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apoloadonisandnarcissus · 4 months ago

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“I have many names”: Halbrand, the Repentant Mairon in “Rings of Power”

The themes of redemption, second chances and forgiveness are major in Tolkien legendarium. This is due to Tolkien’s Catholic faith, and the belief that no one is irredeemable in the eyes of God, no matter how low they might have fallen.

And we see “Rings of Power” exploring these themes with Sauron’s character in Season 1. Or better yet, with Halbrand, which is the name the show chose for “Repentant Mairon” (Sauron’s original name) of Tolkien lore.

Nothing is Evil in the Beginning

This is the first quote in “Rings of Power”, narrated by Galadriel. This is a reference to Elrond’s quote in “Fellowship of the Ring” book: “For nothing is evil in the beginning. Even Sauron was not so.”

In the beginning of time, in the Days before Days, Mairon (the admirable) was created by Eru (God) as a Maia of Aulë, and he was one of the most powerful Maiar (demigods or angels). He was a Maia of smithing, perfection, order and beauty, with qualities like goodness, purity of heart and loyalty, and a dislike for wastefulness. He helped shape Eä (the material universe) alongside the Valar and the other Maiar, during the Ainulindalë (the music of the Ainur), and these qualities (smithing, perfection, order and beauty) were, most likely, his contributions.

Due to his power, he was targeted by the Dark Lord Melkor/Morgoth (the most powerful of the Valar), who seduced him, with promises of greater power. Morgoth is the Satan of Tolkien lore; he was envious of Eru’s capacity of creation, and wanted it for himself. Unable to have it, he devoted himself to corrupt it (which included the corruption of several Maiar), and destroy it.

Becoming Sauron

Mairon, being an idealist, betrayed the Valar and joined Melkor, seeing in him the opportunity to make his ideas a reality. He went on to become Morgoth’s most devoted servant and chief lieutenant, in charge of Angband fortress, in Middle-earth, during the First Age.

Mairon was corrupted by Morgoth, and reshaped into darkness, and all of his qualities reversed: his love became obsession; of order and perfection into dominion and tyranny; beauty into ugliness and monstrosity (by the breeding of the Orcs), goodness into evil, and his loyalty and purity of heart into treachery and deception, becoming the “great deceiver”. The Elves created the name “Sauron” (the abhorrent), as a mockery of his own.

Eventually, Mairon started to resent Melkor, because their goals turned out to be opposite: while Melkor is chaos and destruction, Mairon is order and perfection. Melkor is brute force, Mairon is the brain. What Melkor wanted to destroy, Mairon wished to perfect. Melkor is chaotic evil, while Mairon is lawful evil.

Mairon’s whereabouts are unknown during several periods of time, especially after his defeat at the hands of Lúthien and Huan, the Hound of Valinor (so it’s uncertain if he was hiding from Morgoth, or if Morgoth locked him up somewhere).

Season 2 of “Rings of Power” has already began shedding some light on this, in 2x07:

Sauron: Be not afraid. This too shall pass. I promise you, when Middle-earth is healed, and its people see what you and I did here… all our sufferings will be worth it. Celebrimbor: “Our sufferings”?

Do you know what it is to be tortured at the hands of a god?

Sauron mentioning Morgoth next and how he treated him, seems to indicate that’s what he meant by “all our sufferings will be worth it”. And this idea goes on in this dialogue:

Sauron: Sometimes, the pain almost became a reward. Became a game. A contest, to see whose will was the mightier. Celebrimbor: And after all that, you would still choose to inflict the same pain upon me? Sauron: No. You chose it. Not I. Celebrimbor: What?

I already analyzed this scene from Tolkien theological views of this dynamic, but we can also talk about the wild amount of projection Sauron is doing here. Because the core theme of this scene is Morgoth’s treatment of Sauron, and how he’s replicating that with Celebrimbor. Which might indicate these were things Sauron himself heard from Morgoth in the past: the pain is a reward; you chose it; you [are] the true author of your own torment.

And Celebrimbor saw through this, which explains his reply to Sauron’s nonsense:

And his advise to Galadriel, in the same episode:

We also see Sauron crying while hearing Adar’s tale, in 2x01: “I was in your place once. In the eldest of the Elder Days. Thirteen of us were chosen to be blessed of Morgoth’s hand, with the promise of power. A new birth. I was led up to a dark and nameless peak. Chained and left.”

There are many interpretations on why Sauron cries, but I think it’s because he’s recalling his own experience of being “blessed by Morgoth’s hand”, which might have been somewhat similar, but far worse, because Mairon is truly immortal, meaning he can be subjected to every sort of torture imaginable, without truly dying, because he can always re-embody.

And even before any explicit mention of torture, this was already clear when we saw Sauron being resistant to extreme physical pain, hinting it’s something he’s very familiar with: not only he was tortured by Morgoth, but his previous physical form got stabbed into oblivion by the Orcs, without him making a sound.

@love-and-doom asked me why didn’t the Valar or other Maiar intervene when Mairon was being corrupted/tortured by Morgoth? Or why didn’t Aulë tried to get Mairon back? Sauron himself answered to that: because he “chose it”, and he’s the true author of [his] own torment.

Free will is another major theme in Tolkien lore. And neither the Valar, and less alone any Maia, could do anything without Eru’s permission. And the moment a character sides with evil in Tolkien lore, it’s stuck with the consequences. And this goes for Marion, Adar and Celebrimbor. Because all of these characters are both victims and accomplices of Morgoth (the original source of evil), directly (Mairon and Adar), or indirectly (Celebrimbor).

Which also explains why Sauron hates and resents the Gods so much; he probably feels they have forsaken him, like they did with Middle-earth after the War of Wrath, hence him stepping in to rebuild and heal it (because no other Vala would); symbolizing his own desire of healing himself from Morgoth’s corruption.

Sauron in Truth Repented

In 2x01, we saw Sauron getting taught some humility by Adar and the Orcs unionizing against him, when he gets his physical form destroyed, by the means of Morgoth’s crown. Afterwards, Sauron is trapped in a cave for centuries, until he’s able to get out.

He, eventually, re-embodies and is able to recover his physical “fair form”, after centuries as a slimy dark substance.

When Morgoth was defeated, it was as if a great, clenched fist had released its grasp from my neck. And in the stillness of that first sunrise, at last, I felt the light of The One again. And I knew if ever I was to be forgiven... That I had to heal everything that I had helped ruin. Sauron tells Galadriel, 1x08

Soon, we see him brought low, depressed and unsure on what path to take; having a identity crisis. Some centuries trapped in a cave being goo will do that, even to a demigod (Maia).

We see him lingering on Middle-earth, and by the visual clues (wardrobe and sword) it can indicate that he might have dwelled among humans for a unknown period of time, and even found himself work as smith (sword).

The passage of time is not only hinted by his clothes, but when we, the audience, last saw him he was at Forodwaith (Northern Waste), and when he meets Diarmid, he’s in the Southlands; which means, he traveled all the way from the north to the southeast of Middle-earth.

The Trials of Mairon: Diarmid

When Thangorodrim was broken and Morgoth overthrown, Sauron put on his fair hue again and did obeisance to Eönwë, the herald of Manwë, and abjured all his evil deeds. And some hold that this was not at first falsely done, but that Sauron in truth repented, if only out of fear, being dismayed by the fall of Morgoth and the great wrath of the Lords of the West. But it was not within the power of Eönwë to pardon those of his own order, and he commanded Sauron to return to Aman and there receive the judgment of Manwë. Then Sauron was ashamed, and he was unwilling to return in humiliation and to receive from the Valar a sentence, in might be, of long servitude in proof of his good faith; for under Morgoth his power had been great. Therefore when Eönwë departed he hid himself in Middle-Earth. The Silmarillion

There is a theory that Diarmid might have been Eönwë in disguise, sent by Manwë, and his mission was to test Mairon and bring him home to Aman. I subscribe to this theory, because not only it’s aligned with what Tolkien wrote, but because Amazon has limited rights to “The Silmarillion”, and needs to adapt and work around it.

And there’s some clues towards this in the dialogue itself:

That way lies death, friend. […] I know you’ve suffered. I can see it in your eyes. There’s another life waiting for you. You just have to turn toward it. […] A sure path may crumble, but there’s always another. Often, it can lead us someplace better. Someplace good. They say there’s places across the sea, a man can escape himself. Find another path. Perhaps another life. Come with us, if you like. Or, walk on. And keep chasing death. Choice is yours, friend.

Diarmid also wears the pouch of the King of the Southlands, which might be another clue; “A symbol of kings, long-dead […] My family served them.”

This is also connected with what Mairon tells Galadriel in 1x03: Be careful, Elf. The heir to this mark is heir to more than just nobility. For it was his ancestor who swore a blood oath to Morgoth. I am not the hero you seek. For it was my family that lost the war.

In "Rings of Power"; this pouch is symbolical of Mairon's blowing up his redemption, and falling back into evil.

The connection between the Southlanders and Morgoth was also a major theme throughout Season 1. This was, after all, the reason why the Elves kept watch over them for centuries: It has changed much, Watch warden. But the Men who live here have not. The blood of those who stood with Morgoth still darkens their veins. (Revion to Arondir; 1x01).

You were right to watch us. Because we are destined for the darkness. It's how we survive. Perhaps it's who we are. Who we will always be. Bronwyn to Arondir, 1x05

What we see here is that Southlanders were kept watch by the Elves to make sure they were fulfilling their penitence for siding with Morgoth, and obtaining their pardon from the Valar.

Hence Diarmid/Eönwë wearing the pouch of the King of the Southlands, as a test for Mairon: will you choose good and redemption (save Diarmid)? Or will you choose evil and Morgoth (the pouch)?

Diarmid: Nightmares again? What haunts you so? Mairon: I've done evil. Diarmid: All of us have done things that we care not to admit. Mairon: Not like I have. Diarmid: Find forgiveness. You are alive because you have chosen good. Mairon: But what of tomorrow? Diarmid: You have to choose it again. And the next day. And the next. Until it becomes a part of your nature.

And this makes even more sense with the sea serpent destroying the ship Diarmid and Mairon were traveling on, in the Sundering Seas, near Valinor. A sea creature, most likely, sent by Ulmo, the Vala of the sea. Or even Ossë, the Maia of Inner Seas, himself.

