#characters which I didn't like because why are they even there to begin with then ya know?

[petr1kov]

i swear most berserk fans are the dumbest motherfuckers alive in general but especially so when it comes to analyzing griffith's character and motivations. everything that happened in the eclipse is usually just tied into a neat uncomplicated bow of 'griffith always was a sociopath with no feelings and everyone in the band of the hawk were always seen as disposable tools to him', which is such a poor reading of literally everything that happened prior to it that it drives me insane.

the eclipse is meant to be a huge sacrifice. it is a grotesque and violent ritual that has griffith completely shedding his humanity and becoming something monstrous by cutting ties with everything and everyone that made him feel human in the worst possible way. what would be the point of it if griffith was already a fully-fledged monster from the beginning? why did griffith even need to experience visions to be convinced if he was always ready to sell his comrades for a corn chip?

even the scene where he explicitly states that 'only [guts] made me forget about my dream' often gets misconstrued as being just another expression of his narcissist ego, with claims that griffith became inconsolable and reckless after guts left him only because he got mad that lost control of his 'tool', since he felt like he needed him to achieve what he wanted. obviously, griffith's egotistical nature is central to his character and plays a part in this as well, but it's still very clear that it's not just resentment that motivates him in the aftermath of guts leaving. as he stated, guts made him forget what he wanted to achieve at all, HIS DREAM, for a while - and when he thinks of that, he remembers the good times they shared, not the bad. he simply couldn't envision a future that didn't include guts, after a point in his life, and that feeling had nothing to do with any pragmatic assessment of the pros and cons of having a powerful fighter like him on his side, and he knew that. it was the depth of his attachment to guts that terrified him.

i feel that people tend to dance around the issue of griffith's emotions in general because they feel that acknowledging that he felt anything other than possessive entitlement to the members of his crew (or even just to guts) is almost the same as excusing his actions, but it's the opposite for me. believing that griffith was simply born incapable of feeling love and affection for anyone is as good as believing that he essentially had no true free will in the events that led to the eclipse; if they were all interchangeable pawns on his hand, how would he ever hesitate to sacrifice them when the time came? how could a sacrifice like this even hold any meaning, really? believing that is fully conceding that he was always destined to become femto no matter what, which runs counter to the theme of free will in the face of causality that drives the series. where is the tragedy in that? where is the betrayal? it hurts because it could, should have been different, and griffith made a terrible choice - but only because he had a choice to make in the first place.

[demodraws0606]

An character analysis POV as to how Hu could be the culprit (and a little bit of Nico stuff as well)

tw/ mentions of suicide

So I've seen certain Eden!Culprit truthers just not really believing that Hu could be the culprit because of her behavior during the class trial. However her committing murder against Arei and Ace makes a lot more sense than Eden does by a longshot (especially with Eden having no accomplices atp).

But I also understand why people are confused by Hu's behavior if she could possibly be the culprit. There's a lot of things that don't seem to make sense on the surface that I also accepted however digging further, you can find a version of Hu that honestly fits really well as the culprit of this chapter.

I will also throw in analysis of Nico's behavior because a lot of their behavior during this class trial is strange if Hu really is the culprit but again I think I can explain why this happened.

I also want to preface this by saying that I do think Hu is going to be a heavily flawed character but I don't think she's malicious in any way shape or form. If I find any Hu hate after she's revealed to be the culprit, I will actually fight your ass and that's a promise.

Her outburst against David :

I honestly was also in the camp of not really understanding Hu being the culprit, doesn't this go against her outburst against David ?

Well, here's the thing, I think her outburst was 100 pourcent genuine, I just think Hu is both being a hypocrite in a way but mostly she's hiding her true feelings behind her wording.

Let's take what she says in her outburst :

There's a funny thing about her wording, especially at the beginning :

"You have no right to decide wether I, whether any of us..."

I think what Hu is trying to say is being hidden by her saying "we" and "us". In my opinion, she's probably mad at David for wanting to toy with her life, not even to escape himself but simply to commit mass suicide. Which we know Hu has a very complicated history with suicide due to her secret.

I do think her anger is both a mix of projecting onto David her present (and past self) and also her genuine desire to want to continue living.

She would be mad, she's trying so hard to live and here is David who both planned to let her die not even to survive himself but simply because he gave up. Interesting to note how she interprets David's desire to stop the killing game as "Because this killing game requires us to live, you think you should just reject that notion and kill us all". She doesn't mention him wanting to end the killing game, she mentions David rejecting the notion of living itself.

If Hu was a past suicidal person who now has committed herself to continue living, of course she would be insulted by David's action, it spits in her face and reminds her of a past self that simply rejected the idea of living.

A desire to live that's shown through this outburst and also in her secret quote.

Again switching the pronouns Hu is using here with "I" really gives a new perspective that I think makes a lot of sense with her being the culprit.

"It is not and never will be your desicion as to what happens with MY life"

Because Hu wants to live now, she's no longer her past self, she won't try and throw her life away anymore.

The murder of Arei and attempted murder of Ace :

I want to discuss both the victims and method of murder here because I think it works very well with Hu. It's not really a character analysis thing as much but I didn't want to make a seperate post for it.

Hu clearly does/did not have high opinions of either Ace or Arei, like at all. They were both people that Hu reprimended heavily.

Especially with the secret motive happening, it's very possible that Hu's possible choice of culprit was done with the notion of "who deserves to be killed". Her first pick being Ace makes a lot of sense

I'm making her sound villainous when I say this but I do think it was her mindset at the time, Ace's horrible behavior towards Nico possibly being what led to her to feel allowed to take his life. However when Ace survived, she decided she was simply to deep into it and decided to go with the second best choice in her mind, Arei.

I want to also point out the method of murder...hanging

Clearly the culprit had a lot of knowledge about hanging, with it being their main method of murder. Which would make sense with Hu's past, using her past attempts as knowledge for her to take someone else's life which I find very ironic and in a way morbidly narratively compelling.

What was the motive ? :

I think Hu simply just wanted to live, it had nothing to do with the motives (and I honestly think the motives will actually not ever be involved in the murders bc it seems like they're setting it up to be a recurring trend).

I think Hu was thinking about murdering to get out ever since she was put in this killing game. However the only reason why she has never done so is because she was way too attached to her classmates.

From her secret quote, to her outburst against David, to her secret motive. All of it hints at this strong desire to want to live.

However she couldn't bear to kill anyone in this cast until chapter 2 happened.

Ace and Arei both are probably the least likable characters in chapter 2's daily life, I don't mean that in the fandom sense but I mean that in the eyes of the cast itself. Especially Ace who truly ends up falling to horrible harmful patterns out of self preservation.

