#cheat Adventure Capitalist

[animation-recaps-by-sean]

Top Ten Disney Couples

Well it’s been 100 years of Disney and with Valentine’s Day soon I’ve decided to mark the occasion by counting down my favorite Disney couples. I know that the House of Mouse is an evil capitalist empire that needs to stop eating IP’s and should at the very least pay their employees better. But they have a lot of blorbos so let’s see who I like together.

Now this is a couple list, not a ship list. So canon couples only. Not even if I like the ship. So two characters hugging once doesn't count. Now without further adieu here are the top ten disney couples.

10) Goliath/Elisa

From the early nineties classic Gargoyles, we have Goliath and Elisa. The biggest furry-ish couple on the list aside from the actual funny animals. Goliath was the leader of the mythical creatures awoken in ‘modern’ read early nineties, new york. And they met police detective Elisa Maza. And over the course of their adventure the two develop a deep longing for each other.

Putting them on the list is a bit of a cheat as their relationship never goes beyond deep pining. Due to the whole interspecies thing. I haven’t read the comics, so I’m not sure if anything came from that, but they have a great dynamic in the show.

9) Phineas/Isabella

Yeah, they ultimate well they or won’t they of Disney couples. Star and Marco tried this, but hit it a little too hard. But Isabella’s crush on Phineas is super enduring and a great source of jokes. I am bummed they waited until almost the last episode to get them together, and in a flash forward too.

I almost put Candace and Jeremy here, them getting together season two and just being a couple got big points with me. But Jeremy is kinda of bland so phinbella it is.

But Phinbella are a sweet couple.

8) Cinderella/Prince Charming

Not gonna lie, the bulk of the heavy lifting is being done by Cinderella III. But even then this couple always was the strongest of the three classical princess romances. Yes they fall in love over the course of a song like they others but the song plays while Cinderella and the Prince have a quiet conversation that the audience doesn’t hear. It’s nice compared to the bombastic songs Snow White and Sleepy Beauty had.

But even then, Cinderella III puts this on the list. Giving the couple some struggling, and the Prince a fun goofy personality.

7) Donald/Daisy

The ultimate disgruntled couple. Told over the series and comics, Donald and Daisy are the ultimate on again and off again whirlwind. It’s fun to see how these two are played.

Donald’s grumpy demeanor plays off of Daisy’s sass really well.

6) Belle/Beast

Okay, elephant in the room. Stockholm Syndrome is bad. Hot take, I know. Elements of this romance are really, really bad when applied to real life. But in fiction, two people bonding and learning to grow in extreme situations is a good story.

These two were the first princess romance that felt equal. The classical Princes, and even Prince Eric felt like props. The movie lives up to its title and makes both feel equal in a way we hadn’t seen before. Watching Belle’s good nature warm Beast’s heart is nice. And seeing Beast learn to like himself is nice too. Gaston's self centeredness and entitlement is a great foil for these two.

5) Kim/Ron

Not gonna lie, did not actually ship these two during the first three seasons. I just thought they worked as friends. So the ending of So the Drama was a bit of a head tilt moment for me. But once season four showed them as a couple, it just worked. It didn’t need to break the characters or their dynamic to make them work as a couple. I wish more shows realized this.

4) Jasmine/Aladdin

Jasmine and Aladdin are great. Both of them want the same thing, respect. Aladdin wants to be seen more as just a thief and Jasmine wants to be more than just a royal and be free to make her own choice. It gives their romance a nice synergy.

Also having two whole movies and a tv series before the two tie the knot helps with the whole too fast relationship thing that plays the other Disney princesses.

3) Rapunzel/Flynn

This is the latest main Disney romance in their animated movies. That’s weird right? Tangled was almost 13 years ago. I know Anna and Kristoff are a couple, but that’s a subplot compared to the sister drama. Hell Frozen II even dropped the proposal subplot halfway through. I mean Disney animation is known for their couples, I guess that’s why they stopped? I guess cause princess movies are considered girl movies and girls should have more than romance. I’m not saying every movie needs it but I do miss it.

But Flynn and Repunzel are actually really cute together. They have great chemistry and are sweet together.

2) Mickey/Minnie

Surprisingly veristital. Mickey and Minnie are absolutely adorable with each other. Whether they're just meeting or been dating for awhile, I always enjoy seeing these two.

1) Luz/Amity

And here they are, my favorite Disney couple. And it's not just cause they're sapphic. They are a general well written couple. They set Amity up like in her second appearance. I am so glad they didn't drag getting these two goobers together. Because watching Amity growing and Luz getting support from her, warms my heart.

The cut kisses, blushes, and pet names have done wonders for my mental health. Now there is still one more episode so it's possible to fumble at the finale line but I trust the staff.

Hail to the queen's of love.

[misccy27]

Series rewatch notes to self

S1E01 “us weirdos have to stick together”; takeout death with Warden Wrath cutting off Eda’s head (using scythe arm); Eda coerces Luz into her first adventure and that’s when Luz decides to stay, deceives her mom for the first time; quest to get King’s crown, him living in a fantasy world; King is a lot more enjoyable when I have the context of his developmental age, but it does make Eda look more questionable

S1E02 Luz draws more direct comparisons between her life and Azura than I remember; directly addresses dangers of living in a fantasy world, main character fallacy, trusting shady old men; Luz trapped in fantasy world and choosing to wake up; parallels between her projecting Azura fantasy dreamland onto BI (presented as hellish from start) vs projecting her depressed cognitive distortions onto the Collector’s fantasy dreamland; Nevareth “teen prince of angstmore” has an animal sidekick I forgot about, as a puppet gets stabbed by Luz.

S1E03 Luz refers to the Owl House as home in the cold open. Reference to Eda’s poor position in BI, Luz not wanting that for herself. Love Willow. Angry outburst and trouble controlling plant magic from the start. Confirmed Best: “Into the darkness you go 😉”. Gus is so smol. Didn’t have to make Amity so mean for how much it ends up being explored. King is treated more like a sentient pet than anything, weirds me out. Willow told to cut Luz, iconic crooked dagger. Abominations as mindless obedient creations. Willow confirmed plant prodigy, Bump says “remarkable.” Amity’s desperate need to be top student. High fives and hugs are human things.

S1E04 LORE. Boiling rain. King teaching about demons, v funny. Eda teaching spell circles bile sac. Owl beast curse; King knows about potions but think they give Eda magic. Luz wants to learn magic so people take her seriously. King dejected that Luz cares more about magic than demons. Bonding. Curse can be managed by elixir, entirely out of control otherwise. First dream memory not knowing who cursed her. Luz learns light spell.

S1E05 Covention. Introduction of coven systems. Eda is such a radical and I love her for it. Friction between her views and Willow and Gus’ societal norms. Lilith and EC get introduced (by Bump, v pro). Another case of mean is bad, nice is good and vice versa. Duel between Luz and Amity. King as a pet again. Lilith is Eda’s sister. Reveal via Kikimora at the end that she’s supposed to be capturing Eda, but she doesn’t try to in this ep. Big emphasis over multiple episodes on whether Eda is a good teacher/mentor for Luz. Eda and Lilith both cheat. They duel. Eda tells her the curse is killing her, “don’t know how many days I have left.”

S1E06 moonlight conjuring. Bad: Eda has a gambling problem; needless friction between Eda and Luz for conflict; Eda as a pickpocket played for laughs, acting like all crimes are created equal. Good: kids are all flawed but cute; Willow insecurity moment; Gus’ bucket list; Willow and Gus trying to protect Luz from Eda’s punishment at the end. Also that guy who enjoys throwing kids off of cliffs, v funny. Tibbles the capitalist. Eda w/o magic getting captured easily (to get handed over to EC). Owlbert doesn’t (can’t?) transform to help. Amity is legit such a bully to Willow.

S1E07 Lumity. But setup begins with Luz, Eda, King; better going into it knowing which split ups occur. Eda and King babysit for BQ, amazing reluctant parent Eda; “joke” at end about empty nest syndrome w parallels to Eda’s Requiem. Luz explicitly interested in befriending Amity because of Azura. Amity blames Luz, calls her a bully (retracts at end); implications for Luz’s guilt later. Twins presented as cool; v mean; rule breakers; inconsistencies wrt illusion magic; revenge on Amity for tattling on them. Amity diary entries.

