#character devolution

[iwritenarrativesandstuff]

I think another thing that makes Legato so incredibly tragic is… how do I put this?

Usually, in character arcs where the character in question wants to be important to another, it’s because they feel needed but not wanted, which is understandable, and I think a common experience that many of us have, which kind of explains its ubiquity - that feeling of being unwanted, and by extension, unloved.

But Legato is different. He wants to be needed - necessary to Knives on a level above everyone else. Because he has been wanted. Wanted in all the most horrifically perverse ways, wanted as a plaything, a creature of no dignity. To be needed then, is for Legato to be a person that Knives literally cannot do without, not just a “weak” want or flight of fancy or desire, but the key cog in the works that cannot be replaced. For his efforts and even tears shed on his behalf to be demeaned is devastating for him.

So even though Knives requests Legato be returned to him, which signifies some level of wanting him there, time and again… he never acknowledges him or what he does as needed, leading Legato to grow more and more desperate and unhinged, even going against Knives’ wishes, to get any acknowledgement that he is needed at all… which he never does.

And of course this really messes up Legato even worse. He needs Knives, we are told that outright. Legato has no will to live beyond him. But Knives doesn’t need Legato. (Or at least, that’s what Legato gets from their interactions - I’m of the mind that Knives couldn’t have been half as successful in anything he did without Legato tbh.)

And what’s so fascinating is that it’s ultimately selfish. Legato wants so badly to be Knives’ most important person, and honestly, much in the same way as being wanted is a form of love for most, I think being needed is the only form of love that Legato can even really accept. I think so often about that “I wanted to know him” line - Legato is not the embodiment of selfless devotion at all! This is a desire for a more personal connection that inspired everything Legato does.

But since so many other ways to be loved and appreciated have been so brutally perverted for Legato (such as wanting beyond needing), what else does he have, other than fighting to get the person he needs to need him back just as desperately?

[infinitegeli]

sorry if you've answered this before, but what do you think of taco's immidient switch into her viseral hatred of the game post losing mic? do you think its just her trying to get everyone to quit or does she genuinely detest the game for ruining what was her one honest happy relationship (with someone who knew the real her, not to deligate pickle and taco but to me their relationship is much different because of it)

THIS IS DEFINITELY SOMETHING ID HAVE TO REQATCH THE EP TO ANSWER CONFIDENTLY. but anwyays taco is very unreliable and what she says outwardly is almost always taken lightly by me because she contradicts herself a ton and lies a lot to avoid putting herself into vulnerable situations. I don’t think she cares about the other contestants very much and taco has always been a very self serving character. if ae really meant to write her as someone sincerely acting selflessly to preserve the wellbeing of people she hardly ever considers,I would be very very surprised...so the answer is the latter. she’s in her bitter revenge arc..she’s tearing up whatever she thinks ruined things between her and mic…which also happens to include herself as well but that’s not rly relevant rn

[turnaboutstar]

phoenix doesn't gaf about the law rn

[the-cosmos-withinus]

Shadow Puppets AU - Staying in Gravesfield

In this verse Caleb never meant to stay in Gravesfield, in fact he wouldn’t have even stopped there in any other circumstance, it gave him the creeps from the get-go. The only reason they stayed was because Philip had become deathly ill and they needed to stay somewhere if there was any chance he was going to survive. The Town Preacher, Father Josiah, took them in and helped nurse Philip back to health, and the boys stayed due to feeling indebted to him.

At least until Father Josiah showed his true colors, and the boys stayed because of his blackmail, manipulation and grooming. - I actually planned on drawing a wholesome scene from the actual RP, but I guess I just wasn’t done drawing Wittebro angst. Philip’s worst fear is being a burden for his brother, and with a simple question, he let’s Caleb know that he’d rather die than cause him any trouble.

[waterdeepthroat]

oh my god.

the sharran anti-masturbation text has got me thinking some thoughts for the music industry au

[truly-fantastic-me]

Since I've learned more about evolution, I cannot help but think of that one scene in the Gridlock episode of Doctor Who where 10 is informing the car passengers that the Macra (or rather, evolutionary descendants of the Macra) from below was once a highly intelligent race who once inhabited the planet. He referred to them as "devolved."

