#cause i was never taught the difference

[m4ggotm0ld]

silly dude doing silly things:3

Storm joined him

[unganseylike]

i know nothing about daredevil other than the netflix version i watched at some point but i just saw a gifset of charlie cox covered in blood and it made me wonder if anyone has considered the potential applications for declan, because daredevil is a catholic vigilante with a respectable suit-wearing day job that knows how to beat the shit out of people (partially due to his dead boxer father) and is kinda slutty

[bloogers-boogers]

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[cranberrytart451]

I just got off work and I am debating on drawing or going to sleep.

[vulpinesaint]

so glad to see my little geralt of rivia post getting notes. i am the world's most average witcher lore understander (two seasons of the netflix show and three of the books and a bunch of time spent gleaning real lore from what people use in fanfiction) but i Do consider myself more correct than most people when it comes to understanding geralt of rivia. this is because i want to put him in a centrifuge and spin him around and my judgement is therefore unclouded by things like liking him as a character

[crystalkitty1220]

Gotta love when your life slowly but surely becomes more like a fanfiction (I have gained the fake dating trope. probably not gonna turn into real dating but it still counts)

Can I get an update when it inevitably does turn into real dating? /j

[beneaththebloodylake]

oh so she really is from kansai. ive been wondering about that for literally ages but never managed to catch where shes from in the anime

[metamatar]

“I have always had an ethical practice of making sure that I include Palestine in my teaching,” Finkelstein told me. “It was never outside the bounds of what I do.”

For Finkelstein, who is Jewish, this was not always easy. More than 30 percent of Muhlenberg’s 2,200 students are Jewish, many of them vocal supporters of Israel.

Neither her longtime public support of Palestinians, however, nor the courses on Palestine she taught in her early years at the school prevented Finkelstein from earning tenure in 2021. Following the arduous tenure process, professors are supposed to enjoy lifetime job security and robust safeguards of academic freedom. The bar for dismissal from a tenured academic position is by design meant to be extremely high, requiring justifiable cause.

In late May, however, Muhlenberg told Finkelstein that she was fired. The reason? She had shared, on her personal Instagram account, in a temporary story slide, a post written not by herself but by Palestinian poet Remi Kanazi calling for the shunning of Zionist ideology and its supporters.

“Do not cower to Zionists,” Kanazi wrote on January 16. “Shame them. Do not welcome them in your spaces. Why should these genocide loving fascists be treated any different than any other flat out racist.” At the time, Israel had already killed over 22,000 Palestinians in Gaza, the majority of whom were women and children.

For Finkelstein’s repost of Kanazi’s words, the college determined that their employee of nine years had violated its equal opportunity and nondiscrimination policies.

[medicinemane]

Sometimes it's like... is this person just... a very slow typist... or are they really choosing their words and adding and deleting a bunch of stuff

(this is obviously about seeing people respond on discord and then seeing the message they typed compared to when they started typing it)

[glow-in-the-dark-death]

Space (I see you)

Danny has a space core, in the beginning he thought he has an ice core, but it turns out that because he had been highly stressed since his death his core had been underdeveloped and only showed certain aspects to keep him healthy.

Years have passed his 14 birthday (death-day)

He was now 17 and had grown into his core which had revealed a lot about him.

For example, being the Ancient of space distorted his entire view of everything. After all space was everywhere and ever growing, expanding more and more.

Danny could feel himself in his physical halfa body,

But at the same time he was watching people on the other side of the planet: laughing, dancing, celebrating, crying, being born, dying,mourning, and going about their day.

That was only on this Earth he could see every Earth that exists.

Earth was such a small part of space.

He could feel & see entire solar systems, galaxies, nebulae.

More & more

Just continuing to expand

Never ending

As he got older he could understand more his connection to everything.

Being able to help life be born on other planets

Moving moons towards planets

Creating star nurseries

Everything at his grasp

~

This would cause him to let his mind wander away from his physical form, which just looked like he was spaced out.

His human form slipping slightly when he does: freckles gaining a glow and moving to form different constellations, his hair moving like if it were weightless, and his eyes

Don't stare too long at his eyes

After all the eyes are the window to the soul

And his hold too much

(Look away)

~

Danny casually watches a meteor shower hundreds of light years away, spaced out: Ooh pretty!

The poor goon who taught he could mug a careless teen and stared at his eyes for too long: *Twitching on the ground foaming at the mouth*

~

Danny who hasn't blinked in a few minutes: "The pretty space station with heroes in it just made a full orbit on top of us again!"

Tim next to him who's just waiting in line for a cup of coffee or 3: *panicked side eyes him* Wh-What?

~

Batman: "We have to find who's taking out all these criminal."

Danny who looks like a Wayne kid therefore getting regularly kidnapped (or at least attempted), focusing on making a good star nursery: " Shhh! I'm concentrating"

Villain & his goons dropping like flies: "Mercy!"

~

Just an Idea

[wwwyzzerdd420]

I really just do not get women At All

[stuck-in-jelly]

Im sure its been said before but I absolutely love love love how well The Dragon Prince did depicting how siblings can have the same parents but still grow up with very different versions of them.

To Claudia her dad was gentle, loving, and devoted. He taught her everything he knew, guiding his daughter lovingly through the lessons he had learned through life.

To Soren his dad was cold, angry, and dismissive. He ignored him every chance he got, making it known he was disappointed in his son for ‘failing’ to take after him.

To Claudia her mom is someone she doesn’t ever want to see again, someone who abandoned her.

To Soren his mom is someone he misses dearly, someone he wants to reconnect with after everything.

