#character analysis at 7 am

[iasips8]

either dennis loves to be mushy and touchy with charlie because he knows he doesn’t like him back (but he knows mac does) so he feels comfortable touching him like that since he knows charlie won’t catch feelings for him/he knows he doesn’t like any of them..or he just likes to touch charlie. idk i keep thinking about this like does he like charlie or does he only like touching him because of his closeness to mac (early seasons)? like i feel like either one could be true or maybe they could both be huh. like if mac and dennis’ character personalities were reversed that would mean dennis might not care to touch charlie like he normally would as normal dennis or he could still be the same way. anyways what do you guys think lol

[hanafubukki]

Thinking about how Lilia tried his best to raise Malleus and make the best environment for him possible so he could be, in a sense, free.

We know that Lilia tried his best to raise Malleus with what restrictions he had. He brought him souvenirs. He told him to take heed in his powers so he doesn’t hurt others. He fed him shaved ice. Told Malleus about getting along with his human neighbors. Lilia did all this and more.

But he also pushed for peace and harmony with the humans as well. Lilia provided for Malleus an environment where the young fae wouldn’t be entrapped anymore. It took hundreds of years but he did it.

Lilia was one of the advocates who helped for a treaty with the humans. It took him about 300-400 years to do it, but he was able to achieve it. By doing this, he was able to make a pathway for Malleus.

By bringing peace, Lilia gave Malleus freedom. Malleus wouldn’t have to be locked up in the castle anymore. He can leave and enjoy the world. Lilia didn’t have to do this, especially with his history with the humans, but he did.

In a way, this is one of Lilia’s greatest gifts to Malleus. A world of peace, something that Lilia hasn’t had for so long. Something that Malleus’ parents didn’t have yet tried to have but died doing so.

Malleus didn’t have to be under the thumb of the senate anymore, in a sense, because if the fae wanted to survive, they would have to adapt and get long with their human neighbors. Malleus can learn for himself and change with the times. He didn’t have to become the ruler of a race who became a part of a story. They can survive in this world of humans and tranquility.

A lesson Lilia taught Malleus and an example Lilia made of himself as we saw with Silver. He said it himself, didn’t he? All parents want the best for their children, fae or human. He chose to raise a human baby because he wanted to be an example for Malleus and because he wanted to see if he can love a human.

All of this, Lilia did out of love for Malleus. These actions had a cascading effect that continued to affect himself and Malleus.

Lilia was able to raise Silver and love him. Malleus was able to visit and take care of Silver. Malleus was able to broaden his horizon. He got to love that baby as well. Someone who thought Silver was an ugly monkey initially to someone who is cute to him now. (We can see this more in the tsum event)

Their little family of two grew to three and then four. Then you add in the Zigvolts as well. What was once a closed off and isolated dragon, Lilia was able to free and give him love, a family.

It took hundreds of years, from since Malleus was an egg to the current timeline, but Lilia was able to do it. His family might not be perfect and it might be broken, but it is his family. It is Lilia’s beloved family at the end of the day 🥹💚

[asteriass]

Till’s peculiar trouser pattern & the illusion it causes

As I was watching the Round 7 MV on Friday, there were two things I was the most focused on, Luka‘s back & waist, and (MORE importantly) the peculiar design of Till’s pants. Especially in the moments after he’s shot and the illusion it is likely to create for the audience members

I mean, by now it’s pretty clear that the design of his pants is that way for legitimate narrative reasons too, instead of it just being… sick as heck (which it very much is though).

One of those reasons of course potentially being as some type of tie in or symbolic relation to the very end of Round 6, where Till stands in/near Ivan’s pool of blood

A 2nd reason, I might add, is because it serves to create an illusion for the audience/that, it conveniently ends up creating an illusion - an illusion that makes it seem as if more damage has been done than it actually is.

Rewinding a bit,,,

Round 7‘s stage is very interesting, in that it is incredibly different in layout from most other stages. While generally speaking the stages are more similar to football fields (aka the stages are surrounded ALL AROUND by places for the audience members to sit and view the contestants) Round 7‘s stage mainly only allows the audience to view the stage from one view, the front view.

There are some sitting arrangements on the side view of the extended platform which Luka and Till occasionally walk on while singing in the MV, but the main stage itself can only be properly viewed from one side, and it is on that front side where the VAST majority of audience seats are conjested

Other than this frontal look of the stage, unless you are sitting high up (which majority of the audience isn’t) you can’t get any other full on perspective of the main stage while you are watching and cheering

But why is this layout important?

Note the position Till is laying down in.

His legs are facing the alien audience, while his head and neck (the actual points of injury) are obstructed from their view.

And this is not simply cause of Mizi being semi hunched over (though it does play a part too), the way Till fell/is laying in general would just make it hard for the audience to see his injuries from where they are sitting. It doesn’t help either for the general audience that the seats are situated a bit below the main stage too (the platform of the stage is raised)

But even in the BEST case scenario, this is what they’d see

So clearly, a very… not at all clear view of his torso, neck, or even face (cause Mizi is hunched over it and also her arms on the sides), but rather ONLY of his shoes and pants.

…You see where I’m going with this?

Another interesting thing to note, is that there is literally no pool of blood around Till. He never bleeds out on the stage like Sua and Ivan do. There is some blood on his mouth & also on his neck (& thus on Mizi’s thigh), but there is so actual pool of blood around him

What there is, though, is the bloody pattern of pants, and the red from his shoes, reflecting on the reflective stage. It creates the illusion that more damage has been done than it actually is. And I mean that canonically.

Canonically his wounds are not messy enough to externally cause a pool of blood. To cause him to bleed out on the stage, but the general alien audience wouldn’t really notice that. Not with Till’s wounds conveniently positioned in their blind spot (for those sitting in the front of the main stage - majority of the audience.) due to Till’s pose, and then also Mizi’s hunching and arm positions blocking the view of his wounds when the aliens would already have not as much view clarity of those area (for those on the upper level). Not with how dim the lights already are by that point. And not with how they are all lost in their excitement and cheers.

Their favorite won! Why would they need to keenly analyze the parts of the stage they can’t even see? Rather than that, let’s cheer on the king and the special guests who just joined! [Not to mention, the reflective surface on the stage and the blood splatter design and his blood red shoe soles (which is already their main focal point from the perspective they are seeing)!]

