#charles brackeen
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joshhaden · 2 months ago
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CD compilation "The Complete Clifford Jordan Strata-East Sessions" (2013, Mosaic) includes saxophonist Charles Brackeen's 1973 Rhythm X album, on which my father plays bass. w/ trumpeter Don Cherry, drummer Ed Blackwell.
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jazzlibertines · 1 year ago
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2023â€Čs first JAZZ LIBERTINES episode, and it’s a whopper. Our 15th program brings together some late 60s/early 70s beasts (SUN RA, GARY BARTZ NTU TROOP, CHARLES BRACKEEN, CHICO FREEMAN and DON CHERRY) with two fantastic new tracks from the Finnish label UltraÀÀni Records. 
Listen to Jazz Libertines #15 here.
Track listing:
CHICO FREEMAN - Look Up ISACH SKEIDSVOLL - Dance To Summon VILLE LAHTEENMAKI TRIO - Mare Incognitum DON CHERRY - Awake Nu GARY BARTZ NTU TROOP - B.A.M SUN RA - The Night of the Purple Moon CHARLES BRACKEEN - Rhythm X
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allmusic · 2 years ago
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AllMusic Staff Pick Paul Motian Trio Le Voyage
Paul Motian's second late-'70s trio excursion with Charles Brackeen on saxophones substitutes Jean-François Jenny Clark for David Izenson on bass with no drop-off in quality, but definitely one in mood. Tadayuka Naitoh's cover photo -- three blurry figures in black against an amorphous color backdrop (could be bundled-up women waiting at a crossroads) -- is a pretty good visual representation of the introspective, abstract flavor of Le Voyage.
- Don Snowden
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jpbjazz · 9 months ago
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LÉGENDES DU JAZZ
CECIL McBEE, MAITRE DE LA CONTREBASSE
NĂ© le 19 mai 1935 Ă  Tulsa, en Oklahoma, Cecil McBee a d’abord Ă©tudiĂ© la clarinette Ă  l’école et s’était produit avec plusieurs groupes scolaires. Avec sa soeur Shirley, McBee Ă©tait devenu une grande vedette locale en se produisant dans des duos de clarinette Ă  travers l’État. McBee Ă©tait passĂ© Ă  la contrebasse Ă  l’ñge de dix-sept ans et s’était rapidement produit dans des clubs locaux de jazz et de rhythm & blues.
En raison de sa virtuositĂ© comme clarinettiste, McBee s’était mĂ©ritĂ© une bourse pour Ă©tudier Ă  la Central State University de Wilberforce, en Ohio, mais ses Ă©tudes avaient Ă©tĂ© interrompues lorsqu’il avait Ă©tĂ© mobilisĂ© dans l’armĂ©e. Comme militaire, McBee avait dirigĂ© durant deux ans le “158th Band” de la base de Fort Knox, au Kentucky. Lors de son sĂ©jour dans l’armĂ©e, McBee en avait profitĂ© pour Ă©tudier la composition et l’improvisation.
Une fois dĂ©mobilisĂ©, McBee avait repris ses Ă©tudes Ă  l’Ohio State University, oĂč il avait obtenu un baccalaurĂ©at en musique. McBee, qui avait d’abord eu l’intention de devenir professeur, avait rĂ©alisĂ© aprĂšs avoir obtenu son diplĂŽme qu’il Ă©tait davantage intĂ©ressĂ© par une carriĂšre de musicien de jazz.
AprĂšs avoir accompagnĂ© la chanteuse Dinah Washington en 1959, McBee s’était installĂ© Ă  Detroit trois ans plus tard, oĂč il avait travaillĂ© avec le sextet de Paul Winter de 1963 Ă  1964. DĂšs son arrivĂ©e Ă  New York en 1964, McBee Ă©tait devenu un des contrebassistes les plus en demande du monde du jazz, enregistrant et voyageant autour du monde avec des sommitĂ©s comme Charles Lloyd, Pharoah Sanders, Elvin Jones, McCoy Tyner, Miles Davis, Bobby Hutcherson, Keith Jarrett, Wayne Shorter (1965-1966), Freddie Hubbard, Sonny Rollins, Joe Henderson, Andrew Hill, Sam Rivers, Michael White, Jackie McLean (1964), Yusef Lateef (1967–1969), Alice Coltrane, Ravi Coltrane, Abdullah Ibrahim, Lonnie Liston Smith, Buddy Tate, Joanne Brackeen, Dinah Washington, Benny Goodman, George Benson, Nancy Wilson, Betty Carter, Art Pepper, Pharoah Sanders, Dave Liebman, Joe Lovano, Billy Hart, Eddie Henderson, Yosuke Yamashita, Billy Harper et Geri Allen.
