#characters who become their lover would hate bc living in a world without them is agony>>>>>>>>>>>>>>>>>>>>>>>>

[lovesickeros]

☆ lost in orbit

{☆} characters tsaritsa {☆} notes cult au, drabble, gender neutral reader {☆} warnings violence [ implied ], unhealthy relationship {☆} word count 0.6k

She had resigned herself to apathy – to burying her love beneath the cold, hard soil and letting it rot amongst the graves of a long dead civilization, burned to ash in only a day. Yet how quickly it all fell apart in her hands, slipping through her fingers like sand, no matter how desperately she tried to cling to it.

Was she not diligent enough? Was she so weak that she faltered at the first person who showed her genuine trust and affection? Had all her work been for naught?

A part of her revolts – the same woman who watched the sky burn and the ground beneath her feet crumble into ash. It would be so easy to wrap her hands around your delicate throat, to squeeze until you finally saw her as the monster she knew she has always been.

Yet she doesn't think she could. The look of betrayal, of fear..oh, it would ruin her, she knows.

Perhaps that makes her weak. Perhaps you have made her weak.

Perhaps she does not mind as much as she should.

You trust her, after all – enough to sleep in her bed like she couldn't just kill you before you ever knew what was happening to you. Your body was so..fragile, in this mortal shell you descended in. How easy it would be to snuff out your life, here and now.

Yet she doesn't.

Instead, she looks at you like an old lover – with all the love of a woman who had died in the ashes of a dying civilization, of a woman who thought she could love no longer. Emotions she fought so hard to suppress well up in her chest and fill the empty space where she knows her heart should beat. Try as she might – and oh, how she tries – she can never quite stem the affection that consumes her every waking moment when she sees you.

It is like an addiction that she cannot rid herself of, no matter how she tries. She always finds herself back at square one – back to you.

Her hand lingers against your cheek, undue affection filling the empty spaces in her chest until she feels like cannot breathe. She traces her hand along your jaw, her vision narrowed on the softness of your lips.

Yet that same thought rises unbidden to the forefront of her thoughts. Love was a dangerous thing – you both knew that. To let it fester and rot her from within..she would be throwing her plans out the window, and for what?

Because she was too weak? Because the affection and trust in your eyes whenever your looked at her made her feel whole, like she was more then just an Archon playing God with the fate of the world?

You do not even stir as her thoughts toil like a brewing storm. She swallows the lump in her throat, removing her hand like she'd just touched a piece of hot metal. A part of her still screams that it's for the best, that you've corrupted her enough, torn apart her plans in the span of a week, a mere blink in time..

But it goes silent as she leans in, pressing her lips to your cheek. She will not let the thought fester, tonight – she will let herself be weak, if only for another day. If only to covet the affection that she finds herself drowning in for just another day.

And when you stir, she pretends that she had never thought of it at all, that she has only ever known love with you. Even if her heart that does not beat leaves a stabbing pain in her chest in the agony of knowing that even this is futile..

She lets you wake, let's the recognition and the affection fill your vision until she is all you see – two stars locked in orbit, unable to break away.

And when the day comes that you collide, she will be holding the blade that drives into your chest, and she will know nothing but love when she does.

[roobylavender]

Why don't you like modern takes on Selina?

i don't think she really has the capacity anymore to survive as a character without needing to be supplanted by bruce. the long halloween gets a lot of praise as a standalone story but i think bringing it (and dark victory and when in rome by extension) into canon with hush was one of the worst editorial decisions made with regards to her character bc not only did it reframe the nature of her relationship with bruce entirely, it also hugely undermined the independence selina had developed as a character in the first decade of post-crisis canon. there's a recurring theme in that trilogy of books of selina looking to be saved by someone: falcone, bruce, even her brief italian lover who is so inconsequential i can't remember his name. it stands as a stark contrast to the selina of catwoman (1989) and catwoman (1993) who recognized that the only way she could survive in the world was to fend for herself bc no man would respect her first as a priority. the entire thesis of selina's grand entry into post-crisis canon rests on the idea that catwoman is an identity birthed from a defiance of men and their violence and greed. the humiliating cat suit her pimp tells her to wear is repurposed and reclaimed bc no man owns her or can control her at their leisure

i think a lot of people, esp these days, tend to argue that they're tired of women needing to be fierce and strong and cold and that they deserve to be soft, but i can never really swallow that argument when it comes to selina bc of how clearly it's framed to support a certain interpretation of her relationship with bruce. no person who genuinely cares for selina can say she's only capable of ferocity and coldness. she has her moments of compassion and love but they're merely kept for the people she truly cares about rather than doled out at leisure. people have an issue with selina being fierce and cold bc it acts as a direct obstacle to her relationship and qualms with bruce. i'm always surprised by how people are so eager for her to rightfully call out bruce's hypocrisies only to want for her to be falling at his feet the next moment. there's a running joke that the ideal relationship between them is cohabitation where selina gets to go on heists at leisure. on a surface level i understand it's entertaining, but it offers no real narrative value beyond fan service. even more than that it's not realistic. the selina of the early 90s would never have been comfortable in that world of riches knowing how she had lived and struggled her entire life. she wanted to survive and she obv stole to survive but wealth wasn't her goal for the costume; her goal was notoriety and recognized defiance of the system and more than anything a life lived on her own terms. i'm always confused why there's such an aversion to selina standing her ground and making bruce do the work to come to her side of things when it would make for far more compelling storytelling that would challenge bruce as a character in ways that are desperately needed and it would honor selina's integrity as a character by prioritizing her needs over those of fans who simply want to see their two favorite characters together. there is an enormous potential to write a compelling romance between bruce and selina that balances their contrasting sociopolitical ideologies but bc the popular perception of romance is consummation and marriage readers aren't satisfied by anything less or anything more complex

on a more minor note: i really really hate the plot development towards the end of catwoman (1993) where selina becomes obsessed with wealth and power. i'm not sure if it's a consequence of writers trying to bring in more of the queen of the underworld vibe from golden and silver age depictions of selina but i don't think it really fits with what selina is crafted to be in the early 90s. to me it's more than enough of a clever nod to older iterations of selina that notoriety and defiance are priorities for her in the costume. those are very much character traits the golden age catwoman exemplifies down to her last appearance written by bob kane. i don't think pursuit of wealth for wealth's sake needs to be added to her character at all and while i understand readers love her role as a philanthropist millionaire from catwoman (2002) onward i, again, don't think it does anything for her as an individual. it is very much a development used to parallel her to bruce rather than afford her personal worldview anything of substance (well, beyond her brief phase of remorse). and this may be stretching it a bit but i think it reflects on the shame some readers feel at the idea that selina is from a working class background. it kind of goes back to what i was saying about how people want selina to call out bruce's hypocrisies but they don't want her to actually have to exemplify any of them. they want her to be able to criticize bruce within the comfort of her own mansion rather than be witness to any of the circumstances that make her so angry and fiercely protective of the people like her. and when i pointed that out once for some reason people got angry and thought i was implying selina deserves no stability in her life whatsoever, but that's not what i'm saying at all. she does deserve to be stable. more than anyone in fact. but she doesn't need a mansion to be stable, and she knows that. if she could live in peace with the people she loved without the threat of violence from men she would be content. she's never asked for more than that and i don't see why she needs to

[helenaredamancy]

Do you mind if I ask your top 10 favorite characters (can be male or female) from all of the media that you loved (can be anime/manga, books, movies or tv series)? And why do you love them? Sorry if you've answered this question before.....Thanks....

thank you for this question! hmmm i think i'll have to do a top 5 because a top 10 would be wayyy too long and i'll do my best NOT put down 'i relate to them' as a reason for why i love them! the characters aren't in any particular order or rank :)

enjolras from les miserables [book].. this character has been rattling around in my brain for years. he's the revolution incarnate, but his driving force is love. he's described as impossibly beautiful but that's the least memorable part of his character. he can seem cold and terrifying but he's still so obviously young (literally getting compared to a flower by his executioners), relies on and respects his friends, and is so deeply affected by what he has to do. 'the marble lover of liberty' is such a perfect encapsulation of him- fighting, living, and dying for a future he knows he won't ever get to see because of this love is nuts to me. he'll stain himself by committing acts that he knows sentences him to death and punishment even if he'd survived, all for a better future. him telling his fellow revolutionaries and friends that 'he who dies here dies in the radiance of the future, and we are entering a tomb all flooded with the dawn' kind of did something to my brain (keeping in mind he's said the future belongs to love).

marvin and jason from falsettos [musical] :)) there's no way to mention one without the other, and so i've just put them together. i love them because of their dynamic to each other- for context, they're father/son marvin is jason's father, and initially, he's neurotic, self-obsessed, immature, and egotistical. he's incredibly sympathetic the entire way through somehow. he loves his family, he hates that he wants his family to love him, he loves his son, he feels sorry his son resembles him. he tells jason he never wanted to love him. he loves him. his character arc is essentially him growing to become the father jason deserves. for most of the show, jason is disgusted by his father, and he feels that his resemblance to his father is to blame for every negative aspect about him. he's terrified of becoming his father. he says he hates the world but loves his father, he loves the things he never had. marvin thinks jason hates and adores him. but as his father matures and holds himself responsible, by the end of the show, jason is proud that he looks like marvin. i've tried (badly) to explain kinda briefly w/o spoiling the show's plot but essentially! super complex, flawed, but lovable characters who answer the show's initial question of what this family would do for each other even if they wouldn't admit it

paloma from the elegance of the hedgehog [book]! the very distinct and sharp but still childish voice is so delightful and poignant to read.. she's an incredibly intelligent and sarcastic girl, she thinks a lot about the world and she thinks she knows everything there is to know. but no matter how cynical she seems, she is ultimately still a child who craves and responds to kindness, love, and beauty

eurydice (and NYTW hadestown's orpheus too but this post isn't about him) (specifically, eurydice from ruhl's play) ! basically every iteration of orpheus and eurydice all put together has made me adore them. i'm obsessed with the idea that no matter which version of the myth you read, the reason for orpheus turning around is out of love one way or another, with his love compelling him to turn. but ruhl's eurydice is special to me bc i find eurydice's characterization so interesting. classically, orpheus's big act of love is that entire journey to try and bring her back- but eurydice's act of love is more elusive. she's the beloved in their story, but ruhl's eurydice flips the roles and it's genuinely moving to see how much love is held in their one myth.

i'm sorry this writeup is super messy! there are so many characters i adore so much but these are some of my favorite and the ones that popped into my mind when i saw this question.

[ratplagues]

🔥 any dishonored thing of ur choosing -deathoftheoutsider

wah okay!! i will talk a bit about the outsider and void then..i dont really wanna frame it as a Hot Take bc i have no interest in starting shit or whatever like ill interact with whatever i want to in this fandom and ignore the rest and everyone else is free to do the same but.

I do not think The Outsider is a “character” in the conventional sense, much less that it does his character or the allegory he wields any justice to be shipped with anyone in the series (at least without seriously considering the implications and framing it in a way that completes the allegory. more on this later)

the outsider and his void are an allegory for Otherness; i’m namely gonna frame it as queerness and neurodiversity, but really anything could fit as long as it’s about you feeling seen as a marginalized and othered person. he is written to represent this allegory, not to be a person with a satisfying narrative arc or dimensions. this is why some people feel that he lacks depth-- he’s not supposed to have depth compared to others in the series, he’s mostly a vehicle for what he represents, and is supposed to be easy to identify with or recognize.

he was born to a life of hardship, suffered at the hands of the rich and powerful, was ignored, cast out, etc. etc. a familiar story. poor, queer, nd, really whatever you wanna frame it as. he was a nobody outcast. in comes the envisioned, they pick him to serve as their martyr and idol without his permission. he then had his name cut away and forgotten, and was thrust onto a pedestal to spend the rest of eternity being worshipped by other outcasts who had suffered at the same hands he had. he has something greatly in common with those who worship him, including the very people who stripped his mortality from him in the first place, but because of this shared hardship (and nothing else), his own autonomous personhood was disregarded completely in favor of The Community needing someone Just Like Them to idolize. if this sounds familiar, that’s because it should!!

his humanity was taken from him, and in his place, an idol was created. his human body is frozen in stone in the center of the void-- retired. out of commission. no longer needed. he was immortalized, transcended. this is traditionally desired, although dishonored is trying to convince you that it is not actually desirable. in the age of internet content creation, you can be immortalized without even being present, without knowing about it. you become what you can do for other people, and what you cannot. people fall in love with an idea of you, the idea of you being like them, and other people come to hate you deeply without even knowing you. people came to hate the outsider more deeply than he ever had been when he was human-- he wasn’t seen when he was human. a pedestal only helps you to be seen. the outsider had the choice made for him to achieve immortality in exchange for the simple joys of being un-known.

he spends all of doto trying to convey this idea to billie through the hollows:

"There is freedom in being hated. There is license in being cast out. Some learn this lesson a little too well."  "These people lay their thoughts, their petty wants, their murderous desires in front of me to witness. I cannot turn away." "We carry what was done to us through the rest of our endless days. No one asked if we wanted it." (i like this one. he speaks for the community-- this is a shared experience, one everyone can recognize. however, as a Queer Figure, he never asked for this. he never asked to be immortalized. i like the double meaning here)

not to mention, the entire extent of the outsider’s Sole ability and influence on the real world is to “choose” people and give them untold power over others. this is a fun ironic twist on what marginalized groups endure from powerful people, (dishonored is largely about power imbalances and socioeconomic hierarchies) but it’s also fun to think about in the context of the role model/fan framing-- so many worshippers give their lives to be “chosen” by him. it’s easily framed as an exaggeration of otherwise very real power imbalances and often the flagrant breaching of boundaries existing between creators and fans.

and on the subject of the VOID...ohht he void.....

the void should be a haven for queer folks. for nd folks. it’s wanted by so many to be a safe space, it should be, it’s the Other World! it’s renounced by the abbey, crusaded against, even. but it isn’t. it’s just this limitless, eons-old horizon that hungers and starves for something to fill it. if the outsider is the lament of queer idolatry, the void is the lament of queer Hunger. it is roaming, and restless. it does not belong to the outsider; the outsider cannot survive without it. it’s the desire to belong, not a place of belonging.

the void craves this idol, this outsider-- i, for one, have often experienced hunger for a truly moral and just role model, someone to make the world Right, and i know this is another shared feeling. those who worship the outsider, who drive themselves mad trying to see him or be chosen by him, are suffering from this idol hunger. you see this in a lot of queer and nd kids and young adults. i grew up just having my life and interests like, punctuated by different fixations on different people that i didn’t know at all, only fell in love with the idea of. it happens a lot.

there’s a couple more doto quotes that really highlight this for me:

"They carve my mark into the old bones bleached by the sun. They carve my mark into their skin. They learn true hunger in the Void." "All these charms, these runes and fetid offerings on shrines made for me, will be nothing more than objects worn of meaning. Bones and dead things, thrown into the dirt."

