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itsagutthing · 4 years ago

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Places Carrie Mathison Has Lived: New York City Edition

this installment of my carrie’s apartments series is close to my heart because i also live in brooklyn, though not close to carrie. the show actually filmed a scene just a block from my apartment, but for obvious reasons i’m not going to specify which scene. i know, season six is overall meh with the exception of carrie’s blazers, but my lizard brain still goes, “that’s where i live!” so i give it more leeway than i probably should.

carrie lives in the bedford-stuyvesant neighborhood of brooklyn, which was once primarily home to black and latino families but unfortunately is in the process of gentrifying. some light googling tells me they filmed the interior apartment scenes on a soundstage in another brooklyn neighborhood called greenpoint, which begs the question: why didn’t they just make carrie live there? greenpoint has also been gentrified but is mostly home to eastern european immigrants, so the writers could have avoided the questionable racial implications of carrie living in bed-stuy, particularly when she’s working at a non-profit that promotes racial justice. and greenpoint is also more convenient to her office in williamsburg! i know the answer to this question is probably just “brownstones look pretty,” and there are lots of brownstones in bed-stuy but not in greenpoint, but i’ll still bitch about it.

anyway, we know from quinn’s escape to the bodega in 6.02 that carrie lives close to the intersection of throop avenue and halsey street, which means she lives off of the kingston-throop A and C trains and a sort-of far walk from the bedford-nostrand G. she probably takes the G to work in williamsburg. this is information that’s only important to me, but i love public transit.

the bike lane sign in the screenshot above reminds me how much i loved seeing carrie biking around berlin. even though nyc isn’t nearly as bike-friendly, i hope she does the same in brooklyn.

carrie appears to have free reign of the entire brownstone, which must have been two separate units at some point — both where she and franny live and the ~garden apartment~ on the basement level that has both a full bath and kitchen. she obviously can’t afford to rent out an entire brownstone in new york city, even in bed-stuy, so my headcanon is that otto bought it as an investment property and is letting carrie and franny stay in it at a heavily discounted rate.

brownstones are typically long and skinny, as we see here. there are really only two rooms on the first floor: the living room and the kitchen.

i love seeing all of franny’s drawings strung up on the living room wall and her chalkboard/easel in the corner. this fixes an issue i had with carrie’s berlin apartment, which was that there was a weird lack of kid stuff. i don’t think that means anything on its own — we see in 5.01 how devoted carrie was to her seemingly normal life as a mother — but it’s nice to see more little touches in her brooklyn apartment.

i assume the fireplace in the left-hand corner isn’t actually usable, but it does make the living room look homier. i’m surprised there isn’t more carpeting, since carrie loves a patterned rug. the living room looks a little cold without it. maybe she isn’t done decorating yet, though i think we’re supposed to believe they’ve been in nyc for a few months.

there’s a tv next to the fireplace in 6.05 that isn’t there in 6.01, which is very strange placement. the only furniture opposite the tv is a desk and chair, so there’s nowhere to sit comfortably while watching. i don’t think carrie spends a lot of time watching tv, but that’s still a confusing choice. i do like franny’s fuzzy chair with bunny ears, though. carrie probably ordered it on amazon but i like to imagine her schlepping it in and out of a cab.

now for the kitchen:

one nice thing the show did to convince us that this is an apartment carrie could maybe afford is that it’s not newly renovated: all the kitchen appliances are basic and/or old, and the countertops look like plastic laminate and are chipped along the edges. and there’s no room for the nice cutting boards or espresso machine she had in germany! i always find barstools charming even if they’re just a cheat to make an efficient use of counter space.

my favorite detail in the kitchen is the trio of framed drawings done by franny. again, i love all the “carrie’s a mom, remember?” touches.

the curtains are a gold color and match the curtains in the living room! carrie learned some design lessons in berlin.

even in the daytime the whole first floor feels really dark, which makes me miss the floor-to-ceiling windows in berlin. i brightened the screenshots a lot to see the details, but especially in the living room, the sunlight just doesn’t reach all the way across the house. the lack of natural light (and the fact that they filmed during the late fall) does a lot of quick work to set the dreary tone that persists for the entire season. i can’t help but compare it to the americans, which also filmed in brooklyn in the fall/winter, but at least the indoor scenes in that show were well-lit and generally warmer in both color and tone.

i associate the early seasons of homeland with warm yellows, probably because they filmed either in the desert or in charlotte in the summertime. the shift to gray winter skies and heavy coats is a little jarring, even with berlin in the middle as a transitional urban, cooler season.