We know how toxic the cast became in chapter 2 and I think that's what led to Hu feeling more comfortable killing someone. She no longer felt as guilty when she saw Ace (and Arei but mostly Ace) acting this way. This allowed her to commit murder. When it failed, she simply ended up chosing the second person on her list that she saw as nothing more than a horrible bully.

After all who would miss Ace and Arei, they're both horrible horrible people right ? Who would cry for someone who isn't a good person.

It was a murder both driven by Hu's strong desire of survival and also her view of her fellow classmates.

Nico's behavior :

Before I get more into Hu's mindset, I want to take a little detour to why is Nico being so difficult ?

I know I've made theories about Nico being an accomplice, but looking back I don't think they actually knew Hu did it. Even if they're not telling the truth about Ace's attempted murder and Hu's false allibi.

But then why ? Why would Nico ever do this, don't they know they're potentially putting everyone's lives at risk

Well it wouldn't be the first time a character in DRDT's cast is difficult to the point of risking people's lives (i'm fucking look at you WHIT.). However I think there are both actually decent reasons as to why Nico wouldn't tell the truth alongside his issues with being non-confrontational.

First, I don't think Nico ever expected the murder of Ace to be important to the case. I think they lied because everyone else made it extremely obvious what their thoughts truly were and Nico probably thought that trying to argue against them simply would just make them look more guilty or not do anything at all.

Again I would like to pull Nico's secret quote for evidence here. Because again I think it just fits with everything here.

For the alibi thing, I think Nico genuinely didn't contest it because they probably believe Hu only did that to protect them from getting blamed. Again anything that would make Nico not get yelled at or suspected probably is something they would hold onto. They still have no reason to think Hu really did it, so again with their issues with being non-confrontational I think it would make sense for them not to contest it.

I think Nico's arc is heavily tied with Hu, and vice verca. There's an empahsis on how Nico is struggling to make their true feelings truly known because everyone talks about them and the one person who thinks they are there to protect them actually are just as bad if not worse in ignoring them.

Nico wasn't ready to come out, they were instantly labelled an attempted murderer and the one person who is here to defend them is someone who constantly interrupts them. The entirety of chapter 2 has just been them being objectified and not really giving them a voice.

Which I think comes back to a part of Hu that I think is related to the murder.

Hu's relationship with Nico and Eden :

Isn't that interesting how Hu has established relationships with both Nico and Eden, meanwhile Ace and Arei both have bullied Eden/Nico.

I don't think this is a coincidence and I think it matches Hu's misguided attempts at protecting people.

Hu wants to be useful, she desperately wants to be the strong protector of the group. However there are very clear signs here intentions aren't very glamorous.

In a fucked up way, it's very possible that she sees the murder of Ace and Arei as her helping Eden and Nico. Two people she clearly wants to protect (at least for Nico it's obvious).

However Hu's actions clearly did not help them, in fact, what she did ended up backfiring on the both of them.

Nico ends up being framed as a murderer

Eden lost a potential friend

Not only that but she had to have manipulated both Nico and Eden, to accomplish her murder. It's a flimsey self excuse for Hu to keep up her belief that she's a protector.

Obviously I don't think this was her main motivation, I've talked about it before but it's yet again something that would make it more easy for Hu to swallow the idea of being a murderer.

Is Hu evil ? :

No ! What the fuck did you think this post was for !

See I don't think Hu being the culprit suddenly makes her this horrible manipulative person. Despite the dread I feel with the likelyhood of Hu getting dragged to the ground if she's the culprit, I don't think she's remotely close to characters like...Celeste for exemple.

She's a person who was desperate to live who let herself murder by making up excuses, that she was doing this for the greater good somehow that it wasn't just a selfish desire of survival.

It makes sense for a chapter all about morality right ? Justifying a horrible action by justifying that well...these people she murdered weren't really good people were they ? Plus she ended up killing Eden and Nico's bullies right ? And I mean the killing game will only really end when two people are still alive right ? So maybe she's not a bad person. Maybe she deserves to live.

But people don't to be deserve murdered (99 pourcent of the time, i'm talking about DRDT's moral here) , not even horrible people. You don't know these people, if they could change, and you don't know what consequences you bring upon others by enacting justice like this.

And in a chapter about morality wouldn't it be interesting to tackle the morality of someone who would want to live no matter what. Is it fair to call Hu a bad person because she simply didn't want to die ? Somehow her attempts at killing herself in the past is wrong but letting herself be killed in a place like this is the moral thing to do ?

Is the fact that she killed people who she perceived as bad make this whole thing better. Did these people's lives matter less than her, someone who has been trying to actually be nice to others and help them ?

Or is her attempt of being a good respectable motherly figure only just a facade to feed her ego, a person who once didn't think they deserved now hanging to every possible reason to continue fighting to stay alive ? No matter what, no matter what happens, she needs to continue living.

"A pig never hopes to grow up into a human, because it knows that a metamorphisis like that is impossible"

[itsaship-literally]

𝘽𝙚𝙚𝙩𝙡𝙚𝘽𝙖𝙗𝙚𝙨: 𝘼 𝙃𝙞𝙨𝙩𝙤𝙧𝙮

Reposted

There are many names for the ship and friendship of the dynamic duo known simply by their names: Beetlejuice and Lydia Deetz.

In the beginning, they were considered a horror-comedy icon. She is strange and unusual. She wants to die and be part of the land of the recently deceased. He is wild. A pure chaos machine who lives up to his side of the deal. He knows the ins and outs of the hereafter and wants to get the fuck out. For good.

Lo and behold! The trope of a quid pro quo marriage. He gets out. Her friends are saved from an unknown doom.

Then marketing took over. Merchandise! Toys! And ultimately a cartoon. Who would be the star of Beetlejuice: The Animated Series.

Well, Beetlejuice, of course. And why not make it friendly to the kid's world by taking the youngest character and making her more vulnerable and spooktacular? They could have carried the show without a Lydia but they chose not to do this.

They chose the one girl in the movie he tried to marry: deal or no deal. The girl was in a wedding dress and instead of making them enemies... They make them friends. Friends who share and anniversary, terms of endearments, and blatant flirtations.

Thus, the first shippers were born—a bunch of kids who saw two chaotic characters who were perfectly balanced with each other. We grew up, and so OUR IDEA of Lydia grew with us. Granted, a few of us are freaky and wanna jump the ghost, but rarely will you see a shipper want to split up the duo.

Now for the names; Beetlejuice x Lydia, Beetlyds, Beetz and Deetz, Beetz, Beej and Lyds, Beetle and Babes and now, unintentionally, Beetlebabes.