See what I mean?

It all creates an illusion. An illusion that the damage is done - more damage than we (as the viewer) can see and know has happened. But from their literal and mental perspective, they can’t see that. Nor do they need to question what they see either. They have more emotions and excitement to loose themself in.

Thus (by the end of the Round 7 MV at least) the ‘illusion’ gets further enforced.

Sure, we know Till didn’t bleed out like Sua, or Ivan, or many other contestants, but they don’t need to question what they expect and what is being reflected to them

[foreststarflaime]

Ok so I was translating the Iliad for fun last night as one does and oh my god it’s them?? Genesis Rhapsodos is a homeric hero in this essay I will

“Sing to me, goddess, of the accursed wrath of Achilles son of Peleus, who caused countless pains for the Acheans, and sent forth many stout souls of heroes to Hades, and made them spoils to dogs and to every bird of prey, and the will of Zeus was accomplished, from when first the son of Atreus ruler of men and divine Achilles stood apart in strife.”

-Homer, Iliad, I.1-7 (translation is my own)

But like the more I think about it, the more it just…fits him perfectly? Strap in boys this turned into a long one, I’m putting my ‘useless’ degree to good use

So a huge drive for Homeric heroes is pursuit of kleos (κλέος, meaning glory), it’s what their societal values are built off of, and it’s what Genesis builds his life off of too. It’s why he can’t let himself coexist peacefully with Sephiroth—for Genesis’ glory to spread, it can’t be eclipsed by Sephiroth’s. Kleos is earned primarily through being remembered in song, and you don’t see Shinra making any propaganda with Genesis in it (at least disproportionately not as much as Sephiroth).

And that’s another thing—Genesis’ desperate will to live. A big part of the appeal of kleos is that it grants you a sort of immortality, to live forever in the minds of humanity as long as the songs about you persist. There is a way to earn kleos without being the best hero around, and it’s to be killed by the best hero around—in passages where heroes go on killing rampages, there’s little catalogues of everyone they kill, like little graveyards of poetry that let them live on after death. It’s not a dishonor to them, rather the opposite since they died bravely fighting someone they just couldn’t beat.

This isn’t the way Genesis wants to earn his kleos, though, and he’s desperately afraid of it. We see in his reaction to degredation that he will do anything to avoid his own death, lashing out against everyone in pain and fear. He wants more than anything not to die, but he doesn’t want to end up a footnote in the rampage of someone greater. He wants Achilles’ fame, but fails to see that this fame was conditional upon his death. The most famous part of Achilles’ story that survived, after all, was his heel.

And then there’s how his friends fit into the story. As you can see in the quote from earlier, Sephiroth fits well as the Agamemnon to Genesis’ Achilles. Agamemnon leads the assembled Greek forces because he has the most men, the most fame, but Achilles (putting aside the matter of whether he is or not) doesn’t want to be seen as inferior to him, and is infuriated when Agamemnon does something he sees as a slight against his kleos. From Genesis’ perspective, this fits Sephiroth exactly. From Sephiroth’s perspective, naturally this is not the case, but therein lies the problem—he’s in a different genre from Genesis, one that becomes incompatible when put in the context it’s in, and this dooms them to tragedy.

It’s a similar problem with Angeal. Honor and glory are similar enough to be the best of companions, but they are not the same thing, and it’s something that is easy to forget. The difference is most clear, again, in the context they’re in. Genesis is so busy chasing immortality in kleos that he forgets that honor is not immortality, and Angeal’s will to live fails when his honor does, and he loses him.

Angeal and Sephiroth are both their own genres, causing misunderstanding and ensuring the tragedy that occurs, but they fit in just enough with the context of Homeric heroes to not let Genesis see his mistake.

Important for him also is the definition of monster to a Greek—two different creatures mashed together in a way nature isn’t supposed to go. That’s it. And by that definition, he is a monster, though we’d still call him human by our definition. And that’s just…ouch. In the fundamental rules of his world, he is inarguably a monster.

But the tragedy of that is that he’s just so painfully human, as are all Homeric heroes—so horribly, humanly flawed in such a loud way that the world cannot ignore it, and is pulled down with him.

Okayy wrapping it up with a few fun facts because this is turning into the essay I didn’t mean it to be, his last name Rhapsodos (Ῥαψῳδός) is a Greek word that translates roughly to bard, and specifically to a bard that recites epic poetry. Like the Iliad. It’s so unbelievably perfect for him, good job square enix! And the fact that this quote from the Iliad has goddess instead of Muse like the Odyssey, it was fated! Also, not that noun genders really mean anything, but the Greek noun genesis (γένεσ��ς) is actually feminine, so win for genderqueer Genesis propaganda

Anyway where did my afternoon suddenly go, this was supposed to be a short fun thing, I should really be working on my thesis (which coincidentally was inspired by him, I’m in too deep send help) if you read all this I love you forever lol bye

[zvezdacito]

// TWST Book 7 spoilers, thoughts of Malleus's writing as a character

So I was reading some other people's opinions on why some people consider Malleus overrated/annoying, and tbh this makes me really sad. The general consensus is that a lot of people fixate on certain sides and can only see him as one extreme or the other and it results in many ppl thinking a watered down version of his character is how he is in canon.

I feel that its such a shame because he's the most interesting, compelling and well-rounded take on his character archetype I've seen.

From my observation, usually they kinda make this archetype (the broody misunderstood 'everyone fears him like a monster except for one special person') someone you can't take that seriously, because of how his struggle usually kind of written in a way where everyone involved feel less like actual fully fledged original characters and really just one note tropes interacting with other one note tropes.

To elaborate: What i mean when i say this is usually ppl who hate him kind of just do because of plot requires them to and to show how all their haters are "normies" who can't get him because 'he's not like everyone else'. The misunderstood guy still usually has toxic personality issues but the story really tends to make it feel like they don't fear him for that but because they're shallow and have prejudice to ppl like him, so his personality issues are not framed as wrong or character flaws.