that door behind carrie goes out to a set of stairs and their little backyard/patio:

it’s common, if a little depressing, to have bars on first-floor windows as shown in the second shot above, both to child-proof an apartment from the inside and to prevent break-ins. our first view of franny for the season is through those bars, but i’m not entirely sure what the symbolism is supposed to be. carrie already feels a separation from franny, maybe? this shot especially feels super foreboding.

carrie continues her trend of killer outdoor lounge furniture (remember the multiple chaises on her DC patio?) with the wooden chair with blue cushions right outside the back door. there are also more potted plants than i believe carrie would purchase/remember to water, especially in the winter, but maybe she figures if they’re outside they’ll get enough rain to survive.

i don’t have a lot to say about the patio itself other than i’m jealous that carrie has outdoor space.

inside by the stairs/front entryway is a framed berlin jazz poster which makes me inexplicably happy, and follows the same trend with the jazz posters she had in her DC apartment. it’s hard to tell what’s in the photos, so i’m choosing to believe they’re pictures of places she and franny loved in berlin, including some of the two of them taken by jonas. there is absolutely a photo of franny and carrie at the birthday party we saw in 5.01 where carrie’s wearing that balloon hat.

we don’t get to see a lot of the second floor, but i’m going to assume it’s just franny’s room, carrie’s room, carrie’s weird conspiracy closet, and a bathroom.

franny’s room is very colorful, with the rainbow sheets and rainbow polka dot curtains. it makes up for the dreariness of the first floor. behind carrie in that second shot is franny’s star lamp, which i love but have many questions about. it’s obviously an allusion to brody, of which there are many in season 6, probably because they’re in new york city and brody would have never served/been captured/turned/bonded with carrie if not for 9/11. assuming that carrie purchased this lamp for franny with brody’s memory in mind, does franny have anything else that’s star themed? if not, why this lamp? did carrie explain to franny that stars make her think of franny’s father, or is it just a secret nod for carrie alone? how often does carrie talk to franny about brody, if at all?

now we move to carrie’s conspiracy closet:

i’ve been in enough brownstones to know that sometimes there are strange inexplicable tiny rooms, which is what we have here. i’m sure this would be advertised as an office space on streeteasy but it really looks like a glorified closet with a confusing number of doors leading off of it. i count three total including the one saul came in — what are all these doors? i think the one on saul’s right goes to franny’s room but i don’t have a great spatial brain and i’m not confident about that assessment.

this conspiracy board reveal was kinda anticlimactic since very little happens with it, but i still felt like i needed to include it as a separate room since carrie clearly spends a lot of time here.

i wish we got to see carrie’s bedroom because i love to scrutinize the art she has, but sadly we’re limited to franny’s room. i’m going to assume there’s a full bath up here somewhere, and a half bath downstairs that we don’t see.

finally, we have the basement apartment that carrie allegedly rents out on airbnb. in real life it likely would be marketed as an entire unit separate from the two floors above, but since otto owns the entire brownstone / is in love with carrie he’s just letting her do whatever she wants with it.

the full kitchen is what convinces me it was supposed to be an independent unit — no one has a stove and sink and lots of cabinets in their basement. like we saw in carrie’s kitchen, none of the appliances are fancy and the countertops are nothing special, which makes the room look kinda drab but does help sell the idea that carrie could actually live here. there’s also some water damage in the corner by the fridge. i’m not sure why they decided to be realistic in season 6 — can we all recall carrie’s unnecessary two-bedroom townhouse in DC? — and it’s not particularly fun to watch, but i’m not mad about it.

the living room area of this basement actually looks cozier than carrie’s living room, with all the pillows and the exposed brick wall. i have a weakness for exposed brick walls, as we know from carrie’s DC apartment, and here it goes pretty far to make the space look homey. the couch looks like it matches the chair on her patio (with the wood frame + blue cushions), so does that mean the patio chair is meant for normal indoor use? why is it outside??

as we know from her berlin apartment, carrie really loves a two-curtain combo with a sheer under layer. these are dark green, similar to the navy ones she loved in berlin but not the same. i do like the thought of carrie taking her navy curtains with her from germany and relegating them to the basement to avoid the constant reminder of her past life, but i also have no desire to think about what it would mean that quinn ends up living in the basement with her jonas curtains. so those must be new!

in summary: musings about carrie’s role in gentrification, the color palette of the show, berlin jazz poster + photos, franny’s art on the walls, star lamp, a basement living room that’s cozier than carrie’s actual living room!

