#character study kinda?

[dartbread]

More Hawks suffering

[edwinisms]

you know. I think the reasons it feels so literally narratively wrong when people refer to charles as being straight (such as in interviews where his love life comes up and so on) are that A) he’s never deemed outright straight in the show, so it’s just an assumption that he must be straight by default (which is silly in a show like this), and B) what he says following edwin’s confession. I know I’m biased, but even when I try to look at it as neutrally as possible, the way he reacts in general and the specific words he uses just don’t sound right when you imagine them being said by a Totally Definitely Straight guy.

first of all if you actually listen to it instead of absorbing the scene superficially it’s not particularly a rejection at all, and the actors have stated that themselves– it’s not him saying no, it’s him saying “I can’t give you an answer right now, but I will eventually”. that’s not an interpretation, that’s literally just the truth of what he said (and again, the actors agree). can you imagine a straight guy saying that, or possibly even more damning, “we have literally forever to figure out the rest [“the rest” meaning anything that goes beyond the kind of love charles already solidly has for him]”.

imagine you’re a straight man who’s unwaveringly confident in his orientation and your gay best friend confesses his feelings for you. you would not respond with the implication there is a “the rest” to figure out. since the main, obvious obstacle would be your solid lack of attraction to men, that’d probably be essential to your response– it wouldn’t be a “I can’t say–“ it’d be a “I can’t be–“. and on top of all that, I feel like the whole thing would have to sound far more apologetic– “I’m sorry, I love you and that’ll never change, but I just can’t love you the way that you love me.” something like that, right?

tldr: this is a rare instance in television where assuming a character is straight by default makes Less sense than the alternative. and charles’ choice of words in the confession overtly suggest that he is, at the very least, unsure of his orientation.

[elsecrytt]

satoru gojo knows he's not wanted. only needed - a weapon for killing curses and curse users, day in and day out, the lynchpin of jujutsu society.

he's fine with that, most of the time. the truth is, when suguru left, he thought that was the end for him. he was never very good at friendship in the first place, at making people like him.

he has a difficult personality, and he doesn't want to change. people willing to deal with him as he was were few and far between, and they never had that immediate connection like he did with suguru.

even if it left him unbearably lonely. it's just not in his nature to mince words, to hold back, to play nice. if he couldn't be satoru gojo, then what else did he have left?

and it's fine, most of the time.

but some of the time, it's not. it's really, really not. sometimes, it's worth it to try, just the tiniest bit, not to be a complete ass and drive away a pretty face who seems unbothered by his attitude.

that's how he ends up with you - a non-sorcerer. he hasn't told you about sorcery in general and doesn't want you to know.

to him, your shared penthouse is his safe space. he never walks or drives there, only ever teleports so that no one can trace him there. no one, not even at the school, knows that he primarily lives there.

he spends every spare hour (sometimes even just ten minute) he can there. finishing missions early, darting off after lessons, eating there whenever he can.

satoru only sleeps whenever you sleep. he never showers alone, never does his nighttime routine on his own.

that's all precious time he could be spending at your side.

washing your hair, your face, cleaning up alongside you. laughing and splashing and making a little more of a mess if he can get away with it.

here, there are no curses, no former friends turned traitor, no one who needs his help.

you smile as soon as you see him, hear him, run up to hug him if your hands are free.

he's on the lock screen of your phone. once or twice he's caught you just staring at it, delight painted all over your lips.

all you want from him is his company -

and god, is he ever aware, you're the only one alive who does.

most of his coworkers dislike him to various degrees. even his students have mixed feelings about him sometimes.

he does his best, he really does, but he can't bring himself to get attached to someone who might one day leave.

you won't, though (you can't), so he's free to love you all he wants.

he'll freely confess - he's overcompensating. pouring all the missed opportunities to bond, all the awkward moments where his attitude turned other people away, into the dam that is your relationship.

you don't mind his funky schedule (too much), you're a huge homebody who likes having date nights at home.

you smooth off all the rough edges of his personality - the arrogance, the smarmy comments - with a laugh and a taunt, a hand in his hair that he can't help but lean into like the domesticated pet he is.

god, he loves you. he loves you so, so much, unreasonably so - loves coming home to a "satoru! welcome back~", loves bringing home meals from different places and watching you try them with delight (you joke that his mysterious job must be as a delivery man, which he laughs at more than he should), loves coming home to your unnecessary attempts at cooking every now and then, something indescribable curling in his chest.

