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#cave girls
atomic-chronoscaph · 2 years
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Raquel Welch - One Million Years B.C. (1966)
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mourn-and-watch · 4 months
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just want to remind y'all of some kirkwall-related details that are not at all relevant for the possible events of datv:
meredith stannard is alive and kicking and is also planning a war against tevinter
red templars are in control of the gallows; it's hard to tell what's going on in the city itself, but with varric absent it might be left with no viscount again
there's an elven graveyard on sundermount where ancient elves entered uthenera; it is also possibly dedicated/related to mythal
there was also a demon contained in an idol on top of sundermount who supposedly possessed a great knowledge about arlathan and eluvians
the veil in kirkwall has always been remarkably thin and tevinter magisters were weakening it on purpose during their reign; the whole city was built as an enormous blood magic ritual site
if the veilguard squad is going to travel through the eluvians there's still one in kirkwall. the one that has been plot-relevant since dao
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shotmrmiller · 2 months
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those few first initial thrusts at the beginning, the ones where the guy gives that sigh of almost relief as his hands tighten around you, fingers dimpling your skin, eyes glued to where you two meet absolutely lost in the sauce makes my head spin because simon savors nothing. not the smokes he puffs down to the filter in less than a minute, the energy drinks he guzzles down more than he does water, not even the damn food. if he could just swallow it whole without risking death he would but you (and your pussy)???
like the guys sitting around a safe house waiting for dawn to break to exfil and they're just talking about what they miss about home the most. they all say generic stuff, miss their beds, pets, family, whatever so when it's simon's turn they all assume it's food because he's talking about a specific little burger joint that, in their opinion, sounds like a hovel, but no one's ever thought simon has sane taste but then when kyle asks him what does he like off the menu the most his eyebrows furrow and he looks almost repulsed.
because he is.
"the food's bloody terrible. couldn't make me eat there even if it was the last place on earth."
no, he explains, my bird makes up for it. best damn pussy he's ever ate.
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damianito · 8 days
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The holy trinity (close up ↴ )
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gunsatthaphan · 6 months
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🏳️‍🌈!!!
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bardace · 3 days
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been thinking about rgu
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chlobody · 1 month
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Sisters of Sedona
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ghost-proofbaby · 4 months
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people who fully write fics before posting them scare me. like what do you mean you don’t post a chapter right after you finish it to get that lil serotonin boost when you get the slightest bit of validation via likes/kudos/reblogs/comments.
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85-rend · 1 month
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those elevators are too damn small
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old-danmei-fan · 2 months
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I was thinking about which character in scum villain makes me the saddest last night, and I think it's Liu Qingge.
This guy wasn't even supposed to be in the story past the very beginning. Everything past him getting saved by Shen Qingqiu is literally unknown territory when it comes to him and how he ends up.
He fought Luo Binghe for FIVE years trying to get Shen Qingqiu's body back.
He went into seclusion after Luo Binghe kidnapped Shen Qingqiu from the sect, just so he could get stronger and rescue Shen Qingqiu.
He even pulled Binghe out of the Luo river when He pulled Shen Qingqiu out because he knew how devastated SQQ would be if Binghe didn't make it out.
The succubi cave extra makes me especially sad for LQG. He for sure thought Shen Qingqiu was his soul mate and that Madam Meyin was lying to them.
I don't care if hes canonically supposed to be straight. LiuShen's relationship was not all platonic on Liu Qingge's side, and the only other person going as crazy over SQQ is Luo Binghe.
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5cratch-o · 2 months
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Curly Brace!!!!!!!!
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sentientcave · 5 months
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Retirement Party
Chapter 5 - Wouldn't It Be Nice?
<<First Chapter - < Prev Chapter - Next Chapter >
Contains: No Y/N, Kidnapping, Forcible relocation, Dubcon, Plus-sized Reader/OC, female Reader/OC, John introduces Doll to some normal people, Everyone learns new things about each other, Manipulation, PTSD, Doll has a tragic backstory, Doll is kinda sorta Catholic? Who knew (me I knew)
~3.8k - MDNI - Dark fic! Please mind the content warning above but honestly this chapter is pretty mild all considered.
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Ghost, Soap and Gaz come back a few hours later with the blue sports car (a bit scratched up, but tail-light repaired) and a pick up truck that looks a lot like the one John had before, but a generation older, and green instead of gray. John speaks to them briefly before he coaxes you into the truck and drives off, promising that the others will be gone before you get back.