Then stepping away from their family

To Ezran his dad was affectionate, funny, and playful. Everyday he knew his dad loved him unconditionally, cause he tossed aside court manners to play with him.

To Callum his dad was a little awkward, stiff, but kind. He was never really sure how much of family he actually was, or if he could call Harrow his father at all.

[dunmeshistash]

Okay I think I'm ready to write the second part of this post about Milsiril

To make it easier for me I'll just divide this into her relationship with Kabru, Mithrun and Helki (her ex-canary prisoner teammate)

First about Kabru

This is an extra from the daydream hour 5. The caption says "Something like this might as well have happened" so its probably not canon but could be. I honestly think his reaction to Milsiril visiting and being overbearing says a lot about the type of relantionship they have. This is the fakest bitch in the whole of dungeon meshi, he never says what he trully thinks unless there's an advantage to doing so, he's a people pleaser that does and says anything to make people like/trust him. And yet he immediatly converts into "Mooooooom you're embarassing meeeeee" when he sees it's Milsiril.

This translation used "Mom" but as I understand the original he uses the more formal version so I think it would be closer to "Mother" but still he acknowleges her as his Mother, and he acts like her kid in every interaction we see between them.

I really don't understand where the idea that he learned to be fake from being "forced" to be her adoptive son comes from.

(Continuing under a cut)

The other interaction we see between them is the Kabru extra from the Adventurer's Bible

Kabru comes to her with a deep fear he clearly has had even before she adopted him, he trusted her with this fear and she did not disappoint him, she comforted him and then gave him the information he needed to believe what she was saying

I'd also like to point out in no moment she discouraged him from calling his his bio-mom "Mom". He also says she taught her children everything they asked

I doubt this would only be true for him, it also mirrors something she said in the manga

"You can go ahead and learn all you want about something else." I believe it when Kabru says she made every effort to answer her children's questions. I think this is also the way she expresses the love she has for them. Plus I love the thought bubble with Kabru mirroring what he learned from her. I also love this daydream hour, she sacrifices her own comfort to do something for Kabru.

Milsiril isn't a perfect mother tho, besides the fact she is overprotective she comes from a very different culture from her children. I like to call her Kabru's white mom cause I think that would be the real world equivalent. This extra is the one I think the most about showing this context perfectly

Kabru wants to share Utaya sweets but looks at his mom looking gloomy/rejected so he talks about fruitcake instead. This very rude for Milsiril to do since she's kinda trying to overwrite his actual cultural background, but I think its done more as a "I want you to like the things I like" rather than something nefarious, and once again Kabru doesn't hide at all his distaste for it, he does the bare minimum to please his mom since she's being dramatic but he doesn't lie to her, he shows how displeased he is about fruitcake, something he refuses to do when eating the harpy omelette that is way worse, because he must make a good impression for Laios. Kabru is honest with his overbearing white mom once again.

Now a little about Rin, from Kabru's context, this is her extra in the Adventurer's Bible

(look at Helki he's such a gremlin i love him) anyway, Rin has a trauma about elves, they really mistreated her so she hates them, but when they notice she isn't thriving they go to Milsiril for help (Helki specifically I'll talk more about him next). I think this indicates she really has a better understanding of short lived kids, her kids are thriving differently from the ones the other elves try to care for. I'd also like to remember she lives secluded from other elves so while Kabru probably had lots of interactions with elves during his life, most of it was probably spent with Milsiril and her other adoptive kids. She also asks Kabru if he would do this to help Rin, he isn't being forced or anything, I also think it's good that Milsiril knows she cant take in any more kids, this to me shows she's worried about the quality of life her kids have. That is all to say, Rin is the one with elf trauma, not Kabru, because Kabru had Milsiril to shelter him from them.

Helki

This will be short and sweet since there's barely anything about Helki, he's her prisioner companion from her time in the canaries, but he was pardoned after Utaya, it says so in the Canarie's Structure page in the new adventurer's guide but I cant really find it translated again... so here's google's machine translation (I remember it saying "Retired and pardoned as a reward after Utaya", something like that)

so officially he isn't a prisoner anymore, but I think he still works as a canary, even so he and Milsiril seem quite close, he is the one to go talk to her about Rin, He is there when she's training Kabru (both laughing at Kabru and then participating). I saw people theorizing she stays close to him because he is also someone who she can feel superior to, but I don't believe it at all, he's STILL in contact with her even after they have nothing to with each other, I think they really have a friendship, and there's no point where it seems like she feels like she's better than him or that he's less than her, people seem to interpret Milsiril and her relationships in the worst possible ways every time and I don't understand why.

This segways into Mithrun

I've also seen people assuming she only got close to Mithrun because now he needs her and has no power over her, once again with the theory that Milsiril surrounds herself with people she can feel superior to. But once again, Milsiril had a change of perspective about Mithrun after seeing his Dungeon

Rather than she feeling superior to him I think rather she realized he was just like her. (And I think she's friends with Helki for a similar reason, it's probably easier to see him as an equal than other nobles)

I've also seen this part used as proof of that. "He said that you've got suspicious ulterior motives and that I shouldn't listen to you" as if that's true, but this is past Mithrun, the one that didn't trust anyone and thought ill of all his teammates, ofc he doesn't believe someone would help him without an ulterior motive. This doesn't prove much about her real motivations.

Also before she showed up, Mithrun was being cared for by servants hired by his brother, he isn't someone helpless she has power over, he is still a member of an important Noble family that has a caring brother providing for him, he can do without Milsiril, he had done without her for 20 years before Utaya happened and she quit the Canaries.