I don't think there's anything inherenrly wrong or mediocre with the "one special person who gives him a chance before anyone else" trope like I'm literally a Malleyuu enjoyer lol but like i said its all in the execution cause otherwise it fails to be compelling and believable. Usually in the poorly written version of this trope the guy doesn't undergo any character development other than showing more emotion and kindess to his partner because they melted his ice I guess so it really makes his whole character feel like its revolves around the sake of romance and fanservice.

Malleus doesn't fall into this trap in my opinion because his situation despite how fantastical it is, the way he was written makes it believable as to why everything is the way it is with him, and it also challenges the viewer if they would be able to say they wouldn't fear him too in that situation.

"We're gonna give you this character who everyone sees as a monster and show you deep down he just wants the same love as everyone else, making you contemplate changing judgement on him. He wants to prove this, but his way of going about it always inadvertently harms others."

"You know where hes coming from and if he had that social connection to give him a better understanding of others this wouldn't be happening, but its also equally understandable that the people hes trying to connect with don't deserve this and fear him even more after this, trapping him in a cycle of isolation."

"Given his track record, do you go about giving him a chance or just considering the repeatedly proven danger he brings. With the valid reasons of both parties, can you really say he isn't a monster and demand that 'if only people be near him'?"

There's just such a tragic and thought-provoking dilemma to his character that adds so many layers that makes him so good.

As omniscient viewers we have the benefit of seeing what he's going through form his POV so we can sympathize with him and understand that he thinks what he's doing is the best course of action and he's just trying to create a "win for everyone" situation.

But also everything he does ironically reaffirms everyone's fear and distrust of someone like him. No one can deny he has a tendency to cause further destruction when he tries to do something "good", examples including: past Briar Valley lantern lighting fire, the Halloween 2 ghost world party, and now his Sleeping Curse stunt in Book 7 Part 2 (they really emphasize this by making the spoken name of his UM basically mean "Malicious Fairy" but have its written name used to convey what its meant to mean be "Blessing").

↑ Given this, it honestly makes sense others, especially those who don't know him all that well, would just expect the worst when he's around already, and you wouldn't be able to blame them for that given the track record. It doesn't help that this impression is worsened since he tends to cause misunderstandings due to his lack of familiarity with human social cues.

Alongside the bias and preconceived notions from his status and reputation, they also make a point on how his personality flaws are still also a huge factor in pushing people away, such as not being able to see things through the perspective of others.

He also holds a subconcious belief due to what has been ingrained in him since childhood as a Draconia and the next in line that because he's superior to others at certain things, he has the right and responsibility to decide on what will protect and help them, disregarding the individual values/priorities of human beings and leading him to take reckless and destructive action with good intentions.

His upbringing, character strengths and character flaws are all realistically connected to each other and the way they are subtly shown to be ever-present in defining his decisions, goals and thoughts throughout the whole story. So we don't really need to have a character go out of their way to exposition this to us this word for word just so we can understand and believe it.

Moving onto something slightly more lighthearted, I really also like how dorky Malleus surprisingly was. Other similar characters in the archetype I usually see don't really have any hobbies, interests, or quirks outside of being a broody authority figure, which might've been appealing to some at first but it really just gets stale and boring after a while.

This should be the bare minimum in making a fleshed out and interesting character so maybe i sound like im giving them too much credit for pointing it out😭 But yeah compared to the other examples it's good that Malleus has his Tamagotchi and Gargoyle interests it makes him feel like a believable person who has his own life going on too (with the bonus that these interests are also metaphors for aspects of his character). The gap moe adds an endearing side to him, and makes the gap between his intent and impact of his actions even more tragic. It wouldn't hit the same without this side.

(^ Forgot how the exact quote goes, but it basically said dark stories are more effective when there are moments of genuine happiness and good in them, compared to if it was always just grim and edgy. The former increases the stakes and tragedy because you have something you to care about losing, while for the latter there is nothing for you to care about so nothing the story does really matters. Same logic applies to Malleus)

Overall, it's just like an unfortunate incompatibility of goals and circumstances, which is what TWST is all about. Another thing I want to say is out of all the characters, I feel like Malleus is the one who is the ultimate embodiment of TWST's main themes:

-> How it's not about "hero" vs "villain" just differing circumstances crossing paths and clashing because of how people on either side have their own complex perspective and dreams they want to realize

-> And how connection and finding community is important to find people who will help you make up for what you lack in reaching your goals and to better understand all the factors that caused the situation in the first place.

As if seeing yourself reflected in a mirror, the more you get to know the people around you, you realize in many ways you are actually quite alike, and through understanding others you could also possibly better understand certain aspects of yourself. It's sort of encouraging you to do the opposite of dehumanizing others and yourself, which is something Malleus has most evidently internalized.

So yeah this was so long😭 I had a lot I wanted to say since Malleus is my favorite TWST character. Idk if I missed anything or if i managed to express my thoughts in a cohesive way but yeah. I kinda go into a rage whenever I see the worst takes ever be put out about his character but tbh sometimes I can't completely blame others since fandom trends and the convenience of simplifying things into tropes can warp your perception of a character and what you associate with them.

Also sometimes twst doesn't do a good job with utilizing his character like Book 5 where he got turned into a deus ex machina and Halloween 2 where they killed any hype and intrigue for the plot we had at the beginning through the ending reveal and gave the worst justification ever for Malleus and Lilia's actions ever.

Regardless, I hope more people manage to move past this and appreciate his character for what it really is soon though. He's an amazingly tragic character; a lot of thought was put into how his experiences, strengths and weaknesses would convincingly connect, and he represents something relevant in the story's plot and themes.

The fact that I've seen some people unironically believe that Malleus may just be faking his cluelessness of social cues to hide his "true evil" is evidence to how convincing his character's situation is, that even some in the audience who know more about him than the characters would still end up in the same place of doubt and distrust of Malleus because of what he's capable of.

Aight thank you for reading👍

[alpacacare-archive]

Because the tfc mercs are the 'evil shadow opposite' of their tf2 counterparts, id like to imagine that tfc medic was a genuine field doctor who cared about his job and the sanctity of it a lot.

Maybe he sincerely tried to heal and help and work with tfc heavy who only pushed him away since "nurses dont belong on the battlefield". Idk what i like better, cheavy just being like that and hating all attempts of cooperation from people he deems lesser than him, or him wanting to get closer with tfc medic but his firm beliefs and insecurities twisting that want into disgust and hatred

Im still torn about what made cmedic not stick with the tfc team in the comic, it could be this attitude they all had finally getting to him, or the much spicier 'cheavy killed him after he got tired of his ass/his own emotions getting too strong to suppress so he had to get rid of the problem'.