S1E08 starts with Boscha, Luz recognizes her as a bully (weird framing with Amity). Body swap. Don’t buy premise of them not being able to empathize with each other; series started off with us weirdos sticking together, nothing done to undermine that. Would’ve preferred seeing them bond together. Interesting take with King wrt woobifying/coddling/babying characters. Unfortunate implications wrt framing of King as an adult sentient pet like creature. King is Luz, doesn’t act less mature than her; how old is he supposed to be? Skara isn’t that bad even in this. Luz does spell circles as Eda. Her AND OWLBERT get arrested by the EC. Lilith shows up; scouts react to her presence, she does command respect. Overrides orders to send Eda straight to conformatorium, to try to brand her into EC instead. Show won’t commit to Eda’s crimes. Ep includes rat worms, crow phones. Ends with Eda swapping everyone, it is horrifying, wild magic is dangerous ig

S1E09 Mattholomew human appreciation club. Gus lies about Luz being unbanned. Willow Disapproves. Friction between Eda and Luz about Eda’s ability (interest) in teaching Luz magic. Eda talks to Bump; he’s cool with Luz but Eda has a long permanent record. More about illusion magic. Like how terrible Matt is. Skara gets dragged off by a griffin and later has a cute scene “friendship is the real magic” lol. Gus’ weird wristwatch. Ghosts are little purple goo things?? Luz upset that Gus lied. Why Gus lied: being younger than everyone is hard, you get ignored. Bump promises to not tell the EC about Eda, “I’m a principal not a stooge.” Willow went to help but didn’t get to do anything?

S1E10 OWLBERT YES. King treated like a child, younger than Luz. Eda out of commission due to curse flare up. Willow and Gus (they miss the bus to wait for Luz at Willow’s prompting). Parents get children places by giving rise on staff confirmed. Half-owl beast, Eda “suggestible”. King uses her; he should’ve known better. Potion doesn’t work. King snaps her out of it 😒. Love BQ. Love Owlbert plot. BQ was right. Willow and Gus sidelined again. Gus “became slightly traumatized. Hooray!” No closure on main 3; potions aren’t working on Eda’s curse anymore. Ends on BQ cute.

S1E11 King and Luz write Ruler’s Reach. Eda dealing with curse and Lilith. Lilith starts off looking for bloom of eternal youth for Belos? Eda goes to follow Lilith and she tells Luz she’s leaving to an undisclosed location for a few days and Luz is fine with that. Stakes are building gradually. Skara author fangirl. Premise of Luz and King seems off, framed as King controlling the story. But Luz seemed to be controlling it at first, neither seem good at collaborating. Fun commentary on creative industry. Sentient abomination? 12:06 (see also end of ep 9). Glimpses of s2 Lilith. Interesting look at her and Eda’s relationship: Eda saves her then pushes her over to get to the bloom first; ends on positive note with her waiting for Eda to choose to join.

S1E12 Luz is the one to ditch Eda and King this time, for Lumity build-up. Idea of Azura book club brought up. Amity is much nicer to Luz; the twins are much nicer to Amity. Magic requirement at Hexside. MENTOR EDA. She hasn’t taught Luz any new spells but she has been reading her books about wild magic. Same problem as Teen Abom? Thing where Eda’s teaching method doesn’t work for Luz. Luz steals Amity’s training wand and angers beast. Gets Eda and twins (parental?) captured. Amity cages Luz to keep her safe. That’s what forces Luz to take Eda’s advice and listen to nature. Meanwhile King brings toys to life so that they tremble before him. Hooty murders them (played dark). Love the lore, hate the plot.

S1E13 Luz’s Hexside entrance exam, v interesting. Eda offer for her to back out, Quitter Badge. King eating out of Hexside’s trashcans. Willow explains coven head banners. Basilisk impersonating EC official. Track system; rule book made by EC. Bump follows to get donation from EC. Crystal balls used by oracle track (not just tv) and contain future telling ghouls. Detention track (with Viney). Needs to wait a whole year to try another track? “Maybe you’d do better in a human school” from Bump. Peaks into other classes - oracle seeing to end of life. All of them in there for multitracking 😒. Willow and Gus pitted as antagonists. She is consistently the responsible one of the two. King teaches a class. Bump does try to protect Amity from basilisk. Bump 300 years until retirement joke. Glyph magic hurts basilisk. Bump character growth re multitrack.

S1E14 Really small problems. “ready for trauma” line. About a Ferris wheel that gives you nightmares. Eda profiting off of Luz the human as a freak show. Owlbert is back. Willow gets to take some initiative, is the responsible friend. King portrayed as a kid, younger than the others. Consistent anti-law message with the show. The crowd wanted to see kids eaten. King explains it as demons do crazy things when they miss someone?

S1E15 where did my notes go??? It’s understanding Willow. Willow is hilarious. Christmas-ish is canon. Angry inner Willow is great. There was something else I can’t remember. More about mindscapes? Willow remembers what happened in there.

S1E16 Grom. Starts with Luz re Camila (she’d be freaked out by the demon realm haha). Amity is reflexively mean, catches herself when it’s “Luz and co.” Eda says Luz is human, fragile, so condescending. That’s what motivates Luz to take Amity’s place. This has those good scenes of Luz lying to her mom about her emotions via text. If Grom isn’t defeated everyone on the island has to live out their worst nightmare. “What’s the fun in watching a kid get eaten by a monster if it’s my kid?” I love Eda. Willow is more popular/confident at school now. Gus as MC; calls glyphs human magic. Bonds with King. Immersion broken by annoying meta humor. Grom!Camila hits so much harder now. Lumity displaces touching Eda rescue. Love Skara. End bit with Camila, Vee sending her letters, so cute.

S1E17 sports. Boscha intro, parallels with Willow into in ASIAS? Willow is popular. Amity counters Boscha’s snide comments, she grew up from being obsessed with status and challenging competition. New type of ghost, looks like a ghost. Eda used to play grudby. Can’t reason with crazy. Boscha says Amity went soft after Grom. Not after understanding Willow? Boscha can get away with murder bc sports. Lilith is back. Hooty grabs her from the forest. She’s here to arrest Eda. The jacket Eda gave Luz is her grudgby thing. Skara is mean but only via background looks. Willow has never played grudgby before. Montage joke. Luz pushes too hard. Willow does a last second save like in ASIAS. Willow the realist I love her. Also more anger. Amity really got boring when she gets her crush thing. Eda beats Lilith at grudby, can’t go back empty handed, tell him I put up a good fight. Luz learns fire magic. Skara isn’t on team at the end; sits out bc Boscha rejected Luz’s forfeit? Or just alternate? Starts off good game Willow at the end I love her. Ep ends looking like Amity is joining the squad; deceit.

S1E18 so much plot omg. Kikimora: DOU is approaching, others have blind many rogue witches to covens. Hooty is such an effective intruder alarm. What happened to the magic repelling cloak? Owl beast forever fate worse than death. The kids are so brainwashed. Kiki is the emperor’s assistant. “Witches had access to corrupt knowledge and that dishonored the Titan.” So much. “Good luck with puberty” such good delivery. Belos is straight up consuming palismen in front of scouts and everyone. Also clearly bad health. Threatening Liltih. “Stripped of your rank and banished. You know what happens to covenless witches.” With the heartbeat. Hunter standing there covered head to toe absorbing all of this jfc. Willow and Gus are the best. Interesting. Lilith says “these decrepit relics are useless” when she destroys the healing hat, but Willow and Gus’ relics worked. I wonder if it really could have healed the curse. Scouts are definitely watching Eda and Lilith duel. Bs Eda “wasting her magic” before she knew Luz. Didn’t have to make Lilith go so hard just to up the stakes, have curse triggered some other way. Emotional takeout tho tbf. Owlbert rescues Luz. Interesting found family bit, Lilith “Eda is with her real family.” SUCH a downer ending I love it.

S1E19 the cloak “to a young witch from her proud mentor.” The dagger is back. Luz blaming herself. Lilith to Eda “this is for your own good.” Belos teleporting. Lilith says Eda will become “a useful asset to the coven.” Mechanical staff appears; he uses it to make Eda present in owl beast??? Luz the human on his radar, he wants the portal. Lied to Lilith “don’t be naive it’s the Titan’s will.” He tells her to destroy Owlbert; inconsistent? PERRY YES. Excuse for petrifying her is refusing to join a coven and attacking a coven leader lol yikes. Willow and Gus are talking on their scrolls. Luz hates Lilith. Luz blaming herself again. Eda wanting to protect her. We’re a family 🥺. “You have a family already. Go back to them.” Luz so vengeful against Lilith. [Lilith calls Belos the most powerful witch on the Isles.] Paints it as Eda as a kid worked harder than Lilith, not sure I agree. Apparently well-known Belos quote, “To be great you have to make sacrifices.” Flashback background appearance from Oralia and Alador. Owlbert used to prove Lilith is legit. Perry calls her “Head coven leader” Lilith (when she’s tossed in the petrification cage last minute. (But the spell only hits Eda.) Hunter shows up again at the end. Must be busy after this between the portal door and the “promotion.”

