Games in 2008. Now, there are five rowing events, including three mixed events. Para rowing rules are nearly identical to those at the Olympics and rowers are eligible for different events according to their gender and impairment categories. The races begin across all categories on August 30, continue to August 31, with final gold medal rounds on September 1.

Para Swimming

Para swimming has remained one of the most enduring sports in the Paralympics since its debut at the Rome Games in 1960. Its popularity is due in part because athletes with all kinds of physical and mental disabilities can participate and doesn’t require any specific equipment. (Prosthetics aren’t allowed either.) Featuring different swims at different distances, athletes compete in breaststroke, backstroke, butterfly, freestyle, and medley. As one of the most popular sports, there are men’s, women’s, and mixed events virtually nonstop with gold medal races near the end of every day, August 29 until September 7.

Para Table Tennis

One of the OG Paralympian games, table tennis actually has a longer history in the Paralympic Games than its Olympic counterpart. When it began, it was only open to wheelchair users, although today athletes are placed into 11 different classes based on their physical and intellectual impairments. Men’s and women’s doubles, singles and mixed games take place August 29 to September 7, with gold medal games every day except September 2.

Para Taekwondo

Para taekwondo is a new competition that made its Paralympic debut at the Tokyo Games. Focused on athletes with upper limb impairments, they are split into two sports classes and divided into weight categories. Men and women compete August 29 to 31, with gold medal matches at the end of each day.

Para Triathlon

A relatively new sport introduced at the 2016 Rio Games, the para triathlon is held over the “sprint” distance, which is half the Olympic distance for individual competitions, where athletes swim 750 meters, cycle 20 kilometers, and run 5 kilometers. The competition is divided by men’s and women’s, with medals being awarded for each race September 1 and 2.

Shooting Para Sport

Shooters compete in rifle and pistol events from distances of 10-meter, 25-meter, and 50-meter in men’s, women’s, and mixed fields. Depending on needs, athletes compete in a kneeling position, prone, or standing (or in a wheelchair or shooting seat). The games take place August 30 to September 5, with medals awarded each day.

Sitting Volleyball

Sitting volleyball is pretty much the exact same as the volleyball we know and love, except as the name suggests, is a sitting variation of the sport. It’s played by two teams of six players who move around the court using the power of their arms, along with a lowered net that’s 3 feet high. The games start on August 29 and continue until the men’s gold medal game on September 6 and the women’s on September 7.

Wheelchair Basketball

Originally used for rehabilitation and exercise for World War II veterans—wheelchair basketball is quintessential Paralympics. Now, it’s one of the most popular and beloved sports for wheelchair users around the world. Games start August 29 and go until the men’s gold medal match September 7, with the women’s September 8.

Wheelchair Fencing

What’s more badass than fencing? Wheelchair fencing. In this sport that requires discipline (and ability to not flinch when a sword is coming at you), athletes compete in a special wheelchair frame designed for the sport which is fastened to the floor—meaning the fencers cannot move and are always close to their opponent. Just like the Olympic equivalent, wheelchair fencing consists of three disciplines: foil, épée, and saber. The men’s and women’s matches take place September 3 to 7, with gold medal rounds at the end of every day.

Wheelchair Rugby

Wheelchair rugby is a four-person team sport played in specially designed wheelchairs. It combines elements of rugby, basketball, and handball, with players using a round ball. Because it’s such an aggressive sport, it’s often referred to as “murderball.” Need I say more? You’re gonna wanna watch this one. Mixed games start August 29, with the gold medal games September 2.

Wheelchair Tennis

Wheelchair tennis pretty much follows the same rules of able-bodied tennis, except here the ball can bounce twice before the player hits it back. Athletes are divided into open and quad classes, along with men’s, women’s, singles, and doubles. Games start August 30, with gold medal matches September 4 to 7.

[whileiamdying]

All the Films in Competition at Cannes, Ranked from Best to Worst

The twenty-two films that premièred in the 2024 festival’s main program offered much to savor and revile.

