#castaway
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myjetpack · 1 year ago
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This week’s cartoon for Guardian Books.
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illustratus · 2 months ago
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Saving Castaways by Franciszek Ksawery Lampi
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strange-townie · 9 months ago
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What would happen if Don Lothario were to shipwreck on a deserted island? 🤔
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solocien · 1 year ago
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based on a one of my in-game experiences....
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cillianmesoftlyyy · 4 months ago
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The Castaway Pt. 1 | Matthew Joy x fem!reader
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requested by @tkappi 🖤
Summary: You're running away from Mr. Daws, your adoptive father on Nantucket Island and happen to be saved by a curious sailor. You seek refuge on a whaling vessel in your hopes of making it to the mainland of Massachusetts. The man promises to help you, even if it costs him his job.
Warnings: Hints at possible sexual assault attempts from adoptive father, old-fashioned perspectives on prostitutes, 10-year age gap, mutual trauma.
word count: 4040k
Seventeen- Sjowgren 🎶
“Stop her!” Mr. Daws shouts from the doorway of his store in the overcrowded market. You duck between two men carrying a large basket of oysters, your feet nearly slipping in the deep layer of mud that has only gotten worse in the snowy winter months. Mr. Daws chases you but his rotund belly and smallish legs hinder his pursuit and you manage to put some distance between yourself and the angry fish-marketer. 
“Thief! Grab her, by God!” You can hear the anger rising in his voice and notice that more people turn to inspect the scene. Thankfully, no one tries to intervene, they’re too confused by the scene to do anything. To the people of Nantucket, all they see is a young woman, probably 18 or so, in a printed blue dress holding onto her bonnet as she runs down the market lanes. They look for a thief or a criminal and see none, just a girl. You look like the well-off daughter of a merchant or clergyman in your colorful frock and braided blonde hair stuffed into the brown bonnet. 
“For thee love of God, grab tha’ girl!” The man tries again to rally the bystanders as he lumbers after you, slipping and sliding in the mud. The passing of a cart cuts him off momentarily but you can still hear his voice calling from a too-close-for-comfort distance. You can’t help but smile as you race down to the docks, clutching a cloth duffle of bread, preserves, and personal belongings- some of which you did sorta steal but from your own home. Mud splatters up the back of your legs, staining your cotton pantletts and underclothes but you daren’t stop and incur the wrath of the fishman. 
Your feet scramble in the mud, your boots losing traction. A frightened squeal escapes your throat as you keep running, praying that you make it to the docks and catch a sailboat before the man reaches you. This is not how it was supposed to go. Mr. Daws was not supposed to see you as you snuck out of the fish stall in the market, but he had. Mr. Daws is the man that wishes to marry you, and most shockingly, the man that adopted you a year before from the Nantucket Island Orphanage. He’d treated you well, buying you new frocks, and showering you with kindness until you turned 18… then his true intentions were revealed. He’d only shown you kindness in exchange for your trust. A marriage proposal from the man who by your understanding was your legal father was enough to shatter any trust or affection you held for him. And the things he’d tried to do… you couldn’t stay there any longer. Your only choice is to pay for passage to mainland Massachusetts on one of the many sailboats docked in the harbor. 
 “Thief!” He screams again and you nearly feel like sobbing because you can’t seem to outrun him in the horrible mud. 
“Umph!” The sound of surprise leaves your mouth as you’re jerked to the side by a strong hand. You fall between someone’s arms in the cutaway of an alley and immediately struggle to remove yourself. 
“A thief eh?” 
You look up. A sailor smiles down at you, his hands still holding your shoulders in place. You look over at the busy market and the man follows your gaze, registering the look of fear in your eyes. Without a word, he pushes you into the shadow of a stall and covers any view of you from the street with his body. 
“I hope whatever you stole is worth it,” the man mutters over his shoulder, keeping his eyes on the busy market lane. 
“I didn’t steal anything… well not really,” you whisper back, your voice dipping as you added the last part. 
“I paid for ye!” Is the last thing you hear Mr. Daws scream as he limps right past you and the sailor. The sailor turns and cocks his eyebrow. 
“He paid for you?” His tone is quizzical as he looks you up and down. You don’t look like a prostitute. “Aren’t you a little young?” 
You look at the man for a moment, still in shock and totally unfazed by the man’s intervention on your behalf. You narrow your eyes, trying to understand what the man means and open your mouth slowly to respond but the sailor shakes his hand dismissively.
