#cause I was a little nerd

[icm-art]

Eliza Thornberry of The Wild Thronberrys

[abombihoney]

she's so fucking mean 2 me

[golfishwiththebigeyes]

Hark, you've received Sojiwoman, now Boytaba be upon ye

[ofswordsandpens]

I'm sincerely very happy for anyone who is enjoying the show but every time I see takes that the show has improved the book characterizations or that the book characters are underdeveloped in comparison to the show...

[saturngalore]

the universe of saturngalore 🪐🌈

[yo-yo-yoshiko]

Because he has such a soft voice, I feel like i always forget Gerojim is another MASSIVE drama nerd.

Working theory that all Bugnarak are theater kids.

[serendippertyy]

warm-up doodle using a ship of mine I haven't drawn in sooo long omg

[riderkaitlyn5]

He's here! My lil guy! Thank you @herzspalter for this sweet bean! Who needs therapy when you've got Rung to give you a drink? Lol

[apostaterevolutionary]

So I touched on this a little in my veilguard review, but this is one of the topics I wanted to talk about separately. And it’s that I think I've figured out what really makes an rpg great vs just not bad for me. This is really a preference thing, cause I know there's people who are the exact opposite on this. But for me, it's about the amount of personal involvement the player character has

Like why are you, as the main character, here? Why do we care about the plot that's unfolding? Is it just cause 'well, world needs saving and I'm here', that's not very interesting to me. It's too replaceable - any sufficiently valiant person could do this (even in a chosen one narrative, this is typically true). 'Wrong place, wrong time' can be fun if done right, but it's still eh to me. I like it best when the player character has some tie to the overarching plot. I want it to be personal because that opens up so many more interesting emotions

Dragon age has examples of both of these. Origins, despite the Warden canonically being replaceable, as we know all the origins happened, it's just only one actually survived, does have this personal element imo because it has Ostagar. Different Wardens might see this differently, of course, but you arrive after just barely being saved by Duncan. Everything seems fine until the big moment and then everything goes wrong - you're betrayed, from your pov, Duncan is killed, and you wouldn't survive this third near-death experience in a row were it not for Flemeth's interference. This, in the moment, feels pretty damn personal. No matter who your warden is, Loghain acts as a personal antagonist right up until right before the end, whereas while the blight situation is mostly a 'wrong place, wrong time' situation, that personal element plus the little moments you get that reference the origin events really make it work for me. It could have more, but it has just enough to make it really good imo

Of course, DA2 is so strong on the personal motive front that arguably the personal story is actually the overarching plot and it's just occasionally a wider-impact event creeps into it lmao but that's why it's my favourite game. Inquisition, on the other hand, while yes, you have the mark and are the only one who can close the breaches, that is the only tie you have to events. The inquisitor has no motive beyond 'well, world needs saving'. If the anchor had somehow been transferable, Cassandra quite frankly would've made a more compelling protagonist because of her devotion to the Divine. She had a reason to be there beyond just 'gotta save the world'. The inquisitor doesn't, they’re really just there because they have to be (and that’s also why I think their appearance in veilguard is pretty weak imo, but people with different views of their inquisitor will disagree there)

And I'm not comparing, rather just using an example, but bg3 I think has both options. For me, durge is much more interesting than tav cause, once again, tav is just some guy (gender neutral) who happened to stumble by at the wrong time and oops, brain worm. Even the emperor would've happily discarded them for another if it served his purpose. They're just there because they're convenient. That's not as fun to me as durge, who has an actual personal reason to be involved in this, even if they don't know it at first. It starts out as the same, generic motivation of 'get rid of the brain worm, try to save world if we can' (assuming a relatively "good" playthrough lmao, but for comparison's sake) but it later becomes something that is personal. You have a VERY direct involvement in the plot and it really adds something to it for me. That's the kind of flavour I seek 🤌 🤌 🤌

And veilguard is definitely more on the inquisition side where literally any heroic person could fill in for the protagonist (and tbf, I liked it more than inquisition), when I think what really would’ve brought it over the top for me would’ve been some act 2 Personalized Horror event to happen. Easiest option would be something related to the faction, like maybe one of the recurring NPCs ends up dying in some really hardcore way. It wouldn’t be that hard to implement imo because it could be roughly the same quest, just with tweaks to fit the chosen faction. Giving Rook a personal motivation would’ve really spice things up and give the factions more depth too. If you play as a warden, I think weisshaupt may have that affect (which is why my second run will be a warden lmao), but it would be nice to have something really devastating for the character regardless of faction

(And to be perfectly honest, if we were going to lose a companion anyway, having that happen in the middle of the game might have actually been spicier and really cemented Rook’s conviction while still having the regret prison concept work imo. It would mean missing out on a companion arc, but it’s another option at least)

