#childrens play space

[fyeahlsy]

Traditional Landscape

Picture of a fire pit in a small, traditional, stone backyard garden.

[mollysunder]

There is a theory that the way children play serves as a means to simulate and prepare them for the tasks they'll take on as adults. So for all the narrative weight both Jinx and the story give the boxing machine at the arcade it would never have prepared her or the kids to take on Piltover.

What are the two things that Piltovans excel at over their Zaunite counterparts to keep the hierarchy? Weapons and technological development.

When you look at the way Piltovans invest in their children, they don't prioritize hand to hand/melee combat training. Piltovans focus on giving their children experiences in handling firearms, a pursuit that is both leisure sport for the wealthy and a key offense against dissenting Zaunites.

And from the show notes even Jayce, whose family occupies the upper middle class, was sent on educational excursions across Runeterra to explore the world and learn what it had to offer. Without Jayce's education abroad he would never have been inspired to pursue the concept hextech.

It's no wonder that the two figures that are set to be Piltover's biggest threats from Zaun are Jinx and Viktor, becasue they engaged in the same kinds of games and activities as their Piltovan counterparts.

Jinx didn't have an entire forest preserved to help her practice her sharpshooting like the high houses of Piltover, but she did excel in the few games at The Rift (the arcade) that built on her talents. She's the only Zaunite thus far who's long distance offensive is a strong counter to Piltover's forces.

Viktor couldn't travel the world like Jayce did, but for better or worse he managed to stumble into an opportunity to get real opportunity in research not offered to his peers through Singed. It was through that experience that Viktor knew to turn to Singed when he was at the end of his rope, and the consequences of that will be fully realized in season 2.

Ironically, the kind of skill the boxing game champions is only good for keeping other Zaunites in line. Vander's days of fighting Piltover were way behind him when we first met him, and Vi spends season 1 primarily fighting other Zaunites. It's no surprise the Zaunites who embody the old ideal of strength in Zaun that the game portrays, Vi and Vander, are largely at the mercy of Piltover and end up collaborating with them to avoid further harm.

Zaun's future as an independent city-state couldn't happen if they stuck to their old ideals. The people who stand a chance against Piltover are the ones that not only succeed but excel at playing Piltover's games against them.

[stubz]

warning - bad guy wants to kill people and threatens to eat them + ship invasion

General Morbius was one an accomplished soldier. He was ruthless to his enemies, loyal to those who appreciated him, and willing to do anything. He was made for war. The coalition was not, it was made for peace and thus the general was rarely if ever used.

He had been fine with this...until he rejected as captain of the main ship. A tighalax by the name of Nox was chosen instead. Nox was not ruthless, was too hesitant to make the hard decisions, was a runt.

Morbius would not let a runt replace him.

That's when he met Sine Macula, a ruler who stood for everything the coalition did but was not afraid of getting their hands dirty to do so. Morbius respects that and so he fed him information. He got away with this for several months until found out...but not caught. There was not enough proof to charge him with treason and so he laid low. His schedule became tight and rigid, work then straight home. No dawdling or talking...well not to anyone he thought were a real threat.

The human chef from the west side cafeteria, the human who was head of sanitation, the human from the youngling centre, these were the only ones he talked to. They were the only one's who understood him and listened to him. At least that's what he thought.

He had a strange feeling about why the captain's first mate had reduced the amount of tails/watchers on him and so he did some digging. Oh how he longed to rip those filthy humans apart with his teeth...how he longed to watch the life leave their eyes as they gurgled out pleas through blood...

He let them into his home, he let them know of his thoughts and desires, he told them details and secrets, he let them meet his family-touch his family with those filthy dirty hands!!

He has calls to make.

.

The general cruelly smiles as he walks through the halls and sees his former allies escorted into the cargo bay, a temporary jail until they see who is worthy to join and who is to die.

His grin widens as he steps into the command center to see the Captain wrestled to the ground along with the first mate. A muzzle is shoved into the tighalax's mouth. A shock collar is strapped around the petronlic's neck. How lovely.

Growls and curses follow him as he turns around to continue to enjoy the show. He sees dozens of his new soldiers subdue an orc with tasers and guns loaded with rubber bullets. He hopes Fenrir will see his side and join, the orc will be a wonderful soldier.

Disgust crosses his face as he sees the ships tech supports throuple make the most offensive and crude gestures to him as they're dragged to the cargo bay. How Quip ended up Glip and Kal he'll never know.

..

"So we have everyone?"

"Not yet General, we're missing 30."

