#character list<3< /div> Explore tagged Tumblr posts

[lafleshlumpeater]

♡ CHARACTER LIST ♡

(characters i take requests for)

♡ PERCY JACKSON AND THE OLYMPIANS ♡

percy jackson, luke castellan, ethan nakamura, travis stoll, connor stoll, nico di angelo, charles beckendorf

♡ HEROES OF OLYMPUS ♡

jason grace, leo valdez, frank zhang

♡ TRIALS OF APOLLO ♡

lester papadopoulos

♡ MAGNUS CHASE AND THE GODS OF ASGARD ♡

magnus chase, alex fierro

♡ HARRY POTTER (LIGHTNING ERA) ♡

harry potter, ronald weasley, fred weasley, george weasley, bill weasley, charlie weasley, cedric diggory, draco malfoy, blaise zabini, theodore nott, tom riddle

♡ HARRY POTTER (MARAUDERS ERA) ♡

james potter, remus lupin, sirius black, barty crouch jr, evan rosier, regulus black, lucius malfoy, severus snape

♡ HUNGER GAMES ♡

peeta mellark, gale hawthorne, finnick odair, haymitch abernathy

♡ A BALLAD OF SONGBIRDS AND SNAKES ♡

coriolanus snow

♡ DIVERGENT ♡

tobias eaton (four)

♡ THE LUNAR CHRONICLES ♡

prince kaito, carswell thorne, jacin clay, ze’ev kesley (wolf)

♡ STRANGER THINGS ♡

steve harrington, billy hargrove, jonathan byers, jim hopper, eddie munson, dmitri 'enzo' antonov

♡ SHATTER ME ♡

aaron warner, kenji kishimoto

♡ SCREAM ♡

billy loomis, stu macher, randy meeks, dewey riley, mickey altieri, roman bridger, mark kincaid, chad meeks- martin, richie kirsch, ethan landry

♡ THE DEAD POETS’ SOCIETY ♡

neil perry, jason todd, steven meeks, gerard pitts, charlie dalton, knox overstreet, richard cameron

♡ OUTER BANKS ♡

jj maybank, john b routledge, rafe cameron, pope heyward

♡ THE SUMMER I TURNED PRETTY ♡

conrad fisher, jeremiah fisher, cam cameron, steven conklin

♡ TO ALL THE BOYS ♡

peter kavinsky, john ambrose mcclaren, josh sanderson

♡ MY LIFE WITH THE WALTER BOYS ♡

cole walter, danny walter, alex walter, isaac garcia

*my favourites (to write for)

**please also check my request rules before sending a request in

back to nav

[creachiergh]

kinger locked the fuck in with this episode. not even because of the shotgun thing or him being protective of pomni. just look at him.

[starscream-is-my-wife]

Some Bumblebee and mother Ratchet :)

I dont know if that's the artstyle but is Ratchet crying?? That's kinda sweet if he is 😭

Here's some G1 shots where it's just them cause I'm a sucker for these 3

[huginsmemory]

Ideology of Exceptionalism and Gravity Falls; meta and character analysis

I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.

Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships. 

The Ideology of Exceptionalism 

First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional. 

For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given. 

This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.

Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people. 

However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.

This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.

Ideology of Exceptionalism and Gravity Falls

The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism. 

Ford and Exceptionalism

Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously; 

“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”

Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.

Image id: Stand and Ford when they were children, both clearly enjoying each other's company.

Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised. 

Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.

Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.

In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.

Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'

Ford and Bill

All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?

And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life? 

And then it's better than that. 

A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.

Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all. 

Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.

So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.

All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.

Ford’s Exceptionalism and Wider Relationships

Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.

For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself. 

As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.

Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.

It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it. 

And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.

Bill and Exceptionalism

Now of course, that's only on the Pines; what about Bill? 

While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'. 

This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone. 

Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.

Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).

Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.

In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows. 

And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism. 

Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.

Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.

They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.

Stanley Pines, and the Refuting of Exceptionalism 

Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.

But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back. 

And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.

In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.

And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.

Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.

TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.

Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me

If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)

[erinwantstowrite]

if you want people to get into the canon comics and lead everyone away from fanon misinterpretation (which is a losing battle because there will ALWAYS be this) then why not be helpful instead of being a dick about it 🤨

the comics are hard to get into because it's hard to know where to start, and there's so much content that people are able to fill themselves in by reading fanfic or watching something on tiktok or seeing posts about it on here. perhaps instead of telling people they're stupid for not realizing your favorite character is being mishandled by others, you could write up a list of your favorite comics and/or how, if you could read them for the first time again, you would order your favorite comics to get the best reading experience. and also write your own fanfiction and draw your own fanart or make a passionate post, answer questions politely

[strayingsocks]

puts him under a hydraulic press

[fluffyk97]

Sonic 3 spoiler rambling about Sonic and Shadow under cut !