We have the Gods uniting to test Mairon and killing a bunch of humans in the process. Why I’m telling you this? Because the “Rings of Power” fandom has not yet grasped the concept of “being a God” and how Gods are d*cks, overall, who don’t care about individual lives, they look at the full picture and see reality in 5D. Like Sauron himself. And if they need to kill a bunch of people to accomplish their goals, they will. Even Eru sinks an entire island to punish its people, and He’s the ultimate good (and authority) in Tolkien lore.

And Mairon failed the test, because he chose Morgoth (the pouch), and left Diarmid to die.

The Trials of Mairon: Galadriel and Númenor

Sauron was of course not 'evil' in origin. He was a 'spirit' corrupted by the Prime Dark Lord (the Prime sub-creative Rebel) Morgoth. He was given an opportunity of repentance, when Morgoth was overcome, but could not face the humiliation of recantation, and suing for pardon; and so his temporary turn to good and 'benevolence' ended in a greater relapse. Tolkien Letter 153

Having failed one test, the Valar didn’t give up on Mairon, for they send him another: Galadriel. Who also turned her back on Heaven, by choosing to remain in Middle-earth due to her pride, and desire of hunting down Sauron. And, so, this time, they were both getting tested by the Gods. And even Mairon sees through her, in 1x02: At last, a little honesty. If you want to murder Orcs and settle a score, that's your affair. Don't dress it up as heroism.

When Mairon arrives at Númenor, he sees it as “the place across the sea” Diarmid told him about. Where he can find another path, another life. A island gifted by the Valar themselves to Men, and where they are ever watchful. And so, he believes this is where he can prove his good faith to the Valar and sought their forgiveness for his past sins and crimes under Morgoth.

However, Mairon recognizes that Galadriel can be a liability on his plan of staying at Númenor, not only due to her antagonistic atitude towards the Númenóreans, but also the bad blood between them and the Elves. And that explains his advises to her, in 1x03: “I suggest we set history aside for the moment and show some restraint. Let's try not to antagonize these people.”

When things turn sour in their meeting with Tar-Míriel, we see him employing his charming ways, and acting the diplomat: “It seems to me that our leaving presents some complications. Perhaps it'd be better if we stayed... […] Long enough, good Queen, to give you and your advisors adequate time to weigh our request. A few days, perhaps?”

Of course, Mairon’s intention is not to stay in Númenor for just a “few days”. He wants to stay there in servitude, and prove his good will to the Valar: “I have been searching for my peace for longer than you know. Please, for both our sakes, let me keep it.”

to receive from the Valar a sentence, in might be, of long servitude in proof of his [Sauron] good faith; The Silmarillion

When the petals of Nimloth, the White Tree of Númenor, fall, according to Queen-regent Míriel, the Faithful see in them the tears of the Valar, “a living reminder that their eyes and judgment are ever upon us.”

Which explains Mairon's next actions: after the meeting, he goes straight to Númenor forge, to find himself work there:

There is not another man on this isle that knows this craft better than I. I will shovel coal if needs be, I’ll splinter wood, I’ll shape a sea anchor for you, free of charge, sturdier than anything you have ever seen. How’s that? I’m here to start anew. Lend me that chance. Please. And I won’t forget it. Halbrand/Mairon asks for work at Númenor forge, 1x03

Mairon is told he needs a guild crest in order to be a smith in Númenor, and he’ll do just about anything to get it. And this is when his bounds to Morgoth and his old ways come to the surface: not only does he steal the crest from one of the smiths (and gets into a bloody street fight), but he also tells Ar-Pharazôn of Galadriel’s plans. And this was confirmed by Galadriel herself in 1x05: I wondered how the queen knew to waylay me at her father's bedside. It never occurred to me you'd hand me over for a guild crest.

And we see Mairon working at the forge, and he’s happy. It’s not random that the times we see Mairon truly happy in Season 1 is when he’s smithing; both in Númenor, and at Eregion, alongside Celebrimbor. This was what he was created to do and to be, by Eru himself. This is his purpose, and what’s he’s meant to be doing. Not getting high on power trips (Morgoth).

And this is a great contrast with Season 2: as Mairon goes deeper into evil, he embraces the sorcerer and neglects the smith. We barely saw him doing any actual smithing in Eregion, in Season 2, while in Season 1, he was involved in the entire process.

And, as Galadriel leaves, the petals of Nimloth, the White Tree of Númenor, fall. The Valar “cry”: my theory it’s in approval of Mairon’s decision of staying in Númenor, in servitude. He has proven his good will (“in truth repented”) and needs to stay on his current path (redemption is a process). But Míriel looks at it, all wrong (like her father will warn her about), and thinks it’s a warning to follow Galadriel, when it’s actually the other way around.

And 1x05, we see Galadriel acting behind his back and involving Míriel, Queen regent of Númenor, in her plans of getting herself an army to fight “Sauron” in the Southlands (the army she claims Sauron promised her, in 2x06).

And Mairon is vexed. He doesn’t want any part in this; he wants his redemption. And this is very clear in this scene:

Míriel: My thanks, Lord Halbrand. I'm certain your fellowship will prove just as invaluable once we make landfall. Mairon: "Landfall?" Míriel: Galadriel informed us of your aspiration to unite your people. Mairon: Did she now? Galadriel: I trust she was not speaking in haste? Mairon: As a matter of fact, it was my intention... [to stay in Númenor] Galadriel: My companion is merely feeling the weight of his task. I have no doubt, come time, he will do his part. Míriel: Given that I've staked my name upon it, I should hope so. Edda: Queen Regent, your father has requested your presence in the tower. Mairon: "Galadriel informed us." Galadriel: I wondered how the queen knew to waylay me at her father's bedside. It never occurred to me you'd hand me over for a guild crest. Mairon: You used me. After I all but begged you to let me be. Galadriel: I have just convinced Númenor to send five ships and 500 men to aid your people and place a crown upon your head. Many might assume you used me. Mairon: Find another head to crown.

This is Mairon symbolically rejecting Morgoth. And this is the “good” he should have chosen. This is him passing the test, and a step closer to his redemption.

But Morgoth/Galadriel won’t give up, and she goes to the forge to persuade him into taking up the role of King of the Southlands.

I already talked about this on several posts; in Season 1, we see Galadriel being the “Morgoth” to Mairon’s “Sauron” on several occasions, by tempting him with promises of power. And this Númenor forge scene is a direct parallel with Morgoth tempting Mairon with promises of power in Aulë forge.

This idea is also present in Míriel's scene with her father, the king of Númenor, on the same episode, when Tar-Palantir warns her against going to Middle-earth and follow Galadriel:

Tar-Palantir: The kingdom! The kingdom is in danger. I must... Míriel: The danger has passed, Father. We are doing now what you always believed we must. We're restoring our connection with the Elves. I'm going to Middle-earth. Tar-Palantir: Míriel? Míriel: Yes, Father. It's me. Tar-Palantir: Don't go to Middle-earth. All that awaits you there is... Míriel: What, Father? What awaits me? Tar-Palantir: Darkness.

And this is true to both Míriel and Mairon, because darkness is what awaits for them there, should they follow Galadriel. Because, just like Adar tells her, in 1x06: It would seem I'm not the only Elf alive who has been transformed by darkness. Perhaps your search for Morgoth's successor should have ended in your own mirror.

And we see this dynamic with Galadriel and Mairon in the forge scene, where the pouch (Morgoth) is used as a plot device; while Galadriel wants him to take it, Mairon rejects it.

Galadriel: I was wrong to use you. For that, I'm sorry. Tomorrow, the queen will call you to audience. Your voice at that meeting may well decide whether this mission stands or falls. Help me. Mairon: I think I've helped you quite enough. Galadriel: Then help yourself. Stop fighting me, and together, let us fight them.

And this is when Galadriel tells him about her brother's death (although Mairon was already aware of this). But that's not what makes him reconsider, and essentially ruin his redemption. It’s when Galadriel says this:

The company I led mutinied against me. My closest friend conspired with the king to exile me. And each of them acted as they did… Because I believe they could no longer distinguish me… from the evil I was fighting.

And this is personal to Mairon. Because of what happened with Adar and Orcs; not only they mutinied against him, but they could no longer distinguish him from Morgoth.

And this is related with what Adar himself tells Galadriel in 1x06: After Morgoth's defeat, the one you call Sauron… Devoted himself to healing Middle-earth, bringing its ruined lands together in perfect order. He sought to craft a power not of the flesh… But over flesh. A power of the Unseen World. He bid as many as he could to follow him far north. But try as he might… Something was missing […] For my part… I sacrificed enough of my children for his aspirations. I split him open. I killed Sauron.

Your sorrow cannot ease my pain. And nor will a hammer and tongs ease yours. There is no peace to be found for you here. And nor for me. No lasting peace in any path, but that which lies across the sea. I have fought for centuries, seeking to earn mine. This is how you earn yours.

Find Forgiveness

And this is when everything collapses, and changes for Mairon. He now believes his redemption is connected to Galadriel and her forgiveness. But he’s deeply mistaken, because by following Galadriel and going to Middle-earth, all that awaits him there is darkness, like Tar-Palantir prophesied.

And that’s why Galadriel is connected to the Fall of Númenor visions: she's the “Morgoth” who brings "Sauron" back, like Gil-galad foresaw, in 1x01: “We foresaw that if it had, she [Galadriel] might have inadvertently kept alive the very evil she sought to defeat [Sauron]. For the same wind that seeks to blow out a fire may also cause its spread.”

By following Galadriel, Mairon chooses deception over redemption. And it’s like Elrond says to Galadriel in 2x02: “It was entirely of your choosing. Sauron looked inside you, plucked the very song of your soul, note by note, making himself out to be exactly what you needed. "The Lost King" who could ride you to victory.”

And this is exactly what Mairon does, hoping to earn Galadriel’s forgiveness, and redeem himself. And he makes his choice. And he chooses wrong. He fails the test; and he chooses Morgoth (the pouch), all over again.

And in 1x06, we see Mairon helping people, and guiding them to safety. And he thinks it’s because of Galadriel’s influence on him, and not of his own doing. Because he’s a Maia, he was created as a servant, and he needs to serve someone, otherwise he’s lost.

Galadriel: Whatever it was he did to you, and whatever it was you did... Be free of it. Mairon: I never believed I could be... Until today. Fighting at your side, I... I felt... If I could just hold on to that feeling, keep it with me always, bind it to my very being, then I...

And when Galadriel tells him “I’ve felt it too”; it’s the confirmation and validation Mairon needed. He thinks she’ll be willing to bind herself to him, and keep him in the light, and he'll achieve the redemption he so desperately wants.