“They learn true hunger in the Void.” is something that i wanna touch on real quick. people can spend their lives obsessing over the idea of what they think the void will cure for them, will fix in their lives, only to find out that it’s just a hollow manifestation of the emptiness they’ve felt all their lives. it’s not the needs met, but the need itself. you have to make the home, it doesn’t already exist and you can’t fucking run to it. it is heartbreaking, frustrating, one of the bleakest messages i’ve ever encountered in a game, but i’ve never felt more seen. by submitting to these ideas, the idea of a perfect unhuman human and the idea of a perfect otherworldly home, you are surrendering your humanity. you’re not only being transformed by the powers gained (if they are gained), you’re essentially dissolving with hunger after never having these needs met. you see so many people in these games whittling themselves down to nothing but base need. empty apartments occupied only by shrines, sometimes containing their corpses. journals of people dedicating their lives to the worship of the outsider, always ending darkly.  "I will find this empty place. Somehow the key to open the Void will fall into my hands. In time, I will learn the secret and he will call to me as he called to her."

not to mention The New Envisioned-- prolonged exposure to the void will always, without fail, turn a human into silver void stone. these creatures can no longer interact with or acknowledge the mortal world. they have surrendered themselves to hunger, and cannot be saved. this is celebrated by the cult, honored by them, even. i honestly like....i pity them, and i hate them, and i recognize that i’ve been those people, lmao. when i was at my worst as a teenager, i wasnt so much a person as i was just a shell full of hunger and heartbreak. my personality was defined by who i was a fan of. i think i definitely was Less Human then. the cult of the outsider is a universal experience!!

dishonored, at its core, is a celebration of humanity. it asks you to celebrate human emotion and weakness despite greed and bigotry. the powers are not to be wanted, they are to be ignored, refused. it is human to hunger, but it is Queer and Divergent to make hunger your life’s meaning, to need to learn the secret, find the key, be chosen and loved and cherished, to be made whole by some perfect thing. to find your humanity in something un-human. dishonored sees all that, mourns it with you, and then asks you to find humanity in each other !! love the spine of your lover, the blood draining down the docks, the pause to stretch languidly in the sun of a work day.

and finally...on the topic of outsider shipping....i dont think that, in his god form, it does him much justice to be shipped with anyone. he’s not much of a person, just a projection of his former self and a vehicle for his allegory as discussed-- im sure he could be shipped like this, but it just isn’t satisfying to me in any way. however, let’s talk a bit about his lethal and nonlethal ending. DOTO asks you to make a choice. is it better to give him an abrupt and merciful ending, after deciding that the fury he’s endured at the hands of others’ famine is too much trauma for any mortal to live with? or will you decide that it’s only fair to give him a chance to live the life he never got to, to return his humanity that was taken without his consent? if you choose to free him from the void, i think you can very very easily make the argument that he can be shipped with corvo, or anyone else that can easily be shipped w/ ppl. he’s finally free to live his life as a queer man, can explore the simple and complex joys of being human with other people, navigate the hills and valleys he never got to before. corvo’s just a nice pick bc 1) experienced human/inexperienced human is good, 2) they know each other, but they don’t. this is a good setup. 3) corvo is an older queer man and uhh you cant convince me otherwise lol! and older queer/younger queer is a self indulgence for me. also corvo is just nice. i think he would enjoy helping the outsider navigate his new humanity.

just some thoughts i have running through my head all hours of the day :) this is really long cuz its a combination of a lot of infodumps from discord lmfao

[flying-elliska]

Shadow and Bone Season 1 Review

Ok so I got distracted by a need to watch all of Ben Barnes' filmography (lmao) but here is my review : It was really fun to watch and it was clearly made with love which is already the main thing with YA fantasy, which is often turned into a soulless moneygrab when put on screen. The actors were GREAT. I did think that the Crows suffered from being mashed up with the Shadow and Bone story, but they were still a highlight. I also think it was a bit rushed, esp. when it came to Alina's training. The costumes were beautiful, I want a kefta now. Plus the crossover fanfic interactions btw the SaB characters and the Crows were just pure joy. Also Milo, obviously <3 I'm in hyperfixation mode so here, have an essay :

The "Shadow and Bone" Characters :

- Jessie Mei Li !!!!!! She really made me like Alina so much more than in the books, she absolutely is the 'human embodiment of literal sunshine' and she was a joy to watch. Her character's arc is cliché but her acting is so expressive and endearing, I really felt for her all the way through. (maybe I'm biased bc Jessie talking about her ADHD and seeing her thrive at the same time is like!!! i love them they deserve all the best.) I like that they made Alina more proactive - even though she does make some stupid decisions... but I just don't understand people who put that down as bad writing, like ??? have you ever met a real person who only makes wise, good decisions ?? a character like that would either be at the end of their story or just in the background because that makes them static. The things with the maps in the beginning does a good job of illustrating how she is just this one girl making rash, erratic decisions out of fear and loyalty and doesn't have a sense of the bigger picture, caught in the tide of bigger events. It works for her character. When it comes to the choice of making her half-Shu, I do think it really makes sense re: her character feeling like an outsider but I do understand the criticisms that the microaggressions felt too relentless and one-note. I am really looking forward to them introducing Tamar and Tolya and hopefully connecting to them over her heritage in a more positive way.

- Mal in the books was one of the most annoying YA characters I've ever come across, so I really liked that they made him much more of a loyal, devoted friend. I found his relationship with Alina cute, it really gives us the sense that these are two orphans who found a home in each other, childhood best friends (and potential sweethearts) separated by war, two army grunts and ordinary people caught up in the wheels of power and war that usually crushes people like them, it's a great way to introduce the dynamics of their world and it's a trope that always makes me emo. It felt a bit too one note to me, though, and too heavily on the nose, like Mal's only personality was his attachment to Alina (and his resentment towards the Grisha) and too much of her emotional arc also relied on him. Them hitting us over the head with the meadow scenes felt like pure telling instead of showing and it ended up being super repetitive and kind of annoying. I am willing to like this pairing, but I wanted more scenes of them just having conversations about things and really understanding why they like each other beyond the whole childhood friends bond that we're asked to accept exists at the beginning. So I hope there's more depth there in next seasons.

- Ben Barnes!!!! Just jksdfhgkdjghdf. I'm not a big villain stan usually and I hated the Darkling in the books but DAMN his performance is just amazing. They managed to make him more sympathetic and human while at the same time making clear the stuff he does is deeply horrible. There's the Magneto-aspect of 'well clearly his methods are fucked up but he's addressing a terrible injustice nobody is doing anything about' that makes it very tempting to root for him ; and again, well, like, Ben Barnes is so hot and charismatic it feels uncomfortable (which I guess is part of the point lol). His loss of humanity is, up to a point, understandable, brought about by despair, loneliness, grief and a sense of powerlessness - living so long he starts to see other people as disposable, losing so many people he stops caring, seeing over and over how hate never seems to stop, etc. It's a logical explanation for going insane.

But the hunger for power is also very much present as a motivation and this ambiguity is there constantly. Does he maybe come to genuinely care for Alina or is it totally bullshit ? I think he does, he's just so fucked up that it comes out as possessiveness and a need to control her. He wants Alina to be his equal but he's incapable of treating her that way. It's tragic, in a sense, but the show doesn't excuse his actions either. Like his monstrosity is a product of this world full of injustice, yes, and that warrants some compassion, monsters are always a symptom of their environment in some ways and dehumanizing them completely is an excuse ; but at the same time, he sabotaged his own cause anyway the moment he started to treat other people like things, as he does with Alina, because that just perpetuates the cycle of violence and hate. At some point he started feeling like he was the only solution and he was owed power for his sacrifices, and he's using his cause as an excuse. When Alina came to him, there was a possibility for redemption, taking down the Fold, and it's a test because there is finally someone on his level of power. But instead of seeking to remedy the power imbalance between them, he made it worse, by lying to her, manipulating her, etc, and the antler collar is the ultimate sign of this.

I love those scenes towards the end (the antler-based body horror has big Hannibal vibes, so messed up). I like Alina telling him they could have had this, that she had compassion for him and his cause, that they could have worked together, and he's the one responsible for screwing it up and this time his claim that he's the misunderstood victim ("Make me your villain") appears delusional and self-serving instead of somewhat justified. The almost-lovers to enemies vibes, the sense of lost potential, and the angst of the whole 'oh you could finally have been loved by people, too bad you fucked it up !', very juicy. There is this fundamental idea that power/respect/love is not something you are owed no matter how good your intentions are or because you're strong or you have suffered or you're willing to commit horrible drastic actions, you have to keep proving you deserve it, and trying to claim power without responsibility of care turns you into a monster. The thing with the stag was an excellent metaphor of the fact that there's things you can't take, they have to be given to you, and the wonderful power there is in understanding that is what allows Alina to harness the stag amplifier's power. This is really when she escapes his grim utilitarian outlook and a different way forward and owns her own power fully on her own terms.

Anyway I hope Alina gets to beat the shit out of him at some point that would be very sexy but I'm also looking forward to see how their arcs parallel and diverge from each other as Alina starts to grapple more with the implications of her power and the harsh dilemmas of war and her own dark side. I want to see him become scared of her, and I feel it will be more visible than in the books where he just has this cold aggressive facade all the time. This one feels a lot more openly emotional which is just a lot more interesting.

- As for the other characters ; Zoya mostly made me sad. The actress has the perfect vibes but I'm not sure I love their take on her character so far, it does make sense in terms of the later books - that she has internalized prejudice regarding her mixed-race heritage, that she is jealous of Alina because of how hard she's fought to get where she is and Alina kind of takes it away from her, etc. But I would have liked to see a bit more of her being badass and sharp-tongued in a clever (even if mean) way instead of spending most of her time being rejected by men and being racist towards Alina. I did like the ending though, of her actually seeing the monstrosity of the Darkling in action and the mention of her aunt. And her brief bonding with Inej was great, just because it was badass but also maybe because it could be a part of Zoya learning to accept her Suli heritage in turn, maybe not right away but in time, when thinking of that part of herself, she won't only think of her parents' ruined marriage and all the pain it caused, but also of that badass and brave acrobat girl who went toe to toe with these really scary monsters without even having any powers and !!!!!

- Also Leigh's cameo was so cute and as an aspiring writer this is just such wish fulfillment

- I honestly think that having the Crows there actually made the S&B story better ? Not only in terms of the much needed levity breaks but also in terms of themes. For instance, Matthias and Nina's story gave us a really raw and visceral view of how the Grisha are hunted. And Inej's relationship to Alina really gave us a sense of what Alina actually means to people who believe in the Saints in a way that doesn't feel just like 'ugh those superstitious people' because we know that Inej's faith is part of what makes her who she is and a person with morals, and something that saw her through the worst moments of her life. It feels so special that she got to meet Alina and given a sign that maybe the world is not completely shitty. And Alina's kindness towards Inej really gives you a sense that she might be, or become worthy of that belief in time, or at least that she wants to, that she's figuring out her power to really touch people's lives might be a good thing, and that she's starting to accept this responsibility more fully. And her arming Inej is a nice parallel to that. I'm very emotional about this scene, because one of the first things we see of young Alina is her taking out a knife to defend Mal from the bullies, because she's protective and brave, but she's also aware the world is a shitty place, and so her giving that knife to Inej is a sort of spiritual transmission and recognition of sorts, that she trusts Inej with that fighting power, that she'll use this knife to defend herself and her loved ones and not abuse it. It's so interesting. And a counter point to the Darkling's fucked up relationship to power that Alina might at some point get afraid she'll replicate. That you could see Alina trying to gather followers and using people's admiration for her like he did but instead she sets them free and empowers them. It's great. And I feel that when Inej takes to the seas, she'll think about Alina. (I do hope somebody tells her Alina's not dead at some point though god). Girls giving each other knives is my spirituality, honestly.

- And I also noticed an interesting parallel between Kaz and the Darkling in terms of being two emo dudes who like to wear black, are prone to violence and have a thing for two very powerful women they think are special and want to have at their side, but of course, they go about it in very different ways. The Darkling comes at it from a place of power while Kaz comes from a place of utter powerlessness, first of all, and he understands why it's important to set Inej free. Him spending the entire season trying to earn enough money to pay off Inej's indenture is the opposite to the Darkling putting that collar on Alina and while I do have issues with how the show portrays him, I do love that. Love is about setting the person you love free !!!! And that confrontation scene was so powerful, when Kaz tells the Darkling Alina was tired of being a captive ! Drag him !

- As for Genya, I liked the actress and her chemistry with Alina, but I'm not sure they did a great job of making her arc very clear, for instance what it means for her to get that red kefta, her relationship with the other Grisha, etc. Her and David are already very cute though. Also very much looking forward to see where that goes.

So yeah I think they did a great job with this bit actually, I enjoyed a lot more than I think I would and even though it is a very tropey story, there's plenty of depth there too.

The Crows :

- I'm a bit more nitpicky about this because I care about these characters so much. I think overall the problem is that the SaB story in the books happens on this massive scale with enormous stakes, and that next to that the Crows' issues feel less important ; it's like their impact is distorted by the gravity of the much larger story. Like for instance, Kaz in the books is very much at the center of everything, this larger than life trickster figure who knows and controls almost everything by sheer cleverness, and he has this sense of allure and mystique that can't happen here, and so his aura just shrinks. On top of that they're not on their home turf. Being introduced to these characters before they've reached their full levels of badass is weird - there is a reason why prequels generally happen after the main stuff, because they count on the love you have for these characters at their full potential to make you interested in their story when they were less badass and interesting. So I had several moments where I was like 'oh this feels wrong'. Tbh the idea that they would even volunteer to kidnap Alina in the first place, what with Inej's backstory, feels kind of wrong, esp since they had no idea of what would happen to her if they succeeded.

- But I still enjoyed a lot of it though, especially the fact that they were this force of chaos in the midst of this bigger narrative that's a lot more self-serious. The bits with the train, or the circus acts were very clever. A lot of the best moments in the show happen when they come to disturb the other plot in unexpected ways. I'm still dead over the whole 'Alina jumps into their carriage' scene, that was fucking gold. The team up at the end !!!! Alina and Kaz making a deal ! Inej stabbing the Darkling !!!! Them stealing the Darkling's carriage !!! They don't give a shit that the story is supposed to be super dramatic it's great.

- Jesper is the one character they completely nailed from start to finish and he's probably my favorite part of the whole show. He's very funny without being reduced to the role of comic relief ; he's just so! damn! cool!!!!!!! I honestly feel this is a thing they actually did even better than in the books, or at least Six of Crows where I felt Jasper kind of disappeared behind Kaz and they insist a lot on his flaws and issues. So before we dig more into those problems I love that they gave him time to be this ultra badass who saves the day several times ; while at the same time, hinting at further developments like his powers or his gambling issues. Kit Young is just perfect, confident without being arrogant, a bit cold when it comes to crime while at the same time being so obviously caring with Inej - I loved their friendship, that was so sweet. My main criticism is that they should have made it clearer he was bi because there are already people calling him gay and that's very annoying. I know some people had a problem with his hookup and like...I can see it's a bit of a cliché...the charming badass bisexual adventurer....it's a trope I kind of love though lmao and the scene itself felt kind of cute and fun. He's not the only person who is shown to have an active sexuality and he's also not the only queer person around and we know he's going to have a more substantial romantic arc later so eh. On a larger note I loved the little casual hints of completely normalized queerness - Nadia thirsting over Zoya, Fedyor and Ivan, Poppy, etc. Having grown up with fantasy where queerness was either completely erased or very tormented and problematic, this was refreshing as hell.

- Inej and Kaz...my faves... They have a kind of relationship which feels so rare and unique in terms of what exists on TV and while I don't feel they entirely replicated it, the core is still there - the mutual respect and building of trust, the longing, the repression, the trauma, etc. One thing I really like is their arc around faith - in the books, Kaz is dismissive of Inej's faith in ways that often feel really shitty and I like that he learns to be more respectful of it. It's very much linked to hope/survival ; Inej keeps this token from her parents and she hopes to find them again ; Kaz tells her it's no use and she'll survive better if she gives up. He believes Alina is a fake, while Inej wants to believe that myths can come true and there is hope for good things in the world. Kaz comes to accept that Alina is the real deal and, out of respect for Inej's faith, to stop pursuing her. I loved the bit about Inej struggling to kill as well - it's the dilemma of what her survival and that of the people she really cares about are worth in such a shitty world - her compassion is a good part of her but so is her survival instinct, and that's the part Kaz represents - that even after she's been through hell, broken in unfathomable ways, even if she gave up all hope and faith in the world, even she becomes dangerous and ruthless to survive, she will still deserve dignity, and to be treated better. And meanwhile she is willing to break her principles, which she holds so dearly, to save him, when he's never had anyone who cared for him like that - enough to keep him alive. That bit in the church !!!!! God !!!!!! Bye !!!!!!! And then him basically calling her his own version of a Saint, that he doesn't believe in miracles but he does believe in her !!! It's very emblematic of their whole arc ; he empowers her to survive in a ruthless world and loves her at her most dangerous ; but he loves her laugh too, he finds her a ship and her parents, he honors her capacity for love and hope even when he can't share it. And she sees that he's capable of doing better, that he's worth caring for. This whole thing kills me honestly and I can't wait to see where they take this next. I'm not mad they're a bit more soft and obvious than in the books, Kaz would just have come across as an an asshole otherwise.