Y'know something that I feel might go lil under-appreciated is how well they made Sonic and Shadow mirror each other in the movie.

Like something that always can easily irk me are people boasting one of the two over the other because from the very beginning of his introduction to the series, Shadow's character is meant to reflect Sonic. They're meant to be equals that are so similar and complete opposites at the same time.

With the movie, I honestly wasn't expecting it that much. Sonic actually has a backstory that is just like Shadow's: powerful little hedgehog that is wanted for his power, so the one he's known his whole small life that he loves sacrifices herself to save him.

I fr fully expected Sonic to learn about Maria and be like "I lost Longclaw, I know you're pain, but-" blah blah blah- BUT they don't do that??

Of course, we have Commander Walters first telling Sonic that Shadow's story is a lot like his but wasn't able to find family and friends, and Sonic does find Shadow had a family from finding a picture of him and Maria together. He never gets told what happened exactly though, although it wouldn't make too much of a difference with the fact they did change up Shadow losing Maria just a little bit.

Since they didn't live up in space, Maria didn't have a capsule to send Shadow off with sacrificing herself and instead they made it an accident. WHICH- can be understandable if people don't like that, however personally I don't mind it that much because honestly the intent to shoot Maria was there, but she ended up being lost from an accident caused by Walters.

Which, ties in to Shadow hurting Tom...

Walters in trying to help save Maria's, Shadow's and Gerald's lives unfortunately led to Maria's death and watching Shadow be put in stasis for 50 years where all he thinks about is that painful memory burned fresh in his head. So of course when Shadow sees Tom disguised as Walters, he takes his anger out on him by hurting him while also stealing the key for the ARK. Leading to unfortunately another scenario of where the intent of harm is there, but someone still got hurt from an accident because Shadow never really meant to hurt Tom. But he does anyway..

Which of course in turn, makes Sonic mad just like Shadow was 50 years ago. Only difference is Sonic doesn't get immediately captured by GUN and forced into stasis. Letting him able to go straight to Shadow afterwards for hurting his family.

We have Shadow take note of all of that himself, telling Sonic he's feeling exactly the pain he felt and Sonic being the one to say "I'm nothing like you!". Just like how I thought Sonic would tell Shadow about Longclaw in hopes of redeeming him, but reversed and both sides full of anger and grief.

One awesome super fight later though, we come to the talk on the moon. Probably my favorite part in the whole movie. outside of the super fights and Live and Learn playing lol

After mentioning Tom and getting uppercutted straight to the moon by Sonic, Shadow loses his super form, leaving him vulnerable, easy for Sonic to take his revenge on him. Only for all of that to be stopped because of Shadow pointing at his own chest which reminds Sonic what Tom told him at the beginning of the movie and calm down.

"You didn't let pain change who you are."

This completely baffles Shadow, with him actually wanting Sonic to finish it, but of course Sonic just refuses saying "No one wins with revenge". It just leaves silence between them, finally giving Shadow his own moment of remembering Maria outside of her death by looking at the stars he used to gaze upon with her.

He mentions it to Sonic how all he knew and felt was just the pain, and now finally- FINALLY, Sonic mentions how he shares that feeling of loss from Longclaw. Not in a moment of trying to just redeem Shadow without the full weight of it, but in a moment of understanding.

A strong moment of these two looking at each other in a mirror, eye to eye. Sonic, who was allowed to grieve all those years ago after losing Longclaw, telling Shadow the pain of loss will never go away, but the love will always remain.

"The light shines, even though the star is gone."

And through that shared pain and loss, now coupled with empathy and understanding one another through it. They truly connect.

Sonic and Shadow's dynamic was just done SO WELL in the movie and I couldn't be happier with it...

[obsesssedblerd]

my friend told me to hurry up and get into demon slayer so she can ramble about it with me and i told her that i already started mha and plus there's like four other things i'm watching rn. this girl told me "allow me to convince you" and sent me THESE??? HELLOOOOO??? ALREADY IN LOVE??? ugh she knows me so well. 😂😂😂

[eloquent-edits]

🗡️ You give so much to others

It’s time someone gave back to you 🗡️ acts of service and fluff prompts

Character A hates washing the dishes and Character B hates cooking, so they do those things for each other

“You don’t have to do anything to pay me back. Your happiness is more than enough.”