En 1966, McBee s’était joint au groupe du saxophoniste Charles Lloyd aux cĂŽtĂ©s de Keith Jarrett et Jack DeJohnette. Il avait ensuite enregistrĂ© et fait des tournĂ©es avec des grands noms du jazz comme Miles Davis, Yusef Lateef, Pharoah Sanders, Archie Shepp, Freddie Hubbard, Woody Shaw, Alice Coltrane (1969-72), McCoy Tyner, Mal Waldron, Kenny Barron, Joanne Brackeen, Abdullah Ibrahim, Art Pepper, Anthony Braxton, Elvin Jones, Clifford Jordan, Chet Baker et Johnny Griffin. Au cours de cette pĂ©riode, McBee avait aussi enregistrĂ© sept albums comme leader de ses propres groupes. En 1986, McBee avait Ă©galement jouĂ© avec Freddie Hubbard et Woody Shaw.
En 1988, McBee avait participĂ© Ă  un album-hommage Ă  John Coltrane intitulĂ© ‘’Blues for Coltrane’’, dans le cadre d’un sextet qui comprenait Pharoah Sanders, McCoy Tyner, David Murray, McCoy Tyner et Roy Haynes. L’album s’était d’ailleurs mĂ©ritĂ© un prix Grammy dans la catĂ©gorie de la meilleure performance instrumentale par un individu ou un groupe. Dans le cadre de ses enregistrements et de ses tournĂ©es, McBee, qui avait obtenu deux bourses de la National Endowment for the Arts (NEA), avait Ă©galement interprĂ©tĂ© ses propres compositions. L’album de Charles Lloyd ‘’Forest Flower’’ (1966) comprenait d’ailleurs une ballade de McBee intitulĂ©e “Song of Her” qui Ă©tait devenue un standard du jazz. Plusieurs des compositions de McBee avaient aussi Ă©tĂ© enregistrĂ©es par d’autres musiciens, dont Elvin Jones, McCoy Tyner, Pharoah Sanders et plusieurs autres. Parmi les plus cĂ©lĂšbres compositions de McBee, on remarquait “Wilpan’s”, “Peacemaker”, “Slippin’n Slidin’”, “Blues on the Bottom”, “Consequence” et “Close to You Alone.”
Avec le batteur Billy Hart, McBee avait également formé le noyau de la section rythmique de deux groupes majeurs, Saxophone Summit et The Cookers, dans lesquels il avait interprété plusieurs autres de ses compositions. Dans les années 2000, McBee a poursuivi avec succÚs une compagnie japonaise qui avait ouvert une chaßne de magasins sous son nom sans son autorisation.
Également professeur, McBee avait donnĂ© des cours privĂ©s et enseignĂ© durant prĂšs de quatre dĂ©cennies dans diffĂ©rents collĂšges et universitĂ©s renommĂ©s, dont le New England Conservatory de Boston oĂč il avait enseignĂ© durant plus de vingt-cinq ans. McBee avait aussi occupĂ© un poste d’artiste en rĂ©sidence Ă  l’UniversitĂ© Harvard de 2010 Ă  2011. Durant cette pĂ©riode, McBee en avait profitĂ© pour amĂ©liorer ses techniques d’enseignement et travaillĂ© sur un manuel d’instruction novateur pour la contrebasse. CaractĂ©risĂ©e par son approche rĂ©volutionnaire, la mĂ©thode de McBee pouvait Ă©galement ĂȘtre appliquĂ©e aux mĂ©thodes d’improvisation de plusieurs autres catĂ©gories d’instruments. Reconnu pour sa virtuositĂ© et son style trĂšs personnel, McBee a Ă©tĂ© intronisĂ© en 1991 au sein du Oklahoma Jazz Hall of Fame.
Compositeur Ă©mĂ©rite, McBee a participĂ© Ă  des centaines d’enregistrements au cours de sa carriĂšre.
©-2024, tous droits rĂ©servĂ©s, Les Productions de l’Imaginaire historique
SOURCES:
‘’Cecil McBee.’’ Wikipedia, 2023.
‘’Cecil McBee.’’ All About Jazz, 2023.
