#characters regardless of the trans part' way

[malt-rants-and-stuff]

Something else that I saw another person say but

-> ignores the intent and immigrant-coding historically done with the superfam in favor of telling a queer story that doesn't make sense given the basis of kons actual (not TV-showified) character

like, I have Many thoughts about kon and his gender that I could go on about but as a queer trans person of color from an immigrant family I can say this would not have been a good choice to go with. even while ignoring the clear lack of understanding for kon's characterization its just so obvious she did not put in the work to see what his character even was to begin with and instead just invented her own yj show/newer comics-oc mix character with the name "Conner", who in this version would have been Constance, and called it a day.

To be clear I would love to see a prominent trans girl hero in current comics I think that would be wonderful. But. the way this would have gone down? The destruction of a character already so mischaracterized in mainstream circles, who I love so much, and the ignorace towards what the impact of this could have been? That's not good representation, that's just a narrative mess.

Magdalene Visaggio’s rejected proposal for Kon

[gb-patch]

GB Patch Games: Response About Sensitivity Reader

[Some of you might not have heard of this happening, but I wanted to address it across the board]

Hey everyone,

I want to make a post about the screenshots of comments from one of our sensitivity readers. The situation is that neither me or Rose want people to feel uncomfortable with Our Life: Now & Forever, but Rose hasn’t done anything terribly wrong and isn’t going to be punished.

The comment about OL MCs wasn’t meant to be genuine hatred towards all male players/MCs of OL. Rose wrote a reply about it-

"Hi everyone! This is Rose, I want to address the male MC comment since it was taken wildly out of context and without the lengthy discussion that was after it. I don't hate male MCs, in fact far from it, male MCs are integral to the story in OL:NF as female and trans MCs are. I think the relationship they could potentially have with Qiu could be a great asset in my opinion as they figure out their gender alongside the MC. The discussion itself was about how I noticed players were sticking to heteronormative norms by shipping Tamarack with a man purely out of societal norms than it was genuine thought into the characters and how I personally wished there was more sapphic relationships with Tamarack or just Tamarack with trans characters as a sapphic trans person myself. I didn't mean to offend anyone by it as no one but my friends who understood what I legitimately meant behind my message and it definitely wasn't meant to be seen seriously. I am sorry regardless to anyone I have offended and I love your male MCs regardless."

And most of the comments were about me. I’ve seen screenshots of the full conversations and they’re not as harsh as the cropped snippets made them out to be. It was longer discussions about not including Derek in any base game Moments for no good reason and not having any plus-sized love interests in OL1 because I was afraid players wouldn’t accept it. That’s not a lie, it’s what I decided for the game I created, and it is ridiculous of me. I’m the one who should be feeling embarrassed over how OL1 will forever be that way, not the people who remember that I did that. I’m not perfect and Rose actually cares more about the players than making me feel like I am flawless.

I also don’t want to tone police an employee venting about their boss in private, on their own time. Both the OL games deal with personal, important topics. This is sensitive work, and it can bring up frustrations. Sometimes people do use harsh words among friends, but they wouldn’t ever say it to a person seriously and directly.

I understand if you wouldn’t want to see anyone speak badly of a dev you like, but I promise it’s not a point of contention between me and Rose. I don’t feel mistreated in anyway. Rose genuinely cares about the Our Life series, and that’s why they get fed up with me over certain parts of the game.

Rose has never been unkind or unreasonable to me when working on the project, and their advice is detailed and well-explained. They do care about the game and want it to avoid having content that upsets people because of my own ignorance/shortcomings.

This being shared publicly from a private server is targeting Rose and seems to be a continuation of things that have happened before this. I don’t want this to continue happening. If you do still have concerns over the one comment about the community, you can let me know. But again, I don’t want people being mistrustful of Rose on my behalf for comments about me in conversations with missing context.

Do not send angry messages to Rose about any of this. We’ll do our best so that OL2 will be better than I was before. Thank you to everyone who reads this and participates in the community!

[kyri45]

✨ShadowPeach Bio Parents Bio AU Q&A! 29/10✨

Welcome to the Q&A! A space where I can answer related or similar question about the Shadowpeach Bio Parents AU! If you submitted your ask anonimously, then you’ll have to check the whole post if it’s answered here, if it’s not, worry not! Your asks might have been used for a future comic or just in the queue~

@xyuki-iris ha chiesto: I LOVE YOU'RE ART ALSO GOOD FOOD But I have a what if What if Redson found Mk having a panic attack over something serious about him being Trans.

Ouch poor baby Red Son would totally support MK and try to calm him down

@ashmeertheimp ha chiesto: First of all your story is glorious and congrats on getting lmk at the very top. Second does Mk want to work on his relationship with Nuwa. I think Nuwa did truly love Mk but she also loved everyone else on earth equally. Mk has forgiven Mac who actually made an effort to hurt Mk (past mistakes) while Nuwa was opposed but still didn't stop Mk from not fixing the pillar of heaven.

I always felt like after S5 his relationship with Nuwa is similar to the one Steven had with Rose after S5 of SU. So it's- complicated

@audioandart ha chiesto: mayhaps a silly question, but towards the very start of the mk shadow peach stuff when mk first shadows into the wall. He says "why is everything *more* flat". Is this implying he already sees the world as 2d the way we do or am I perhaps missing something? 😅 (I love your work! Have a good day 🫰)

ahah yeah I was!!

@fake-anjel ha chiesto: Your comic makes me stay awake at night thinking of the next cap, making theories and making imaginary scenarios and imaginary gacha reactions to them for some reason. I was wondering... If Wukong and Macaque have a child (hypothetically, and by the biological way) wich one would be the oven for the bun? You have a fan from Brazil<3

Well, I would say Wukong, but here comes the question: a Stone Monkey, born from a stone, would be able to reproduce themself? There are no other like the four celestial primates and MK, so I would assume that they weren't able to- reproduce normally. Also if they would does it mean the womb is a stone as well???

@sollythesalt ha chiesto: Just asking if Wukong is trans do his female organs also count as part of his un-glamored form or does he stay with his male ones when he drops his glamour? Also what does his glamour include in your au just out of curiosity?

No under the glamour and shapeshift he still has female organs

@dandy-doodles ha chiesto: I'm VICIOUSLY consuming your comic rn - It actually came across my feed from a reblog. Never watched the show before. Loved the comic so much I binged the entire series and now I'm sat with the task of reading JTTW. This hyperfixation is your fault I love you for it. @ivoronical ha chiesto: Hi! I don’t know how tumblrs asks work because I’ve never used them before, but just wanted to say that your art is ✨fabulous✨ and you’re shadowpeach bio parents au has convinced me to rewatch the show entirely. It’s also made Macaque one of my favorite characters and because of that I am halfway through making a cosplay of him completely from scratch and I’m very excited to finish it:) Anyways I’ve rambled enough. Have a nice day!!! @starzz-twi ha chiesto: Can I just say how much I adore your art! It inspires so much that I might try drawing lmk again ��🫶🫶🫶 @artemismoorea03 ha chiesto: I hope you know that your Bio Parents AU fills every waking moment. I swear I only get on Tumblr anymore to see if you've posted something. I eat up any art you post regardless of what fandom it is and I just have to tell you that your art tastes like a blue raspberry icee (the best kind). I hope you're having a fantastic day ♡

AWWW TYSM TO ALL OF YOU!!!!

@sakuralotus03 ha chiesto: What will family gatherings be like now that MK has 4 parents? Like his birthday or end-of-year celebrations. I want to see more of the dynamics of the 4 parents interacting and talking about their one and only child.🐷🤓☀️🌙

oH CHAOTIC INDEED

Anonimo ha chiesto: How does it feel to be one of those artists that like 70% of the fandom knows about

wait is that a random number or???

Anonimo ha chiesto: Will we maybe see Macaque interact with Bai He or Mei?? (I'm starved of DarkHorse/EnderDragon/NightFlare Duo and Raspberry/Black Cat Duo) But I am interested if you might make them interact! :D Anyways, I love how your art got better by each comic, you can see the improvement from the slight sharpness of the shapes in the first comics and the now softer lines.

mmmmm I will maybe I'll do some small scenes

Anonimo ha chiesto: Past Wukong working out: I'ma get so strong. Ain't no one beating me Present Wukong working out: I'ma be so good at hugging my son and husband.

AWWWWWW WHAT A GOOD BABA!