“No, no it's alright. That’s not important. Are you alright?” He glances over at the market again, checking to ensure the angry man wasn’t on his way back. You release the breath you were still holding and bury your face in your hands with a groan of relief but it’s still too soon to celebrate. Mr. Daws could be on his way back any minute now and see you. He could realize that you didn’t go down to the docks once the crowds of the market faded before the harbor. Your eyes snap open again and you grab the sailor’s forearms desperately. 
“Please, can you help me?” You manage to ask, your heart still racing. The sailor’s brow furrows and he nods with visible concern. 
“I can try, what’s happened? If you are a thief I won’t report you…” 
Your knees buckle randomly and you collapse. You would have landed in the mud if not for the sailor grabbing beneath your arms and holding you up. He looks around for a place to set you but there is mud all around, so he exhales tightly and supports your body weight. 
“I’m sorry,” you squeak in embarrassment and try to stand on your own. 
“Never mind that, are you in trouble?” 
You nod emphatically and glance over again at the market lane. 
“Was that man chasing you?” 
You nod emphatically again and nearly begin to sob for a second time. Your gasps of breathlessness make you feel lightheaded and weak. You lick your lips and try to take a steady breath so that you can speak.
“I- I’m running away. I have to get away from Nantucket. I was going to buy passage to the mainland but I’m worried he will see me and make me go back.” 
“Go back… where?” The sailor tries to follow but you shake your head. 
“I just need to get off this island. I need to get on a ship and go, go anywhere. Can you help me? I have money for the fare.” You reach into your pocket with a shaking hand to withdraw the roll of banknotes you’d stolen from Mr. Daws to pay for a ticket, either legally or under the table. 
“Put it away,” the man nods towards your pocket and looks down at his feet as he thinks. You shove the money back into the safe pocket of your skirt and wipe a tear from your eye. Finally the sailor looks back up and nods. 
“Can you walk?” 
He lets you go for a moment so you can try to stand without assistance. Your legs are weak but the moment of helplessness has passed. You nod. 
“Ok, follow me closely and take my coat.” The stranger pulls off his navy blue peacoat and helps you pull it on over your dress. He takes the duffle from you and when you start to protest, he shushes you with a finger to his lips. “Now take off your bonnet and put it in the pocket of your dress. Put on my hat.” 
The sailor removes his cap and hands it to you. You tuck your hair beneath the lip.
“Good, now come on,” he grabs your hand and pulls you through the edges of the market towards the dock. His grip is tight and reassuring as you both walk quickly towards the dock. 
At the harbor, the air is thick and gray. You can barely see the mass of shipmen working on the docks as they confer with other men. In your strange disguise, you look like a sailor’s wife wishing your husband farewell and indeed, you see wives doing just that as their husbands set off for whaling expeditions or fishing trips. 
“There’s a ship here leaving for the mainland…” His sentence is cut off as you both approach the sailing boat. You squeeze his hand and duck behind a wall of water barrels. Quickly, he realizes what you’re doing and joins you. 
“He must be telling the captain. Wait here.” The man tells you and steps back onto the busy path of the dock. He approaches Mr. Daws and the captain of the sailboat with a casual jaunt in his step. Mr. Daws turns toward the man and waves his hands about his head in his usual animated fashion. The sailor rubs his chin as he pretends to look interested. He pats Mr. Daws on the back and bows to the captain before walking back down the dock. The men don’t notice as he ducks behind the barrels beside you once again. 
“Whoever that man is that you’re running from, he’s forcing the captain to postpone all his trips to the mainland for the next few days. You won’t be able to get on the vessel without being turned in.”
“Oh God!” You exclaim softly and sink down against the barrels, tears spilling down your pink cheeks. The sailor jumps at your tears and holds his hands out helplessly, unsure what to do. 
“Oh please don’t cry! Look, I’ll take you aboard my ship. I stay docked for a few days and in that time, you may be able to board the sailing boat. If not, maybe we can drop you off at our next stop.” The man spoke quickly, his ideas coming to him on the spot. You pause your crying to look at him. You don’t even know who this man is, much less trust him to keep you safe aboard a random ship. But this is what you wanted. You wanted to get away from Nantucket in any way that you could. 
“What’s your name?” You ask softly, wary to follow the man now that your shock has subsided slightly. The sailor chuckles at your question, his smile lopsided. 