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okajoton · 10 months ago
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dustedmagazine · 4 years ago
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Listed: Insomnia Brass Band
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Photo by Frank Schindelbeck
The Insomnia Brass Band — made up of trombonist Anke Lucks, baritone saxophonist Almut Schlichting and drummer Christian Marien — was founded in spring 2017 and spent the next several pre-pandemic years on the road at jazz clubs and festivals. Their recorded debut, Late Night Kitchen, out near the end of 2020, was raucous, irresistible and bursting from its seams; it is hard to believe that it required only three musicians. In her review, Jennifer Kelly wrote, “Insomnia Brass Band sounds like a cubist painting of an oompah band, noses jutting off in every direction, cerebral and off-beat, yet somehow capturing an eccentric, unexpected groove.” The band’s sax player, Almut Schlichting, contributed this listed.
Bloor (now Bloar) — “Bast” from Drolleries (Astral Spirits)
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This record invariably calms me down, it is so wild and screaming and so clear and concise at the same time. Right now, it seems like a dream — One dark Berlin winter night in 2019, I rode my bike down the hill to a small place full of friends and musicians, listening to wonderful sets of improvised and composed music spun around Ken Vandermark’s New Marker band, and talking and drinking beer in between... and their drummer Phil Sudderberg recommended his Brooklyn friends, Sam Weinberg’s band Bloor (now Bloar). We hope these situations will soon be real again. Meanwhile, Dusted is not the worst digital place to spend a dark winter night in 2021.
Miles Okazaki — “Misterioso” from Work (Complete, Volumes 1-6)
Work (Complete, Volumes 1-6) by Miles Okazaki
To me, this is Monkish in a double sense of the word — Okazaki shines through Thelonious Monk’s work in a deep and thorough way; but he also seems to be a medieval Monk himself — severe, concentrated, meditative, playing the solo guitar, a clear sound, in transparent magnetic rhythmic layers, in the early morning abbey garden...
Elza Soares — “Luz Vermelha” from A mulher do fim do mundo
The Woman At The End Of The World (A Mulher Do Fim Do Mundo) by Elza Soares
Who else wants to sound like Elza Soares when they are old? No matter if singer or instrumentalist? Moreover, the band and arrangements are amazing, the detailed care with which the sound is built... I love listening to this on headphones while taking a midnight walk across empty streets.
Sons of Kemet — “In The Castle Of My Skin” from Lest We Forget What We Came Here To Do (Naim Jazz)
Lest We Forget What We Came Here To Do by Sons Of Kemet
Grooves in cycles and cycles in grooves, the music is sparse and focused and fascinating, driven by the tenor saxophone of Shabaka Hutchings, who in turn is carried through the song by the tuba and the two drummers. I listened to this album a lot before our Insomnia Brass Band studio session in January 2020. Like most of the tracks chosen here, it resonates with my growing wish to fall into an intense rhythmic trance, repetitions welcome, no matter if listening or playing myself...
Frank Rosaly’s ÂĄTodos de Pie! — “Cantares de la Sierra (YaguarĂ©)”
Frank Rosaly's ÂĄTodos de Pie! by Frank Rosaly's ÂĄTodos de Pie!
Discovered thanks to Rigobert Dittmann’s great little magazine Bad Alchemy — Drummer Frank Rosaly and vocalist Jaap Blonk go back and forth between abstract landscapes and the carnival with a fat band, combining underwater-like weirdness and a Puerto Rican All Star attitude!
Tom Waits — “Clap Hands” from Rain Dogs (Island Records)
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Tom Waits and this record are very old friends of mine, fueling the addiction to tell bizarre stories in songs, each song carelessly-carefully arranged to become a dark few-minute-fairytale...
Charles Brackeen — Rhythm X (Strata East)
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An old recording, a new discovery — my current online jazz history class is New-York-based trumpet player Thomas Heberer’s Facebook stream, where he is sharing his giant record collection little by little under the simple heading “from the ongoing series of recordings that I love.” Adding to my thousand projects for next week — listen to every record Ed Blackwell and Charlie Haden made together; finally find out more about Don Cherry; and get to know Charles Brackeen at all...
Konono No1 — “Kin 78 One” from Kinshasa 1978 (Crammed Discs)
Kinshasa 1978 by Konono N°1
Another track featuring masters of cycles and grooves, grooves and cycles, the music very vivid and animated through minimal but infinite variations – apparently one of the first recordings of “Congotronics,” presented by the wonderful label Crammed Discs.
Danyùl Waro — “Plantùr” from Gafourn (Piros)
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Since the first Corona lockdown in March 2020, I have been doing improvised late night dance sessions in my kitchen— and the music of DanyĂšl Waro, Maloya from far away La RĂ©union, is among my favorite dance partners, as well as the London band Melt Yourself Down, and the old acquaintances Celia Cruz and the Beastie Boys...