This is all to say I think Milsiril is just a white(elf) adoptive mom doing her best, I don't see much of anything nefarious about her or her motivations, she is flawed as all the dunmeshi characters are, she isn't a perfect mom, she isn't an evil mom, she's just a person.

Elves in general also see short lived species as "children" so I imagine this makes her "You'll always be my baby" attitude way worse, she really treats pre-teen/teen Kabru like he's a toddler sometimes. But she also respected him enough to go all out in training him. I think they're a family with everything that entails.

PS: I didn't get much into Interracial adoption since this is something that happens irl too and I don't know much about all the issues that entails, but in the end, in this case, it seems like a net positive for the kids she adopts considering all we see about how she raised Kabru.

[joelscruff]

imperfect for you (joel miller x f!reader)

masterlist | a/n written for @janaispunk's 1500 kisses challenge! i got joel + nose kisses with this lovely moodboard and actually managed to write something!!! believe it or not this started out as a drabble lmao. i hope you like it jana - sorry it's a bit late, and congrats again on your milestone 🤍 summary: you never thought joel miller would accidentally call you baby. warnings: age gap (joel is mid 40s, reader is 23), fluff, very brief instance of blood, tending to a wound, joel is eepy, soft kisses, cuddles word count: 5.5k ao3 dividers by @saradika-graphics

"When's the last time you slept?"

He doesn't bother to grace you with an answer, hands clenched on the steering wheel as you barrel down the vacant stretch of highway back to Lincoln. He's been ignoring you for the past fifteen minutes now, eyes straight ahead, brow furrowed, jaw clenched. But he looks pale, almost sickly, the whites of his knuckles stark against the sudden greenish hue of his skin. The last thing you need is for him to pass out and for the two of you to crash into a damn ditch.

"I'm just saying," you continue with an exasperated sigh, "I could drive the rest of the way, we're almost there."

No reply. You roll your eyes and cross your arms indignantly in the passenger seat, returning his icy demeanor. He's in one of his moods again, the ones only Tess really knows how to handle, but you'd volunteered to try your hand at a supply run in her stead which means she's not here to mediate. You should've known some issue would arise, stubborn Joel inventing problems in typical Joel fashion.

"You could've tried to last at least one more hour pretending to like me," you mutter, loud enough for him to hear. He doesn't say anything.

Almost a year of working with them now, and you still don't understand him. You're not sure you ever will. Tess, she's much easier to understand, much more open to being understood. She'd seen your potential and taken you under her wing, brought you in to help, taught you everything you needed to know about smuggling. And Joel... well, he's a different story.

"You know, Tess thinks I have promise," you continue anyway, expression crumpling into a scowl, "She thinks I can do this. I don't get why you don't."

No answer.

"And don't say it's 'cause I'm a kid, because I'm not. I'm twenty three now, I'm past the point of being called a fucking kid. The shit I've seen in that QZ-" you cut yourself off, shaking your head, "I'm not a kid."

His lack of response is beginning to hurt deeper than you'd really like to admit. You glance over at him again; he's still staring straight ahead, still ignoring your presence. It makes unwanted tears prick in your eyes, nose stinging a little as you peer down at your lap and fold your hands together.

You'd been excited for this supply run, probably against your better judgement. You'd wanted to show him how much you know and understand, how hard you've been working, how you're up to the task. Hoped maybe he'd give you a smile - rare, but not impossible - and tell you that you did good, that he sees potential in you too.

You care what he thinks, almost more than what Tess thinks. And you know why, can sense it deep in the pit of your stomach and in the way your heart stutters when he looks at you, but you're clearly living in a fantasy world if you think he's ever gonna get past whatever this stigma is that he has against your age. She's too young, Tess. She'll get hurt, Tess. She shouldn't be doin' this, Tess. You've heard it all, muffled through closed doors in a dark and damp hallway.

He doesn't want you, and you're not sure how much longer you can go on like this. If he's not willing to change his stance, view you as anything other than an inconvenience...maybe Tess will have to find somebody else to help out.

"I know what I'm doing," you mumble, a tear dribbling down your left cheek, "I just wanna help."

You spare him one more look, fruitlessly hoping that maybe he'll feel bad now that he's made you cry - a childish thought, considering you're trying to make a case for being mature, but you can't help it. You know he's capable of being gentle, of being kind. You've experienced it with him before, quiet moments between the two of you in his apartment while waiting for Tess to return, making small talk, him peering at you with a softness in those brown eyes that have since made frequent appearances in your dreams. Moments where you swear you felt wanted under that gaze, but it must've been in your head, because you certainly don't feel wanted right now.

He doesn't look well, you have to admit. His skin is covered in a sheen of sweat, getting paler by the second, turning an unnatural grey color akin to some of the hair on his head. His eyes are glassy, dark bags settled beneath them that you've noticed getting worse and worse over the past few weeks. You shoot a glance at his hands again and are surprised to see that he's loosened his grip, that his fingers seem to be trembling against the rubber.

"Joel," you say, raising your voice a bit, "Joel, are you okay?"

His lack of response no longer angers you - it worries you. Carefully, you reach over and slowly wrap your hand around his right wrist, eyes trained on his face. At your touch, he finally turns to look at you, almost like he's only just noticed you're even there.

"You say somethin'?" he asks, voice raspy, a bit slurred.

Your grip tightens on his wrist, "I think you should stop the car."

He looks at you curiously, dazedly. It's the expression of a man who's running on two, maybe three hours of sleep in the last few days. You choose your next words carefully, eyes flickering back and forth toward his face and the road that he's suddenly no longer watching.

"Let's slow down a bit," you murmur, thumb stroking gently along his skin - he's warm, warmer than normal - "I'm gonna drive the rest of the way, okay?"