“Matthew, but we can introduce ourselves formally on the boat.” 
You nod and wait for the sailor named Matthew to give you a sign that it was safe to move. He glances around the wall of barrels and after a few moments, his hand gropes blindly for your back. Pushing you along by your back, Matthew leads you down a dock and to the right where the larger vessels are docked. A ramp has already been set up and when no one is looking, Matthew scoops you up. You gasp, startled and very uncomfortable as he hurries up the ramp. 
“Pretend you're a sack of potatoes or something…” Matthew mutters between his teeth and you dejectedly comply. He throws you over his shoulder and beelines for the passage leading below deck. You can tell immediately when Matthew passes through the threshold because the air is stuffy and humid. It smells like stale food and mildew but thankfully, it isn’t unbearable.
“We’re almost there,” he whispers as he turns a corner or two. The hallways are dark, only lit every few feet with a lantern. When he finally stops, he opens a door and steps inside quickly. He sets you down gently on your feet and steps back to give you room. You exhale slowly and look around. It’s a closet of some kind, full of extra rope and canvas for sails. 
“You should stay here for a little while, at least until we know if you can catch the sailing boat. Just don’t wander about. This side of the boat isn’t as busy because we use it for storage and for our workshops but it wouldn’t be good to have you walking about…” He clears his throat pointedly and you realize suddenly, that you haven’t really gotten a chance to look at him since he pulled you to safety. His face had completely slipped from your notice all day, as desperate as you were to get away from Mr. Daws. 
Matthew has a grayish face in the pale light below deck, and attractive hollow cheeks below prominent cheekbones. He has an impressive scar above his top lip, splitting his pallet down the middle at a diagonal. He is clean shaven but his hair is unkempt and about as long as you would assume for a sailor. His hair is a chestnut color, lightened from months spent beneath the sun at sea. And his eyes! You draw your eyes up to his. You’d never seen eyes quite like his, so dark blue they championed the color of the sea. 
“Well,” Matthew clears his throat, trying to fill the period of silence that you didn’t notice, “now that you know my name, I think it’s only fair that I should know yours.” He keeps his back against the door, creating a respectful distance between you. You look down at your hands, for no reason really, though the blush spreading across your face may be one. 
“Y/N,” you answer, looking up again. Matthew nods and trails his fingers absent-mindedly down the strap of your duffle bag still slung over his shoulder. He realizes the bag is yours and sets it down. Seeing him do this, you remember that you’re wearing his peacoat and cap. You remove them and hand them back to Matthew with a shy smile. Your body begins to drain of its initial adrenaline as you watch Matthew put his belongings on once again. 
“I’ll be back in an hour or two, and when I come back, I’ll bring you some supper. If another man happens to open this door and see you…” Matthew trails off, his eyebrows pulling together. He looks just above your head on the opposite wall, thinking. 
“What?” You prompt him, apprehension clear in your small voice. 
“I’m trying to think,” he mutters and sighs gravely. “Tell them you’re my sister, blame it on me. It’s better for both of us that way if you’re caught. Besides, you’ll only be hiding here for a few nights at the longest.” 
“Just until I can get safe passage on another ship,” you add with a tense exhale. You try to convince yourself that everything will be ok, despite the extremely strange circumstances. 
As if he read your mind, Matthew promises you, “Everything will be fine.” You nod thankfully and watch as he ducks out of the room. When the door is closed, you hear keys jingling against the door which tells you the door is being locked. A rush of anxiety takes you and you rush to the door. The door to the closet is locked by the time you turn the doorknob. Your breath catches in your throat and you panic. 
Oh God, I’ve been locked in a closet on a ship by a man I don’t know at all. No one knows I’m here besides him and if I draw any attention to myself and someone else comes… Damn it all! 
You think and slide down to your knees behind the door. Matthew seemed so kind and trustworthy… but to be fair, so had Mr. Daws after he adopted you. Your stomach turns. 
The closet has only one window, a dirty porthole, but no lanterns so save the aura of sunlight streaming in underneath the door, the room was dark. You stare at the face of your watch by resting your wrist beside the gap beneath the door. You’d decided to give Matthew the two hours he said he would need to return before screaming as loud as you can. You’d already watched one hour go by, fearful tears falling from your eyes. You have stopped brushing them away because it was straining a muscle in your neck. You’re fairly convinced that you have just left one horrible situation for another when you hear footsteps approach the door. 