By Justin Chang May 26, 2024

The seventy-seventh annual Cannes Film Festival came to a startling and joyous conclusion on Saturday night, when the competition jury, chaired by Greta Gerwig, awarded the Palme d’Or, the festival’s highest honor, to “Anora,” a funny, harrowing, and finally quite moving portrait of a sex worker’s madcap New York misadventures. It was startling because the movie, though one of the best-received in the competition, had not been widely tipped for the top prize, which seldom goes to a U.S. film; with “Anora,” Sean Baker becomes the first American director to win the Palme since Terrence Malick did, for “The Tree of Life” (2011), thirteen years ago. And it was joyous not only because the award was bestowed on a worthy and remarkable film but because Baker used the occasion to deliver the best, most eloquent and impassioned acceptance speech I’ve ever heard a Palme winner give.

Reading from prepared remarks, Baker singled out two other filmmakers in the competition, Francis Ford Coppola and David Cronenberg, as among his personal heroes. He dedicated the award to sex workers everywhere, a fitting tribute from a filmmaker who has put their lives front and center, with drama, humor, and empathy, in movies like “Starlet” (2012), “Tangerine” (2015), and “Red Rocket” (2021). He tossed some exquisite shade in the direction of the “tech companies” behind the so-called streaming revolution—including, presumably, Netflix, which came away as one of the night’s big winners; its major acquisition of the festival, Jacques Audiard’s musical “Emilia Pérez,” won two prizes. And, in a moment that drew rapturous applause, Baker delivered a plea on behalf of theatrical films, declaring, “The future of cinema is where it started: in a movie theatre.”

I was fortunate to see all twenty-two films in the Cannes competition on the big screen, projected under superior conditions in houses packed with fellow movie lovers. It’s my hope that, when these movies are released in the U.S., as the great majority of them likely will be, you will seize the chance to see them on the big screen as well—even “Emilia Pérez,” which Netflix may not keep in theatres for long, but whose bold dramatic and stylistic risks have the best chance of winning you over if they have your undivided, wide-awake attention.

I have ranked the movies in order of preference, from best to worst. Here they are:

1. “Caught by the Tides”

Jia Zhangke, a Cannes competition veteran, has long been the cinema’s preëminent chronicler of modern China (“Mountains May Depart,” “Ash Is Purest White”), mapping its social, cultural, and geographical complexities with great formal acumen, and also with the longtime collaboration of his wife, the superb actress Zhao Tao. Jia’s latest work, drawing on an archive of footage shot in the course of roughly two decades, unfurls a story in fragments, about a woman (Zhao) and a man (Li Zhubin) who fall in love, bitterly separate, and have a melancholy reunion years later. It’s an achievement by turns fleeting and monumental: a series of interlocking time capsules, a wrenching feat of self-reflection, and a stealth musical, in which Zhao dances and dances, standing in for millions who have learned to sway and bend to history’s tumultuous beat.

2. “All We Imagine as Light”

As the first Indian feature invited to compete at Cannes in nearly three decades, Payal Kapadia’s narrative début (after her 2021 documentary, “A Night of Knowing Nothing”) would be notable enough; that the movie is so delicately felt and sensuously textured is cause for outright celebration. Winner of the festival’s Grand Prix, or second place, it tells the story of two roommates, Prabha (Kani Kusruti) and Anu (Divya Prabha), who work as nurses at a Mumbai hospital. It teases out their personal circumstances—Prabha’s estrangement from her unseen husband, Anu’s frowned-upon romance with a young Muslim man (Hridhu Haroon)—with a quiet truthfulness that, like the glittering lights of the city, lingers expansively in the memory. (A forthcoming Sideshow/Janus Films release.)

3. “Grand Tour”

The Portuguese director Miguel Gomes (“Tabu,” “Arabian Nights”) delivered some of the most virtuosic filmmaking in the competition—as the jury recognized by giving him the Best Director prize—with this characteristically yet extraordinarily playful colonial-era travelogue. Shifting between color and black-and-white, set in 1917 but full of fourth-wall-breaking anachronisms, the movie tells a story of sorts about a roving British diplomat (Gonçalo Waddington) and a fiancée (Crista Alfaiate) he’s in no hurry to marry. But its true fascination lies in the humid atmosphere and wanderlust-inspiring splendor of its East and Southeast Asian locations, ranging from Singapore and Bangkok to Shanghai and Rangoon. It’s a movie to get lost in.