Anonimo ha chiesto: Hello! I wanted to ask if we'll see just how sensitive Macaque's hearing is in your Au in a future comic maybe? Like... a thunderstorm happens or something when he's around FFM watching Mk and Wukong train or something that affects his hearing badly? But either way, love your art and style! :)

mmmm don't know if I have a scene planned for that...

Anonimo ha chiesto: Does Wukong and Macaque know about the other 2 Celstial Primates, Red-Hoarse Baboon and Lomg-Armed Gibbon, in your Bio Shadowpeach parents au?

I think so? In JTTW he knew so I would assume the same?

Anonimo ha chiesto: Will Macaque use his future vision at any time again in this comic? We now know in this Au he hasn't used it in years. But maybe will he use it again soon? I bet he won't but I still wanted to ask :)

not unless he is forced to

Anonimo ha chiesto: I’ve been listening to a song from a Pokémon movie: Always Safe by Cynthia, and I think of the Shadowpeach bioparents Au everytime

AWW that's beautiful the lyrics omg!!!

@notjustonefandom1 ha chiesto: So, I've been thinking about MK's staff. After he got it do you think he develops a habit of clasping his hands together, especiallywhen stressed or threatened? With the fluidity and energy he moves with, I think it would take a while for him yo find a chance to Summon the staff, especially if he isn't fast at it yet, so he just starts keeping his hands pressed together in preparation.

ooooohhh that's a cool idea!

Anonimo ha chiesto: Where does the Macaque has white fur head canon come from? I'm new to this fandom and I'm still learning things and I see it everywhere

I honestly have no idea but I guess either because Japanese Macaque are white furred or bc he died.

Anonimo ha chiesto: Ok so this may be a sensitive topic and definitely doesn't need to be answered so TW Did mk ever go through a depression thing after trying to die to save the universe in the last season in your au? A in like what if Wukong and Mac find out he used to SH?

hish. I'm not probably the right person to answer this. Probably he did had depression tendencies but didn't recognize them until someone pointed them out.

Anonimo ha chiesto: This ask os Going to be a little weird But Can I See Macaque Pining Wukong on the wall?In a Flirty way?(pretty Please?) I love Your Art so much!👑❤️‍🔥💎

Ouh.. *cleans forehead from sweat* is getting hot in here... maybe?

@autism-autobot ha chiesto: Wukong: OH BUDDHA, HE CALLED ME BABA!!!!! (SCREAMS WITH JOY) What DBK heard over the phone with his brother: OH andhdbrjjsm (feral monkey screeching)

Poor DBK gotta deal with the gossip now

@alastair-1205 ha chiesto: OMG THE MOST RECENT PART IM CRYING But I also love how Mac's first instinct is just grabbing Wukong and being like: "get out of hearing range before we freak out, get out of hearing range before we freak out, get out of-" you know? It's very funny but also builds on past comics since they woke MK up last time smth like this happened and I'm just !!!!!

GOTTA MAKE THE BABY SLEEP

@eerieqloss ha chiesto: OSISJJWJSJSJWWN OKAY WAIT SO IS MK GONNA START CALLING THEM MAMA AND BABA INSTEAD OF THEIR NAMES CONTINUALLY OR WAS IT JUST THAT ONE TIME

It wont be a one time!

Anonimo ha chiesto: I hope you are resting as you should Always remember to take your time, rest first, then work, ofc as far as possible 😅. I have a fun question (if you have the time ofc 👉🏻👈🏻): will we see Feral MK again? But you know, like another kind of "demonic learning" that maybe wukong or Mac will teach him to control or see that it's not bad as it looks

For now i want my baby to either be happy or traumatized not angry.

Anonimo ha chiesto: I feel like i remember you asking about happier shadowpeach songs for your playlist, but I can't find the post anymore. But if you're still looking, Livingston's new song Glow reminds me of them and also made me think about the eclipse scenes in the comic.

Several of Livingston's other songs also give me shadowpeach vibes, but I think about them so much that I might just be seeing them everywhere at this point.

Oooh true a lot of his song fits really well!!

Anonimo ha chiesto: This is the only instance where having a kid really did bring a couple together.

TRUE LMAO

Anonimo ha chiesto: Soo...Wukong and Mac in the DBK Palace I have a question in my mind!!!! Actually I hope you to see it and draw it.. if you don't wanna it's okay! What if DBK & PIF flirt with each other or smt like this u know in front of shadowpeach?! They will probably look to each other and then blushing hard

HAHAHHA poor souls they would totally think of wanting to kiss each other but can't because they are emotionally constipated.

[roadhogsbigbelly]

i'm not sure how to write this without it being taken the wrong way but there's this really obnoxious kind of online person who thinks that "calling out" gay men or trans women for being "pedophiles" or "groomers" is bad not because of our culture's tendency to pull from pedo-panic to assassinate the character of queer people regardless of the size of said slight (if any), but because they think that being into incest or grooming is like. an inherent part of the queer experience. or whatever

[tobiasdrake]

Oh shit, the reboot of Ranma 1/2 has begun airing on Netflix. I am here for this.

Like a lot of people with gender stuff, Ranma 1/2 was a major part of my formative years. It was the first anime I ever saw outside of dubbed TV broadcasts, before I really understood what anime was. And the first anime I liked so much that I ravenously devoured the manga it was adapting.

To this day, I often find myself thinking back to it. Ranma 1/2 had a lot to say about societally-enforced toxic masculinity, and also about intrinsic gender identity that doesn't change even when the body fails to match.

In a way, it was kind of ahead of its time. It came to us in a time when a lot of genderbending stuff was like, "Okay, if your body turns female, then you're a girl. If your body turns male, then you're a boy. Whatever your body looks like at the moment, that's your gender, those are your pronouns. Now let's come up with a cute little name for what we should call your opposite-gender self when you flip!"

But here was Ranma 1/2 saying, "Ranma Saotome is a man. It does not matter if his body is female or male; he is always a man at heart." He never misses an opportunity to correct people who misgender him - or to seek a cure for the gender dysphoria that his curse routinely inflicts on him.

But he also has extremely rigid beliefs about masculinity and femininity; Beliefs that cage him in a prison of his own mind. He's not ashamed, at times, to take advantage of his curse in order to indulge in things that men "are not allowed to do".

Small things like sitting around an ice cream parlor enjoying a sundae. Real Men (TM) don't eat ice cream! Ranma is proud of his masculinity, but is also a slave to it. He is proud of his gender identity regardless of the shape of his body, but nonetheless cross-dresses to escape from the gendered pressures he places on himself.

And he gave a lot of fans their trans awakening. For a lot of people, myself included, Ranma Saotome was their first experience with the idea that assigned-sex did not have to be the absolute truth of your identity. Many fans took tremendous inspiration from Ranma's curse, and carried their own interpretation of Ranma with them in their heart as they went.

The fandom is overflowing with transfem Ranmas and genderfluid Ranmas and nonbinary Ranmas, because that is what this character meant to the LGBT community of his day.

He may not have been perfect - In fact, when you get right down to it, he's basically just a macho cis regularly forced into drag for comedic effect; This is not Gay Shakespeare - but he left a mark on the community. He was a key that unlocked the identities of a lot of us.

So it's with both excitement and also a degree of trepidation that I say, "Welcome back to modern pop culture, Ranma 1/2."