Now that i write this i absolutely like the second option more, it kinda makes me see the moment cheavy attacked medic in the comic in a different light. Like, he did this before. No issue getting rid of the same problem again.

(Not saying cheavy liked medic whatsoever, he didn't, he hated his guts. I imagine that by this point cheavy grew to be distant enough to almost fully suppress that need for anyone who tries to care for him again. Not to even mention how incompatible cheavy and tf2 medic are as characters. The "problem" this time is another medic trying to work with him on the battlefield, trying to protect him and care for him, trying to make him feel weak. in his head at least.)

Also makes the fact that his demise was a heavy/medic team-up even more delicious, the powerful bond he could've had but was too insecure to accept was the exact thing that killed him. after he tried to get rid of the problem the same way he did last time he had the chance to create something beautiful and stronger than he could ever be alone.

[deer-carcasses]

somewhat an analysis of Alastor

I've been going over this multiple times while it was just some rambles in my notes, but I finally decided it might as well see the light of day. if you do read this all, thank you. if not,,, understandable. it's a lot.

if this whole things is not coherent at all and does some weird jumps, I'm sorry. I took multiple breaks writing this over the span of the whole day. it was even more of a mess, I promise this is the slightly cleaned-up version.

especially the later parts get less cohesive in my eyes since I had to take longer breaks in between them. they also might jump around more. but now, in case you do want to read this; enjoy.

obvious spoilers ahead

let's start with the most interesting aspect for me: we barely know Alastor. sure, we know a little about his backstory, and get snippets of interactions here and there, but it wasn't until well into the show that we got to know his character better. ep.5 was where we see something deeper than the shallow persona he puts on for everyone. he's been more of a helping hand to make the plot progress in an interesting direction than a character with obvious deeper meaning. I don't mean to say that he was not well-written, quite the contrary, I mean to point out that he seemed more like a tool in the story than a character we are supposed to connect with on deeper levels.

we all as viewers had no idea why exactly he was there, to begin with, he said it was for his own entertainment but even then, this seemed like an awful lot of work for him to come out more or less empty-handed most of the time. it's an unfair deal for Alastor if you ask me. and honestly, he does bring little less than "entertainment" to the table until then. being used to show that he is helping yes, but mostly doing it so he can pull someone else down with his help. double-sided blade. he loses, but whoever he helps also doesn't win.

let's talk about ep.5 though. in this episode it's the first time someone truly irritates him. he didn't really care much for Vox - seemingly finding his entire obsession rather funny and never seeing him as a true threat. and Sir Pentious he didn't even truly remember. but with Lucifer that changes. Alastor doesn't just see him as bothersome, he sees him as important enough to go out of his way to prove he is better than the literal king of hell himself. at first, you could argue that he's once again doing it for his entertainment. seeing how much he can push before he needs to get back in line. but looking closer, his body language betrays him.

the way Alastor holds himself shows a true disdain for Lucifer that is, from a viewer's perspective, totally unjustified. Lucifer did not start their weird rival dynamic, it was Alastor who from the beginning on looked down on the king. maybe it's a personal reason, maybe it's just the fact that Alastor is more than well aware that no matter how much power he gets, there's no way to get above Lucifer. his omnipresence might simply be an annoyance to Alastor because he knows as well as Lucifer that the king hasn't shown his face in a long time and his reputation and power over all of the pride ring, over all of hell, still stays in place. no real threat could shake Lucifer's power into crumpling and this thought alone might bother Alastor because he had to fight for his power, to keep his power. (see Vox having presumably more power with the modern media and all that before Alastor disappeared)

and there's also of course the whole bantering going on in Hell's greatest Dad. Are Alastor's words genuine when he speaks to Charlie, or is it just a tactic to get under Lucifer's skin, maybe not seeing his powers crumble but seeing the king's nerves being reduced to nothing by his hands.

I personally don't think he was being entirely truthful. he might not have straight up lied about everything, but I don't think he truly wishes Charlie to be his daughter. Charlie herself is more than a little surprised by how Alastor suddenly treats her, and that alone is proof enough for me that he wasn't being honest in his words. if it were true, wouldn't he have at least a slight fatherly touch towards her all the time? Later on, Angel Dust even somewhat points out that Alastor has never acted like this by asking what his [Alastor's] deal is. It shows me that no matter how badly he tries to make it seem real for Lucifer, it's not real for anyone else simply because they all know how he normally acts around them.

continuing to Mimzy for a short moment; she is proven to not be a reliable narrator at all so I don't want to really take what she tells about Alastor all too seriously. she even concludes her little tale about the radio demon with "That's the story most people know." which does not make it any true. something I thought is very interesting is that the only two people who might have any idea of how truthful Mimzy is in her story are both gone. Niffty, though she also does not seem like the most reliable narrator, is not part of this conversation, and Hus kates himself out of the scene almost in the same moment Mimzy starts talking about. Husk leaving is more important since he obviously knows more about not only Alastor but also the deal Alastor is bound to. Husk and Alastor might equally hate it, but Husk does seem to care about Alastor at least a little. warning the overlord about Mimzy and how she is known for only showing up when she needs something, and I'm sure Alastor is more than aware that Mimzy wouldn't show up simply to catch up with old friends, but still. the sentiment of Husk seeking Alastor out to warn him, and even mentioning how he [Alastor] has been gone for a while now, is in itself caring, especially when moments later the viewers find out how much more Husk seems to know about Alastor. it even seems as if he is aware of limitations, mentioning how it's "Big talk for someone who's also on a leash." coming from Alastor's deal, even if Alastor himself is ignoring them [see the line "Who in their right mind would cross me?"]

the whole fact that Husk even seems to know so much about Alastor's deal is confusing in a way. I can't see Alastor willingly going to Husk and telling him about not only the deal he made with someone above himself but also about the limitations of said deal, it just doesn't make sense for the character we know Alastor to be, and even when finishing the show my opinion doesn't change. it's even more prominent how he later hides away.