he loves sitting and talking with you about the latest show you're watching, telling you about his "coworkers" and "juniors" (sometimes he has to stop himself from giggling about it) and how annoying his latest day at work was.

sometimes it's sort of vague and vapid but it's fun when it's with you. sometimes it's deeper stuff, real stuff ("my oldest friend passed away recently" "one of my juniors at work has a complicated family situation") and you seem to always know just what to say. talking to you always makes him feel better.

he worries, sometimes, that he's not as good to you as you are to him. he tries - god, does he try - to show you the extent of his love, if he can't afford the words or time, then in deeds.

you're taken care of for the rest of your life, that was a given. the penthouse is in your name, various trusts set up in the impossible event of his death.

you have full access to a joint account that was actually just yours, set up for you by him - he just didn't feel like trying to convince you to accept the money.

he buys you things, of course. food mostly, to eat together, but also little trinkets and manga and souvenirs of the various places he goes to. little pieces of his life to share with you.

and when he can, he does do dates. every second he gets to spend with you is like gold, and he spends them all fully invested, eyes locked on you and yours, walking on air the entire time just from your presence. ready to talk about anything you had an interest in.

he's just that infatuated. satoru could talk for days to anyone, but you're the only one who'd listen, who'd chatter back just as enthusiastically. he wants you on speed dial every moment he's away.

shopping trips, too, he's always happy to play dress up, to dutifully compliment you even though privately he thinks you look best without any clothes -

and that, too, he does for you. he makes no secret of his affection for your body. spares not even a second getting to his knees, nuzzling against your thigh, cheeks flushed as he looks up at you with pleading eyes won't you feed me, pretty please, i'm starving~

he shows you he loves you. with hands and mouth and body, as a sorcerer should. silent curses falling from his lips as his body joins to yours.

it seems almost cruel of you to let him have this. why can't he live here forever? why can't he always be inside you?

satoru gojo knows he is the absolute last person who should be complaining about this, but why is life so unfair?

why can't he spend every minute of every day by your side? touching you? talking to you?

in his wildest dreams he's not killing curses or sorcerers or changing the world.

he's in bed with you, by your side from the moment he wakes up to the moment he falls asleep. that's his dream, just you being there, always.

he worries most of all what he'd do if you ever fought.

you're not the type - you "need space to calm down" sometimes, which is usually just you going back to your room. you "want to have a calm discussion" where you sit and listen to him and talk about feelings, and you have this way of making him talk.

you're good at communicating, at making people feel better, and understanding others. sensitive in a way that he's not.

you're never out to hurt him, even when he can tell his time away is grating on you, his constant absences and flightiness rightly off-putting.

you never argue with him, never make demands, and that's how you got together in the first place, the perfect match.

(it scares him, really, being made for battle as he is. where's your fighting spirit? wouldn't you cry and scream and beg if he was going to leave you? wouldn't you go to war for your love? he knows he would.)

but deep down he knows it's there. a massive part of his life is hidden from you - things that are important to him; his mission, his students, his power.

he doesn't know what to do, really.

he wants to keep you safe, unworried. he wants to keep this island of peaceful, mundane happiness in his life.

he wants you to love him, wholly and completely, for all that he is. he wants to hear you tell him he's doing it right. that you're proud of him.

there's so much he wants now, compared to when his life was just teaching students, killing curses, and waiting for the day he'd have to kill his only friend.

satoru isn't sure which one is better. because even though he hopes he can have you how he wants, and the rest of his life too -

he's starting to think it might not be possible.

[sysig]

Good skeles, like you lots (Patreon)

[manekijinx]

Sleep Paralysis.

Vaguely inspired by this unfinished fic.

[cheebuss]

when are yougonna post nick's bobbies

dan nicky yuor bobbie s [held at gunpoint writing this]

[crimescrimson]

Albert Wesker in Resident Evil Remastered (2002)

[silverechosandblankmasks]

Have to say how much I loved the q!Phil and q!Tubbo argument today about Forever and ultimatums, because it really showcased who they are as people. Neither are wrong nor bad, it's just how they are.

Philza doesn't trust many people, but when he does, it's utterly and wholly. To him, It's important to try to fix things first because he knows firsthand you can't come back on a decision like that. If Forever was said to do something like hurt the eggs, it's obvious it's not Forever, it can't be, so has to try to fix it first.

If it came down to it, he'd end it because there's no other option, but only after they tried everything else. It's about hope and trust, and knowing you only have so many people so you can't lose them unless you are sure.