[officialspec]

can you pleeeeease post your dm sexuality/gender hcs on here.... 🥺 i don't have a twitter but i wanna know. it's like a pandora's box to me now i'm like scratching at the door. let me in

heres the link 2 the thread (mild spoilers btw) ill post a transcript under the cut for ppl who dont have twitter

first off i think laios relationship to sex is super removed for like 50 reasons without even getting into his actual sexuality

he grew up in a place with very repressed ideas about sex and has a lot of fear about asserting his presence in situations

his special interest takes precedent over any social interactions he has and the level of closeness he feels towards people

he has a hard time figuring out his feelings towards other people both bc hes autistic and bc he has freaky deviantart fetishes that make sex in his mind a very abstract concept <- this one is me projecting mostly

that aside, i feel like gender-wise hes attracted to ppl so infrequently it may as well be entirely case-by-case

the idea of him being gay appeals to me from the 'raised with traditional values he Does Not fit into/hasnt begun to question it yet' perspective, i lauve characters who put a lot of stock into performing a role thats expected of them and fail miserably for unknown (gay) reasons

from his perspective tho i dont think he would ever really label himself anything. hes going to pride parades in the shirt+shorts Ally Fit to clap for his friends

hes also 'cis by indifference' imo... i love tmasc laios hcs it just doesnt mesh w his personal history to me. i do think hes got some kind of therian gender thing going on (not trans or nb but a secret third thing) but i cant see him changing anything abt his appearance/pronouns to accommodate that post-canon. hes just doin his thang

falin is in a similar boat for gender. i LOOVE tfem falin but the village repression thing has been bugging at me so i dont think i subscribe to it anymore (canon purist sorry) BUT if u hold that hc i am clapping and cheering regardless

instead i was propagandised to a while back and i LOVEEE the idea that being fused w a male dragon and the residual traits she has after being revived have given her a type of gender euphoria she didnt realise she was missing. a little boygirl swagger if u will

sexuality-wise i also dont think she would care to label herself, shes a lesbian by virtue of only being interested in One woman and zero other people. without marcille i do think shes still exclusively attracted to women, and i like to imagine she might experiment around a bit during her travels post-canon (pre-relationship). hearing abt it might put marcille on the news though

marcille is very simple That is a transfem lesbian. she cant get pregnant, shes obsessed w being femme and all that combined w her half-tallman struggles to be seen as 'properly feminine' by elf standards reads very transfeminine to Me. also her bookboy crush REEKS of comphet its not subtle

i think a more comfortable marcy might have the space to experiment w being elf butch like her manga boys but thats mainly self indulgence for me. utena could have saved her

senshi is gay his whole thing is abt not being able to perform dwarven masculinity to a proper standard (soft hearted, not as strong or rugged as his peers) which is like gaycoding 101. also hes a bear. homosexuality be damned by boy can work a grill

adding onto this i rly think senshi got some type of euphoria from being an elf in the changeling chapters. he was feeling himself so much i think he was using it as an outlet to have fun being a little fem and fruity without needing to justify it. do u understand

i dont have any particular opinions abt him gender-wise beyond that. his bulge is an essential part of his character design but i also saw a transmasc senshi a couple days ago that made me nod my head thoughtfully so i could go either way

chilchuck is cis and bisexual this is just canon. not even just his old man crush on senshi altho i do think thats very funny but they put his ass on a cover themed like hes in a dating sim with all the men and women in the cast and then slapped it in front of a chapter called "bicorn". i simply cant pass up that kind of overt signaling. its so fucking funny what else is there to say truly

izu to ME is a transmasc aroace lesbian (this one has the least basis in canon i just know it to be true) shes a little genderfluid with it nd uses he/she i think. i like to imagine she consistently uses masculine personal pronouns to refer to herself either way tho (boku, ore)

i think izutsumis gender/sexuality is entirely secondary in priorities to her body dysphoria. she has a lot of learning and acceptance 2 do before that kind of self discovery is on the docket and in my mind eschewing gender on some level is part of that. get sillay

shuro is cishet but at least he feels bad about it. next listen listen to me i dont think he would ever actually examine this but i need u to put on ur tin foil hat with me for one second. i think estrogen could have saved her. i have more thoughts on this but im not gonna propagandise too much on this post just know that im right

kabru is a transmasc bisexual this is also practically text. his whole thing of being treated like a doll by milsiril to put in pretty dresses, plus i think it would be pretty easy for him to stealth in the west since tallmen are seen as inherently more masculine than elves

(i also think changing genders is just more common for elves. theyre androgynous enough that it wouldnt be hard and like who in their right miiiiind would be the same gender for 500 years. dwarves too)

i think he started presenting as male socially in the west but didnt need to consider medical transition until he moved to a more mixed culture where other races might see him as a woman

i dont have to explain the bisexual part. have u seen him

namari is a butch bisexual this is just canon straight up. shes not transmasc but i think the default settings for dwarven women is like 4 years of T regardless. shes a hit at all the local cruising spots despite her renfaire nerdisms i know this

and just bc im thinking abt em kiki and kaka are identical and kiki is tfem :} theyre both attracted to women but kaka is a sub so i forgive him

THATS ALL 4 NOW theres a lot of characters so i cant have thoughts abt all of them at once but i hope this was good. im right about everything forever as per usual

[psychotrenny]

One of the more depressing effects of systemic transmisogyny is the way some trans women get so desperate for any validation thar they start praising chasers. And not just specific chasers who gave them an apparently "good" experience, but with the entire concept of chasers as a whole. It's like they feel flattered by the idea of people seeing their transness as a positive characteristic, something that makes them attractive and special, while ignoring the way that even "best case" that attraction stems from a place of dehumanisation which sees you as merely part of a class of sex objects rather than an actual individual person. I say "best case" because for many chasers their attraction to transfeminity comes less from a desire for those associated characteristics in a vacuum, an inexplicably desire for girlcock or what have you, but from the vulnerability (both personal emotional and systemically socio-economic) that TMA people experience making them much easier to exploit and abuse

Like Pro-Chaser sentiment is a product of people completely misunderstanding what a Chaser is and what they do. No matter how lonely you are it doesn't do any good to see Chasers as some easy outlet for sex and validation; their treatment of transfems isn't just degrading but is often outright dangerous to an even greater extent than your average TME individual. Not the sort of people you want to be spending any time around

And sometimes you even see this sort of sentiment, this desire to be loved by someone who only loves you as a tranny because at least it's some sort of love you can get as a tranny, creep through when others are treating Chasers in a critical or mocking way. Like the Halimede MF twitter account's whole deal is roleplaying as a (somewhat exaggerated but still recognisable) specific sort of Lesbian Chaser; the "harmless transfeminist girl" if you will. Regardless of what you think of the bit, it's very clearly a bit. It's largely meant to be funny, but certainly not flattering to the kind of chaser Halimede embodies.

Most of the transfems I know recognise this, on one level or another, but you sometimes see girls express an almost genuine longing for her. A desperation for affection so great that it bleeds into how they treat a caricatured depiction of someone that is predatory on a fundamental level, just because it represents a "real woman" capable of feigning some shadow of respect for their identity and struggles despite the obviously dehumanising way with which this character regards trans women and their anatomy. Sure a lot of this "I want Halimede" stuff is just playing along with the joke, but some of it has enough genuine sentiment behind the irony that it makes you worry. To put it in Tumblr terms, HalimedeMF is another example of "You missed the point by idolising her". Which isn't to blame the individuals; the fact it happens at all is just another manifestation of a much larger and more horrible system. But it's saddening how attempts to criticise our oppression, even light-heartedly, can end up just reflecting it back into our faces. We need to do better than this

[shaylogic]

Queer Experience Watching Barbie - AFAB Masculinity

I started to go into this in tags on another post but I wanted to type this up separately and try to develop my thoughts a little more. . .

Ryan!Ken’s arc in Barbie (2023) has been buzzing in my head for days.

I got fixated on it for a couple of major reasons:

1) We rarely have seen a feminist movie take time to address men with compassion in how patriarchy harms them too.

2) As a trans masc person, I think it hits a specific part of my identity that I don’t consciously let myself think about for too long. Something about being raised in a female world with sisterhood and community. Then being isolated in adult manhood without the tools to prepare you for that. Conscientious of respecting women and being unbothered by feminimity around you, but not knowing your place in the world.

How do I put it?

I know it’s not the direct intention of the film itself, but I’ve seen other trans folks (especially transmasc), reacting similarly to the feeling we get from it.

Ken’s arc feels pretty reminicent of the struggle afab lgbt folks go through when considering masculinity in their identity (butch lesbians, afab nbs, trans men, etc.)

How to make peace with masculine aspects of yourself without losing the women in your life? (One can argue Kate McKinnon’s Weird Barbie has aspects of this as well.)

Of course, then Ken goes off on the adopting patriarchy ride, which IS the point of the movie, and may skew a bit from the transmasc read on it--though I have known a trans guy here and there who avoids being misgendered so hard that they can become somewhat sexist. To which I say: “You don’t need to have a dick to be a man, and you don’t need to BE a dick to be a man.” But I digress.

Something about Ken being comfortable in a woman’s world but not understanding why he’s being shut out from socially bonding with them (in any sense! Romantic, Familial, Platonic Friendship. . .)

The overall theme of the movie for both Barbie and Ken--in an allegory of heavy gender roles harming all--leading them each to have to figure out who they are in themselves, regardless of others. . . 

Trans masc folx can relate to both Barbie and Ken’s arcs.

I don’t want to detract from Barbie’s arc being the main point of the movie.

I think the reason why we get hung up on Ryan!Ken’s character is because. . . we’ve related to the Barbie plot in other movies and shows before, thinking back to our “girlhoods” as children.