after this scene, Alastor isn't seen catching back up to Charlie, Vaggie, and Lucifer to continue annoying him simply by his presence. his outburst having left him apparently on edge - showing that he isn't as calm and calculated as he likes to pretend. he obviously struggles with his own anger, be it at Husk for bringing up that he knows about Alastor's deal, or himself for ever getting into the situation in the first place.

later we see Alastor taking care of Mimzy's problem -the loan sharks. he's not seen using his powers like he did when Sir Pentious attacked though, he willingly transforms into something eldritch to devour the threat instead of simply using the tentacles, which would've been just as easy for Alastor. in my eyes that's him getting rid of the last restlessness about his outburst at Husk. choosing to do it himself, showing he still has free will over what he does and doesn't do. if not proving it to Husk then proving it to himself that he can choose to do this. he goes all out, he even comments on it himself how he needs to let off steam and later on how he's important here and willingly choosing to be here, helping ["It's time to remind everyone [Husk] why I'm here."] Alastor needs Husk to know what happens when you cross him, and when you doubt him. because he took the comments about how long he's been gone and that he's also on a leash personally. I don't even think it's necessarily because Husk said it, it's that someone in hell said it. not a soul in hell is allowed to think that Alastor, the radio demon, is not strong enough to win every fight he chooses to start.

let me come back to Mimzy once more, as if this one scene scratching the surface of what lies underneath his smile-bright persona revealed by Husk wasn't enough we get Alastor being all buddy-buddy with Mimzy, who is not only acting like a friend to him but is also introduced as such. a normal friend to someone who is so obviously not normal.

but even with his more friendly behavior towards her, he ends up sending her away after the hotel has to suffer under the problem she brought along. ["I can't have that here."] If he was genuine with what he said then, why did he phrase it like that? I might be reading too much into it, but Alastor normally picks his words wisely enough to not let too much slip, and the sentence "I don't want this here." would've been better fitting for the situation, but he says can't have that here. new question, what can't he have here? Mimzy herself? someone who knows him better than the residence with maybe a habit of blabbering? or was it just the fact that it's her problems that he needs to fix? that he can't have her bringing more work than there already is at the hotel?

now making a bit of a jump, going from ep.5 to ep.7 this episode makes me mostly wonder about what Alastor could ask from Charlie later on based on the deal the two of them made. in terms of character, it gave us little besides his dynamic with Rosie and the entirety of cannibal city. though this was also not really anything new, more just what we already knew about Alastor in a new dynamic

there is one scene I do want to talk about though. his whole little speech around smiling. him actually standing by and admitting that he is hiding behind his smile did take me a second to actually realize what just happened, I did skip back to it because I was a little stunned by the absurdity of it all. after some thought it made sense that he might not mind it, Charlie does not know him well enough for this off-hand comment to truly affect anything for him, still it made me wonder. why would he reveal it to her? was he simply so sure that she wouldn't use it against him or did he think she wouldn't even think of using anything against him in this kind of way?

so it confirms that yes; Alastor uses his smile as a facade and also as a way to show he is above others who cannot hide behind a smile like he can. his smile means indifference to himself, neutrality. for him showing anything but the indifference that his smile represents is vulnerability. weakness.

let's move on to the actual "highlight" episode of "What We Learn about Alastor" ep.8

this surely was not the first time he got humbled badly by someone in a fight. it's what he wants to avoid most, the mask slipping, everyone seeing that he can be defeated, that he is not this otherworldly powerful being that not a soul in hell [or heaven] can touch. there had to be at least one very significant moment where he was powerless in a way. where he had to strike up a deal with someone higher, the one now binding him, now having him on a leash.

Alastor went into the fight with Adam overly confident, underestimating Adam's powers to the point he barely got away. he is, after all this, still a mortal soul. a sinner. Adam on the other hand was the first man which gives him roughly the same power Lilith must have. that in itself makes me think Alastor lasted a good deal longer in the battle than I would've thought. pure angelic powers far surpassing his own and he still 1) got away in the end and 2) was able to get in a few hits.

let's quickly touch on the fact that when Adam broke his microphone he seemed to be completely stunned, apparently not having thought that he could easily break his possession without any real resistance. I personally don't think his power is necessarily in the microphone [the was the simply gave it away to Charlie in ep.7 being my proof for why it can't be. he would never abandon his power just for Charlie to sing a song for a few cannibals] but what if it maybe is some kind of amplifier for it? maybe it's also pure placebo and Alastor was simply too stunned that Adam would go for the piece of equipment instead of for a deadly blow right away. the microphone surely was a confidence boost, feeling of being 'on air' the feeling of having his broadcast behind him while doing his everyday tasks giving him the boost he sometimes needs, his ego being constantly stroked by the knowledge that there would be countless sinners bowing to him if he simply said the words into his microphone. no longer being able to do that made him stutter in more ways than one, being momentarily careless, not prepared for Adam to strike again, deadly this time. he lost where he was in his performance, in his own show, and it made him mess up.

one interesting sentence is when Adam comments on how Alastor is just a mortal soul. "You should know better than anyone what a soul can accomplish when they take charge of their own fate." which makes me want to believe that's exactly what Alastor did, taking charge of his own fate. but the thing is that we know he did not. he made a deal with someone, and he doesn't have the ability to take charge of anything about his own being anymore. he's as much on a leash as he has Husk on one. that would only mean that he isn't at his full potential, held back by the deal he so desperately wants to get out of, and is actively looking for a way to get out of it. which turns this line into something else completely. Alastor reveals that he knows what he is capable of, but cannot parade his power due to his deal.

another interesting detail is his ears before he dissolves into his shadow. they are pinned back, showing not only agitation or fear but disorientation. he opens his mouth for no sound to come out and it frightens him to have come into this situation at all.

a big part of his mental disintegration in this moment surely is also the fact that if he had died at this moment, if Adams's hit was slightly more fatal, he would've died bound to the deal still. Alastor would have gone without being able to fulfill his own goal - getting rid of the chain around his throat. getting control back over his own afterlife. if he had died at Adam's hands, he would have died being possessed by someone else which we can assume is what Alastor sees as the lowest he can fall. the people bound to him by a deal mean nothing to him as it seems, we only ever got to see those who were needed for the Hotel.