Ironically this was not the intended name for the ship. We (as in my friends and I) called ourselves Beetle Babes. As in We are the Babes. Fans, mostly ladies, who love to obsess over a ghost from an old 80’s franchise.

The second meaning came naturally because, Didn't BJ call Lydia ”Babes”? Yes, he did in almost every episode. Lyds, Babes, Lydia. Three names he uses for her his best friend.

So Beetlebabes became an easy identifyer for the crew. And it became a standard name for shippers when the new fans came in, but I bet you didn't know that some OG Beetlebabes only Friend-Ship them? And some Relation-Shippers don't like smut or sexual content of any kind.

Beetlebabes are Kids, Teens, and Adults. They are students, parents, CSA survivors, therapists, cooks, homemakers, artists, animators, and filmmakers. They are strangers on the street who don’t even know the musical came to be and only remember the deadly duo through fond memories of two close pals who, for all we knew, were living out their impromptu wedding in the only way they know how.

Now, as I update this, we have a new movie in which Beetlejuice and Lydia are once again affianced. BJ refers to her as the love of his life, bringing more shippers into the fold.

So here we are, The Beetlebabes. We ship the gal who wants death and the ghost who wants life. The balance. The dichotomy. The polar opposites.

This has been the revisit of the history of Beetlebabes. I hope you all are enjoying your time in the fandom and you all have my best wishes to stay happy, healthy, and creative.

Keep being awesome, Babes! 🖤

[qiu-yan]

3 6 7 11 16 20 25

bro is trying to get me killed lmao /s

choose violence ask game

3. screenshot or description of the worst take you've seen on tumblr:

this shit

6. which ship fans are the most annoying?

gonna be honest here, the single most annoying part of the MDZS fandom is that one hyperspecific sort of wang and xian stan who insists on shitting on not only the other characters, but also other wang and xian fans who ship the characters in ways they don't approve of. this kind of stan can not only be relied on to have the worst possible takes on everyone ranging from jin guangyao to jiang cheng, they can also be relied on to harass other wang and xian fans simply for putting wang on the bottom. fun times.

7. what character did you begin to hate not because of canon but because how how the fandom acts about them?

surprisingly, no one yet. sometimes i feel the hater urge to dunk on the morally-pure version of wei wuxian that the diehard wei wuxian stannies have collectively hallucinated, but i still find the wei wuxian from canon to be quite compelling.

11. number of fandom-related words you've filtered

the "canon jiang cheng" and "canon jc" tags. everyone stfu

16. you can't understand why so many people like this thing (characterization, trope, headcanon, etc)

"morally pure wei wuxian who did nothing wrong ever." to me, wei wuxian's hubris, his unique capability for inventing new kinds of cruelty, his failure to think of the consequences of his actions, his tendencies to run away from negative feelings, and his ultimate failure to protect the people he was trying to protect, are what make him a compelling character to me. these flaws in parallel with his courage, kindness, stalwart moral compass, and genuine love make him interesting to me. so i don't quite understand fans who instead insist on erasing all the morally grey and highly interesting stuff he did in favor of insisting he did nothing wrong ever.

20. part of canon you found tedious or boring

not quite what the question is asking, but i found the actual wang and xian romance in the original novel to be a bit lacking. mainly because (as other people have said already) a lot of the romantic development happened when lan wangji was drunk. at the very least, i wanted to see lan wangji's reactions to his various drunken adventures once he sobered up the next day, and i'm rather disappointed we never got to see that.

furthermore, on wei wuxian's end, it did kind of feel like wei wuxian was using this exciting new romance to distract himself from his past problems, even though it also seemed like he didn't actually know all that much about lan wangji. the only version of the romance that makes sense to me is the one where wei wuxian was already into lan wangji (subconsciously or consciously) in his first life; otherwise, wei wuxian falling in love with lan wangji during his second life, when he's yet to process any of the shit that happened in his first life, feels too much like him running away from his problems with a guy he believes will validate all his decisions. meanwhile, on lan wangji's end, i feel like the novel just did not give us a lot to work with in regards to his character. so it feels like, if you want to be a fan of lan wangji, you have to do a lot of the legwork of building up his personality yourself.

what also disappointed me a bit about wang and xian, as well as lan wangji's character arc itself, is that lan wangji is never really challenged on a moral-dilemma level in the same way that many other characters are challenged by the story. how do i explain this...alright, i'll put it this way. i've been brainrotted about madohomu (madoka magica) since i was in middle school. and that's partially because i know for a fact that, if homura was put in the trolley problem and had to choose between [killing 5 strangers] and [allowing madoka to die], she would choose to kill those 5 strangers to save madoka. but after reading MDZS, i realized i legitimately did not know what lan wangji would do in such a moral dilemma. because MDZS equates [being morally righteous] with [supporting wei wuxian], lan wangji is never placed in a dilemma where he has to choose between sacrificing wei ying and doing something the audience would think of as unforgivable.

these are just my own hyperspecific tastes, though.

25. common fandom complaint that you're sick of hearing

gonna put my hater hat on for a second, but i kind of roll my eyes at the jiang cheng haters complaining about how jiang cheng stans keep posting in the "canon jiang cheng" tag. dude, if it bothers you that much, just block the jiang cheng stans. then things will be peaceful in your favorite tag again.

[lauralot89]

"Now, sir, you can go on and arsk me what you want. You'll excoose me refoosin' to talk of perfeshunal subjects afore meals. I gives the wolves and the jackals and the hyenas in all our section their tea afore I begins to arsk them questions."

Did journalists actually used to write out accents phonetically or is Bram Stoker just doing this for fun

That 'ere wolf what we called Bersicker was one of three grey ones that came from Norway to Jamrach's, which we bought off him four years ago.

Charles Jamrach was a real wildlife dealer, most (in)famous for the time when a tiger escaped and grabbed a small child, who survived. This incident is now immortalized with a statue:

You could just do anything back in the day

He 'ad white kid gloves on 'is 'ands, and he pointed out the animiles to me and says: 'Keeper, these wolves seem upset at something.'

Thanks, Dracula, very helpful.

That there man kem over, and blessed but if he didn't put in his hand and stroke the old wolf's ears too!

Dracula is a Disney princess (countess) confirmed

anceterer

it took me like five tries to understand this

"Well then, sir, I accounts for it this way; it seems to me that 'ere wolf escaped—simply because he wanted to get out."

This one ain't been used to fightin' or even to providin' for hisself

Hence why Dracula had to lob him at the window like a basketball

well, then I shouldn't be surprised if the census is one babby the less

How is babby formed? how is babby formed how girl get pragnent

I shall take this cylinder with me, and then I can complete my entry on Lucy's phonograph.

Can't you only record like two minutes of audio on those?

Did you not get my telegram?