You expect some pushback, an attempt at an argument, but the tiredness is setting in quickly. Without any hesitation he eases his foot off the gas and you hurriedly reach your own leg over into his space to push down on the brake. He doesn't seem to notice the way your bare leg brushes his jeans, the crease in your knee bending over the warmth of his thigh.

"There we go," you say softly, bringing the car to a slow stop. He's still looking at you, eyes unfocused as you carefully lean over a little more to unbuckle his seatbelt. You try to ignore how good he smells, how big he is compared to you, putting all your attention on getting him out of the front seat. You unlock his door and then unbuckle your own belt, hurrying out of the car to his side.

"M'okay," he mumbles as soon as you open his door. You start to help him out, and you think he's becoming a little more aware of the situation now, allowing you to pull him to his feet as you tug open the back door. "What's happenin'?"

"You're just tired," you tell him softly, "It's okay, you can sleep in the back, I'll drive."

"Bill n' Frank's," he says as you lead him the right way, pushing him a little and helping him place his knee down on the seat, "Y'know where it is? You remember?"

"I do," you tell him confidently, your hand coming down to press flat against his back - he's so solid, heat radiating against your palm, "Only twenty minutes away now, I got it. You just sleep."

He doesn't argue; in fact, he makes your job easier by crawling onto the seat and settling down with a low groan, rolling onto his back and breathing deeply. You can't help but let a small smile cross your features, watching as one of his hands comes up to rest atop his belly, the other dangling onto the floor. His eyelashes flutter a little, lips parting, and you're about to shut the door when he speaks again.

"I know you jus' wanna help, baby."

You stand there for a moment just staring at him, confusion racing through your thoughts. Goosebumps rise on your flesh as the last word repeats like a mantra in your head, steady and slow as Joel drifts off. It's only when the door is shut and you're in the front seat that you're able to put some meaning to the words, eyes wide as you stare at the faded lines on the road.

I know what I'm doing, you'd said, I just wanna help.

You leave him in the car when you get to Bill and Frank's, typing in the gate code with a backward glance at his loose form in the backseat. They must see him on one of the security monitors, because as soon as the doors open you spot them sprinting out of the house toward you, a scanner gripped in Bill's hand. Typical.

"He's okay," you tell them as soon as you're out of the car, instantly alleviating their stress, "He's just exhausted, I think he needs to sleep for a little while."

"Understatement of the century," Frank replies with a relieved laugh, eyeing the backseat, "Think we can get him in the house?"

"Just leave him in the car," Bill says with a wave of his hand, already turning to head back towards the house with the scanner hanging out of his pocket, "He'll be fine."

Your gaze meets Frank's and he rolls his eyes, "Come on, baby, let's get him upstairs." Your brows go up at the pet name, the same word that had fallen from Joel's lips only twenty minutes ago, but then Bill is shuffling back over with an annoyed look on his face and you quickly realize he's not talking to you.

Getting Joel out of the car proves to be a lot more difficult than getting him in. You try a gentle approach at first, brushing his arm and stroking his skin with your thumb again like you'd done earlier. You can feel Frank's eyes on you as you squeeze Joel's bicep, his wrist, his thigh, and you pretend you don't see the look that passes between him and Bill as you step out to let them take a turn.

Bill goes for a much more aggressive approach, shaking Joel's shoulders wildly and practically yanking him out of the car. Understandably, Joel wakes with a gasp and kicks his legs out, hand reaching for his pistol as he frantically tries to escape Bill's grasp. Before he can grab it though, he's suddenly falling forward, knees buckling as he faceplants onto the pavement beside the car.

Well, that certainly wakes him up. His hands press into the gravel and his head shoots up, blood trickling down his nose as he peers up at the three of you, stunned.

"Oh, for fuck's sake, Bill," Frank groans.

"That was not my fault."

Ignoring them, you kneel down and gently touch Joel's shoulder, a concerned look on your face as you eye the splattered blood on the ground, "Fuck, are you okay?"

"What in the hell is goin' on?" he groans, turning to look at you, "Did Bill just break my fuckin' nose?"

"Don't be dramatic," Bill barks, spinning on the spot and heading into the house, "Shoulda just left you in the car."

Joel starts scrambling after him, rising up and standing on wobbly legs, hand reaching for his pistol once again. You and Frank grab him before he can do anything, both of you taking an arm and holding him back.

"Joel, you're exhausted," you tell him quickly, utilizing all your strength, "You just need to lay down. Please."

He turns his face to look at you and something flutters in your chest when you catch the way his eyes soften, the anger in his expression fading as he acknowledges your presence. You can vaguely make out Frank watching the two of you in your periphery, but you try your best to ignore it, instead opting to give Joel a reassuring smile.

"Let's just get you cleaned up, okay?"

You're grateful that Frank leaves you alone with Joel to tend to his nose. You've only met him a handful of times, but each time he'd somehow been able to clock the way you interact with Joel, the way you look at him. The last time you'd been here he'd subtly pulled you aside to give you a few words of wisdom.

"You do realize he's extremely unavailable, right?"

"I- I don't know what you're talking about."

He'd smiled, tapped his nose and given you a knowing look, "And I don't just mean because of Tess. That man is emotionally constipated, kiddo. He's an island." He'd laughed then at your confused expression, shaking his head, "Just be careful, s'all I'm saying."

You'd gone to walk away, forget the conversation even happened, when he'd softly called after you:

"And I'm pretty sure Tess would hang your head on her wall."