That's not how evolution works, but the Doctor seems to think it does. Is that how Time Lords taught evolution? Given their hubristic tendencies, I would not be surprised. But did their society ever find out that evolution doesn't work that way at all? Or did the government just spread a bunch of propaganda and pseudoscience to remain in power?

Does the Doctor not know that evolution doesn't work the way they think? Did they ever learn how evolution really operates? The Doctor is very smart and knows more about science than most humans, but maybe they don't know as much about evolution as they think.

Maybe I'm pointing out the obvious, or maybe I'm just spewing a bunch of nonsense. I've only seen the New Who and haven't got around to the Old Who. But this is fascinating to think about.

[plumsaffron]

Oh another stupid poll against Lila.

Observing common Marinette or transcending Ladybug behavior emulation is fascinating.

Ya must be really bored or lame again. Same goes to the rest of you posters recently on the lila rossi tag. That news your acting is new has been out and leaked months ago. Could it be that this might be the another form of that anon wishmaker nonsense.

[prowl-autism-extraordinaire]

we should make more fandom blogs about characters being autistic. not because i like them, but because it apparently annoys quite a few people, including me

[thesunlikehoney]

@swonkohwenoeht

in the trailer for season 1, Rocky looks so scrunkly and so adorableeeEEAGGOAIHAOHA

And then you have pliot!Rocky and he is like, this-

Anyways I love my unhinged theater kid son <3 /p

[catherinemairjohn]

Expression sheet for dragon character

[burst-of-iridescent]

the thing with zuko and azula that people, specifically azula stans, seem to forget is that they are intentionally and specifically characterised in opposition to each other.

i keep seeing discourse about how azula deserves a redemption arc & even leaving aside the fact that a) saying someone “deserves” a redemption defeats the purpose of what redemption is and b) there was no space in the original show for azula to redeem herself anyway, azula could not have been redeemed because part of her narrative purpose is to be a foil to zuko.

zuko and azula are each the metric against which the other’s evolution (or devolution) is measured, and it’s the striking disparity between their character arcs that makes said arcs as impactful as they are: the child who swallowed the poison vs the child who spat it out. the fire nation royal who perpetuated the cycle of violence vs the fire nation royal who broke it. the abuse victim who became an abuser vs the abuse victim who became a protector.

would zuko’s redemption have felt as satisfying and hard-won if we hadn’t seen in azula the alternate path he might have so easily gone down? would azula’s downfall have been as terrible and saddening if we hadn’t seen the possibility of a better future embodied in zuko?

thematically speaking as well, the fire nation royal family exists as a microcosm of the fire nation itself — the generational trauma and violence passed down from sozin to azulon to ozai to azula and zuko is symbolic of how the fire nation’s warmongering has turned inwards, back on itself, a self-inflicted wound that grows and festers and rots until they’ve destroyed themselves just as much as they’ve destroyed the world. but where zuko represents a way out — hope for healing, for peace, for an end to the self-destructive nature of war — azula represents the cost of that war, the damage that can never be undone, the danger of remaining mired in an ouroboros, forever the snake that bites its own tail.

a version of the show where both zuko and azula redeem themselves together would have lost the grave, sobering impact of that message: that getting out as zuko did is the exception, not the norm, because the system in which they exist is built to be a trap. and even when that system is dismantled, the destruction it’s wrought cannot be fully erased.

the point of zuko and azula’s story lies in its inherent juxtaposition: there was never going to be room for both of them to rise or even fall together, not in the world in which they were raised and the virtues it extolled. and it’s because zuko exists as who azula could have been and azula exists as who zuko might have been, that their individual arcs are so powerfully poignant, and their relationship so infinitely tragic.



[physalian]

3 More Character Types the World Needs More Of

Or at least, I do.

1. The denied redeemed villain

I need this. So badly right now. So, so, so many “redemption arcs” are half-assed and carry undertones of guilt by the heroes, gaslighting them into thinking the villain “wasn’t all that bad” right before they make some big heroic sacrifice, as if that’s ever enough to make up for the damage that was done.

But you know what I never see? A villain who’s done some awful shit, wakes up to reality, tries to apologize and… is denied. No, it’s not enough to be sorry. No, you’re not absolved of your crimes just because you cry really hard on your knees. Yes, you have to work for it. Yes, even if you work for it for the rest of your whole life, those you hurt are not obligated to forgive you.