[rush to catch up]

S2E10 Yesterday's Lie hits so much harder now. There is so much to explore with Camila and Vee's relationship. Both when Vee was pretending to be Luz and the immediate aftermath before the others showed up. And then the ending with Camila and Luz. Brutal. Also wish we could have seen Luz and Vee's relationship develop in TTT. Do they consider each other sisters now?

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[ducklooney]

You know, Scrooge and Goldie are really the only canonical couple, they just deserve each other, the same inclinations, love for money and gold which in most cases outweighs their own love, also other sins, especially Scrooge in early comics. And personally, I just can’t consider Scrooge and Bridgitta a love couple just out of respect for Bridgitta ... And I feel sorry for her, because her heart is only occupied by Scrooge. She doesn’t need such a lover, Scrooge just suitable for Goldie in every sense.

Hi, sorry I didn't answer you earlier. You have the right to love what you want, I don't blame you and you are right, everyone has the right to their opinion. But I have to say this, even if you may not agree with me. Well like this, as much as I love the love couple between Scrooge and Goldie, it’s not exactly what you think. Scrooge is not like Donald, so he only has to be sentenced to one person. Donald Duck certainly has a lot of girls he’s in love with and that’s seen especially in some cartoons and most comics, which isn’t bad, but in the end he’ll always end up with Daisy. That’s how most writers work and that’s such a canon. Scrooge McDuck is not such a case, he will, no matter how many women and sympathies he has, he will love money the most in the end. Money is his greatest love. I know it sounds sick, but such a character was created to be bastard and to be a ruthless capitalist, which is a parody of the society of that time (Scrooge McDuck was modeled on Ebenezer Scrooge from the Christmas carol by Charles Dickens). Of course, Scrooge is not the only character who loves money more than anything. There are already such stingy characters as Mr Magoo, Richer Rich, Mr Burns, MOM, Mr Plotz, Montana Max, Mr Krabs, Eddy and other characters. Some are protagonists and some are antagonists. Scrooge was an antagonist at the beginning, but later, according to Barks, he became the protagonist and a great adventurer, although he will only go to collect valuables, and not to think about helping the poor and giving to the museum. Although many authors of later comics mitigated that, Scrooge would still be a positive person.

Scrooge in the Carl Barks comic “Back to the Klondike” went back to the Klondike not so much for Goldie as for the lost gold that Goldie took from him. Eventually Scrooge got mad at her again for cheating on him. Barks preferred Brigitta more, although it was not his work, but a fictional character by Romano Scarpa, and Barks considered her a true character for his universe. Brigitta MacBridge was on purpose for him, not so much as he was for her as she was for him. Brigitta had enough money, she didn't need Scrooge to further replenish her wealth. Their romance was certainly comical. Of course, Brigitta has other companions such as Jubal Pomp, also a businessman and a good partner for Brigitta. Jubal Pomp (or Filo Sgaga in Italian) is credited with making Brigitta not as aggressive as in many older comics, although I love the romance between Scrooge and Brigitta.

Yes, there are comics in which Scrooge admits that he loves Brigitta. In the comic “A Tale of Two Biddies!” has a confession that Goldie doesn’t mind being Brigitta from Scrooge because she knows she was Scrooge’s love for the past, while Brigitta is Scrooge’s love for the present.

As for the romance between Scrooge and Goldie, their romance really only worked in the OG Ducktales and Don Rosa comics only to later work on other comics that did that romance at the time Scrooge was in the Klondike. I love that romance in the Klondike and that is the best thing that both characters could afford, but one thing should not be forgotten. For some reason they could no longer be together and Goldie became a thing of the past for Scrooge McDuck. I wish their romance had really happened when they were in the Klondike, but the past would have been different. Neither Hortense nor Matilda would leave with Scrooge and settle in Duckburg, nor would Donald or Della. History would be different. Maybe Scrooge took Goldie with him and took her to Scotland, though who knows. Although I wish they had gotten married back then, I'm sure Goldie would have broken up with Scrooge if she had known about his cruel plans for the African colonies. Although I know that many Scroldie fans will not like what I am going to say now, I apologize for that, even though I am a Scroldie fan myself, and that is certainly Goldie Scrooge's past, which cannot be corrected. And that was later shown in most comics. Although Scrooge and Goldie met again, but as old people, especially in Don Rosa comics, even though they renewed their old romance, they still can't correct what the two of them have done in the past and what is there. Maybe Goldie's granddaughter Dickie, as in some Italian comics, corrects such a mistake, so Scrooge admits her as a future heiress. But everyone makes a canon for themselves and everyone has the right to their opinion.

But I will say the same thing, Goldie is not the first love for Scrooge. Scrooge was in an Arild Midthun comic (The Substitute Santa of Strathbungo -The Orphan's Christmas) when he was ten and already had a crush named Brenda who was an orphan. Unfortunately when he left, he never saw her again, but he saved her like other orphans from the notorious abuser.

However, the essence certainly remains. Scrooge is not like Donald and he will probably choose to love his money rather than Goldie, Brigitta or some third woman. Such is his character. Of course, he should love his family, but I don't like it when it is especially mitigated in both versions of Ducktales, so he becomes the voice of reason in his family. Such is his character. Of course, he should love his family, but I don't like it when it is especially mitigated in both versions of Ducktales, so he becomes the voice of reason in his family. Goldie, as greedy as she is, is not like Scrooge. Although this is an unpopular comment and I beg the reader of this not to attack me afterwards, I am not a Goldie fan in the Ducktales reboot (although the love couple between Scrooge and Goldie was ok) nor do I like the scheme team as some we call the Goldie and Louie team cannot be good examples of the mentor-student relationship. I don't like it. I prefer Goldie as a good grandmother as in comics or a good dedicated woman as in OG Ducktales. And unlike Scrooge, that old Goldie has never been rude to her family, as far as I know. She treated her granddaughter Dickie well, as in Italian and some Brazilian comics. Of course, everyone should love their version and their team as they like, I'm not defending that, I'm just asking you to respect my opinion, that's all.

Yes, I'm a fan of Scrooge women's couples who always make sense (Scrooge with Goldie, Scrooge with Brigitta, Scrooge with Magica, Scrooge with Fenton's mother and other couples) and who can be canon with themselves, and that I love Scroldie, but again, I respect other opinions like most canon Duck comics and Duck cartoons, but one thing is for sure. Scrooge McDuck will love only money the most and that will be his only treasure and we can agree that Scrooge will not be like Donald who has real love called Daisy. Yes, there will be confessions in some comics that Scrooge, in addition to his flaws, also loves his family.

Sorry for the comments, but I had to show you an essay on that. I'm sorry if I offended you with these comments, I didn't mean to, but I hope you understand me. If you have any questions or concerns about what I said, feel free to ask me. These are certainly my views and opinions.

[violetren]

My friends and I have this board game we play called Root. We play it on average at least 3 separate times a month and usually play at least 2 games per sitting. We have done for maybe a year and a half now.

It has gotten to the point where if we haven't played in a while someone will drop into the group chat with "Wanna Root tonight?" or "It's been a while since we Rooted, you up for some?"

And to any aussies that see this and did a double take please know we are Australian too and its absolutely on purpose.

What I'm saying is this is a game we enjoy, and put a lot of time into and have all active sought out opportunities to play multiple times. We even put money into it. We have got the expansion, and consider as a group what accessories to buy for it (not that they're at all necessary to playing or enjoying the game) . I myself asked if we all wanted to root when we hang out tomorrow. Root is a good game that we will be happily playing for years.

So with all that said and clear please allow me to say, Root is fucking awful.

