#cause I can come up with shit

[podraje]

I kinda planned to do a cryptid little ig story with the amount of words and pages I wrote this year, because I should be proud, this year I wrote ~80 pages (or more, since I did some rewriting), which never happened before. But you know what? I think I don't want to. I don't need the attention or people in my life knowing, that I'm in that process. There would be a constant nagging and questions, and the worst of all "can you show me? Can I read it?".

I decided I want to have a free space to ✨️ fuck around and find out ✨️

[qoldenskies]

i think its so funny when people take the way donnie acts at face value even though its a horrible lie because he's a horrible liar, while understanding leo is bullshitting very well despite him actually being GOOD at bullshitting. many such cases

[knifearo]

being aromantic is like. hey btw you're going to live a life that is the culmination of most of society's worst nightmares. sorry lol ✌️ but then you turn around and take a really good hard look at it and it turns out that living in that nightmare is fucking awesome and you get to wake up every day and take that fear that other people have and laugh and hold it close until it's a great joy for you instead. and being happy is a radical act that you define instead of someone else. and you're sexy as fuck that's just a fact of life i don't make the rules on that one

[not-equippedforthis]

forever mourning how granada holmes never adapted the three garridebs. diabolical. unbelievable, even. 'if you had killed watson you would not have made it out of this room alive' but in brett's frightfully intense and low, biting, hissing voice. the violent, wild stare versus the gentle hand on watson's knee. all of that precarious control getting flung out the window. the humanity of it. gritting my teeth can you fucking imagine.

[crows-of-buckets]

Rook: I'm really worried about Davrin and Lucanis, they keep arguing with one another... Its very bad Varric, what if it effects them in battle?

Varric, remembering that one time Fenris broke Ander's nose then took a knife in the back for him in the same night: I'm sure they'll be fine kid. They're barely even arguing if you ask me

[starry-bi-sky]

how do you clone a fey? that's trick question; and fey love those!

@the-navistar-carol (<333) brought up a good point while I was talking about my changeling danny au with her -- Dani! How would she exist in this au? Danny's a changeling - a fae. How would Dani, a clone of him, be created? How do you make a fey? Not through any means that Vlad is doing; you can't make a fey through unnatural means, considering the Fair Folk are nature. And Vlad's not a fey himself -- he's a halfa, even if he could make a fey, it's not in his best interest too. He's a powerful ghost, but even the weakest fae can overpower the strongest ghost. He won't want a clone of Daniel to be more powerful than him.

(In a three tier hierarchy it goes Ancients -> Fae/Mythos -> Ghosts. They all live in the Infinite Realms, but on different Planes. The fae live above the Ghost Zone in the Fey Wild, while the Mythos live beside the Wilds or down in the ghost zone depending on where they are. Places like the Frozone, the Athens Acropolis, and other such large islands climb throughout all three Planes.)

(While Ghosts can travel into the Fey Wild, its generally advised against as the ectoplasm tends to manifest differently there due to close contact magic. It can make it rather disorientating for a ghost, and as human spirits, the Fae living there would jump them faster than they could blink. So unless you're willing to play mind games with 'steal thy name eat thy face' fae, most ghosts keep out of the way of the Wilds. Fey can travel down into the Ghost Zone, they just don't bother.)

That's of course, not taking into account if Vlad even knows Danny's a fae himself. Vlad doesn't ring me as someone who really cares much about ghost culture or the going ons of the GZ. He might be aware that fae exist, but the moment he realizes he can't use them for personal gain he just doesn't bother with them. The risk is greater than the reward, and he'd rather not get eaten. But lets assume he's aware by now that Danny is fey, and has to take that into account while cloning him.

So, how does Dani exist? Good question! Honestly; i'm not sure. She might not exist at all, or if she does, she's more halfa than fey. Vlad would need a lot of human dna and ectoplasm to balance out all that fae magic. He manages to steal DNA from Jack and Maddie to do it, and since Jack's fey ancestry is very dormant its much easier to use alongside Danny's DNA.