Example that sadly did not happen in canon: Enji Todoroki

2. The liar revealed who loses

This fucker lies and cheats his way into his lover’s arms (and liars revealed are always men, because their love interests are always women put in the place of “but he tried really hard and you need to forgive him uwu” unless it’s gay). Similar to above, no, you do not get rewarded just for feeling sorry.

This character builds an entire relationship (and it’s specifically romance that I take such an issue with) on a lie. They are not who they say they are, specifically, they lie about their identity because they know their lover would not let this happen if they knew the truth.

It’s one thing to lie about something inconsequential, or to lie about something unrelated, but to lie deliberately to present yourself as the perfect suitor—and these are never little white lies, these are usually entirely false identities, or secrets so damning that risking the truth could mean arrest or even death—just. Why?

Yeah, okay, you never thought you’d get this far. Cool. You don’t have to tell her the truth, but you have to leave before you trick her into sleeping with you.

It’s just. So squicky. And the lesson always is that he deserves love, that he makes up for it with everything else, that he’s just got a winning personality. She always forgives him, even if they fight about it, it’s so, so predictable.

Examples that did not lose: Aladdin, Evan Hansen

3. The paragon who loses faith

I don’t know that we need a whole bunch of these characters, but so many paragons are painted as heroes with unshakable loyalty to their causes and I’d love to see a devolution of character where they just can’t keep smiling and pretending it’s alright. That there is a limit to how much shit they can take.

They don’t have to go full villain, but maybe they just stop caring, maybe they get cynical, maybe they just don’t show up for work the next day, maybe they’re not there when they’re needed the most.

There’s a few stories I can think of where the masses realize they’ve screwed up and show the hero that their faith has been rewarded (Nolan Bats being one of them) but I mean really a hero who just cannot take it anymore, throws in the towel, and walks away knowing it’s the hardest thing they’ve ever had to do.

Example: (kind of) Captain America

—

Sorry this list is kind of a bummer. It’s a bummer kind of week.

[the80hbee]

please help I cannot deal with how accurate of a description this is of just every ranger

rangers are sub-5ft dudes with 24 arrows, two knives, some glorified whip garottes, no will to live and a caffeine addiction.

they also talk to their horses.

(the horses talk back.)

[insert tired will name pun joke for “no will to live”]

still not over how absolutely batshit insane ranger's apprentice was. "one riot, one ranger" bro WHAT????? one riot ONE RANGER??? i refuse to accept that rangers are human because that just isn't gonna work out.

it's a riot. a RIOT.

rangers are sub-5ft dudes with 24 arrows, two knives, some glorified whip garottes, no will to live and a caffeine addiction.

they also talk to their horses.

(the horses talk back.)

they shittalk their own government.

the ranger gatherings are probably on par with collage end of the year raves.

their commander is a man who has never kissed anyone but his mother and somehow still exudes the most violent "this is a man who fucks" energy. it's probably the fact that he's a dog person.

i'm convinced half of them are orphans and just got adopted into the corps.

one of them is the fucking crown prince of fantasy ireland who ran away from his murderous brother and ended up adopted into the corps.

the one (1) ranger who can use a sword (and also the crown prince of fantasy ireland's apprentice) advises that, in the instance you find yourself losing a fight, you simply throw yourself off a fucking cliff. he was also adopted into the corps in spite of having two (2) father figures beforehand.

one of the most legendary rangers of all time (and also the crown prince of fantasy ireland's second apprentice) fought a fantasy british minotaur at age 15, got kidnapped by fantasy swedes at age 16 and was enslaved along with the fucking crown princess of fantasy britain for a year during which he also got addicted to and recovered from the effects of fantasy ketaweed, then did a switch and almost died in the desert looking for his talking horse. and that's all before he finished his apprenticeship. this guy was also an orphan, got adopted into the corps, and didn't even want to be a ranger.

also the guy who trained the dog person commander also trained the crown prince of fantasy ireland. he also died dramatically in the crown prince of fantasy ireland's arms. his apprentices met because one happened to walk into a tavern as the other was getting his nose cut off in the tavern

the first ranger woman is also the crown fucking princess of fantasy britain. but not the one that was enslaved with the ranger getting high on ketaweed. the ranger is that one's daughter. yeah.

basically i forgot where i was going with this post, because somewhere along the line i realized that i'm wrong because yeah any one of those fuckers could absolutely stop a riot.

i don't say this often, but jesus christ. flanagan you absolute madman.