GREAT WORK, VAN HELSING

I flew downstairs and returned with it, taking care to smell and taste it, lest it, too, were drugged like the decanter of sherry which I found on the table.

For as much shit as I have deservedly given Jack "Medical Malpractice" Seward, I have to hand it to him, I would never have thought of that

I noticed that Van Helsing tied a soft silk handkerchief round her throat.

Professor, I hate to tell you this, but I think that vampires can bite through silk

I fear to trust those women, even if they would have courage to submit.

why though

"What's the matter with me, anyhow?"

QUINCEY MORRIS MY BELOVED

A brave man's blood is the best thing on this earth when a woman is in trouble. You're a man and no mistake.

Everyone who meets Quincey is immediately in awe, as well they should be

I found Van Helsing with a sheet or two of note-paper in his hand

She wrote all that in two pages? How small is her writing

Do not trouble about it now. Forget it for the present. You shall know and understand it all in good time; but it will be later.

He can't keep getting away with this

What is it that's wrong with her? The Dutchman—and a fine old fellow he is; I can see that—said, that time you two came into the room, that you must have another transfusion of blood, and that both you and he were exhausted. Now I know well that you medical men speak in camera, and that a man must not expect to know what they consult about in private. But this is no common matter, and, whatever it is, I have done my part...I take it that both you and Van Helsing had done already what I did to-day. Is not that so?...if you may tell me without betraying confidence, Arthur was the first, is not that so?...

Quincey is the smartest character in this whole damn book

His very heart was bleeding, and it took all the manhood of him—and there was a royal lot of it, too—to keep him from breaking down.

Everyone's gay for Quincey

Whilst still asleep she took the paper from her breast and tore it in two. Van Helsing stepped over and took the pieces from her. All the same, however, she went on with the action of tearing, as though the material were still in her hands; finally she lifted her hands and opened them as though scattering the fragments.

This is fine.

Van Helsing seemed surprised, and his brows gathered as if in thought, but he said nothing.

The Van Helsing Standard

Letter, Mina Harker to Lucy Westenra (Unopened by her.)

WHY MUST YOU HURT ME IN THIS WAY

Mr. Hawkins has died very suddenly.

Oh for fuck's sake, Dracula (yes I know it wasn't him)

Forgive me, dear, if I worry you with my troubles in the midst of your own happiness; but, Lucy dear, I must tell some one, for the strain of keeping up a brave and cheerful appearance to Jonathan tries me, and I have no one here that I can confide in.

I'm dying (Just like Lucy! Heyo!)

[smile-files]

i continue to find ii3 baffling. why did they make it (this isn't to hate on the season, i'm genuinely curious)

[giantkillerjack]

12 hours after the amazing digital circus episode 2 airs, I see a video on youtube entitled "THEY RUINED JAX!!! 😡"

Like, chill! They literally haven't even finished SHOWING US Jax!! 😂 He's still only had a few dozen lines! I'm sorry about the Jax in your headcanon that you've been growing in the space between episodes, but I don't think there's been enough time to ruin that rabbit yet! 😅

[sskk-manifesto]

Osamu Dazai and the Depressing Era

[fragmentedblade]

Also, Ruan Mei was the one who lent the Phase Flame to Ratio, wasn't she?

[vegettos]

.

[wingsofaether]

hm this is a bit interesting to say the least. I'm not really iffy about time travel in general and parallel universes could be interesting if done right.. just a lot to think about

Link to article

https://www.eurogamer.net/naoki-yoshida-on-dawntrail-criticism-community-feedback-and-the-future-of-final-fantasy-14

[travalerray]

fanfic writing is always like:

questionable characterisation (not really familiar yet) => oh this is actually good => questionable characterisation (projecting)

[jytan2018]

I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.

- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.

- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.

- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.

- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).

- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.

- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.

- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.

- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.

- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).

- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.

I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:

[ID: A pink-haired Nimona grinning evilly while holding up a knife.]

Watch Nimona. This is not a request.

Edit: Added more thoughts!

[wordstome]

how c.ai works and why it's unethical

Okay, since the AI discourse is happening again, I want to make this very clear, because a few weeks ago I had to explain to a (well meaning) person in the community how AI works. I'm going to be addressing people who are maybe younger or aren't familiar with the latest type of "AI", not people who purposely devalue the work of creatives and/or are shills.

The name "Artificial Intelligence" is a bit misleading when it comes to things like AI chatbots. When you think of AI, you think of a robot, and you might think that by making a chatbot you're simply programming a robot to talk about something you want them to talk about, and it's similar to an rp partner. But with current technology, that's not how AI works. For a breakdown on how AI is programmed, CGP grey made a great video about this several years ago (he updated the title and thumbnail recently)

I HIGHLY HIGHLY recommend you watch this because CGP Grey is good at explaining, but the tl;dr for this post is this: bots are made with a metric shit-ton of data. In C.AI's case, the data is writing. Stolen writing, usually scraped fanfiction.

How do we know chatbots are stealing from fanfiction writers? It knows what omegaverse is [SOURCE] (it's a Wired article, put it in incognito mode if it won't let you read it), and when a Reddit user asked a chatbot to write a story about "Steve", it automatically wrote about characters named "Bucky" and "Tony" [SOURCE].

I also said this in the tags of a previous reblog, but when you're talking to C.AI bots, it's also taking your writing and using it in its algorithm: which seems fine until you realize 1. They're using your work uncredited 2. It's not staying private, they're using your work to make their service better, a service they're trying to make money off of.

"But Bucca," you might say. "Human writers work like that too. We read books and other fanfictions and that's how we come up with material for roleplay or fanfiction."

Well, what's the difference between plagiarism and original writing? The answer is that plagiarism is taking what someone else has made and simply editing it or mixing it up to look original. You didn't do any thinking yourself. C.AI doesn't "think" because it's not a brain, it takes all the fanfiction it was taught on, mixes it up with whatever topic you've given it, and generates a response like in old-timey mysteries where somebody cuts a bunch of letters out of magazines and pastes them together to write a letter.

(And might I remind you, people can't monetize their fanfiction the way C.AI is trying to monetize itself. Authors are very lax about fanfiction nowadays: we've come a long way since the Anne Rice days of terror. But this issue is cropping back up again with BookTok complaining that they can't pay someone else for bound copies of fanfiction. Don't do that either.)

Bottom line, here are the problems with using things like C.AI:

It is using material it doesn't have permission to use and doesn't credit anybody. Not only is it ethically wrong, but AI is already beginning to contend with copyright issues.

C.AI sucks at its job anyway. It's not good at basic story structure like building tension, and can't even remember things you've told it. I've also seen many instances of bots saying triggering or disgusting things that deeply upset the user. You don't get that with properly trigger tagged fanworks.