He drives a few miles down the road, and pulls up in front of a little farmhouse. It looks idyllic, children and a dog playing in the yard. Two people on the porch wave, and John hops out and circles around right quick to open your door and help you down.
The couple trots up to greet you both. "Who's this?" The woman asks, looking at you and beaming. "You finally introducing us to a girlfriend?"
"Doesn't feel like the right word, does it, doll?" John winks at you, like your circumstances are all just a funny little blip, nothing nefarious or terrifying about it.
"No, it doesn't," you agree, keeping your face carefully neutral. "I'm Dalisay. Nice to meet you, um, Melissa, right?" You stick your hand out and shake hers. There’s no sense in being rude to them, just because they know John. He’s probably smart enough to keep his old life, and his boys away from his new one as much as possible.
"The very same! We were a bit worried John was going to be an eternal bachelor. Nice to see he's found someone." She introduces her husband, Rob, and her kids, Hannah, Haley and Jackson, who are ten, seven and five, respectively.
"Do you want to see the puppies?" Haley asks, grabbing your hand. Jackson grabs the other one and they pull you along to the garage, not waiting for an answer. You very deliberately don’t look over your shoulder at John, because you’re fairly sure that he’ll be looking back at you with a sickeningly hopeful expression. His comments from last night still ring in your ears, and you’re not willing to indulge that foolish fantasy of his.
The puppies are in a play pen with high enough walls to contain them, but still allow their mother to hop in and out. She hops out to inspect you, sniffing your outstretched hands warily. Her tail starts to wag after a moment, and you give her a proper pat, smiling. The dog has soft ears and a silky, black and tan coat, but you're not sure what type of dog she is.
"What's her name?" you ask, kneeling down.
"Bonnie-bell," Hannah says. "And our other dog is Charaid."
"Proper Scottish names," you say. The kids all have a slight burr, and although Melissa sounds scouse, it's the first hint as to where you are.
"Da said we was gettin' too English, livin' in London," Haley says. "I like it better here anyway. Mum says maybe we can get some coos. "
"I grew up near Aberdeen," you say. "But I've lived in Manchester too long. Lost my accent."
"No' far off, then, aye? We're only about an hour and a bit south and west," Rob says, appearing at the open garage door to supervise. His stern face looks friendlier now that he knows you're not proper English. "Was worried John dragged some poor city girl out'f England to live out here."
You hum. "Well, I am something of a city girl now. Been in Manchester since I was seventeen."
"Weel, welcome home then," Rob says with a wink. "We'll get ye proper re-acclimated soon enough." He leans over and plucks a puppy out of the sleeping pile inside the pen, and hands it to you. The pup is at the age where its somewhere between looking like a potato and a proper dog, maybe six or seven weeks old. "Gordon setter, by the by," he says. "Good dogs."
"Cute too." You settle the puppy in your lap, petting its soft little head. Bonnie-bell licks your wrist and hops back into the pen to lay down next to the others.
"Ye want one? This girl's no' spoken for yet. John's been hemmin' and hawin' about it, but I figure he wouldna want ta leave ye home alone, neither."
"Oh, I'm not sure I'll be staying that long. I'm only here because there was an incident at my apartment and John wouldn't hear of me staying anywhere else." You're not certain why you're stretching the truth to fit around what he and his wife think is happening, but you have no idea what John would do if you did say something. Maybe he would laugh it off like you were making a joke, or maybe he would snap. You don't really think he would hurt these people, but there's a wide-eyed prey animal in the back of your mind that warns you to be cautious, to be careful.
"We'll talk about it," John says from behind you. You hadn't even noticed his approach, with the noise the kids had made when they dashed back outside. "I'm trying to convince her to stay."
"Ye've gotta buy her a ring, ye daft bastard," Rob says, laughing. "A good catholic girl isna goin' ta wait for you ta get yer head out'f yer arse."
"If you don't, I'll introduce her to some lads in town that will," Melissa threatens. "Pretty girl like her has better options than you, old man. Better make your move before she realizes it." She swats John on the arm playfully.
You laugh nervously, touching the little cross around your neck absently. The puppy in your lap seems to sense your discomfort, because she starts wiggling in your arms and trying to lick your chin, little tail wagging. John kneels down beside you so he can pet the puppy too, eyes creased with a smile. "Is that it, doll? You need me to buy you a ring?"
"John," you say warningly. "We don't need to talk about this right now."