I have never seen the arc Ken has in this in any other story!!!!

There are some Man Movies that have attempted to discuss the struggle of Being a Man--but they often come off as too dismissive of feminine experiences, and are therefore as offputting to transmasc people as women.

Because of the nature of the two worlds exhibited in this movie, and Ken’s backround in his setting, personality, and purpose in relation to the Barbies, he’s a Man living with Female Socialization, in a Woman’s World; he’s a male character that inherently admires and respects women in his nature (until the real world influence distorts it).

This isn’t a perfect example of a transmasc experience either, but it’s a lot closer than most of us generally get to see! That’s why so many of us are getting caught up in this.

Please, other trans folx (transfems, too!), I really need us to have a discussion about this. What were your experiences and thoughts around this movie?

P.S. Yeah, we kinda get that nonbinary allegory from Allan (not a Ken, not a Barbie, siding with Feminism in the Gender War), but he wasn’t in significant focus of the plot the way Ryan!Ken was. If I try to read into Allan, I don’t have much to work with.

[tommycorriander]

Hazbin Hotel, Helluva Boss, And Disability

I am disabled. This is something I've talked about a handful of times on this blog and on my Twitter, and anyone who knows me knows I am a disabled man. As a result, while I do enjoy dissecting media and politics, the need to be an advocate for disability issues would have fallen on me to some extent regardless. Disabled folks are often left out of conversations regarding diversity in media, in a continued oversight from able bodied peers.

What does this have to do with the Hellaverse?

Both shows contain at least some small amount of disability representation; specifically, they both have characters that are physically disabled. In Hazbin Hotel this is Vaggie, as she is missing an eye and prior to the finale had lost her wings. In Helluva Boss, the characters would be Fizzarolli, a quad amputee, and the unnamed deaf child in the special. The only character I ever see talked about in regards to their disability by the wider fanbase is the unnamed child, and on a smaller scale in critical spaces I occasionally see remarks on Fizzarolli's disability.

This is a problem.

For as much as fans of one or both shows would love to claim diversity in their shows, the lack of disability representation and the lackluster portrayal of the minimal representation is poor. And I haven't seen any of my fellow critics discuss this, which I feel is an oversight, though I don't fault them for this as there are many problems with both shows and they tend to have their hands full. However, this angle of viewing the shows has been overlooked, which is why I wish to discuss it today.

Firstly, I'd like to specify what I mean when I discuss disability. While the conversation regarding the Hellaverse is primarily centered around physical disability as this is the only form of disability portrayed in the shows, coded or otherwise, disability comes in many different forms. Intellectual disabilities and mental disabilities are just as important for representation in the media as physical disabilities. Among physical disabilities, there's also a difference in visible and invisible disabilities, the latter of which is hardly ever shown in media compared to the former. Ideally all forms of disability would be portrayed equally and with respect, but unfortunately this isn't the case. I also don't expect every show to tackle every demographic at once; this isn't a reasonable request, and to be very clear, my issue with the representation in HH/HB does not come from every single unique experience with disability not being covered, but rather with the narrative the creatives behind the show and the show's fans continue to push: that both shows are diverse and are, in some way, more progressive than other shows.

This isn't the case for many reasons. Fellow critics have gone into depth about the show's lack of representation of women in nuanced roles, the lack of queer women, the racist ways in which the very few characters of colour are presented, the lack of trans representation, and even the way sex and sexuality is presented being rather conservative at times. That isn't the focus of this essay, but I would implore anyone who is reading this who is somehow unaware of the previous issues to seek out essays that talk about those points; Cassidy Whiskey on YouTube has a three-part series that covers a multitude of topics, not just issues of representation, and I would have recommended helluvareceipts on Twitter, but her account has sadly been deactivated. I'm sure there are others, but I'll lose focus if I try to name every single person to go to. If you're willing to trawl through general pettiness in the critical tag (which, let's be real, that is probably how you found this post) you'll find well-worded critiques as well.

Back to the topic at hand. The lack of representation of people with disabilities is already frustrating, but there isn't a complete drought: Vaggie, Fizzarolli, and the unnamed imp child do exist, after all. However, their representation is not just flawed, but even exploitative in some ways.

First we have Vaggie. Aside from the visual of her missing eye and seeing the incident in which she lost that eye, nothing comes of it. She never has to contend with the difficulties that come with impaired sight, and it's never brought up by other characters. In the training scene between her and Carmilla, it's not a factor: instead, her greater flaw in the physical realm when it comes to combat is having longer hair. This is an extreme oversight, which I believe shows that Vivienne and the various writers for the show never actually take into consideration what should be a major element of a character, that being her impaired vision. Furthermore, the loss of her wings isn't even considered at all, with her somehow gaining them back at the end of her training montage with Carmilla. This could have been an excellent vector to discuss physical disability in a coded form, with her wings being a stand in for more traditional forms of limb loss. Still not ideal, as I believe it's better to have forthright depictions of disability over metaphors, but it would have been something. Instead, it's never a factor, and worse, it's effectively cured. As far as representation goes, Vaggie might as well not even count.

That's all that exists for Hazbin Hotel. In Helluva Boss, we have two characters, and I will save the unnamed child for last, because that is where the real issue with the representation is on full display.

So, Fizzarolli. He is a quad amputee and potentially hearing impaired, though the latter is speculated on due to a single scene which I discuss later. Since that scene is the only time it ever comes up, I will focus on his amputee status. He lost his limbs in a fire, something we see on screen. I will disagree with some of my fellow critics in that this scene should have been more detailed; I feel that had the scene shown more of the damage dealt to Fizz's body it would have come across in poor taste, and focusing on the tragic aspect of disability usually ends up feeling like trauma porn in the hands of poor writers, which Vivienne most certainly is. I do not trust her to handle a more detailed scene with grace, especially given her track record (more on that later). It is ultimately for the best that the scene is mostly brushed over, even if it would have been better in the hands of someone with the maturity and sensitivity to cover such a topic for more to be shown in regards to his injuries.

Otherwise, Fizzarolli is mostly fine. He's shown not just surviving but thriving, he has a loving partner (criticisms of the portrayal of said relationship not withstanding) and generally sees success in his life while still having to grapple with the realities of his disability when it comes to his prosthetics being prone to damage and potentially shutting down. I would, in the hands of anyone else, like to see more of this character and what his daily routine looks like as a disabled man.

Unfortunately all the good will built with Fizz comes crashing down when we get to the unnamed imp child in the Fizzarolli special episode. This child is the poster child for virtue signalling. Frankly, it's disgusting how a majority of the fandom seemed to ignore how fetishistic this portrayal was. This is where the real meat of the essay comes in to play.

This unnamed child is given a single scene, and is then promptly forgotten about and never mentioned again. They are introduced as being a fan of Fizz here to view the competition, there is a brief exchange between the two, and then we all move on. And yet this scene was championed as somehow revolutionary or a sign of the top-tier diversity and progressiveness in Helluva, when in reality this type of scene has been done to death. This is tokenism.

One major stumbling block many of the people championing this scene seem to get tripped up on is a very simple question: why was this child a child to begin with? Really, this seems like a simple question, it shouldn't have much thought. Sometimes characters are kids. But within the episode it's clearly shown through multiple different avenues that this is an adult show. The performances are dripping with sexuality, several of the fans of Fizzarolli are there because Mammon sells sex robots of the guy, there is no mistaking that this is something no child should be at, let alone by themselves.

So why was this child a child? Simple: brownie points.

It's a lot more difficult for people to share clips of a wholesome moment from your show if the person Fizz was interacting with was an adult. People are ableist, this is pretty par for the course; as a disabled person I find it generally safer to assume people are ableist before proven otherwise. I can guarantee if this scene were to be between Fizzarolli and a deaf adult fan as opposed to a young child, it would not have been championed as this amazing representation by mostly able bodied fans. And that is by design: if Vivienne genuinely cared about representation, if she truly wanted to show something meaningful to her adult fans in her adult show, she would have had the interaction be with an adult. But that doesn't get her clip shared around on social media. That doesn't get her brownie points for inclusion. It's safe, it's palatable, it's sickeningly wholesome, and it's insulting for that. This is a show for adults, something Vivienne and company is adamant on, and yet they treat their audience like children. As a fan, you should be insulted to have this key-jingling one minute clip presented to you. You should demand more, demand better.