"30? How was I not made aware of 30 missing crew members??" he sneers grabbing the soldier by the shoulder.

"They weren't high priority-!"

"Well they are now since you lost them! Who did you lose?!"

"Th-the youngling centre sir!"

"...the youngling centre?" he whispers.

"Y-yes, sir."

"...you lost the youngling centre? The very centre run by the disgusting humans who betrayed me?"

"Well find them right away sir-!"

"You have two hours or I'll be using your bones as the broth for my diner tonight." he releases the soldier who sprints away to his team.

...

Kim knew she was going to die if they were found. The younglings would be most likely safe, Max too if he didn't fight back, but her? She would be killed.

When Captain asked her to spy on Morbius she did so without really thinking of the danger. She wasn't going anywhere dangerous, she would just talk to him whenever she him in the ship. Just talking, easy!

But then he actually opened up to her and that's when she realized how dangerous he actually was. The 'jokes', the wishes, the cracks that let her see who he really was...it scared her. And she couldn't do anything but grit her teeth and smile.

She was still safe though. They never met off the ship. She rarely actually talked about herself, he did all the talking, she never let anything slip.

But Morbius had still found out. He had found out, played along, and now the ship has been taken over.

They've done this before, her and Max, and therefore already had a plan. Lock the door, close the blinds, turn off the lights, hide in the supply room in the secret room and block the door. No one make a sound.

Hours pass and they do their best to keep the children quiet. Do their best to take their minds off the shouts, blasts, and shots fired with whispered stories and reassurances.

By the fifth hour, she knows because Max counted to keep himself calm, all is quiet. Kim hates it. She wants to leave, she can't breathe, her heart is too loud, she-

The tiny door opens.

Standing there before the group of 30 is a youngling. Standing between them and their fate is Morando. The General's son.

The youngling's mouth opens.

....

"WHAT IS THE MEANING OF THIS?!" Morbius roars, sirens blaring throughout the ship nearly drowning out his voice.

"Sir! There is a fire in the youngling centre!" a soldier screams directing his comrades towards the fire.

"AND WHY ARE YOU PUTTING IT OUT?! WE'RE BLOWING THIS SHIP UP THE SECOND WE LEAVE!!"

"Your son is there sir!"

General Morbius is many things. A killer, a soldier, a liar, a betrayer, but in that moment he was only a father. And fathers' love their children.

"Kill the one who was supposed to watch him. All available soldiers with me. If my son dies I will skin you all and eat you whilst you still breathe."

General Morbius loves his child and if his child dies he will kill everyone and anyone who contributed to it.

.....

General Morbius loves his child. Morbius loves his child. He would kill for him. Die for him. And in this case forgive him.

The fire was a diversion. His son was not in any danger. His son was tricked by the disgusting humans.

Morando had found them while looking in the supply room for a toy to play with after having given his escort the slip. His son had intended to alert him, call for reinforcements. But the humans had used their silver tongues to trick him.

One last meal they said. Humans were given one last meal before defeat, before death. Morando had seen no issue with this, he respected Kim and Max, they had given him much fun and amusement.

The final meal involved fire but since the centre's kitchen was partially destroyed they asked to use Fure, a fyreian. Morando agreed once again.

They cooked, involving all the younglings, even Morando. They sat down together and ate, inviting Morando, giving him his own plate. Kim begged him to let her tell one last tale before capture, he allowed.

The comradery, a warm meal, a tale catering towards his son's taste...the humans were not as foolish nor soft as he had thought.

They lulled the youngling into a false sense of security before capturing him. Tying him up, his son. Gagging him, his child. Carrying him like a sack over their shoulder, his flesh and blood. Setting the fire and leaving Morando's shawl just outside the door to make it look like he was in there, trapped, burning...a brilliant plan.

With how little soldiers there were in the cargo bay they managed to sneak in and free their crew mates. How the orcs, rextalians, tighalaxes, and other apex species fought.

It was a swift defeat. They had taken control of the ship whilst he was distracted by the fire. They had the armory now. They had called in reinforcements. They had Morando. What else could he do but surrender?

Humans are so much crueler than others give them credit for. A species who have mastered trickery to such a degree that younglings are not even safe from them.

[nathaniel-underwood-is-an-intj]

Looong rant about chapter 16 Ptolemy's Gate and how being passive can add to the cycle of ab*se.

oof so I just read when Nat goes to see Ms Lutyens and I can't help but be absolutely furious at her??

I know that's maybe a little bit unfair given she's frightened of him as a magician and is obviously angry when she finds out the department he's responsible for, but honestly it kinda brings up the problem with inadvertent bystanders to child ab*se in my mind.