A is going through a major depressive episode and B comes by to help clean their room and give them company

B sets up candles, a warm bath, and dim lighting for A to relax in after a stressful work event

B carpools with A a lot. They notice the gas tank is running low and plant a $20 bill in the console for A to find later (B vehemently denies ever putting it there, but A absolutely knows)

A is sick and B goes out of their way to grab medicine and extra tissues to drop off at A’s doorstep

After A ends up in the hospital, B makes sure A’s place stays clean, their pets are fed and taken care of, and that A will have nothing to worry about when they are well again

B automatically sets aside a larger portion for A’s meals because they know that A will be hungrier than they expect

A is sensitive to light and B buys blackout curtains for their room so they can sleep better

“I’ll handle this! You go have fun, I’ll be there in a second.”

B will always pick A up after they travel internationally for work so A can sleep and recover from jet lag

B covers the corner of sharp tables for A (listen it’s just THE SWEETEST thing I’ve seen done for someone ack)

A is busy putting on makeup, so B gently detangles and does their hair (and it’s not as simple as just putting their hair into a ponytail, I’m talking weaves and braids and intricate designs that show B paid attention to this)

“Let me take care of it.”

A complains about their back or neck pain so B gives them a massage (mainly to stop their complaining LOL)

B will occasionally take A’s bath towel while A showers and run it through the dryer so it’s nice and warm when A gets out

A is anxious about finances (they just got a new job) and B helps them work through it and understand all the confusing things

A’s new apartment is not on the first floor and the elevator is out of order, so B moves the big furniture for A up all those flights of stairs

Chronic pain makes it difficult for A to leave the house sometimes, but B makes sure they never run out of medication by picking up A’s prescriptions

“You really didn’t have to do that for me.” “Well, I wanted to. Now you don’t have to do it!”

[pollyanna-nana]

Louie isn’t evil.

Or: what Pikmin 4 tells us about his character.

BIG WARNING FOR PIKMIN 4 SPOILERS! (and the rest of the series)

———

I want to preface this by saying that I am in no way trying to be the end-all, be-all of character interpretations, but Pikmin 4 to me, at least, confirms the suspicions I’ve had since playing Pikmin 2 and 3 all those years ago that Louie ISN’T secretly evil, or possessed, or whatever else. He’s just… Louie. And I think that’s interesting in and of itself.

1. Olimar himself vouches for him, and clearly doesn’t think he’s a bad person.

Say what you will, but I’m inclined to think Olimar is a decent judge of character. Clearly he’s worked with Louie for enough time to see that while he’s not very good at his job, he’s not intentionally so— at least not in a malevolent way (will get more into this later). He also wants you to forgive him for Olimar’s sake, which can be read as self-sacrificing (as Olimar is known to be) but I also think hints at the soft spot he has for Louie.

It's also worth noting that he states during a end-of-day conversation that he told Louie that, since he's a new employee, he should do everything Olimar does... including throw castaways into the onion. Interesting that Louie took this so literally, but it does provide an explanation for why he kidnapped the Koppaites beyond "he's evil and crazy".

2. He really, REALLY loves his grandma.

Like, wow. He talks about her SO MUCH both in his Piklopedia entries and also elsewhere in the game. It's interesting. Worth noting is that he never mentions any other family members- unlike Olimar, who talks about his wife and each of his children independently. I've said this before, but the content of a lot of these entries implies to me that Louie was mainly raised by his grandma, likely since birth. And given some of her emails in Pikmin 2, assuming they're also canon to Pikmin 4's timeline... Well, Louie certainly had an interesting upbringing. But he clearly loves her all the same.

3. He has a mischievous streak and tends to do things on impulse.

This was already fairly obvious from the previous games, but I think it's worth noting that this game confirms that he's... would immature be the right word? In any regard, he doesn't seem to see himself as a "grown-up"- when in all likelihood he is. Personally, as a 22-year-old, I find that pretty relatable as I often think of myself as younger when in reality I am by all definitions an adult. This, along with his grandma still being around, makes it pretty much certain that Louie is a lot younger than Olimar and the president, likely in his early to mid twenties. Being a bit of a goofball isn't really out of the ordinary, all things considered.

THAT BEING SAID, he's clearly capable of practicing self-restraint when he wants to. What he says here about the red Pikmin is pretty significant, since we know he's willing to eat just about anything- but clearly he has some reservations about creatures that are friendly and helpful. Which leads to...

4. He loves dogs and fluffy things.

Same. But he doesn't even consider eating Moss, Oatchi or the Ancient Sirehound, showing that his creature-eating habits stop at things he recognizes as useful. He clearly also holds affection for things that are soft and fuzzy, and says as much.

5. He is so autism.

He plays with fidget toys. He loves certain textures and sounds. This guy is stimming all over PNF-404!!! I think this also lends some explanation for why his behavior is what it is- things like taking Olimar's suggestion to do as he does super literally even after crashing on an alien planet, his hyperfixation on cooking and tendency not to communicate and incorrectly interpret situations (thinking the Koppaites are kidnappers in 3, running away from you in 4). He could even be low or no empathy as well, explaining why it takes a hot minute to get him to understand why people are upset with him about something.