Unfortunately I do not see ever getting better from Vivienne. She has made it very clear she truly does not care about creating art, she really only stumbled into being championed as a paragon for animation because her majority white and able bodied fans saw the inclusion of primarily gay men and thought that was good enough. She does not give a damn about disabled people, and she never will. To expect good disabled representation from her is like expecting good queer representation from a Marvel movie; she is in it for the money, and it just so happens that the inclusion of that scene makes money.

Addendum thoughts that were too long to put into the tags: I would like to make it clear that disability, because it presents very differently, is experienced very differently by many different people. If you felt seen or represented by the disability representation in either show, that's fine, and I don't want you to feel bad for feeling seen. Ultimately disabled people are largely given scraps; I have not once seen someone with my particular physical disability portrayed in media. Sometimes we latch onto things that are subpar or lacking; my criticism of reception to this scene is targeted primarily at able bodied audience members who may be lacking in this perspective and to also champion fellow disabled people to rightfully demand and expect better. Thank you for your time.

[spop-romanticizes-abuse]

since it's pride month, i want to highlight my favorite underrated/underappreciated queer characters and ships! (part 1/???)

(feel free to add more!)

Lake - Infinity Train (non-canon)

it's not canon but you cannot tell me that Lake isn't an allegory for trans/nb people. her arc is so beautiful and her character resonates with me so much!

i have to admit, i actually kinda hated her in the beginning because of how aggressive and rude she was, but she actually gets good character development and you can also understand why she was the way she was, being a good representation of a minority who is constantly suffering because of the social norms she’s forced into. also i don’t ship her with jesse but i do like the idea of them in a qpr or just being platonic besties.

(i use she/her pronouns for Lake because that's what they use in the series, but also because not all non-binary people use they/them, and it's kinda weird to see people insist on using they/them for Lake just because she's nb-coded. she has never shown an aversion to bring referred to with she/her pronouns.)

Le Chevre x El Topo - Carmen Sandiego (canon)

they are side characters who don't play a huge role in the narrative but they are a really cute couple and have been confirmed to be canon! even without the confirmation, it’s clear that they were written to be a romantic couple.

mild spoiler: after the series ends, they stop being antagonists and instead put up a food truck together! it’s the cutest thing, i swear

Ryan x Min-gi - Infinity Train (non-canon)

my OTP through and through! i say non-canon but the romance is so heavily implied, you cannot ignore it.

they're a good example of childhood friends who had a complicated relationship where both individuals did something wrong, but in the end, they grow as people and manage to mend their relationship together.

Moomin x Snufkin - Moominvalley (canon)

i have only read one of the books and watched a few clips of these two characters but from that alone, it's clear that they were written as lovers (and the author is queer too!)

they are a beautiful portrayal of long-distance relationship where both individuals have different needs in life, but still want to be with each other regardless.

Terrestrius / Terry - The Dragon Prince (canon)

Terry is canonically transmasc and they actually manage to explain this in the series, without making it sound too forced or expository. he's such a sweetheart too, and his relationship with Claudia is actually really sweet, despite the fact that she's one of the villains.

Carmen x Julia - Carmen Sandiego (non-canon)

again, i say non-canon but it is heavily implied that they have feelings for each other, especially in the extra interactive episode, where Carmen leaves a bouquet of red roses for Julia, and Julia is shown to blush when receiving them.

Amaya x Janai - The Dragon Prince (canon)

what’s that? it’s actually possible to write an enemies to lovers romance that is healthy and not extremely abusive?

Amaya and Janai have such a good relationship in S5 (and Amaya is also a great disabled representation!) Janai actually learns sign language to communicate with Amaya, and there are no unnecessary miscommunication plots or drama, they’re just a really loving wlw couple.

Benson x Troy - Kipo and the Age of Wonderbeasts (canon)

when i say we need more mlm ships in animated media!! i’m so glad us sapphics are getting a lot of representation but it’s time cartoons started including more queer men.

benson and troy are just a really sweet couple with a good relationship that doesn’t have a ton of pining or unnecessary angst. while i love complex and tragic queer relationships, i also think that it’s good to show teenagers just being teenagers sometimes.

this opinion seems to be scarce in the queer community, which really annoys me tbh.

Raine x Eda - The Owl House (canon)

i cannot believe that given the popularity of TOH, Raeda is still such an overlooked ship. this might be an unpopular opinion but Raeda is better written and has more chemistry than Lumity and Huntlow.

just within the span of Raine's introductory episode, they managed to establish a clearly romantic past between these two characters, and also an interesting dynamic. and even though they didn't have much screentime, they still turned out to be the best ship in the series. (again, just my opinion, don't come at me)

i think it's so important to show older queer people in media, just as it is important to show younger queer characters. it helps establish the fact that queerness has always existed and isn't some newfound trend that social media invented. not to mention, raeda is one of the very few canon ships that include a non-binary character.

[queer-ragnelle]

Understand is is a very weird question to get out the blue so no offence taken if this gets left in the inbox, but I was wondering how (if at all) to integrate transgender knights into arthurian retellings/adaptations ect while trying to keep it vaguely true to the medievalisms of the whole thing? I know its easy and liberating to just go 'fuck it everything queer' and its a totally valid way to go about it, but (as a trans person) I like having a narrative examine queerphobia and other structual issues with the setting - gives the whole thing a bit of meat (in my personal tastes). That being said, it feels like its a nightmare to try and have a transmasc knight stay stealth in this place! Everyone feels like theyre getting stipped and tended to after breaking a rib in a joust or merlin shows up and is a dick about pronouns and outs you to get you married to a Roman king. Stuff like that - things that feel a little easier to dodge when its a civillian character, not an ruling class.

Is this a 'kill the cop in your brain' kinda deal? As a queer storyteller yourself do you have any tips or strategies or tools you use to crowbar this kinda stuff a little easier together? Or do you know any stories/retellings/academic texts ect that cover these kinda things (even if its in a 'for the love of god, don't do that' way). Love the work you do for this fandom a lot, regardless of your answer! Hope you have a good day.

Hello anon! This is a great question.

Now let me preface this by saying I’m not transgender and I’m not a medievalist. There are plenty of trans medievalists on tumblr, but I’m not one of ‘em. So my answer is coming from a queer but cis author and enthusiast perspective. I'm going to provide lots of links to read things as well so everyone can draw their own conclusions from the material.

I think a large part of this does come down to “kill the cop in your head.” But at the same time, I’ve been exactly where you are wondering, “How can I make this story feel authentic to its era without torturing the trans characters?” Because you’re right, there’s a lot of nudity and close proximity interaction between knights in the medieval stories and Merlin is totally the type to be a dick about pronouns. I've also searched and struggled to find a medieval-set story that manages to incorporate queerness in a period-appropriate way (so far as we can guess) while balancing the narrative as to not tip into something deeply unpleasant for the target audience to read. (See: the series by Lavinia Collins, which has great queer rep, yay! But tons of horrors previously unseen and still unnecessary, boo!) So where does that leave us?

Well first I’m going to give you an example of how not to handle transness in an Arthurian story....

The book Once & Future and its sequel Sword in the Stars by Amy Rose Capetta and Cory McCarthy went with the phenomenon you already described as, “fuck it, everything queer.” It doesn't take place in the past, but does use the medieval stories as more than reference, it's not as divergent as something like Port Eternity by C. J. Cherryh, the reincarnated characters do interact with the past directly at times, so I'm using it as an example.

Anyway most characters are either gay (umbrella term) or trans. Except the way trans characters are treated sucks majorly (in my opinion). I completely lost faith in book 1 after the introduction of Lamorak, a gender fluid knight who uses they/them pronouns. Merlin misgenders them and gets corrected by Kay, to which Merlin does this whole self flagellation routine about. Lamorak is also disabled, missing their left hand. (Why isn't it Bedwyr? Anyway not the point...) Lamorak gets no dialogue here whatsoever, all agency is completely stripped from them regarding their disability and their gender identity. Double whammy.

This is worsened when Percival gets introduced, as Merlin then makes a point of asking for pronoun clarification in the most obnoxious way possible. To which Percival takes no offense at the weird slight against his sibling and tells Merlin his pronouns.

But what about the sequel? Surely these two queer authors improved with time.....

Is this a joke? Is this the best way they could indicate the inclusive realm of Avalon? Why not just describe the women as they are, all shapes and sizes, and let the reader figure it out? The authorial intent would be so obvious by this point. Instead they say it… like that. Gag.

It only gets worse when Mordred is born. Then they're weird about a literal infant.