You scramble back in time to see the door swing open. The direct light behind Matthew is too aggressive for your eyes, so you blink and shield your face with your palm. You can’t tell if you’re relieved or not to see him. 
“You locked me in,” you tell him flatly. 
“Yes…” Matthew starts cautiously, hearing the tone in your voice. “My belief was that you would be safest if you were locked in.”
“Don’t please…” you ask softly and Matthew finally sees the tears on your face. 
“Oh, child. Don’t cry again! I shouldn’t have locked you in. I didn’t mean to frighten you. I’m one of the only men on this ship with keys, so I believed this would be the safest arrangement.” Matthew closes the door quickly and crouches down to your level. “Are you alright?” He asks softly and sets down a canteen by your knees.  
You wipe your stale tears and wipe your nose on your sleeve. When you nod, Matthew sighs in relief and pushes the canteen closer to you. 
“Supper,” he opens the lid. You take the warm receptacle and drink the watery broth. “Now that we know each other’s names, will you tell me why you’re running away?” Matthew tries, his eyes watching your carefully for more tears.
“It’s a long story,” you murmur after you swallow some of the broth. Matthew twists his mouth to the side and sits down on a pile of coiled rope, exhaling loudly. 
“We have a few days,” he shrugs and clasps his hands together. 
“Right…” you concede and regard the man carefully, still wary. 
“Why are you running away from home?” Matthew asks again, not harshly, but his tone is strained with fading patience. He’s risking a lot to hide you aboard, a young girl (and probable prostitute) he doesn’t even know. “If you don’t tell me, I’m likely to remove you from this ship.” 
You shake your head wildly and stop him from continuing with an outstretched hand. 
“No, please… I’m just not sure where to begin.” 
Matthew nods and leans back against the wall, listening intently. 
“Um well the man that I was running from is my father, though only legally. He adopted me a year ago.” 
Matthew raises a quizzical brow but doesn’t interrupt. 
“When I turned 18, just a few months ago, he tried to change the um nature of our relationship.” 
“To what?” He leans forward.
“He wanted to marry me.”
“Oh…” Matthew grimaces and scrunches up his nose in disgust. 
“When I refused his first offer, he kept asking but more and more forcibly…” You wring your hands uncomfortably. 
“Did he try to take you?” Matthew asks without thinking of his audience. You narrow your eyes, confused again by his choice of language for everything.
I’m not sure…” you try to answer, not having understood his question to begin with.
“You’re not sure?” Matthew looks pointedly puzzled for a moment before exclaiming and rubbing his hand over his face. “So, I assume that means you aren’t a prostitute?” Matthew crosses his arms across his chest and cocks his head to the side. 
“What?” You gasp in surprise, knowing what that word means. 
“I just assumed when your, eh, father said he ‘paid’ for you,” Matthew shrugs apologetically.
“No!” you lower your voice, “I am not a bad woman. Mr. Daws had to pay the orphanage a certain amount to adopt me. He feels like he owns me now because of it.” 
“I didn’t mean to offend you. Sailors happen to have a lot of respect for prostitutes.” When Matthew sees your mortified face he sighs again and shifts uncomfortably on the coil of rope. “Forgive me, I’m not used to speaking with young women. We don’t interact with many of you,” Matthew chuckles beside himself and gestures to you. 
“But tell me,” he turns serious again, “what do you plan to do when you get to the mainland?” 
You shrug honestly, “I’m not sure. I was going to find a family to take me in and work as a maid.”
“You’d do better as a prostitute,” he mutters beneath his breath, then at a normal volume, “Boston would be the place to go. They have wealthier families there. I don’t know how easy it will be to find a job as a maid, especially without references which I assume you don’t have.” 
“I’ll do whatever work I can find,” you assure him quickly but then pause and add, “within reason.” 
“Ah,” Matthew chuckles at you softly and crosses his arms over his chest again. 
“And who are you?” You drink from your canteen as Matthew looks up at the ceiling. 
“Well, I’m a whaler. I’m First-Mate on this ship, The Essex,” he turns his gaze to the side, leaning forward, as he tries to recall anything else to say. 
“How long have you been a whaler?”  
Matthew chuckles again and shakes his head, “A long time.” He meets your gaze with a sheepish smile, “Probably for longer than you’ve been alive.” 
“I’m 18,” you say though Matthew had already gathered that from your last story. The truth still shocks him.