while also, dying in this moment would have proven to everyone that he stayed to protect the hotel, his friends, but retreating and not being killed in a heroic death-wish battle be had proven to especially the audience that Alastor is not ride or die for these people.

in his breakdown ballad, we can finally see where he went to to lick his wounds. his entire breakdown also shows once again how scared he truly is of being inadequate. this wasn't just a reminder from Husk that he is indeed also on a leash, being pulled to where whoever holding it wants him to go, this is a rendezvous with death, barely escaping the situation that would have proven that he is too weak, at least while being bound by this deal he is [no longer] profiting from.

the place not only reeks of death for him, like he says in his song, but it also reeks of shame at the fact that he had nearly not made it out alive. it would've been seen as a noble act had he truly died in this scene, he had not died protecting himself, he had died protecting others. it is worse than dying on a leash even since at least almost no one knows about that, it would allow him to save some face. but dying for these people? he cannot even stand the thought of it.

in his mind he needs to keep up the smiling facade, the indifference in this smile he holds obviously so dear, for eternity. him dying should not allow the indifference he stands for to evaporate, he needs to play the act even after being killed in his afterlife.

even if this now ends rather abruptly, my work here is done. see you next time I start writing and simply don't stop for a while.

it truly is "Good to be back on the Air." with a newly cleaned-up space to talk about fandoms

this might be edited later on, nothing major, maybe just to have some actual continuity in it.

[hrast-ika]

rereading the earlier One piece arcs after being aware of the things that happen in the later arcs, certain panels just hit... differently

''She had already sinned by her very existence!!! ... She has no choice but to accept her fate.'' (ch. 373)

knowing Sanji's whole backstory we got in the Whole Cake Island arc, this scene, his reaction to hearing Rob Lucci say that about Robin, hit me so hard. i had to stop reading for a minute and just decompress

[alwerakoo]

One aspect of rise!Mikey that I feel like gets often overlooked (and that I love elaborating on in my series) is that he seems to have the type of personality one chooses to develop by themselves.

What I mean by that is that yes - he is the most emotionally mature of his brothers and yes - he's most likely an empath by nature, but there are some moments in the series that would feel 'out of character' for a typical sunshine/heart of the group kind of character.

Probably most memorably in "Pizza Pit", where he goes on full on feral, to the point where Raph as to actively hold him down (noteworthy for this take is that he says "I'm usually a peaceful turtle"). And he does his iconic "evil" laugh. And while Donnie and Leo say: "Should we be worried about him?" "... Probably.", Raph doesn't seem at all bothered by his behavior, which leads me to think that this has happened before, perhaps while Mikey was in a not-so-good mental state, like im this episode.

There's also "Doctor Delicate Touch" and "Doctor Feelings" (both of which I'm going to over interprete because fuck it, I AM making it THAT DEEP). What's interesting about these characters is that, while Doctor Feelings feels like something a kid would come up with to get through his emotionally constipated brothers (and seems to be a relatively new thing, since Donnie didn't recognize him like he does Dr DT), Dr Delicate Touch is more interesting. He's loud and blunt, mean, but all for the sake of accomplishing a certain goal, and as Mikey put it: "he feels nothing". He usually comes up when they run out of other resolutions to a problem, or in deeply frustrating moments. To me, this feels like a way for Mikey to vent out his emotions/resolve a problem in a way he would naturally lean towards, without the outburst impacting his role in the family or the way his brothers view him.

In short words - Dr Delicate Touch is Mikey's natural personality.

All of this leads me to believe that by nature, he leans more towards chaotic neutral rather than the chaotic good usually associated with him, and his personally would reflect that more if he grew up an only child.

To be clear - I don't think actively 'choosing' your personality or reshaping it a certain way makes it any less real, or that he's pretending in any way. This is just something some people do while growing up.

So what I'm saying is that while, for example, Raph seems to have just naturally fall into the role of a leader because of the type of person he is(as basically canonically confirmed), to me Mikey feels like he deliberately choose to be the sort of emotional support/glue to his family on purpose, and reshaped his personality to fit after.

[hanzajesthanza]

it really does matter so much that fringilla vigo is nilfgaardian, beauclairoise, for many reasons, but let's start here:

her entire role is that of an illusionist; one which she would not be were it not for her family lineage, rooted in beauclair:

There was a corridor in Beauclair Palace, and at the end a chamber, the existence of which no one knew about. (...) The corridor and the chamber, disguised by a powerful illusion, were known only to the palace’s original elven builders. And later–when the elves had gone, and Toussaint became a duchy–to the small number of sorcerers linked to the ducal house. Including Artorius Vigo, a master of magical arcana and great specialist in illusions. And his young niece, Fringilla, who had a special talent for illusions.

and since her talent in illusions is well-defined in the series, as it is her who grants geralt the very silver-mounted chrysoprase amulet which saves his life in the final fight against vilgefortz:

Geralt clenched Fringilla’s medallion in his fist. The bar fell with a clang, striking the floor a foot from the Witcher’s head. Geralt rolled away and quickly got up on one knee. Vilgefortz leaped forward and struck. The bar missed the target again by a few inches. The sorcerer shook his head in disbelief and hesitated for a second. (...) ‘I didn’t know …’ Yennefer said at last, scrambling out of a pile of rubble. She looked terrible. The blood trickling from her nose had poured all over her chin and cleavage. ‘I didn’t know you could cast illusory spells,’ she repeated, seeing Geralt’s uncomprehending gaze, ‘capable even of deceiving Vilgefortz.’ ‘It’s my medallion.’ ‘Aha.’ She looked suspicious. ‘A curious thing...’

that talent is something which cannot, by far, be separated from her character. and returning back to her lineage, it is again her familial relations which place her in beauclair.

she was positioned there, ready to intercept geralt, as early as the autumnal equinox in september, by which time geralt had barely just left the town of riedbrune:

The world over, the autumn Equinox was a night of spectres, nightmares and apparitions, a night of sudden, suffocating awakenings, fraught with menace, among sweat-soaked and rumpled sheets. Neither did the most illustrious escape the apparitions and awakenings; (...) In the huge castle of Montecalvo the sorceress Philippa Eilhart leaped from damask sheets, without waking the Comte de Noailles’ wife. The dwarf Yarpen Zigrin in Mahakam, the old witcher Vesemir in the mountain stronghold of Kaer Morhen, the bank clerk Fabio Sachs in the city of Gors Velen and Yarl Crach an Craite on board the longboat Ringhorn all awoke more or less abruptly. The sorceress Fringilla Vigo came awake in Beauclair Castle*, as did the priestess Sigrdrifa of the temple of the goddess Freyja on the island of Hindarsfjall.