[violetasteracademic]

Lucien Vanserra's Hero's Journey with Vassa- The Firebird Legends

Hello friends! This is my very first tumblr post, and is IN DEPTH. It seemed like a good place to explore some of the the themes I've been discussing on TikTok regarding Sarah's book structures, how closely Sarah utilizes The Hero's Journey for ACOTAR, and how many "ingredients in the fridge" as I like to call it are already there for Lucien and Vassa's story, despite arguments that there is very little on page action with The Band of Exlies. If anyone is interested in nerding out about book structure with me, I'll do a quick run through of The Hero's Journey with ACOMAF as the example (I made a video about this already!) and then fill in a possible hero's journey beat by beat for Lucien using only what is on the page. I'm not being hyperbolic when I say I could literally plot out and write this book today with everything Sarah has given us!

A few things to know about me: I love all of the characters involved in these ship wars. I am a die hard Elain stan, Az is my favorite Bat Boy, Lucien is one of my all time favorite characters and one whom I deeply relate to (I actually think I relate to Elain and Lucien the most, and I'll share how they mirror each other quite well) and I literally had to pull over in a Sprouts parking lot listening to the ACOSF graphic audio when Gwyn told her story. An elderly woman knocked on my window to ask if I was okay because I was sobbing. I do get passionate about my ships (Elriel and Vassien) because of my reading experience and how I process Sarah's structures. It would be the shock of my life if it goes in a different direction. BUT I love all the characters and respect all ships. My only goal is to get people excited about everything possible for our Bird of Flame and Lord of Fire, because their story stands to be by second favorite after Elain and Azriel!

Here is a quick rundown of The Hero's Journey: A three act structure famously based on the works of Joseph Campbell, an author and educator in the field of comparative mythology.

I will try my best to *briefly* break down the first act of A Court of Mist and Fury (I could do the same for Nesta's Journey in A Court of Silver Flames!)

Step One: The Ordinary World Status Quo. Feyre's status quo after Under The Mountain is the simultaneous evolution of her new life as Fae, and devolution of her spirit and personhood. In her new ordinary world, she is being kept in the dark. She is relegated to wedding planning and isolation.

Step Two: Call to adventure. Feyre is called to adventure on the day of her wedding, when the status quo has become unmaneagable. She calls out for help, and Rhys whisks her to the night court. In the Call to Adventure, our Hero learns a truth about the world that they will have to face. In Feyre's case, it is that the war is immenent. She realizes there is a threat to the safety of her sisters, and Rhys pushes her to train so that she is not unprepared if she is the only thing standing between them and Hybern.

Step Three: Refusal of the Call (in other structures or variations this is called The Debate.) The Hero is not sure if this is their story, if they are the one to face the call. They experience a period of maintaining the status quo a little longer. This is when we see Feyre sinking back into life with Tamlin. He is loosening the reigns, she doesn't want to rock the boat. She believes The Ordinary World might improve without her having to take the next step.

Step Four: Meeting the Mentor. Our hero meets someone that will assist them in their journey, and help them move forward in answering the call. This can be friendships, trainers and teachers, mystical guides, any number of things. In Feyre's case, it is dinner with the Inner Circle. She hasn't yet decided if she will join Rhysand's court and work with him in the efforts against Hybern, however she agrees to meet his court members. Each of them provide guidance to Feyre. In strength and training (Cassian and Azriel), emotional resilience (Mor), and histories/education on how the court and Fae lands function (Amren). Feyre agrees to work for Rhysand and then we cross the threshold into act two.

When I talk about "ingredients in the fridge," I am talking about a dinner that has been planned, ingredients purchased, and everything ready to go for book dinner to be on the table tonight. At this point, Sarah has been grocery shopping for future book plots for many many years! This is my personal interpretation of a really powerful story for Lucien and his hero's journey to free Vassa from Koschei.

Step One: Ordinary World. Lucien wakes up in the human lands in the manor he shares with his Band of Exiles. (I also am obsessed with how messy and hilarious it is that this was gifted to him by his mates ex fiance but I digress.) He has become so close with Vassa that he is no longer trusted to do his job for the Night Court. All the while he is worrying about Koschei, and when he will come for Vassa. Her enslavement to the deathless sorcerer pains him, and the pressure is building.