A year and a half of playing and we have yet to have game without someone going "wait can you pass me the rule book" or "oh shit I think I've been cheating hang on. Yeah I've been cheating, sorry. I'll stop from now." This is acceptable because no one knows what the fuck is going on and a solid 80% the person "cheating" loses anyways because although their fuck up made life easier for them it didn't do shit to get them ahead. We routinely discover and rediscover how rules are actually meant to work. When we want to check rules someone will grab the book a pamphlet maybe 20 pages long half of which is just explaining the same stuff as is on the player boards. The other person will Google it. The person Googling will almost always get the answer first while the person reading will question whether or not they every actually learned how to read.

Root is an asymmetric adventure and strategy game. Or basically a war game.

What this means is that each player plays as a faction fighting for control of "The Woodland". Each player plays by their own special set of rules and each player has different requirents they have to fulfil in order to gain the points needed to win. Points can be difficult to come by at first but then accrue exponentially fast once you get between 10-15.

Every game no matter how much we have played we all have to sit and read how to set up our board to make sure we're getting it right and every game no matter how much we have played or how carefully we think we've read someone will go "wait did you do that right?"

Base game factions include:

An invasive species bent on deforestation of the whole Woodland for their own gain.

The remaining nobles of the old regime, constantly forcing their leaders to promise more than they can achieve then deposing them for not achieving what they promised. Disdainful of anything resembling grunt work.

What capitalist pigs imagine when they talk about unions. Posed as the common folk underdogs, actually a militia.

A gemini "merchant" and graverobber.

Photos by Pub Meeple

[kareofbears]

finished my task early and realized that as a byproduct of our capitalist society, im unfortunately happier when i do tasks. here are my rankings of persona 5 awakenings spanning from vanilla to strikers. and i watched all of them again just so i wasn’t biased. i will also be attaching the splash pages they have of the group during awakening scenes because theyre fucking awesome 

excluded: 

morgana - no awakening, very sad

akechi - just a reveal, but an awesome reveal 

10. okumura haru  

it feels like a lie to even say she got an awakening, because they didnt even let her rip off her mask. they gave her a half awakening like it was on clearance. sad stuff, couldve been amazing, instead felt underwhelming since there was no lethargic high point where you feel her anger. i liked the gun reveal though 

9. sakura futaba 

same deal as haru, no mask ripping part :( that part of awakenings are very important to me, since its like, the whole deal with awakening your persona. its supposed to hurt, cause it hurts to throw away your facade and be who you really are!! also it just felt long and drawn out, making the tension feel...untensed. pliable, if you will. ranks higher than haru cause it still made me cry--futaba truly has one of the toughest and heart-wrenching motivations to persona awakenings, truly. 

8. niijima Makoto 

no splash page for her which makes me sad. love how gritty her mask + scream were afterwards, you can really feel the impact of it. also, editing was great during this scene. ranks low (high?) on the list though because it was pretty unremarkable overall--thats because makoto’s awakening/arc is pretty detached from who she is. its not very personal, since the conflict isn’t specifically about her you know? 

7. Kitagawa Yusuke 

a fan favorite and im sorry i couldnt rank it in a better spot. loved the camera work, loved the dialogue and his speech afterwards. it really is poetry infused with pissed-off and ready for revenge. if only the mask removal scene was grittier!! i like seeing them in pain!! it shouldnt be easy to take off the mask!!

6. takamaki ann

beautiful spectacular awakening that always makes me cry, but docked many points off because of how sexual it is. why are they focusing on her torso when shes crying. enough with the jiggle physics. stop that!!

her rage and swearing is so on point, and i am in love with how she mows down her shadow self in one go. so cool. love ann.

5. Hasegawa Zenkichi 

another fan favorite and its also one of mine as well. yall im just so emotional that an adult actually got a persona awakening. like, an adult who wants change just as desperately as the young people do? that means so much to me. dialogue is great, shadows are great. his mask ripping scene was so fucking intense that he snapped his mask in half like thats so rad 

4. yoshizawa sumire 

yeah yeah whatever i love her awakening ok. its big cheating that she got two on camera awakenings, but the first one sucked so its fine. the second one is just so great and i love how quiet the music is . where some awakenings feel very disjointed and impersonal, hers was arguably the most personal out of all of them. like she saw her sister?? and that was what made her awaken for real this time?? fantastic. also her mask removal scene was so intense and i loved that nothing happened at first because it makes you think that something is still wrong. hated the first awakening though--why the magical girl sequence?? what the fuck 

3. Sophia 

hehe her awakening is so fucking good. from the line read to the dialogue. this was the only awakening (besides jokers but ill get to that) that truly caught me off guard. i didnt expect that, even though it was the only logical conclusion to her character arc. brillaint. and i cant stress this enough--the line reads. the line reads. are so good.  thank you VA from puyo puyo tetris lmfao 

2. Kurusu Akira 

no splash page for him either but i will forgive it since hes the first. this one fucked me over because one: the animation was amazing, two, he awakened for ryuji, and three, his mask removal scene is the best of them all. you can feel every centimeter of his mask forcibly peeling away from his skin and i love it. also, this one scared the fuck out of me because when i bought p5, i didnt know what a fucking persona was. i thought this was like, a high school adventure. so yeah, this had a big impact on me

1. sakamoto Ryuji 

look man. this boy is just so angry. so fucking angry, and so intense about his feelings, and so desperate to help, and all of that accumulates to being the best awakening. where akira has the best mask ripping scene, he has the best scream after he rips his mask--you could feel that shit in your throat, in your lungs, the vibrations in your head. not to mention, he was the only one who was allowed to look fucking insane--rolling on the carpet and shit, sweating his heart out. i love how gritty it is. 

Those are my opnions thanks for coming to my ted talk 

[oasisspringstownie]

FAME: A Legacy Challenge

Sul sul simmers!

Like many of you, one of my favorite things to do in The Sims is play Legacy Challenges. They lead you to explore new aspects of gameplay, give you new imaginative ideas, and facilitate storytelling. So, a couple of nights ago I got the idea to create a new kind of legacy challenge revolving around different aspects of fame.

The goal isn’t exactly to become the most famous using said career/ skill, but to play around with different elements of the fame system in the game. You by no means need all the packs to play through this legacy. While the experience would be more complete and you will be missing careers and skills and stuff you can obviously adapt it to your need. Also, you are more than welcomed to use mods to enrich your gameplay. I myself can’t play without mods and look forward to see what kind of chaos mods can add to this challenge.

So without further a do below are the 10 generations I concocted like a fever dream at 2 am on a Saturday evening:

Gen 1: A Shaky Foundation

Traits: Cheerful, Ambitious, Self-Absorbed

Career: Acting, Style Influencer (Trendsetter Branch)

You move to a new city full of hopes and dreams. You initially pursue your dream of becoming an actor. However, your career is cut short by the unexpected arrival of your first child. You retreat from the spotlight in order to raise your baby and put all of your energy into making sure they have the best future possible. The rest of the time you spend either working or trying to unwind from your demanding life. What will fate bring you and your descendants?

Goals:

Move into an empty lot with 1600 simoleons for the bare minimum.

Start in the Acting Career, but abandon it for the Style Influencer career once your first child is born. Remain in the Style Influencer Career and eventually choose the Trendsetter Branch.

Max out the Style Influencer Career.

Reach level 10 of the Parenting and Wellness Skills.

Be close friends with all of your children and make sure they each age up with at least 2 positive character attributes.

Gen 2: Get Your Head in the Game

Traits: Active, Music Lover, Outgoing

Career: Athlete, Entertainment (Musician Branch)

Your parent might have seemed very overbearing at the time, but they instilled a work ethic in you like no other. Your entire life you were split between your two passions: basketball and singing. Okay, fine, you're Troy Bolton. After succeeding in the sports world you still find yourself feeling somewhat unfulfilled. You enter the entertainment career later on in life to live out your dreams. Will this be the start of something new?

Goals:

Max out the Athlete Career and then switch to the Entertainment Career (Musician Branch).

Max out the Fitness and Singing Skills.

Be in the drama club in high school.

Gen 3: Going for the Stars

Traits: Clumsy, Loner, Genius

Career: Astronaut

Your parent always told you to shoot for the stars, you just took it a bit too seriously. This world was always a bit too pedestrian for you and you yearn to finally lay your eyes on the astronomical craters of Sixam. There's just one problem: you're terrible at it. It's not your fault, you're just a bit clumsy; but will your two left feet keep you from reaching your dreams?

Goals:

Work in the Astronaut Career your entire life. Get demoted and fired at least once in your lifetime.

Destroy and repair a rocket 3 times.

Live in a tiny home for your young adulthood and adulthood.