#homeland #carrie mathison #me acknowledging qu*nn's existence? only because i needed the screenshots #me bringing up jonas for no reason? of course #i cropped/brightened these photos while watching gilmore girls which sure was a tonal shift #cma*#i miss carrie even though i have every single episode at my fingertips

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angrylightgentlemen · 4 years ago

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Tips to keep your reception area clean

Reception is the main area where at the office the people greet the officials and it plays a very important and crucial role to build an image of the company. In an office, this area has the maximum exposure to the outside world and has the maximum level of contamination. Hence, it is always essential and important to keep your reception area clean. To keep in pace with the present demand one can also hire a professional office cleaning service in Brooklyn, NY.

But before proceeding with the tips to clean the reception area one has to take a note of why it is important to clean the reception area. Here is the list of the reasons that are behind the reception area being kept tidy-

Having a cleaned reception area helps in creating a welcoming ambiance. There is an age-old saying- “The first impression is the last impression”. Hence, it is always advisable to keep the reception clean, because it is also the place where the officials visit, and a clean reception area makes them feel welcomed and at home.

Since the reception area is the first thing that the employees see when they enter the office henceforth it is always important and crucial that it is kept neat and tidy. If the reception area is kept disorganized or untidy it also affects the mindset of the employees. A reception that is organized will help to inspire the people and make them do tasks more professionally.

A well-maintained front desk or reception helps to create credibility and further helps to highlight the professionalism that the company or the institute is offering. It is needless to say that the company will not be getting more clients and customers if they are not professional. And a clean reception helps to maintain the image.

Most importantly a tidy and clean reception espouses safety and helps to bring out the fact that the company is taking note of the health issues. Also, ensuring cleanliness makes sure the surrounding dust-free thereby reducing the chances of dust allergy.

A popper and well-maintained reception always attract the customer’s eye. Hence, a mere stylish lobby will not wonder if it is not clean and tidy. One of the major benefits of having a clean reception is that it helps the customers to easily associate with the business service that the officials provide.

Here is a list of a few tips and tricks that one can follow to keep the reception area clean. The commercial cleaning service in Brooklyn, NY also follow these little tricks-

A clumsy reception area will not do any wonders. A clustered space will only bring in negativity hence it is very crucial and important to declutter the reception desk and keep everything organized and hassle-free. Keeping everything minimal and toned down will help.

The reception area has a stale smell and sets the mood of the customers and the working staff and hence it is very important that the area smells good and fresh. To ensure a refreshing smell one can install an automatic air purifier and room freshener machine. This also keeps the germs away from building any colony.

Near the reception area, the footfall of the customers is always more, there more the chance of germs build-up and contamination is also high. Therefore, it is always crucial to have the carpets and flooring near the reception area cleaned at regular intervals. Phenyl and anti-antiseptic liquids can also be used to clean up the area.

We at Reliable Office Cleaner, are ready with our janitorial services in Brooklyn to offer the best cleaning services.

#reception area #office cleaners

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firstchoiceins · 2 years ago

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Purpose of General Liability Insurance in Queens and Deer Park, NY

Protecting the property is all-important in the aftermath of a natural disaster such as thunderstorms and floods. Sure, some companies deal with restoration after extensive water damage, but the damage caused by floods, in particular, is not covered by a traditional home insurance policy. It always makes sense to consider buying flood insurance in Deer Park and Brooklyn, NY, even when one does not live near the ocean or any water body. It is important to note that floods are considered the primary disaster across the USA today, making one think of being covered by the policy to avoid financial ruin after the area is inundated. Since a homeowner’s policy does not usually cover flooding, it makes sense to think of buying additional protection that compensates for the damage repair after floods. The flood insurance policy will cover the following areas ensuring convenience and protecting the property that has been under water for a considerable time:- · Damage caused by heavy rain, extensive snowfall, and/or coastal storm surges · Blocked storm drainage systems · Failure of levee dams It is essential to go through the terms & conditions of the insurance document before signing on the dotted line, however. The National Flood Insurance Program (NFIP) offers two distinct types of coverage related to flood insurance. The person hoping to be protected from financial ruin in the aftermath of flooding should be aware of the following:- Coverage for Building structure It is akin to the dwelling coverage of a homeowner’s insurance policy that covers:- · Foundation walls · Electrical and plumbing systems. · Water heaters & Furnaces · Permanently installed carpets · Built-in appliances and cabinets · Solar energy equipment · Garages detached from the building · Stairways · Window blinds · Fuel & Water Tanks Contents inside the home · Furniture Clothing · Curtains · Artwork (valued up to $2,500) · Washers, dryers, microwave · Curtains · Portable AC Not every damaged area/possession is covered by flood insurance regulated by the NFIP, though. The insurance cover will only be provided for natural flooding with water extending up to 2 acres of land. Only two properties will be covered by a single insurance policy as well. Water damage due to a burst pipe or overflowing bathtub is not a part of flood insurance plans, either. One would have to claim homeowner’s insurance to get the due compensation for such damage. Sure, the basement is the first area within a home that gets completely flooded. Unfortunately, coverage for water damage to the basement is minimal, according to the NFIP guidelines. A well-equipped basement needs to be protected by private food insurance that is sure to be more beneficial as compared to the NFIP-regulated plans. Additional living expenses are not included in the flood insurance policy either. The damaged vehicles may be covered by comprehensive auto insurance but not by the NFIP. Buying general liability insurance in Queens and Deer Park, NY, is essential so that there is no expense involved for compensating physical injuries or property damage caused to a visitor, customer, or guest.