And I'm definitely not blaming her solely for who Nat becomes but it makes me think of all those people in huge child ab*se cases who give interviews to press about all the things they noticed that were wrong but they just...never do anything?

She stood up for him against Lovelace, and when Nat thanked her- "I wanted to say that I know you were trying to save me, and-"

''Yes, and I'm sorry I didn't" Like girl be for real did you really think that alone would undo the years of indoctrination and abuse he's already suffered and prevent years worth of the same in the years to come? And she won't take responsibility - "My job is with children, not the adults they become" and again while it seems harsh to blame her for who Nat becomes, it's so much easier to pass the blame to people who are more directly responsible rather than acknowledging you also play a part.

I think it hurts so much more because it's her specifically- Nat goes to her in sheer desperation, it almost seems like a goodbye- he wants to thank her, tries to set her up in a job that will pay well and struggles to communicate he's trying to help. At this point he thinks Bartimaeus has been summoned by another magician and his birth name will be revealed. He's sure he's about to die and if not he'll be stood on trial and lose everything.

He goes to her because she represents the peaceful moments from his childhood when he got away from his master. He's scared and feeling lost and really it's call for help; but he doesn't ask for anything he just wants to make her feel proud of him- he's looking for that validation that he's been chasing since childhood.

And that shows he still does have that little bit of childhood innocence in him; he thinks she will be proud, thinks she'll see him as the same little boy in the garden gazing up at his teacher in adoration. He can't quite grasp why she's separated the man stood before her from that little boy. Because in that moment the child inside Nathaniel is seeking comfort AND THAT'S WHY it makes me so angry. She's completely given up on him when he's at his lowest ebb, because she doesn't want to be associated with the magician he's become. As if it isn't a massive step in the right direction that he saught her out in the first place- what other magican would bother? I wonder if that's why she reacted so strongly to seeing him again? Before that moment she could go about her life wondering if /pretending her attempt to protect him was enough, and now she realises it wasn't, of course it wasn't, and the image she had of Nathaniel's childhood innocence is completely ruined in her mind.

Or was her contempt for him even grater than Nat realised? She was naturally disgusted by the rhetoric he'd started to repeat from a young age, and gently tried to correct him although she was clearly angry- was she just resigned to the fact that there is little else she could do to change his future? I always thought- couldn't she have looked for him? The Underwood house fire was in the papers and they mentioned the apprentice was being searched for. Did she ever worry about him? Surely something must have been in the papers since- an announcement of new ministers, ANYTHING! Look at how much research Kitty did to find out about Bartimaeus and Ptolemy. I just don't think Rosanna Lutyens cared enough, realistically Nathaniel wasn't hard to find- but he was no longer her responsibility so she could turn a blind eye.

And sadly it's not just her- I know everyone loves Martha Underwood including Nat; but I think her submissiveness to her husband has a negative effect on Nathaniel as well. In AOS when Nat is locked in his room for ages after setting the mites loose, and is forbidden to have any contact with anyone and she won't talk with him. I know she's been told by Mr. Underwood she can't, but it still boils my blood. She's an adult and going along with ignoring Nathaniel because her husband told her to...I can't even begin to imagine the psychological damage that would do to a 10 year old child. (It could be argued she's frightened of the consequences if her husband finds out she's disobeyed him which is fair, he could always be watching through magic- but this is Arthur Underwood we're talking about. He's lazy, oblivious and weak I doubt he'd expend all that energy each day to check up on her.)

And It's even more painful that Nathaniel is often described as fiercely loyal to her and I think to Ms Lutyens as well- he doesn't expect to be treated well by Arthur Underwood but he loved Mrs Underwood and Ms Lutyens so much he started to view them through a rose-coloured lense. He never feels betrayed by either of them, even though they absolutely let him down, because the pedestal he's put them on is too high AND THAT ABSOLUTELY DESTROYS ME.

Would things with Nathaniel have been any different if Mrs Underwood hadn't died? I don't really think so. Do you think she'd see Nathaniel's temper at 14 years old and be reminded of Arthur Underwood? He was awful, absolutely awful to Nat and to her; but he was under so much stress in an underfunded departement, where pressure was being put on him by superiors to accomplish far more than they knew him to be capable of, and he took it out on the easiest target. Nathaniel ends up in exactly the same place and he starts to take it out on the only person around him- Bartimaeus. Would he snap at Mrs Underwood all the time if she were still there? Because he's learnt that behaviour from his father figure, and subconsciously learnt from his mother figure that she'll put up with it. He learnt from the woman he loved so deeply, that if you don't resist, people will walk all over you. So you have to maintain control even if it ends up hurting people you care about because no one will step in to stop the suffering no matter how much you love them, no matter how much you want them too.

