#characters from stray

[myrondabosscat]

Should I animate Stray characters (shadow art) to Bad Apple? My animation skills are TERRIBLE but I can try! I'm new to animation, and this project will take exactly 1753 frames.

[doctormori]

I love this book to death, so here's some things I noticed <3

[junewi02]

He's having gay thoughts

Happy Pride Month! 🌈

[dreamsy990]

drew some of my fav ody designs! wasnt originally meant to be also replicating the styles but thats sort of just how my brain works. except i didnt copy the lineart styles of anyone here so its DEFINITELY a bit uncanny for a couple of these (LOOKING AT YOU QINNY IM SO SORRY) but whatever

the designs featured here (from left to right) belong to: me, @gigizetz, @neal-illustrator, @irunaki, @bigidiotenergytm, @qinnyanimation, and @foopsie-daisy

[bungobble-my-balls]

OK correct me if I'm wrong, but I feel like the main 'yin/yang' parallel with Atsushi and Akutagawa is not something like 'this one is bad but secretly has a good side and this one is good but secretly has a bad side'.

I feel like it's more about 'who they are at their core vs who they choose to be'.

At his core Akutagawa is kind and at his core Atsushi is not. But despite this Atsushi tries every day to make the kinder choices and I love him so much for it. He has to work so hard to be good.

He wants to be a bitch SO bad I know he does but he tries his best to help people and be nice (sometimes he fails but that's OK <3)

Atsushi doesn't always WANT to help people, a lot of the time he's selfish and scared, but he does help people anyway. He keeps helping people over and over again. There's still some selfish motivation to it, and his initial motivation for helping people was because the headmaster told him that's all he was worth, but overall he does care about the people he helps and it weighs on him if he fails to save them. And of course, as the series goes on he starts helping people more because he can rather than because he feels like he needs to.

In Akutagawa's case, he's still capable of being kind but his environment led him into being someone who chooses to hurt people. But he's always been a protector at heart. In the start he was bad compared to Atsushi because he was choosing to hurt people and keep the cycle of abuse going. Just like how Atsushi developed in why he saved people, Akutagawa starts to get redeemed when he chooses to not just act on his rage. Not only does he start to spare people, but he speaks more kindly to them (apologising to Higuchi and telling Kyouka he's proud of her). It all culminates into the moment he chooses to help Atsushi and sacrifice himself for him, going back to his core value of being a protector. Even when he's finally revived, he keeps this role in his new position as Aya's Knight.

I kind of see the streaks of white in Akutagawa and the streaks of black in Atsushi not as their 'hidden sides' but as their fundamental selfs. That's who they are at their core, and their main colours (black for Akutagawa and white for Atsushi) are how they're presented to everyone else and how they try to have people see them as.

[fanartsandstuff]

I just love ao3 authors

We live in a beautiful era of people not giving a single fuck

[flowinlikearivah]

Hello i come bearing aftg MY LITTLE PONY AU ! ! ! !111! ! !

I did these many months ago but i thought itd be fun to share here :3 (when i made these I hadn’t finished TSC so i never made cat/laila but ill do that eventually!)

Trying to make all their cutie marks was….a struggle …

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[proxycrit]

(Creaturefies your ponies)

((Refuses to explain))

(((Leaves)))

[nellasbookplanet]

I'm hardly the first to make this observation, but the problem with many self-proclaimed cozy stories is that they're so scared to take risks, scared to do anything that could make the reader even slightly uncomfortable, because being uncomfortable isn’t very cozy. Characters lack in flaws and messiness; conflict is lackluster or quickly resolved or avoided altogether; a darker moment must always be followed by a peptalk, never lingered on; moral ambiguity is eschewed, because anything else would be problematic and messy. If a main character has flaws it’s always those of the good victim, someone who needs to heal and be validated but not grow and be challenged. Challenge, of character or reader, is anathema.