In turn, it results in a little girl whose more human-ghost hybrid than clone. With that little extra boost in fey magic making her not a fey, but still relatively powerful. Dani is less of a clone and more of a lab-grown little sister. It's a rather tedious, complex process that has Vlad tearing his hair out trying to figure out. But he does eventually figure it out.

[dykedvonte]

wanted to say I appreciate your nuanced takes on MW and especially Curly. i don't get the claim that the fandom is full of Curly apologists when majority (esp yt and tiktok) say he's worse than Jimmy. Yes there's commentary about bro culture defending people, he def messed up in trying to placate Jimmy (tbh "we'll fix this" sounded more like trying to keep someone prone to outbursts like Jim calm and not hurt Anya/himself) but I don't think he did nothing to help Anya, since she continued to confide in him and he had less than a week to resolve it before the crash (I also don't get everyone saying he knew for ages when it seems like Anya told him that same week). I get Jimmy's a pos but saying stuff like Curly should've known he'd crash the ship or that Jim had a criminal record he ignored, reducing them to obviously horrible villain and willfully ignorant sidekick feels like a disservice to the game. If your best friend turned out to be horrible, what would you do in a confined space in the span of a few days to respond? I'd say some of the horror comes from trying to do good but ultimately failing, Curly's state after the crash is meant to be tragic horror not revenge/punishment

Thank you and this is what I want to get across.

A lot of information we have to supplement when it comes to how long things have been happening on this current ship. I think people try to add on to the horror and negligence by making things more obvious so it can feel like it was easier to avoid when, true to life, its not. Jimmy clearly didn't deserve or appreciate what Curly did for him in getting him the job, but do you think if Jimmy was that big of a menace on Earth he would've given him a position where he could have that level of power over people's lives? There's something in the fact he specifically chose to pick a position so close to himself where he could watch Jimmy.

I hate the bro code argument because that is a whole can of worms people really don't get. That sort of mentality is born from the general respect and preference of male matter over female ones. Curly is clearly not that guy, he is absent minded about the issue and inadvertently dismissive but he clearly believes Anya, he just can't understand what she's going through. It's an onslaught of information that no one really reacts right to. Additonally, the entire discussion of her assualt plays to heavy into the idea that there is fault outside of the perpertratior when it comes to SA. It's too close if she only did this or if Curly had protected her better but the fact of the matter is Jimmy did what he did. He did it before any of the conversations with Anya about it and it's why her behavior seemed to change so drastically in those last two days.

He has other conflicting thought and while his role as a Captain should've taken over, people act like it's not a very human thing to have such a toxic presence cloud your judgement. It is never easy to separate friend from coworker once that connection is formed, you want to help them, especially if they were friend first and for a long while like in this case. It's not right, but people act like it would be easy when the game clearly points out that no choice is easy to make, especially when you have to make it for more than one person. You have the weigh the consequences, look at all the options and make a plan. People can headcanon and decide how long things where happening, but if we look at what we were presented through the characters eyes, the only person given time to do that was Jimmy.

He waited two months after the crash to appoint himself Captain. Every time a problem was brought up he immediately took action and refused to sit on it and find a better solution. I think it's important to look at the warped way Jimmy takes initiative where Curly didn't as it works as a good contrast of why you don't just run in to "fix" things. The quickest and easiest option may not be the safest or most beneficial. I think some thoughts on the game suffer from the black and white thinking the game doesn't operate on along with us being voyeurs. We see what exactly led to what but the characters don't. They don't have the hindsight and foresight we do and even ours is scrambled by the non-linear story telling.

Like it's hard to talk abuou those grey zones without sounding like an apologist because you're explaining why taking responsibility isn't easy. It's not and it's weird to act like it would be in a scenerio that led up to the events of the game knowing what we know. We see all these characters in such isolated moments with various things before, in between, after and even during we aren't privy too. The idea that Jimmy is worse than Curly heavily banks on the words Jimmy was saying to Jimmy before he crashed the ship. That whatever happened on the ship was his responsibility to bare, which is true due to his position. But, are they not still not responsible for taking the actions Curly then must bare?