#flood insurance in Deer Park and Brooklyn NY general liability insurance in Queens and Deer Park NY

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tabloidtoc · 4 years ago

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Star, November 30

You can buy a copy of this issue for your very own at my eBay store: https://www.ebay.com/str/bradentonbooks

Cover: Kelly Clarkson getting married again

Page 1: As Britons marked Remembrance Day Prince Harry and Meghan Markle arrived at Los Angeles National Cemetery to pay their respects and lay flowers from the garden at their new $14.6 million spread in Montecito but the controversial couple almost immediately came under fire for yet another misstep -- their biggest gaffe was hiring celebrity fashion photographer Lee Morgan to snap their supposedly private visit -- the visit comes on the heels of a report that Harry requested and was refused that a wreath in his name be laid at London’s Cenotaph during a royal ceremony that day so while the visit to the cemetery in L.A. was meant to show respect it was also Harry’s way of telling his family that if they’re going to be petty and exclude him then he’ll do it his way

Page 2: Contents, Miranda Lambert

Page 4: Larsa Pippen spills the tea -- Larsa says Kanye West kept her from BFF Kim Kardashian

Page 5: Julianne Hough came out as sexually fluid while married to Brooks Laich and now that the two have split Julianne is exploring lady love

* Speculation has been ongoing about who will take over hosting Jeopardy! after Alex Trebek passed away and one frontrunner is former champ Ken Jennings and other names in the mix include hockey announcer Alex Faust and Laura Coates of CNN

Page 6: The Bachelorette OG Trista Sutter recently revealed that producers of her televised 2003 wedding to Ryan Sutter planned to up the drama for better ratings -- admitting that a pal discovered a crew member’s notebook during the three-day festivities and showrunners had compiled dossiers on her guests in hopes of pitting them against each other

* Bodyguard Mark “Billy” Billingham has opened up about his 18 months protecting one of the most famous broods in Hollywood much to Angelina Jolie’s dismay -- he was hired by Angie and then-husband Brad Pitt to keep an eye on their six kids Maddox and Pax and Zahara and Shiloh and Knox and Vivienne and their biggest concern was the kidnapping of the kids and for Angie that fear bordered on obsession so her home is like a fortress -- she wants her kids to have a normal life but she’s also aware of the dangers out there

* Star Spots the Stars -- Martha Stewart, Clare Crawley, Alec Baldwin, Jessica Alba, Bella Hadid, Viola Davis, Debbie Matenopoulos

Page 7: Jason Momoa shocked fans with his recent revelation that his breakout role in Game of Thrones gave him plenty of fame but no fortune -- after his character Khal Drogo was killed of in 2011 before the first season even aired he said he couldn’t get work and it’s very challenging when you have babies and you’re completely in debt; we were starving -- now of course Jason who shares two kids with wife Lisa Bonet has more than made up for those lean times but he’s not one to throw cash around

* After a single day of work Johnny Depp was axed from the third installment of the Fantastic Beasts films and he got to keep his eight-figure salary -- he was let go following a nasty defamation trial against a U.K. tabloid that called him a wife-beater -- now Mads Mikkelsen is going to be Johnny’s replacement as Grindelwald -- for his part Johnny will take the money and run and he’s panicked that this will lead to a permanent blacklist and his name is now mud in movie circles

Page 8: Star Shots -- overjoyed by Joe Biden’s victory Chrissy Teigen and John Legend took to the streets of West Hollywood to celebrate, Duchess Camilla paid her respects to veterans during the 92nd Field of Remembrance event at Westminster Abbey which is a duty formerly fulfilled by her stepson Prince Harry