"No, I suppose you've had a rough morning. I'll try again later."
"You're impossible."
"Think you might kind of like that about me," he says.
"Not remotely. I think you're an awful, stubborn man," you tell him. Your voice comes out softer and sweeter than you intend, like you don't really mean it, even though it's true. The smile around his eyes grows deeper.
"I am." He picks up the puppy and holds her up in front of his face. "What do you think, girl?" he asks. The little dog's tail wags furiously, and she answers with a high pitched yip. And then she endears herself to you by trying to bite John’s nose. He looks stunned for a moment, but he grins when you start laughing. “Guess we’re all in agreement then,” he says, setting her down in the pen and standing up.
You accept his hand up, and quickly put a little distance between the two of you, before he anchors you to his side with a solid arm, or tries to reel you in close for a kiss. Rob and Melissa invite you in for a cup of tea, and somehow you end up sitting at a dining room table that’s obviously mostly used for crafts, and handed a piece of blank printer paper by Haley, and told by Jackson that you should draw dragons with them. The walls of the dining room are filled with tacked up juvenile masterpieces— Dragons seem to be a particular fixation of Jackson’s, whereas Hannah and Haley have more varied portfolios.
John stands leaning in the door to the kitchen, talking to Rob and Melissa quietly enough that you can’t quite pick up his words over the children’s chatter. You hate him a little for this, dangling Rob and Melissa’s idyllic little life in front of you. The implication is obvious. We could have this, his blue eyes seem to say when you look his way. Wouldn’t that be nice?
It’s frustrating, and confusing. You want to keep him at arms length for your own safety, but he’s already doing his best to roll right past your doubts and better judgment, like they’re just silly barriers between now and the future he’s dreamed up for the two of you.
And worse, you do want it.
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“Didn’t know you were an artist,” he says on the drive back. Jackson had been so excited about the dragon that you drew for him that he’d shown his parents and John.
“There’s a long list of things you don’t know about me,” you say.
"For now. We'll get there, sweetheart."
You hum, looking out the window. Spending time with the Stuarts has you wistful and homesick for something you can't get back. Days like this, you'd usually pour yourself a glass of wine, look through your family photo albums and have a good cry before going to bed early. It's been a while since it's caught up with you like this, but you'd always been reliant on your routine, burying grief in structure and familiarity. "Do we need to?"
"I'd like to."
"I'm not going to be what you want me to be."
John drums his fingers against the steering wheel. "What is it that you think I want?"
"Some little housewife. Someone soft and sweet to come home to."
"You seem plenty soft and sweet to me."
You sigh, pulling your arms around yourself. "I'm not consistent. I don't know what Johnny told you I was like, but he only knows me from work. I'm not like that all the time."
"I don't expect you to be."
"You say that now, but you'll change your mind."
"I'm not stupid enough to change my mind based on a bad day or two, doll. You're allowed to be upset. I wouldn't blame you if you spend the next week slamming doors and snapping at me. I'm still going to like you." He puts a hand on your knee and squeezes gently. Men like him shouldn't be allowed to have such attractive hands, and you shouldn't be attracted to hands like his, scarred knuckles, a few fingers broken and healed crooked. You know he's killed people, know it would be so easy for him to kill you. It turns your stomach that you feel any kind of desire for him at all.
Men like him are no different than the ones that killed your parents. Dealing death is not a noble trade, there's nothing honourable about exporting violence.
You push his hand away, and keep your eyes trained on the window.
He sighs, but he doesn't press the issue, just clicks on the radio to fill the silence.
When you get back to his house he sets you up in a cozy room down the hall from the more open main space where the kitchen is, an office of some kind with a couple of arm chairs and a desk with a clunky looking laptop set on top. The room smells kind of smoky, but you're just glad to have a door you can close while he "moves some things around". He opens the laptop up so you can watch something, but you just curl up in one of the armchairs and fall asleep.
When you wake, the door is open, one of your blankets is draped over you, and there's a mug of tea sitting on the desk, alongside a couple biscuits. You uncurl, your muscles stiff and joints cracking from not moving for too long, and pick up the tea. It's cold, like it had been left a while ago, but you drink it anyway, and eat the biscuits. There's a note underneath, explaining that John had run out to the shops, and that he'd be back by 18:00. You shake your head, and check the time on the laptop. 18:00 exactly.