Have at least one set of twins. *You can cheat for this!*

Gen 4: The Finer Things in Life

Traits: Materialistic, Hates Children, Lazy

Career: None

You've seen all the generations before you work their little pixelated butts off for every simoleon, but you're not about that life. You were destined for the finer things in life.

Goals

Reach level 10 of the Charisma and Mixology Skills.

Marry and survive 5 spouses. Take that wording however you want. Divorce is not allowed. You must be the last once standing. After all, spouses are like infinity stones. Meaningless.

Never have a job. Only make money from spouses, family, or children. If you get desperate enough you can ask a friend for a loan or steal, but no working of any kind.

Each child you decide to have with one of your rich spouses comes with a 20k trust fund. If they get taken away or die before coming of age, all the money has to be returned to the evil capitalist overlords. You can't get rid of them that easily.

Own at least 1 restaurant/ retail/ business with one of your spouses. Decorate it, assign the uniform, and hire everyone, but you never run it. Why would you go through the trouble?

Gen 5: My Precious

Traits: Art Lover, Kleptomaniac, Self-Assured

Career: Criminal

Your childhood was pretty hectic and you felt like you barely knew your parents. Who needs them? You've never needed anyone else anyway. On your 18th birthday, you receive your inheritance and use it to buy yourself an unfurnished apartment in the nicest building you can find and that's when your money runs out... literally. However, will a new job as a tough guy be the first of many great ideas or will it only be the beginning of the end for this famed family?

Goals

Once you become a young adult give yourself enough money to buy one of the apartments in the Uptown Neighborhood in San Myshuno. It must be unfurnished. After moving in set your money to 0 simoleons.

Complete the Criminal Career.

Reach level 10 of the Mischief and Dancing Skills.

Gain an atrocious reputation and spend the rest of your life trying to cover it up.

Steal 10 paintings from a museum and exhibit them proudly in your home. You are never allowed to sell them. As an adult, hide them in a secret attic nobody else has access to or knows about. They are your precious.

Gen 6: The Muses

Traits: Creative, Family Oriented, Insider

Career: Painter

You could have anything you wanted in the world thanks to your family's empire so you pursued your passion: painting. While you were never close to your other family members you were always very close to your art teacher. This led you to have very close ties to your friends, co-workers, and eventual children. Will your legacy remain for longer in the memory of strangers or your loved ones?

Goals

Complete the Painter Career

Reach level 10 of the Painting, Cooking and Baking Skills

Have a better relationship with your art teacher than anyone else in your family until you're a teen.

Move to a new world once you become a young adult and cut ties with your family.

Be the leader of one club for all your young adulthood and adulthood.

Be close friends with 3 co-workers and all of your children.

Prepare a meal at least once a week with the help of your children. *I know we don't have this in the game yet technically, but I'm hoping to have Cottage Living by the time I play with this generation*

Hang 5 paintings in a museum.

Retire from Painting Career to help care for your grandchildren.

Gen 7: Mole

Traits: Good, Perfectionist, Paranoid

Career: None

You always had a good relationship with your parents. You told each other everything... well, almost everything. You never understood why but one of your parents never talked about the rest of your family members. They explained that they simply never had a good relationship and would rather not talk about it. You respect this until their death when you return to their seemingly abandoned childhood home. While exploring the house you find a not-so-subtle bookcase door and a long forgotten attic filled with paintings. You take them in hopes of returning them but unbeknownst to you, you are being watched.

After an unfortunately unavailable nail-biting car chase, you shake off your attackers. You can't just lead them home to the rest of your family and what would the police do? They don't even arrest Vlad when he's trying to bite all of your sims!

Sorry, different rant.

So you do the only logical thing: you sell the paintings you just stole for some cash to buy an empty lot and skip town. A new life awaits you... just a bit underground.

Goals

Reach level 10 of the Writing, Logic, and Handiness Skills.

Complete the Best Selling Author Aspiration.

After your parent dies, you visit Gen 5's main home and retrieve the paintings hidden in the attic generations ago. Sell them and use the money to buy an empty lot in a completely different world.

Use your remaining money to build a small underground bunker. You can now never leave your bunker or risk immediate death.

You make your income by writing books under your new name. Oh, didn't I mention that? You changed your name to avoid detection. Your children may carry this new fake last name or your partner's.

Gen 8: Part of Your World

Traits: Loves Outdoors, Outgoing, Geek

Career: Social Media

All you knew was the bunker and it's not that you hated it, you just wanted a bit more. You're basically the little mermaid, except you don't get to be a mermaid. You just get a bunker you can never leave and a desperate yearning to explore the outside world.

Your outlet is the internet. From a young age you loved using it to play video games and make friends. As a teen you began to make videos and fostered a community online. Will you finally take your place in the world or remain hidden underground?

Goals

Reach level 10 of the Media Production and Video Gaming Skills

Complete the Social Media Career.

You're never allowed to leave the underground bunker until you're a teen.

You aren't allowed to go to school. Instead you play video games and use your computer for outside interaction.

As a teen you start developing your online presence by posting on social media and making videos on the video station.

You are only allowed to move out of the household once your parent dies and you have enough money in reserves to buy a furnished home.

Gen 9: Natural Born Performer

Traits: Gloomy, Unflirty, Adventurous

Career: Entertainment (Comedy Branch)

Due to your parent's fame, it was always expected you would follow in their footsteps. While a bit more gloomy than most, you are happiest when you make others laugh. So you join the Entertainer Career where you flourish as a comedian. You're also a bit unlucky in love. Will the family name's fame and your own notoriety keep you from finding true love or are you destined to a lifetime of gold diggers and one night stands?

Goals

Complete the Entertainer Career (Comedy Branch).

Reach level 10 of the Comedy and Rock Climbing skills.

Complete Serial Romantic Aspiration

Have four children.

Die suddenly and *mysteriously* in your adulthood.

Gen 10: A Grand Finale

Traits: Kleptomaniac, Ambitious, Perfectionist

Career: Actor

After losing your parents at a very young age, you and your siblings were sent to live with some distant relatives you didn't even know about. While you and your siblings are all very different and you bicker plenty, you always stick together.

After learning you are a descendant of some of the most famous and infamous sims in history, you are determined to meet and surpass their achievements. Will you come out on top or have you flown too close to the sun?

Goals

Complete the Actor Career

Achieve level 10 of 10 skills of your choosing.

Become a Global Superstar.

Get a star on Starlight Boulevard.

Throughout your lifetime you must go on vacation to every house you lived in throughout all previous 9 generations. Oh, and your three other siblings need to come along too. Think of it as Narnia meets It. Also make sure to steal something from each of the houses as a souvenir and display it proudly in your own home.

After you've completed all the things above, get turned into a vampire and choose to end your mortal legacy here... or start a whole new type all together.

Thank you so much for indulging me in this insanity. While I haven't played through any of these generations myself as of yet, I look forward to see the chaos and cuteness possible in The Sims.

Happy simming!

V

[aqueenrisesintheeast]

I was tagged to do this fun thing by my very special and dear friend whom I love @madiquin

LIST YOUR TOP 10 FEMALE CHARACTERS FROM 10 FANDOMS, AND TAG 10 PEOPLE:

10) Violet Baudelaire / ASOUE

She’s everything a young girl would want to live up to I think. She’s super clever but more than that compassionate. Always looking out for her siblings even though their lives are dog shit. She never loses the goodness inside her.

9) Cersei Lannister / Game of Thrones

So as a person I hate this wicked bitch but as a character I think she’s one of the most brilliantly written women not just in fantasy but in all of literature. I don’t know why she resonates with me specifically but her story is fascinating. I GET completely why she is the way she is. She’s had a lot of bullshit to deal with but she’s still responsible for the horrible things she does. Very tragic character. Brilliantly played by Lena Heady.

8) Halliwell sisters / Charmed

I’m cheating here because I can’t pick between the four sisters. Charmed is one of my favorite shows from childhood and it still holds up today. Not much else to say except these girls gave me strong women to look up to.