Meanwhile, Tubbo is very easy to give trust, but he also retracts it at the slightest sign of anything negative or going wrong, and almost always chooses the nuclear option first because he feels the need to neutralize the threat.

If someone does something wrong, they fucked up and need to go, if someone is dead then they're gone that's it, if he looses something he cares about then it's fucking time to destroy the world.

Tubbo would throw himself on a bomb to save others, Phil would try to disarm it.

Please Reblog and not just Like so people will see this, Likes do nothing at all!

[peachsodah]

chilchuck character study + headcannon doodles :)

i was kinda figuring out how i want to draw him as i went along with these, so some are better quality than others lol

[lemm-moxx]

hi to you too?🤨

[perksofbeingpoet]

forever conflicted between the idea of asexual todd anderson because i genuinely think it makes sense and works so well and the idea of allosexual (non-asexual) todd anderson because we can't keep only headcanonning shy, introverted people as asexual and i need todd awkwardly struggling with his sexual desire and having to allow intimacy and physical touch

a battle i fight on the daily

[slushieplanet]

Would anyone be interested in reading a Jean x Scott x Logan fic where the center of the love triangle is Scott and not Jean and also Jean and Logan are just friends?

[samantitheos]

As a collective I think we really ought to talk more about this mandrill baboon sign Mickey has in his room that is clearly stolen from a zoo. When did he get it? How did he get it? Why did he want it?? And perhaps most importantly, is The Lion King his favorite Disney movie and Rafiki his favorite character? I just have so many questions.

[diyasgarden]

goddess

"what am i, jesus?" "yeah"

(tashi duncan x f!reader)

The essay is crumpled by the time you reach Tashi. 

The infirmary is a small building; plain and tucked away between some trees at the far end of campus. Simultaneously inconspicuous and irrelevant. At best an after-thought, only identifiable from the words “health center” plastered across the front. 

It’s surprising you didn’t miss it, and you can’t help but feel indignant at the fact that this is where they brought her. But the feeling is quickly washed away with the growing sense of dread that gnaws at your chest. 

Abruptly, you’re hit with the idea that you’d walk in to not find her at all. That there would be no sign of her existence within those four walls. It’s illogical and unfounded, but the thought lingers as you force yourself to the door.

You have a faint memory of meeting Tashi. A blurry recollection of bumping into her at the dining hall and a vague outline of the conversation that followed. The only thing you actually remember are noticing her hands.

It wasn’t anything physical about them that drew your attention. You couldn’t care less about how they actually looked, you were captivated by her movement. Instinctive yet deliberate. As if every action was simultaneously spontaneous and methodical. A dichotomy that gave each motion an innate intensity. A power hidden in the folds of the universe, which only she could reach. 

You didn’t have to watch Tashi play to know she’s special, you just had to watch her hands. 

You knew that from that first moment alone. 

The rubber soles of your sneakers squeak against the tiles as you walk into the room, your breath coming out in short little pants from the run. Your hands flex against the papers in your hands, as a breath of relief slips out upon seeing her. 

Tashi sits on the cot, eyebrows knitted pensively with a frown staring at the brick wall in front of her. Her arms are crossed against her chest, heaving in a melancholic rhythm. For a moment you expect her to scream on the top of her lungs or burst out crying, but she remains stoic.

Her knee is wrapped in what looks to be yards of gauze that is blinding under the overhead fluorescent lights. It beckons your attention with its unsettling glow and you drift to it’s call, your vision flooded with white. 

In the periphery of your view you see a tan movement, followed by the noise of a soft shuffle. Your eyes instantly dart back up to Tashi to see that she is already looking at you, her eyes slightly red and swollen.

Your heart drops. 

You want to carve your knee from its socket with your bare hands and leave it beside her. Give it to her as a replacement. If you could, you’d do it. Maybe give her your whole leg if that is what she wanted. It’s not even a question.   

You told Tashi you’d be late earlier in the week, during one of your yoga sessions. An important part of her routine she roped you into. And while you had no real interest in yoga, you also had no interest in ever denying her. Struggling through asanas was unimportant.

“He said he wanted me to stay a bit after class to talk about my paper,” you explained, voice somewhat strained from holding your breath and hands slightly trembling from trying to keep yourself in downward dog. 

She came down onto the mat beside you, releasing the position into a sitting one. Her hands moved to your waist, gently coaxing you into the proper formation and you exhaled instantly at the contact. “He didn’t say about what?” she questioned absently, preoccupied with your pose.