Military habits must die hard. You imagine he’s usually prompt too, so you wander out into the main room, and put the clean dishes in the rack away. You realize that the living room side has been rearranged, condensed to a slightly smaller footprint, with some open space left by the far corner behind the bigger couch. The smaller leather sofa has been replaced with the little red love-seat from your apartment, and your T.V. is sitting on it’s familiar perch on the refinished credenza that you’d painted twining vines and little red flowers up the side of. You’d found it on by the curb on the Kinsey’s street a few years ago, and your friend Ripley had bused over and helped you carry it all the way back to your apartment.
You’re not sure you like seeing more of your things merging into John’s house, like any of it belongs there when you still want to insist that you’ll be leaving soon. You hate him for being presumptuous, but you can’t help but think it’s sweet, too, that he makes space for you so readily, that he’ll happily include your painted flowers and colourful blankets and bright red couch into space that was all his just twenty four hours ago. That he would leave you tea and biscuits for when you woke up, that he would tuck a blanket around you while you slept. You’re not used to someone wanting to take care of you, and it feels strange.
Strange, but nice too.
You glance at the clock on the wall, realizing that it’s twenty past six, and John still isn’t back. It’s getting darker out there, the sun nearly setting, and as much as you try to tell yourself that you’re not worried, it’s hard to deny the stab of relief when you finally see the truck's lights pull up the wooded drive.
You slip on your trainers and step outside as he parks. He grins at you around a lit cigar as he hops out. “Did you miss me, doll?” he asks, insufferably smug.
“Your note said you’d be back at six,” you say lamely. “I just wasn’t sure if you’re usually on time.”
“Usually am. Got caught talking to Wells, down on the corner. Seems someone drove right through his fence last night. Teenagers, like as not. I’m goin’ to help him fix it tomorrow.”
“Oh.” You grimace. He must know it was really you. “Sorry about that.”
“No harm. By the sounds of it, you’re quite the driver. Soap said you nearly ran him off the road. That what they teach these days?”
“Defensive driving is well and good, but offensive driving gets you the last good spot in the lot,” you say.
He laughs out loud at that, and leans over to pick up a big paper bag from the passenger side. “Here, can you take this in while I grab the groceries?”
You take the bag (which is slightly greasy and smells like curry), and shift it to one hip. “Can I take anything else?”
He nods and hands you a second paper bag, this one with two wine bottles inside. “Wasn’t sure if you liked red or white, so I got both.”
You settle the bags in your arms and turn to walk away. “Bad time to tell you I like rosé hm?” you tease, glancing over your shoulder.
“Terrible timing. But that’s alright. One more thing, doll.”
You turn back toward him, and he’s right there. One big hand cups your jaw and then his lips are on yours, pressing a kiss that tastes like smoke against you. You stand frozen, holding onto your cargo for dear life, too surprised to do anything. It’s just as well, because in that moment you’re not sure if you’d slap him or pull him closer.
He pulls away without trying to deepen the kiss, which is a relief. You’re certain that you’d drop dinner and the wine.
“John, that wasn’t fair.” Your feet are still frozen in place, and his hand is still on your cheek, his fingers threaded into your hair.
His eyes practically sparkle. He’s entirely too pleased with himself. “Not fair because I kissed you, or not fair because I stopped before we got to the best part?”
Your cheeks flame hot, and you pray that he can’t feel it. “You can’t just— You’re impossible.” It takes concentrated effort to take ordinary, measured steps to the door instead of running. The effect he has on you is apparently very obvious. He never would have tried it if he didn’t know you were teetering on the edge of giving in already.
Boundaries need to be set-- Set and followed-- before you can really even contemplate letting this get any further. Unchecked, you have no doubt that John will have you underneath him in a matter of days. Once that happens you know he'll never let you go, and you'll never have peace of mind if you don't really get to know him first. You know he's not as good as he makes himself out to be, but you suspect he's a better man than your deepest fears might whisper to you. He's genuine about his wants, but that's not enough. You need to know him before you can trust him.
You set your packages down on the table and turn to open the door wide for John as he carries a tote full of groceries into the house. “Thanks, doll.”
The paper bag rips when you open it to pull take-out containers out, setting them on the table neatly. "John, can we talk?" You ask, glancing at him as he stows things in the fridge.
"Course, doll. What's on your mind?"
Nerves threaten to choke you, so you take a steadying breath, in and out, trying to quiet the sea of dread that pitches back and forth in your stomach. “You can’t just take what you want from me. Not if you’re serious about wanting this to be something. I’m afraid of you, John, and I’m not going to fight you. If you push me, I’ll fold, and I’ll hate you for it.”