- That said, there are bits of how they introduced their backstories I don't like. I get that making it so Inej was still tied to the Menagerie gave them a very powerful reason to want to kidnap Alina beyond greed so that they wouldn't look like very shitty people. But in the books Inej is terrified by the idea of simply seeing Heleen or the Menagerie and the way they have her interact with her feels weirdly casual and dismissive of her trauma. Also, in the books, the fact that Kaz had to convince Per Haskell to buy Inej's contract through a lot of effort, that he wasn't the one holding that above her head either, made the power dynamics more palatable. I especially disliked the scene where Kaz says he won't free other girls because just Inej is special, it makes him look like he has the power but he's just too much of a callous asshole to do it, and that he just freed Inej because he liked her which is absolutely not what their relationship is about at the start, it's a lot more about seeing Inej's dangerous side behind a facade of powerlessness and relating to her, in a sense, and this scene made it all feel cheap.

- Also, what was that about Inej having a brother ? Not a fan of that either. I'm afraid they're going to make her story all about finding what happened to him, and that's 1) too on the nose similar to Kaz's story and 2) it kind of cheapens her own arc, a female character realizing that what was done to her was wrong, reclaiming her own power and dignity and then making sure it doesn't happen to anybody else, harnessing her personal experience to save strangers, that's so powerful - making it about a family member at first, especially if it's about revenge, it's so much more simplistic and unoriginal and the perspective really annoys me.

- Also not a fan of Per Haskell not being there because he's a very important part of Kaz's evolution, so I hope he shows up eventually - and the way they introduced Pekka Rollins was kind of like...weird and out of place. I just found the Crows' introduction scenes stilted and not as cool as they should have been - well, Jesper and Inej were very cool, but we needed to see Kaz in action first, we needed to see why he's such a menace before we see him flounder later, and I just...I don't know exactly but it didn't work for me. Also this is a very petty thing but I wasn't crazy about the Ketterdam sets, I know this is probably a budget thing but in my head it looked like this incredible mix of Amsterdam and Venice - specific locations in the book directly remind me of parts of Amsterdam I know very well - and instead what we got felt like this very generic London-ish fantasy setting....so boring. Also a lot of scenes that felt to exposition-y. I don't mind that Kaz was a bit softer than in the books, like many people have said some things work in books and don't work on a screen, and you need to make the character's inner dynamics more explicit. But I do agree that, at the same time, he should have been more ruthless towards people outside of his group. Loved that scene where he faces the Inferni though, and how well they illustrated his disability and aversion to touch.

- I don't have that much to say about Nina and Matthias ; I'm still not super sold on the whole 'haha misogyny!' thing and I dislike that so much of Matthias' change of heart relies on the fact that he finds Nina hot. But I did think that the actors had enough chemistry to make their scenes together interesting and cute ; I loved the waffle scene. Even though it's disappointing that they didn't find an actress who was more clearly plus size for Nina, I still think Danielle does a good job bringing her bold, unapologetic energy. I'm really looking forward to seeing the Crows as a whole team.

So yeah, even though the season didn't feel like a perfect, coherent whole, it was just a lot of fun and I really hope they get renewed. In particular I feel like tying the first trilogy to the Crows' story could create such interesting parallels in terms of themes, about power, the cost of survival, hope, trauma, etc etc

[team-council]

These are my Alina/Cadence HCs bc I lowkey ship them! Note that for this I’m assuming gay couples are automatically bad matches bc they can’t reproduce. Also this contains some HCs that just pertain to these characters and not exclusively their relationship.

Also big thanks to @everyonehasthoughts for listening to me ramble about this + also coming up with some of the ones featured here

• Alina and Cadence are about the same age and they have been dating in secret since they were 16

• Because Alina always wanted to be in the nobility, they mutually agreed it would be best for her reputation that things stayed on the DL between them

• However, as they got older Cadence grew less secure about this. She wasn’t happy feeling like she had to keep her love for Alina a secret, but mostly just worried frequently that their relationship was more of a burden on Alina than anything else

• Cadence isn’t very open with her feelings, so while Alina was able to tell something was wrong with her she could get Cadence to elaborate on it- mostly because Cadence was worried Alina would feel guilty about her discontentment.

• Alina herself hates the arrangement as well. She’s a very proud person and it literally kills her that she can’t go to parties and watch people writhe with jealousy as she dances with the prettiest girl (Cadence) in the room, or that she can’t gush about all of the amazing research Cadence does to everyone she meets. But most of all, of course, she hates that she can’t give Cadence the life they both deserve together.

• Alina, however, is willing to brave this- or so she thinks. She’s certain that one day she and Cadence will be married after Alina’s been in the nobility- maybe even on the council- just long enough to change the system for the better

• Cadence, on the other hand, can’t bear it any longer. She’s already naturally a distant person and the pull of her research quickly becomes an enticing escape from her anxieties about her relationship with Alina.

• Cadence officially breaks things off with Alina when she leaves to research the ogres on a more personal level, telling her that it’s not her fault and that she just wants to focus on research at the moment.

• Alina is absolutely devastated. Despite wanting to support Cadence’s dream she does beg her to stay. Like beg beg, like fucking sobs

• Cadence is extremely distressed by this and leaves before she can change her mind, believing they’ll both be happier if they focus on their respective ambitions.

• Alina doesnt take this very well. All her life she’s dreamt of having someone to love. She’s terrified of being alone and she wants desperately for someone else to love her- because despite the vanity she fronts, she’s not capable of doing it herself

• Alden has been interested in Alina for some time, and since he’s on her match list she decides to pursue him.

• The two hit it off surprisingly well, and while Alina doesn’t love him as deeply as she loves Cadence Alden makes her feel cared for and important and serves as a welcomed respite from her heartache and fears of lonliness

• This does not last, as Alden moves on from her extremely abruptly, getting with Della

• Since Cadence is in Ravagog- somewhere Alina would have a hard time getting to her even if she had the balls to face her again (which she does not)- Alina decides in utter desperation to pursue Alden despite his rejecting her

• She can’t handle another heartbreak

• She can’t handle feeling like she isn’t good enough again

• She needs to be loved

• We all know how it goes from there for her

• While this is going down with Alina, Cadence is having a much different experience with the ogres

• At first her new, freeing lifestyle keeps her mind off Alina. She’s happier on her boat, able to research as she pleases, able to isolate herself with her work without being bothered or subjected to ridicule from elves not particularly fond of her ogre-centric studies

• But even Cadence’s solitary disposition has its limits, and in her early year’s at Ravagog things are /hard/ for her. She doesn’t have any elven friends and the ogres still don’t trust her enough to truly be companions

• She feels entirely alone sometimes and spends many nights staring at her imparter, wanting to call Alina. To tell her everything she’s been through, to excitedly ramble about her research, to complain about Dimitar’s god awful temper, to cry because no matter how hard she tries to stomach it her mind gets a bit weaker with each display of violence she’s shown- something that ogres see her as lesser for, even despite the fact that she doesn’t look down on them for those practices in the first place like other elves do

• She never does call her though

• Her time in Ravagog amplifies some of her best traits- her curiosity, her compassion, her patience- but also some of her worst- her reclusive tendencies and her emotional reservation specifically.

• It’s decades before Lady Cadence is called back to teach at Foxfire

• Alina begs the council to pick another mentor for Sophie, but can’t press it too hard without looking suspicious

• They spend a long time avoiding one another, adverting their eyes in the staff rooms and halls, sitting on opposite ends of the table at meetings

• But before they know it they start gravitating towards one another again

• At first it’s little things like soft, stolen glances or pacing at one another’s sides on the way to a conference

• Then they start talking again

• Cadence arranged for them to have tea during their free time. They chat and catch up and pretend like nothing happened

• Then Alina invites Cadence to dinner at her house, where she ends up breaking down. Cadence cuddles her as she does her best to explain what happened with Alden, how small and disposible she felt when he left her, how she felt like just being with him was a betrayal of Cadence

• Cadence assured her that it’s alright, she tells Alina she’s loved and she’s important, she promises her that things will get better and fights tears of her own

• There’s so much more cadence wants to say, baggage of her own that she’s about to collapse under the weight of

• But, again, she’s had to overcompensate for her weaknesses living with ogres. She’s even worse about her emotions now than she was before and crams them all into a box and shoved them away

• Alina can tell this, but unlike before she’s determined not to give up. She’s going to make thing’s right. She’s going to make sure Cadence Talle, who has spent her life understanding others, is finally understood herself

• And then Councillor Kenric dies.

• They’re both made candidates for the councillor position

• When Alina’s elected it’s unlike she ever imagined it would be. This isn’t going to be in and out. It’s not a matter of changing the match system or garnering respect for the talentless. She’s smack in the middle of a war. The man who held her position previously was murdered. It’s a greater commitment than she ever wanted out of the nobility, and it comes to her right when she’s finally got Cadence back again after so many years

• Cadence encourages her to take the position. She’s stuck at Foxfire anyways so it isn’t like she’s going anywhere. She’s- endlessly- worried about Alina’s safety, but she keeps those fears to herself. If Alina’s to be a councillor, Cadence will need to trust and respect her as a leader, not coddle her like a lover- much as she might like to.

• Alina eventually relents and takes up her new position

• The two keep in contact with calls here and there, but Alina is more busy than she’s ever been and after Ravagog is destroyed Cadence demands time away from her duties at foxfire to visit and help with damage control and recovery

• The next time they’re alone in person again Cadence is lying unconscious in an infirmary bed

• When Alina got the news that she had been attacked at Havenfield she dropped everything to visit her. It was impossible to pry her from her side. She sat next to her bed and gripped her hand as tightly as she could in her own, begging her to wake up and be alright

• Cadence doesn’t take too long to come around, and when she does she find’s her chest grows unbearably warm at the sight of Alina, whom she accepts that, in that moment, she is still completely in love with

• Cadence assured her that she’s fine, even attempting to get out of bed in order to hug her. This does not work. Alina has to drag her back onto the bed before Elwin bursts in and tells them both off

• It takes Cadence a while to talk Alina out of assigning her a body guard, and Alina relents only just barely under the logic that the attack wasn’t targeted at Cadence so there’s no need for concern

• Alina can tell that the incident weighs on her, but again she can’t get her to open up

• When Luminaria falls Alina, fortunately, sustains a few cuts and a couple broken bones like some of the other councillors but nothing too bad. By the time Cadence hear’s of the incident and comes running there’s not much to see of the accident anymore. But that doesn’t stop Cadence from pressing kisses against what of her is bandaged up (and dousing her in a number of different baked confections and flavorful teas)

• Again, they’re contact wanes for a little. Cadence is desperate to keep Dimitar from shutting the ogres away from the rest of the world and focussed most of her attention on that

• When they talk again it’s after Alina had been told that Cadence was the intended target of the Havenfield attack. Before she can start talking about bodyguards and security measures, however, Cadence finally breaks down.

• She clings to Alina like a child and recounts the interrogation session, how she’d failed to reason with the ogre, how he’d died as a result. Alina can’t empathize with her grief. She thinks of the assassin and bile rises in her throat. But she stifles her anger and holds cadence, promising that it isn’t her fault, that the work she’s done is good work, that the hatred he held for her was unwarranted and ill conceived

• When Cadence calms down she explains everything she’s been withholding. Her anxiety about their relationship, her paralyzing lonliness, her frustrations having to abandon her research, her still very real love for Alina

• Alina can’t help the few tears that come to her eyes. She’s finally got past Cadence’s walls, she can finally talk to her and comfort her like she needs to in order to help her feel secure

• Alina assures her that their relationship was never a burden, that she’s never been ashamed of Cadence, that she still loves her as well, and that she’d always be willing to take her back. They touch on other issues as well. Alina can’t entirely convince her that she doesn’t need to be constantly reserve herself they do make an agreement to be more open with one another

• They’re still plenty busy though, and mostly keep their interactions to friendly conversation and platonic affection as so not to threaten Alina’s position on the council. Alina has made plans to resign once the Neverseen is dealt with and marry Cadence like she’d always planned. Cadence is hoping that Alina won’t mind spending some of their time as a couple in Ravagog, and Alina’s hoping that Cadence won’t mind spending some time literally anywhere else

[cowboypossume]

so i reread keeper of the lost cities and here’s my fresh input:

a note before we begin: you know how people fake throw up at things on tik tok? this book is the reason i now unironically do that.

dex and fitz really have the enemies to lovers troupe going for them and i’m ok with it. i really am.

so do sophie and biana at the beginning but it fizzes out so a better description is enimies to friends to lovers

marhella and stina give me such power top energy i cannot express how much i think that contributes to people not liking them

speaking of stina i wish sophie didn’t just immediately hop onto the bandwagon of “oh she’s evil” without investing further, especially with how much she is written as a ‘good’ person (which i can and will defend to the day i die that good people don’t exist but that’s for a different day).

there’s way too much heteronormativity and Patriarchical Ideas mushed into the book. like three hole pages of a 488 page book of teenagers being like “oooooo girls like guys and guys like girls” only for della to join in. not to mention the amount of times keefe is the reason for those ideas because he’s teasing like “oh fitz has a girlfriend”

keefe and fitz didn’t have as many bonding moments™️ in this book as i remember, but they stil know each other really well, have comfortability around each other, and would make a 10/10 best friends to lovers troupe.

oh my god s o many crushes i swear. like two teenagers of the opposite gender really can’t not like each other apperantly

i miss read a line and really thought there was cannon sexism for me to do a whole ass rant about in the notes part of my analyzation but n o p e

but we do have classism, sexist stereotypes, and the fact that there’s been SO many characters who’ve spoken and ✨🌺far too many of them are white🌺✨

oh also: no ones disabled. which annoys me because their society is described as ‘euptopic’ almost implying that it’s something that makes people problematic, which,,,, no

ok a side note on the society, i understand that the story’s message (kinda) is that things that seem perfect are probably deeply flawed, but something tergan said stuck with me. on a page i can’t remember at the moment he says something like “[the black swan exists] in a society that doesn’t have rebels”, which it suck with me bc that’s boarderline dystopic if it’s not there already. it’s one thing for laws not to be broken, but when you think your society is so perfect despite it having obvious flaws and you think that no one rebels, then i really hate to break it to you, you have a massive rebellion about to occur; it’s just scented as foul under your resplendent nose.

please stop flirting. i get its part of teenagers being teens but i swear if i read “s/he realeased a breath” or “their heart fluttered” or literally ANYTHING like that god no.

yall. i missed dex. he actually has more role in this book than ‘you can gadget and we need one’ and oh boy i really missed him. he’s a BEAN and deserves better.

hole’s said everyone deserves better and i absolutely agree so we’re adding that note here.

if you do what i did and read this book out loud to one of your best friends who has no clue anything about this weird fandom and give fitz a really deep voice for no reason it’s comdy GOLD.

i really think i’m reading too much into this point but iggy seems,,,, symbolic to me?

like ok with humans, sophie didn’t ‘fit in’, right? like she grew up hearing things like “why can’t you be normal like your sister” (which i can do a whole other rant about how that will affect her for the rest of her life just a s k)

not to mention looking really different from her family and graduating high school at age twelve 

but you know who never judged her?

m a r t y

so anyway sophie meets this teal-eyed, movie star smiled wonder boy who takes away her entire knowledge of everything she’s known while taking away her family too

and it turns out even in a place of weirdos she still manages to be the exception to everything

and she doesn’t have the comfort to hear what people are really thinking about her anymore (which as i said before say the word and i’ll deadass write a whole speech about how everything she heard will completely fuck up every relationship she has) which unfortunately means that she grew used to confirming people didn’t like her but now she doesn’t have that

she has to adapt to this new space and feel like she’s always felt, like an outcast in a place that was accepting, but yet again, she the exception to everything

but about halfway through the book she starts to become more comfortable around grady and edaline and that’s when iggy comes in

she finds him while cleaning garbage, and grady compliments her. they have a bonding moment and it’s because of this t h i n g. and then sophie actually feels proud not only does she take up a room, but she did something

and her new parents are proud of her

so she finally feels like she BELONGS because she helped out at the place where she lives/they work

to me it seems iggy is kinda a manifesto of the world building and character development that happens in this book

i think the plot/character arc is fixated a little too much on how different sophie is. like, i get it, she’s exception to everything, but the plot really didn’t need her to be that quirky. yes, she’s different, but there’s a lot more to the plot and her character than how different she is.

also, i had to reread pages a lot bc i needed an exact paragraph number and,,,, it’s really paced like a fanfic

some questions i have about the society is:

it’s established that they use books, physical papers, etc., and the only thing i remember about trees is the speech alden gave her about how she doesn’t know the name of their most popular tree, and the fact that people become trees when they die. even then i don’t think the second one is in this book. never o n c e do i remember something about planting trees that aren’t dead elf’s, so do they feel the affects of deforestation and that jazz?? like if they use trees, will they run out of them? can they??? and do they use the coffins of elf’s for paper??