“You’re no more than a child,” he shakes his head in disbelief and runs a hand through his messy hair. As you watch him, you realize how old he could possibly be. He must be at least 30, you decide. 
“Did you go to school?” You change the subject after a period of silence. Matthew raises an intrigued eyebrow at you and nods. 
“Yeah, yeah I did. How could you tell?” 
“The way you talk… and your grammar,” you stammer, not realizing how intrusive the observation had been.
“Hmmm,” he nods thoughtfully and scratches his chin. Did you go to school?” 
“Some, the orphanage had a good schoolmaster. He was from Boston.” 
“Must have been a pretty fancy orphanage,” Matthew laughs softly and clears his throat. 
“Are you married?” You break the silence again and Matthew’s eyes shoot up to yours. He swallows tightly and you can tell you’ve stumbled upon a sensitive topic.
“I was,” he answers simply. You look down at the canteen in your hands, ashamed that you asked such a personal question of someone you don’t know. 
“Smallpox,” Matthew whispers and you look up in shock. 
“My parents too.” 
You stare at each other in silence, save the muffled sound of waves hitting the side of the boat facing the harbor. 
“Horrible disease. I hear that you go fairly quickly… I wasn’t there.” He moves as he tells you, hiding his emotion with his hands. 
“I was there when my parents died but I have no memory of them, not even their faces.” 
“How did you know how they died?” Matthew runs his hand over his mouth. You bite the inside of your cheek, an image of the communal grave on Nantucket Island springing into your mind. 
“The island kept track of everyone who died from the Pox. My parents’ names are on the list.” 
“How old were you?” He continues to ask. You furrow your brow, trying to remember.
“Just a baby, no more than three years old.” You sigh and look back up at Matthew. “What was your wife’s name?” 
Matthew frowns when the conversation is turned back onto him. His face darkens and he exhales, not liking to talk about her. 
“Abigail.”
You can hear the change in his tone and finish the broth instead of asking anymore questions. Matthew watches you drink the broth silently. When you finish, he takes the canteen and stands. 
“I’ll go now, and I won’t lock the door this time.” 
“Thank you for- for everything that you’ve done for me today. I owe you.” You stand as he had and clasp your hands together against your apron shyly. 
“You're welcome child,” Matthew smiles with closed, full lips. “I’ll come back in the morning after I see about any ships sailing to the mainland. Goodnight.” 
He leaves quickly, before you can say goodnight back. Once behind a closed door by yourself, you realize how dark the room had become. The sun is setting and you can just barely see it through the dirty porthole.
xxx
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kamatha · 1 year ago
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I love the idea of leafling scars!! Such a cool idea but I’ve never seen anyone draw anything life that! Maybe I’m biased because I like Bernard.
Had this idea brewing since the game came out and there are SO many ways it could be applied to imply extra stories for Bernard and the castaways! I have no idea when else I'll be able to talk about this in length so thank you for sending this I can finally ramble!!!
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To summarize:
Cured castaways are left with vine stitches that protect and keep together any internal or external injuries (may or may not disappear once the injury is fully healed)
The pikmin parasite potencially focuses on the head to control the host
The longer they're a leafling the more vibrant the hue left on the skin is. (I wasn't sure how much of a tomato Olimar would be)
Flowers can bloom in their leafy coats
Despite being brought into the same Onion they have different types of leaves/vines/flowers
I left it ambiguous whether or not castaways are still being healed after they've been turned into leaflings
Other info and ideas I didn't include:
A lot of times the plant grown will be poisonous ie. a yellow leafling grows buttercups. This is to protect them from predators.
Marks resembiling their leafling eyes might be visible on their corneas
Drinking nectar gives them a similar effect to the pikmin; blooming flower, faster speed (maybe strength? forgot if that's boosted), they also get "extra lives" but their pain receptors are more sensitive than the pikmin so they get temporarilly incapacitated for longer
Keeping it ambiguous if castaways are straight up revived from the dead or need to be brought in while they're still hanging on (there's so much story potential if theres a time limit tho!)
They might be able to use the vines as a second limb (I accidentally drew Olimar's vine too low so he probably has a vine tail now)
Dunno if I did Yonny's speech pattern justice here (still experimenting) but-
I REALLY wished we could've gotten notes from Yonny about this since he got to see them up close. And dang it I'm really curious about how the leaflings work, I get that they're all dandori n stuff but what if the pink ones can fly or the purple ones are stronger. Maybe all of them except blue leaflings get hurt by water.