What in the bio essentialism? If the characters have been living in a future that’s broken out of the gender binary, the baby’s genitals should be irrelevant. Gwen’s literally saying Mordred is going to fulfill the evil prophecy because he was born with a penis. Even if this is intended to be a teaching moment, I hate how it’s handled. These quotes are in order of appearance in the books, so after the subtextual implications of all that came before, this last part really doesn’t sit right with me. Sorry I find these books completely abhorrent. They've won awards, they’re beloved by many. Maybe it's me. But no thanks.

Honestly, so long as you're not blatantly offensive with your handling of such things, I think you'll be fine. It's important to remember that even if one is part of a demographic they're depicting, it's always a good idea to hire sensitivity readers and take that feedback seriously. Not everyone will love your work, there will be advice you don't utilize, with time you'll be able to weed out the bad faith feedback, (the "all depiction is glorification" crowd) and ignore it. But it's so important to open oneself up to constructive criticism so you can learn and your work can develop into the best possible version of itself.

Now let's get to some ways you can go about researching a way to do this that fits in your story. It’s important to remember that throughout human history, many people lived stealth their whole lives and we don’t know about them for that reason, not because no transgender folks ever lived authentically and happily in medieval times. So it’s never impossible to incorporate a trans character into a story who experiences no direct violence, even if the world they live in isn’t presented as a queer utopia. The other thing is that public opinion regarding queerness, cross dressing, etc have varied a lot over the centuries and were vastly different depending on location. Not every “woman” found in armor would have been treated as poorly as Joan of Arc. So there’s lots of wiggle room for interpretation when you go about writing these narratives. The majority of my examples deal with the ruling class so they address the concerns you mentioned with added scrutiny a noble would face if they were to experiment with gender presentation compared to a commoner. I’ll be spoiling the plots of everything on the list to make clear why I’m suggesting them.

My initial advice would be to read medieval literature with queer themes followed by essays on the subject. The best examples I know of are:

Yde et Olive

Transmasc knight (good ending). 12th century French romance. Yde’s mother Clarisse died giving birth to her & later when Yde reaches maturity, her father makes advances, so she disguises herself as a man & flees. Yde becomes a successful knight & is married to the king’s only daughter, Olive. When it comes time to consummate the marriage, Yde must confess the truth of his identity to Olive, who vows to keep it secret. This is overheard by the king who then attempts to uncover Yde’s identity but is stopped by an angel who chastises the king for harassing such a good vassal. Then Yde is transformed into a man, the king dies, & Yde is able to have a child with Olive. They name him Croissant as if it couldn’t get any more French than it already was. Anyway the story alternates pronouns for Yde given the situation which is pretty neat & in the end he gets to live his best life! Yay!

Le Roman de Silence

Transmasc knight (bad ending). A 13th century French romance about a baby girl named Silence. Silence is raised as a boy because King Eban won’t allow women to inherit property. Like many medieval romances, the hero's adventure is often punctuated with personified emotions (Dame Fortune, Lady Love, etc) but Silence is tormented by Nature & Nurture as he comes into adulthood. He becomes a knight & eventually takes on an "impossible" quest, to capture Merlin, which supposedly can only be done by a woman. Content warning for the ending, it does not go well for Silence. Merlin reveals his backstory, & he’s forced to take a feminized version of his name, live as a woman, & marry the king to keep his lands.

Wigalois by Wirnt von Grafenberg

A 13th century German romance that follows Gawain’s son, Wigalois [Gingalain], but this ain’t about him. There’s a character Marine who fights as a knight. She’s consistently referred to with she/her pronouns, but she’s renowned for her knightly virtues & fights alongside the men in the war. She’s treated very well narratively & dies in battle after apprehending a high-value hostage. Everyone mourns her & there’s a big funeral held in her honor. So even if Marine never presented herself as a man the way Yde or Silence do, she provides an example of a female thriving in a male role. Food for thought.

Parzival by Wolfram von Eschenbach

Another German banger from the 13th century. This one’s about a cis male knight but Parzival has transmasc vibes. Trust me. Here’s my favorite article about it called The Clothes Make The Man - Parzival Dressed & Undressed by Michael D. Amey that really illustrates what I mean.

After that, you can check out these retellings:

The Story of Silence by Alex Myers

I bought this but haven't read it yet. It’s a retelling about the aforementioned Le Roman de Silence. This book uses neutral they/them pronouns to refer to Silence, which I can say from experience sometimes causes confusion with readers, so it's good to study how this author did it & determine if that method feels right for you. (If you ever decide to do something like that with a character.)

Spear by Nicola Griffith + Spear's Author's Note

I enjoyed this one, beautiful prose. It didn’t feel like the most comprehensive Grail Quest retelling, but Peretur can be interpreted as a butch lesbian or transmasc, it’s ambiguous. She only uses masculine pronouns when stealth, otherwise using she/her, but it has a happy ending! It’s firmly set in the era & felt authentic on that front while letting the queer characters relax. Peretur isn’t alone. (A/G/L enjoyers keep winning + sapphic lady of the lake ftw + the other hotties Peretur pulled.) Definitely worth checking out.

The Bright Sword by Lev Grossman

This book just came out in 2024. Including it here is already a spoiler given the topic but I’m going to spoil fully from this point on so ignore this if that’s a problem. This is the best example I can give for your reading/writing tastes based on the ask; Dinadan is a trans man. His transness isn’t revealed in the main character Collum’s pov, but in Dinadan’s backstory pov, opening in his childhood. He & his twin brother were sent to different schools but young Dinadan would leave the girl’s school to practice knightly skills with the fay, which retroactively explains why he has a fairy sword that Collum was admiring. In exchange for this training, the fay ask that Dinadan slay Merlin. Which he agrees to while never believing he actually can, but the wrath of the fay in the afterlife is worth his ability to live as a knight. I love how it was all handled firstly because Dinadan has a fighting style that works for his smaller frame & because every knight has a different fighting style (Dagonet’s is “If it sucks hit da bricks.”) Dinadan doesn’t stick out like a sore thumb yet his physicality is accounted for. Secondly Dinadan explains the lengths he goes to in order to stay stealth from obvious ones like binding his breasts to pretending to shave his face every couple days & wearing a packer. Later on, Dinadan’s secrets are revealed when he goes swimming in the ocean with Palomides (who evidentially already knew) & Collum joins them. Collum had no idea, which I think brings up an interesting point about all of this which also reminds me of Gawain not recognizing that Beaumains was Gareth—the power of expectation. Just as Gawain expected to find a kitchen boy & would have no reason to assume his brother (who hit puberty since they last saw each other) would be stealth in the kitchens so therefore didn’t recognize him, Collum expects to find men as knights of the Round Table, so when Sir Dinadan is introduced, & Collum had heard of him before, Dinadan’s stature & high voice don’t register to Collum as anything but traits that this guy Dinadan happens to have. Learning Dinadan’s secret in the presence of another knight who already knows & is chill about it also encourages Collum to be accepting too. So giving Dinadan at least one ally in his corner throughout the story went a long way. In the end Merlin, who can only be killed by a man (which is why Nimue had to settle for sealing him away) is stabbed by Dinadan. So it’s like a reverse Silence/Éowyn situation that Dinadan’s gender is affirmed in his ability to kill Merlin. This book also includes the part from Le Morte d’Arthur where Dinadan’s forced to wear a dress, which in this context is very transphobic, but that’s the point. It’s made better when Dinadan gets to go insano style on Merlin so he gets payback. Just a heads up about that.

Some fantasy/scifi that’s not Arthurian but may help, as Arthuriana is largely fantasy to begin with, this may help you determine where on the spectrum your taste/writing falls regarding the bending of reality/history to fit your narrative.

Orlando: A Biography by Virginia Woolf

1928 novel about a character named Orlando living during the reign of Elizabeth I. Orlando is born male, then at some point in his early adulthood, falls into a deep sleep from which he awakens the exact same person, now metamorphosed to be female. Orlando, for her part, adopts this new role immediately & keeps on moving. She lives for 300 years as such & has many adventures, including an instance where she then presents as a man to elude marriage. Transitioned so she could cross dress in the other direction. She would’ve done numbers on tumblr. Ultimately, Orlando does marry… a gnc sea captain! The success of their marriage is attributed to their similarities in gender non-conformity. Even though this book only remains in the late medieval era for the opening, I think it’s a poignant example of a transgender individual living their life in their time & still getting to enjoy themselves without excessive suffering that may provide lots of inspiration.