Like i feel like people think that these are situation that become easier with age or when you are in a postion of authority and they aren't. You don't lose your biases or gain some sudden knowledge that makes it easier. It just becomes more tiring as you keep dealing with it. I would be first in line to say Curly fucked up and should've done more but the idea he knew how bad it could get or he really saw the worst in the people around him and ignored it pretty much ignores a huge aspect of his character and the game.

[fuupan]

i had this in mind a few days ago while running on 2 hrs of sleep

decided to finally draw it lol

i have some more ideas in mind of them that i will hopefully get to get around drawing

[cairavende]

Worm Arc 21 thoughts:

Well that was sure a turn around from last arc's "I'm going to rally the students so I don't get captured."

I know my daughter has made some . . . mistakes, but I'm not a fan of her turning herself into the openly corrupted and also bad at their job parahuman cops.

(Parahuman cops as in "cops who police parahumans" not "cops who are parahumans")

Like look, I get it. A precog told her to cut ties. I can't say it's wrong to follow that advice. But she could do that in a lot of ways that don't involve the PRT.

The second not from Dinah just being "I'm sorry" is brutal.

But before she can turn herself in she has to absolutely fucking crush the PRT/Protectorate for outing her civilian identity.

I love how fucking simple taking out the entire PRT headquarters was for Skitter and her girlfriends!

Who needs anyone else? Bitch brings muscle, Tattletale brings information, Skitter brings battlefield control. Lesbian polycule power activate!

Was it an overboard response? Maybe. Was it badass how she just took out so many heroes and PRT troops with ease? Yes.

Poor Dovetail has one of the most embarrassing introductions ever. First time we see her and Skitter is wiping the floor with her and thinking about her "crummy power".

God I hate Tagg so much that he makes me miss Piggot. Like she was absolutely terrible, but he's worse! And making me miss Piggot makes me hate Tagg even more!

Kindly old cemetery groundskeeper who doesn't pay much attention to the news! Never a bad trope.

They gave Butcher 15 to Cherish???!? Like sure they give all the reasoning for it but like ... it just seems like a really high risk situation. If she ever gets out it's going to suck. A lot.

THE SCENE AT RACHEL'S PLACE OH MY GOD!

SHE IS BUILDING A COMMUNITY! I LOVE HER SO MUCH!

Rachel just over here finding everyone like her and giving them a place. Legit crying. Look at that fucking growth!

(Also shout-out to my wife for having basically done the same thing. It's how I met her. It's how I met one of my girlfriends. And so many other important people. So ya. I fucking love this.)

Also you ever like a girl so much you try to give her an entire planet? Cause Taylor sure has.

"Rachel I don't want you to be sad when I'm gone so you can basically have this whole other planet we found."

GGGGGGGGGGAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY!!!!!!!!!

Imp let Regent take control of her . . . welp. Like, I'm not really surprised by this. And in a different situation I wouldn't even really find it that weird. I'd do it with the right person. But combination of age and the situation they are in and Regent being Regent annnnnd ya. Welp.

I did love how much of the interactions between Skitter and Regent/Imp really was just her struggling with parenting two teenage supervillains.

IT'S NOT SO EASY, IS IT CHILD?!? MAYBE YOU'LL CUT ME SOME SLACK AND LISTEN TO MY ADVICE IN THE FUTURE!

(She won't)

I fucking LOVE that she made the bible themed hero kneel. Absolutely fucking amazing.

Oh shiiit, Skitter just flat dropped that guy multiple stories. Is she going to far?

. . . wellll, these guys do literally worship the Endbringers so I guess a little aggression is ok.

Damn, Valefor sure has some fucked up powers, I wonder what they're gonna do abou-

. . .

. . .