4. “The Seed of the Sacred Fig”

It’s impossible to absorb this blistering domestic drama without thinking of its dissident director, Mohammad Rasoulof, who recently fled Iran after being sentenced to prison and a flogging. (His appearance at his film’s première made for one of the most emotional moments in recent Cannes memory.) Shot entirely in secret, the story follows a Tehran-based husband (Missagh Zareh) and wife (Soheila Golestani) who are increasingly at war with their progressive-minded young-adult daughters (Mahsa Rostami, Setareh Maleki) during nationwide political protests led by women. The result is a thriller of propulsive skill and blunt emotional force, marrying the muscularity of an action film to the psychological intensity of a chamber drama. (A forthcoming Neon release.)

5. “Anora”

The director Sean Baker is near the height of his storytelling powers with this dazzling (and now Palme d’Or-winning) portrait of a Manhattan strip-club dancer (a revelatory Mikey Madison) who impulsively marries the ultra-spoiled son (Mark Eydelshteyn) of a Russian oligarch. Much comic chaos ensues, some of it pushed past the brink of plausibility, but Baker’s multifaceted love for his characters proves infectious and sustaining, as does his belief that acts of unexpected kindness can redeem even the darkest nights of the soul. (A forthcoming Neon release.)

6. “The Shrouds”

Early on in this elegantly sombre yet mordantly funny new movie, which stars Vincent Cassel, Diane Kruger, and Guy Pearce, the director David Cronenberg, a master of cerebral horror, unveils his latest invention: a technologically advanced burial shroud that allows people to watch a loved one’s body decomposing in the grave. So begins a drolly fluid inspection of classic Cronenberg themes—the deterioration of the flesh, the instability of the image, the paranoia-inducing incursions of technology into every aspect of life—but imbued with a nakedly personal dimension that the director has noted in interviews; the story was inspired by his wife’s death, in 2017, from cancer.

7. “Megalopolis”

In this legendarily long-gestating passion project, which I’ve written about at length, Francis Ford Coppola posits that our fragile, battered civilization is headed the way of the Roman Empire. The grimness of that prospect is unsurprising from a director accustomed to peering deep into the heart of American darkness (the “Godfather” movies, “The Conversation,” “Apocalypse Now”). For all that, the filmmaking here glows with a particularly hard-won optimism, even a welcome sense of play—borne out by an ensemble of actors, including Adam Driver, Giancarlo Esposito, and especially Aubrey Plaza, who fully embrace Coppola’s rhetorical and conceptual flights of fancy.

8. “The Substance”

Sympathetic or sadistic? Feminist or misogynist? Coralie Fargeat’s body-horror bonanza, which won the festival’s award for Best Screenplay, has been one of the competition’s more polarizing hits, which is unsurprising; divisiveness should be expected from a story about an aging actress and TV fitness guru who, desperate to regain her youthful bod of yesteryear, effectively splits herself in two. Whether the outlandish premise (think “The Picture of Dorian Gray” by way of “Death Becomes Her”) and its blood-gushing fallout withstand intellectual scrutiny, there’s no doubting the ferocity of the two leads, Demi Moore and Margaret Qualley, or Fargeat’s sheer filmmaking verve as she pushes her ideas to their sanguinary conclusions.

9. “Motel Destino”

Just a year after the Brazilian director Karim Aïnouz appeared in competition with a surprisingly stiff-corseted English period drama, “Firebrand,” it was bracing to watch him rebound with the competition’s most sexually uninhibited and flagrantly horny title; corsets don’t apply here, and even underwear proves blissfully optional. Set at a seedy roadside motel where the clientele never stops moaning, it’s a feverishly shambling erotic thriller starring three very game actors (Iago Xavier, Nataly Rocha, and Fábio Assunção) in a romantic triangle that plays like James M. Cain with sex toys—“The Postman Always Cock Rings Twice,” as it were.

10. “Emilia Pérez”

A trans-empowerment musical set against the backdrop of Mexico’s drug cartels might sound like a dubious proposition on paper, and, for the many detractors of this genre-melding big swing from the French director Jacques Audiard (“A Prophet,” “The Sisters Brothers”), what actually made it onto the screen was no better. But I was disarmed from the start by Audiard’s quasi-Almodóvarian vibes, his touchingly imperfect embrace of song-and-dance stylization, and, most of all, his three leads: the remarkable discovery Karla Sofía Gascón, a scene-stealing Selena Gomez, and a never-better Zoe Saldaña. All three (along with Adriana Paz) were recognized with the festival’s Best Actress prize, awarded collectively to the movie’s ensemble of actresses; Audiard also won the Jury Prize. (A forthcoming Netflix release.)