this is more of a rant than a question, but here it goes anyway. in foxfire, students have a testing system very similar to the one in america: a huge test at the end of the year determines the future of a student. that in of itself doesn’t sound too drastic, right? well,,,,, not necessarily. several studies have shown that tests in general, but especially these types, don’t work. despite how good or bad of a teacher i think my past and current teachers have been, every single one of them hates this system that we have in place. they know it’s an unfair assessment that does it’s damnist to make you fail, and they’re trying so hard to denounce it. however, that doesn’t happen at all in the lost cities. in fact, most of the teachers pride themselves on failing students. so if elf’s are in such an advanced society, why do tests still exist? especially in an environment where the consequences are far greater than just staying back a grade. 

so sophie’s figuring out that major problems exist in the world the elf’s created, right? i wonder if more society structured problems exist more than ‘oh bad people do things and the law justifies which is what’. like, as i’ve previously stated, there’s sexist stereotypes presented (like girls like dresses and guys don’t), but does sexism still exist? does racism exist? it’s established that poverty isn’t a thing because of the fund elf’s have at birth and their limited usage of money (which if you understand please explain bc i don’t really get how they buy stuff but still don’t use money) but if someone gets shipped off to exile, do they lose their money? is it possible for elf’s to starve to death because they can’t afford food? do they pay for food?? if they did starve who would they call? because someone on this website, who’s post i tried to find but i couldn’t so if y’all know what i’m talking about please link it, brought up a good point that elwin is a school physician, he shouldn’t be dealing with the near-death experiences sophie has, so who would they turn to? especially if they don’t have access to foxfire because they got exciled??

is therapy a thing in this world? sophie and dex could really benefit from it, yet mental health has only been brought up when someone went insane, which REALLY shows how little they think about it.

that perfectly transitions into my next point: sophie and dex’s trauma. i really don’t get the vibe that there was much thought going into their kidnapping, other than sophie needed something to trigger her inflecting ability and establish the black swan are on the good side, which really sucks because wow trauma doesn’t happen lightly. and the fact that it happened seems rushed to me, but i’ll come back to that. but anyway, their trauma doesn’t get developed that deeply in this book because it wasn’t given the space to. they were beaten, tortured, starved, gagged, and who even knows what else for t e n d a y s, only for them to find them again, repeat the process, but someone saves them and dumps them into an illegal city and they both nearly die from dehydration, coldness, and lack of concentration, and you’re telling me after three days of conscious of bed rest sophie wants to get her failing out of school over with? ma’am, it takes more time than that to adjust to THAT alone, not to mention the realization that “hey your entire life is fake because people genetically altered you to be their weapon in a war so much bigger than yourself” that was recently dumped on her. like,,,, you really expect me to think that three days is what made her feel prepared and CONFIDENT? no sir. i don’t buy it.

coming back to it being rushed: the book starts out slow and then really hits the ground running and doesn’t stop. so much more stuff happens in the second half of the book than the first and it never gets fully developed it feels like. in the first half sophie moves away but gets a new family and struggles a bit but adapts, fires maybe but hey don’t worry about it, dex hates fitz, fitz is ✨d r e a m y ✨ but our main girl doesn’t like him like that, right?, stina’s a bitch, and sophie is a quirky girl and telepath but can’t tell anyone. pretty basic stuff, not too plot intensive. the second half though: sophie almost fails her midterms but doesn’t, grady and elaine want to unadopt her (which that’s never really explained as to why they do that but ok) fires exist in san degio but they’re fine but they’re actually a rebel elf so..., sophie accidentally breaks a law but it was an accident so it’s fine, update on the fires: sophie burns herself trying to get the evidence that it’s a rebel elf and it works, she’s the moon lark and basically a weapon bc no one knows her well enough to evaluate her safety, sophie and dex get kidnapped but fitz can now transmit to her and she has two new abilities so it’s all good, trauma doesn’t exist except for nightmare you can fix with sedatives, sophie doesn’t fail out of school, and yayyy her family doesn’t want her remove their adoption. there’s probably a lot more that i missed, it’s just that’s a LOT of stuff crammed into a little bit further than the second half of the book that really could have been devolped or explore further instead of forcing into less than 244 pages, ya know?

fitz’s eyes are mentioned seven times, the first time being on page TWO of the novel

his smile is mentioned three times

alden says “no reason to worry” five times, he writes it once, and sophie points out he says it a lot so he chances it slightly to something like ‘don’t stress about it’ so i didn’t count those though i should have

speaking of alden, in this book he’s absolutely creepy, but something that stands out to me is how much he calls sophie girl. i didn’t count it, but he said “that’s a good girl” to sophie too many times for it to be normal especially when you consider how he doesn’t do it to anyone else.

i kinda forgot i was annotating for sophie’s anxious habit of pulling out her eyelashes so i got she did it twice, but i highly doubt that number

but i will keep adding to this when i actually do the words with my annotations.

[kcrinas]

hi  sexies  !   i’m  dani  (  she/her  )  ,  21  &  i’m  from  the  gta  aka  ur  messy  canadian  wassup  🤠  thank  u  guys  sm  for  applying  all  ur  muses  are  so  beautiful  &  im  sm  in  love  already  !  i  rly  wanna  plot  w  every  single  one  of  u  so  pls  give  this  a  like  for  permission  for  me  2  come  bug  u  for  plots  !  🖤  karina’s  info  &  wanted  connections  r  under  the  cut  !

karina maji was spotted in the fashion district adorning gucci leather ankle boots , with some airpod pros on . they’re most likely listening to don’t stop by meg thee stallion . you may know them as @karina or as that mishti rahman lookalike . their  twenty - fourth  birthday just passed . while living in tribeca , they’ve gained a bit of a reputation . they’re known to be tenacious but on the other hand quixotic . wonder if they’ll be the next person to hit the headlines .  (   cisfemale / she/her + dani / 21 / she/her  )

             *     𝐬𝐭𝐚𝐭𝐢𝐬𝐭𝐢𝐜𝐬  :

full  name  :  karina aarvi maji  .

nicknames  :  kar  ,  rina  ,  maji

age  :  twenty  -  four  .

gender  :  cisfemale  ,  she/her  .

sexual  orientation  :  pansexual  .

hometown  :  chicago , illinois   .

occupation  :  professional  mma  fighter  /  instagram  model  .

zodiac  chart  :   aquarius  sun  ,  gemini  moon  ,  scorpio  rising  .

character  inspo  : alicia mendez (  kingdom )  ,  cristina yang (  grey’s anatomy )  ,  princess jasmine (  aladdin  )  ,  megara (  hercules  )  ,  alyssa  (  the  end  of  the  f*cking  world  )  ,  kat  stratford  (  10  things  i  hate  about  you  )

                  *  𝐛𝐢𝐨𝐠𝐫𝐚𝐩𝐡𝐲  :

                                tw  :   death  ,  accident  ,  drugs  .  

karina’s  life  began  in  chicago  ,  illinois  .  born  where  her  parents  spent  their  life  ,  grew  up  together  &  eventually  ended  up  married  .  it  was  the  perfect  love  story  ,  best  friends  -  then  lovers  -  then  soulmates  .  tied  for  life  ,  married  young  ,  in  their  mid  20′s  .  but the  love  between  the  two  of  them  never  faltering  once  even  after  another  10  years  pass  .  

her  mother  ,  was  a  highly  sought  after  model  .  her  father  ,  one  of  the  most  legendary  ufc  fighters  in  the  league  .  the  maji’s  were  considered  royalty  to  the  tabloids  ,  their  love  story  inspiring  many  .  their  life   was  seemingly  so  perfect  ,  a  dream  to  many  .  &  when  they  found  themselves  blessed  with  a  little  girl  after  five  years  of  marriage  ,  it  just  made  them  an  even  more  “  perfect  ”  family  .

karina  was  treated  like  a  princess  ,  her  parents  adored  the  ground  she  walked  on  &  karina  did  the  same  with  them  .  she  was  well  -  behaved  growing  up  ,  knowing  how  lucky  she  was  to  be  living  so  luxurious  ,  something  her  parents  taught  her  to  appreciate  since  she  was  old  enough  to  understand  .  they  drilled  gratefulness  into  her  head  by  the  age  of  five  .  it  was  a  very  rare  occurrence  where  karina  would  fight  or  disrespect  her  parents  .

they  lived  in  chicago  for  many  years  ,  a  way  for  them  to  keep  their  roots  established  while  raising  karina  .  &  have  more  privacy  than  living  in  their  career  hubs  would  give  them  -  aka  ,  nyc  or  la  .  it  was  much  more  accessible  for  her  father  to  work  out  of  chicago  ,  but  for  her  mother  ,  there  were  many  hours  spent  travelling  between  chicago  &  new  york  .  too  many  .  

(   tw  death  ,  plane  crash  )  it  was  the  mere  age  of  17  ,  when  karina’s  loving  mother  never  returned  home  from  her  trip  to  new  york  .  tragedy  struck  when  her  plane  crashed  due  to  pilot  error  .  the  day  that  changed  not  only  karina’s  life  permanently  ,  but  her  father  too  .  both  their  hearts  broke  into  two  that  day  .

she  wondered  for  months  how  she  could  possibly  continue  life  &  living  without  her  mom  in  it  .  &  the  older  she  got  ,  the  more  &  more  the  feeling  invaded  her  .  through  every  life  experience  she  had  afterwards  she  wished  with  everything  in  her  that  her  mom  was  there  next  to  her  .  

karina  went  from  a  happy  ,  extroverted  &  polite  girl  to  a  closed  off  ,   sardonic  &  enigmatic  woman  .  it  was  as  if  the  light  was  taken  out  of  her  body  &  she  turned  into  someone  unrecognizable  . 

(  tw  drugs  )  it  tore  her  dad  apart  ,  after  taking  a  year  off  to  mend  ,  he  fell  into  a  spiral  of  alcohol  &  drugs  ,  and  he  never  went  back  .  his  career  completely  ended  .   to  this  day  ,  her  dad  hasn’t  stepped  foot  in  the  ring  since  her  mother’s  death  .

her  senior  year  of  high  school  -  karina  fell  into  that  same  spiral  .  using  cocaine  ,  xanax  ,  weed  &  booze  to  cure  her  broken  heart  .  &  she  felt  like  it  did  ,  for  a  little  while  anyway  .  by  some  miracle  ,  she  graduated  with  her  diploma  .  but  that  didn’t  mean  much  anyway  ,  karina  wasn’t  going  to  college   ,  she  knew  exactly  what  she  wanted  to  do  with  the  rest  of  her  life  .

karina  grew  up  religiously  watching  her  dad  fight  ,  she’d  seen  tapes  of  every  single  one  of  his  fights  before  she  was  old  enough  to  watch  them  &  from  before  she  was  born   .  religiously  trained  &  boxed  with  her  father  every  sunday  since  she  was  eleven  .  she  learned  the  ins  &  out  at  a  young  age  ,  &  fell  in  love  with  the  sport  the  second  she  took  her  first  swing  .  

she  fell  even  more  heavily  into  training  after  her  mom  passed  ,  spending  practically  every  single  day  honing  her  skills  &  building  herself  to  follow  in  her  dad’s  footsteps  &  become  one  of  the  best  fighters  the  ufc  has  ever  seen  .

began  building  her  career  at  eighteen  by  moving  to  new  york  city ,  she  was  signed  by  the  age  of  20  .  suddenly  appearing  in  the  tabloids  ,  there  was  something  about  her  that  seemed  to  bring  in  people’s  attention  .  mma  fans  or  not  ,   she  gained  a  large  following  on  social  media  .  

suddenly  ,  she  was  getting  sponsorship  offers  left  &  right  .  whether  it  was  mma  related  or  sugarbear  hair  ,  she  was  getting  them  .  karina  took  the  ones  that  paid  her  well  ,  &  her  following  just  seemed  to  keep  rising  every  day  after  that  ,  basically  became  considered  an  “ influencer ”  along  with  her  other  title  .  

at  the  age  of  21  ,  karina  became  one  of  the  youngest  female  ever  to  be  signed  by  the  UFC  .  this  was  a  big  deal  to  her  ,  as  it’s  a  dream  so  many  fighters  wish  for  .  something  it  takes  years  of  hard  work  &  dedication  to  accomplish  .  something  she  worked  her  entire  life  for  .

she’s  been  fighting  with  the  ufc  for  the  last  three  years  ,  loving  every  minute  of  it   .  the  intense  training  ,  the  fights  ,  the  interviews  ,  it  all  gives  her  a  rush  she  can’t  explain  .  something  drugs  couldn’t  give  her  ,  which  she’s  required  to  get  tested  for  every  once  in  a  while  ,  usually  before  a  fight  .  she’s  found  her  ways  around  using  without  it  ruining  her  career  and/or  getting  caught  .  let’s  see  how  long  that  lasts  ..  ; - )  ksjndfsfd

with  all  the  money  that  she’s  reigned  in  the  last  few  years  from  the  ufc  along  with  her  instagram  sponsorships  ,  she’s  sending  a  lot of  it  to  her  father  ,  considering  his  “retirement”  fund  is  basically  non  -  existent  while  he  stays  cooped  up  in  their  chicago  family  home  ,  surrounded  by  memories  of  her  mother .  while  karina  stays  resided  in  her  cozy  tribeca  home  ,  only  steps  away  from  her  training  gym  .

                *  𝐩𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲  :

karina  is  a  v  hard  nut  2  crack  .  she’s  closed  off  ,  sardonic  &  doesn’t  really  converse  much  with  strangers  

it’s  basically  been  her  &  her  dad  since  her  mom’s  passing  ,  so  she’s  very  hard  to  get  close  to  .  but  once  u  do  ,  she’ll  never  let  u  go .

she’s  loyal  to  a  fault  ,  because  she’s  always  afraid  of  people  leaving / d*ing  .  

she’s  trying  to  branch  out  &  make  more  friends  since  moving  to  tribeca  ,  but  she  truly  doesn’t  open  up  to  anyone  .   if  she  opens  up  to  you  about  her  life  or  her  past  ,  she  truly  trusts  u  ,  &  that  means  something

she  tends  to  come  off  as  intimidating  or  ..  bitchy  ,  even  when  she  doesn’t  mean  to  .  her  personality  just  tends  to  be  dry  .  she  tends  to  have  dark  humour  ,  so  she  has  to  be  careful  who  she  makes  jokes  around skndfkk 

sometimes  tends  2  stir  up  drama  even  by  accident  .  nskjkf

if  she’s  not  training  for  a  fight  ,  she’ll  be  out  partying  every  night  .  dancing  on  tables  &  probably  getting  herself  kicked  out  of  whatever  bar/club  she  found  herself  in  that  night  .  doing  what  she  can  to  get  drunk  or  feel  any  type  of  high  ,  whether  that  be  drugs  or  waking  up  next  to  a  stranger  .  

she’s  heavily  into  fashion  &  always  posting  cute  outfits  on  instagram  ,  something  that  caused  her  following  to  grow  .

she’s  lowkey  a  hopeless  romantic  ...  seeing  how  her  parents  fell  in  love  ,   but  it  scares  tf  out  of  her  because  of  their  ending  .  &  she’d  literally  never  admit  this  to  anyone  ever  .

she’s  a  new  muse  &  i’m  still  developing  her  but  i  have  sm  muse  so  i’m  very  excited  &  i  rly  hope  you  guys  like  her  !

             *  𝐰𝐚𝐧𝐭𝐞𝐝  𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧𝐬  :

ok  hello  if  u  read  that  long  ass  messy  shit  ur  a  baddie  🖤  anyway  ,  for  wc’s  ,  i  literally  have  so  many  !!  they  are  all  listed  here  @karinawcs​ ,  so  take  a  peek  &  if  you  like  any  of  them  lmk  bc  i  have  tons  of  headcannons / ideas  for  all  those  !  hehe  ily  let’s  plot  

[thesixthstar]

Primes, character(s) of your choice

I'm gonna answer these for whichever character(s) I have the most interesting/relevant answers for:

2. Do they consider themselves an optimist? Pessimist? Realist? What are they like in actuality?

Nydra (drow moon cleric) is optimistic pretty much as part of her religion/is part of her religion because she is optimistic. She wants to believe the best of everyone and give everyone as many second chances as is practially possible

3. How do they carry themselves around strangers? Friends/Lovers? Family?

I'm not the *best* at roleplaying personalities vastly different from my own, so most of my characters, when they're around friends act as silly and rambly as I tend to be around my own friends. The main exception to this is HILDA (pissed off robot), who is the most different-from-myself character I've ever played, despite falling very firmly into the universal law of "DND is about projection". She is extraordinarily blunt, and always says things with as few words as possible. She's not comfortable with many people, but with those people, she's way more willing and able to admit she's not 100% confident and correct in her life philosophy, as opposed to the rest of the time, where she's not willing to entertain the idea that someone else might be right....