Nils Wogram Root 70 — “Hot Summer Blues” from Listen To Your Woman (nWog Records)
Listen to Your Woman by Nils Wogram Root 70
A great band. A great band, has been for years, playing brilliantly and radiating warmth and companionship on this record... according to the liner notes, they had been on the road just before recording this album on a Berlin winter night in 2010, doing what we are all dreaming of right now — travelling and playing and travelling and playing and travelling and playing and really being together again!
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ozkar-krapo · 5 years ago
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Charles BRACKEEN
"Rhythm X (The Music of Charles Brackeen)"
(LP. Strata East. 2004 / rec. 1968) [US]
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funkpunkandpunkfunk · 3 years ago
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Ronald Shannon Jackson & The Decoding Society - Nasty 5.0
(The track on the original release was about 5 min long, so this is extended and a little wilder.)
Featuring Vernon Reid, Melvin Gibbs, Byard Lancaster, Charles Brackeen, and Khan Jamal on free funk vibraphone!
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cdlistening · 4 years ago
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Paul Motian Trio, 'Dance' LP (ECM Records)
Friday, April 9, 2021, 8:15pm
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Another great side from one of PM's earlier solo groups. Contains some excellent sax playing care of Charles Brackeen, whose soprano work at times almost resembles (not only sonically) that of John Lurie, especially in his National Orchestra mode, and Brackeen is really jiving well with the reverb in the mix, enough so that one wonders if he could hear it while they were tracking. And of course Motian lays down all sorts of wild, occasionally even sloppy-seeming playing; I wonder if the (perceived?) aggressiveness of his post-60s style is a natural/actual evolution of his playing and/or simply more evident because of newer and clearer recording technology.
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mistersenorlovedaddy · 8 years ago
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leroy jenkins and the jazz composer’s orchestra “for players only”
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historybetweenthepages · 3 years ago
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1980
https://www.thejumpingfrog.com/product/2053352/CODA-174-Leroy-Jenkins-Jemeel-Moondoc-Eddie-Jefferson-Charles-Brackeen-8-1980-
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koholint · 2 years ago
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today’s playlist:
McCoy Tyner - Walk Spirit, Talk Spirit
Stanley Cowell - Equipoise
Charles Mingus - Flowers for a Lady
Joanne Brackeen - El Mayorazgo
John Larkin - Softly As In a Morning Sunrise
Pharoah Sanders & Norman Connors - The End of the Beginning / Casino Latino
Dee Dee Bridgewater - People Make the World Go Round
thanks for listening!
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jazzfunkdid · 5 years ago
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Don Cherry & The Jazz Composer's Orchestra ‎– Mali Doussn'gouni
Don Cherry & The Jazz Composer's Orchestra ‎– Relativity Suite. Soloist, Voice, Trumpet – Don Cherry. Alto Saxophone, Voice – Carlos Ward. Bass – Charlie Haden. Cello – Jane Robertson, Pat Dixon. Drums – Ed Blackwell. French Horn – Sharon Freeman. Percussion – Paul Motian. Piano – Carla Bley. Soprano Saxophone, Alto Saxophone, Voice – Charles Brackeen. Tenor Saxophone, Voice – Dewey Redman, Frank Lowe. Trombone – Brian Trentham. Tuba – Jack Jeffers. Viola – Joan Kalisch, Nan Newton. Violin – Leroy Jenkins.
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caramelcat · 3 years ago
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Playlist: Summer Moments, Triple R FM, January 22, 2022
listen back on demand
Donato Dozzy - Vaporware 01
Charles Brackeen Quartet - Attainment
Carlos Garnett - Mother Of The Future
Bheki Mseleku - Celebration
Betty Carter - Open the Door
Lonnie Liston Smith & The Cosmic Echoes - Love Beams
Francis Monkman - Stargazing
Dali Muru & the Polyphonic Swarm - Shapeshifting
Nonlocal Forecast - Conscious Agents
Universal Liberation Orchestra - Communion
Bennie Maupin - Ensenada
Yusef Lateef - Mystique
Black Disco - Night Express
Rotary Connection - Amen
Toni Esposito - Processione Sul Mare
Mtume Umoja Ensemble - No Words
Mtume - So You Wanna Be A Star (12ïżœïżœ version)
Roberta Flack, Donny Hathaway - Back Together Again
Air Power - Be Yourself
Elza Soares - Aquarela Brasileira
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vernonreid · 3 years ago
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Sky. NOW. Unfiltered. 7:11a 1/10/22. Cold Monday. Shaolin For James Mtume, & Charles Brackeen. (at Staten Island, New York) https://www.instagram.com/p/CYjKPoHOz3a/?utm_medium=tumblr
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fearnoarts · 4 years ago
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Charles Brackeen
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