I hate to poke holes in another ship, however it is important to note that during all of these conversations Elain is not present or mentioned by Lucien in any way. However, Mor states that Lucien is choosing to live in the human lands despite Elain. And of course, in ACOSF Lucien makes it clear that even being in Velaris doesn't mean it is to see Elain, and the thought of his presence being expected only for his mate makes him uncomfortable.

I'm not saying these things couldn't change in the next book, I am however just setting Lucien's Ordinary World or Status Quo. Lucien is living in the human lands with the Band of Exiles and his main areas of concern and growing conflict are with Vassa and Koschei. This is what is being built to send the status quo to a breaking point *at present* His interest or efforts in Elain are devolving while his connection to Vassa and interest in defeating Koschei or freeing her are evolving.

Step Two: Call To Adventure. Lucien already has a powerful possible Call to Adventure (or inciting incident, as other similar structures call it) set in place. Koschei decides to reign in the leash on Vassa and force her to return to the lake, being ripped from her home with Lucien and Jurian and no longer able to provide assistance with the human queens.

Step Three: Resisting the Call. The reason Lucien is so perfectly suited for this is because he is the only character with such torn loyalties. He is loyal to Feyre and the Night Court, he attempts to be respectful to his mate, he is glad to work for Rhysand. There are many other threats present, Lucien's own father Beron suspected to be at risk of allying with Koschei. The human queens in the wind who have powers and a vendetta. While the Firebird legends retelling *could* take place with Jurian and Vassa, my issue with that is similar to my issue with Gwynriel. There is literally nothing, and I mean NOTHING that would create conflict for the character or a debate period. There are no obstacles or stakes in place that could keep the characters apart, which is critical to all storytelling but Sarah utilizes so much conflict. Lucien is the lost wanderer, torn from court to court, abusive home to abusive home, without a true family until the Band of Exiles. But it is still a matter of chosen family over loyalties he still feels to Feyre and her court. So, Vassa is taken by Koschei. Lucien now must be spurred into action, but is *he* the hero of this story? Is he going to be the one to take on Koschei?

Step Four: Meet the mentor. Oh, I think we all know where I am headed with this! What better mentor could there be in place for Lucien in freeing Vassa from her curse than Helion Spellcleaver. Aka Lucien's biological father. Helion also has maintained a consistent presence, being called in to attempt to manage the dread trove items. He has returned to the page in ways other High Lords haven't. We are gearing up for Helion 100%

Now, to get a little farther into some of the details beyond act one, tests allies and enemies, innermost caves, ordeals, so on and so forth, I simply want to focus on the stakes of this story specifically, and why I find them the most powerful.

As far as theme for Lucien, he has been aimless and suffering and ultimately ended up with no home and nowhere to spend Solstice. Feyre and Elain were a default because, in his own words, he had nowhere else to go.

Feyre urges him to call the Night Court home, but he has found a true home with Jurian and Vassa. He cares deeply for them and for their safety. He is amazed by Jurian's leadership, literally saying "Thank god for him" keeping everything together. Even at his best with Rhysand, Lucien has never put full faith in Rhys as a leader (which is very similar to Nesta who, while still an Archeron sister, continues to dismiss Rhys as her high lord and has found her calling and found family with The Valkyrie's.)

Lucien learning Helion is his biological father pairs perfectly with his metal eye, which can see through glamours. We may come to find that Lucien has hidden spell cleaving abilities making him uniquely suited to save the woman he loves. However, this brings us to...

THE BLOOD DUEL.

Lucien and Azriel blood dueling over Elain makes no sense plot, character, or world building wise. Lucien does not identify with the Autumn court or its laws, and he has been nothing but respectful of Elain's lack of interest in him and by all accounts is moving on in a very healthy way. It is stated clearly that Beron knows Lucien is not his son, hence why Lucien received such additional torment and ab*se as well as Beron's treatment of Lady Autumn. However, for Lucien to publicly display Helion's powers would make Lady Autum's affair public knowledge. This gives Beron cause to call for a blood duel with Helion over LoA. These are incredibly high stakes and obstacles. Does he risk the life of his mother and newly discovered father to save the woman he loves by revealing his true power?