5. How does your character express they’re comfortable?

Leanora (chaotic stupid rogue) stops trying to impress people when she's comfortable. This is when all her worst ideas get to see the light of day.

7. How impulsive is your character?

As mentioned a moment ago, Leanora is a factory of the worst ideas you could possibly imagine. She doesn't just do stupid things without consulting the party usually (bc that can be a very un-fun table dynamic) but this is the character who goes to the local magic school, and buys the student's not-quite-right-but-not-disastrously-failed potions homework. This has resulted in hilarity and messes and she's been turned to stone by one of them.

11. How does your character blow off steam?

HILDA is definitely the character with the most steam to blow off, being filled with existential dread and rage at all times as she is. While she is in denial about a lot of it, you can really see a lot of that being expressed in incredible violence! There's a lot of grenades to be thrown, and a lot of uhhhhh needless cruelty in how she deals with organic life forms.

M'artha Stu'art, another half elf rogue, whose character concept is "housewife who finally fucking lost it and ran off to become an adventurer" also likes to indulge in violence, but also she does a lot of stress baking! Luckily her campaign setting involves a lot of access to ovens, so a lot of times she'll provide the party with delicious pies and cookies.

13. If they were a body of water, what would they be?

Nydra would be a lake, I think.

17. Does your character swear? What’s their favorite phrase/word?

Leanora has lots of reasons to go "oh sit. fuckfuckfuck noooooo" a lot.

19. How does your character act when they want to seem threatening?

HILDA goes with brute violence and a lot of looming over people. The rest of my characters tend go for leverage rather than "threats of bodily harm" when they need to intimidate, partly because I don't tend to play beefy lads (or beefy non lads).

23. Would your character want to be famous? Why or why not?

The only character I have that might want to be famous is my recently-created tiefling bard, Disco.

29. What does your character have too much of?

HILDA canonically has an endless supply of grenades. This may be too many.

31. Can your character visualize actual concepts in their head? Or are they just vague thoughts?

I personally really struggle to literally visualize images, and can't relate to people who can, so all my characters are like that too lol

37. What are some ways your character acts silly?

Leanora is trying to establish folklore about a minor god(dess) of soup. Any time the party is sleeping at an inn, she'll "spread the good word", especially if the inn serves a really good soup or stew.

Mercy (idiot Changeling sorcerer traveling with an evil party) will prank the warlock, by placing little toy spiders everywhere

41. What’s a texture/sound your character cannot stand?

I have misophonia and therefore so do all my characters. Disco hates anything dirty or slimy.

43. Is your character good at apologizing? Why or why not?

HILDA will never admit she has done anything wrong. Ever. Leanora will nope right out of the consequences of her actions mostly (or try to solve them by usually making a bigger problem).

Nydra can get a little single-track-mind, and when she realizes this in retrospect, she's usually OK about apologizing.

47. Do they consider themselves funny? How do they use humor?

Leanora truly uses humor as a defense mechanism. This is because DND Is About Projecting.

HILDA usually claims that humor is a stupid things that humans do, but when she occasionally has a zinger to contribute, she considers herself a comedic genius.

53. What does freedom mean to them?

One of Leanora's base ideals is freedom, in the sense of not letting anyone tell you jack shit about yourself. Her backstory is not Full Tragedy, but it involves a lot of her mentor and her social circle kind of telling her "this is how the world is, and this is how you need to act to live in it, and the fact that you're here means you're this kind of person", and the reason she's an adventurer is to prove to herself that it isn't true.

59. What’s something your character has realized?

We stopped playing this campaign shortly before HILDA actually realized this, but she was about to realize that, not only is gender fake even in general, but she's literally a robot and it doesn't even make sense for her to have a gender, she was just programmed with "female" as part of the concept of her existence. Her name is also uhhh, not a name. Its an acronym that stands for Household Integrated Live-in Domestic Assistant, and there are millions of HILDA units out there. The realization that she doesn't even have a name just a designated label, its like a toaster coming to life and continuing to just be called "toaster". The realization that she had been using a human designation that quite literally objectifies her, and the idea that this weird notion of gender had been foisted upon her without any input of her own and she had just gone with it without questioning that until now. That realization was gonna be a doozy.

I did not intend for HILDA to be this, but she accidentally became a way for me to look at my own agender feels. I really wish I had gotten to play more of that campaign for a number of reasons, but this is one of em. I also did a little bit of Agender Feels with Mercy the changeling sorcerer, but its less intrinsic to her character.

61. Who do they go to when they’ve had a nightmare?

It's cliche, but Nydra prays. Lately, though, the moon might be Fake, so she's not sure really where to go with things like that at the moment.

67. Selflessness or Self-Preservation?

Nydra is all about selflessness, and kind of struggles when she has to think of herself first, even when it means she's preserving herself so she can do More Good later. she's the asshole in the trolley problem who throws herself in front of the trolley to stop it, though she knows thats kind of also a flaw a lot of the time.

HILDA and Mercy are 100% self preservation, and M'artha is like 65% self preservation at least.

Leanora is very "por que no los dos" about everything, and tries to loophole her way into a Both answer whenever possible.

[sometimesrosy]

You know what,I joined the Tumblr last week and,your posts have made me positive about the final season.I get it when you say understanding the story and how it has been abt bellarke.But to sound a tad bit reserved,if this has been any other show it would be much more easier to go into the final episodes as there is a possibility Jason by some hook or crook can make CL end up together which doesn't make sense story wise but this way he can or feel that he stood with a community.What's your view?

I think people are afraid that JR is going to pull a D&D, but I don’t think JR is LIKE D&D. D&D took a story from GRRM and made it full of flash and dazzle like hollywood. They never put the story or the characters in front. It was SPECTACLE for them. They are flimflam men. And when the story ended and they were left on their own to finish it, you can see what happened. It crumbled because they didn’t know how to tell a story, how to develop characters, WHY to develop characters, how to tie up the narrative threads, what the purpose of fantasy tropes were, etc, and so they finished with what they know: flash and dazzle. Shock. Plot twists without the plot. “foreshadowing” like *ooh she’s wearing red she’s a bad guy now.* 

Fandom doesn’t like JR. It’s a pretty widespread thing. He fed the CLs while dismissing BCs in season 2 and 3 and then killed L off. They felt betrayed and baited, because they thought he was “on their side.” And then the Bellarkers thought he was on their side and put in B/E so they Bellarkers turned on him, even though he refused to tell them what would happen or even admit Bellarke was romantic. Actually no. Bellarkers think JR HATES them. The CL feeding made it a war between CL and BC where CLs were the favored children. Maybe if he hadn’t fed the CLs so much in 2 and 3, Bellarkers wouldn’t have had so little faith in him in regards to Bellarke. Because he did treat Bellarkers like the bastard step child while THE STORY continued on its way, almost independently of what he was telling fandom.

THE POINT I’m trying to make is that JR might be a bastard. He might be an egotist. But part of that is him putting his story first. He doesn’t bend. When fans want something, he’s like, ‘oh sorry too bad my story not yours and i won’t give it to you until and unless it’s time.’ which makes people mad because they want THEIR story when THEY want it. So there’s this constant tension between fans and jr. GIVE US OUR STORY!!! fandom yells. “no,�� says JR. Because it’s not their story it’s his. And he’s gonna do it how he likes. Not how fandom likes.

Sometimes he’ll give fandom little bits, if it doesn’t interfere with his story. There’s lots of room within the story for adjustment, or there used to be. The closer it gets to the end the less wiggle room there is. 

But he’s not like D&D. They have different egotism. D&D didn’t respect audience, genre or story. They thought they could do whatever they wanted because they were the geniuses, plus they were getting tired of the story and wanted to make more money and fame on other projects. So they basically murdered the story so they could be done. 

JR respects and understands the genre AND the story. I don’t know if he even really understands fandom, although he learned his lesson about feeding fans in s3. And he learned NOT to do it. This is HIS story. And he’s going to stay true to the story, despite fandom’s demands. Ego, yes. But I at least think this is the kind of ego needed to tell a good story, especially in a public way like this, where other people are also involved. I think he cares more about the story than he does about the community. I think it’s his legacy, no matter what shippers think. 

And he keeps saying that no one who is dead is coming back to life. Lxa is dead. That doesn’t sound like he’s giving anyone hope does it? And there’s no storyline about Lxa anymore. Can she be mentioned? Yes, because Lxa affected the current storyline and characters. But not only did she die, her world ALSO died. There’s no more Polis, there’s no more coalition, there’s no more flame. Her part of the story has moved on to wonkru, to Madi, to Octavia. She’s got no PLACE. If he had wanted to bring L back, he could have started to plant seeds in s6 when we started learning more about the flame. But he didn’t. He killed the flame. 

The only connection L still has with the narrative is with Clarke and her trauma and her past love. Which never died and never had to die. She moved on. She talked to Bellamy 2199 days without response, not L. She said she loved Madi more than she ever loved L. She got the closure with flameLxa apologizing and telling her that betraying her was the biggest regret of her life, love is not a weakness and told Clarke not to betray her love like she did. THAT closes the relationship story. It’s over. Clarke can carry her memories with her now without all that trauma. People ARE allowed to recover. 

Is there a POSSIBILITY that Clarke will end up with L in some fantasy inside the anomaly? If JR reverses her character development and relationship development with her soulmate Bellarke. If no one cares that would mean that Clarke’s life would cease connecting with reality and become a delusion or at best a tragic tale of someone in love with someone who is a memory/projection/fantasy/AI/ghost. There are stories where that could happen. But for this one it would be taking a HUGE swerve away from who the story has been about (clarke, bellamy, octavia, madi, raven, murphy, echo, emori, jordan, hope, gabriel, diyoza,) to make it about a character even her ex lover doesn’t think that much about. (2199 days she called bellamy not L.) Heck, I still think about my ex who I haven’t seen in years, but that doesn’t mean I’d get back with him if he came back.

The possibility of the story making it so L can come back and be Clarke’s endgame without development, foreshadowing, narrative or magic is so low as to not worry me. Is it impossible? No. But if he wanted to be nice to the CL community he could have done it with making Clarke’s consciousness alive in the flame, since it was indeed connected to her. As the only person who had a flame and took it out, we didn’t know what would happen. He COULD have made Clarke and Lxa have an endgame in the flame. For eternity and I specced last season that he would. But that was jossed in 6.02 i think when Gaia told Madi that a consciousness could only be in one place at a time so a living Clarke could not BE in the flame. But that’s his sci fi worldbuilding. It could easily have kept a copy of her mind, given flameCL endgame and fanserviced them that way without ruining his story. But he didn’t. Why ruin his story for people who hate him? Remember his ego. It’s HIS story, not theirs. HIS legacy.

[millennialzadr]

WHY I LOVE ZADR!!!

HEY GUYS WHASSUP? LMAO

So this is a whole ass giant long post of me absolutely spewing my feelings of love for ZADR, it was the very first thing I wrote when I made this blog and I think it’s a nice, positive thing for my fellow shippers to inhale and enjoy 👌👌

it was originally a reply to mitarashiart’s post about why HE loves ZADR (link in replies) but I decided to delete that and make my own post since MY WHOLE ENTIRE TEXT WALL WAS SHOWN IN THE REPLIES and drowned out anyone else who was trying to talk (thanks tumblr mobile u fuckin idiot)

I had also posted a summary of an AU that I’m working on in the original post, but decided to remove it since it just about doubled the length (I’m thinking about posting it separately along with the wips I’ve been putting together, we’ll see 👀)

But ANYWAY, here is about a million reasons why I think ZADR is the fucking best, so if you like reading gushy gay ship feelings, please enjoy ❤️❤️❤️

[Posted June 2019][WARNING, LONG ASS THOUGHT BARF]

SOOO, holy hell y’all my journey back into this fandom has been a wild and unique experience for me, i went from adding invader zim to my bookmarks on kisscartoon, rewatching the series, finding out theres a movie coming out, finding out there was a shitload of content i’d never seen before (commentaries, lost episode scripts and audios, panels, the COMIC, episodes i’d never seen because the dvd i used to watch was scratched!! and a FUCKLOAD of quality modern fan art like oh my GOD) and finally curiously googling ‘zadr’ (which i was way into when i was maybeee 13/14) to see if there was any interesting new art, and holy hell, mita (the artist above) singlehandedly THREW me down the hole into modern zadr hell, first with his absolutely stunning IZ art (all his art is dope tho check him out yo), then reading the above explanation put the final nail in the coffin like, 100%

so i wanted to add onto his post here on why this ship got me so fucked up, both for anyone who might be wondering why on earth i’m shipping two characters from a kid’s show (i’m very aware how weird that is at first glance trust me) and also so i can get some ideas down for possible future reference (will i ever draw them? maybe)

(first of all, a disclaimer, and this is not pleasant to write but it’s important to address for clarity’s sake: I have no interest in romantic or sexual relationships between minors, and do not ship zim and dib as they are presented canonically in the show (as children). what i’m interested in is the conceptualized relationship they may have as modern adults, and i view zadr more as taking the concepts of existing characters and experimenting with them with different interpretations, which i personally think is a constructive and fun creative outlet, especially if these characters hold personal significance for you (childhood faves of course). growing up together is an important facet of their relationship, and certainly they were important to each other even as children (see: mopiness of doom) but as an adult i’m personally curious about what kind of adults they might’ve become, and that’s the focus of my interest. i’ll still be reblogging regular IZ art because it’s dope but if you see shippy looking art of them as tiny lil beans its either friendship or chibis (and i personally headcanon zim as getting taller with dib but some people stick with his canonical height when drawing them as adults, which is super short. it still doesn’t mean he’s a kid). aaand i wish i didnt have to write this and it would just be obvious but we live in a sick sad world and it is sourced from a children’s cartoon so i feel its necessary. end of disclaimer)

NOW THAT THAT’S OUT OF THE WAY

- ok, first reason’s a bit obvious - the nostalgia. holy hell, the feeling of rediscovering a ship that was popular when i was a preteen during the mid 2000s and discovering a totally new perspective on it as an adult comes with an almost totally overwhelming sense of nostalgia and comfort, as well as inspiration!! the kind of art that seems so common for zadr, these sketch pages of scenes and expressions and visual gags where artists would just scribble every idea they had and LOVE doing it, this was exactly the kind of art that made me so passionate about drawing as a kid, and it still sparks such a powerful feeling of love and admiration for me to this day. fan content of iz and zadr is simultaneously achingly familiar and totally new and fascinating, and it just makes me SO damn happy to consume, it is most definitely my new comfort content. and just, GOD. THE ART!! SO GOOD. FUCK

- now for the characters themselves: for some reason i just really love the thought of a mid twenties, modern Dib?? lanky goth dork, disaster bi, depressed as shit, uses bad sweaters and memes to cope?? when i was a kid i didn’t even LIKE Dib, but now i totally sympathize with him! he’s just a hyper obsessive nerd wishing there was more to life than the situation he got stuck with, how wildly relatable. he was a pretty big asshole as a kid (even to people besides zim) but he was also totally isolated and constantly bullied, so there’s a lot of room for growth. i feel there’s a lot of juicy character development potential for that boy, and there’s always been a special place in my heart for characters who are totally sad and screwed and hopeless, but there’s one thing, or person, that means the world to them and could possibly save them…

- aliens. Zim. i love nonhuman characters, i love monsters, i love aliens, i love characters that don’t understand human shit (and thus have much less room for shame or fear bc theyre just totally oblivious the negatives of modern society) and need guidance (bonding!!) from their human. i also love morally grey characters and characters with skewed logic, they’re always really interesting, and Zim himself just has such a unique personality and set of mannerisms, he contradicts himself a lot and you can never quite expect how he’ll behave, and i love that in a character, it makes them super versatile and fun, especially since there’s so many different possibilities for their development. Also, Zim is a gremlin, a little shit, and a disaster. I also love those traits in a character. And don’t even get me started on his character design?? big sparkly eyes? expressive antennae? monster teeth? complimenting colors? he’s adorable.