But Galadriel’s light is merely aesthetic; it’s the light of the Two Trees of Valinor, who shines on every Elf who was born during the Years of the Trees. But in her case it’s more perceptible, because of her legendary golden, shot with silver, hair. And it’s her beauty that blinds Mairon; the Maia who loves beautiful things.

Forgiveness takes an Age

Forgiveness doesn't come to folk like me. Sooner or later, they'll cast me out, you know they will. Estrid to Isildur, 2x03

In Tolkien legendarium “forgiveness” is not just “earned”, it’s given, as well. And we see this with Frodo and Gollum in “Lord of the Rings”: it’s Frodo’s mercy and pity that ultimately allow Gollum to “redeem” himself, because he's the one who destroys the Ring, by falling down the volcano with it. Frodo, in “Fellowship of the Ring” believed Gollum deserved death and that Bilbo should have killed him when he got the chance, but Gandalf shares some wisdom with him on that topic. However, after he meets Gollum, he pities him and takes mercy on him.

And when Galadriel rejects his offer, Mairon sees it as a rejection of her forgiveness. She tells him: No penance could ever erase the evil you have done; and he sees this as confirmation of his worse fears, on a subconscious level (because he’ll try to redeem himself through the “rings of power” masterplan, still); he’s not worthy of redemption, and others will always cast him out. This is the turning point for him.

Because this is also a theme morally gray or villainous characters face in Tolkien lore (especially in The Silmarillion): they are always seen as irredeemable by others, and must die. But these characters are wrong, due to Tolkien’s ideas of redemption, rooted in Catholic faith (and this is what is called “unreliable narrators”, because “The Silmarillion” is written by the Eldar POV, and is a collection of facts, myths and gossip, essentially).

In Tolkien lore, “redemption” is a process, and a nuanced and complex idea. It’s broader than just one villain turning good overnight, because in the legendarium this process is not instantaneous. It’s pretty much like Diarmid tells Mairon in 2x01: it’s a process where the character has to progress towards good by conscious choice and free will: “you have to chose it again, until it becomes part of your nature”.

But Mairon never chooses this. And in Season 1 of “Rings of Power”, it’s exactly what Tolkien wrote: he in truth repents, temporarily turns to good and benevolence, but doesn’t see his redemption through as a result of his own choices. And the “pride” Tolkien talks about is personified in Galadriel, and him choosing to follow her, instead of staying in Númenor in servitude. But he means well throughout Season 1 and Season 2, too; when he embraces the next plot of his character arc, “Annatar the reformer”.

And this is Halbrand. And he was very much real, and not one of “Sauron’s illusions” or deceptions. He was Mairon seeking redemption and pardon from the Valar due to his crimes under Morgoth.

I'm planning on doing meta on "Annatar the Reformer" of Tolkien lore, too. But I got a feeling "he" is not over in "Rings of Power", just yet. I think that plot will continue in Season 3.

#the rings of power #rings of power #Sauron #sauron rings of power #rop sauron #sauron trop #Mairon rings of power #Halbrand #celebrimbor #Celebrimbor rings of power #Galadriel #Galadriel rings of power #diarmid #haladriel

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no-phrogs-in-hats · 20 days ago

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Death and the Fool

Chapter 1: The Tower--Reversed

Agatha Harkness x fem!reader

Summary: Where the personification of Life believes she has no chance with Agatha Harkness after Death gets to her first

content: childbirth, takes place at the beginning of episode 9

A/N: Hi! I received a request for a oneshot by @hannah-0730 and decided to turn it into a whole fanfic so lmk if you'd like to be added to the tag list!

Spotify playlist for this book can be found here Ao3 link here

“The Tower–Reversed: Internal chaos, avoidance of change, delaying disaster.”

April, 1750

April has always been your favorite month–even when it wasn’t called ‘April’. Hibernations are ending and new life is being born. Bulbs of daffodils are breaking through the warmed soil. New souls are being introduced after remaining at your fingertips.

This day was no different. The first birth of the day was a baby girl in the New Hampshire colony. Born at twelve–ten in the morning, she had a full head of dark hair and when she opened her eyes they were the darkest shade of blue.

“Welcome to the world,” you’d whispered, wishing her luck on her journey with a kiss on her head before moving on to the next soul.

You have a special place for every soul. Each one is unique in their own way: each one has their own path, their own personality as they age, but your favorite type of soul will always be the new souls.

With so much potential, there’s an endless amount of possibilities. You’re able to help guide them to their first life, able to see how they flourish and succeed. And then, you welcome them back to the Soul Plane with open arms.

Each soul is molded by the other souls around it. Every one of them is connected by a string, and you find it extraordinary and utterly beautiful. You have watched every single soul grow. You’ve watched them from the birth of their light, expertly crafted by your skilled hands, all the way to their final life centuries later.

You’ve never played favorites, but these two were an exception.

You panted heavily as you ran beside her, cloak flowing behind you and your hood falling away from your head. “Agatha, we need to stop!”

As if on cue, she gripped your arm and doubled over in pain. You held her up, wrapping your arm around her back and guiding her off the path. “Come down here, to the river.”

Her breaths were heavy and labored as you removed your blue cloak and laid it out on the pine needle strewn forest floor. Agatha removed her own quickly and tossed it aside, leaning against the tree.

You knelt on the grown, taking the knife strapped to you from its harness and cut off a decent sized piece of your cloak. You quickly moved down to the riverbed and soaked it in the cool spring water before making your way back to Agatha.

She was drenched in sweat when you pressed the cloth to her forehead and neck. You let her grip your hand as you continued dabbing the sweat off her, “It’s okay…It’ll be okay…”

But, in truth, you didn’t know if it would be. Death–Rio–she had never been interested in the making of souls. In her words, it was too complicated and she’d rather stick to her “job description”.

When it came to this soul however, she was insistent on helping.

“It’s my child,” she tried to reason. “I think I have the right to at least help with the creation of their soul!”

You weren’t stupid. You knew how it would end, whether or not she helped make the new soul.

The grip Agatha had on your hand tightened even more as she cried out in pain. “Something isn’t right,” she managed to get out. “Something–Oh, God!”

You looked up from her and ten yards away was a figure. She stood there, quietly observing you both in her green cloak.

“Rio,” you mutter.

Agatha turned her head toward Rio as she cried out again. “No! No! I told you not to come!”

Rio began walking towards you. Mud stained her cloak as it trailed behind her, and though her presence felt threatening, you could see it in her face that this was the last thing she wanted to do.

Rio stopped a good distance away, “I had to…”

Agatha’s nostrils flared in frustration and her jaw tensed, “If you do this, I will hate you forever!”

But that didn’t seem to shake Rio outwardly. Instead, she offered a subtle nod, almost saying, ‘I can live with that’.

“Please let him live!” Agatha sobbed. “Please, my love!”

Rio looked at you with regret in her eyes and you sighed, “Rio, just this once, please! At least offer time.”

Rio closed her eyes as Agatha once again groaned in pain. She had a decision to make and it needed to be made quickly. She let out a sigh and opened her eyes. “Okay,” she said softly, “but it is inevitable.”

When Agatha’s eyes opened again Rio was gone and she sighed, her thoughts muddled as she tried to speak, “She…what…”

“She’s given you time, Aggie,” you whispered. “Your son will live.”

A relieved sigh was let out and it turned into a broken moan as another contraction washed over her. You quickly pulled the hem of her chemise up and over her thighs, reaching to the side to grab her own cloak and place it in front of you.

“Okay, Agatha,” you huffed. “I need you to give one big push.” You reached your hand up and she took it, squeezing it hard as she screamed. “Good,” you said. “Just one more to get the shoulders out. Squeeze my hand.”

The shrill sound of a baby’s cry echoed through the woods as you grasped the child with the cloak in front of you.

“Welcome to the world,” you smiled.

You had never seen Agatha cry, but the moment her son was placed on her chest her walls broke. As she held him close, you picked up the wet rag again and brought it to his skin. You cleaned off what you could before cutting off more squares of your cloak.

“I’ll be right back,” you muttered, standing up and making your way back down to the river.

You went back with cloths dripping water and sat down in front of Agatha, beginning to clean her son off.

“I think,” she sighed, “I think I’ll call him Nicholas.”

You smiled softly and continued washing him off, “Maybe you could call him Nicky for short.”

“I like that,” she mumbled, smiling down at him. “Nicky.”

When Nicky was finally clean, you managed to swaddle him loosely in Agatha’s cloak. You settled beside them closely and since meeting her, you had never seen her so happy.

“How much time did she give him?” Agatha’s voice was meek and her smile had dropped when she turned her head to look at you.

You took a deep breath and looked her in the eyes, “I don’t know. I wish I could tell you, but I won’t know until it happens.”

Her voice was strained, “Okay.”

After a trip to the river to help Agatha clean up, the two of you sat peacefully against the tree for at least an hour. It was quiet, the sound of birds and the rustle of leaves lulling both Agatha and Nicky into a light doze. You didn’t want to wake them, and you certainly didn’t want to leave them, but you knew you had to.

You placed your hand on Agatha’s shoulder. “Aggie,” you whispered, pulling back when she startled awake. “Come on, we have to go.”

You managed to create a sling out of your cloak, allowing Agatha to hold Nicky close to her while holding onto you for support.

The sun was setting as you walked a path through the woods. With the direction you were walking, it was directly to Agatha’s left and the sight nearly made you weak. Her silhouette was illuminated in golden light as she walked and it made her look as if she were glowing–she was completely and unequivocally beautiful.

“Where are we going?” she asked.

You grinned, “Well, sometimes, the Soul Plane gets a bit boring, so Rio and I made ourselves a little cottage. There’s a garden there so I’ll grow you some fruits and vegetables, and a stream runs right by it so you’ll have water.”

“Sounds like paradise,” Agatha chuckled.

The sun was almost entirely set and the air had grown chilly by the time you reached the cottage. When you entered, you immediately lit a fire in the hearth, smiling to yourself as you heard Agatha groan while sitting down.

“There are two rooms,” you said, “Mine is on the left, so you’re free to take clean clothing if you’d like.”

After gathering fruits and vegetables from the garden and replenishing it afterwards, you made your way back to the warmth of the cottage. In front of the fire, Agatha sat in a chair, holding Nicky close to her chest as she fed him. Her dirty chemise from earlier was replaced by a shawl and one of your own chemises, pristine and white as if it had never been worn before.