* Slight correction - As explained in Chapter 3 of Lady of the Lake, Beauclair is not a castle, but a palace.

and she's only invited to beauclair in such a capacity because she is a relative of the duchess:

‘I’m in Beauclair because the largest, best-stocked library in the known world is here. Apart from university libraries, naturally. But universities are jealous of giving access to their shelves, and here I’m a relation and good friend of Anarietta and can do as I wish.’

(whom, you may note, she stands by and jointly receives geralt with at their first meeting, and participates in the festival of the vat with)

and therefore, she was in a perfectly strategic position to delay geralt, keep him captive:

‘(...) Please at least tell us … has the Witcher calmed down now? Are you capable of keeping him in Toussaint at least until May?’ (…) ‘No,’ she answered at last. ‘Probably not until May. But I’ll do everything in my power to keep him here as long as possible.’

because fringilla is not just an illusionist literally, as in the magic she is naturally gifted at, but 'illusionist' is her entire identity as a character.

and as her family hails from beauclair, this specific identity is compounded with the fact that beauclair itself is the center of illusions, a dreamland, a fairytale:

‘There’s something bewitched about this place, this fucking Toussaint. Some kind of charm hangs over the whole valley. Especially over the palace (...) no two ways about it, there’s something bewitched about this bloody Toussaint.’

fringilla is an illusionist because she is beauclairoise. she not only hails from a long line of illusionists, but hails from, is related to the ruler of, the very city of illusions and dreams.

she is the illusionist not just in a literal sense, but in the entire narrative role of casting an illusion over our hero, because it is the illusion of love which keeps her and geralt in beauclair. (the tricky trick is that geralt, taking a page out of yennefer's playbook of seduction, cleverness, patience, was able to cast an illusion upon the mistress of illusions herself, free himself from the witch's spell, awake from a pleasant dream to face the harsh reality).

(sighs) and even if you want to forget fringilla's beauclairoise identity and erase her entire positioning as the illusionist which poses a threat to our heroes, entices them to complacency, her role as nilfgaardian in the sense of her academic identity and imperial service also defines her.

because it is also fringilla, the illusionist who casts the wool over people's eyes... who blinded yennefer at sodden hill.

‘We’ve already met,’ Yennefer spoke again. ‘I don’t recall,’ Fringilla said without looking away. ‘I’m not surprised. But I have a good memory for faces and figures. I saw you from Sodden Hill.’ ‘In which case there can be no mistake,’ Fringilla Vigo said and raised her head proudly, sweeping her eyes over all those present. ‘I was at the Battle of Sodden.’ (...) ‘Occasionally one happens to see another person for only a split second, right before going blind, and one takes a dislike to them instantly.’ ‘Oh, enmity is considerably more complicated,’ Fringilla said, squinting. ‘Imagine someone you don’t know at all standing at the top of a hill, and ripping a friend of yours to shreds in front of your eyes. You neither saw them nor know them at all, but you still don’t like them.’ ‘So it goes,’ Yennefer said, shrugging. (...)

fringilla's (proud!) participation at the battle of sodden is a crux of the lodge, because she alongside her good friend, the scholarly assire, they are nilfgaardians who, owing to their nationality, find challenges meshing with the northern sorcereresses. the lodge brought together representatives of magic across nationalities in the midst of a raging, bloody war between them all.

and it's so integral to fringilla's character that she has imperial biases, that she approaches even the international lodge with an imperialist view.

with no factual basis, she initially exotifies and sexualizes the northern sorceresses, despite her own prior denial of these base stereotypes:

Fringilla Vigo was putting on a brave face, but she was anxious and stressed. She herself had often reprimanded young Nilfgaardian mages for uncritically yielding to stereotypical opinions and notions. She herself had regularly ridiculed the crude image painted by gossip and propaganda of the typical sorceress from the North: artificially beautiful, arrogant, vain and spoiled to the limits of perversion, and often beyond them. (...) Her untrammelled imagination offered up images of impossibly gorgeous women with diamond necklaces resting on naked breasts with rouged nipples, women with moist lips and eyes glistening from the effects of alcohol and narcotics. In her mind’s eye Fringilla could already see the gathering becoming a wild and depraved orgy accompanied by frenzied music, aphrodisiacs, and slaves of both sexes using exotic accessories.

she even has a difficult time understanding why the northern sorceresses are upset about the nilfgaardian invasion, believing it to be a boon to their society. only through their discussion does she just barely begin to grasp the meaning of "invasion" and why she wouldn't want to be on the receiving end of it:

Some were clearly anxious about the close proximity of Nilfgaard. Fringilla had mixed feelings. She had assumed that such educated people would understand that the Empire was bringing culture, prosperity, order and political stability to the North. On the other hand, though, she didn’t know how she would have reacted herself, were foreign armies approaching her home.

all of this indoctrination into imperial beliefs, at the same time that she is an educated woman, and herself, as an imperial sorceress, known for being rebellious and an upstart within her own culture:

‘Stop staring,’ Assire said, touching her bouffant and glistening curls. ‘I decided to make a few changes. Why, I just took your lead.’ ‘I was always taken as an oddball and a rebel,’ Fringilla Vigo chuckled. ‘But when they see you in the academy or at court…’

this is such a chaotic rambling post, but all i want to say is that fringilla's character, like most of the minor characters in the witcher series, was not invented through random generation, a roll of the dice, a spin of the wheel. her specific traits - such as her nationality, lineage, talents - all relate back thematically. everything is relevant, specifically chosen to create a specific character.

if once changes her backstory (e.g., to place her at aretuza... though i don't know who would do such a thing for no reason) they would change her entire character, the series' commentary on imperialism, and because of her role she takes later on, even the entire ending of the story.