Interestingly this game also makes it clear that Louie wants to live on the planet, or at least thought he did while you were chasing him down, which makes a lot of sense when you consider that he doesn't really seem to fit in back on Hocotate. I, too, wish to run away to an alien world with all of the things that I like and no other people, so I get you, Louie.

6. He hates his boss and his job, and the golden pikpik carrot incident was likely premeditated.

This probably looks bad, but honestly? As a fellow work-hating anti-capitalist schmuck I get it. The president is for all intents and purposes a huge asshole, from sending Olimar straight back to the planet after selling his ship to not caring that Louie got left behind, just wanting to find the rest of the treasures. I doubt he is very kind to his employees, and doesn't seem very good at running the business. Definitely a funny character, but if he were my boss I would absolutely want to punt him into the sun.

From some other entries he clearly wants to sell certain things to accrue money, but it's for things like getting better kitchen tools and following his dream to have his own cooking show. Clearly being a freight driver isn't what Louie actually wants to do with his life, and he could not give less of a shit about what happens to the company. Very short-sighted on his part, but also again, yeah I get you Louie.

7. He... doesn't like the color red for some reason.

Honestly, I'm not even really sure what to make of this. Is it because it reminds him of the Hocotate ship? Or does he just not like the color? Would be very interesting considering that it's Olimar's signature color. Perhaps that's at least part of why he attacks you in Pikmin 2- though that's speculation for another day.

Also funny to me is his comments on the black-colored treasures. We know blue is his favorite color, but I guess he's also a bit of a goth at heart. Lol.

In conclusion.

I think Louie isn't written or intended to be evil, and Pikmin 4's portrayal of him was intentionally written to confirm this. He's just, as some have said, an agent of chaos, but that doesn't make him a bad person. Just an autistic 20-something working a shitty job he doesn't care about, who loves his grandma and has a mischievous streak and a hyperfixation on food. At least from what I can interpret, ymmv!

[vasiliquemort]

Commissions are open!<зз

Within my tender and my aching and postponed (for did they months had passed in-between of old and new one list of question, indeed o////o) - there is again a pricelist here concluded, and even form for a commission inquiry, too!

Full information regarding working process, commission's references and requirements of vision's disposition that might be needed to be toned firmly in the project, the list of prices - and all of questions that could be rising are yet detailed in the file~

I'll gently so adore to hear from you of evermore, please don't be shy - to message there or here onward if such comes to your heart - and mine shall follow!<з

Here comes the link to google form!~

[promptfairy]

❥    𝐋𝐘𝐑𝐈𝐂𝐒 𝐅𝐎𝐑 𝐔𝐍𝐂𝐎𝐍𝐕𝐄𝐍𝐓𝐈𝐎𝐍𝐀𝐋 𝐒𝐇𝐈𝐏 𝐃𝐘𝐍𝐀𝐌𝐈𝐂𝐒    [   𝚂𝙴𝙽𝚃𝙴𝙽𝙲𝙴 𝚂𝚃𝙰𝚁𝚃𝙴𝚁𝚂    ]   .

designed for ships, but can be used for a variety of relationship types. change gendered language/add context to your needs. happy roleplaying !!  ♡