“I picked some apples from the tree,” you said, setting a basket down on a wooden table. “And some potatoes, carrots, peaches, strawberries, and peas. I grew some more of everything, so you should have a few months worth of food.”

Agatha smiled softly, her eyes giving way to her exhaustion. “Thank you,” she said.

“You’re welcome…” There was a beat of silence before you continued speaking. “If you’d like me to, I can stay the night, but–”

“Will you?” Agatha asked.

You tensed up, not actually expecting her to ask. She was always alone, liking to be by herself–a covenless witch, she called herself. “Oh…yes. Of course.” At the sight of her smile, you relaxed. “Well, I hate these dresses, so I’m going to change into something more comfortable.”

With your own underclothes on a shawl to add an extra layer, you fixed a fire in both of the bedrooms and rejoined Agatha with a book in your hand. “The bedrooms are ready and…I think Rio suspected we’d come here because there’s a cradle in her room…”

Agatha looked at you with a mix of emotions in her eyes, “There is?”

You nodded. “You and Nicky are more than welcome to sleep in there, Aggie.”

The night was quiet after Agatha went to bed early, politely declining your offer of dinner. You stayed in front of the hearth reading until the clock showed it was half past ten and you put the embers of the fire out.

Before you could make it to your own room, lit candle in hand, crying pierces the air. You walked across the room to Rio’s room and just before you’re able to knock, Nicky’s shrieks stopped. The door is cracked and through the cool air and the crackling of the fire in her room, you can make out the sound of humming. And then, the sound of singing.

You felt warm, to see this side of her that no one else has seen–not even Rio since she had left earlier in the day. This was a woman whose tongue could cut sharper than a knife, whose wit was beyond measure, and who had never dropped her stone-cold mask for anyone.

And she was singing.

Agatha Harkness was singing a lullaby.

You leave her be and walk back to your room, unable to shake the picture of Agatha. Once settled into bed, you find that sleep doesn’t come easily. Your mind lingers on Agatha and no matter what you do, nothing helps. You toss and turn, but still, you think about Agatha and her perfect lips and her perfect eyes and her dark hair and the lullaby and how maybe, just maybe, one day she’d feel the same way about you.

Perhaps you would no longer be the Fool in the deck. Perhaps you would be the Ten of Cups. But for now, you would remain the Fool, naive and hopeful, chasing after your Sun and preparing for the grief that would inevitably turn her into the Three of Swords.

#agatha all along #kathryn hahn #agatha harkness #agatha harkness x reader #fanfiction #mutual pining #slow burn #friends to lovers

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icingred · 8 months ago

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Now my question for your Reverse Au: what is the status of the Beast Cookies?

The Beasts

I cannot say much about them because this AU is really dependant on the canon story (which.. isn't out for the most part 💀)... Not to mention this might even change, based on the future updates about them.

And pls note that this is a CrK AU only so I'm not mixing any WC, OB, etc. Lore into this.

Originally baked as Beasts by the evil Witches, they have roamed around Earthbread creating chaos. In an attempt to save their creations, the other, friendlier Witches have dedicated their time to redeem this batch of cookies, to which they successfully did.

But soon enough, they lost direct contact with their cookies, and the good Witches were no longer caught up with them.

Despite that, the heroes continued to bring enlightenment and prosperity to Earthbread, to prove their redemption. They helped many Cookies for years and soon gained their trust.

Elder Faerie Cookie, their old friend who remained unhappy with the change, has sealed the new Heroes up in the Silver Tree with a little help from the evil witches and their new allies, the Wizards.

In their last attempt to protect Earthbread, the Heroes gave away their Soul Jam, so that such powers wouldn't end up in Elder Faerie's hands like he intended to.

Many years later, they remained there, lost and forgotten, until a cookie made of white flowers came by…

#alternate universe #cookie run au #cookie run #cookie run kingdom #cr kingdom #crk #beast cookies #elder faerie cookie

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sovksluv · 1 year ago

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LOVE IN CHAOS

☠︎︎ . pairing - Clarisse La Rue x fem!Nemesis!oc collection

☠︎︎ . summary - everyone either wants to be her or be with her, in awe at her unmistakable confidence and clever comebacks. she was a tough force to be reckoned with, and there was just one other girl as strong as her, ready and willing to put her strength to the test. that girl who would kill herself if it meant she was proving her strength.

☠︎︎ . includes - main series with additional blurbs! oc is specified as a mixed black and hispanic girl with a name !!

☠︎︎ . series taglist - @curlymeme

☠︎︎ . pjo taglist - @perseus-jackass @niktwazny303

☠︎︎ . now playing - Sexy Drug by Falling In Reverse

☠︎︎ . a/n - thank you to @curlymeme for the oc creation ! she gets just as much credit for this as me 💋

☠︎︎ . series

☠︎︎ . chapter 1 - all by yourself, sitting alone

☠︎︎ . chapter 2 -

☠︎︎ . chapter 3 -

☠︎︎ . chapter 4 -

☠︎︎ . to be continued…

☠︎︎ . extras

☠︎︎ . series playlist

☠︎︎ . series moodboards

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isagrimorie · 5 months ago

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[initial reactions] Agatha All Along 1x05 - Darkest Hour / Wake Thy Power

🎵 You should see me in a crown... 🎵

Single best needle drop in the whole of MCU or the single BEST needle drop in the whole of MCU???

That was an excellent episode of TV.

One of the things I like about Jac Schaeffer's story sensibilities is that the whole point is for the audience to figure out the clues they laid out. It's not about keeping secrets.

If knowing the secret is enough to derail a story that means it's not a well-executed story to begin with. The twist should only enhance storytelling, and not be its point.

This is something Jonathan Nolan forgot in Westworld.

Jac Schaeffer knows the best thing out of a secret known is the 'what happens next'.

This episode confirms my theory:

Agatha suspected Teen had to do with Mrs. Harts's death and suspected he was either her son, Nicky, or she was Wanda's.

Rio confirmed he isn't Nicky.

The best discussions happen after.

This episode also confirmed a couple of things:

Agatha's mother hated her since she was a baby. She probably tried to keep the knowledge of witchcraft away from Agatha and when Agatha stubbornly still tried to learn more, her mother had her executed.

Rio hates ghosts and really, really hates Evanora Harkness.

Agatha Harkness' magical absorption works like Rogue's power absorption. She has no control over it. It feels good to happen but she has no measure of control over her magical absorption.

We now know who Teen is.

Agatha suspected Teen was either her son or Wanda's.

But god am I sad that Alice died. She just got her life back and that Agatha was the cause and you can see she didn't want to be doing what she's doing but there seems to be Euphoria when she gets to absorb powers.

What kind of mutant magic curse is that -- it's like the TVD's Gemini coven siphoners but worse because she can't control it.

I hope the death that happens on the Road is reversible or something because I want Alice back.

Rio wants Agatha dead but not the kind of dead that she would suffer an eternity of Evanora Harkness.

Now that we know about Teen -- how conscious Teen is about her powers, about what she's doing. I like that Teen is manipulative like a true student of Agatha, all along.

Also, in WandaVision Agatha's always been simpatico with Billy, she liked Billy. (Agatha: I like all of Wanda's children-- Tommy who?)

I love that we have more episodes ahead of us because this means they have time to hash out all the issues, but this time when Agatha, Jen, and Lilia return to the Road and confront Teen/Billy it with the full knowledge of who they all are and without artifice.

That's the truth of it.

Also, my theories about Teen wanting to ingratiate himself as part of the coven and pushing this walking the Road feels like it's been validated.

As for Billy, I'm not gonna stand here and have people question how real he is because as we've proven with Dawn Summers, he is REAL. Wanda has Chaos magic and is capable of spontaneous creation which means whatever Wanda made is REAL.

How Billy returned is beside the point. (Well, it will be explored in the show, I bet).

It also doesn't take away that even if Billy isn't Nicholas, Agatha does care for Billy even if she is currently furious with him. Agatha can hold multiple truths within her.

The point of the story isn't the revelation -- even though the cast and crew made an effort not to say anything. The point is the audience will find out and what will be the fallout then?

Also, Jac Schaeffer is the kind of storyteller who is not into Big Bads as the point of the story. She's about human relationships and conflicts. By the end of this, my theory is that Agatha and Billy will be shoulder to shoulder at the end.

It is also an unfortunate reality about Agatha that witches around her die whether she likes it or not. More frequently, not.

No wonder she doesn't like the Convenstead rule. Among other things relating to her issues.

I like the moral ambiguity of this show starting with the star of the show who is selfish and manipulative but that doesn't mean she doesn't care. She just has to learn to care for somebody else above her own skin.

I don't think the whole coven is dead, I think they'll wake up somewhere else and Jen is going to be so pissed about what happened.

#tv: agatha all along #initial reactions #agatha all along spoilers #agatha spoilers #agatha 1x05 #agatha harkness #rio vidal #alice wu gulliver #jennifer kale #lilia calderu #teen (agatha)

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needanaccount2readarcaneposts · 2 months ago

Note

you seem to have the timeline of arcane down!! do you have the ages and how many years pass between each skip readily available by any chance?

It depends if you want the S1 version of the timeline vs. the S2 version of the timeline!

S1 version of the timeline, where Silco and Vander look much younger in the betrayal flashback, goes something like:

Betrayal (Silco and Vander look to be in their early to mid-20s?)

[general consensus is somewhere around a 10 year timeskip; could be as long as 15]

Bridge massacre (Vi is approximately 10; Powder is approximately 6; Vander is mid-to-late 30s?)

[skip forward about 5 years]

S1 Act 1 starting from apartment heist (Vi is approximately 15; Powder is approximately 11; Vander and Silco are early-to-mid 40s)

[skip forward about 7 years]

S1 Acts 2 & 3 (Vi is approximately 22; Jinx is approximately 18; Silco is late 40s to early 50s)

S2's much lamer version of the timeline is similar to above, but the bridge massacre and the betrayal are more or less concurrent. Silco only marinates in his post-betrayal angst and revelations for five years before turning up to ruin Vander's day, which... Listen, when you are a whole adult, five years is less, "At last... the culmination of all my long-held plans, the fruit of all my bitter labours, the moment towards which I have been patiently building all this time," and, "Oh my god... the sins of my ancient past resurrected to visit terrible consequences upon me!" and more, "Hm, I should re-caulk my windows."