. . . . . .

. . . wellll, these guys do literally worship the Endbringers so I guess a little aggression is ok.

. . .

Yep.

. . .

. . . I think I preferred when she just used a knife.

So anyway

Not a fan of Taylor having more alone time with Brian (not because I have any issue with the idea, but because I think she needs to be focusing on her girlfriends), but I am a fan of her using bugs to clean her dress and fix her hair afterwords while Brian just kinda sits there and has to contemplate what he has gotten himself into. Queen shit.

Flechette was SO mad that Parian wasn't "cute" anymore, I couldn't stop laughing. Sure, she said "You had to take the playfulness away? The joy?" but we all know what she meant. Of course, it's won't take very long for the new costume to get Flechette's attention. (I have to mention that this is basically exactly what I said when reading the scene, and the interlude a few chapters later just proved me right.)

Flechette is just so hopelessly gay

Miss Militia is actually getting very mild respect from me right now. Like, she's still working for the cops but she is actually agreeing to silently push against some things. Now, she says she doesn't have more power then that but she is a very well known hero and if she would publicly speak out about certain things there is a decent chance she could do more. That would of course be putting her position at risk though. Which is why she only gets very mild respect right now.

OH MY GOD I DIDN'T JUST GET TO SEE TATTLETALE'S MURDER WALL, I GOT TO SEE HER ENTIRE MURDER ROOM!

Fucking multiple bulletin boards with threads connecting them. Everything color coded. Reference numbers to files with more details. Multiple TV screens, computer with constant information dump. God. It's like a literal representation of the inside of my mind while I read Worm. SO MANY THINGS TO FIGURE OUT!

I love a lot of characters, but Tattletale always stays near the top. She gets me.

And from the fucking joy of getting to see that setup I come crashing the fuck down.

Like, I have completely figured out at this point that Skitter is turning herself in. I know what is coming. She's had her moment with everyone else and Tattletale is the last one.

And then. Then just . .

No goodbyes.

😭😭😭😭😭

HOW DARE THIS BOOK MAKE ME FEEL MY OWN FEELINGS!! I'M TOO GAY FOR THIS!

I do find it hysterical that the PRT officers working the front lobby don't all recognize Skitter on sight. Fucking gas station employees will manage to keep track of people with pictures on the "bad check" board, you'd think the PRT could manage to have their officers keep track of the face of one of the most well know villains in the country, if not the world, who also controls their city. PRT is forever bad at their job.

That one guy did notice her eventually though, so I guess he gets to be employee of the month.

The Number Man interlude thoughts:

The inside of this mans mind is one of the sexiest things I have ever seen and the constant reminder of the horrible things he is helping Cauldron do to all their prisoners was very helpful because it was the only thing keeping me from deciding that The Number Man is a perfect soul that can do no wrong.

I have no illusions here. I am weak. This man is a monster and I should not have any trouble remembering that.

But fuck shit fuck oh god fuck I don't even need him to touch me. I just need him to TALK to me. I just need him to get high with me and let me pick apart how his mind works!

He understood numbers, and through them, he understood everything.

That line. Absolute killer. Fucking take me.

. . . anyway yes it's a very interesting interlude!

Loved seeing more of the inner workings of Cauldron

I very much want to see the final level of their basement that only the Doctor goes into because I said that I thought Cauldron had a dead (for values of dead that are non-definable) higher dimensional being in their basement back during arc 15 and now I know for sure that there is something down there. I wanna know if I was right!

Oh my god he was friends with Jack

"Friends"

Look I make everything gay ok? It's not my choice! Sure it means I get to enjoy every tiny bit of Wolfspider and Chatterbug cause I see all of it. But it also means I see the ships I don't want to think about!

I men what was I supposed to think when Jack said “We can live this. Together. Every waking second…”?

Gay

Parian interlude thoughts:

And speaking of gay!

Fucking Flechette just full blown "Fuck all of this I want you to tell me what to do for the rest of my life!"