❛  it feels so good to be bad.  ❜ ❛  it really makes me wonder if i ever gave a fuck about you.  ❜ ❛  give me something to believe in.  ❜ ❛  i don’t believe in you anymore.  ❜ ❛  i wonder if it even makes a difference to try.  ❜ ❛  so, this is goodbye.  ❜ ❛  one day i’ll wake up & it won’t hurt anymore.  ❜ ❛  it’s like i can’t even feel after the way you touched me.  ❜ ❛  you’re everything that i want, but you don’t want me.  ❜ ❛  am i a regret, yet?  ❜ ❛  was it worth what it costed?  ❜ ❛  you make me nauseous.  ❜ ❛  you’re overrated.  ❜ ❛  when i think of you, i just want to throw up.  ❜ ❛  all my friends say that you’re toxic.  ❜ ❛  why does love suck?  ❜ ❛  love hurts whether it’s right or wrong.  ❜ ❛  i can’t stop, i’m having too much fun.  ❜ ❛  you can’t save me, baby.  ❜ ❛  you never call or listen to me anyway.  ❜ ❛  where were you tuesday, october tenth?  ❜ ❛  how is your jacket covered in blood?  ❜ ❛  how was the party? did you have fun?  ❜ ❛  i fell in love with the warning signs.  ❜ ❛  the only time i feel alive is when i’m touching the warning signs.  ❜ ❛  if you tell me to stay away, i’m gonna dive in again.  ❜ ❛  my favorite color is red like the flags you fly overhead.  ❜ ❛  well, i should have known.  ❜ ❛  didn’t you see it coming? didn’t you see the signs?  ❜ ❛  i’ll break your pretty face.  ❜ ❛  bite your tongue & choke yourself to sleep.  ❜ ❛  you can hold my hand if no one’s home.   ❜ ❛  do you like it when i’m away?  ❜ ❛  you’re a pond & i’m an ocean.  ❜ ❛  all my emotions feel like explosions when you are around.  ❜ ❛  i am a wreck when i’m without you.  ❜ ❛  was it something i said to make you feel like you’re a burden?  ❜ ❛  tell me, is it worth it?  ❜ ❛  she’s a lady & i am just a line without a hook.  ❜ ❛  do what you want as long as you stay here.  ❜ ❛  you’ll change your name or change your mind & leave this fucked up place behind, but i’ll know.  ❜ ❛  if you ever try to leave me, i’ll find you, [name].  ❜ ❛  i’ll be the bad guy, now.  ❜ ❛  i couldn’t be there, even when i tried.  ❜ ❛  seasons changed & our love went cold.  ❜ ❛  i knew that this was doomed from the get-go.  ❜ ❛  you thought that it was special, but it was just the sex, though.  ❜ ❛  it’s only me; what have you got to lose?  ❜ ❛  you should take it as a compliment that i got drunk & made fun of the way you talk.  ❜ ❛  you should think about the consequence of your magnetic field being a little too strong.  ❜ ❛  you’re so cool, it makes me hate you so much.  ❜ ❛  you’ve ruined my life by not being mine.  ❜ ❛  you’re so gorgeous, i can’t say anything to your face. ’cause look at your face.  ❜ ❛  i’m so furious at you for making me feel this way.  ❜ ❛  if you’ve got a girlfriend, i’m jealous of her. but if you’re single, that’s honestly worse.  ❜ ❛  you’re so gorgeous, it actually hurts.  ❜ ❛  you make me so happy, it turns back to sad.  ❜ ❛  there’s nothing i hate more than what i can’t have.  ❜ ❛  guess i’ll just stumble on home to my cats. alone … unless you wanna come along?  ❜ ❛  you look so happy when i’m not with you.  ❜ ❛  i don’t know why i run away.  ❜ ❛  take me back, ’cause i wanna stay.  ❜ ❛  i kept my distance ’cause i know that you don’t like when i’m with somebody else.  ❜ ❛  i couldn’t help it; i put you through hell.  ❜ ❛  i realize that it’s much too late, & you deserve someone better.  ❜ ❛  i’m not the best at breaking up.  ❜ ❛  i like my alone time, but i want somebody to hold.  ❜ ❛  i get what i want. i keep it for a minute. then i let it go.  ❜ ❛  i hate it when you’re there for me, but i like it when you hit the spot.  ❜ ❛  i don’t do fake love, but i’ll take some from you tonight.  ❜ ❛  i don’t expect you to understand.  ❜ ❛  i’m ready to die holding your hand.  ❜ ❛  i can’t hide how i feel about you inside.  ❜ ❛  i’d give everything up tonight, if i could just have you be mine.  ❜ ❛  i’d give up everything for you.  ❜

[lizzybeeee]

DATV Spoilers - The Handling of Previous Story/Lore In DATV

Quick PSA: If you’ve read my post on the lore/story threads dropped – it’s not a list of what I expected or even wanted to see addressed/answered in DATV.

It’s pretty much a given that Kieran and the Architect were never going to come back in any meaningful way, I understand that. Questions about what happened to Anora, Anders, Cullen’s clinic etc...never expected to get an answer about them – at all. The line of succession in Ferelden and Orlais? I expected that sometime down the line it would have to be streamlined into one option for both nations, not a problem – there’s so many choices it’s impossible to account for, and I understand that.

This is just a list of plot threads left unanswered that will, most likely, remain unanswered.

There’s no DLC planned – the team is working on Mass Effect 5 now. There’s no conclusion to the fate of the south of Thedas outside of some codex entries and some dialogue. They can patch the Executors cutscene out, maybe - perhaps they could even do the same to anything relating to the south of Thedas. Yes, these areas were not completely destroyed by the Blight – they can rebuild – but it comes across as being so meaningless that I ever cared for these places in the first place. To learn that after ten years of waiting all we cared for get devastated and left in limbo...it’s hard to put into words the bitterness I felt at that realization, and seeing that final cut-scene drove the nail into the coffin of how foolish I felt for even caring in the first place.