From there, it all gets very loosey-goosey.

S2E1 picks up in the direct aftermath of the Council bombing, but most likely covers a period of several weeks, if not months: Viktor's recovery in the sourdough starter, the commissioning, creation, and unveiling of the statue of the dead Councillors, and the organisation of the memorial service, Ambessa investigating the undercity to discover Renni's grudge against Jayce and plan a major attack against said memorial service, Jayce designing and creating a whole hextech gun for Caitlyn, before the strike team begins operations in Zaun.

S2E2 skips backwards a bit in order to cover some of the same aftermath period in the undercity in the 'Sucker' montage; the chaos in the wake of Silco's disappearance puts enough strain on the Firelights' resources that they are almost at breaking point. It then catches up to the end of S2E1: there is a now a bounty on Jinx's head, which Smeech tries to collect. We see what is probably a fairly early mission of the strike team, investigating a known haunt of Jinx (the arcade) in an attempt to apprehend her. However, the strike team has to have been in operation for at least a little while now, using the Grey in Zaun, in order for Sevika to be willing to team up with Jinx to take out Caitlyn and Vi; otherwise I don't think she'd give enough of a shit.

S2E3 skips backwards a bit once more, to give us the 'strike team gassing the poors' montage. This probably also encompasses a period of several weeks to months, as each raid presumably has various scouting/intel gathering/planning stages, then debrief/intel assessment afterwards, before they plan the next raid. We also have to assume that this montage covers a long enough period that Vi and Loris grow decently close. This period outpaces the end of S2E2, and culminates in the Ashes & Blood uno reverse gas 5-way showdown.

Timeskip between S2E3 & S2E4, mostly covered in montage form: Vi's pitfighter emo phase, Jinx & Isha bonding, rise of the Jinxers , Cait's oopsie fascism phase and growing out of it. IIRC word of god says this is about six months???

S2E4-5: Stillwater heist and finding Warwick, probably just a few days.

S2E6: hanging out in the commune for... god only knows how long. How long do mind palace montages take? Think about how bad Vi's titty bandages and leather clothes must smell.

I guess at this point, it's been... I dunno, let's say nine months? a year? since the start of S2. Vi 23; Jinx 19.

S2E7: lol

S2E8: I don't fuckin' know, man. This is the point at which I started to tune out hard. How long was Vi unconscious? How long was Jinx rotting in a cell? How long did it take Ambessa to sneak all her forces out of Zaun and stage a... naval attack? huh? ok, whatever. We also have Jayce trying to convince the undercity to fight, and somehow having located Sevika and Scar to be representatives at this meeting. 🤷‍♂️

S2E9 occupies the exact reverse pocket of space-time as the adage, 'time flies when you are having fun'.

I guess by the end of S2E9, with Caitlyn's fuckass montage speech, Vi still wearing the same nasty vest, and Sevika assuming a Council seat, it's probably been a few weeks since the battle?

✨FIN✨

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gh0stfxc3 · 6 months ago

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Reverse falls but Bill is a creature of creation like the Axolotl and the Axolotl is a creature of chaos.

Dipper and Mable accidentally summoned the wrong creature, they were supposed to summon the entity that will grant them power. Instead what they got is a blue triangle that is the opposite of what they expected.

Basically Bill/Will helps Dipper and Mable to actually act like the children they were supposed to be instead of the rich stuck ups they were born to be.

Will isn't a cry baby like in the original or smth, but he is very understanding and knows what sympathy is, he will not take requests that will ruin someone else's life or use his power for destruction. His still annoying and mischievous though, so far from being calm, right?

He is more like a dream angel rather anything tbh.

Now Mable and Dipper have someone that corrects them every chance he gets.

Though someone else does summon he Axolotl and drama goes down while Will tries to protect the kids.

This is my take on the reverse au!:)

#gravity falls #reverse falls #will cipher #gravity falls au #dipper gleeful #Mable #my own take on things #silly ass

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cavedweller1st · 7 months ago

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Creation!Reverse doodles ᕕ( ᐛ )ᕗ

#chaos of creation!reverse #chaos of creation #my son!!#ᕕ( ᐛ )ᕗ #yippee #doodles

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dykescooby · 1 year ago

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My view is that God Created a world that specifically allows for chaos. I am Influenced by Maimonides' understanding of evil: that is to say, what we call evil is the suffering that is either caused by natural events or is the natural outcome of our free will. Additionally, I believe God has chosen to be self-limited within Creation — hence the presence of chaos. This element of chaos allows for change and growth, for new species and new traits to arise, for artistic expression and new ideas. But that same chaotic space also allows for unwanted mutations, cancerous tumors, destructive events, and natural catastrophes. It is built into the very structure of this world, which is why God does not intervene to change it. It means that we live in a world where eight-year-olds can die of cancer. It also means that we live in a world where there are eight-year-olds. Evil, therefore, appears to be a necessary by-product of Creation, a Creation that includes free will. If we have the ability to choose to do good, we must also have the ability to choose to do evil. But the reverse must also be true: if we have the ability to choose evil, we must also have the ability to choose good.

Thinking about God: Jewish Views, Rabbi Kari H. Tuling

Zionists shondas fuck off

#thinking about god #kari tuling #jewish things #jewish philosophy #words #layla reads #*

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geistundmaterie · 9 months ago

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Phenomenology of Mammon

Either what I’m about to write doesn’t make any sense and I’m slowly spiralling down into a state of madness, or I have managed to see the true essence of Mammon.

When one is fascinated by a certain character, it does not happen by a mere accident. Your unconsciousness responses to the seen images with different intensity, some things appearing especially meaningful to you. This text is not an analysis of the obvious allegories that were put into Mammon’s concept. Instead, I attempt to explain why his design and everything related to him “goes hard” and fascinates many at an irrational level.

Clowns and the Transcendence

Mammon is a clown and this fact is meaningful in itself. In human cultures across the globes, the universal transcendental reality is broken down into various local forms. Thus, "truth is one, the sages speak of it by many names". In other words, material reality consisting of concepts and forms is finite. By relying solely on it, one loses some of the possibilities that exist beyond the rational association with the world.

A symbol gives access to the deeper layers of existence which are otherwise inaccessible. For example, the rationally incomprehensible can nevertheless remain expressible in the artistic image. A clown, in turn, is the ultimate symbol of the symbolic expression in itself, as seen in its performances or playing of a role. It is an articulation of a desire to escape the human cerebral way of thinking. Clown’s intuitive trickster nature allows it to access the realm of existence that go being the conventional categories of reason. It exemplifies how a wordless intuitive artistic expression can compensate for the deficiencies of a language. Clowns playfully engage with the reality and lure us into a region of the spirit beyond any material or societal creeds. Thanks to their silly form, clown embodies a statement that point beyond themselves into the realm of everything instinctive and irrational.

In a letter to comedian George Carlin, Byrd Gibbens, a professor of English at the University of Arkansas at Little Rock, wrote about the significance of the trickster in indigenous myths:

Many native traditions held clowns and tricksters as essential to any contact with the sacred. People could not pray until they had laughed, because laughter opens and frees from rigid preconception. Humans had to have tricksters within the most sacred ceremonies lest they forget the sacred comes through upset, reversal, surprise. The trickster in most native traditions is essential to creation, to birth.

Balancing between Chaos and Order

The Helluva Boss’ merch of Mammon depicts him in a dynamic and balancing pose. Any good clown is always balancing between chaos and order, not falling into the extremes of both.

One thing those depictions of Mammon instantly remind me of is the World tarot card. It usually represents the archetype of completion, achievement, fulfilment, sense of belonging, wholeness, harmony. This card has a dancing figure at the centre. The figure is constantly in motion, but it moves harmoniously, calmly balancing between opposites. Its expression of unity and fulfilment is eternal yet dynamic rather than simply static. One feels the cosmic rhythm and participates in it. There are four figures on each corner of the tarot card, representative of the four corners of the universe, the four elements, and the four evangelicals. Together, they symbolize the harmony between all of their energies. And all of them are is the dancer’s control. Mammon, in return, has four hands.

In fact, it is not a mere coincidence that The Fool and The World tarot cards both have a dynamic yet balancing figure at their centre: this state is the beginning and the end of all being, starting with unconscious wholeness and moving to its conscious experience. The clown is the perfect synthesis of Apollonian and Dionysian drives: it is a whim that has gained form and purpose. A repressive (Apollonian) society needs a mediator between it and a Dionysian element, a safety valve through which one can give a symbolic satisfaction to the antisocial tendencies. Without the latter, human life is misbalanced. One must experience what Friedrich Schiller called the play drive. It unites the infinite and the finite, instinct and reason, and life and form in the human experience. In order for the play drive to effectively mediate between the body and the mind, humans must develop passivity, practise intuition, and open up to the universe. They also need to practise using reason and active stance towards the world. When both are accomplished, a person can experiences a balance between two polar opposites of being at once; they feel themselves as ever-changing matter and come to know themselves as an eternal mind.

Artistic expression results from the balance and union of two opposed principles of rational and irrational. By being like a clown and engaging with life in a playful, symbolic way, you transcend yourself and become fully human.

Taken from the Shark Robot merch store, Twitter: zllm6

Spider Web and Mandala

Mammon is a spider demon. His territory is packed with spider web visuals, including “the lounge” he sits at during the performances. Spider webs are an unconscious but a meaningful creative phenomena, a beauty that is produced by an instinct. They also bear a striking resemblance to mandalas.

Mandala can be found in all the ancient cultures and is a symbol of life’s innate interconnection and of the Self, a unification of the conscious and unconscious life of the individual. In terms of one’s inner world, it represents the inherent order of the soul in centre of which resides the God itself. A centre that unites all polarities and contains the essence of all that emanates from it. There is no linear evolution; there is only a circumambulation of the Self.

In the mythology of many Native American cultures, an important figure called Spider Grandmother (Hopi Kokyangwuti, Navajo Na'ashjé'ii Asdzáá) can be found. She has a central role in the creation myth as the Creator who spun the “Web of Physical Life”. It is upon the strands of this web that all life is interconnected, with each creature being a vital and integral strand in the cosmic web.

Hence, a spider web can be viewed as a symbol of the organised cosmos and primal source of everything.