The Left Hand of Darkness by Ursula K Le Guin

1970 Hugo & Nebula award winning novel. A fascinating examination of gender from the point of view of a cis man named Genly Ai having to reconcile his interpretation of the gender binary when confronted with a society who operates outside that. His travels with ambisexual Estravan challenges what Ai understands about the universe. His ignorance forms the backbone of the narrative as he grows close to a person from this other society. Even if it’s not a medieval setting, it may help you develop a narrative voice regarding this subject you’re able to bring to your work. Also it’s just really good.

The Privilege of the Sword by Ellen Kushner

2007 Locus award winner, Nebula & Gaylactic Spectrum nominee. High fantasy medieval setting. Katherine is a country girl brought to the big city Riverside by her uncle the Duke where she’s offered the opportunity to train as swordsman (ie cross dress) instead of political marriage. She’s unsure of the reasoning behind her uncle’s motivations for doing this, but goes along with it & kicks ass. A preview is available on Google books (linked).

The Realm of the Elderlings by Robin Hobb

This is my favorite series ever. It spans 16 books published between 1995-2017. The fandom on tumblr & ao3 is hugely active. (Avoid tags to dodge major spoilers or check it out for amazing art & many quotes!) The series has many gnc characters in a fantasy medieval setting. First & foremost, The Fool, who’s in all the books & whose gender ambiguity is mentioned book 1, to which he says, “None of your business.” The character ever. Without getting too specific, there are several trans characters including gender fluid characters who will alternate between masc/fem presentation & pronouns. This is my favorite example of gender fluid characters in any fantasy I’ve read, especially since there are several & each feels unique. In The Liveship Traders trilogy, Amber coaches another woman how to hide her period while pretending to be a ship’s boy by using a sock, so if anyone finds the blood on it, she can say she cut her foot. Little things like that really deepened the realism in an otherwise fantastical story for me, because addressing those details answers questions my overly analytical mind would ask & wonder about if unacknowledged.

Lastly I'd like to suggest the article Armour of an Alienating Identity by Jeffrey Jerome Cohen. While it doesn't mention Parzival (the text), it does mention Perceval (the character), as well as Gareth Beaumains, Lancelot, Gawain, Yvain, and even Arthur himself. It goes on to reference endless examples to support its thesis including Greek heroes such as Achilles and Odysseus with references to many different medieval stories from Old English Beowulf to the Irish Ulster cycle to the works of Geoffrey Chaucer. Most (if not all) of the texts mentioned in this essay can be found on my blog for cross reference if you desire, although the article already contains many quotes.

Okay I think that’s all I got. I’ve given you a ton to think about and read. Ultimately I don’t think there’s a clean cut answer for this. Nuance, you know? Having hired an editor and many sensitivity readers myself, it really is just a professional a vibe check sometimes. You write what you want to the best of your ability, then other people weigh in, and you keep tweaking it until it’s as good as you can possibly make it. During development, and even in its final form, there will be people who don’t enjoy your story and that’s fine. It isn’t for everyone, it’s for you and your audience. No single experience in this life is the same so each fictional depiction emulating life will also be unique, there’s no “right” answer on how to write this or anything else, only the way you want to.

Hopefully now you have some tools to help you learn how best to express your vision. I know they gave me a lot of insight and ideas I lacked before when writing trans characters in my books. Thank you for trusting me with this question and good luck with your project! Take care! :^)

[sitronsangthoughts]

You write a series of books about a fantastical, magical community. The community is plagued by prejudice. Some people in it wish to exclude those who haven't been part of it since birth. As this ultra-conservative movement worms its way into the media and government, the hate campaign escalates to systematic attempts to eradicate the "undesirables". The heroes of the story have to fight against these old and cruel ideas to make the community safe for everyone, regardless of their childhood or background. In fact, your self-insert character (an audience favorite) is one of the people targeted by the discrimination and violence. The story deals heavily with the dangers of political propaganda, with how a biased media can skew the truth and vilify those who get too critical in the eyes of the masses, and how those who are different in some way are so often misunderstood, even feared. The books are an unprecedented success, near-universally beloved for their fundamental message: the circumstances of your birth do not determine who you are or where you belong. Forge your own path, stand up for the downtrodden and excluded, and choose love over hate.

Then you go on to become the face of the movement against basic rights for trans people.

[gnomewithalaptop]

Batfam Time Travel Fic Recs

Because @clarenceislazy requested it on my last fic rec compilation, here's a list of my favorite DCU time travel fics! They're all pretty Batfam-centric, but eh niche is niche what can you do

Damian fics:

A Good Place by LemonadeGarden - Damian gets sent back in time to a Batman who's never had a Robin. Very sweet, very fun.

The Rule Stands by Engineerd - After Dick's death, Damian has to deal with a time-displaced ten-year-old Dick Grayson. Love a good Dick and Damian bonding moment, PLUS this gets a happy ending <3

to stay in one place by Jezebunny - Injustice!Universe Nightwing!Damian time-travels/dimension-jumps to a timeline where Dick Grayson is still alive and his counterpart is still Robin. Ugh this is so angsty -- I have an unreasonable amount of love for Injustice Damian

looking for the shapes in the silence by popsunner - In a world where Dick died on the job, Damian falls through a hole in reality where Dick is still alive and finds that some things don't fit the way they used to. SUCH an amazing representation of complex grief -- literally every time I read it, I cry

Steph fics:

time slip by almondrose - A mistake in time leads to six Robins meeting. Honestly, this one is kinda cracky, and only barely qualifies as Steph-centric, but I still like it a lot

and we'll never be the same by almondrose - Steph and Tim go on a road trip to figure out the post-universal-reboot anomalies. This is more of a post timey-wimey-bullshit fic than a real time travel fic, BUT I think it's real cute regardless

Tim fics:

Tractors by lieu42 - Ooh this one is honestly so so fun! In a reimagined universe where DC's heroes operate out of the UK, Red Robin Tim finds himself right back in the year before everything went to hell. He has a duty to get back to his correct timeline so he can find Bruce, but with Bart and Kon still alive, there's a part of him that doesn't want to leave. Literally SO well written and trippy as hell -- this fic deals a lot with addiction, drug use, and grief, so definitely go into it forewarned. TimKon

not for very much longer by CreamOfTomatoSoup - ugh what CAN'T I say about this fic, apart from the fact that it's one of my favorite time loop fics of all time. Post Cult of Dionysus Bernard Dowd finds himself reliving the worst day of his life -- the day Darla got shot. Featuring identity porn, Steph as Robin, Original-Personality!Bernard, the grief of a childhood you can never return to, and the weirdness of having to interact with your significant other when he's currently a sixteen year old who doesn't know he likes dudes. Don't look at the incomplete warning -- it's not abandoned, just a wip, and I legitimately cannot recommend this fic enough. This fic made me read War Games. This fic made me a Darla Aquista stan. This fic made me ship timbern. Please read this fic.

Jason fics:

The View From Jade by lowflyingfruit - Jason Todd accidentally travels back to before Bruce took Dick in. I feel like this is on every time travel rec list, but what can I say: I'm a basic bitch

Two Dead Birds by InsaneTrollLogic - Jason Todd wakes up in the middle of his Mob Boss Era and immediately decides to rewrite his own history. This is very funky fresh of him, just in my personal opinion.

Dick fics:

So It Goes by 60sec400 - Bruce from Dick's Robin era receives a troubling call from Nightwing. Be warned -- this fic is angsty as hell. Implied major character death. Don't look at the incomplete warning -- it's a lie (the author has specified they intended it to work as a oneshot)

In This Or Any Other Universe by wildsofmarch - Dick-as-Batman ends up in Battinson-era Gotham. Again, I think this counts more towards the Dimension Travel pile than the strict Time Travel variety, but I'm still putting it here because I enjoy the hell out of it

a million dreams by CaptainOzone - In the seconds between the trapeze line snapping and their bodies hitting the ground, John and Mary Grayson find themselves transported twenty years into the future. SO GOOD I honestly can't stand it.