So many questions and no answers, and so much design and story potential!!!
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I cut the image in case tumblr's compression kicks me.
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This was a pretty fun way to start drawing the castaways too. Now I'm really tempted to draw everyone's leafling forms (I may have already picked flowers for the rescue corps team based on their symbolism)
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l-1-z-a · 3 months ago
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Unseen and Scrapped Content in The Sims 2: Castaway Stories
You might be surprised to learn just how much content was cut or left unfinished during the development of The Sims 2: Castaway Stories—and even The Sims 2 in general.
- One of the most intriguing discoveries is the "Costume Trunk," which would have allowed your Sims to dress up in various costumes, from cowboys to mobsters and musketeers. There was even supposed to be an "Acting Costume Trunk" with unique interactions like "Brandish Sword" for the musketeer costume. Imagine the gameplay potential!
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- Another scrapped feature was a variety of social clubs. While Fraternities and Sororities made it into the game, there were plans for clubs like a Secret Society, a Robo-Battle Club, a Drama Club, and even a Gaming Club! These would have brought a whole new layer of social dynamics to the game.
- Behind the scenes, test objects like the "Facial Animation Player" and "Memory Manager" were used by developers to debug and refine Sim behaviors, emotions, and relationships.
- One particularly interesting cut feature is the "Tabletop RPG" object, where Sims would roleplay as Mages, Warriors, and Thieves in a Dungeons & Dragons-style game. How cool would that have been?
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All these unused objects and ideas show just how much *he Sims 2 evolved during development. They give us a glimpse into what could have been and reveal the rich, creative process behind one of the most iconic simulation games of all time.
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victusinveritas · 10 months ago
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tgsclassics · 9 months ago
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Raquel Welch auditioned for the role of Mary Ann in the 60s tv series "Gilligan's Island", but was considered 'not wholesome enough' for the part. The role went to Dawn Wells
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thunderstruck9 · 10 months ago
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Friedrich Kunath (German, 1974), I Got Kinda Lost, 2018. Acrylic and oil on canvas, 60 x 60 in.
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cinder-aj · 3 months ago
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I drew my character, Voltage! She's a Castaway engineer with a crooked jaw. She knows a lot about spaceships, especially The Mothership, her species' colony starship. She was later in her story promoted to Pathfinder (head navigator). Voltage is known to be serious, responsible, and rather grumpy due to stress. She is rather chatty, and usually goes back and forth between micromanaging everyone around her and gossiping about whatever she happens to pick up. She doesn't feel productive when there's silence around.
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johanvinet · 8 months ago
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I'm happy to reveal my new tiny game: 🏝 CASTAWAY! ⚔
Reblogs much appreciated 💛 If you like what you see please Wishlist!
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sas-77 · 3 months ago
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لا تتأمل وجود أحد " ولا تظن لثانية بأن هناك أحد سيبقى معك تعلم كيف تكون لنفسك كل شيئ ⭐️
♦️
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kent-farm · 1 year ago
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—Oliver to Slade Wilson, Arrow, “The Odyssey” 🏐
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yavannah · 5 months ago
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I chose a shipwrecked, but of course I made it a bit castaway themed. :D I don't quite have a story, but let's say they were on a romantic boat trip, vacationing in a tropical archipelago and a bad storm caught them by surprise. That violent storm then capsized their boat and they ended up on a deserted island, with a violent swell beating what was left of the boat to pieces against the rocks. Barbara wakes up while it's still dark, but of course she can't check the time or anything else because her wristwatch has been ruined, and both their mobile phones have fallen into the depths of the sea. She looks around and realises they are on a deserted island with no idea where they are, and no map to look at. But Barbara doesn't dwell on this and starts to act. She has to build a shelter, and fast, because Walter, in his troll form, can't stand the sunlight. So she works and manages to cobble together some sort of shelter, where she drags the still unconscious Walter. As she drags Walter along, Barbara groans at how heavy Walter is, but then remembers that his skin is made of stone. But after a lot of hard work, she finally gets Walter under cover, and just in time, because the sun had already begun to rise. Next, Barbara made a fire and a fishing rod to catch something to eat, for now she had not dared to check what fruit the jungle had to offer.
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tomsmusictaste · 10 months ago
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Bayside // Castaway
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