You think of those words now as you stand in front of Joel in the small bathroom off the landing, lip between your teeth as you eye the cut on his nose. It isn't broken, thank fuck, but you can see some dirt and gravel in there that you need to clean out.

"It's not broken," you tell him softly. He's sitting on the edge of the bath tub, peering up at you with a much more alert expression. The fall definitely woke him up, not to mention the choice words he and Bill had thrown at each other as you and Frank helped him up the stairs. He's still exhausted though, and he needs to rest.

"I know it's not," he grumbles, "Just wanted to give Bill a piece of my mind for once."

You laugh softly as you reach for the damp cloth beside you, bringing it up to carefully pat it against the gash on the bridge of his nose. You can feel his eyes on you, watching and assessing as you do your best to wipe the area clean.

"I can do that myself," he murmurs.

"I just wanna help," you say quietly, and your eyes fall to his in a knowing glance. He doesn't seem to remember though, just nods and lets you carry on.

It's rare for you to be this alone with him. And by that, you mean this far from Tess. You're painfully aware that it would be impossible for her to walk in at any moment, to see the way you're standing over him, touching him. Frank's words from last time echo in your head but you're not quite sure you believe them; would she really be that angry if she knew how you felt about Joel? It's not like he'd return it, right? The man is twenty years your senior and, as Frank said, extremely unavailable. Not to mention Tess and Joel's relationship has been a point of confusion to you for a year now, still unsure exactly what they are to each other - would she really care?

You reach for the antiseptic - one of the many perks of having an injury in a supply house - and carefully dab some onto the cloth. Your hand trembles a bit as you reach up to carefully hold Joel's chin, your thumb getting lost in his greying beard.

"You haven't shaved in a while," you breathe, your eyes meeting his, and you wonder if you've already crossed a line by even noticing.

He doesn't seem to mind though, sighing deeply, "I haven't slept in a while, so let's hurry this up," he eyes the cloth, "Don't gotta warn me, just do it."

His words bring you back to the present, and you slowly ease the cloth down onto his cut. He hisses a bit, a normal reaction, but it only takes a few seconds to clean and then you're already reaching for a bandage, reluctantly letting go of his chin.

"I was worried about you, before. In the car," you tell him softly, unpeeling the adhesive, "Why haven't you been sleeping?"

His eyes fall to the floor, "I just don't sleep good. Never have."

"Is there anything I can do?"

He shrugs, gives you a humorless laugh, "Handful o' pills and a couple sips o' whiskey usually does the trick."

It makes sense, then, why these past few weeks he's seemed worse. It's been longer than usual since your last supply run and the three of you had started running out of vital supplies over a week ago now, not only for buyers but for yourselves. Joel had written whiskey near the top of the latter list, along with hydromorphone which he'd underlined several times.

"You should've told me you weren't feeling well," you murmur, applying the bandage carefully, "I could've driven the whole way."

"Could've, should've," he dismisses you with a grunt, "Doesn't matter now, does it? We got here, that's what counts."

You linger a little longer than you should on the bandage, thumb falling to gently trace the crease of his nose as you assess your work. It might scar, but it feels pointless to voice this - he already has so many, scattered across his face and neck like confetti. It hurts a little, knowing he's been through so much, seeing the evidence written all over him.

"My mom had this superstition," you tell him softly, a smile playing at your lips as you trace one of the scars under his eye, soft and delicate, "Whenever I got hurt, skinned my knee or busted my elbow playing, she'd bandage me up and then kiss it. She said a kiss would seal her love in there, keep me safe and protected. And if it scarred, that meant it worked."

He blinks at you, expression faltering a bit, "That's...that's a nice thought."

You shake your head, "It's silly, and not true. But... but I still do it anyway, even though she's gone. Just in case," you bite your lip, "I mean, who doesn't wanna feel a little more safe? A little more protected?"

Your gazes lock, and neither of you seem to move, caught in the stillness of the moment and the way your thumb is still stroking his face. You know you have limited time, maybe a few seconds before he breaks it, so without much thought at all you lean down and lightly press your lips to the bandage, eyes closed.

He inhales sharply, a sound that triggers butterflies in your tummy as you hold your mouth against his nose, soft and sweet. It's the closest you've ever been to him, even if you're kissing gauze and not skin - you can still feel the warmth radiating from him, sense the way he freezes below you. A squeaking sound pierces the silence, his hand squeezing the edge of the bath tub tightly. It startles you, your eyes blinking open as you pull back to look at him.

His cheeks are tinged pink, eyelids heavy as he peers up at you with slow blinks.

"You're tired," you breathe, unable to stop your hand from flitting to his hair, pushing a little behind his ear, "Let's get you to bed."

The Joel Miller in Bill and Frank's guest room is not the Joel Miller you thought you knew.

This Joel is loose, pliant. He lets you lead him into the bedroom with a hand on his back, lets you carefully turn him on the spot to reach up and undo the buttons on his flannel. Frank had told you on your way up to make sure Joel didn't get blood on the sheets, so you're only following orders, only doing what you were told.

"Sorry," you murmur softly, fingers shaking every so often as they toy with the buttons, sticky with his blood. Joel doesn't seem to notice though, retreating more and more into the sleepy state he'd been in earlier.

Once his flannel is off you assess his t-shirt and jeans, and you're not sure how to feel about the fact that they didn't get dirty in the fall. On the other hand, though, you're not sure you'd have been brave enough to take them off. Instead you help him toward the bed, pull back the sheets and carefully push him ahead.

"There you go," you whisper, helping him under the covers and pulling the blankets back over him. The sun is streaming through the window, casting the golden light of early evening across the bed, and while it's quite beautiful you shut the curtains anyway, knowing he'll sleep better in darkness. When you turn back around, he's already fallen asleep, lips parted, face peaceful. A different man.