7) Katniss Everdeen / Hunger Games Trilogy

Another wonderfully written lady. Katniss tries so hard to keep control of her terrifying situation and you just want to hug her. She helped me realize the world is a festering capitalist hellscape likely bound for destruction! No wonder she is traumatized at the end of Mockingjay :)

6) Selene / Underworld series

I’m sort of obsessed with Kate Beckinsale and also vampires and the way these movies portray them are great. Selene just does not give a fuck about your rules and she will fuck a werewolf/vampire hybrid then shoot you in the face after. Also she loves her daughter very much 💕

5) Tyrande Whisperwind / Warcraft universe

There’s some uh, controversy, as to what the fuck blizzard is doing with Tyrande in Shadowlands. I think they’re trying to make her crazy with power like they do to every other fucking woman in the series BUT I am going to separate her from the dudebros who write her. The High Priestess of Elune, she’s over ten thousand years old, a deadly huntress and leader of the night elves. I’ve loved her since I started playing WoW 10 years ago. Her husband is useless and whiny. I hope she learns to love herself and start dating one of her sentinels or priestesses or something.

4) Alina Starkov / Grisha Trilogy

Been a minute since I read the books. Really looking forward to the Netflix series. Alina is a really cool chick with sunshine shooting from her fingers. What else do you need!! That love triangle is yucky but what an adventure she goes on! I love her friendship with Genya 💜

3) Missandei / Game of Thrones

Sunshine in human form. This is a dog shit show that never deserved you. I miss you forever.

3) Evie / The Mummy & The Mummy Returns

Listen. I’ve grown up loving this woman. She’a everything I always wanted to be. She has: a huge brain filled with ancient historical knowledge, a himbo husband who adores her, she knows how to excavate a tomb PROPERLY, she reads and writes in ancient languages, has bravery in the face of rotting corpses and old foes from past lives. You can’t fuck with her and if you think you can go and look for Anck-su-namun!!! JK YOU CANT BECAUSE SHE WAS EATEN BY SCARABS

1) Daenerys Targaryen / Game of Thrones

My love of dany is well documented on this blog so I’m not going to go crazy here, but I’ll say that if d&d and grrm ever meet tragic and mysterious ends for what they did to her then well that wouldn’t be so bad, would it :)

I tag @sleepy-time and whoever else wants to! If you do please tag me, I’d like to read yours!

[minijenn]

So I was being nostalgic last night and I decided to look back on my old KH liveblogs from almost a year ago now and hoooo boy there’s some fucking funny shit in there. So I figured I’d list out some of my favorite running gags from the entire thing, in no particular order, off the top of my head. All completely out of context too. Enjoy!

Glock Boy

Glock Boy being bisexual as fuck for both Skuld and Ephemer

Sora’s capitalist destroying knife

Chirithy stealing Sora’s capitalist destroying knife

Thug Chirity in general, who smokes and says fuck in every other sentence 

Donald constantly threatening to beat the shit out of Sora while Goofy stands in the background disassociating while in desperate need of a vacation

Aqua being an exhausted Wine Mom who is constantly on the verge of kicking her idiot husband’s ass

Terra being the worlds greatest Himbo

Ven being their stupid rebellious son

Roxas not knowing how Girls work

Me, pulling the grandma with a gun meme up any time Xigbar shows up 

Sora’s Bisexual Scream of Frustration

Sora and Kairi constantly being fucking feral for both each other and for Riku (these kids can’t keep their hands off each other)

Me hating all of KH2 Atlantica and comparing it to Actual Torture

Me, hating anything having to remotely do with Re:Coded

Elsa joins a gang

Thug-wannabe Trinity Trio

The Hundred Acre Wood gang doing Drugs Constantly while Sora stands by very concerned

Me, yelling at Nomura for never giving Kairi anything important to do (thank god for MoM coming soon)

Me, screaming at KH3′s ending and how much it depresses me

Larxene’s Leg

Maybe he’s born with it, maybe its Marluxialene

Sora cheating the laws of physics and also Death itself

Riku being CONSTANTLY fucking flirty whenever he talks to Sora

Mickey is a capitalist shill

 Bald Old Fuckhead Master Xehanort

Nort Juice

Xeha and the Norts

The Many Gay Adventures of Sora and Riku, otherwise known as Dream Drop Distance

Namine Deserved Better

All the KH Girls Deserved Better

Me, sobbing over Xion constantly

Me, ranking all of the sick roasts in KH3, with Woody coming for YX’s life still being the best of all 

Me, yelling and Nomura for not giving Vanitas a redemption arc 

Me, rambling off ideas for Keys while liveblogging KH3

Mansex

Rocksack

Hating on Ansem the Wise because come on he deserves it 

“HI WHAT THE FUCK DOES THAT MEAN” Whenever KH does a KH 

Stupid things that annoy me about KH3 Corona/Arendelle 

“Rest in fucking pieces” and “blows kiss to the sky” for whenever someone Dies

Me, being annoyed with CoM’s nonsensical plot

Genie from Aladdin making horrifying facial expressions bc old KH graphics 

Reacting to old KH graphics in general 

Pluto is a fucking cryptid 

Eric’s a fish fucker

Maleficent wants the Free Real Estate

Mickey firing Donald and Goofy

Minnie constantly wanting a divorce bc her stupid husband is never home

“KH3 better fucking do *insert whatever here*” And then it didnt

The Foretellers are fucking morons

Skipping a lot of KHX and basically all of Re:Coded bc I couldn’t be bothered to give a shit

People getting actually mad at me for using the wrong terminology and misunderstanding lore in my fucking for fun liveblog like jfc calm down

Probably a lot more that I can’t even remember rn, the KH liveblog was a wild time ya’ll

[hexiva]

favorite AU ideas for Elleon?

HHHHhhHHhh let’s see!

1. AU where Elliot and Leon are cellmates in prison so that Leon can keep him company when Mr. Robot is fucking with his head, and cuddle him when he’s lonely, and S M  O O C H in private.

2. D&D AU where Elliot is a scrappy anti-capitalist Chaotic Good Artificer, and Leon is a mysterious Chaotic Neutral elf rogue. Elliot and Fsociety are trekking around the world having Adventures and Leon just periodically shows up to give cryptic hints. He works for the bad guys but Elliot doesn’t mind.

3. Star Wars AU where Elliot is an angry communist slicer/droidsmith working for the Rebellion, and Leon is an amoral bounty hunter taking jobs from the Empire. 

4. Vampire AU, like @bingodotco has. Elliot is the kind of vampire that can’t enter spaces without being invited and has to count every grain of rice if it’s spilled in front of him. Leon is a confident, amoral, thousand-year-old vampire who can go out in the sun. Elliot was turned by Tyrell, but Tyrell’s “vampires are gods and humans are worthless prey” ideology doesn’t appeal to him. But Leon, who neither glorifies nor judges the things vampires have to do to survive, offers him a way to be okay with what he’s become. Leon learned a long time ago how not to care about the people he kills - but he DOES care about Elliot.

5. this is cheating but: Tyrellion AU where Dark Army decides Elliot needs more time to sort his shit out after getting out of prison, and sends Leon to babysit Tyrell in Irving’s place, and Tyrell and Leon can bond over being gay for Elliot. And then maybe Leon can stop him from shooting Elliot, and then all three of them can smooch, who knows.

[halogencity]

tagged by

@b52cores​

RULES: Answer these “30″ questions and tag “20″ blogs you are contractually obligated  to know better

name/nickname: Rayyyy

gender: Nonbinary but also the concept of fresh scents

star sign: Aquarius

height: 5′2

birthday: February 18!

time: you dont want to know. anyway 4:34am

favorite bands: Paramore Paramore Paramore Paramore uhhh the Decemberists, MCR, FIDLAR, Neck Deep, AJJ, Black Flag, Dropkick Murphys, the Dreadnaughts, 100 Gecs, Mother Mother

favorite solo artists: Colter Wall, John Mark Nelson, Girl in Red, Hozier, Mitski, our beloved Miku Hatsune, Yung Gravy

last movie: Palm Springs!!! An instant favorite <3<3<3<3

last show: Adventure Time :3

when did i create this blog: Uhhh I’ve been on tumblr since 2015ish but started this blog in maybe 2018 I think

what do i post: scenecore mostly, lots of mcr! Also punkcore.

last thing i googled: “Is girl in red a band”

other blogs: Not today!!!

do i get asks: VERY rarely (pleeease send me more)

why i chose my url: It came to me in a dream tbh wefjwiofj I have a collection of phrases written down from when my brain’s on the edge of consciousness and one was “Halogen city, metro level”

following: 858

followers: 92 (And I lov all of u)

average hours of sleep: not good :D

lucky number: 2! also my unluckiest number is 7, ironically

instruments: Uhm yes please mmunch munch crusnch

what i am wearing: swim trunks and my ex’s big tshirt that I like to sleep in bc it makes me feel small

dream job: bro I have no idea what Im doing in even 3 months dont rush me

dream trip: Take my girlfriend and my best friends to see the mountains, and then get way drunk around a fire n eat smth spicy

favorite food: p*ssy. jk it’s probably mac n cheese, not bc I love it a whole awful lot but bc it’s my safe food that I can make even on bad days. Also my mom’s chili or spinach ravioli soup bc both of those taste like home.