Full U-Haul lesbian.

GAAAAAAAAAAAAAAAAAAAAAAYYYYYYYYYYYYYYYY!

This is Parian's new costume having an effect.

Just so gay. I love it.

Also Bitch just so fucking ready to break Skitter out. So fucking gay.

And the incredible loyalty, which is gonna hurt if she ends up feeling betrayed by Skitter.

Still gay though.

Tattletale, basically without powers, just completely giving Accord the "fuck off, we're in charge" was amazing. All she had to do was promise to consider his binders and he was all in. This poor man just wants somebody to read his ideas! He's like a aspiring screenwriter just begging people to read his script.

[froggy-nebula]

vriska is really funny cause when you look at the shit she actually does shes not the best at manipulating people or flarp or combat she just cant win at any of her hobbies

[hunter-burton]

Here’s Ship Art I did

I am A gabv1al fan I can deny it no longer

AND DAMNIT I REACHED 30 TAGS.

[flowercrowngods]

making a real post for @rvspecter pls bear with me

anyway harvey hurt fic where after mike is busted and given a second chance at life (or a third, really) and pearson specter litt seizes the chance to instate a pro bono department mike is heading because he wants to get it right this time and harvey will do just about anything to keep him, these two men finally mention this Thing between them and decide to give it a try. and it’s good. it’s fragile and it’s tentative and it’s gentle and it’s the same as it’s always been but with more tenderness, more honesty, more vulnerability (and more sex of course) and it’s good. against all odds, it’s so good.

but then one day, long after hours, donna approaches harvey in his office and her eyes are shining, but it’s not a glow harvey is used to — he never wants to get used to donna’s eyes filled with tears so he asks her what’s wrong, but he’s not ready for the answer. because she tells him she can’t work for him anymore. she tells him she’s leaving him — to work for louis at first, maybe to quit altogether. the fact do the matter is she can’t be the Donna to his Harvey anymore because she’s in love with him and she thought she had it under control but she doesn’t, okay, she doesn’t and it hurts and she wants to be happy for him and mike because they’re so good but all this time she’d never thought that harvey would ever find someone real, and now that he has, well. she can’t pretend anymore that it doesn’t tear her up inside and she doesn’t want to put that on any of them so she’s doing the mature thing and leaving. to heal. to get over him. to come back stronger.

and she’s so, so sorry.

they listen to gordon one last time, they toast to thirteen years one last time — her words, not his, but they drive a knife into his heart nonetheless because harvey doesn’t do one last-anything and yet here sits his best friend and asks for one last night together and who is he but to give her everything she wants and more. she’s his donna — still, tonight; one last night. she is.

he doesn’t tell mike that night. couldn’t, even if he wanted to; because he doesn’t have the words. but in the secure hold of mike’s arms, he says “donna won’t be working for me anymore, starting tomorrow.” and he doesn’t mention how that means that donna went to jessica and louis first, he doesn’t mention that he was the last to know, he doesn’t explain how he wasn’t given a chance to fix this — not this time. “donna quit?” mike asks, and harvey swallows, shakes his head, shrugs. “just me,” he says. “just me.” and when mike pulls him closer and holds him tighter and tells him “i’m so sorry, harvey,” it’s the first i’m sorry that night that he believes.

unfortunately, sorry never fixed anything.

especially when soon after, mike finds out just why donna left. and he gets all up in his head about it, he allows himself to spiral because he’s so ready to succumb to tunnel vision and obsessing over solutions to problems that aren’t his to fix. and so he tells harvey that he can’t be the thing that comes between him and donna. they’re soulmates after all, mike can’t bear to be the one to sever their bond. harvey doesn’t understand. he’s the one who’s supposed to lose his mind over having lost his best friend and pretend like everything is okay, what right does mike have to make that about himself, to take it upon himself to fix everything when harvey’s the fixer, harvey is the one who solves problems and protects people. but mike won’t hear any of that and tells harvey that he can’t do it like this if it means hurting donna because she’s his best friend, too, and he wants to get it right this time. he doesn’t want to build this new life on decisions that hurt his people — not again. he’s hurt enough people, he can’t keep doing it.