As I'm playing Stray, I'm struck by the thought that this is quite possibly the coziest piece of media I've ever experienced. You're playing as a little kitty cat. You’re carrying around a tiny robot companion in a backpack. Your enemies are tiny white blobs called zorks. There are game mechanics to meow and scratch up people's walls and furniture and knock paint cans off shelves and take naps. The pacing rarely rushes you, rather actively encourages you to slow down. You can stop and listen to a guy play guitar, or look for flowers to gift someone, or take a nap on a cushion while beautiful scenery full of plants and fairy lights roll by.

But it’s also a game set in the ruins of a near dead world. The cute blobs will eat you alive. The robot you're carrying is an uploaded mind earnestly struggling through an existential crisis and mourning an entire species. Under the plants and the fairy lights is garbage and rust and buildings falling apart. There’s no sunlight. There are creepy eyes watching you in the sewers. There’s classism and oppression and the downfall of man.

And through it all, the robots who inherited the world are working so hard to find pockets of hope and happiness. They paint and play music and play games and dance and grow plants and create cozy little homes for themselves. They resist for the sake of freedom and autonomy, they create an entire language, they dream of a world most think they'll never see.

This dichotomy of dark and light is something I see often in (better) cozy media. Dungeon Meshi is a fun cozy adventure where they make delicious food and talk about self-care. It's also about grief and the inevitability of death and the impacts of social inequalities. The Long Way to a Small Angry Planet is a cozy found family road trip in space; it’s also about the difficulties of understanding each other across cultural barriers and the massive ramifications when we refuse to do so. Legends and Lattes is basically a dnd coffeshop au; it’s also about struggling to find happiness and purpose and self-worth after a life of violence, not knowing if you're able to successfully achieve anything but bloodshed. And All the Stars is full of found family and pastries and characters just hanging out; all of this happens as they're hiding and fleeing from invading aliens who see them as nothing but a resurce to be used. One of my favorite episodes of critical role is the beach episode of c2, where they basically just hang out; this happens soon after they buried their friend who died trying to save them, as they're trying to figure out who they are and what they want after his loss.

And that’s the thing, isn't it? Any story that is uniformly the same thing all the way through ends up as bland. A grimdark story that never offers respite or moments of hope will numb you to the horrors, removing their bite. A cozy story that offers nothing to be struggled against, nothing for which cozy moments and aesthetics is a break, lacks impact. A story needs ups and downs, a rhythm of misery and hope.

[someonehasgiventheratsapen]

Decay of angels (minus fukuchi)!! Evil gang >:3 !!

I drew them bcuz of poll results, as well as higuchi and gin, so I'll probably do another poll soon to figure out who I'm gonna draw next

[averlym]

"you're lost, little girl"

[shazos]

some more of my spooky town au🎃

[livelaughlovesubs]

Been into body writing these days, can’t get this out of my mind

Fingers gently tapping his heated cheeks, the thumb placed carefully atop his soft bottom lip. These soft touches suddenly become a tad more forceful as you make him look up, staring at his flushed face before a silent ‘cute’ slips from you, gracing his ears, making him blush even harder. All he could do was stare up at you with those big, docile eyes, like some lost pup. Maybe he’d part his lips to say something- anything, just to hide his embarrassment.

Then you bring your other hand to his face, holding a permanent marker, and, without giving him time to react, you began writing on his cheek. It tickled how the tip of the pen grazed his skin, but he tried his best to not squirm, to let you write on his body, to mark him as yours. When you’re done, you don’t tell him what you wrote, only placing a tender kiss right below the spot you drew on. And, before he can ask what you wrote, you whisper into his ear, blowing warm air against the shell, making him thrash uncontrollably, “next time I’ll do more.”

All he could do was stare at your back as you leave him by himself. It took him a hot minute to calm down from the tension, and another one for him to remember to look at his own reflection. There it was, though mirrored but still readable, the bold words you wrote on his tainted cheek-

“[y/n’s slut ♡]”

[fshbonemercatus]

[itadooori]

hobo era gi-hun my beloved