Your work and your time put into the app can be taken away from you at any moment and used to make money for someone else. I can't tell you how many times I've seen people who use AI panic about accidentally deleting a bot that they spent hours conversing with. Your time and effort is so much more stable and well-preserved if you wrote a fanfiction or roleplayed with someone and saved the chatlogs. The company that owns and runs C.AI can not only use whatever you've written as they see fit, they can take your shit away on a whim, either on purpose or by accident due to the nature of the Internet.

DON'T USE C.AI, OR AT THE VERY BARE MINIMUM DO NOT DO THE AI'S WORK FOR IT BY STEALING OTHER PEOPLES' WORK TO PUT INTO IT. Writing fanfiction is a communal labor of love. We share it with each other for free for the love of the original work and ideas we share. Not only can AI not replicate this, but it shouldn't.

(also, this goes without saying, but this entire post also applies to ai art)

[dramaticals]

following instructions

pairing: theodore nott x gryffindor reader

summary: enemies with benefits with theo where they're constantly insulting each other but they still can't get enough. smut. au where characters at hogwarts are aged up to be 19+. mdni. / requested by anonymous.

author's note: co-wrote this with lily (@softeliza) <3 we honestly wrote this as a theo x hermione, but swapped hermione for reader

✧ read part two: following instructions (headcanons) ✧

Theo's judging eyes watch as you dice the sopophorous bean before tossing it into your cauldron, your gaze shifting between your opened textbook and your cauldron. A bead of sweat drips from your forehead. You were meticulously following the directions, and yet something still didn't seem right about your potion.

Theo scoffs, shaking his head. What an idiot, he thinks.

"You're supposed to crush it." Theo says, demonstrating pointedly with a silver dagger and popping the squashed bean into his own cauldron. The cauldron bubbles, and the liquid shifts a shade darker.

"You're supposed to follow the instructions, which clearly say to cut it," you say through gritted teeth.

Potions was the one class Theo never followed the directions for, and yet he always seemed to be doing significantly better than you. You hated that.

"You know," you add with a huff, annoyance laced in your words. "Just because you don't respect the rules any other time doesn't mean you shouldn't follow a simple recipe."

There was something about pissing you off that gave Theo the right amount of joy to get him through the day. Hearing you huff at his words was like finding a jelly slug in a mountain of acid pops. It was glorious.

"Do you believe everything you read?" Theo asks mockingly, his eyes unmoving from the cauldron in front of him. He doesn't know why he was helping you—this was meant to be a competition for the coveted felix felicis. Maybe it was because Theo knew you weren't going to listen to him anyway. "Besides, I respect the rules." Theo says, but even he can't keep a straight face at his claim, his lips tugging into a smirk.

"I believe everything I read in a textbook," you say, your eyes narrowing and your mouth falling open in shock. Was he serious? "You know, that book of words that literally outlines how to make the potion? How else would you know how to brew it?" You hope he doesn't notice the genuine curiosity in your question. You actually wanted to know how Theo knew what to do all the time. It was so infuriating.

"Natural intelligence and charm." Theo says coolly.

In actuality, Theo had managed to find a textbook filled with inscriptions, correcting the printed text with tips and tricks on how to brew a potion every time. But he wasn't going to tell you that. Theo would gladly and happily let you believe he was gifted.

Theo peeks at your cauldron and has to hold a snort back. It looked just about ready to implode.

"This is a simple recipe, huh?" Theo muses. "Is that why your potion looks and smells like absolute shit?"

"Maybe I just thought I'd throw you a scrap with this one. I mean, we both know you're in desperate need of some luck, especially on the Quidditch pitch. If anyone needs this win, it's you."

"Oh, so you watch me on the pitch, do you?" Theo says with a smug grin.

You roll your eyes. Curse him.

Theo stirs counterclockwise a few times and then once again clockwise. The potion bubbles again. This time, it shifts into its final colour form. Bingo.

Theo, with an expression beaming with pride, calls over Professor Slughorn to inspect the potion. You zero in on Theo's cauldron and let out a small sigh. You didn't need confirmation from Slughorn to know that Theo did it. That bloody asshole did it.

Slughorn tosses a single leaf into the cauldron. The leaf disintegrates, and Slughorn clasps his hands together and announces, "We have a winner! Class dismissed!"

As Theo receives congratulations from all around, you begin to tidy your workspace, empty your cauldron, and pack your things. Anger boils in your stomach. As much as you tried to avert your gaze from Theo, your eyes are drawn to the tiny vile Slughorn passes to Theo. With a triumphant smirk thrown your way, he tucks the potion into his pocket before cleaning his workspace.

"Try to use it for something other than trying to sleep with girls," you quip, clutching your books to your chest. The confident, holier-than-thou persona slips over you like a glove. It was a default shield whenever you felt threatened, especially academically. And Theo was often on the receiving end of it all. "I mean, I'm sure you could use some luck in that department, but I doubt that's what Zygmunt Budge had in mind."

"I'm doing quite well in that department, actually." Theo says. With looks and an attitude like his, girls were flocking to him like nifflers to gold. "Much like potions, really. They all just come to me."

Theo awaits your signature glare and snarky remark, but he was simply met with a silent shove to his shoulder as you headed to the door. His brows furrow, disappointed in the lack of repartee, before Theo's walking after you. He falls into step with you, following you through the dimly lit corridors of the dungeon.

"What's the rush, little lion? Can't stomach losing?"

"I'm not in a rush; I just don't want to be around you. Don't you have some dingy hole to crawl back into?" You fume, your grip on your textbooks tightens, and your pace quickens.

"You wound me." Theo simpers, clutching his chest in mock-hurt.

Being in Theo's presence was getting you more and more riled up. You felt like you were minutes away from becoming a human version of a Filibuster Firework. Theo loved when you got like this. He can't quite pinpoint the exact moment he realized why he liked seeing you so worked up, but he's quickly reminded by the staggered breathing and the rapid rise and fall of your chest.

Theo continues to stroll alongside you, an air of arrogance in each step he takes. You quickly realize you have no idea where you're headed. The echoing of both your steps, coupled with the hovering nuisance on your side, makes you let out a sharp, frustrated exhale. You turn to Theo, glaring daggers into his stormy eyes.

"Can you just go? You're so—ugh." You growl, unable to find the proper words.

Theo's brows perk upward. There's something familiar about the expression you give him. He'd seen it before. Last time he'd seen it, the two of you ended up christening the boy's change room after a Quidditch match—Slytherin should beat Gryffindor more often.