harvey wants to ask him why he’s always so ready to protect everyone at his expense. isn’t this thing between them, their relationship, isn’t it meant to stop them from hurting each other? why is it okay to hurt harvey, but not to hurt donna?

he doesn’t ask any of that, only tells him that they’re not in high school, and that they’re either doing this or not, but he refuses to base their relationship on whether or not his best friend is okay with seeing him happy or not. “you’re either in this with me, mike, or you’re out. that hasn’t changed, and it won’t, because donna will get over it and everything will be back to normal before you know it.”

“you don’t know that.”

“yes i do, because we’re grown-ups and we get over things.”

famous last words, it turns out, because mike just slowly shakes his head, agonising over this and not thinking, clearly not thinking when he says, “i’m sorry, harvey. i can’t to this; not like this.”

and all he can do is watch mike’s back as he all but runs from him, dragging his heart behind him, through the dirt, uncaring as bits and pieces of it chip off with every step mike takes, with every second that passes and allows the words i can’t and i’m sorry, harvey echo in the hollow of his chest.

we’re grown-ups. we get over things. well, tough fucking luck.

and this is how harvey loses the two most important people in his life in the matter of a week. before he knows it, he’s alone, left to fend for himself and hollowed out. his walls are broken down, deconstructed piece by piece by carefully, gentle hands to reveal what’s underneath — only for the hands to retreat, letting in the icy cold and accepting what’s inside to wither and die.

there’s a reason harvey specter makes his own luck; the universe isn’t very forthcoming otherwise. a fact that is proven when he finds a stranger outside his building when all he wants is to curl up and breathe through the cracks of his broken hearts that have pierced his lungs, they must have, surely they must have, because he can’t breathe. and he doesn’t learn how to breathe again when the woman — a kid, really, merely twenty-five — reveals that she’s his half sister. because it turns out the reason lily specter was so ready to up and leave all those years ago; the reason she didn’t fight for her family and instead blamed it all on harvey, was because she was pregnant. and she lied about it — for twenty-six years.

amelia selene specter is the little sister harvey has always wished for — but cancer is a curse that rests on the specter family, and while marcus got lucky twice, selene isn’t. she didn’t have the money for medical resources, and it’s eating harvey alive that he didn’t know, that there was no way for him to help her and that there’s no way now.

but there is. because selene has two kids, seven and four, and she needs his help because they can’t get lost in the system, they can’t live with total strangers or be separated because the system doesn’t actually care about children, they only care about not feeling guilty. and she won’t ask lily. these two angels must be kept from her at all costs because she ruined two families already, she won’t ruin this one.

and harvey is obsessed with the thought of more family, he needs to take care of and be there for someone and he’s ready to take on the world to protect his niece and nephew — but he’s not warm, he’s not available, he’s not even at home most of the time, nor is his place suitable for kids.

he agrees to take them in and find a solution though. he promises selene that he’ll be there for them. he’ll always be there. and when he gets to meet them — a few days before his sister dies way too young, way too alive for something like death to not rip him apart entirely — he gets attached instantly and vows to himself and to selene that nothing will happen to them as long as he’s there.

even though harvey just lost his family — the one he chose, the one he was born into, and the one he never got to meet. even though harvey’s entire world was deconstructed with no one around to put it back together. even though he doesn’t know how, because evidently he got it wrong every single time, harvey gets to build a new family with these kids. and though it tears him up inside, it heals something inside him too — and sometimes they balance each other out, and he can breathe again for just a little while as he reads to charlotte because she’s feisty and afraid of nightmares and not listening when he says she’ll be tired in the morning because “i’m tired in the morning anyway, but now i wanna read” and he trades her going to bed for a bedtime story, and she falls asleep with her face pressed into his side.

it’s so frail, though, so fragile, this little family, and he knows what it’s like when everything breaks. he knows what it’s like to lose one’s family — over and over and over again. and he’s terrified that he’s building himself back up the wrong way. he’s terrified because there’s no one keeping him together but both his hands are occupied holding these children that cry for their mama.

he’s terrified because he’s not supposed to be doing this alone. but everyone else has made their choice and he, as always, is just there to bear the consequences and try to turn it into a win.

one day, he will. he has to. and one day, he’s not alone anymore.