You don't linger, even though you want to.

It's around ten o'clock when you decide to check on him again. You'd watched a movie with Bill and Frank, feeling more than a little unwelcome as Bill tossed you a few dirty looks every so often, though Frank repeatedly told you to ignore him. Now they're in bed downstairs while you pad from your own room across the hall to Joel's, turning the knob carefully. The hinges squeak a little as you open it and you wince.

"Who's there?" you hear Joel grumble from the bed. So much for just taking a peek.

"Me, just me." You push the door wider and walk inside, eyebrows going up when Joel turns on the bedside lamp. He seems a little more rested, although you know he still needs a full night's sleep. "I sent a message to Tess through the radio to let her know we're not coming back tonight - well, Frank did. Picked a song called Tomorrow or something like that."

"Hope it was the Johnny Mathis version," he mumbles, and you watch as he brings his hands up to rub across his face. He accidentally dismantles the bandage and you step forward without really thinking, hurrying to his side and reaching down to fix it.

His hand comes up to grab yours and you freeze in place.

"I can do it," he says, giving you a curt look and then releasing your hand to adjust the gauze himself.

Well, you suppose lax and sleepy Joel couldn't stick around forever. You stand awkwardly by the side of the bed, toying with the edge of the blanket as he rubs his eyes and sits up a little, leaning back against the headboard. He looks so much older in this light; you can see the little flecks of grey in his beard and hair that have been starting to get more noticeable lately, the crows feet, the wrinkles.

He's so handsome.

He turns to look at you with a frown, as if he's only just realizing what you said, "We can go back tonight, I'm fine."

"You're not and you know it. Besides, it's already past ten and now I'm tired, I won't be able to drive."

"I can drive."

"Joel," you surprise yourself by sitting down on the edge of the bed, narrowing your brow as you give him a serious look, "You can't drive. You almost fucking killed us both."

"No I-"

"Yes you did," your tone is firm, suddenly angry - are you angry? - "If I hadn't been talking to you, if I hadn't noticed something was wrong, you would've driven us off the damn road."

He goes quiet at that, frown deepening, the lines on his face more prominent in the low lamplight. You sigh, eyes falling to rest on where your hand is settled on the bed, only inches from his. Part of you wants to reach out and touch, feel the warmth of his skin, the rough of his palm - the other part decides to do something even more stupid.

"You called me baby."

It's out of your mouth before you've even really acknowledged it, and once the words have tumbled out you know there's no taking them back. Your gaze snaps back up to his, slightly surprised to see that he doesn't seem very shocked by your admission.

He clears his throat a little, averting his gaze and shuffling a bit under the covers, "Did I?"

"...Yeah."

You think maybe he'll say something else - anything else - but he doesn't. God, it really is like pulling teeth with him; he's so fucking beautiful but so impossible, never being able to expand on something unless prompted, never being able to answer a single question without jerking you around first. How the fuck has Tess managed to deal with it for so long?

The thought of Tess sends a wave of guilt through your body, Frank's words echoing in your head, but you shove it down.

"What made you... I mean why..." your voice is soft, apprehensive and shy in the quiet of the bedroom, "why'd you call me baby?"

A beat of silence. Then-

"Don't ask me that."

The mood has shifted, your sudden anger ebbing and his annoyance fading into something else, something on the brink of being real. He's avoiding your eyes, peering at the window with the curtains drawn and tapping his fingers anxiously against the mattress, so close to your hand. He's nervous; you're making him nervous.

You stay silent, hoping he'll speak again, hoping maybe just this one time he'll tell you what he's thinking.

"I don't know why."

The words are barely a whisper, almost like he's telling you a secret, and he leaves them hanging in the air briefly before amending - "Well," he sighs and finally looks at you, an emotion you can't place crossing his features, "that's not true. But... I didn't mean - fuck, I was passin' out, for Christ's sake, I didn't realize-"

He cuts himself off again, raising his hand up to press his fingers to the bridge of his nose, briefly forgetting the bandage. He winces when he comes in contact with the gauze, "Can I take this off? It's drivin' me fuckin' crazy."

"Let me do it," you say quietly, inching forward on the bed and reaching for his face. He flinches when you go to touch him, and your hand freezes mid-air.

"Sorry," he mutters, shaking his head like he's shaking off a sensation, a chill, "Go ahead."

With careful - and slightly trembling - fingers, you remove the bandage from his nose. It looks much better than before, no fresh blood in sight, and you suppose it's okay for him to keep it uncovered for the night. Without really thinking about it you gently thumb the side of his nose just shy of the cut, the tips of your other fingers brushing against his cheek.

"It's not too bad," you murmur, and before you know it you're suddenly cupping his jaw, feeling the weight of it in your palm. Your gaze falls to his lips, your thoughts going a mile a minute.

You realize you're close enough that you could kiss him, if you really wanted to. If he really wanted to. All it would take is one small movement, one little push from the both of you, one leap of faith...

And then he whispers your name, almost a warning, and it's like his thoughts are mirroring yours - like he can see exactly what you're picturing, wishing for. Your eyes meet his and you feel a flutter in your stomach when you see the way he's looking at you, a quiet hunger hidden in the deep brown.

You decide to test the waters. You lean in and softly press another kiss to his nose, this time without the gauze in the way. Just like you'd thought, his skin is hot under your lips, soft but scarred, and his smell - god, he smells so masculine and safe, invading your senses as your lips trail downwards to press a small kiss to his cupid's bow, then another to the corner of his mouth. It's sharp, prickly from his scruff, but it doesn't bother you in the slightest - in fact, you kind of like the dull pain, the way it grounds you, keeps you in the moment.