It's easy to blame Arthur Underwood and Simon Lovelace and the magicians that actively hurt Nathaniel but I just feel like it's a bit disingenuous not to acknowledge the role of those doing passive harm. It's really mean to say it but even Bartimaeus plays a role- he knows Nat is clinging on to him because he can't 'bring himself to break this last connection' (to his childhood) but instead of bringing it up properly he 'taunts' Nathaniel- a boy who has been taunted for his weakness by his master for years. And even in AOS when Nathaniel tells Bartimaeus he was beaten for the mites incident Bart just kinda shrugs it off. Like I get it, why should Bartimaeus do anything, he's suffered way worse due to the system so he doesn't owe Nat anything right? But from Nat's point of view this is the first and only time he's mentioned to anyone what has happened to him and nothing changes. It's like another lesson learnt: telling someone about it doesn't help. Another nail in the coffin.

And I like all these characters, I feel bad for them. They're all victims of the system, I think the chapter with Ms Lutyens is just the straw that broke the camel's back for me. All of those little opportunities that are insignificant to the narrative over all; the commoners have it worse, Nathaniel is in a privileged position in society, exerting control over others. He's very morally grey, crossing over into objectively bad person territory but I love him with my whole heart and all of those insignificant moments would have been massive to him whether he was conscious of it or not.

And it goes all the way back to the beginning with Nat's parents giving him up to the magicians at 5 years old. I can't get the image of that little boy sat crying all alone in the government building. And he's not going somewhere safer, or somewhere he'll be happier and more loved. Giving your child over to a total stranger, oh he'll be totally fine won't he? He'll grow up to be a magician and far richer than you'll ever be, he'll be happy and comfortable and be grateful he got to grow up in luxury. There's no way a stranger you've never met, who the majority of society is terrified of would ever hurt a vulnerable little kid right? And if they do? Well you aren't responsible anymore, how could you know? What could you possibly do against the magician taking care of him?

Every little thing is another grain of sand tipping the scale. Did anyone else have to analyse An Inspector Calls in school? It feels like that to me- those BIG moments and all the little moments in between that add onto the pile.

And it goes on to cause problems in wider society too- ab*se is so normalised to the magicians, they casually ask Underwood if he hits Nathaniel like it's nothing. Because to them it is nothing, they've all grown up in the same circumstances and are repeating what they've learnt as children. I can't help but feel a little sorry for them all, especially when they aren't looked at through the black and white lense of 'argh these people are the evil arseholes look at how they treat everyone around them, screw these guys.' When we see those little glimpses of humanity like Simon's anxiety with the amulet; looking to his master and father figure Schyler for reassurance, and what's sad is that Nat is "reminded...of his own master's cold impatience" It's clear Simon looks up to his master, wants to make him proud and loves him. But it seems like Schyler has just trained Simon up so he can get power through him later on. I love the little hints of similarities between Simon and Nathaniel; the anxious mannerisms like fiddling with his hair that Nathaniel starts to develop, the way their master's talk to them. Even though they're actively working against each other in AOS and Simon is placed firmly in the baddies category and Nat in the goodies category at this point in the series; these things always hinted to me they had similar childhoods, how was Simon treated? When he had the imp beat Nat into unconsciousness, was it because he'd had the same punishment used against him? Did he know the magicians in the room would do nothing to stop him because no one stopped it from happening to him? Did he ever have a teacher stand up for him only for it to change nothing in the end because all the negative influences were so much stronger? Is the reason he loves Schyler like a dad because he's almost developed Stockholm syndrome? It looks like love because he's never known anything else.

And Arthur Underwood- who doesn't think his upbringing, and being taken away from his family ever did him any harm- doesn't realise the harm done is that he doesn't even know another way of raising Nathaniel, because he was never shown another way. His childhood may also have been filled with people who hurt him and the people that didn't do enough to intervene.

There are so many psychology studies that show children copy everything they see the adults in their life doing. Nathaniel copies the magicians behaviour towards spirits and on a subconscious level I think he copies all the submissive people in his life. How many times does he end up upset and frustrated with the fact he seems to be going nowhere and how many times does he just hope things will be different rather than taking postive action.