Unio Oppositorum

Mammon at his core is a union of opposites. To begin with, he unites the classical dichotomy of matter and spirit in himself. He has animal features and is still a spiritual being. His concept as an “animal deity” also corresponds to the ancient tradition of depicting beings with a divine status as animal-like: Egyptian pantheon of Gods, some Babylonian Gods, three animals following the Evangelists, and so on. Even the Christ was attributed with animal features, being called “a lamb of God”, “a fish”, or being depicted as a snake on a cross. Both, the instinct and the spirit, belong to the wholeness of the cosmos.

Mammon encompasses numerous other opposites within himself: he’s both goofy and dangerous, he’s a “baby” or “a manchild” to some and a sugar daddy to others, he’s lazy and extremely energetic at the same time, he’s fat yet very agile and has a very good body coordination, he has teeth and claws yet reminds you of a teddy bear, he’s both the performer and the manager, he’s both “a rock star” and an traditional artist, he’ll take from you but also give you what you want, his theme music is a combination of a classical circus jingle, a tune from “Carmen” and electric guitar rizz. Despite all the opposites at hand, everything feels natural and balanced in Mammon.

Even Mammon’s black-and-white stripes in his full-demon form indicate the consciousness of the opposites in him: he is not just light or not just dark; he is a combination of the two. This detail of his appearance reminds me of Koshare Pueblo Clowns (sometimes called Sacred Clowns).

For the same reason Mammon’s dualistic patterns on his clothes are extremely fitting and symbolic.

The Double, the Trinity and the Quaternity

“One becomes two, two becomes three, and out of the third comes the one as the fourth.” Carl Jung, C.W. Vol. 12: Psychology and Alchemy

Mammon has two Fizzbots sitting beside him. Folk cosmologies commonly feature twins, who are typically engaged in an unending battle with each other. Reality consists of a multiplicity of things: the division into two was necessary in order to bring the ‘one’ world out of the state of potentiality into reality. Dualities coexist in an undifferentiated manner in their natural state. However, the tension between the opposites grows stronger as consciousness awakens. An irrational third, the transcendent function, manifests from this conflict and unites them.

The fact that the Twin Fizzbots look gender ambiguous is meaningful: they are in unison and transcend the sexual duality, with “the transcendent function” being Mammon’s wish to make them androgynous. For the same reason it is very symbolic that in the storyboard, Mammon had two groupies of opposite genders sitting beside him: it is a “the divine pair” of complementary opposites united through Mammon’s equal attraction to them.

In alchemy, a lot is revolved around the “Mystery of Coniuctio” (of the Conjunction, the Marriage of the Opposites). The conjunctio requires a medium for its realization. The fruit of this union is the “Philosopher’s Son”, the Mercurius. He is a trickster entity that balances between two opposites, and is the base and the end of all being, an integration of light and dark, good and bad. This alchemistical process expresses itself in a trinity, tria prima, related to the law of the triangle. The law of the triangle is natural law formed from the union of two opposite but complementary equal halves to produce a perfect manifestation. Consequentially, the Twin Fizzbots (having complementary outfits with patterns on opposite sides!) are joined in Mammon, with them forming a trinity together.

Mammon has four arms. Four is a culturally meaningful number and an omnipresent symbol of the cosmic balance, as expressed in four cardinal direction, the four "Holy Creatures" that bear the Divine Chariot, four seasons of the years, fours functions of the consciousness, etc. Quaternity represents wholeness and universality. Several Hindu deities are often portrayed with four arms. The iconography of four arms symbolises divinity and power, as well as dominion over the four quarters of the universe.

The Rhombus

Mammon’s current costume includes many rhombuses: a shape consisting of two triangles, one downward and one upward pointed, joined together. This geometric symbol represents the unification of low aspects with the upper. Because rhombus contains vertical and horizontal directions simultaneously, it expresses the concept of Unus Mundus that unites matter and spirit instead of treating them as two polar opposites that exclude each other. In other words, it’s a symbol of the Hermetic universal principle: "as above, so below; as below, so above", which is rooted in the ancient Egyptian mysticism and Hellenistic philosophy. According to it, the immortal and eternal realm of the inner world corresponds to the physical and mortal reality of the outer world that we all experience. With that, Mammon displays yet another symbol of a union of opposites.

The Value of Money

Mammon represents the sin of Greed in a physical embodiment. There is nothing he loves more than money, all his endeavours dedicated to making more and more of it. He desires the ultima ratio of all things worldly.

Aside from its economic function, money can be used as a driving force behind action, a benchmark of success or status, a means of expressing one's own value, a tool for exerting control over others, a means of achieving happiness, a solution to problems, a means of defining one's own worth, and a source of security. It is not inherently wicked.

Money also symbolises a storage of concentrated potential energy for later use, it links us to the material world. Soul needs money so it doesn’t fly off into some distant psychic reality. “Laying up treasures in Heaven, where moths and rust can not consume them” leads to disassociation from the material existence, condemning it to a degree it does not deserve. Before your physical death, you are forced to play by the rules of the world that put value on success and material gains. In Jungian school of thought, the first half of human life is dedicated to adapting to the outer world, planting your feet firmly on the ground and accustoming oneself to the conditions imposed on you, learning how to use the material restrictions to one’s advantage. It’s all about the expansion of life and conquering the environment you are inhabiting, which includes learning how to secure yourself and improve your life conditions by earning money.

Mammon is also the supreme patron of money. A demon who can help in accumulating wealth and attracting financial prosperity. So, next time you look at a Mammon standee on you shelf, think about that: could it be that you are creating a little altar to attract his favor? Maybe, on an unconscious level, you seek his blessing in terms of fortune, prosperity, and abundance? Could it be that Mammon keychain on your backpack is a magical charm you feel supported by in your earthly endeavors?

Taken from the Shark Robot merch store, Twitter: kstoooone

Colour Psychology

What are the positive features one could instinctually associate with Mammon’s colours?

In colour psychology, green represent health, life, and prosperity. Being a dominant colour in nature, green is associated with vitality, harmony, and growth. It is a harmonizing, balancing and calming shade. Green is also associated with luck: the Irish believe the wearing of the green brings fortune.

The gold colour is the colour of wealth, achievement, and triumph. Golden colour adds richness and warmth to everything that it comes in contact with. It illuminates and enhances other things around it. It is optimistic and positive, as well as being synonymous with divinity, wisdom and power in many religious settings. It inspires knowledge, spirituality, and a deep understanding of ourselves and our souls. For the alchemist, gold represented the source and end of all being, and the perfection of matter on any level, including that of the mind, spirit, and soul (the famous “Philosopher's Stone”).

Sometimes, purple colour can be seen in things associated with Mammon (his advertisement for Fizzbots, the interior of his concert building, etc.). Purple, green and gold are Mardi Gras colours.

Mammon’s merchandise usually feature lime green, a hue mixture of yellow and green. Lime green is a bright, electric colour full of vibrancy and energy. It is a colour closely associated with confidence, and is thought to promote feelings of liveliness and excitement. It is also a colour that is said to stimulate the mind and body, and to promote creativity.

In conclusion, Mammon’s visual appearance features colours that have a psychologically vitalising and positive effect on the viewer, making him a very pleasant character to look at.

KA-CHING!

The known laws of physics forbid the movement through the outer space of either mass or energy faster than the light speed. Mammon doesn’t care about that, he simply teleports wherever he pleases.

The trickster archetype is a “boundary-crosser”. They violate principles of social and natural order, playfully disrupting normal life and then re-establishing it on a new basis. They will dismantle, construct, manifest themselves, move, and perform tricks that seem to bend all notions of causality, normality, and sense. All your prior knowledge and assumptions will be casually thrown out the window by these entities. They excel at manipulating reality to their will and breaking the laws of physics. The strangeness of Mammon does not end there. Where does the „ka-ching“ sound and confetti come from? What are those voices of cheering kids? Mammon is a reality warper and uses his abilities in the most childish yet endearing way possible. You are confronted with something that blows up your categories of judgement and does not give you a coherent explanation for anything you saw. These are just facts you need to somehow integrate into your established picture of reality.

The Jester and the Death

There could be a very profound symbolism behind Mammon’s skeleton suit.

The medieval understanding held that the root of all foolishness was the denial of God (logos, ratio). Any detachment from human reason, or the instinctive, irrational, and impulsive behavior that prioritizes desire over purposeful thought, was referred to in this context as "foolishness." Foolishness and sin were set on the same level. Those who denied the existence of God were doomed to eternal death after their life on Earth had ended because they rejected the idea of an immortal soul (and, instead, lived a life of an irrational desire-driven “animal”).

The Fall of Man brought death into the world. Adam and Eve lose both paradise and immortality when they choose to follow the serpent instead of God. The Old Testament provides an explanation for the two greatest mysteries of human existence: first, the imperfection of man and, second, the temporal limitation of his existence. If original sin is the reason for death and if foolishness has the same meaning as the original sin, then foolishness should also have a causal connection with death. This was, in fact, the conviction of people in the late Middle Ages.

The fool and the death are believed to have a kinship relationship in the Dance of the Death frescoes. The death appears in numerous depictions of it dressed as a jester. During the turn of the Middle Ages, there are actually a lot of visual arts examples where death and the jester are viewed as counterparts (window niche in the monastery of St. Georgen in Stein am Rhein; choir stalls of the church of St. George in Nördlingen, collegiate church of Öhringen in Hohenlohe, etc.).

The other implied connection is the fact that the Carnival (“carne vale”) is followed by the Ash Wednesday (“remember man that you are dust, and to dust you shall return”). Two aspects of man’s limitations (flesh and death) are thus seen as affiliated with each other in the liturgical year.

The Devil, the Jester und the Death are the Unholy Trinity of Christian visual art.

Truth is One, One is All, All is One

Cultural similarities across the globe underline the facts that, despite things being expressed in different ways, our psyche tries to communicate the same truths. All cultural manifestations have their unique features, but within their areas of action one can recognize the same archetypal patterns. Jungian analysts and mythologists pointed to the plethora of tricksters around the world.

Firstly, Mammon reminds me of the Laughing Buddha (Budai or Hotei) from Eastern cultures. His well-fed appearance represents abundance. When you observe the most popular form of the laughing Buddha closely, you will notice that he is always carrying a cloth bag that is filled with many precious items such as food, candies for children, and other riches. According to the belief, he will collect all your sadness and misfortune, put it in his sack and leave you with abundance and positivity. The sack also represents wealth and good fortune.