This would also give an opportunity to really boost the companion relationships. Like the Bad Thing happens and then you get maybe a little scene with the current love interest, or even just some dialogue with each of the companions. Something with them being the ones to comfort Rook for a change. Cause all that remains is devastating, and the bg3 act 2 redemptive durge scene is wonderful, but it’s also the aftermath that’s really tasty. And having some sort of Personalized Horror for Rook would’ve given us an opportunity to have that moment of them being vulnerable, and the companions stepping up to help them. That really would’ve made the team feel good and cemented, like they really were a strong team

And again, I know this is a personal preference thing. I have a friend who struggles whenever a game has any kind of established background at all and thinks that bg3’s tav is the absolute perfect kind of rpg protagonist and I’m sure there’s plenty of people who agree and prefer the fully blank slate. Some people do prefer to just headcanon all of this rather than have it directly in the game. And that’s fine. But for me, that personal involvement and motive is the real special sauce for rpgs and I think that’s why DA2 specifically is the one that made me insane lmao. And I think if veilguard had’ve had that bit of personalized angst, I would’ve put it an entire bracket higher than I did. It would’ve fit really well imo and idk if it was something bioware ever planned for the game, but I, for one, really would’ve loved it

[eighteenthofoctober]

Liking characters who are a little too obsessed with school and studying bcs I am the complete opposite and is totally not jealous of them...I’m not jealous… 𝓘𝓶 𝓷𝓸𝓽 𝓳𝓮𝓪𝓵𝓸𝓾𝓼...

[eggh]

BEHOLD MY BEAUTIFUL BABY BOY

[electric-plants]

cyno: why did you turn down being a sage?

alhaitham: i can’t think of a job i would want to do less. wait no i would hate your job more actually

dehya: hey alhaitham watch yourself that was kind of rude—

cyno: actually that was…kind of hot….

[p4nishers]

random hc but. crowley being a plague doctor in the 16th/17th century bc he's supposedly "tempting people into death" but he can never, ever bring himself to actually do that so he ends up soothing their pain as best as he can and comforting them in their last moments. one night, after he held a little girl's hand as she passed away, he sits down at the banks of the river thames, with his plague mask discarded on the dirt, and he starts out over the water with tears in his eyes, wondering what the fuck is actually the point? it's not the first time he's asked himself the question nor the first plague he witnessed but, here, now after personally witnessing hundreds of deaths every day, he really wonders what actually is the point of him? why does he exist and why should he keep existing. why does he get to live when so many others don't? how is that fair? how is any of it fair? that's how aziraphale finds him, as he just got back from an assignment somewhere or other and hears crowley is in town, so he discreetly looks for him and finds him there, sitting in the dirt, now with his head in his hands, his shoulders silently shaking and is obviously immediately worried but doesn't know how to comfort him or what's allowed so he just sits beside crowley and watches him try to pull himself together. aziraphale's heart breaks, he put what happened together from the mask and the robes and he obviously knows about the bubonic plague but was convinced it was hell's doing and couldn't have even imagined crowley was out there everyday, helping people under the guise of hurting them. is he surprised? no, of course not but it still hurts to see crowley like this. but he's afraid to cross their unspoken rules so he quietly waits crowley out. he watches the water and doesn't dare look at crowley as he lifts his head and takes a few shaky breaths in. after a few minutes of breathing, crowley croaks out "her name was mary" and nothing else, and aziraphale understands, god he understands. it's one of the things they never speak about after it happens but aziraphale can't forget the night he sat with crowley for hours, till the sun came up, as he cried about a death of one little girl. he holds it close to his chest and never, ever forgets.

[baselicoc]

it’s really interesting to me that Gabriel checks in on his brother so much despite how Miguel can often act and that he is in-text called insecure and that he follows along with his various girlfriends interests and that he so often wears so many layers and that he has a cyberspace addiction and that his archetype in cyberspace is just himself (which could be the comic just making it easier for us to know who’s who, but what a boring way to take it). And how willing he is to fight and do good but also ‘neither of my sons were ever worth much in a fight’ and how he asks for help but also ‘i can take care of myself’. do you get me.

[dipperscavern]

dippy I must know what you thought of httyd, did you love it?

YES!! hiccup is literally me?? i think the storyline & his way w dragons and everything is super cute 🎀 i recognize the voice actor for one of the twins, the guy….. bit i cant put my little finger on it…..

OH MY GOD I REMEMBER ITS ROBBIE YES THE GUY TWIN HAS THE SAME VOICE ACTOR FOR ROBBIE FROM GRAVITY FALLS

anyways i lowkey wish the movie was longer so we got more buildup but i really liked it regardless! im actually about to watch the second one — will update with my thoughts if u so desire inkypie :3

[pyre-sea]

HJSCHVCBHGSG Somebody sent Marco for the drawing request thing but I accidentally deleted the ask or smthn?? Cannot find it so ✌

Here’s a handful of Marcos because he is so fun and I love him and I’ve never had the excuse to draw him before. 💖 Thank you to whomever sent the ask for him, I promise this won’t happen again, oops, hopefully the bird man makes it to you eventually.