nationality: american

favorite song: Rn it’s probably 18 by Anarbor

last book read: haha

top three fictional universes i'd like to live in: the one in my head, whatever one where c*mmunism is working and I can live in a mushroom shaped house with my wife and have a farm and not exist to serve my capitalist overlords, and probably skyrim but only with cheats turned on and also I am sheogorath

 @cryptidquinn @succlet ur the only ppl I can tag lol I don’t talk to ppl on here

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[zippdementia]

Part 85 Alignment May Vary: An End to Demons

At the end of last session, the PCs managed to put together the pieces of Alyss’ memory to discover she was not the queen of some ancient Satanic city, but rather a noble’s daughter, kidnapped and turned to the worship of Asmodeus. Furthermore, she bore Asmodeus’ child, Karina, who was a major Player Character in our campaign before she reached the hallowed halls of NPCdom.

Now the PCs are whisked back to the present, where they find themselves in the stone hallway again, the “behind the scenes” area of this layer of the Abyss and Esheballa’s game. And indeed, they have a game to finish.

(The artwork below is by Ryan Durney, from his Mirrors of the Abyss module. It’s one of my favorite of his pieces! For the full module, go here.)

Breaking the Rules

With the PCs at this point is Hecate, pulled from her destruction at the hands of the pit fiend moments before she could be crushed by its baleful wrath, and also Alyss. Puck is gone, but Alyss explains that he is “with her now,” the last bit of Asmodeus contained within her, safe in her restored mind until she can bring it to where it needs to go: Esheballa’s inner sanctum, where she keeps the “trophies” of the defeated Demon Lords and Devil invaders, who died during the Blood War’s destructive finale.

Alyss tells the PCs she will reach the sanctum and open a portal so they can join her there but that she needs two things: First, Daymos needs to go with her, as she needs his power to open the portal and also to travel the Abyss unnoticed, as he is now a demon. Second, she needs the PCs to keep playing Esheballa’s game for a little longer, so she doesn’t get suspicious and discover Alyss’ plan.

What is Alyss’ plan? To revive Asmodeus within Esheballa’s sanctum, bringing back her "husband” and the true lord of the devils.

The only other thing Alyss gives the players is a card from Abbraxus, meant for Imoaza. It has a curious riddle on it, telling her that in order to forge a weapon capable of defeating a god or goddess like Esheballa. It reads:

To the Snake Lady:

You will not be able to defeat Esheballa without the power of the realms combined. Solve my riddle and forge the greatest weapon in creation. It was meant for the one whose life you cut. Now its power will be yours to claim. Four realms will come together to craft this blade:

The Eternal Fire of Hell

The Cutting Darkness of the Abyss

The Power of an Elemental God

The Forbidden Knowledge of the Far Realms

Without this weapon, you shall perish and Esheballa shall make a trophy of your skins and a prisoner of your souls. Even with the weapon, your chances may be slight, but darkness flees from even the slightest light.

The PCs jump back into the game after this, doing one more room of Esheballa’s “Mirrors of the Abyss.” Esheballa herself is overjoyed to have her playthings back. 

“Ah, there you are!” Esheballa’s girlish voice emanates from mirrors all around the group. Then her voice darkens and lowers: “I thought you had tried to cheat your way out of my game.” Then a high pitched giggle again. “Or that you’d died, hee hee! Well, I’m glad you are back. There’s so much more fun to show you.”

The next room is a favorite room of mine from Ryan Durney’s crazed campaign, a room where the PCs are forced to split up and each tackle a different puzzle or challenge in a hallway of mirrors. Imoaza and Hecate end up in one hall, Milosh in another, and Ruz in a third.

Ruz has played Esheballa’s game and survived it before and he remembers this mirror puzzle. It was here that he and a fellow traveler met the horrible “Bloody Mary.” Mary was the architect of many of Esheballa’s magical mirrors, but when she tried to escape the realm, Esheballa took offense and punished her horribly, by putting her through the “grater” and then keeping her alive, suffering eternally from her wounds while trapped in the very mirrors she helped construct. Now Esheballa uses her as a monster against those who cannot solve her riddles.

For Ruz, this means solving the steps of a complicated ritual. Fortunately, he has the experience of past failure on his side and is able to avoid the mistakes his old companion made and complete the puzzle. As he exits the mirror hallway, he turns and sees Bloody Mary in one of the mirrors. Something about the look the horrendous apparition gives him makes him think that she knows what he and his companions are about to do. She nods solemnly as if in support, and disappears.

Presently Imoaza, Hecate, and Milosh join him. Milosh looks the worse for wear, but Imoaza and Hecate seem alrite, except for a trickle of blood running down her shoulder. The group doesn’t share their experiences, but I will, briefly.

Imoaza and Hecate end up facing a puzzle involving a sphere of annihilation which requires the proper sacrifice to pass. This is actually a pretty fun little mechanic, where sacrifices let Imoaza roll a d20 to change the effects of the sphere, supposedly turning it eventually into a portal that will let her and Hecate leave this hall. But the trick is that the sphere is never good, and really the goal is have it disappear and reveal the true exit. But this still requires sacrifice.

Milosh, meanwhile, is given a choice in his hallway: face a horrendous monster or set it on one of his fellows. Milosh has been changing ever since entering the abyss and especially since losing Carrick. He is losing his amicable, naive nature and reverting to something more primal inside of him. An old personality is emerging. And that personality wants to live. It sics the monster on Imoaza and Hecate.

This ends up being a boon for the snake relatives, as when they are attacked by the huge, deformed fox creature that Milosh sends at them, Imoaza uses powerful magic to blast it backwards into the sphere of annihilation. The sacrifice is accepted and the sphere disappears! 

An End to Demons

Passing through the mirror trap buys Alyss and Daymos enough time to open a way to Esheballa’s inner sanctum. The PCs leap through the portal that appears for them at the end of the mirror hallway and end up somewhere completely different, a great emptiness that is spanned by a massive bridge leading to the hollowed out corpse of the mighty Demogorgon, defeated during the Blood War and left here to house Esheballa’s most sacred treasures: the conquests of the Blood War.

Note, for this section, I’ve left the module Ryan Durney designed behind, but I want to say that it was a really unique dungeon, and one of the only ones I’ve ever read that really felt like an abyssal adventure. Ryan’s attention to detail really brought Esheballa and her realm to life. It is a deathtrap of a dungeon in the vein of Tomb of Horrors, maybe even deadlier, but also an experience lined with melancholy and moral dilemma. Very interesting stuff! Overall, the Planes in Dungeons & Dragons don’t get enough attention. They have been left as sandbox arenas for innovative DMs to play around in and let their imaginations run wild. But that’s also a lot of pressure on a DM. You have to create a compelling story, pick from myriads of monster lists and obstacles what the players are going to encounter, and somehow make the whole experience feel different enough from a standard game as to make it memorably part of a planar experience. Mirrors of the Abyss is one of the only modules released for 5th Edition that I feel does that, and the only one that does it for the Abyss.

That said, Mirrors could take up many more sessions if I play it straight through, and it is time for us to return to our main storyline. The players enter Demogorgon and make their way into one of his skulls, where Esheballa has built a museum of sorts. Here are paintings all over the walls, each containing the soul of a dead Demon Lord. One painting contains the soul of Asmodeus.

Basically, my head canon here is that in the final days of the Blood War, Asmodeus took some of his highest ranking devils and a huge army and invaded the Abyss. Every single Demon Lord died that day and the power of the Abyss was sealed away by Asmodeus’ power. But using this power drained Asmodeus of his life force and while he could not truly die, the Devils that accompanied him were killed and Asmodeus’ body destroyed. Damaged, his soul fled back to Hell, where one of his disciples, Alyss, found it and nurtured it into a semblance of health. It became Puck. Not strong enough to reveal who he truly was, and with his power only sustained by Alyss’ fervent belief in him, Puck could do naught but watch as Hell was left to the squabbling of those Devil Kings and Queens who had stayed behind from the front lines, turning hell into a capitalistic mecca in the process and more corrupt than ever before.