[lanshappycorner]

Sometimes I look outside my scope of mutuals and I'm like.....I'm glad I'm not them (whole essay in the tags)

[hanafubukki]

The third anniversary trailer of twst is interesting to me because of its foreshadowing/ominous feelings with the way it cuts the scenes. Well, in terms of Lilia and Malleus when you think about it.

This is, of course, going off of certain assumptions.

For one, the shadow below being Malleus and not another student 🤔 (we already saw Leona enter Ramshackle by this point and Vil and Rook is already there at the party idia and his brother are in their room and Cater and Trey are baking, so it’s highly likely that is it Malleus)

Assuming this shadow is Malleus, we see he’s alone with no one around.

Going forward to the rest of the trailer:

Someone walking up the stairs, alone. No one is next to them and the sign we saw before? Is behind them.

You’re probably wondering why do I get that ominous/foreshadowing feeling and it’s because of the next few scenes.

Vil and Rook looking towards the newcomers to the party and lo and behold.

Our faes of Diasomnia, with Lilia right there next to Malleus.

Lilia was not there before. There was no shadow of him being there at all in the beginning with the anniversary sign, and even with the stair scene, no floating lower half of said fae (no matter how high he’s floating, you should see at least a part of his body or shadow)

And we see Grim being patted by the invite.

Invites of any kind have significant meaning for Malleus. We know how much he wants to be invited and we know how they will have already been/will be used in Book 7.

So I can’t help but wonder. What could this mean?

Does this have some connection to Lilia? A foreshadowing of the future? Why isn’t Lilia there?

But then, if you recall, Malleus offered Lilia his happiest dream in book 7, one without Malleus in it.

And then the thought hit, what if? This is Malleus’ dream? One where he is invited? To a celebration where everyone can have fun and be merry?

A party that’s not celebrating his father’s departure and no one is sad at the end of it?

What if Lilia’s shadow missing is the hint to all this?

Wouldn’t that be the best way to show this? Lilia who Malleus loves so much and doesn’t want to lose and the reason why Malleus OB.

It would make sense if this was Malleus’ dream, wouldn’t it?

We all wondered why did this anniversary trailer focus only on the third years? And not the rest like previous years right?

The third years are important in the aspect that those are who Mal is “closest” with and they are his classmates who he spent all these years with (people who are not Lilia, Silver, and Sebek specifically and people who he can essentially talk to without them running away in fear as we have seen).

Another point that I believe adds onto this theory is the release date for this trailer, and in correlation, main story release.

The third anniversary trailer was released in March 2023, while Book 7 chapter 2 was released the month before, specifically 2/27/23. (Thank you Mumble for helping me find this info @irafuwas 💞💚)

Chapter 2, the chapter where Malleus puts everyone to sleep, giving them their happiest dreams. The chapter where, you know, Lilia gives Malleus an invite to his….going away party hahaha 🙃🥲

Everyone except Malleus is asleep. Now wouldn’t this be a devious way of foreshadowing on the twst devs side? A hint of not only Malleus’ dreams and the possibility of him falling asleep but also the way the invites will be used in the future (as we now see with Idia’s plan)?

This trailer being Malleus’ dream would also explain the discrepancies between the Grims in the trailer.

Despite the size change inconsistency with Grim (he has such a big head lmao), you see the outfits as well. Grim isn’t wearing his ceremonial robes (something he is so proud of and I doubt he would just take off) and he’s back to his ribbon (his everyday uniform)

Also take in the fact of the backgrounds, the one with Vil and Rook has bright colors and saturation while the other is darker with the sun setting. (Don’t get me started on the symbolism of the sun or sunset)

This can also show how it’s dream vs reality. Especially if you consider what Malleus considers a happy dream.

Malleus, who didn’t understand or, rather, can’t accept/is in denial (I’m going to run him over with Crewel’s car) that his hatching was Lilia’s happiest dream. That all that pain and suffering led to something so joyous.

He, the one who continued to offer a happy dream that didn’t include him but his parents and Silver to Lilia.

Would the bright colors not show this? How he thinks “happy” dreams should be? As oppose to reality with the darker hues in the other scene?

And then we see currently, how the twst boys are fighting/rejecting the “happy” dreams as well. Which adds onto these points as well. Them fighting against this path chosen for them.

[also, the emphasis of invites, getting along with others, being empathetic, caring (/guarding Silver), and understanding others’ views (as well as wanting to be understood) as we saw with Malleus’ tsum card adds on to this does it not? 👀🤔 Tsum tsum events, after all, does give hints to main story as well]

If this was the twst devs way of foreshadowing future events and giving us hints of Malleus’ dream, then I can’t wait to see what we have in store.

In short, no one hold me back! I have a mallet with Malleus and Lilia’s names on it and I’m not afraid to use it!!!! 😖😤

(Absjsjshs I can’t stop laughing omg, Mumble said he was ‘strangely’ invited for once and I’m dying of laughter 😂😆 *covering eyes 😅😅* he’s going to be strangely invited to Idia’s party alright absjsjffnfnf 😆🤣😅)

[soupthatistohot]

i do plan on continuing my bsd re-read eventually, hopefully this month bc i should have a bit more time to devote to stuff that isn't school/work now... theoretically. if not, i'll definitely continue it over the summer tho!!!

[300iqprower]

I don’t remember the invisible thing affecting the plot a lot. They just give Daybit random abilities because it looks super cool. His ability to summon Foreigners? It was Daybit being a literal radio tower for aliens from the corners of the universe. They never explained how, but Daybit can also just see the shape of the universe with his mind. And you know what, I actually like that they give him all this obviously alien trait, and yet have his guiding philosophy as “Humans fundamentally do good, so I’ll try to do good in honor of the human that I replaced.” even if he approach this “I do good” also from an alien perspective. It’s on track with LB7 theme of human infectiousness.

I keep saying he's a character of all time, and that's cause i'm explicitly avoiding calling him "bad." For all the reasons you said, he IS interesting and unique in a good way. Whether the story uses him right is a whole other matter, or whether he even fits the story, but as a character, Daybit's pretty cool.

[note-boom]

Links! 1 2 3

I feel very called out right now.

You can check out the rest on Popopretty's twitter

[asinglesock]

The good news is that I am have a lot of fun with my Luke paper. The bad news is that so far today most of the writing I've done for my Luke paper has actually been on 2 Kings rather than Luke.