Before you can articulate your frustrations, Theo grabs you by the wrist and pulls you into a vacant classroom. The feeling of his fingers around your wrist sends a jolt of warmth straight through your body. Theo pins you against the door, your books falling to the floor with a sharp thud. He skillfully locks the door with a slight flick of his wand before muttering the muffliato charm and putting his wand away. Darkened eyes meet your gaze, a mixture of amusement and want in his eyes.

"I'm so what?" Theo demands. His hand caresses your cheek before roughly wrapping around the base of your throat. "Use your words."

Your mind goes hazy, as if you've been confunded, the moment you feel his hand on your throat. You'd never admit how much you loved when Theo did that.

With a shaky breath, you meet his intense gaze to say, "Infuriating."

The way you reacted to Theo's touch was unlike any other girl he had the pleasure of fucking at Hogwarts. You were just so obvious, and Theo had no shame in admitting that he found it all extremely arousing. Of course, your mouth would claim otherwise, but Theo always had a plan to occupy your pretty little mouth.

You bite down on your lip, stifling the whimper begging to escape. Your breathing is in sync with each other, and the sexual tension makes the air around you thick.

"Are you going to fix it? Or are you just going to stand there like an idiot?" You tempt, leaning up slightly, just to see if he'll close the gap between your lips and his.

"I don't know," Theo responds, keeping a fair distance—only enough for your lips to brush lightly against his. To keep you wanting. Theo leans into your neck, ghosting breathy, teasing kisses up until he's milimeters away from your ear. "Are you going to say please?"

"You've got to be kidding," you huff, shooting a glare at Theo as you try to keep your breathing steady.

You weren't exactly experienced, at least not like Theo. You had a few moments with others, but no one had ever gotten you to feel as good as Theo did. It enraged you that Theo knew how good he made you feel, but you also took pleasure in knowing that you must be riling him up just as equally because Theo always seemed to come crawling back.

You bring your free hand up, tangling your fingers in his lush, brown locks, before tugging his head back a bit so he could look at you. He groans at this. It was one of many acts that really got Theo going, and it just so happened to be where your hands gravitated to the most.

"Please," you say, the tiniest of smirks on your lips.

Anticipation runs through your veins. You didn't need to say anything else. By the way he was looking at you, his lustful eyes boring into your gaze, Theo knew you needed him right now.

"Good girl," he muses with a cocky grin.

The first time Theo had praised you like that, while laced with ridicule, it had elicited a whimper that had him reeling. Today was no different.

Theo moves his hand from your throat and down to your waist, expertly pulling you away from the door and onto the desks behind him. Theo wastes no time and captures your lips with his. One hand finds your thigh, teasing up your bare skin and under your skirt. Your hands find and tug at his belt. Theo unbuckles it and tosses it aside.

"Let's see if you can keep it up." Theo says hotly against your lips.

It was in your nature to be good. But with Theo, there was that bubbling voice inside you that beckoned you to misbehave—to get under his skin. To be bad, all so he could teach you a lesson. Which is why, as Theo plants nippy, wet kisses down your neck, you can't help the words that blurt out of your mouth.

"Let's see if you can make me shake, like—what was that bloke's name..." You trail off, pulling him up by the collar of his shirt for another kiss and wrapping your legs around his waist to keep him close.

There was no other guy, of course, but you wanted him to think otherwise. The mischievous glint in your eyes changes to amusement as Theo's eyes darken. His fingers drag possessively across the insides of your thighs. It was hard for Theo to imagine you with someone else. You two weren't exclusive by any means, but the way you'd whimper and dig your nails into his back had him feeling territorial.

"Shake?" Theo asks against your lips. There was a tinge of something in his tone, and, deep down, you wanted it to be jealousy. "I'll fucking make you shake."

Feverish kisses move down your neck, eliciting a whine out of you, his free hands taking residence on the base of your throat. He plants open-mouthed kisses down the sensitive spots along your neck, sucking softly on the skin, surely leaving a mark everyone would be able to see. Theo pulls back to admire his work. He's pleased. You, on the other hand, were equal parts excited and annoyed. Excited because the sensation made the blood rush to your cheeks and to your core, and annoyed because you had to explain the markings to your friends.

"Theo," you hiss. "You know better."

Theo doesn't listen, obviously. Instead, he moves down your body until he's crouched and face-to-cunt. Slender fingers reach under your skirt, hook onto your panties, and slide the garment off. In an instant, Theo's between your legs, lapping his tongue relentlessly over your clit.

"Oh my god," you gasp, one hand grasping onto the edge of the desk, your back arching instinctively to bring yourself closer to his tongue. Your free hand finds his hair again, your hips rolling to meet his movements.

Theo's smirks into your core, a low groan escaping his lips as he feels you roll onto his mouth. Strong hands position themselves on either leg, urging you to spread your legs wider. You try to obey his silent requests, but it's not enough. Impatience hits him hard, and he's repositioning your legs so they're slung over his shoulders, a firm hand pushing your hips down onto the wooden desk. The new position allowed him to be flush against you, his tongue circling your entrance and lapping up any arousal.

"Theo," you moan, louder than normal.

You could tell he was pissed. It'd always been your goal, especially in intimate settings, but Theo had never been like this. He buries his face between your legs, his nose rubbing against your clit as his tongue works on your opening. He dips a finger in and withdraws it out of you slowly, contrasting his unyielding tongue. Your eyes flutter shut with pleasure.

"More," you choke out. "Please, give me more."

Your moans were fueling the already raging fire in him. Fuck, he needed to hear more of that. Theo uses his free hand to hold you steady, his tongue and lips unrelenting. He adds another digit inside of you, curling his fingers against your spot. Theo wanted to make you cum now more than ever. He wanted you to remember that even if you were fucking someone else, he was the only one who could make you unravel like this.

"Sit fucking still then," he growled against your slit, stormy eyes shooting up to look at you.

You fight hard to listen to him, desperately trying not to squirm. Theo was cruel enough to stop and leave you high and dry, so it was in your best interest to do as instructed. You dig your nails into the edge of the desk in an attempt to keep your focus on something other than the pleasure growing inside of you.

"Th-Theo," you gasp. "I—"

You're close, and you know what Theo wants—what he always wants. Theo wanted you to ask for permission, and with the image of someone else messing with you fresh in his mind, Theo needed to know he had that control over you now more than ever. Breathy pants fill the room, and you fear you can't hold it back any longer.

"Fuck, please. Can I please..." You moan, throwing your head back against the desk.

"Please what?" Theo says roughly against you. If Theo's cock wasn't already erect, it would be now. Your moans and gasps of pleasure were truly something that needed to be studied. Who knew these delightfully ragged breaths could come out of someone so irritatingly uptight? "Words, Y/L/N."