- mutual obsession. for someone like Dib, who seems almost repulsed by how boring and slow the people around him are, Zim quite literally personifies Dib’s  escapist fantasies, both as an inhuman entity from beyond the stars, and as a person who’s knowledge, charisma and mystery far exceeds that of anyone Dib has met in his entire life. (so basically what i’m saying is that for a shunned, jaded misanthropist, an actual alien is terribly alluring, even if said alien is dangerous, stupid, and possibly insane). not to mention Zim vindicates Dib’s entire life passion, the supernatural! Even when their relationship is totally negative, there is not a single inch of room for Dib to get tired of Zim. as mita explained, they validate each other. for Zim, WHO AGAIN, IS TOTALLY SHUNNED, ISOLATED, AND HATED BY EVERYONE HE KNOWS, Dib is the only person in the universe who gives a single shit about him!! he gives Zim credit as a threat, a capable invader, which if you ask me is the sole thing Zim is after (he’s hellbent on his mission because it would win him the approval of the tallest, all he’s ever wanted is recognition from the people he thinks so highly of). He literally gets depressed when Dib isn’t around to pay attention to him, not even the tallest were enough to motivate him before Dib came back. these two have no one and nothing without each other, and while lifelong nemeses is fine and dandy, i personally prefer friendship, affection and love, cause i’m a softie like that. how could they possibly get there after years of actively trying to kill each other?? well, i think under just the right circumstances it could become a possibility after a long, long time.

- growth. i. love. me. some. good. character growth. especially for characters with trauma/mental illness, bc again, relatable. these boys have issues, and as mita mentioned, their canon stories are actually INCREDIBLY sad! but the happy thought is, they could recover! they could help each other recover, for little reason other than the two are the only source of happiness for each other. now of course this also opens the gate for angst lovers, but at the same time offers potential for comforting, uplifting content of the boys supporting and inspiring each other, maybe even to the point of becoming happy and healthy enough to create the lives they want for themselves (as in appreciating life and doing things that make them actually happy instead of the delusions of grandeur they both sought when they were younger). gimme that positive shit and let the poor beans be happy  щ(ಠ益ಠщ)

- LITTLE THINGS. LITTLE THINGS THAT ONLY COME WITH CHILDHOOD FRIENDS. WITH HUMAN/NONHUMAN. WITH THE SHOW’S WEIRD LOGIC. Zim being the person Dib knows best and vice versa. Zim having an involuntary respect/admiration for Dib because he’s tall. Learning each other’s needs, limits, and communication methods, both emotionally and biologically. Sensitive antennae. Affectionate bickering. Being less insecure bc your partner literally has no idea why you see your flaws as flaws. Laughing at the flaws they do notice because they make no sense. Zim only wanting to eat waffles and chow mein. Dib being forced to overcome his depression lethargy and stay hygienic/keep the apartment clean because Zim has a sharper sense of smell and is afraid of germs. Endless conversation about anything and everything because they’re from literally different worlds, and endless intrigue. TOUCHING. TALKING. DOING EVERYTHING LIKE ITS THE VERY FIRST TIME AND ALWAYS NEEDING THE OTHER TO GUIDE THEM. HOLY HELL THERE IS SO MUCH POSSIBILITY FOR TINY LITTLE MOMENTS THAT MEAN THE WORLD. FUCK. GOT ME FUCKED UP.

so that wraps up the why. fuck man. its just such a good ship. if you read this big ass text post, thank you for indulging me, i hope you enjoyed it! because i enjoy it very much 👀 so stick around if you’d like to for a shit load of IZ and zadr content on this blog, possibly (MAYBE) even from me!! come roll around in alien hell with me why dontcha ᕕ( ᐛ )ᕗ its a fun time! thanks for reading!!!

-

SO THAT’S MY MANIFESTO Y’ALL, FEEL FREE TO REPLY WITH YOUR OWN REASONS!! I WOULD LOVE FOR THIS POST TO JUST BECOME A BIG GIANT PILE OF LOVE AND YELLING!! GO NUTS! SCREAM ABOUT IT! INFODUMP! DO WHATEVER YOU WANT! I’LL READ EVERY LAST REPLY! Y’ALL DESERVE TO ENJOY YOUR SHIP BC IT’S LITERALLY THE FUCKING BEST!!! LOVE Y’ALL!!!!!!

[powermetalhag]

Digging Deeper

 @alienfuckeronmain​ tagged me in this massive tag meme (Thank you!! I love doing these things). If I tag you, feel free to ignore this if you don’t feel up to doing it/reading it. If you aren’t tagged and want to be, feel free to just say I tagged you ❤

I tag: @flowerkitten @meemimajima @darlingdear @wizards1977 @violet-tea @lickthatbattery @lusamine @misfit-on-a-journey @lampshroomomg @cyrsed @wooden-duck @wildbayou @curse-you @ghostly-rowlf​ @icedchailatte​ @oni-lover​

1. Do you prefer writing with a black pen or blue pen? black

2. Would you prefer to live in the country or city? City

3. If you could learn a new skill what would it be? I’d love to be able to sing and metal-scream really well. I’m trying to learn but I practice pretty inconsistently and it’s an uphill battle bc I don’t have much natural aptitude for it. Also it would be really cool to be a contortionist. 

4. Do you drink your tea/coffee with sugar? I don’t drink coffee. Sometimes I sweeten tea, sometimes I don’t.

5. What was your favourite book as a child? I didn’t like reading books much as a child. When it came to reading novels, my reading comprehension was pretty below average (I think I posted about this ages ago, but when I tried to read Harry potter when I was 7 I couldn’t follow it at all. I somehow thought that Harry and Hagrid were the same character and that Hagrid was just the name for Harry’s Wizard self. My concentration just wasn’t there). I read a lot of manga though. I think my favourites were fushigi yuugi, saint tail, and miracle girls.

6. Do you prefer baths or showers? showers.

7. If you could be a mythical creature, which one would it be? Hobbit

8. Paper or electronic books? I prefer paper books, but I mostly use electronic ones.

9. What is your favourite item of clothing? my cloud-print long sleeved mesh shirt

10. Do you like your name or would you like to change it? I used to want to change it, I don’t anymore. 

11. Who is a mentor to you? I don’t think I have one

12. Would you like to be famous and if so, what for? I like the idea of creative projects of mine becoming a little bit known, but I’d never want to be famous.

13. Are you a restless sleeper? Not really

14. Do you consider yourself a romantic person? I’m probably less romantic than the average person, but in the right situation I can be.

15. Which element best represents you? I associate myself with fire (bc I'm a leo) but in some ways water or air might better represent me. Idk.

16. Who do you want to be closer to? Honestly? Pretty much all of my friends. My life is complicated and the severity of my ocd makes me keep everyone at a distance more than I’d like to.

17. Do you miss someone at the moment? Everyone who I haven’t seen since quarantine started.

18. Tell us about an early childhood memory. As young kids my sister and I hated Tracey Sketchit from pokemon so passionately that we would draw his face on the bottom of our feet before going to jump on the trampoline so that we could feel like we were jumping on him

19. What is the strangest thing you have eaten? When we were little my sister and I would sometimes eat raw dried spaghetti dipped in vegemite when there was no other easy snacks in the house. We called them cardboard sticks. (The food situation in my house wasn’t dire or anything, we were just too lazy to make a sandwich or something lol)

20. What are you most thankful for? I am thankful for the people I have in my life and for the amount of stability i’ve been able to have in my life in recent times.

21. Do you like spicy food? I do, but if I eat it often enough to increase my tolerance to it I get bad reflux. So I remain a spice wimp who can only have mild.

22. Have you ever met someone famous? Zakk Wylde, Chris Lilley, and some guy who was on Blue Heelers. Also I spoke to Tracy Grimshaw on the phone once. Meeting Zakk Wylde was funny because I was REALLY weird and embarrassing.

(Long story ahead, feel free to skip) Basically, my friend and I were 16 and wandering through the city high on acid. We saw Zakk standing near Hungry Jacks and became completely captivated by him. We had no idea he was some big famous rockstar, we thought he was just some random guy. I cannot convey to you how intense his presence felt at that time. It was like he was everything that is and ever will be metal but congealed into a human being and magnified by 2000x. (in case you don’t know him, he looks like this)

We were so high that we were very in our own world and felt like we were the only ones who really existed and that everything else was just kinda there for us to observe. So we started following him and discussing him as if he couldn’t hear every word we were saying. 

I remember us being like “He’s the most metal thing i’ve seen in my life” “He’s like Neptune, king of the sea, but a brutal version” “He’s the raw original concept that all other metalheads were disseminated from. He’s the true, the original.” It made sense at the time that he could be the origin point of metal and the first ever metalhead because time and space felt like it existed in a looser way than usual. We were really fixated on the idea that metal was invented through his very existence as a direct expression of self, then people copied him, then people copied those people and so on. The further they got from the source (Zakk) the more diluted the essence became. That’s why being around normal metalheads wasn’t as viscerally overwhelming as being in the presence of the raw undiluted concept. We concluded that no metalheads were actually expressing themselves through their subcultural identity. Unknowingly, they’re just expressing him. And we were saying all of this while walking maybe a metre and a half behind him while he ignored us.

Eventually some of the people he was with noticed we were following him and started talking to us (they may have been members of Black label society or they may have just been friends of his, idk). They were friendly and said that they used to do acid when they were younger too and invited us to get drunk with them. We said yes and walked with them for a little. I don’t think Zakk said a word to us the entire time. He probably found us annoying. But we kept staring at Zakk and getting overwhelmed by how intense it was just to be in his presence. Then me and my friend abruptly turned and left without saying anything because being around Zakk was getting to be too much. It was like a sensory overload. As we walked away we barely heard them yelling back to us “something something something ZAKK WYLDE!”. I was familiar with the name but I’d never known how he looked. I googled him a few days later and learned that it was indeed Zakk Wylde who we met and that he’d been in Brisbane with black label society.

And that’s the story of how I passed up the once in a lifetime opportunity to get drunk with Zakk Wylde because his vibes were off the charts.

23. Do you do you keep a diary or journal? No. Kinda wish I could, but the habit doesn’t stick.

24. Do you prefer to use a pen or a pencil?  Pencil

25. What is your star sign? Leo sun (Virgo cusp), Scorpio moon, Sagittarius rising.

26. Do you like your cereal soggy or crunchy? Crunchy

27. What would you want your legacy to be? I’d like to have a positive effect on the people in my life and leave art behind that people might enjoy or relate to (I use the word art loosely, I mean any kind of creative project). I think I've become more aware recently of how important that is to me, which is why I've been so uncharacteristically dedicated to finishing my comic.

28. Do you like reading, what was the last book you read? I like reading books but I don’t always have the attention span for it. I tend to read more non-fiction than fiction. The last book I read was Nothing Feels Good: Punk Rock, Teenagers, and Emo. A really great book if you want to learn about emo history. The only downside is that it was published in 2003, before emo really took off in the mainstream. Had some insightful things to say regardless.

29. How do you show someone you love them? Idk I can’t think of a concise answer for this. I think it varies depending on who it is and what our dynamic is. When I took that love language test it said my love language was quality time.

30. Do you like ice in your drinks? I don’t like it in water. It’s fine in most other drinks.

31. What are you afraid of? I don’t think I can answer this without oversharing or getting too bleak

32. What is your favourite scent? I like tropical scents like mango and coconut

33. Do you address older people by their name or surname? By their name

34. If money was not a factor, how would you live your life? I’d buy a house with my sister and I wouldn’t have a job but I'd volunteer and do freelance creative work. I’d donate a lot more and help people out more. I’d learn lots of new skills and make lots of art. I would have an amazing wardrobe too.

A kinda sillier dream is that I'd start a cheerleading team where our routines are exclusively to metal songs. As well as entering competitions, we would also be an opening act for bands (in this dream i’m much better at cheerleading than I currently am). It would be cool ok

35. Do you prefer swimming in pools or the ocean.? Ocean. I miss going to the beach so much

36. What would you do if you found £50 on the ground? See if someone dropped it. Then idk, would depend on my financial situation at the time.

37. Have you ever seen a shooting star? Yes

38. What is the one thing you would want to teach your children? I’m not going to have children. I’d like to be a good influence in my friend’s children’s lives though.

39. If you had to have a tattoo, what would it be and where would you get it? Probably some old-school gradient style neopets art (maybe an aisha) or 90s tamagotchi art or a cool wizard. I’d get it on my thigh. I’m very unlikely to ever get a tattoo though

40. What can you hear now? The hum of my computer. It’s old and loud and on its way out

41. Where do you feel the safest? In my bed at home with my cat Luna or hanging out w my sister

42. What is the one thing you want to overcome/conquer? Once coronavirus is less of an issue (which may be in the near future where I live), I’d like to try and push myself to start dating again. I haven’t done that in a long while. The limitations that ocd causes me makes it hard for me to imagine a relationship-- even a casual one--being workable. But I ought to at least try before I decide that. Sometimes things turn out to be easier than I think they’ll be 🤷‍♀️.

43. If you could travel back to any era, what would it be? This is so hard!!

If this is purely for enjoyment and not to change the past, i’d probably just want to see all my favourite bands live while they were in their prime and like, cry the whole way through because I am so moved.

44. What is your most used emoji? :) or :/ 

45. Describe yourself using one word. I’m really bad at questions like this

46. What do you regret the most? Eh, that’s a bit personal. I feel like i’ve overshared enough in this thing.

47. Last movie you saw? Diary of a Wimpy Kid: Dog Days

48. Last tv show you watched? Degrassi the next generation

49. Invent a word and it’s meaning. Idk

If you’ve read this far ty!! Here’s a little sheep for your trouble

[apothecarywormcrud]

11 and 13 for Masato? 👀 i wanna say all of them for Masato but.

oh i am DOING all of them i wanna talk about masato

or. well. most of them. 

1. Does your insert have a name that’s different from yours? Does the name reflect their character in any way, or is it just because it sounds nice? How did you come up with it?

I’ve talked about this before, but Masato’s name is very specifically spelled 眞人, (the kanji for “real” and “human,” respectively.) I sorta knew from the start that I wanted to give them a name with 人 in it; something deliberately ironic, because Mayuri is a dick who loves a bad joke. 

(It’s a particularly cruel joke in the context of Masato’s original backstory, where they were meant to be an experiment in what happens when you let someone think they’re a real person and then strip that assumption away. But I wanted to give them sick powers, so that was shunted to the sidelines.) 

2. Does your insert have a very strong relationship with a f/o, maybe more than one? 

I talk about Szayel enough on here so I’m gonna talk about Nnoitra instead. In my version of canon, his mask is cracked open by Kenpachi, reducing him to a state similar to Nel’s. (That’s karmic retribution, bitch!) Suffice to say he’s pretty upset about this, and proceeds to skulk about Las Noches refusing to let anyone see him until Szayel gets back to fix things. 

Masato meets him by chance when their powers are still sealed up post-jailbreak (this one’s seal 2: electric boogaloo) and is all like, what’s with this sassy lost pre-teen? Eventually they become sparring partners, since while Nnoitra’s regaining his powers, Masato is the only person in Las Noches capable of fighting at such a low level; and once he’s got them back, they can go hog-wild without worrying about fucking him up too much. Their relationship doesn’t have the same...belligerent romantic tension that Masato and Szayel’s does, but Nnoitra is fond of Masato, even if he’s horrible at admitting it. They’re friends and they suck! 

More abt. Nnoitra actually bc I love this song: nerfing him puts him in a position where he’s forced to rely on other people, and despite feeling totally worthless and vulnerable and having to undergo the humiliation of being protected, there’s also the experience of being told, “So what if you don’t have any power? That doesn’t make me respect you any less.” So he has the opportunity to build his self-worth back up based on something less subjective, and now he can actually interact with other people on the same level, which is great news for Tesla, who gets to strengthen his spine and be truly up front about his feelings, because Nnoitra no longer has any power over him. 