11. “Oh, Canada”

After a tense trilogy of dramas about male redemption through violence (“First Reformed,” “The Card Counter,” “Master Gardener”), the writer and director Paul Schrader has taken a gentler turn with an adaptation of “Foregone,” a 2021 novel by the late Russell Banks. (It’s his second Banks adaptation, after the 1997 drama “Affliction.”) In exploring the fragmented consciousness of an aging documentary filmmaker (played at different ages by Richard Gere and Jacob Elordi), Schrader bravely forsakes the narrative fastidiousness of his recent work and takes on grand themes of memory, mortality, and artistic self-reckoning, to formally ragged but sincerely moving effect.

12. “The Girl with the Needle”

This stark and terrifying black-and-white drama from the Swedish-born, Polish-based director Magnus von Horn (“Sweat”) was perhaps the competition’s bleakest entry. Set in Copenhagen immediately after the First World War, it pins us so mercilessly to the hard-bitten perspective of Karoline (an excellent Vic Carmen Sonne), a factory seamstress who becomes pregnant out of wedlock, that we scarcely notice her story shifting in a different, more sinister direction. It’s a bitterly hard-to-stomach brew of a movie, at once hideous and beautifully made, with a chilling supporting turn by Trine Dyrholm as a friend whose interventions turn out to be anything but benign.

13. “Three Kilometres to the End of the World”

The setting of this well-observed but emotionally opaque drama, from the Romanian actor turned director Emanuel Pârvu, is a small rural village where a closeted teen-age boy, Adi (Ciprian Chiujdea), is brutally beaten after being caught in an intimate moment with a male traveller. Pârvu teases out the legal, psychological, and moral fallout with the pitch-perfect performances and laserlike formal focus that have become hallmarks of new Romanian cinema. But, though the movie is persuasive enough as an indictment of small-town religious fundamentalism and homophobia, it proves curiously incurious about Adi’s perspective, to the detriment of its own human pulse.

14. “Kinds of Kindness”

After his Oscar-winning period romps “The Favourite” (2018) and “Poor Things” (2023), the Greek director Yorgos Lanthimos scales back—but goes long—with a sprawling, increasingly tedious compendium of comic cruelty. My favorite of the film’s three disconnected stories, all featuring the same actors, is the one where Jesse Plemons (the ensemble M.V.P., as the jury recognized with its Best Actor award) plays Willem Dafoe’s Manchurian candidate; my least favorite is the one where Emma Stone joins a sweat-worshipping sex cult. The one where Stone slices off her finger and cooks it for Plemons falls—much like the movie in Lanthimos’s over-all œuvre—somewhere in the middle. (A Searchlight Pictures release, opening June 21st in theatres.)

15. “Bird”

My admiration for the English filmmaker Andrea Arnold (“American Honey”) is such that I’m eager to revisit her latest rough-and-tumble coming-of-age story and find that I undervalued it. Arnold is certainly skilled at integrating recognizable actors, which in this case includes Barry Keoghan and Franz Rogowski, into her grottily realist frames, and she has an appealing lead performer in Nykiya Adams, as a twelve-year-old girl who overcomes persistent abuse and neglect. But the story may lose you—as it lost me—with a magical-realist turn that magnifies, rather than minimizes, the tortured-animal symbolism that has often dogged Arnold’s work.

16. “Beating Hearts”

An exchange of insults at a high-school bus stop provides a saucy meet-cute for a good girl (Mallory Wanecque) and a ne’er-do-well boy (Malik Frikah); so begins a raucous and endearing love story for the ages, in which the director Gilles Lellouche, with outsized glee and little discipline, merrily appropriates the conventions of classic Hollywood musicals and gangster flicks. The result is much too long at nearly three hours—the story spans several years, with Adèle Exarchopoulos and François Civil playing older versions of the two leads—but I can’t say I didn’t warm to its rambunctious cornball charm.