I dislike the actions the magicians end up taking but I also find them fascinating to analyse. I tend to prefer villains in media because they're usually slightly more complex individuals and I love to think about how they ended up that way. They can all be seen as victims of their circumstances in a way, despite all the power and privilege they have had terrible and traumatic childhoods, and if the commoners had no valuable worldy possessions at least they had a sense of togetherness; of love and understanding and selflessness. I wonder if the magicians hated them at least partly because of that. Because out in the sea of faces of the commoners talking about nothing important, doing nothing great and noble- could be the parents that abandoned them. And when your life is on the line daily because of working with spirits, and your colleagues want to stab you in the back, sometimes not being responsible for anything important looks good. But you can't leave your life as a magician, it would be too difficult; you have nowhere to go, no real friends, no one who really loves you. So it's better to stay and be a submissive bystander in your own life because it's so much easier.

Doing nothing is doing something- being passive can be just as harmful.

[brain-deadx0]

Trying to weave a partial blanket and having a problem I feel my ancestors also faced

[novasjaneway]

Space wives with ex-borg children

These two were parenting all the ex-borg children together (esp Icheb) and I think that is the most sweetest underrated detail of the J/7 relationship

Meeting Ichebs parents. Basically the adopted parents kathryn and seven meet the blood parents so seven can ask all the hard questions while Kathryn uses diplomacy to keep things from getting heated.

Both adopted parents say goodbye.

Saying goodbye to your adopted son is hard. But when he returns to his family and one of you finds out it's not the safe haven you thought, perhaps a parenting squabble is bound to occur even if it's 0300 hours and one of you isn't quite awake yet.

(Not before I've had my coffee...please, eh hell, I'll just bring it with me)

But in the end, you find common ground and you both decide to go after your son and bring him back home.

Icheb is safe at home on Voyager again.

And as the doctor is tending to his ails afflicted by his other parents, a tender moment is shared between the two adopting parents.

Heart melt, heart melt, tears to fill up the nile!

J/7 is so deep I'm gonna need a tractor beam to get out of this glorious sinkhole.

[lovereadandwrite]

timing is everything🗡️🎶

[bitchfitch]

I've started playing Potion Permit, and so far it's one of my favorite games I've messed around with, but the most big brained move the devs made was giving you a dog on day 1, and then making that dog able to track NPCs and lead you directly to them no matter where they are in the town.

[kyurochurro]

patchy patchy who has stars in her eyes!!!

[kismetconstellations]

i carry your heart with me(i carry it in my heart) x.

[odysseys-blood]

saw this and its such an odd decision and frankly i dont think they'd be able to go through with it.

the ENTIRE game is based around eroticism and is hypersexual there is no way you can or even *should* make it for a younger audience. there would be no game.

[vagun1ka]

ganyu sketches

[drumlincountry]

I like to push back the idea that anarchism is the politics of a 12 year old on a skateboard who wants to stick it to the man. Cause, u know, its mostly about having very long and boring meetings. HOWEVER, today I did see some kids playing VERY disruptive ball games in a car park, disrupting traffic & risking possible property damage & making a café manager yell at them and :') it did cheer me up :')

[chloethehorrorbabe]

My Top 10 favorite 80s Horror Movies

1. A Nightmare on Elm Street(1984)

2. Near Dark(1987)

3. The Lost Boys(1987)

4. Killer Klowns from Outter Space(1988)

5. Child’s Play(1988)

6. The Slumber Party Massacre(1982)

7. Children of the Corn(1984)

8. A Nightmare on Elm Street 3: Dream Warriors(1986)

9. Fright Night(1985)

10. The Thing(1982)

[wormshirt]

The Doctor needs one of those classes they give to expecting/hopeful parents but for humans. Get their ass enrolled in a parenting course. And everytime they get a new companion he has to retake the course.

[pushing500]

Today there was a spectacular space battle over Parish-by-the-Expanse, so our cultists were looking forward to some fresh meat and potential new recruits.

These two survivors in particular caught my eye, so we'll start trying to convert them ASAP.

Euclid is a genie with level 17 crafting skill, which we need to craft a new leg for Socks so she's not stuck with the peg leg anymore.

Magic Man is a Drakonori and, I'll be honest, I didn't even look at his skills or traits. His name is Magic Man, and he looks like fun to draw, so he's staying whether he likes it or not.

Laursen put his skills to good work making a new bed for Cecil, who I'm sure will appreciate the effort.

And finally, I wanted to show off the girls' new bedroom because I'm quite proud of how it turned out. You can even see Cecil's masterwork human-leather bed in the bottom left, next to Salvatore's human-leather cat tree!

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