As far as Lucien being sole heir to the Day Court, there is another possible outcome where Helion wins the blood duel (thus securing Eris's place as the new High Lord of Autumn, another long established plotline) and Lady Autumn and Helion get a second chance while Lucien still chooses his found family. Or, at the very least, as long of a life with Vassa as he could get before taking up the Day Court. Sarah also of course has had both mortal characters choose mortal life spans for love (Elorcan) or make mortals immortal (Feyre and Miryam.) However, Lucien stated he never had any interest in being a high lord. Of course this is up for interpretation, but I believe his character development still maintains that. This man has been through so much. He just wants to live in peace, and I think it would be a beautiful thing to know that his mother is now safe and not a political pawn.

Speaking of political pawns, this is also why I believe Elain and Lucien have a lot to heal with each other. When Lucien discovers that he could have been raised by Helion and not Beron, but his mother was sold and used as a political pawn and her agency taken away, he is going to face quite a few demons. I do not personally think Lucien's story (or Elain's) is most powerfully served by he and Elain choosing to de-escalate all the conflict and spend time with each other and wind up falling in love. It COULD happen, and if it's what Sarah chooses to do, it will be lovely! But Elain is such a mirror to Lucien's own mother. The only difference being that Lucien is a good male while Beron is a monster. Lucien, when faced with this, would be motivated to prevent his story repeating itself. Elain and Lucien's mother are the only two alive today presenting as unhappy with their pairings. I believe this is what Sarah was referring to when she said Elain was a better mate for Lucien than Nesta (her original plan) because of the healing they could provide each other. While I am not stating this as fact, it is my opinion that there is enough foreshadowing for rejected mating bonds, the suffering of poor matches and females being owned with archaic laws, that Sarah always intended to have Lucien participate in the rejected mating bond story line with one of the Archeron sisters. Lucien and Elain as a rejected bond is a much better fit as Lucien and Elain are actually both quite passive about their mating bond, letting the plot develop and build elsewhere whereas Nesta would have likely just burnt Lucien to a crisp or had it take up a lot more of ACOSF which would have been truly tough to fit in.

I could go on and literally plot out the whole book beat by beat with the Hero's Journey, but I would be here all day. I truly think Lucien and Vassa in the Firebird Legends would be so beautiful and powerful. I've teared up thinking about it! It always disheartens me to see characters getting thrown under the bus for the ship wars, or to be accused of hating Lucien because I ship Elriel. I am brand new to the online ship space, and this was truly how I experienced the books as someone who loves all the characters and wants the best for them. I believe Lucien has been nothing but respectful towards Elain and deserves to be happy. I just don't think Elain is his happiness. Even Feyre and Rhys had moments of trust and connection building in A Court of Thorns and Roses before ACOMAF. Their relationship was not out of left field at all. Elain and Lucien have a LOT of work to do to make their interest in each other suddenly believable, and in my opinion now we are getting into poorly paced and structured writing to accommodate it.

I've definitely seen compelling compilations about how both Elain and Lucien are tied to Koschei and it could just as easily be their shared love story while saving Vassa, and I won't go into a rage if that is what happens. It is simply difficult for me to ignore all the conflicts that would conveniently resolve and obstacles that would be removed. I know people love to call the three brothers and three sisters "lazy" but three is simply a motif, not book structure or line level prose. In my opinion, a sudden resolution to active political conflicts by putting two characters together is much lazier when it comes to the actual writing of the book.

These are just my musings, and the things I picked up on whilst reading (and re-reading a million times tbh) and experiencing books! What do you guys think of Vassien? I personally am so excited by how beautiful it could be!

[super-who-locked-me-in-here]

RIP to the devolution of "Evil Bisexual Mads Mikkelsen Character's Bedhead At Breakfast Featuring Orange Juice"

[kimaisalloren]

Judas’ regret

Am I gonna get cancelled if y’all find out jimmy is my absolute fav character. What a fucked up man. What a mess. He’s so mentally ill, but not in a way people can like romanticize. In a really fucked up, realistic way. He’s dark and fucked up and edgy but it’s handled so well, written so beautifully, and he’s deservingly hated. Somehow that makes it beautiful. He needed nuance and careful handling and the devolution of his psyche and character as a whole was just fucking. Beautiful. Yeah. Beautiful.

Also have the unblurred art of curly LMAO