He pauses, holding a box halfway lifted to the cupboard. It takes a moment before he moves again, setting the box on the shelf slowly. The silence is palpable in the room, settling across both of you like a thick blanket of snow. You fold the ripped takeout bag flat, nervous, the crinkle of heavy paper hardly breaking through the rush of blood in your ears, the panic that grips you by the throat. It’s as though the admission has given your body the chance to catch up with everything that’s happened in the last two days.
You’d been drugged and taken from your home, you’d been handed off to someone you didn’t know, with no clear indication if you’re free to leave or not, you’ve been picked up and manhandled and shot at.
Darkness flickers in the corners of your vision. All you can hear is the pounding of your own heart, the sick, dizzying drums of war, and high pitched ringing like a flat-lining hospital monitor, and screaming, and the rapid burst of machine gun fire. No. The screaming you hear is just in your head, the gunshots aren’t real, they can’t be. It’s not happening, it’s over, it’s been over for a decade, you’re safe.
Except you’re not safe.
Hands land on your shoulders. You lash out, fists striking something solid, knocking the hands away. You have to get away, you have to hide until it goes quiet again. Arms wrap around you in a tight hug, stilling your thrashing limbs and bringing you down to the floor gently.
“Doll! Dalisay, sweetheart, you’re alright, come back.” The voice has authority. You know that voice. It rumbles, shaking loose memory. “Come on, love, breathe slow. You’re okay.” You breathe in, warm spice and tobacco smoke, not burning petrol, not scorched flesh. You’re kneeling on the floor, and John is holding you tight, thighs bracketing yours.
The fight melts out of your limbs.
You’re not safe, but you’re not in danger either. John loosens his hold on you and cups your face, his worried face eclipsing all else. “Doll, where’d you go?” he asks. “What happened?”
“Panic attack,” you lie, because that’s easier to say than My parents were killed in a terrorist attack while we were visiting London ten years ago and sometimes I get so stressed out that I forget it’s not still happening. “I’m fine, I’m sorry.”
“That wasn’t a panic attack, doll. Worked with Simon long enough to recognize PTSD. You were somewhere else.”
It’s hard to imagine that Ghost is as fallible, as human as you are, but you suppose there’s no shortage of opportunities for even the the biggest, toughest military men to to wade hip deep in trauma. The worst day of your life would be just another mission for them. The worst day of their lives would probably kill you outright.
"Yeah, I guess it was," you admit haltingly. "Everything just caught up with me. I won't let it happen again."
He shakes his head. "Did I set it off? I need to know— I don’t want to hurt you, sweetheart.”
"No, it's not like that. It’s just stress. It's been building since I got here."
"I guess that's what you meant in the truck, huh?"
You nod weakly. "I don't think I can explain it any better right now. But maybe tomorrow."
"Alright." John sighs, some of the tension in his shoulders releasing. " I don't want you to be afraid of me, doll."
"Then you're going to have to give me time, and space. I need to know what kind of man you are. And you should get to know who I am too.” There’s a wrinkle in his shirt, so you fixate on that rather than look right at him, smoothing it out with your fingers. “Let’s worry about becoming friends, for now. And then we can see if there’s something more.”
He doesn’t like that, you can tell by the way he pulls his hands back, reluctant to let go of you. But still, he nods, and smiles ruefully after a moment. “Guess I’m not as patient as I think I am. Too eager to get to the good part.”
You laugh lightly, the sound shaky from frayed nerves. “John, if we can be kind to each other, and come to an understanding, then it’s all the good part. You can’t build the things you want on foundations like this and hold it all together with sheer force of will.”
“You sure about that?" he jokes, trying to lighten the mood. "I’ve heard I’m pretty stubborn.”
Your eyes flick up to meet his. You still feel unsettled, your heart still pounding, your stomach still roiling with anxiety. The emotion in those blue eyes is something you can't identify, something fathomless that strikes you with a foreign kind of fear, the kind that's shot through with hope that you shouldn't feel.
“You don’t know me too well yet, John,” you say gently, “but so am I.”
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Image Credits: Banner
Dividers: 1 - 2 - 3 by @/Cafekitsune
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liam-summers · 7 months
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Buffy the Vampire Slayer | 03.19 | Choices
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I was watching a video on youtubes and they played that one futurama clip
immediately thought about her lol
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