The most popular colour for household Laughing Buddha sculptures is gold. Even though it is a Feng Shui sign, Vastu Shastra experts also advocated for the placing of Laughing Buddhas in the home. To them, the smiling Buddha is comparable to Kubera (the god of wealth). Lord Kubera, celebrated as the Supreme Lord of Wealth and revered as the Treasurer of the Gods, stands as the epitome of affluence in Hindu mythology. Business owners and shopkeepers, seeking to accumulate wealth, turn their devotion toward Kubera.

Lastly, Mammon’s affiliation with the wealth and his jester nature draw parallel to the Roman God Mercury. He is a trickster and the god of commerce. His name is related to the Latin word merx, from which we get the English words merchandise, merchant, and commerce. It may also correspond to the Latin word mercari (to trade). Mercury often served as a mediator between the gods and mortals, including being a guide to the people who descended into the Underworld. Considering the fact that “the Underworld” is a symbol of the unconsciousness, this perfectly correlates with the previously mentioned ability of a clown to perfectly balance between rational and irrational state of being.

As stated above, the alchemy symbolically views Mercurius as the resulting “child” of the Union of Opposites, the restoration of the original undifferentiated state of the cosmos. The tria prima of alchemy needing for the achievement of this state consist of “sulphur, salt and mercury”. Sulfur, the "soul", is the masculine principle. Salt, as the "body", is the feminine principle. Mercury, as "spirit", is equivalent to "mind". Hence, the mystical trinity is: Soul, Body, Mind. It is, however, important to consider that the mind has two aspects (conscious and subconscious, left and right). This is metaphorically expressed in the balancing act of Mercury. This is why Mercury is often depicted with wings, he literally "flies between the two worlds". In the “In the mountain of the Adepts” engraving from Stephan Michelspacher's “Alchemia”, one can spot Mercurius at the top centre, being depicted as a playful, jester-like figure, standing in the same balancing pose like the Mammon standee.

Taken from the Shark Robot merch store, Twitter: kstoooone Conclusion

Mammon provides us with a plenitude of symbolic insight into the topics that continue to stay vitally relevant. Seeing Mammon is enough to feel like coming in contact with a primordial deity. You are confronted with something greater that yourself and experience “mysterium tremendum et fascinans”. Mammon is undoubtedly the best character ever created by the Western civilization.

*gives his cheek a smooch*

#helluva boss #helluva boss mammon #mammon helluva boss #hb mammon #helluva mammon

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rowanvalerian · 1 year ago

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Major Arcana Tarot Meanings

Reversals in italic.

Major Arcana

0 The Fool - New Beginnings, innocence Being naive, recklessness 1 The Magician - Creation, mastery Trickery, deception, craftiness 2 The High Priestess - Intuition, unconscious Secrets, loss of self 3 The Empress - Fertility, nurturing Smothering, selfishness, excess 4 The Emperor - Authority, structure Chaos, anger, domination 5 The Hierophant - Tradition, religion Conviction, servitude, blind faith 6 The Lovers - Love, unions, choices Indecision, conflict 7 The Chariot - Success, discipline Loss of direction, lack of discipline 8 Strength - Courage, compassion Doubt, pride, weakness, cowardice 9 The Hermit - Contemplation, solitude Isolation, rejection, loneliness 10 The Wheel of Fortune - Fate, destiny, cycles Bad luck, lack of control 11 Justice - Truth, fairness, clarity Dishonesty, unfairness 12 The Hanged Man - Sacrifice, release Stalling, fear of sacrifice 13 Death - Change, new beginnings Fear of change, holding on 14 Temperance - Middle path, patience Extremes, excess, lack of balance 15 The Devil - Playfulness, pleasure, materialism Freedom, release 16 The Tower - Disaster, upheaval Disaster avoided, delaying disaster 17 The Stars - Hope, healing Discouragement, insecurity, faithlessness 18 The Moon - Unconscious, illusions, intuition Misinterpretation, confusion, fear 19 The Sun - Joy, success Negativity, sadness 20 Judgement - Reflection, awakening Doubt, self loathing 21 The World - Fulfillment, harmony Incompletion, emptiness

Minor Arcana [x]

#tarot #cartomancy #divination #tarot cards #tarotblr #tarot reading #tarot deck #daily tarot #tarotcommunity #masterpost #witchcraft #witchblr #witches of tumblr #pagan witch #beginner witch #major arcana

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mylittleponyauprompts · 8 months ago

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An AU where Rainbow Dash and Discord switch places/roles.

Rainbow Dash being the Draconequis of chaos, particularly of weather and geopolitical events like tornadoes, hurricanes, earthquakes, and tsunamis. Perhaps even making them more chaotic. Doesn’t a rainbow tornado sound fun! How about a hurricane filled with live sharks!

Discord is Fluttershys childhood friend, being a Pegasus in the same flight camp as her. He became friends with Fluttershy through a class for those that have a hard time flying. While others like Fluttershy and Bubbles had problems with wing strength and eyesight, Discord had problems with his magic abilities. He was rather gifted magically all things considered, but translated into his ability to fly was rather chaotic. His magic typing caused him to fly upside down, sideways, zigzag, with reverse movement, constant spinning, constant barrel rolling, you name it he’s probably went through it. He just can’t fly normally no matter what he does. He is extremely gifted in weather magic and management , and magical theory. When he eventually becomes friends with Twilight they enjoy talking about magic and science. Discord is a mad scientist kind of pony. He loves creating improbable magical events. His favorite creation is cotton candy clouds!

How Discord does the Sonic rain boom event is up to you.

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astrologymeetpsychology · 2 months ago

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✨ Key Terms and Aspects of Tarot ✨

I thought I’d share some key information about tarot and its potential meaning in a reading. If anything doesn’t make sense or you want more information, drop me a message.

✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨

Aces: Aces wherever they are found signify new beginnings and a new leaf turned over. If reversed, this can mean that you are unable or feel unable to create this new beginning. Often cards in the rest of the reading can indicate what may be causing this block.

Celtic Cross: A popular tarot card spread. The Celtic Cross spread contains ten cards that represent the current state of affairs and the future. This allows you a deeper look into the influences of your life and possible solutions going forward.

F: These are Kings, Queens, Pages and Knights. They usually represent a person in the askers life or how a certain person has influenced the situation.

Elements: Like with Astrology, an association is often found within the suits and a specific element.,Swords and Air, Cups and Water, Wands Fire and Pentacles Earth. This is often when referring to a person the Suit it is in can express what energy or Astrological placements they have. Ex: Two of Pentacles may represent a person with heavy Earth in their chart or merely issues of an Earth nature such as sacrifice, security, work.

Major/Minor Arcana: The term Arcana relates to something hidden or secret. The Major Arcana consists of 22 cards that are symbols. They tend to have a more broad and wider meaning, as well as often showing a lesson or theme of some kind. The Minor consists of 56 cards that include the Court Cards (see above) and Aces )”(see above) as well as 2-10 of that particular suit. There are four suits Pentacles, Cups, Swords and Wands. The message is variable and can often be taken in different ways, depending on other cards indication in a reading.

✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨

Major Arcana 3 Word Meanings

I’ve compiled a most commonly associated set of descriptions or words for each card in the Major arcana.

1. The Fool – New beginnings, spontaneity.

2. The Magician – Manifestation, resourcefulness, action.

3. The High Priestess – Intuition, mystery, knowledge.

4. The Empress – Abundance, nurturing, creation.

5. The Emperor – Authority, structure, stability.

6. The Hierophant – Tradition, spirituality, conformity.

7. The Lovers – Love, choices, harmony.

8. The Chariot – Willpower, determination, success.

9. Strength – Courage, compassion, resilience.

10. The Hermit – Solitude, reflection, wisdom.

11. Wheel of Fortune – Fate, change, cycles.

12. Justice – Truth, fairness, accountability.

13. The Hanged Man – Perspective, surrender, patience.

14. Death – Transformation, endings, renewal.

15. Temperance – Balance, moderation, healing.

16. The Devil – Temptation, bondage, materialism.

17. The Tower – Upheaval, revelation, chaos.

18. The Star – Hope, inspiration, guidance.

19. The Moon — illusion, intuition, uncertainty

20. The Sun -- joy, vitality, clarity

21. Judgment — rebirth, evaluation, awakening

22. The World — completeness, wholeness, fulfillment

These are just some words and don’t carry the full meaning.

✨✨✨✨✨✨✨✨✨✨

✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨

Here is a list of 3 words that describe the mMinor Arcana. Agwin note these are t the full interpretation. Each situation and placement in a deck can add nuance to the meaning behind the card.

Here is a three-word summary of the meanings for each Minor Arcana card:

Wands (Fire: Passion, Creativity, Action)

Ace of Wands – Inspiration, opportunity, potential.

Two of Wands – Planning, decisions, expansion.

Three of Wands – Progress, foresight, exploration.

Four of Wands – Celebration, stability, harmony.

Five of Wands – Conflict, competition, tension.

Six of Wands – Victory, recognition, success.

Seven of Wands – Defense, challenge, perseverance.

Eight of Wands – Speed, movement, momentum.

Nine of Wands – Resilience, boundaries, persistence.

Ten of Wands – Burden, responsibility, overwhelm.

Page of Wands – Enthusiasm, curiosity, adventure.

Knight of Wands – Energy, passion, impulsiveness.

Queen of Wands – Confidence, determination, warmth.

King of Wands – Leadership, vision, boldness.

Cups (Water: Emotions, Relationships, Intuition)

Ace of Cups – Love, creativity, new feelings.

Two of Cups – Partnership, connection, harmony.

Three of Cups – Friendship, celebration, community.

Four of Cups – Apathy, contemplation, reevaluation.

Five of Cups – Loss, regret, grief.

Six of Cups – Nostalgia, innocence, memories.

Seven of Cups – Choices, illusion, imagination.

Eight of Cups – Withdrawal, searching, disappointment.

Nine of Cups – Contentment, satisfaction, gratitude.

Ten of Cups – Happiness, fulfillment, harmony.

Page of Cups – Imagination, messages, curiosity.

Knight of Cups – Romance, idealism, pursuit.

Queen of Cups – Compassion, intuition, sensitivity.

King of Cups – Balance, diplomacy, control.

Swords (Air: Intellect, Thoughts, Conflict)

Ace of Swords – Clarity, truth, breakthrough.

Two of Swords – Indecision, stalemate, choices.

Three of Swords – Heartbreak, sorrow, betrayal.

Four of Swords – Rest, recovery, contemplation.

Five of Swords – Defeat, conflict, self-interest.

Six of Swords – Transition, moving, healing.