A codex entry or letter would have been nice – but my expectations for DATV was solely for a good story that added to the lore and world of Thedas. Instead, it felt entirely reductive – glaringly so when you account for the ‘Executives’ twist.

The world of Thedas has been watered down and its worldbuilding/lore diminished - slavery in Tevinter is non-existent, the Crows being an organization that indoctrinated children is never touched upon, any mystery of ancient Tevinter and the elves is answered (badly!), the Dalish have effectively disappeared and become the Veil Jumpers...it all feels so hollow, so shallow, that I ever cared about these things in the first place.

The issue is that the dev’s gave us only three choices, told us that as the story was contained to the north of Thedas – that our other choices weren’t relevant to the rest of the game with their intent being to not effect anyone's head-canons...before doing so with ‘the blight has devastated most of everywhere you went previously’.

These were story/plot threads that were woven throughout the narrative of the first three games – the things that made me care and become invested in the world of Thedas to begin with. In a game that was set-up to be a direct sequel to Inquisition and Trespasser I hoped that, at least, what was brought up in Inquisition would be mentioned.

Perhaps my list is a little too detailed with plot threads and issues – if anything that can be attributed to the incredible world-building done in the first three games! I love those games, I love the world of Thedas...which is why this game utterly baffles me with its choices.

Dragon Age: The Veilguard is a good game but not a good Dragon Age game.

----------------------------------

Edit: DATV absolutely has a lot of problems outside of its handling of the lore and story of the previous games. I would not say its a good rpg in any sense, but as a weird 'action-adventure rpg lite' game I did have some fun moments and enjoy myself. Would I recommend it to anyone? Absolutely not.

I heard someone describe it as a 'junk food' game and I very much agree with that statement. I found enjoyment in it, but to do so I usually had to turn off my brain, which is not a compliment towards DATV.

The game released very well optimized (especially considering how most companies are content to release half-baked games and patch them later) and did create some really interesting visual set-pieces like the Battle of Weisshaupt. But those moments I enjoyed were few and far between, and far overwhelmed by the negatives of the game - such as story, lack of conversation/conflict/role-play options, bad character writing etc...

Calling the game 'good' is, perhaps, a stretch, and I totally get that. Calling it 'mediocre with some good parts' may be more accurate.

[recareels]

gmorning Clari!!! 💘 I’m not sure you’ve done it before, but I’d loooove to know what type of yanderes you’d classify your genshin faves as 😘

ANDYYYY i am so sorry i am responding a few days late to this and that’s because i accidentally wrote you a whole novel for an answer :) your ask sparked so many thoughts and i just BLAAAH spewed them all over the page (*ﾉωﾉ) ugh ahahaha ANYWAY oh gosh okay i have so much to say, let’s get into it!!! also apologies for how MASSIVE ajax’s is waaaah

characters: wriothesley, ajax [childe], kamisato ayato, thoma warnings: 18+ minors do not interact, yandere behaviour (gaslighting, obsessiveness, toxic relationships, delusional thinking, manipulation, over-protectiveness, etc) words: 2.1k

₊˚⊹ 𝐰𝐫𝐢𝐨𝐭𝐡𝐞𝐬𝐥𝐞𝐲

WRIOTHESLEY is the controlling, authoritarian type that feels like a really strict father, all under the guise of ‘protecting you’ and ‘keeping you safe’. he veers into delusional territory a little here because he genuinely believes what he’s telling you (and himself) and genuinely believes himself to be doing the right thing. he isn’t possessive, he just wants to make sure you’re going out with safe people. he isn’t obsessive, he just wants to know where you are at all times in case an emergency strikes and he has to come find you. he isn’t overbearing, he just cares and is proactive—don’t you want him to care? can’t you see he’s only this ‘protective’ because he loves you? 

he has thoroughly convinced himself that this behaviour has nothing to do with jealousy or a desire to keep you locked up, to keep you 100% certainly safe and his forever, and nothing to do with wanting to exert complete control over you, orchestrating your every decision—and he’s pretty good at continuously deluding himself into believing it. he’s so good, in fact, and his logic is so sound, that it has YOU wondering if you’re ‘just being crazy’, if you’re overthinking things or reading too much into them. wriothesley has had a lot taken away from him, after all, and he knows exactly how the mind of criminals tick—can you really blame him for being a bit paranoid? maybe you’re the one who’s overreacting and being unreasonable. maybe you’re even feeling a little guilty for being so ungrateful—shouldn’t you appreciate having someone who loves and cares for you this much to go to such extents? shouldn’t you want to relinquish all power to someone you love equally as much? shouldn’t you trust him to make only the best, most sound and appropriate decisions for you? you probably should. 