17. “Limonov: The Ballad”

Why make a film about Eduard Limonov, the globe-trotting Russian dissident poet and punk provocateur reviled for his pro-fascist sympathies? The filmmaker Kirill Serebrennikov never musters a satisfying answer in this muddled English-language bio-pic, despite an energetically uninhibited central performance by Ben Whishaw and a cheeky panoply of filmmaking techniques—jittery camerawork, lengthy tracking shots—meant to catch us up in the épater-la-bourgeoisie exuberance of Limonov’s revolt. Considering his earlier work, I prefer the rebel-youth vibes of “Leto” (2018) and the dazzling cinematic assaults of “Petrov’s Flu” (2021), both of which also screened in competition here.

18. “Parthenope”

Nearly every new picture from the Italian auteur Paolo Sorrentino could be reasonably called “The Great Beauty,” the title of his gorgeous 2013 cinematic tour of Rome. (It left that year’s Cannes empty-handed, but won the Oscar for Best Foreign Language Film.) His latest work remains most intriguing for its ambivalent but still sensually overpowering vision of the director’s home town, Naples, from which springs a modern-day goddess, named after Parthenope, a Siren from Greek mythology. She’s played by Celeste Dalla Porta, a great beauty indeed and an empathetic screen presence, though only fitfully does her character seem worthy of this movie’s epic enshrinement.

19. “Wild Diamond”

Another disquisition on beauty and its discontents, this time from the débuting French writer and director Agathe Riedinger. She hurls us the life and busy social-media feed of a nineteen-year-old, Liane (a terrific Malou Khebizi), who has nipped, tucked, and tailored every part of herself to realize her dream of being selected for a hot new reality-TV series. Part influencer-culture cautionary tale, part bad-girl Cinderella story, the movie glancingly suggests the soul-rotting effects of beauty worship, but it falls victim to the trap that Liane is trying to avoid: in a sea of worthy candidates, it doesn’t especially stand out.

20. “The Apprentice”

Donald Trump’s attorneys have threatened legal action to block the release of this drama about his early rise to fame and wealth under the mentorship of the attorney Roy Cohn (Jeremy Strong). It speaks to the useless proficiency of Ali Abbasi’s movie that the prospect of such censorship provokes more indifference than outrage. Shot to evoke cruddy nineteen-eighties VHS playback, the movie is well acted by Strong, Maria Bakalova as Ivana Trump, and an increasingly makeup-buried Sebastian Stan as Trump himself, depicted from the start as a sack of shit that gets progressively shittier. It’s not dismissible, but it’s hardly the stuff of revelation, either.

21. “Marcello Mio”

In this trifling meta-comedy from the French filmmaker Christophe Honoré (previously in the 2018 Cannes competition with the lovely “Sorry Angel”), the actress Chiara Mastroianni embarks on a strainedly whimsical personal odyssey to examine the legacy of her late father, the legendary Italian actor Marcello Mastroianni, and her own conflicted place therein. To that end, she spends much of this overstretched movie in “8½” and “La Dolce Vita” black-suited drag as she navigates a roundelay of industry in-jokes; among the French cinema luminaries making appearances are Fabrice Luchini, Nicole Garcia, and, most welcome, Chiara’s mother, Catherine Deneuve.

22. “The Most Precious of Cargoes”

The French director Michel Hazanavicius continues his uneven post-“The Artist” run with this animated Second World War fable, adapted from a 2019 novel by Jean-Claude Grumberg (and narrated by the late Jean-Louis Trintignant). It has an affecting opening stretch, in which a baby girl, thrown by her desperate father from an Auschwitz-bound train, is rescued and raised in secret by a woodcutter’s kindhearted wife. But when the child’s provenance is discovered, stoking local antisemitism, the movie becomes a bathetic wallow in Holocaust imagery, drowned in an Alexandre Desplat score whose every surge turned my heart increasingly to stone. ♦

[umlewis]

lewis hamilton speaks to french media after the sprint race, china - april 20, 2024 Interviewer: "Maybe I was a bit naive, but at the middle of the race I thought you were gonna win it. Did you think about it at one point?" Lewis: "Of course I was thinking about it; I was in the lead. So I was trying everything I could to manage the tires but also keep a gap, but it was a struggle. I was definitely struggling with the car, literally trying all different driving styles to get the car faster and it just won't go any faster than where I was. But I saw them battling behind, and then all the sudden you saw Max I think two cars behind me and you knew that eventually, once he gets past them it's all over, and he caught up so quick, so… You know, it's okay. I'm grateful for second."