Your professor had a tendency to be vague via email, one of those people who never truly started trusting the internet. As a result his emails were brief and unintentionally ominous. This one simply read: 

Hello,  Please stay after next class to talk about your mid-semester paper.  Sincerely,  Professor Thatcher

“Just that he wanted to talk about my paper” you responded as her hands moved away from your body, a sense of loss pooling in your stomach. “I’ll just be a bit late to your game,” you frowned, coming down onto your own mat to sit beside her. 

Tashi shrugged, as she moved her foot to rest on the opposite thigh. “You’ll come after?” she said, adjusting her other leg in the same way, settling into the lotus pose. 

“Of course,” you responded without thought, and caught her eyes flick up to yours with a half smirk on her lips before falling back to your lap. Her hands reach towards you and she begins to move your legs as well.

“What class is it again?” she asked, also contorting you into a lotus. A futile effort, although that doesn’t deter her. 

“Asian religions"

She hummed, getting you halfway into the pose. Her gaze pulled away from your lap back up to your face with the same half-smirk. “I swear you do more for this elective than any other class,” she remarks amused.

“Who realized religion is complex?” you sarcastically retorted, a smirk on your own lips now. She laughed in response and little wrinkles formed at the edge of her eyes, the sight turning your smirk into a soft smile. It dipped to a frown as soon as you remembered what the conversation was about in the first place.

You were flippant with routine. Always eager to skip a class and never the one to follow your parents to mass every weekend. But you were always consistent with her games. Routine was only mundane without her.

Tashi’s hand reached to push a lock of hair behind your ears. “It’s only one match,” she whispered looking into your mind. You took in a deep breath and met her gentle eyes, the disappointment morphing into a knot in your chest. The sense of dread lingered as she smiled softly. “How interesting can playing Pepperdine be anyway?” 

The dramatic irony isn’t lost on you, it’s just too tragic to acknowledge. 

You should have taken the knot in your chest as a premonition. 

Her hands tremble. A small, involuntary motion that makes you feel ill. 

You’re seated across from where Tashi is on the cot. You ache to be closer, but the only seat next to her is already occupied by Art. Somehow having wormed his way into a place he doesn’t deserve. 

Like always, his presence and proximity bother you, but there is also a small joy in the fact that it is only Art. Tashi had told you Patrick was visiting for the game, but at the moment was nowhere to be seen. You don’t ask about him either, not one to question small blessings.

Only the sound of breathing fills the poky space. Art is watching you, probably as vexed by your presence as you of his.

(Sometimes you wonder if all the Apostles quietly despised each other as well. You’d understand why.)

You don’t have to turn to already see the impassive expression on his face, so your eyes remain glued to Tashi’s hands. Watching the little erratic tremors as you bit back nausea. There is no fluidity to the uncontrolled movement. It’s just hollow. 

“What’d he say?” Tashi suddenly asks, breaking the unnerving silence. There is an inflection in her voice which is both bitter and pained, an aftertaste of the day’s events. There is nothing to indicate the tone is directed towards you, but you flinch anyway. 

“Huh?” you mumble, not having processed her words. 

“Your professor,” she starts with an exhale. “What’d he say about your paper?” 

Your eyes dart down to the wrinkled papers on your lap, thumb pressing down on one specific crinkle in the vain attempt to straighten it. It feels insignificant. The essay. The professor. Pointless to even think about, much less discuss. 

When you look back up, you see Tashi is looking at you with a desperate wide-eyed interest. She bites the inside of her cheek in unsettled anticipation and it dawns on you that she is trying to fill the room with something besides the obvious torment. Without much of a thought, you murmur “Something about nuance.” 

“Nuance?” she questions, a vain attempt to continue the conversation. 

You nod in response. The interaction is blurry, the moment charged with the desire to leave the game and the memory clouded with the panic of finding out about the injury once you did. But you remember him mentioning nuance. “He told me I needed to be more nuanced,” you repeat, with another small nod in her direction. 

“What was the paper on?” Art asks, also picking up on her need for a distraction. 

You swallow, pushing some hair back from your face, “the living goddesses of Nepal.” 

Kumari was the actual term. A connection between humanity and the divine was how Professor Thatcher described them. “An incarnation of the celestial for a few years,” he said in lecture, although you didn’t catch anything after that. Drifting off by then, your mind already thinking of someone else. 