Seven of Swords – Deception, strategy, betrayal.

Eight of Swords – Restriction, fear, entrapment.

Nine of Swords – Anxiety, nightmares, worry.

Ten of Swords – Endings, defeat, betrayal.

Page of Swords – Curiosity, observation, ideas.

Knight of Swords – Action, ambition, haste.

Queen of Swords – Independence, logic, truth.

King of Swords – Authority, intellect, discipline.

Pentacles (Earth: Material, Stability, Work)

Ace of Pentacles – Opportunity, prosperity, potential.

Two of Pentacles – Balance, priorities, adaptability.

Three of Pentacles – Collaboration, skill, teamwork.

Four of Pentacles – Control, security, possession.

Five of Pentacles – Hardship, loss, insecurity.

Six of Pentacles – Generosity, charity, balance.

Seven of Pentacles – Investment, patience, growth.

Eight of Pentacles – Mastery, dedication, work.

Nine of Pentacles – Independence, luxury, success.

Ten of Pentacles – Wealth, legacy, stability.

Page of Pentacles – Ambition, study, opportunity.

Knight of Pentacles – Diligence, hard work, reliability.

Queen of Pentacles – Nurturing, abundance, practicality.

King of Pentacles – Prosperity, leadership, security.

✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨��✨✨

I hope these little bits of information have been somewhat interesting and if you’d like me to cover a certain card, a certain suit, a certain type of reading or anything else just drop me an ask or a message.

🌠🌠🌠🌠🌠🌠🌠🌠🌠🌠🌠🌠🌠🌠🌠

#tarot #tarot explained #tarot meaning

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itsgirlcraft · 5 months ago

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Welcome to the masterpost of all [256] of my FavreMySabre AUs/OCs/concepts :]

Feel free to ask questions or just give me a number between 1 and [256]! Or directly ask CWK!Sabre or MCRP!Time for what something means, navigation (i.e., genres, specific characters), or just questions on the multiverse these all belong to!

264 AUs. 256 AUs w/o dsmp, 186 w/o dreams (or dsmp). 8 dsmp-exclusive AUs were included here, I apologize.

Edit: at the bottom of the main list ID, will be a "changelog," where I put additional AUs that I didn't have in the og list. Once a page has been filled, there will be a new picture of it and a proper ID like the original pages.

That way, nothing gets confused. Also, the AU number will change as needed. AU names will most likely stay the same, and if they do change, I will include the og in the changelog.

Under the cut is the digitalized list/"ID"!

I got this done sooner than I thought tbh. Had to go thru my old tablet, my art binders, and all my notes on my phone. Worth it, this is SO USEFUL, my god!

FavreMySabre AUs/OCs List

drm = dream, OC = original character.

2019 era = 2019 and 2020, 2021 era =2021 and 2022, 2023 era = 2023 and 2024.

Oldest AUs (Wattpad, tablet, 2019 era) 62 AUs

•On The Run •Lost In A Fairytale •The Black Hole •Wings And Horns •Ore Steves (OCs) •Call Of The Void •Infected •The Nether Prince •Halloween With The Steves •Steve Saga High •I Don't Know How To Rule! •Future Legends •Altered Realities •Power Switch •Underwater • Not You. Anyone But You. •Why?! •Black Hole Steve (OC) •Family Secret •Undead Me •Fairies •Mirror World •Metal/Magnet (ocs) •The Cursed •Chicken Dad •Containment Breach・Wolf Boy •Vampocalypse •The Night Shift •Covid-19 •Broken Reality •Seven Square Chickens. One Adult. •Demons In My Head •Reverse Evil •Anti-Brine •Genderbent Royalty •Error 404: Steve Not Found (oc/drm) •Chemical AU/2.0 •Confusion •Gender Swap •Earth Portal •Rainbow City •A Glitch In The Matrix •SCP AU •Lost And Broken Soul/Cursed With knowledge •Wisps •Did We Meet Before •Darkest Quest For Peace •Learning The Ways Of The Multiverse •Trapped Crossover •When Three Worlds Meet •The Olympian Saga • Dragon (oc) •Dream SMP Meets Steve Saga:Therapy Edition •Moth (oc) •The Haunting Saga •OG Body Horror AU •Different Artstyle •That One Trapped/Steve Saga Crossover •Storm Steve (oc) •The Weirdest Adventure •Failed_Rainbow_Steve (oc)

Old AUs (2021 era) 48 AUs w/o DSMP

DSMP: •Minepocalypse •The Shapeshifters •The Meet-Up •The Streamers/Hunt •Guardian Of The Forest •The Game (drm) •Trapped In Minecraft But We're Stuck Together •The Monsters In The Cages Look A Lot Like Me

•The Obligatory Reversed Role AU But Optimistic (Steve Saga Roleswap) •DSMP/SS Oneshot •Squinkies Are Taking Over My Life •Time Travel AUs •Fantasy AU ft. Chicken And Horse •Hybrid Boys •A Dance With A Devil •That *One* Prophecy •Fading Humanity •Creatures In The Woods •Experiment Shadow •A Human In A Supernatural World •RQ ODAA •One Disaster After Another • Universe fusions (ocs) •Discolored And Disoriented •Language Barrier •BodySwap •Elements Of Family Magic •The Creation God's Puppets •Crash-Landing Aliens AU •RQ: Security Breach •Follow Me/Robot Soul •Uno Reverse, Fate! •Weapon AU •IRL Twisted Rainbow •Robots, Hybrids, And Experimental Friendships •Seldistynell (OC) •My Life As A Feathered Monster Hiding At A Human College •The Aliens Inside My Computer •The Five Elements •Monster Under Your Bed/Rescue Mission •Lab Monsters •Little Nightmares Crossovers •Monster House In Zombie Land •A Colorful World •Human Machine •Taking It Literally •Digital Magic •FRS' Childhood (oc) • Ancient Aliens • Demon AU •Anime AU • Nightmare Princess •A Rainbow Of Identities

Newer AUS (2023 era) 75 AUs

•Dark Matter/Wilted Lily/Ultra Chaos/ Corruption (ocs) •RQ Plague •Cave Monsters •SSO Color kids (ocs) •SHSF No Evil •The Owl House Crossover •SlenderSabre •Reverse Quest (Rainbow Quest Roleswap) •Wise Anger (ocs) •Blindfold-centric AU Collection •Blindfold Of Skin •Gacha DJ •RQ/TR MLP Crossovers • Naga!Plague •NPCs/Thing (drm) •SS Bodyswap AU •ColorSwap Horrors •TR Roleswap •SL Roleswap •Desk Dolls •AGITM x Trapped •TR Weirdcore •Become Food •ZWV Hybrid (drm) •Half-Fused TR •RealityElan •MCRP •"B" The Elf-Eared (oc/drm) • Jellyfish!Twisted •Human!Galaxy (drm) •Halloween TR •Alien!Sabre •Vent AU •Crystal Swap •Gacha Weirdcore •SBI x dragon!Sabre •WTWM Bad End •Catboy!Sabre •Color Change!Reverse •TFC!Elan •SkeleModern (drm) • Urban Legends •WTF!Sabre •Migraine AU •Dot Eyes •Haunted Dolls •Relationship Problems •Uncanny Alien •Planetheads •Potato/Carrot (ocs) •AR x RQ •Changing With My Imagination •Center Of The Freakshow •Eldritch POVs • RQ x SL •Happy Place Hub •TR x Nimona •One Last Chance Before Our Demise •Warforged •Hello Puppets •Reformed Villains •Imprisoning Infection •Apocalypse Survivors •Sky Voices •TR Elite's Return •RQ Roleswap x TR •Star-Rats •Diamond Mafia •God Application •Earthly War Crimes (ocs) •Would You Love Me If I Was A Worm (drm) •FMS x DSMP •Alien Or Human? (drm) • Shadow Child (drm) •An Angel's Death Wish (drm)

Dream-Based AUs/Concepts (76 AUs)

•Generic Simpsons Crossover •Medieval Simpsons Gore •Steve Summer Camp •Desert House •Me/Sabre As Mike Afton •Gx/Vd IRL •Flooded World •SS!NM/TFTSMP!Karl •SS/RQ Monster AU •How Isn't This A Nightmare •Twisted Parkour •New Steves ft. Ranboo (ocs) •Girl Posse VS. Steves •Branch Legs •Lava Rainbow •Music Video ft. Grandmas •The Red Eyes (ocs) •RQ x OSMP Ft. Various Demon Cats • Shapeshifting Imagination •Fix Before • Abandoned Mall •Guardian Is Ripped AF •The Dead Kings •Dungeon Crawler •Ruined City ft. SBI •Girl Fight ft. Eldritch Abomination (oc) •Weird Alien Carrot •I'm Colle •Dolls w/ Reds •Befriend VR Sabre •Interview Show •Crafting Dead •TR Planet •Sideways Void •Trapped Sequel •Become Dragon •Failed 7 Colors •Contact Via MP3 Player •Tricolor Jester/Apocalypse (oc) •LOTB Chicken •Steves At Mall •Haunted Mushrooms •WTF Emily (oc) •Prof. Red In Costco •Companion Adventure • Camping Race •Board Game •Psychiatrist/Colle's Ghost •Pathetic Baby Bord •Figurines/Power Levels •Cosplay/Basketball •Fruits •Camping w/ Origin •Dystopia Costco •TR Elite IRL• Rock Concert •Deku Floating Gloves •Dark Sun •I'm TR Assistant •Steve Comm Post (Normal) •Necromancer/Kirishima •Unrecognizable •Cashiers •Bad Intentions •Catnap/ATLA/SpongeBob •MLP/Jesus/OCs •Whirlpool Facecam •Barbie Dolls •Bedroom Balancer (oc) •Sps Sabre Sci-Fi Movie •Fake Blue On Earth •Gen Loss Implied •Genderswamp (oc) •Steven Universe/MHA/Steves At ComicCon •Seer/Colle/SS Galaxy Classmates •Steve Saga Mobile Game

Changelog 10/7/24:

<Added 3 AUs> •Apocalypse Alien (drm) •Time and Elemental's Adventure (drm) •Keep The Memories Alive (ocs)

<Changed 2 AU names> Cryptid Sabre->Cave Monsters, Tired Eyes->Blindfold-centric AU Collection.

#masterpost #my post #favremysabre #steve saga #rainbow quest #twisted rainbow #alux rising #blue steve saga #steve legends #info #dsmp

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