₊˚⊹ 𝐚𝐣𝐚𝐱

AJAX is kind of like, the typical yandere, and he encompasses several ‘types’, evolving throughout the course of your relationship and shapeshifting into different variants depending on the situation itself. and while the other three men seem normal until you’re in too deep with them, refraining from showing symptoms of yandere-ness until after you’ve been with them for an extended period of time and mean a lot to them, ajax is weird from the very beginning. 

almost immediately you can sense that there’s something slightly off about him, but you can’t put your finger on what it is. it’s so subtle that it doesn’t strike you as particularly dangerous, leading you to merely write it off as one of his quirks and nothing more. 

he’s overbearing right from the start, of course; not necessarily enough to be concerning just yet, but enough for it to be abnormal—unusual—and noticeable (which reminds me of your lil ajax piece!!!). from the instant he sees you, he is irreversibly obsessed with you. you permeate his every waking thought, and eventually begin to leak into his dreams, too, and suddenly he can barely breathe without knowing where you are and what you’re doing, his concentration consumed by you. 

he begins stalking you—‘overseeing’, he had called it—making detailed notes of your favourite locations and your most frequented friends. he’s constantly got an eye on you one way or another, even if he has to employ other people to do it for him, discreetly reporting their findings every few hours. he tells them you’re in danger—which, you are, technically—and that you must be observed at all times from afar, silently and stealthily. 

ajax is patient and he can play the waiting game, carefully devising and then revising his strategy based on your moves. he loves playing predator and prey, gets a thrill from how the hunt unfolds—much like a battle, it’s a story, a rich tapestry you and he are constantly and concurrently creating, together. and that he thinks is so beautiful.

in textbook yandere fashion, once he’s gathered a sufficient amount of intel, he begins ‘showing up’ randomly at your usual spots, ‘bumping into you’ fortuitously. charming and sweet, the only thing that’s initially unsettling is just how well the two of you get along. ajax is sure not to mimic you too much—he doesn’t want to be a mirror, after all, and being too similar is far from a good thing (especially when it matches so well it simply can’t be coincidental).

well—that, and the sharp glint in his eye that flares with something dangerous every time you giggle or gush, every time you fall further for him. and once he has you enchanted, ensnared, you’re trapped for life, tangled up in him so tightly that he might as well have fused to your flesh. 

ajax likes to tell you it isn’t about power and control, but he knows that it is. he’s smart, and he’s self aware, and he doesn’t really care if this is ‘wrong’—he sees it as necessary and he genuinely believes he knows better than you do. he has to take care of you, or else who will? you’re clearly not capable of satisfactorily doing it on your own, so he must (god, how would you manage without him?). even if you oppose him or fight back against him, he’s purely convinced you’re bull-headed and stubborn, snorting at your wanting to be independent when he truly knows you’re too stupid take care of yourself ‘properly’ all on your own.

violence is a mainstay of your relationship, but not towards you; never towards you—merely towards everyone around you. his jealousy knows no bounds, but you will rarely see it outright. instead, ajax prefers to hone his emotions, to fashion them into a weapon or use them as fuel to thoroughly tear apart anyone who looks your way in a manner he doesn’t like. it’s his job as your lover and keeper, isn’t it? 

₊˚⊹ 𝐤𝐚𝐦𝐢𝐬𝐚𝐭𝐨 𝐚𝐲𝐚𝐭𝐨

AYATO knows what he is, and he doesn’t care. why should he, when he’s sure what he’s doing is ultimately correct and he’s used to having everything that he wants, and everything going his way, even if he has to force/manipulate it to? he’s so skilled at that in particular—manipulating situations and events to procure favourable outcomes for himself. in ayato’s mind, you should be grateful that he affords you so many freedoms—he could lock you away in the basement or a padded room, chain you to a bed with no entertainment or stimulation save for the books he has so conscientiously selected for you, and no other human contact aside from himself. but he trusts you, and he doesn’t want to go to those measures (though rest assured, he has promised you he will not hesitate to reach such heights if he deems it absolutely necessary, no matter how much he doesn’t want to; you staying his comes before his personal preferences and pleasures). as such, he allows you to roam the estate grounds under the watchful eye of his closest confidants and most capable guards (usually thoma, unless he is otherwise occupied and busy); he allows you access to letter writing materials (though they must go through two rounds of supervision and revisions before they are approved; once by thoma, and once by ayato himself); he allows you to go out in public as long as you are with him, etc. 

despite these apparent freedoms he affords you, he still picks your outfits out for you each day, and he devises a comprehensive meal plan for you each week, and creates schedules and rules he expects you to follow, thoroughly and meticulously to the letter. it is these subtle forms of ownership that he enjoys the most. he doesn’t feel the need to shout from the mountaintops, loudly and aggressively, that you are his, because the fact is so obvious, so evident, the second anyone merely glances at you. you walk like him, you talk like him, you sit, stand, and bow like him, just like he trained you to. 