[umgeorge]

george russell is interviewed after the sprint race, china - april 20, 2024

[accio-victuuri]

to those who wanna plan their day (12/28) around yibo content. here you go 😋

12:00 pm CST - new song release via qq music. and most likely more content along with it.

5:30 pm CST - 2024 China Top Dancers Gala appearance. most likely he will be interviewed backstage and present but will not perform. i’m so happy he continues to be an ambassador for them and attend this event! livestream link here

6:15 pm CST - Exploring the Unknown with Wang Yibo international release. I hope everyone can show their support in their own little way cause it may not be available for everyone. I will try to upload clips and most likely will do new edits.

i know it’s still the holiday season and it falls on a saturday + it’s a lot to keep track of so just take your time. be there for what you can. i will be updating as much as i can cause i planned to be at home the whole day for this 😂😂😂

it’s nice that this busy yibo day fell on the 28th too! Ai Bo! <3

[gacha-incels]

article from the english edition of the Hankyoreh September 9 2024

archive link

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“My life is not your porn” and “Deepfake is murder” — these were some of the chants heard in a mix of Korean, English, and Chinese on the night of Sept. 3 (local time), directed at the South Korean Embassy in the UK. 

Over 100 people, including women from South Korea, China, Japan, and others from around the world, gathered that evening at Trafalgar Square in London. They marched from there, passing Buckingham Palace, and continued to the South Korean Embassy, calling for measures to address the ongoing deepfake sex crime crisis plaguing South Korea.

The march was organized by Chinese feminists based in London, who voiced their support for South Korean women fighting against digital sex crimes, such as deepfakes and illegal filming. Their aim was to raise awareness among women worldwide about these crimes occurring in South Korea.

In a post on their Instagram account (@weareallchainedwomen), the organizers wrote, “The illegal use of hidden cameras and deepfake technology by men to turn women’s everyday lives into pornography is not just a social issue in Korea; it is a widespread problem globally, particularly in East Asian countries.” They also said, “In China, the bravery of Korean feminists has long inspired many to awaken,” adding, “We hope to become each other’s strongest and most loyal sisters, supporting each other to overthrow the patriarchy together!”

A 42-year-old woman from South Asia participating in the march said, “I came out today because I believe in the importance of solidarity among women worldwide, who are all suffering from the effects of misogyny and patriarchy.” The woman, a youth educator and social activist, urged the South Korean government to “introduce new curricula into the education system that teach about women’s safety, online safety, digital sex crimes, the influence of the porn industry, healthy relationships, and gender roles and stereotypes.”

A 27-year-old Korean participant, who works as a documentary filmmaker in the UK, said, “I am standing in front of the South Korean Embassy with a heavy heart” and expressed hope that the “government will strongly punish the perpetrators and accomplices and seek justice for the victims.”

In Tokyo, Japan, Chinese feminists living there also held a rally in front of the South Korean Embassy on Saturday afternoon, calling for attention to the digital sex crimes crisis in Korea.

By Park Hyun-jung, staff reporter

[brokenpiecesshine]

Fall Out Boy on Instagram, 09/05/2024.

beijing 🙌🏻 another great show in china, we’ve got one night left in guangzhou on saturday 🇨🇳 📸 @elliottxingham

[tyresdeg]

logan sargeant | saturday | china 2024

[rainbowsky]

Yibo Golden Rooster Awards 15 & 16 Nov 2024 - How to Watch

I will be updating this post as more information becomes available or if any links change or are added, so check back if you're having any issues.

Schedule:

Friday 15 November

Nomination ceremony 15:00 CST* (Midnight PST, 3 am EST, 7 am GMT).

Livestream:

Weibo

Saturday 16 November

Red carpet 16:30 pm CST* (1:30 am PST, 4:30 am EST, 8:30 am GMT).

Awards and closing ceremony 19:30 CST* (4:30 am PST, 7:30 am EST, 11:30 am GMT).

Livestream:

Weibo

*China Standard Time