You’re grateful that Art doesn’t probe on why you chose the topic. Although, you’re sure he would have understood.

You think anyone who knew Tashi would. 

You told her once. 

“You’re like god,” you whispered to her drunk in the living room of Kappa something, too drunk from whatever concoction made by the frat brothers for their Halloween party. You were dressed as a cat, fallen to the ground while dancing inebriated, and clinging onto the soft, white fabric of Tashi’s angel costume as she tried to help you stand. You looked up to her, blinded by the flashing lights of the room and her radiance, and whispered those three words like a prayer. 

She had no verbal response, just pulling you up with a small smile and soft laugh. Her hands moved from your arms to your cheeks, gently cupping your face and tilting it.

She pressed a kiss to your forehead. 

The infirmary has settled into another, heavier silence. There is no sound loud enough to fill the space. None of you try. 

Her hands still tremble. 

The paramedics arrive eventually, whisking Tashi off to a proper hospital for examination. You take the name of where she’s gone and walk to your dorm, using your essay as a stressball as you plan on how to visit her the next morning.

A wave of exhaustion hits you the minute you cross the threshold into the room, and you walk straight to the bed. The tiredness sinks into your bones when you sit down. The day's events smothering you at once as your fingers play with the corner of the page.

You look down at the shriveled papers in your hand and take your first proper look at it all night. Red pen scribbled all throughout, little notes on grammar and word choice, but at the heading in all caps is written WHAT ABOUT THE AFTER?

Oh right. That’s what he said.

“It’s an informative paper, just…” Professor Thatcher started when you went up to him after class. His voice trailed off as he debated the right word, finally deciding, “just a stale one.” 

“Stale?”

“You lack nuance,” he clarified, with a flick of his wrist, looking back down to the red marking on the paper.

Your eyes darted to the clock on the wall and then back to him. “I mean…how much nuance is there…” you said with a forced smile, a weak attempt at a joke to resolve the conversation and leave for the game.

If he noticed the attempt, he made no comment. “You don’t consider the after,” he remarks, looking back up to you. His eyes narrowed as you snuck another look at the clock. 

“The after?”

“Yes,” he reiterated. “The after.”

“What... after?” you asked, eyes flicking to the clock once again.

“Well you mention how they lose their status after puberty, but don’t actually talk about their life…sans godhood,” he explained, watching you carefully. Daring you to look back at the clock.

You weren’t present enough in the moment to process what he was saying, but felt the need to defend your work anyway. “Well..when you’re worshiped like that…i don’t think you can just let it go…it’s what everyone knows you for”

“Exactly.”

You waited for him to say more, but were only left with an awkward silence. Your eyes darted to the clock once more, and heard a scoff like noise from his direction. He pushed paper into your hands and with a hint of irritation said, “Just re-write it based on the feedback I wrote. Give it back to me next week.”

You left the next second without a second thought.

WHAT ABOUT THE AFTER?

The words are a taunt.

You put the paper down on the bedside table and let your exhaustion carry you to sleep.

The hospital is a bus-ride away from campus. You’re on it by the time the sun starts to rise, trying pointlessly to distract yourself with the sky’s pinkish hues. 

It’s a large hospital, but it doesn’t take much to find Tashi. You tell the lady at the front desk her name, and her face flashes with recognition. She points you in the direction to go and sends you off. 

Three minutes and an elevator ride later, you stand in front of her hospital room. You knock on the door out of courtesy, but quickly push yourself in, unable to handle the distance anymore. 

Tashi is laying on the hospital bed looking out the window. There are dark circles around her eyes and her lips a fine straight line. Her head shifts to acknowledge your presence, before she turns back to the window. 

You don’t move a muscle. 

Your mind goes back to when she kissed your forehead at the Halloween party. She spun you after that, dancing to the music with her in your arms. You clung onto her to keep yourself upright. 

If it wasn’t for her, you would have fallen. 

“They took a couple x-rays” she begins, finally breaking the trepid silence of the room with a low, solemn voice. She looks away from the window in your direction, without properly looking at you. 

You inhale apprehensively, swallowing slowly before you speak. “Yeah?” The question you can't bring yourself to ask lingers in the air.

She turns back to the window, watching the sun finally reaching its rightful place in the sky. Her eyes go distant and you wait for the words you fear. 