The fog of pleasure Theo has you in has made it impossible for you to do the one thing you pride yourself on: following the instructions. Typically, Theo would remove himself and make you beg for contact. Today, though, his actions were ceaseless. Despite your strong will to be good, your body wouldn't cooperate.

"Oh my god," you whimper, your back arching as an intense orgasm washes over you. Your body jerks—no, shakes—and your moans are broken up by desperate gasps as wave after wave hits you.

Theo curses under his breath. As pissed as he was that you didn't ask, Theo graciously allows you to release on his tongue, lapping up your sweet fluids. He'd reprimand you later. As you come down from your high, your body collapses onto the desk. You've never felt anything like that before.

Theo stands and slides his fingers out of you slowly. His darkened, lustful eyes are trained on yours. As much as he enjoyed the view, Theo wasn't happy.

"Don't," you breathe. "I know—I should have... I know."

"So much for following instructions," Theo says, disregarding your words. He licks your arousal off his fingers casually, and the sight makes you shift and clench your thighs together. He was the hottest irritant you've ever seen.

"Fuck off," you say with an exasperated huff. You prop yourself up by your elbows, slowly moving into a sitting position. "You didn't exactly help the situation."

So maybe Theo was being a bit of a prick. Not like he could help it—you squirming and moaning for him like that triggered something primal in him. Theo didn't want to stop; he wanted to make you scream for him. Still, it really shouldn't have been hard to ask.

By the way Theo was looking at you, you could tell it would take more than a crass brush-off to wipe the icy glare and pouted lips from his expression. Delicate fingers grip onto Theo's shirt, tugging him closer to you. You ghost your lips against his, meeting his steely gaze. "Will you let me make it up to you?"

You don't wait for a response. Instead, you nip at his bottom lip before pulling him in for a slow, deep kiss. Despite his annoyance, Theo kisses back, placing a strong hand behind your neck to keep you in place. The kiss is full of passion, anger, and need.

You maneuver yourself off the desk, unbreaking the hot kiss, as you reposition so that Theo's the one against the desk. He acknowledges you taking charge, and he allows it because, quite frankly, whenever you did take charge, Theo found it extremely intoxicating.

Only now do you break the kiss, peering up at Theo as your hands fumble with his pants. He kicks them off just as you remove your own top, making a point of leaving your bra intact. Theo's breath catches. God, he wanted to bury his face between the valley of your breasts.

"So?" You ask again, a devilish smirk on your lips, your fingers making progress on unbuttoning his collared shirt. "Will you?"

"Go on, then." Theo says. It's not lost on him how much leniency he gives you—not just in this moment. Any other girl who disobeyed his instructions would have been tossed aside so he could move on to the next. But with you, as vexing as you were, you also very much intrigued him.

At his permission, you lightly push him back so he's sitting on the desk, giving him a much comfortable position to watch as you slowly unhook your bra, letting the garment fall to the floor. You can sense his probing eyes on you, and you can't help the sly smile that appears as you straddle him, one leg on each side of him.

Theo's hands find your waist immediately, slowly sliding up your sides, to your bare back, and then to your front. He squeezes your breasts, eliciting a breathy moan from you. Your skin was soft under his rough hands.

"And I thought you were going to let that ego of yours make a horrible choice for the both of us." You tease.

Theo's too enamoured with this new position (and view) to respond to your jests. One hand rests firmly on your jaw as he pulls you in for a kiss, his teeth grazing your bottom lip. Meanwhile, your hand moves to stroke his length, feeling Theo grow even harder at your touch.

"Shit," Theo groans.

"Someone's missed me," you whisper against his lips. Your thumb teases the tip of his cock, evoking a slight twitch out of him.

"God, shut up."

Theo wanted nothing more than to wipe—no, fuck—that smug expression on your face. And he's just about ready to take matters into his own hands, but you beat him to it.

Still wet from your previous orgasm, you were beyond ready to have Theo inside you. You lift yourself up slightly, guiding him to your entrance. He bites back a groan, his hands gripping your waist. You lock gazes as you slowly lower yourself onto him, your mouth falling open in a glorious 'o' shape as you take all of him into you.

While this wasn't the first time you had Theodore Nott resting deeply in your cunt, you took a moment to adjust.

"Are you going to move, or what?" Theo growls impatiently, bucking his hips and roughly nipping at the soft skin on your neck.

His impatience makes you smirk.

"Hey," you say, with a wry smile. You snake your fingers up to his hair, tugging his head back slightly to give you room to trail a path of kisses along his neck. You were going to prolong this and make you both ache for more. You didn't want to be the only one who was a moaning mess today. "If I'm making it up to you, then it's my rules."

"You know I don't give a shit about rules."

"Too bad."

This makes Theo's jaw clench. Before he can utter another quip, you're rolling your hips, feeling him embedded inside you. The movement feels good, but you know it's not enough for either of you just yet.

"God, I'm thankful your ego isn't the only thing that's big," you moan against his ear.

This makes Theo's jaw clench. You hear a string of curse words in another language, something you've noticed Theo does in moments where his brain had short-circuited. Enough sense, it seems, is knocked back into him as you can understand the breathless words, "And you take me so fucking well."

Theo's lips find the top of your chest, kissing down feverishly. His tongue flicks expertly against your right nipple as his hand moves to grip your bare ass from under your skirt. You arch into him, letting out a sharp gasp at the dual sensation. Despite his sentiment about rules, Theo lets you control the pace. He holds back the strong desire to thrust upwards into you, to fuck you hard.

"Oh, Theo," you whine as you continue to roll your hips. You wrap your arms around his shoulders and lift yourself up, almost completely off his dick. Ghosting your lips against his, you push yourself back down—hard—feeling him go even deeper. You repeat these movements, your moans growing louder.

Theo can't stop the thoughts of how gorgeous you looked from clouding his mind. You weren't bad to look at normally, but seeing you fuck yourself with his cock had to be one of the wonders of the world. Only if that were a reality, Theo's not sure he could stand anyone else ogling you like this.

"Yes, that... that feels good." Theo groans, his cock throbbing from your movements.

You press your forehead against his, your eyes locking with his as you continue. One of the things Theo liked most about this little arrangement was your unnerving ability to keep eye contact—there was nothing more sexy than seeing the woman you were pleasuring crumble. Eyes can tell you everything.

"I'm trying to—" you breathe, rocking yourself against him. The movement wasn't nearly fast enough, but the way you were moving had him reaching depths you didn't know were attainable. "—to be good."

"Are you?" Theo asks between pants, squeezing your ass roughly. He leans into your lips. "Can you be a good girl for me now?"

You give him a small nod, your eyes fluttering shut for a moment. Your breath is quavering as you try to speak; your eyes re-lock onto his. "Am I not being good for you?"