I think, for relationships like these, finding a level playing field is super important! And I’ve always been fascinated by characters who develop in opposition to one another and eventually meet in the middle. Masato and Szayel are also that way, in that they round out some of his edges, and he sharpens some of theirs, and the actual feelings proper don’t start developing until a ways in, and they’re not even admitted until post-canon, because in order to even consider that sort of relationship, the two of them have to come to respect each other first. Enemies-to-lovers is a fucking ART. 

3. Who in their canon are they closest to? 

Kurosaki fam and by extension, Ichigo’s friends. Masato has commissioned at least one custom jacket from Uryu. Also Arrancar Squad and my friend Percy’s insert Juro, who’s a creepy little goth weirdo and a visored.  

4. Does your insert have a backstory? Tell us about it! How does their backstory, if any, define who they are? 

Masato is a mod-soul based off of Mayuri’s quincy research. They’re designed to passively absorb reishi until at max capacity (which is quite large), at which point they can be forcefully “detonated,” destroying them in the process and causing a significant amount of damage to the surrounding area as the stored reishi is released. As a weapon, they’re highly experimental—meant as a last resort rather than something put to regular use. 

Mayuri dumped them in the human world, where their reishi absorption wouldn’t negatively impact the Seireitei, and planned to let them simmer there for about ten years. There’s a seal incorporated into their gigai that not only blocks them from accessing the reishi inside of them, but prevents any outside force (such as hollows) from sensing it. 

Once they become aware of what they are, Masato gets big anxious about anything that implies they’re not a real person. I’d love to salvage Kon’s original personality from before he was relegated to pervy comic relief because I think there’s the potential for some interesting interactions there. 

5. Does your insert have any magical talents or otherwise special abilities? 

Passive reishi absorption, and after Uruhara modifies their gigai so they can access their power reserves, they can vent it from their body and use the force to blast themselves around or add more power to their blows. Their body is about as resilient as a normal human’s, but the only way they can truly “die” is if their soul candy is crushed, which means that injuries that would normally be fatal are just excruciatingly painful. This definitely isn’t just an excuse for me to fuck them up beyond all belief. 

Due to Szayel’s tinkering, they eventually end up as what’s effectively an artificial Quincy. 

6. Do they fight? What’s their weapon of choice? What’s the motivation for them to fight, or to stay OUT of a fight?

They prefer not to fight if they can avoid it, but if shit gets real then they won’t hesitate, bitch. They’re reasonably proficient with a blade after several years of kendo training, and like to bring a practice sword into dangerous situations. It’s not going to do much good against the likes of shinigami or hollows, but it makes them feel more secure, and it’s a good misdirection tactic. 

Due to the whole “functionally unkillable” thing, they’re also far more likely to take risks in battle, and have a tendency to rush in without thinking when one of their comrades is hurt. 

7. What kind of clothing style do they like? What would they never be caught dead wearing? 

It’s all cropped jackets and harem pants up in this bitch. I drew them in that sort of outfit once and now it’s all I give them. They don’t particularly care for their arrancar clothes, but it makes them less conspicuous and also, Szayel insisted on it. Can’t have your prized experiment running around looking like some sort of ragamuffin, after all. I keep meaning to write something where they visit Sastre for a fitting, because what good is having other arrancar OCs if I don’t do anything with them? 

8. How do they fit into their canon world?

A side character who tags along with the main cast but ultimately doesn’t impact events too much. They have their own wholly separate plot going for them and it involves self-actualization and kissing arrancar. 

9. Their favorite foods? Colors? Activities? What do they enjoy in life? 

Kendo, gardening, bike rides through the countryside.

11. How easy is it to make your insert angry? Sad? How easy is it to twist their emotions into negative things? 

Masato’s actually pretty difficult to rile up, unless you’re pushing some Very Specific buttons (personhood is the big one), at which point they become incredibly easy to mess with. Szayel is...uncomfortably good at making them upset. 

13. What are your insert’s goals? 

Up to a certain point, they were happy to live a normal life and protect the people around them when called for. Then they wind up back in Mayuri’s lab and proceed to jailbreak Szayelaporro, retreat to Hueco Mundo, and strike a deal with him in order to gain more power and get mutual revenge on Mayuri. 

Post-canon...they start coming to terms with the fact that their body will never age and grow like a normal human’s, and that if/when they die, their soul will effectively be destroyed, and they decide, hey, fuck that shit, actually, and do a bunch of crazy science until they’ve got that shit sorted out (ultimately becoming like Nemu, if not something that improves on her design). 

14. Does your insert have any family relations? 

Isshin was the one who found them shortly after they were dumped on Earth, and kept them around for a number of reasons (the majority of which involved his Soul Reaper Senses tingling). So Masato’s got what’s effectively an adoptive dad and three younger siblings, who they dote on and bully interchangeably (and whose last name they may or may not have borrowed) (Isshin insisted on it, actually, since it’d make the documentation easier). They have temporary solidarity with Yuzu over not being able to see spirits. 

Mayuri is....arguably family but also like, fuck that. Masato does consider Nemu to be something like a sister, though, and feels particularly protective of her the more they interact. They have just as much a desire to help Nemu escape Mayuri’s influence as they do themselves. 

15. Does your insert have any enemies? What’s that dynamic like? Why are they enemies? Did they ever get along in the past? Is patching up differences out of the question for the future?

Fuck Mayuri me and my homies all hate Mayuri. I shouldn’t really need to explain this one. He treats Masato solely as an experiment and tool for his use. Unlike with Nemu, the fact that Masato is developing on their own is more of an inconvenience than anything, and before they broke out with Szayel, Mayuri was fully intending to wipe their memories and start over from square one. There is some good news, however, which is that Masato does get their revenge and uses their shiny new Quincy powers to seal up Mayuri’s reishi and get him kicked out of the captain’s seat. 

Szayel starts off as an enemy, since you can’t really have an enemies-to-lovers plot without one. He’s done some pretty atrocious things to Masato, but he treats them significantly more like a person than Mayuri ever did. Masato has very little respect for him, and the only reason they start working with him to begin with is because he represents a means to an end. Of course, the more time they spend together, the more tolerant they become of each other...among other things. 

[langernameohnebedeutung]

suzuwarahikaru replied to your post “what happens at 5 am?”

where is the essay, OP!?

@suzuwarahikaru​ Honestly, it’s drivel and I didn’t feel like it particularly went anywhere and it was just me monologuing about one aspect of a bigger question so that’s why I didn’t post it. But ok, just for some context: You probably know how the MCU was often criticised for having “bland one off villains” and that’s true especially in their early films - and that was time when Heath Ledger’s Joker loomed very large and Ian McKellen was famous for his performance of Magneto and the idea for a Magneto solo film had just been scrapped in favour of XM First Class. At that point apparently the MCU guys walked up with the demand that Thor 1 only has to give them 1 thing: A villain as good as Magneto which they could use in Avengers. Now, obviously it had to be Loki, because Loki is Thor’s most famous antagonist and he was the first guy the Avengers ever fought in the comics, and Loki in Thor 1 is satisfyingly complex - but now that Loki’s dead and has a solo show coming out in a while, people dug up that old quote and started arguing about whether Loki actually became a villain “as good as Magneto” - which I honestly wouldn’t care about, except this argument spilled a few  “But Loki is great and Magneto is boring”-posts into the Magneto tag a while ago (which mixes with a lot of: Why did Cherik get a happy end but Stucky didn’t that’s so unfair!!!! posts) and then some comments started lowkey implying that Loki is a character who’s more attractive to sophisticated fans and that Magneto fans are usually men and Loki fans women (with the not so subtle implication being that Magneto fans are comic dude bros who like him for his cool powers and because he’s a Bad Guy(TM) I don’t really care about that, but over the course of this argument someone made a rather interesting post, wondering about what “went wrong” with Loki and while I love Loki as a character and as a villain, it made me ponder what could have been done to make Loki (even) better and to help him stand on his own 2 feet as a character and this was their post:

Now and this was going to be my response: Personally, I don’t think that having spectacular powers or anything make a villain good (they make good visuals though) but whether the hero learns something from fighting them, whether their motivation maybe reflects something that we experience as well and that maybe they unmask something that we usually don’t feel comfortable to address. And Loki has all these qualities.

I’m not going to try to objectively pinpoint where it ‘went wrong’ but it’s actually interesting to look at the XMCU and the MCU and to compare notes. The XMCU is often criticised for being too wordy, too slow-paced and “what’s with the constant time jumps and decade-hopping?” But I think that’s something the Thor franchise could actually have profited from, because…these guys are immortals and it just feels rushed in my opinion to watch their world fall apart in what is for them a matter of a long weekend. 

For example, a bigger distance between the events of Thor 1 and Avengers would have lent more weight to Loki’s disappearance and Thanos torturing and brainwashing him, Thor’s and Jane’s relationship would have been given more time to develop (making their reunion in Thor 2 more meaningful). They could also have given her more time exploring Asgard/battling the Ether. We could have learnt more about the Dark Elves, the Frost Giants, the Nine Realms in general. 

And that’s at least part of the problem, in my opinion: We don’t know enough about Asgard. You can’t just throw in an alien word without world-building and you can’t introduce characters who are millennia old by showing us 6 years of their lives and maybe 1 flashback. There is a reason why a show like Good Omens spent basically an entire episode on Crowley and Aziraphale’s lives through the millennia. Captain America got a film set in the WW2, Wolverine Origins covers over a century of Logan’s story. Magneto isn’t a better (or worse) villain than Loki, because as you said, the writing makes the character and both get pretty good and pretty bad writing at times. But a big difference is: We know a lot more about Magneto than we know about Loki. 

One example of this is personal relationships. Something I never realised before I started typing this is how little space Loki is given to let him form/have/maintain/test/strengthen meaningful relationships. 

Basically, all his meaningful interactions are inside his family. Magneto (to be clear, I’m bringing up so often bc the MCU apparently insisted on being rude af and asking Kenneth Branagh on drawing inspiration from a character who’s basically the opposite of Loki in every regard) gets a lot more screen time to develop his relationships with other characters, even if it means less CGI action scenes. 

In fact, I’m currently tempted to find out how many 1 on 1 dialogue scenes Loki gets per hour of film vs. how many Magneto gets. Loki enters the picture with a family, ‘friends’, a biological father, servants, an entire kingdom of people who know him, but he barely gets to have any meaningful interactions outside of his family environment. Seeing him interact with a friend or even someone who hates him for reasons unrelated to his relationship with Thor or someone who supports him would in turn show us a lot about how he sees other people, how he sees himself, how he treats them, what he values in a person, what kind of people trusts (if he trusts) – that’s a lot of potential that was left pretty much wasted in my opinion. 

One of the first things Agent of Asgard did was add Verity Willis to its main-cast so have a character for Loki to interact with, to serve as a moral anchor, and to call him out on his bullshit. Having relationships is powerful. In the MCU, Loki’s relationship with his mother is such an important, humanising element to his character. Also a lot of headcanons and metas and thoughts about Loki are inspired by those few scenes where we see him interact with the Warrior’s Three and Sif before Loki finds out about his parentage. 

And even when encounters the Avengers, they meet once, they talk once, then Loki he returns to Asgard and they never meet again, except Bruce - and even then there’s barely any time to talk about what happened in Avengers 1. He doesn’t get to form any meaningful relationships with his adversaries when he talks to them in Av1, these scenes just exist to present the Avengers in a certain light. And in the end it’s canonised that Loki was brainwashed so it’s all pointless anyway. (pls (don’t) make me write an essay on agency and the MCU, because honestly, between Bucky, Gamora, Nebula, Loki and everyone else was brainwashed it’s actually worth a conversation)

Even in Thor 1 Loki never meets Jane or Darcy, one of the main-characters. And we never see a single frost giant after the first film. Erik Solveig is the only Earth character from Thor 1 Loki actually meets and he’s brainwashed for most of that and in Thor 2, they don’t get to meet again. 

Imagine if Loki had had someone he trusted in Thor 1 and told them about finding out he’s a Frost Giant and they reject him and treat him like a monster. This could be three or four scenes that don’t throw off the film but would have been very powerful. Or imagine if Loki keeps his heritage a secret from that friend/trusted person and they find out in Thor 2 and confront him about it. Valkyrie and Loki never talk about him invading her mind or the things he saw. 

We never get to see him alone on Sakaar to deal with what he presumes is the end of his home world and the death of everyone he knows and we never see him interact ‘win the Grandmaster’s trust’. 

We never see him interact with the Hulk before they’re suddenly fighting side by side in Infinity War. We never find out exactly what the Aesir’s sentiments towards him are, what kind of prince he was in the past, how present he is in public, what reputation he has beyond silver-tongue mischief guy and which specific events shaped it.

If the MCU wants a villain “as good as Magneto” (which is already annoying bc they imply that Loki is not as good a villain which is such a subjective measure – Magneto done wrong is a horrible and downright offensive villain and trickster characters done right are amazing for revealing the flaws of a hero.*) then they have to give writers and actors the same means to do that with. The X-Men franchise, for all it flaws, always gave Magneto screen-time (so much that people criticised it). 

There’s a Charles-and-Erik dialogue in pretty much every film, allowing us to follow the state of their eternal argument at every step. We see his friendship with Mystique grow and fall, we see Wolverine call him out on his bullshit, his attempt to make young Hank and Mystique feel better about their visible mutations, we know how he treats his followers, his new recruits, his enemies, his students, his wife and his daughter, (daughters, if we count The Gifted and his legacy), his colleagues, his lovers, his ex-lovers, allies and former allies, politicians, police, prison guards, Nazis, soldiers, insane Egyptian gods – and we get to learn his feelings and thoughts about all of these through personal interactions, decisions and gestures. And in turn we know how they feel about Magneto. What do we know about Loki’s feelings about people outside his family? How does he feel about Fandral? What are his thoughts on the Valkyrior? How did his views on Frost Giants change and when? Did he challenge them at all or did he just become cynical about them? 

As I said, Loki is a formidable villain but I think that he suffers from the same problem as many MCU characters: We hardly know them. Think about Natascha whose been part of the franchise since Iron Man 2 but we hardly know anything about her. How much do we know about the family Drax lost? Or about Wanda’s family? About Pepper’s private life? We hardly know anything about them and especially when characters are thousands of years old and we know nothing about their past, it really creates a gaping hole in their biography and that really leads back to my original point: If we could spend more time with them, we would know them better and care more. One of the reason Dark Phoenix is a bit under-whelming is because we know very little about Jean and Scott in this time line. 