If you think I missed a fic you love (or if you've written any yourself and want to self-plug), feel free to drop a link in the reblogs! Especially if you know of any that center around Steph, Cass, or Duke -- istg I've scrolled through fifteen pages of the AO3 Time Travel tag, and I've found like maybe two fics that center around any of them. It's honestly a little ridiculous

[megaderping]

I think the biggest issue with Naoto discussion is that there are so many intersecting perspectives with very strong feelings involved, and if a Persona 4 remake does happen, I fully suspect that Atlus is going to have their hands full figuring out how to handle the character in the modern day. First there's the cultural context of misogyny in the workplace and especially in the legal and justice systems in Japan, which informs Naoto's character a lot. It is important to consider this, as this was a Japanese game made in 2008 at a time where queer visibility wasn't nearly as prominent, but that alone doesn't invalidate criticism to the arc's execution, regardless of creator intention. A big point of contention is how the arc was handled. Specifically the way it uses talk of body alteration procedures, surgical equipment, and treats the idea of transition as scary. If you consider how draconian the laws behind legally transitioning in Japan are, you can perhaps make a case for why it might cause Naoto internal conflict as complete surgical transition/sterilization/diagnosis were all requirements at the time of the game's development and only recently were declared unconstitutional. Though, as this excellent video pointed out, it's possible this was meant to be a reference to the story Flowers for Algernon, given the weapon you get if you return there later. However, even if that was the intent, transgender people exist in Japan and have since well before Persona 4, and anime such as The Dirty Pair aired in the 80's with very progressive takes on transness. It's very unlikely that the team behind Persona 4 was completely unaware of queer issues and symbolism, given that Persona 3 had that infamous transphobic joke in the original version's babe hunt.

The Dirty Pair, a 1985 anime that was surprisingly progressive.

I think the issue, more than anything, is that the tropes at play don't exist in a vacuum and what comes after Naoto's dungeon raises a lot more red flags. Jokes about Naoto's chest size, the narrative framing Kanji's crush as only acceptable after the reveal, on top of the uncomfortable execution of the romance route in Naoto's Social Link. You get so much "Naoto is actually a girl" in a way where it's other characters talking about/over Naoto, which is what really makes the framing off putting to a lot of people, myself included. And it's not even that you can't do an arc about a female character fighting against prejudiced preconceptions in the criminal justice field without controversy, because Persona 5 pulled this off far less contentiously.

Sae Niijima deals with many similar themes but doesn't seem nearly as contentious, and I think a large part of that is due to Sae openly presenting as a woman from the start. The game openly depicts the misogyny from Sae's superiors and coworkers, such as how she's unmarried and fighting an uphill battle for success in a male-dominated field. Persona has toyed with these ideas in the aftermath of Persona 4 and even when revisiting older titles. Persona 2 went back and added the character of Shiori Miyashiro in the PSP release, a lady detective who has a lot in common with Naoto (e.g. knowingly endangering oneself to get the truth behind a supernatural case). It's also astonishing that we have Lala Escargot in Persona 5, which also had that infamous gay couple that played into horrible stereotypes that were only slightly fixed in royal's international release. Lala, whether trans or a drag queen, is given surprising respect, and her identity is never called into question. A Persona 4 remake could learn from this and cut back on the characters asserting what Naoto feels, what Naoto "really is," etc, and let Naoto and Naoto alone decide. Ultimately, Naoto means different things to different people, and these things can carry great personal weight and importance. Many trans and nonbinary Persona fans see themselves in Naoto. Others favor Naoto as some flavor of gnc or find Naoto embracing femininity and detective work empowering. I think the problem is that when this topic comes up, there's a lot of hostility. Trans fans and people who favor trans Naoto get told to shut up at best, and at worst get hit with shit tons of transphobia and gross conduct. On the other hand, I don't think people who prefer more canon-compliant depictions of Naoto are inherently malicious. It's how they approach these discussions and treat people that makes a difference. Just because someone uses she/her for Naoto doesn't mean they're being intentionally transphobic, but I totally get people wanting to avoid material that uses those pronouns all the same. I also don't think people are wrong to be uncomfortable with the resolution of Naoto's arc in canon. I think people who get upset when fanworks go with trans or NB interpretations of Naoto could stand to be more empathetic, as a lot of those fanworks come from people who connected to Naoto and want to explore what could've been. I don't think more canon-compliant fanworks are inherently malicious either, but no one is obligated to stick around works or spaces that make them feel uncomfortable. Tbh, I'm just wondering what Atlus will do. Persona 3 Reload removed that one transphobic joke during the babe hunt in all languages. Persona 5 Tactica had male marriage fantasies for Joker. I think Atlus is trying to be more inclusive, but Persona 3 Reload also kept Toriumi's crush on the protagonist and Chihiro defending student-teacher romances, so it's really unclear how much of Persona 4's more divisive aspects will be retooled. Because it's not just Naoto. Persona 4 has a lot of aspects that haven't aged well, like all the jokes about Kanji being predatory if he's attracted to guys, or Kashiwagi being creepy toward students, or the fatphobia with Hanako while Ebihara's past of being overweight is treated with more sympathy. I love Naoto and Persona 4, but I also think it's important to be able to criticize elements of the game that could be executed better.

[mayxo-hxh]

Do you think hisoillu romantic relationship would be confirmed more explicitly in the future in the manga?

I have read this very interesting post for killugon about how togashi Never leave thing vaguely / ambiguous and always confirmed the romance between queer characters, but in hisoillu case even if illumi said they were engaged, there still a lot of people who always repeat the excuse of («THiS Is jUsT fOr ThE mOnEy») even thought to togashi purposely shoose specific romantic word to describe It… this is why I wonder if you think we would be have additional elements who will confirme more explicitly their loves later in the manga?

I don't think so.

As the killugon post had mentioned, Togashi is all abt subtlety especially when it comes to hunter x hunter. Meruem and Komugi never came outright and said that they love each other. Alluka never came outright and said shes trans. and Hisoka and Illumi arent going to come outright to say they love each other.

You will ALWAYS have people that deny the existence of queer relationships/characters regardless of media. Even if you had Hisoka and Illumi kiss on camera, there is always going to be the people saying "This isnt illumi actually, its someone else in disguise!" or "Hisoka definitely manipulated him!" or "it wasnt actually a love kiss it was just obligation!" You'll never truly be free from queer erasure.

THE most explicit thing that could have been done in hisoillus relationship was to loudly and boldly announce their marriage, which Togashi did. And just like you said, people still grasp at straws to deny their relationship's existence. Thats just how its always going to be. You can easily debunk every single excuse they give you with full proof and evidence, and they still wouldn't care. The mistranslation excuse was debunked by a japanese speaking person ages ago with photo evidence and explanations and people will still call it mistranslation. They don't care about whats canon or what isn't, they only care about erasing queer characters from the media.

I think hisoillu specifically being unpopular as queer characters is because of the fact that theyre shitty people and the antagonists of the main lovable characters. Most people don't want to touch Hisoka with a ten inch pole and Illumi by association. But if you actually care and pay half a braincell to focus on their characters and interactions, you'd find that its undeniable that they've always favored each other in each and every single interaction they've had when they never do so with other people.

What I do think will be shown in the future of the manga is hisoillu's explicit collaboration against the troupe on the black whale and more of them working together in the future. Maybe they'll even mention the fact that Hisoka is part of the Zoldyck family now and it'll be acknowledged by other Zoldycks. But thats about it. And that's all we'll ever need, really. Let people cry and delude themselves all they want, but we as hisoillu fans should not need more than that to know whats canon and whats not.

The only way i see them being "more" explicitly confirmed as romantic in the future is if togashi had enough of bitches whining about it and straight up goes himself "is it not obvious" when someone asks him about hisoillus romantic relationship lmfao

[connorsnothereeither]

okay wait i am confused is virgil canon trans or no or open 2 interpretation ?

Honestly, that’s valid, I feel like the comments I made about it on stream were more confusing than I intended them to be 😅

I think, personally, I would consider it canon that Virgil is transmasc, yes.

It wasn’t the original intent with his character, and it’s not a big part of his character traits in any way, but personally, as the creator, yeah I think he is. He wasn’t created as a transmasc-character, but he is a character I think is transmasc, if that distinction makes sense? Regardless he’s certainly not cis, since he uses he/they pronouns.

I think in the moment, my hesitation in just saying “yes” stemmed from the fact that as a (somewhat) cis-presenting amab person, I didn’t want to just be slapping on the idea that he was trans after the fact as a “fun quirky character trait” because I was afraid it would come off disingenuous? But realistically, there is a lot of Virgil which is an extension of myself, and that exploration of gender presentation and identity through him is personally very genuine, and I think in hindsight I am more confident in saying yes, with the clarification that Virgil’s story is not about him being trans in any way, and isn’t particularly affected by it at all, but it is canon.