[sleepdeprivedlilbean]

Here have some dragon in this trying time *holds gently*

au/designs by @paintedkinzy-88

sorry i fell off guys i was trying to graduate lol

almost didn’t but HEY A WINS A WIN

also did u guys know that i like dragons like have u considered how cool they r???

invest. RN 🫵

[oddzo]

I’m excited to finally be able to share my drawing of my favorite Camp Camp X Gravity Falls crossover idea! :D

A long string of my thoughts regarding the crossover under the pics, you have been warned lol

It’s crazy to me that despite all the jokes that Harrison looks like a human Bill Cipher there is absolutely no fanart (that I have found) of him interacting with any of the Pines.

Yeah there’s art of him with Bill, but the Pine’s family are the ones that have trauma from him and therefore would have the best reaction.

Just imagine them meeting the one kid that not only looks like someone possessed by Bill but also does real honest to god magic and has an affinity for fire!

With how much shit the Pine’s have dealt with it wouldn’t be a stretch for them that Bill came back as a kid. They’d probably assume Harrison was being possessed or something.

Harrison especially looks like Bipper so I’d imagine he’d be especially unsettling to Dipper and Mabel. (Probably gonna draw him and Mabel interacting next)

Dipper immediately being super suspicious of Harrison and doing that stalking thing he does to try and figure him out. Dipper seeing Harrison make a mistake with his magic that makes him not look great and Dipper just freaking out more.

Mabel being uncomfortable with Harrison but trying her hardest to be nice to him because he hasn’t actually done anything yet. Becoming friends when she realizes that Harrison is just a kid and not anything like Bill personality and morality wise.

Harrison enjoyed coloring in that one episode so she could probably get him to do art with her. They’d have so much fun with him showing her his magic tricks, he’d be so happy someone is genuinely interested. His magic would probably improve with the encouragement she would give him.

Mabel being reminded of Bipper whenever Harrison gets a bit arrogant. The thought goes away pretty quickly though cause he usually gets humbled really quickly and just accepts it lol

Ford also immediately being suspicious of Harrison but not doing anything rash yet until he can test him. Losing his shit the first time Harrison does magic in front of him.

Someone on here posted a mini fic thing where they said Ford almost dropkicked Harrison the first time he does magic and I love that (I’ll look for the post later and tag it here) Edit: here’s the link! https://www.tumblr.com/the-sprog/659871894550577153/i-just-had-an-idea-could-you-imagine-a-crossover

Stan giving Harrison the benefit of the doubt but keeping a close eye on him whenever he interacts with one of the twins. Not outright hostile to him but not exactly kind either.

Stan somehow finding out about how Harrison accidentally made his brother disappear and immediately noticing the similarities to what happened with him and Ford. He probably gains a bit of a soft spot for Harrison after and gives him pointers on random things, probably a few pep talks.

Oh also I know it’s just a difference in the two art styles but CC characters tend to have more yellow sclera and oval pupils/irises and it really doesn’t help Harrison’s case lmao

I can keep going but this post is already really long so I’ll stop for now haha 😅

[sundial-bee-scribbles]

meow〜

[caterpillarinacave]

the most accidentally hilarious moment in NATM 3 is as the tablet is dying and Larry is cradling Dexter while the audience has this clear view of Ahkmenrah, a teenager who was murdered thousands of years ago, is very, very, slowly collapsing to the floor as his body reverts to a decayed mummified corpse. And nobody acknowledges it.