“They said I might not play again,” she whispers, eyes still on the sun. Her finger imperceptibly pulls at the sheet on the bed. Your focus is on the subtle motion, watching the way she pinches it between her thumb and index. “I might never play again,” she repeats, her voice louder as if properly hearing herself for the first time. Her brows furrow as she confronts the possibility, trying to reconcile it with everything she’s known.   

Her hands move to push back her hair in a swift, intuitive motion.

“It doesn’t change anything.” 

She lets out a shaky, humorless laugh, before turning to face you. This time your eyes lock and she gives you a small, sad smile. 

She knows what you mean. 

You both know it’s true.

authors note: about a month ago in the midst of Navaratri a frat boy ran into my friend's "Religions of Asia" class and rolled down the lecture hall as if acting out the "Jack and Jill" nursery rhyme. the incident was so off-putting to the professor he decided to turn the entire class virtual from that point on. as a result, my friend now plays his lecture videos while we eat together each Wednesday and this idea was conceived during one of those lunches (so thank you frat guy ig?). this is more experimental than anything else i've written, so i am very curious to know what you all think. i hope you enjoyed it, or at least understood what I was trying to say lol

art credit: taken from the French poster for Satyajit Ray’s Devi

[majubengel]

Study

[eternalera]

i like that we finally get to see what pushes alastors buttons in episode five.

we actually see him mad. you can argue that with vox hes also mad at the end of their song in 'stayed gone' but it doesnt really seem like that. its him threatening vox yes but in the end hes not mad. he isnt really losing his cool. its him basically just saying that hes still in charge

also throughout their whole song alastor doesnt really provoke vox, hes passive aggressive. never interrupting him and when their screens are split and he only pokes him once yet that one time was enough to send vox and black out the entirety of hell (although this mightve been alastor)

throughout the entiry of their song vox is constantly trying to block alastor to say 'he isnt a threat hes a nobody' but as we can see he's clearly failing. and as with each passing second vox gets more annoyed and as i said. he ends up causing a MASSIVE blackout one that takes over all of hell

throughout this entire time though alastor doesnt flinch. he doesnt fight for the spotlight because he doesnt need it. vox is making a fool of himself like alastor probably expects him to based on past encounters that we dont see.

yet with lucifer they probably have some sort of history.

alastor actually feels somewhat threatened/doesnt want lucifer there (whether if lilith told him not to assuming that he owes his soul to lilith but you get the point). he wants lucifer gone. not only that but hes pushing him saying that hes basically like a father to charlie already.

alastor is trying to replace lucifer but remember that lucifer not only the king of the pride ring (i forgot the terminology alr-) but hes also the king of hell.

despite lucifer acting like a joke in the singular episode that we see him in he is the most powerful being in hell. hes more powerful than lilith or charlie (and once again assuming that lilith owns alastor a pretty damn powerful being shes really fucking powerful).

if lucifer wants he could probably obliterate alastor in less than a damn second, yet he doesnt for a few reasons

hes important to charlie

hes important to what charlies doing

this basically gives alastor invincibility against lucifer going bonkers on him and killing him. then again why doesnt lucifer just help charlie? well hes probably got more important things to do (despite what we saw of him) and hes given up on the sinners.

he gave them freewill and never got to see the good done with it. he most likely never saw the people who went to heaven so for all he knows everyone ended up down in hell and are doing shit things with what he gave them.

he most likely wants them gone and wants the extermination to happen because he thinks that they dont deserve a second chance unlike his daughter. but remember that he also loves charlie, thats his fucking daughter and when she calls him he gets excited he wants charlie to like him. but that being said he doesnt think the sinners deserve his kindness anymore after they took his gift and basically made a fool of him.

so lucifer wont help charlie so he just has alastor help her instead to keep her happy.

not only this but in the song 'hells greatest dad' (i think its called that) unlike in 'stayed gone' theyre both fighting for attention. charlies attention.

once again we dont know what beef theyve got with each other but its most likely because of either the past or whether or not that lilith owns alastor and told him to fuck with lucifer.

in this scene we see the color constantly change and them constantly kicking each other out with them both losing their cool and making a fool of themselves. theyre an actual match for each other

lucifer is an actual threat and so is alastor for reasons that we dont know yet. this makes them have to prove their worth to charlie over whos more powerful and who can help her more because even though lucifer doesnt want to help the sinners (and most likely wont) he wants to make her happy.

and even though we dont know why alastor hates lucifer its probably most likely to do with whoever owns his soul and whatnot along with he needs lucifer just out of the picture and that isnt as easy to do as he'd like.

also damn did this become a rant and get off topic-