"Baby," he whispers, and a soft little whine falls from your lips without meaning to as your lips move to ghost across his mouth, going for another kiss - a real kiss.

He pulls away before you get there, but then his hand comes up to touch your face, big and wide. He holds you like you're precious, small. His baby.

"S'not right," he whispers, though his thumb strokes your cheek soothingly, "S'not okay for me to want you like that."

You close your eyes at his touch, breathing deeply, "But you do."

"Yeah, I do," you hear him murmur, "You know I do."

"For how long?"

He doesn't respond right away, just continues to stroke your cheek, hold what feels like all of you in his warm palm. You tilt your head a bit to the side, eyes fluttering open to look at him again. You catch the way his lips turn up a little at the movement.

"Too damn long," he sighs, "But that don't... that's not..." he brings his other hand up to cup the other side of your face, holding you still as he peers at you in earnest, brow furrowed, "Point is, we shouldn't... you shouldn't be out here alone with me. Tess knows how I-" he cuts himself off again, and you can see now how difficult it is for him to communicate like this, to be open and honest, "I told her it wasn't a good idea."

"Why?"

He laughs lightly, thumbs circling the apples of your cheeks, "'Cause look where we ended up." He swallows, eyes falling to your lips, "Look where you are right now, baby. Look where my damn hands are for cryin' out loud."

"Keep calling me baby," you breathe, a desperation in your voice that betrays your emotions, tears pricking in your eyes as the weight of this conversation comes crashing down around you. He wants you - he's always wanted you. His words to Tess about not wanting to put you in danger, wanting you to stay away, those soft looks you've shared in his apartment, the small talk, all of it - it's because he wants you.

"We can't do this," he murmurs, leaning in to press his forehead to yours, eyes closing, "I can't do this, you're so- you're too-" he groans, fingers digging into your hair, "You're so young, baby."

"I don't care," you whine, butting your head forward to chase his lips, suddenly yearning to be kissed and held and protected by him, be wrapped in his embrace.

But he pulls away, removing his hands from your face and shuffling back a bit on the bed, away from you. Your hand drops but you reach out pathetically for him anyway, moving closer, attempting to pull the covers back. His hands capture yours and he squeezes them firmly, shaking his head.

"You need to go back to your room," he tells you, and his tone has changed from soft to serious, "It's late and I'm... well, you know I'm fuckin' exhausted. And you've had a long day." He looks at you with pleading eyes, like he's silently begging for you not to put him in this situation, "Let's just call it a night, okay?"

"But-" you start, tears shining in your eyes.

"Please," he breathes, "Please don't make this harder than it needs to be."

You do not want to get up from his bed. But you do.

You do not want to leave his room. But you do.

You do not want to lie awake in your own bed, staring at the ceiling, thinking about how his hands felt on your face, the way his eyes searched yours, the way his skin felt under your lips.

But you do.

You lie there for hours, thumbs twiddling against your belly, tears trickling down your cheeks every so often. All you can hear in your mind over and over again is the word Baby, punctuated by that soft groan he'd made, the way his thumbs had stroked your cheeks, how large and warm and safe he'd seemed in that bed.

All you want to do is be in that bed with him.

So it's no surprise when, as the sun is beginning to rise and that warm golden light starts to stream through your window, you crawl out from under your blankets and cross the hall one more time.

"We shouldn't" he murmurs when you climb into bed with him, when you tuck yourself into his side and bury your face in his shoulder, but his hands are already in your hair, fingers stroking along the back of your head.

Your bodies mold together like they've always been meant to fit that way, your legs tangled with his, arms trapped under big biceps and hairy forearms, breasts flush with his suddenly bare chest.

"I wanna be your baby," you whisper.

The nose you'd kissed brushes slowly up and down the side of your face, and he doesn't hesitate this time. He reaches up to turn your head, presses his lips against yours and lets you melt into him. Lets you trail your hand downward to unbutton his jeans in the silence of the early morning.

"You already are."

[critterbitter]

re: your thoughts on legendaries (which is very cool and based) what’s your take on the differences between legends:arceus giratina and platinum giratina, especially since you defined them as hating the world? specifically the bit where giratina (at least seemingly) actively defended the world from cyrus trying to destroy it, after trying to do the same thing with volo’s help centuries prior?

Weird ghost worm upon yee (AND MORE ART BELOW CUT!)

Anyways, here’s my mad ramblings about Giratina and Arceus’s backstory.

Tldr: Giratina’s a conglomerate of angry souls scorned by Arceus.

(Here’s the playlist. It’s all about worms.)

How it Started.

The original one has chosen favorites over the passage of time. Heroes, legends, protagonists…

Arceus intervenes for those it loves, and the consequences of a god touching the mortal world is devastating in its entirety. One act of divine intervention causes entire civilizations to collapse. One whispered suggestion drives an entire legacy insane.

So Arceus, paralyzed by its love for the mortal world, acts very little, learning from its mistakes. Apathy soaks through every motion. And thus is the way of the world.

But people love the Originator. Religions are born from Arceus’s rare deeds, and generation on generation taught its benevolence. Imagine spending your entire life chasing after that golden light. Imagine knowing its real and there, and it loves you.

Imagine begging it for help, and seeing it turn away when you need it most.

I think those people would feel very abandoned indeed, if they spent their lives worshipping, and receiving no response at all.

Giratina is born from the abandoned, the lost, and the angry. They’re a hundred thousand souls who’s adoration turned to spite. They’re an entity who demands for Arceus to look at them, so they can finally rest.