There are two DCEU films I actually own and watched more than once: Wonder Woman and Aqua Man. And while I personally didn’t find Aqua Man that good, this film actually tells us a lot about him and despite my lack of knowledge about the DCEU and me being a giant Marvel nerd, I preferred Wonder Woman over Captain Marvel and that is because I felt closer to her character. It really boils down to a “show don’t tell issue” and for me, that would mean: Maybe fewer giant CGI battles. more people living their lives. *(which should also highlight why setting Magneto as a mark for K.B. is so off-mark. Loki is about unmasking hypocrisy, Magneto himself is a hypocrite who regards himself as a hero but often does immoral things and that for example gets unmasked by Wolverine, another social outsider with littl care for social conventions)

[janiedean]

Why do you think the SW fandom is so knee-deep in SJ Calvinism? Because I understand wanting representation or being upset because a movie didn’t fulfill your expectations, but the “if you don’t ship X you’re racist” “if you don’t stan Y you’re bigoted” and the harassment over a disappointing movie is surprising just because of how pervasive it is. I was trying to find some St*rmpilot blogs to follow and the amount of hate is Yikes, especially the hate for Rose and the stans of a Certain Ship

eeeeeeh I think it’s because ep. 7 came out at the height of the... well, reaping the seeds the social justice calvinism had sown since 2014 so to speak? I mean, SW is hardly the one fandom where it happened (*cough* voltron and SU *cough*) but as SW is way broader in audience than those other shows that certainly didn’t help, but like, if you think on it, since 2013-ish (but I think before as well, I mean, I’ve been here since 2011 and already when I got here I felt like something was going very wrong when it came to politics-in-fandom-attitude), basically people on tumblr have progressively, when it came to fandoms:

pushed the idea that you have to over-analyze everything you consume through political lens;

pushed the idea that what you like and how you like it also has to be pushed through political lens and what you like says things about who you are as a person or your political leanings;

pushed the idea that if you care for something *problematic* just because you like it you’re excusing it;

pushed the idea that if you were problematic once you can’t ever not be problematic, you can’t change your mind and you can’t learn also because ‘it’s not my job to educate you’ so people either learn themselves or idek what but again, calvinism.

now obviously those politics are tumblr-politics which are also US centric like woah and are also high-school petty like woah, and since more or less then people have:

continuously other-ed lgbt people from *straight*/heterosexual people pushing a narrative where straight = bad and therefore putting it before anything automatically makes it a valid insult which added to the above means that if you ship het you’re already problematic regardless of whether you’re straight or not (and if you are.. lol);

pushed the performative feminism of Doom TM that says men and women should be equal but is like, an excuse to shit on men and on women who like men (see the rampant biphobia around and the whole ‘straight girls are so stupid if they’re into men they should try women’ discourse);

pushed the US terminology when it comes to the POC discourse, in the sense that everything works on the US-centered context where white people = white anglosaxon protestant, poc = everything else without realizing that in the rest of the world white does not equal wasp, that poc = black people only in most of europe (and no one who’s actually black or not white who lives in africa or asia and so on would describe themselves as poc because why the hell would you when your skin color/ethinicity is the norm where you live?), which also goes with the whole white passing debate which where I live would not exist but in that context is a mess because again, oscar i*saac is schroedinger’s poc (as in, he’s poc automatically for american standards because he’s latin-american but like he has the same skin tone as my mother and my mother in italy is white same as 90% of us, which means endless confusion) and assumed that all of us have to accept that terminology/context regardless of whether it’s valid in our countries;

kept on progressively putting minorities against each other in an endless loop of WHO HAS IT WORST/oppression olympics;

kept on progressively split hairs on issues that aren’t exactly, like, that important if there’s more urgent stuff to deal with because 90% of the activism here is performative;

made the 180° turn for which headcanons and shit are seen as, like, doing representation instead of, you know, supporting what rep is there never mind when people decide *one* ship is the right one and if another is canonized and it’s rep it gets thoroughly ignored;

pushed on a mindset for which if something isn’t perfect at the get-go then it’s canceled.

and so on.

like, all of that shit has been continuously not criticized because criticizing it especially if you don’t belong to a minority means that you’re out of line/discussing things that don’t concern you, but if you’re a minority and you criticize it then it’s suddenly YOU BETRAYED OUR CAUSE *INSERT SLUR HERE ABOUT PANDERING TO THE MAJORITY*, and the result exploded in toxic af fandoms, but like... if you look at the issues of the SW sequel trilogy fandom it’s all of that in a nutshell because:

k/ylo ren is automatically the worst because he’s white (horrible), a man (even worse), not canonically attractive (I didn’t touch on that topic bc I’m honestly not up for it mentally but lmao that counts too) and presumably heterosexual (or well, no one said he’s not but you know, since he’s a white dude on the bad side [supposedly] then we don’t give him the benefit of the doubt that he might be bi), so if you like ky/lo ren or relate to him you’re automatically problematic;

shipping re/ylo because automatically problematic because it’s a *straight* (evil) ship made of two white people (when there’s options to ship them both with people that aren’t white, so IT’S RACIST), they have an age gap (BAD BECAUSE POWER IMBALANCE) and it’s enemies to lovers, so it’s a context where people who don’t conceive redemption or that people can become better are basically crying problematic all the time, and the fact that people decided it’s *abusive* when it has like nothing that can equate it to a really abusive relationship says all;

ky/lux being the most popular slash ship immediately means that it’s the fault of the horrible straight (white) women fetishizing the (white) men on the dark side (when it’s most likely because for a while ky/lux was literally the only side of that fandom where people were chill/there wasn’t wank every other moment);

st/ormpilot has been declared The Right Ship because it’s two non-white men and it’s not straight which automatically turns into what I said before about hating other ships that would be rep anyway and feeds into the lowkey oppression olympics racism, because like if finn/rose becomes canon it’s still a mixed/biracial ship because he’s black and she’s asian....... except that it’s not the right ship for people who decided that finn has to be either with rey or poe (and guess what rey is white and poe is... schroedinger’s poc because oscar isaac in europe wouldn’t pass for *poc*), which to me has stank of lowkey racism since tlj came out because sorry but if ‘finn deserves better than rose’ or ‘finn should be with rey because if he doesn’t get rey then it’s unfair’ and the various other bullshit I read on the topic basically says that the white woman is *worthier* than the asian woman or that rose is a downgrade from rey which is fucking bullshit, rose isn’t even a bad character all the contrary. and that’s for the het side of it, but like then it’s not as good as stormpilot because it’s a straight ship (NOOOO THEY MADE FINN STRAIGHT/THEY’RE NOT MAKING THEM GAY THIS IS SUCH BULLSHIT = stuff I legit saw on the tag) and ngl I’m 100% sure that the fact that daisy is Standard Attractive and kelly marie t/ran is lovely but doesn't conform to the usual beauty standard western-viewers apply on asian women did play a role in there, but: what did I say before? the slash ship is automatically better than the het ship never mind that they’re both biracial and rose is actually a rep (asian girls who don’t adhere to stereotypical body shapes - and like, the rep for all body types and shapes should be valid for all women, not just white) that isn’t exactly popular especially in mainstream cinema, so people should be happy.... but since rose is Not A Dude and Not Rey and Not The Right Kind Of Representation For That Crowd, automatically rose is a shit character and deserves to be viciously hated on. and this is a thing done by people who most likely then turn on the other side and talk shit about horrible straight women who hate the only female character for getting in the way of their slash ship without realizing that their rose hate is exactly that. and of course since sto/rmpilot is the two good guys, if you ship that then you also have to hate re/ylo because how can you, a person who ships The Good Ship On The Light Side, support such a problematic enemies to lovers thing? yeah, right, hahaha.

this also tbqh also pairs up with how on tumblr people only recognize mental health issues/abuse victims when the narrative suits them - like, being a bad victim automatically means you lose sympathy and mental health issues are only valid if you aren’t ***privileged*** otherwise why would you have them, which shows transparently in how a lot of people absolutely deny that ky/lo ren is a) an abuse victim, b) obviously mentally ill however it is that he deals with it, but no, he has to be The Most Horrible In Existence Because Otherwise We Should Have Empathy For A Bad Guy Who Also Might Get Redeemed And Redemption Is Not Happening Ever Because Bad People Don’t Deserve it.

like, all of the issues sw sequel trilogy has when it comes to the fandom are direct consequences of the nonsensical social justice calvinism climate on tumblr dot com that no one took care to put a stop to since 2013 and of its ridiculous oppression olympics and pitting people against each other and that was my take. cheers.

(ps: I also ship sto/rmpilot like woah and it’s my otp but there’s a reason why I unfollowed most SP blogs I followed and why I don’t go into the tag anymore - I’m not here for the anti-rose racism dressed up as performative wokeness, I’m not here to get lectured about as a white person I fetishize poc gay men if I ship it - yes I read that too - and I’m not here to read a bunch of meta about how re/ylo is a bad ship and blah blah blah, so yeah. I feel you.) (pps: ky/lo ren isn’t even my favorite character and I care relatively but gdi the way the fandom approaches him is honestly mindboggling in that sense, and I don’t mean people who actually dislike him because fair reasons, I mean people who can’t recognize his abuse victim status and the precarious status of his mental health. like, not all abuse victims and mentally ill people are the right victim or come from the right background and you can be cool motive still murder and still recognize that he’s like that because he has issues, not because he was drawn that way. /bye)

[the-apocryphal-one]

Novel Review: Uprooted by Naomi Novik

“Our Dragon doesn’t eat the girls he takes, no matter what stories they tell outside our valley. We hear them sometimes, from travelers passing through. They talk as though we were doing human sacrifice, and he were a real dragon. Of course that’s not true: he may be a wizard and immortal, but he’s still a man, and our fathers would band together and kill him if he wanted to eat one of us every ten years. He protects us against the Wood, and we’re grateful, but not that grateful.”

I’m sorry, but when you open up your book with that paragraph, intentionally invoking and subverting typical fairy tale tropes with a fun tongue-in-cheek narration...you’ve got me hooked. And if you get me hooked like that, you’d better follow through. And this book did. Hot damn it was good. I binged it in a day.

Apparently the author used to write fanfiction; it shows, because she took away all the good lessons you learn from it and left behind the bad parts. Uprooted is a stand-alone medieval fantasy with a refreshingly original tale and lovely use of fairy tale tropes and you should definitely check it out.

Summary: Once a decade, the Dragon comes and Chooses a single girl from the valley he protects as payment. Agnieszka (Nieshka for short) doesn’t worry about being taken; she worries about her beautiful, talented, perfect best friend Kasia, who everyone knows will be Chosen. But for a reason Nieshka can’t fathom, the Dragon picks her instead, and she gets sucked into a world that is dark and horrifying...but not in the ways you’d expect it to be.

Spoiler-free cliffnotes review:

- After a while, YA female protagonists start to get cookie-cutter. Nieshka is not at all cookie-cutter; she’s unique, sweet, and genuinely flawed. I never found myself irritated with her, and I kept getting prouder and prouder of her as she grew into her own.

- Likewise, YA romances tend to be cookie-cutter and feel shallow or lust-based. And don’t get me started on the love triangles. But thankfully, there are no love triangles here, and the romance is background, slow-burn emotional goodness. Bonus points for neither lead being hot; they’re actually kind of plain. Poor Nieshka especially gets called horse-faced and nothing special to look at.

- The other characters are all developed well; Kasia, the wizards at court, the royals, the antagonists, they all have their own distinct personalities and motivations. And boooooooy I love Nieshka’s friendship with Kasia, it is Good and Strong and we need more platonic relationships like that in literature.

- Worldbuilding was enticing, I was genuinely interested in the different legends and histories and songs. Downside is the world itself felt a little confusing in terms of layout; nothing that created a plot hole, but I could have used a map.

- Novik’s prose is beautiful, and especially shines when she’s creating atmosphere, but can be a bit too long at times. It definitely slowed me down while I was reading.

- She’s great at pacing and tension. The stakes start small but important, and then they grow a little larger, and then they just spiral up and up and more and more is at risk and I kept holding my breath waiting to see how the heroes would get through it this time.

...And have the spoiler version below the cut:

The Gushing:

- honestly I love Nieshka because she is just so unlike your typical YA protagonist. A lot of them are cold, brave, loner-types who don’t need help. Nieshka’s a self-admitted coward, genuinely clumsy (she’s always dirty from spilling stuff on herself and tripping), and anxious...but also a big sweetheart, idealistic, and kinda spacey. Like the Dragon took her to teach her magic, and she keeps thinking about how restrictive it is. Then she starts thinking about it in terms of wandering through the woods not knowing what she’s looking for, but she’ll know when she finds it, and she’s picking berries in her head, and suddenly: boom, magic. And the Dragon is furious because that’s too unorganized, what do you mean woods there aren’t any woods here, how are you doing it????

- it is essentially Wizard vs Sorcerer, to put it in DnD terms, only she is the only Sorceress in a world of Wizards and they can’t. get. it. it’s hilarious. (but she also can’t do their stuff, she has all the power without the precise control. They’re all stronger working together, so it’s not “super specialness”, it’s a fair trade)

- Delicious slow-burn, enemies-to-friends-to-lovers romance, yum. It’s written subtly and beautifully; I love the detail when she stops thinking of the Dragon by his title and starts thinking of him by his name. You just see the relationship changing without being told it is. 

- speaking of, I love the Dragon. He’s laid out as nuanced and “not a bad lord” from the start--protective of his vassals, enough to personally step in to help them, but also extremely distant. He thinks of the needs of the many vs the few, he’s grumpy, he never socializes, and he demands a sacrifice of a girl every decade--just to clean his tower, but everyone thinks the worst because he doesn’t do anything to make them think otherwise. So no one likes him except in that local proud “he’s our lord” way. And he keeps getting taken off-guard by Nieshka (again: “HOW ARE YOU CASTING LIKE THAT?!”) in a way that’s kind of adorable.

- Nieshka's profession at the end is becoming a druid-type healer. I LOVE THAT. there’s like some stigma against women doing feminine things in YA literature, and Nieshka just goes for it. She has the power to be a war-witch, and she’s used her magic that way, but she hated seeing battle and death. She goes “nope, I’m gonna peace out and heal the damage caused by this war.”

- I love how Nieshka knows the Dragon is gonna run from their relationship and decides she’s not gonna beg him to stay bc he needs to figure that out for himself. If he doesn’t come back, she’ll be sad, but she’ll move on. Her life doesn’t revolve around him, that’s refreshing, and it makes the moment he does come back (bc of course he does) that much better.

- Nieshka and Kasia’s friendship is the Good Shit, they’re just completely devoted to each other and it’s not at all framed in a romantic way. ACTUALLY their platonic love is the central relationship of the story instead of the romance, and I LOVE THAT, because romance shouldn’t be The Only And The Biggest bond in our life. But they also have their secret envies and hurts, but their friendship just grows stronger for it??? it’s just so good???

- Okay, for some non-Nieshka things (but seriously I love her), how about the side characters? They’re never reduced to “stop mattering when the hero leaves the screen”, they get motivations explained and other facets of their character explored. Alosha the witch-blacksmith, the Dragon’s rival the Falcon, KASIA, Prince Marek. Marek is like the perfect shadow archetype of Nieshka, they both really want to save someone they love from the Wood, they both refuse to quit, and it’s just plain bad luck that his quest was doomed from the start. So even though she hates what he does, she understands why he’s doing it, and admits she might well have done the same in his shoes.

- The Wood is terrifying. Novik uses a lot of pretty descriptive words in her narration that borders on flowery at points, but when it comes to the Wood, it underlines how horrific that place is. At one point, the Wood corrupts Kasia, and she describes sap seeping out of her eyes and mouth and I gagged reading it. Or here, take this paragraph:

“I could see light shining through my own skin, making a blazing lantern of my body, and when I held up my hands, I saw to my horror faint shadows moving there beneath the surface. Forgetting the feverish pain, I caught at my dress and dragged it off over my head. He knelt down on the floor with me. I was shining like a sun, the thin shadows moving through me like fish swimming beneath the ice in winter.”

- yes thank you I really needed the imagery of living evil fish swimming under someone’s skin in my life (translation: beautiful prose but ahhhh!)

- plus the Wood is alive and incredibly smart. It spends the whole book playing speed chess and keeping you double-guessing every apparent victory the heroes have. Combined with the supernatural/horror aspects, it really feels like an eldritch and dreadful force of nature. 

- there are like three books’ worth of plot in this one, but they all get developed and paced well. there’s just so much content, and it’s varied and exciting and gripping--training with the Dragon, rescues in the Wood, courtly intrigue, a siege on a tower, kickass magic battles, and The Big Final Mission which ends in a way I don’t want to spoil, even in the spoiler section.

Critiques:

- I really wish Novik included a map of the land, because I just kept getting confused where everything was. At first I was under the impression the Dragon’s tower was to the west, closest to the Wood; then it and the Wood turned out to be in the east? And the capital is...north, northwest of that? But then why are Nieskha and Kasia crossing mountains to get to the Dragon’s tower in the south, the mountains are in the east too, dividing them from Rosya, right??? where even is everything??????? it’s possible I was a dumbell and just misread/misremembered stuff, but that’s why a map would have been helpful.

- Novik’s writing style is beautiful, it’s fairy tale-esque and fits the setting...but once in a while it’s too much, you know? She really, really wants you immersed in the physical sensations of the world she created, and in cases like the Woods, it works well to convey the sheer monstrosity of the place. In other cases, it feels kinda like a slog; there’s one point where she writes at length about the pattern of a carpet. How interesting.

- Usually in YA fiction, the heroine doesn’t care about her parents or vice versa. Thankfully that’s averted here, but Nieshka mentions she has three brothers...who she doesn’t really think or care about. There’s a nice scene when she first arrives at the tower and starts crying about how she’s lost her parents, but her brothers? Nada. They don’t even get names or show up, with no explanation; at the very least a line about how they’re so much older than her that they’re not close would have satisfied me, but there’s nothing like that. It’s not huge, but it’s jarring.

- while I love the Dragon and Nieshka’s emotional relationship, I do admit the physical aspects felt sudden. Novik basically has it so that magically working together creates a charged intimacy between them, and the first time it happened I loved it because it seemed like it was gonna be ‘the gateway’ to more. Instead, it kind of ends up a crutch for their physical relationship. It’s like “slow burn, slow burn, magic, KISSAGE, slow burn, slow burn, magic, SEX”.