This makes him chuckle darkly. Theo wasn't an idiot. He knew you practically yearned for his words of praise. The knowledge was something he took advantage of from time to time, withholding and dangling his praise in front of you just to see how far you'd go to make him say it.

To prove to Theo you were being good, you push yourself down onto him roughly, a whimper escaping your lips. You increase your speed, unable to hold out anymore, fucking yourself hard, deep, and fast on his cock.

"Fuck." Theo swears, and he can't help himself now. Hands keep you in place as he fucks up into you, cock hitting your spot repeatedly and mercilessly. He relishes the feeling of your wet core around him. Your clit presses against his pelvis at each thrust.

You took pleasure (literally and figuratively) in Theo's natural ability in knowing. He knew what to say, how to touch you so you were melting, and when to take back control. His hands digging into your hips told you everything you needed to know: Theo was going to fuck you senseless.

"I want to be good," you pant, your nails digging into his back, grasping for a release.

"Then you know what I want to hear."

He holds you flush against him, arms wrapping around you as he continues to thrust. He can feel his own pleasure grow. Your head falls onto his shoulder as you feel it building up in your stomach again. This time, you weren't going to wait until it was too late.

"Theo, please," you practically beg. Theo was the only person who'd ever make you feel like this, and you were past the point of caring whether he knew it too. "Can I cum, please? For you."

"Yes," Theo hisses. He was close too. "Cum for me. Now."

Your orgasm hits you hard and fast, your head falling back as you drag your nails into his skin. Theo continues to thrust up sharply, chasing the high for the both of you. You clench around his length, the sensation mixed with your moans pushing Theo over the edge.

"That's my good girl."

Theo's praise for you was not lost in the chorus of breathy moans and grunts of pleasure. His addition of the word 'my' made you shake even more as another wave of pleasure washes over you.

"Oh, God, yes, Theo."

His hand moves to the back of your neck desperately, guiding you into him for a passionate kiss as he spills into you with a moan.

Ragged breaths fill the room. There was always a moment of limbo after every encounter—a moment where the two of you stayed entangled and nestled with each other, savouring the proximity and stealing last, sweet kisses. You knew the moment you got up, the two of you would go back to despising each other again, until next time.

"So?" Theo asks after a moment, expectant of an answer, as if you could read his mind. "That dumb git you mentioned earlier. Was he better than me?"

His question makes you smirk, and you have to bite it back so as not to show how content you were that he had lingered on that thought.

"You don't want me to answer that," you say, giving him a small pat on the shoulder before getting up. You slip back into your clothes and adjust your hair.

The answer should have been obvious to Theo, but you weren't giving him the satisfaction of admitting it because it did nothing for your reality. This was as far as this would go. Theodore Nott was a pretentious asshole who just so happened to be a good fuck. There was never going to be more than that.

"You definitely exceeded expectations today, Theo," you say, gathering your books from the floor. "But you didn't do anything worth an outstanding."

With a swift flick of your wand, you unlock the door and leave Theo in the vacant classroom, already fantasizing about next time.

[dana-chan-the-control-brain]

TADC: Thoughts on Jax in Episode 2

Thoughts on Jax after Amazing Digital Circus Episode 2 Dropped.

Massive spoilers below the cut. Just watch the ep before you read.

Amazing Digital Circus had an amazing second episode as we're introduced more to what the adventures are like, and what NPCs are like and ofc the existential horror of being a living AI only created for a source of entertainment.

Also, I love the dream sequence at the beginning, because we actually get some deeper insight into Pomni's thoughts on Ragatha. Feeling like her helpfulness is the guise of like "man, you're not cut out for this like the rest of us" which is typically something a lot of people who have been bullied in highschool perceive genuine acts of kindness and engagement. (which I kind of suspect Pomni might have been, or at least, been a shut-in and didn't have a lot of friends in her human life. )

Jax wasn't really the main focus of the episode, but it wasn't really until the end of the episode I understood his behavior and what this episode is foreshadowing overall.

Since while Jax isn't the focus emotionally, he is definitely the plot device to push things forward. And I mean, a plot device in a very active and quite literal way. He's the one that causes Pomni to clip out of the map, takes advantage of everyone and is just... genuinely an unpleasant person.

I actually really like this.

As, I know the first episode in the digital circus, many people (me included) could perceive or analyze Jax's actions as someone who is "helping" in a roundabout asshole way. Episode Two has none of that here. He just wants Bloodshed, And I love that we're getting additional context on his character.

It's hard to tell how much fan reception Gooseworx saw of episode one before episode two hit production, so I don't know how much of the fandom perception of Jax had an influence on the writing process, but I can't deny that might have been a factor in assuring us "no he's not secretly helpful, he's just an asshole" But I'm just going to assume that this has been part of his characterization from the start and it becomes way more clear as the episode goes on.

But there was something in his behavior throughout this whole episode that seemed off to me. Like Jax was taking up a majority of the B-plot, while Pomni had the A-plot. So I was wondering why Jax seemed to be the protagonist with the B-plot when Pomni was the A-plot when they seemed to be so disconnected with eachother in motivations and telling us things about the characters.

But then it hit me when the episode ended and the two plots merged together.

"who... knows... what could happen..."

And then it hit me.

Pomni finds comfort in an NPC who is going through a similar experience to her and can emphasize, despite their being other humans who have gone through the same thing, due to her self-admitting to being a loner in her human life. Well, she didn't admit it outright, but from how she perceives Ragatha's kindness as an act, or patronizing, it seems like she doesn't have a lot of friends...

Meanwhile... Jax... He treats the adventure like a videogame. Why shouldn't he? He's trapped in a videogame, right? But it really goes beyond that.

The fellow humans that Jax is trapped with, he treats THEM like they're NPCs, while Pomni treats the NPC like they're human.

Jax says to Gangle "Aren't you supposed to be the suggestible one?" Which you wouldn't typically wouldn't say to a person, right? That's something you would say more about a character that you maxed out the dialogue trees in.

He calls Pomni "His Bridge" even.

They're his objects. His tools, his own npcs he's exhausted the dialogue options on.

Jax dehumanizes the players in a way that Pomni humanizes the NPCS.

These are two opposite ends of the spectrum but what really sold it for me was Jax's reaction to the funeral.

And Jax is the one member out of the cast who doesn't even show up to the funeral. (aside from Caine and Bubble but they are AI.)

He does NOT want to think about the Players as real people. And showing that opposite perspective compared to Pomni I think is much as important going forward.

Jax was the plot catalyst of this entire episode, and served the thematic theme of the episode quite well, even if it didn't look like it on first glance.

I absolutely loved this episode and I can't wait for more.

Also... Poor Pomni can't have shit in Detroit