Meanwhile, The Blood War ended, but the Abyss survived. Dreadfully wounded, its ability to touch the world and open portals to draw poor souls into it was lost. The Demon Lords, from Lolth to Demogorgon, were destroyed. And into this vacuum of power stepped Esheballa. She was a very old goddess of fertility, whose worship had long ago corrupted into lust and blood and then eventually into dust and forgotten rituals. Now she claimed the Abyss for her own playground, feeding on what soul stuff of the dead Demon Lords she could siphon, trapping the rest in paintings to adorn her new sanctum, the hollowed out shell of Demogorgon. She kept a piece of Hellfire, kept alive here in a magical furnace. 

Into this furnace Milosh now places his broken gun arm and the spider mechanical creature that Abbraxus gave him, which is actually one of the old mechas of hell, designed to be able to forge using Hellfire. Milosh also feeds the fire a few special items he’s picked up around Esheballa’s realm, most notably the crown taken from the battle with the Lich. Flames flare up and the spider bot begins working at blinding speed, until it forges a new gun arm for Milosh, a gunarm filled with the powers of the Abyss but also the ability to turn those powers against demons: the Abyss Breaker.

The Abyss Breaker (requires Attunement)

As a bonus action, can transform from a hand into a drill or into a cannon.

As a hand, has no special stats (but it sure looks cool!)

As a drill, it cannot be used to wield a weapon or manipulate objects like a hand could. It can act as a +1 adamantine spear (user has proficiency) and can be used to help break through rocks and other materials. It can also be fired like a grappling hook as an attack action, with a range of 20/60 feet and can deal damage in this manner or be used to grip surfaces or objects (attack roll versus the object's AC to hit and grip an object). If it strikes, an immediate bonus action can be used to pull the user to the object or creature, after which point the target is no longer considered hooked.

As a cannon, it acts like a +3 heavy crossbow, dealing force damage instead of piercing. It can also cast the following spells, once per day per spell as an action:

Cloud of Daggers (PHB 222), Delayed Blast Fireball (PHB 231), Destructive Wave (PHB 231), Vitae Devourandem (a spell created by Ryan Durney which drains a target of their life and feeds it to the user)

The following spell can be used twice a day:

Modified Magic Missile (PHB 257): casts five darts for 1d4+1 force damage each. When a dart hits a target, that target is pushed 1d4-1 squares away in a direction determined by the roll of another d4. 1 - away to the left, 2 - away to the right, 3 - straight back, 4 - knocked prone in place.

Also, the wielder of the cannon can approach the body of a recently slain spellcaster (must have died within the last five minutes) and can store one spell that the spellcaster knew inside of it, to be used at any time. Once this spell is used once, it is gone. Multiple spells can be stored in this manner, up to 6. To store more than 6, one of the other spells must be discarded. The same spell can be stored multiple times, if taken from different spellcasters. This ability cannot be used on the same spellcaster multiple times.

Once per day, when the wielder of the cannon is a target of a spell, they may make an Arcana (Int) check equal to the spellcaster's DC. If successful, the spell is stored inside the cannon as per the ability above. On failure, nothing happens. This has no effect on the spell currently being cast.

And our fun with this weapon-maker isn’t over yet! 

Imoaza thinks back to Abbraxus’ riddle and puts the following items in the fire:

The Necronomicon

The Rod of Storms

Her Drosselgreymeyer Scythe

There is a terrific flare of heat and light and when the spider bot finished its work this time, the Eternal flame of Hell that feeds this furnace does the impossible: it goes out. Emerging from the flame is a shockingly familiar sword. It announces itself as “Blackrazor.” Only this is Blackrazor before it became the sword they all know. It is the original source of Blackrazor and the power of all of the Abyssal weapons that Imoaza and her Yuan Ti tribe have wielded for ages, including Drosselgreyer. We name it Blackrazor “Alpha.” How the sword’s origins begin here, aeons after the sword has already had a history, is a mystery yet to be solved.

“It’s gonna be timey-wimey stuff,” one of the players said. They probably aren’t wrong. “We are gonna go back and give birth to ourselves or something, aren’t we?” another asks. I’m not so sure about that.

The scene wraps up with a big battle. Alyss, Daymos, and Puck arrive and head to the painting of Asmodeus, and begin to form a new body for him, pulling his essence out of the painting where Esheballa had trapped him after the Blood War. But Esheballa also arrives and takes on the form of one of the demon lords she had previously defeated, the Demon Queen of Witches, named Rangda. The stats are taken from a Kobold Press publication (their Tome of Beasts and Creature Codex have gotten mention before, but they deserve mention again as the best third-party monster manuals for fifth edition).

The fight against Esheballa in Rangda’s form is a pretty fantastic one. Imoaza is immediately polymorphed into a serpent by Rangda but that doesn’t stop her from latching on to Rangda’s leg and dealing... well... about 3 damage a turn. But it’s something.

This leaves Hecate, Milosh, and Ruze to deal damage to Esheballa. Milosh has his Abyss Breaker, and Hecate has her gun arm, and Ruze has powerful magics, but it is a very close fight nonetheless. Hecate is nearly killed, and Milosh is about to face a deadly barrage when Ruze’s chaotic wild magic unintentionally turns the tide. Ruze is a Wild Magic sorcerer, and every once in a while he unleashes a random burst of magic. It can be dangerous, turning his powers on his allies... it can be pointless, like giving him a feathery beard or turning his skin blue... but it can also be powerful, like in this case, when it boosts the power of his magic and deals a devastating final blow to Rangda’s form. Esheballa is ejected... but the goddess is far from done with the group. Destroying Rangda’s form was simply like removing a bit of armor from Esheballa. Her true essence stands tall, ready to smite these poor mortals who dared to challenge her.

Only, this whole battle was just a distraction, meant to buy Daymos and Alyss time to channel Asmodeus back into Puck. That process completes now and Asmodeus returns to life. As he does, the power that was keeping the Abyss at bay is sucked back into him and the Demon Lords also are reborn, emerging from the paintings around Esheballa and pulling her, whom they consider a traitor and a rival, into their midst to tear her apart.

Asmodeus says the Blood War is about to begin again, and it is time for everyone to return to their homes, he with his new queen. Then, as Asmodeus draws Alyss in close for a passionate kiss., the PCs are sucked into a portal he creates and the world swirls into color around them.

They next open their eyes to see a canopy of leaf studded trees stretching above them. And that is for next time: Back to the Future.

[writing-with-melon]

playlist ask #23

Hello! Thank you for the ask!

23. Share some song lyrics that comment on your WIP.

Ok so for The Queen’s Company I have this song that really inspired me and I made it one of my story’s anthems: “Follow my Feet” by The Unlikely Candidates

The entire song fits but here is the first verse: 

There's a fork in the road in front of me, At the crossroads of identity. The Devil is standing to the left. He says "Either way, they both lead to death."

The Queen’s Company is a steampunk adventure but it’s also about social justice and revenge. The source of evil is a corporation called King Industries and they have in one way or another fucked up the lives of my main characters. I see them all as been faced with this “crossroads of identity” or of what choice they are going to make to fight against this big evil and what choice they are going to make to be what they become and who they ally with. One of the antagonists was faced with this choice and gets a change to redeem himself, he doesn’t because “crossroads.”

Here is the second verse: 

I've a friend who lies and steals and cheats. Always taking more than he can eat. He says "To get what I want, I would probably kill. If I don't take it, somebody else will."

I see this as the stance of the boss villain in my story, he is the owner of King Industries and has done everything in his power for the company and it’s profits. He’d rather let people die than lose money (cough* cough* he’s the embodiment of capitalist *cough* cough*).

And here is the last verse: 

I have a friend who loves humanity, Braves bullets in war-torn countries. He traded a life of wealth to help the poor and ill. He says "If I don't do it, nobody will."

And this is the stance of the heroes, but mainly Thaddeus the leader of The Queen’s Co. He is also the one who was supposed to run King Industries he was the “heir” to the family company but he refuses after he sees the damage it has done to the world. He feels personally responsible for all pain this corporation has caused and aims to change things and he genuinely thinks that if “he won’t do it, then nobody will”. Obviously it’s a heavy burden to carry which is why he has friends to help him. 

I mean the song itself is just *chef’s kiss* with its parallels and juxtapositions. But yeah this song gets the story going.

[bomontiperisii-blog]

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