ayato is also the type of yandere to punish you. he is molding your pretty little mind into exactly what he wants it to be, and that means that undesirable behaviours must be immediately and severely corrected through appropriate punishments—you must learn, or be taught what is right and what is wrong in ayato terms + definitions, so you will refrain from repeating such behaviour in the future. he is truly crafting you into the most perfect, precious, obedient little doll—and having a blast while doing so. it’s his little pet passion project, in a way; something he looks forward to working on when he has a moment of spare time. 

ayato was sly and clever with the way he initially enticed you, entrapped you, but underneath his cool, precisely chiseled exterior, ayato is selfish, manipulative, and extremely controlling. all decisions are ultimately made by and go through him. he will skillfully and carefully cut you off from all lifelines and communication, rendering you wholly dependent on him, and then will meticulously chip away at your mind until he sculpts it into exactly what he desires—someone who is as obsessed with him as he is with them. he slowly, stealthily, and steadily induces a severe, irreversible case of stockholm syndrome. the damage he does to your mind is permanent—and that’s exactly his goal. you now live for him. your days are marked by his appearances, his comings and goings, and the only thing you have to look forward to is seeing + spending time with him. you live to please him, live to be with him, and become absorbed by him, so you are merely an extension of him and no longer an individual yourself. everything revolves around ayato—he is your entire universe. 

₊˚⊹ 𝐭𝐡𝐨𝐦𝐚

THOMA is the most dangerous type of yandere, because thoma is genuine. thoma’s feelings are 100% authentic—and he earnestly intends to bring you no harm whatsoever—they’re just way too intense. he loves you so much that it veers into insanity, and the passion he feels towards you (and towards keeping you safe + claiming you as his) is so fierce that it physically hurts him to experience, chest blistering with scorching adoration and razored affection, something so dense and so all-consuming that thoma wants to claw through his own flesh and pry his ribcage apart spoke by spoke just so he can experience a shred of relief. 

thoma is, for the most part, an honest guy—starkly, brashly honest, so honest it shatters his words and gnaws at his voice, leaving it rough and raw, splintered to shards; but you can always trust he says exactly what he means. he severely lacks self awareness, not even realizing that his behaviour is inappropriate and extreme (he just cares about you SO much! it blinds his rationale and erodes his logic, incapacitating his ability to understand that he’s so suffocating it borders on terrifying). 

but what makes thoma so incredibly perilous is his sincerity. he truly just wants to keep you safe, eyes brimming with tears and voice hitching on barely contained emotion as he thoroughly explains to you his logic for stashing tracking devices in your bags or his reasoning for shattering the kneecaps of the man who made you uncomfortable at work, sentiment thick in his throat, words straining with the weight of his honesty, with the desperation for you to understand, to see it his way. he swears to the high heavens that he’d never hurt a single hair on your pretty, precious little head, and promises that he doesn’t want to scare you, but firmly asserts that he will do whatever it takes to keep you safe. 

and he means it. thoma is, in the most essential sense, your guard dog. he’s so sweet towards you, even submissive at times, always subservient to your every wish and whim, your every demand and desire, but he’ll fucking rip anyone within a meter of you to pieces with his teeth and bare hands alone if he feels as though you are being threatened in any way—and his standards and definition of ‘threatened’ are extreme and absurd, of course, causing him to react in a way that is severely disproportionate to the situation.

it borders on too much all the time—he is too obsessive, too protective, too clingy, but he’s also so sweet, so gentle, so incredibly bonafide that you can’t help but not be upset with him. he only does what he does because you’re his entire world, right? what’s so harmful about that? 

[jlyarts]

Aiden surviving Jad Karadin

Different lighting version and tag list below!

Tag List (Let me know if you want to be added/removed! I realize it has been a while haha):

@trickythedino , @round--robin , @on-a-lucky-tide , @pepper-epper-er , @elliestormfound, @lovelyrita1967 , @kittynannygaming , @honeysuckletook , @sam-ships-it , @littoraly-art , @geralt-of-riviass , @tumbleweedtech , @alllthequeenshorses , @theprincessoffrost , @wolf-and-bard , @stinastar , @jaskierswolf , @freerunner4427 , @medusa-queen-of-snakes , @doteddestroyer , @etcorsolus , @mayrhain , @itsthelittlethingsnlife , @shaneilfelicity , @stepheny-stoker , @zzzett , @meanwhile-in-other-worlds , @answrs , @baegdearg , @shadowy-dumbo-octopus , @chiyana , @karolincki , @glaukaliana

[randomfandomss]