Arcues can not look at them in full, because if it does Giratina will fade.

(Scio, beloved. For I can not let you go.)

So the Original One banishes the Unwanted Beast into the distortion world, and Giratina seethes, and starves, and screams.

(Here are two truths about the Beast Between Dimensions—

1. Some part of them still loves Arceus. Arceus is their anchor, after all— the sole reason why they exist, why they are. But Arceus can not love it back in a way that matters, and that hurts.

2. Giratina is made of a thousand voices. Some of these voices remember that there’s a world above. They miss it.)

Why Giratina attacked Hisui in PLA:

PLA Giratina’s not a new god, but they’re very, very bitter and barely coherent on a good day. Volo serves as a conduct to help unite the broiling mass of ghosts against Arceus, and thus Giratina’s hatred overcomes any flickering affections they have for the land.

It doesn’t help that Arceus intervened for Hisui, sending Akari to directly stop Volo from summoning Giratina.

(As for Volo, well.

Imagine being a child who was thrown into the future due to Palkia and Dialga’s fits, who learned his people (his world) no longer exist beyond a shadow in the history books and a single, bitter lore keeper.

Volo doesn’t remember his original culture beyond vague imprints and singing praises to Sinnoh, but he knew he was loved, and he knew his family is dust four hundred years in the past. There’s a special sort of rage in him that echoes Giratinas.)

(Why did you abandon my people, Arceus? What kind of god are you, to leave those who love you so callously behind?)

(Maybe some part of Giratina recognizes Volo, beyond a feeling of kinship.

Maybe some part of Giratina grieves because it recognized the child Volo was.)

When Volo gets his pound of flesh, (when he realizes Arceus is not beholden to him, that the inherent alien morality Arceus holds is not a personal slight), Giratina will finally rest.

Anyways what I’m trying to say is: Arceus is never a person, but a nebulous embodiment of the connection shared between pokemon and humans. It tries to experience what it’s supposed to embody, but millennia of watching people be and cease has given it choice paralysis, apathy, and a hoarding issue. If something lasts forever next to it? Good.

Giratina was once a person. (Correction, a LOT of persons.) They don’t think very linearly either, but they have context on mortal matters and are thus the more benevolent and malicious of the two. One day, time will smooth them into something like Arceus. We can only hope the two keep each other in check.

THE DIFFERENCE OF LEGENDS ARCEUS GIRATINA VS PLATINUM PEARL GIRATINA

If the ancient version of giratina is an angry conglomerate of ghosts scorned by Arceus, the modern iteration of Giratina’s a creature that’s more settled in its skin and more assured in its duties. Giratina still has beef with Arceus, but they unionized into one being who’s love of the mortal world has triumphed over its ancestral grudge. One might even postulate they have shifted their anchor from Sinnoh the god, to Sinnoh the place.

((We call this character developement. Good for you, weird ghost worm!))

(((FULL DISCLOSURE, VOLO BEING FROM THE PAST IS INSPIRED FROM FOXFALL. You know. The fic that got me into this fandom. Please give it some love.)))

[number44newseries864962]

Need to rant for a minute because even though I have very much been enjoying the fruits of my efforts learning how to sew vintage style clothes, I just swapped out old fatphobia (nice plus size vintage clothes never making it to stores) for new fatphobia (trying to find patterns). Cause it doesn't end at what clothes you're able to buy already made.

I finally bought a Friday Pattern Company pattern the other day, and man it made the bare minimum feel like I was being spoiled. The sizes go up to 7X (that's XL, XXL, 1X, 2X, etc, so there's 9 sizes above L) they had a thin and a fat model on the cover! Usually I'm barely lucky enough to get an XL, and I'm just expected to guess how it's going to look on my body. The majority of their patterns have two differently sized models on the covers, and all of them have that full range of patterns inside.

It is so hard to find good plus size patterns, even if they're available, many companies just scale up their mediums and I can't guarantee they're actually sized correctly for a different shape. As good as Friday is, them and other modern indie pattern companies aren't easy to find.

Okay well what if I went another step deeper, what if I forgo patterns all together and decide to be completely independent and draft things myself?

Then I'll need a plus size dress form. I got lucky and found one at an antique mall for 50$ but these are incredibly rare and more expensive than smaller ones. I'll need to learn how to draft patterns, something that was taught to me on a XS form by my college and nearly every tutorial out there. Drafting close fitting clothes for fat bodies is a completely different skillset, because all that extra fat is much squishier and shifts more. Measuring yourself correctly and getting the shape you're looking for is far more important. Before I even got there I'd need to sketch out what I wanted to make, right? Well the patterning book my family got me only shows you how to draw tall, skinny people. A beginner would have to look up their own drawing references and tutorials because what what supposed to be a super accessible beginner's guide to fashion has decided their body isn't normal enough for the baseline tutorial.

We're expected to be the ones who put in the extra effort. Digging to find the pattern companies that fit our shape and actually prove they can, paying extra in shipping or driving farther to pick them up. Having to search specifically for plus size tutorials for drafting and sketching. It's always treated like it's not part of the beginner's experience to be working with a fat body, that's just going to make people more frustrated and lost and less likely to pursue something they're excited about! Especially if it's in response to already being frustrated about the lack of clothing options.

We need a little positivity to this post so to end on a high note, here's me modeling the blazer I just finished with a shirt I made a couple years ago!

Being able to finally wear clothes I really feel like me in has been an amazing confidence boost. It's not fair that there's so many roadblocks in the way for someone who looks like me who just wants to wear things they enjoy.