Page 9: Steve Martin cruising through Central Park on a CitiBike wearing gloves and a protective face mask, Miya Cech and Ben Daon and Keith L. Williams and Kayden Grace Swan flanked creator Daniel Knauf at the premiere of The Astronauts

Page 10: Renee Elise Goldsberry and Sara Bareilles and Paula Pell and Busy Philipps shared a laugh shooting Girls5Eva, Offset caught up with some young fans while handing out free food from the Slutty Vegan Food Truck on Election Day in Atlanta, Caitlyn Jenner fueling up for a car-camping expedition with daughter Kendall

Page 11: Queen Latifah showed off a fresh new ‘do on the set of The Equalizer reboot in NYC, weeks after undergoing heart surgery Arnold Schwarzenegger was already behind the wheel again in L.A.

Page 12: Bachelor alum Hannah Ann Sluss running errands in L.A., Joey Fatone nearly stole the spotlight from actress Kate Katzman on the red carpet at the screening of her new film The Comeback Trail, Francesca Farago carried a pup while posing for photos for her swimsuit line

Page 14: MTV EMAs -- Alicia Keys, David Guetta, DJ Khaled, Zara Larsson

Page 16: Zooey Deutch having lunch with a friend in L.A., Tracy Morgan returned to his old stomping grounds to cut the ribbon at the $30 million Marcy Houses Community Center in Brooklyn, Olivia Culpo rushed to a meeting after a coffee run in L.A.

Page 18: Normal or Not? Ariel Winter carrying an enormous roll of bubble wrap -- not normal, Joel Michaely jumped for joy at the screening of his new film The Comeback Trail in Ft. Lauderdale -- not normal, Wanda De Jesus and Jimmy Smits enjoyed a stroll around Brentwood -- normal

Page 19: Gretta Monahan before filming a segment on The View -- normal, Bridget Moynahan and Steve Schirippa made a grisly discovery on the set of Blue Bloods -- not normal

Page 20: Fashion -- stars stun in silver -- Angelina Jolie, Thandie Newton

Page 21: Becky G, Elsa Hosk

Page 24: Phil Collins and Orianne Bates are slinging mud as their split gets even nastier

Page 25: Dallas alum Patrick Duffy and Happy Days actress Linda Purl are dating

* Ben Affleck plans to spend Christmas away from his three kids in Cuba with girlfriend Ana de Armas who hasn’t seen her family in months and is desperately homesick and Ben will do anything to make her happy -- the couple then plan to celebrate the new year touring South America -- Ben’s ex-wife Jennifer Garner is not happy about his plans because she’s at full capacity after tending their kids solo while Ben was filming The Last Duel in Ireland but Ben has made up his mind

Page 26: Cover Story -- Kelly Clarkson’s rush to the altar -- the star is healing from heartache with a hot new romance but as she tells pals she’s ready to wed again some are worried she’s moving way too fast -- pals are wondering if her mystery man could be country singer Brett Eldredge but Kelly is keeping her new guy’s identity under wraps for now

Page 29: Inside Kelly Clarkson’s ugly lawsuit -- the star is fighting in court with her former father-in-law Narvel Blackstock

Page 38: Entertainment

Page 48: Parting Shot -- pregnant Hilary Duff on the set of Younger in New York City

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gohyuck · 5 years ago

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King of Hearts - LJN. 01.

detective!jeno

word count: 3.8k

part of a series?: yes, this is the 1st installment

warnings: kidnapping, mentions of murder, usage of weapons commonly attributed to law enforcement

notes: everyone’s aged up, obviously (setting their birth years back by a solid amount), detective!00/01/02 and captain!mark, captain’s secretary!reader, pay attention to timestamps. draws pretty heavily from brooklyn 99 but is a lot less funny and a lot more angsty

tell me if i should continue this with a part 2!

[Wednesday, September 25, 2019 at 10:22 P.M.]

“An abandoned warehouse,” Jaemin murmurs disdainfully, adjusting his bulletproof vest. He pulls his gun from its holster, checking the safety before relaxing into his hold. “When did criminals get so cliché?”

“That is so not important right now,” Renjun hisses in response, shooting a quick, worried glance at Jeno, who’s standing as still as a statue some yards away, features balanced between being angry, afraid, and determined. “You should go check on him, dude.” He turns back to Jaemin, gesturing towards their friend with a slight tilt of his head. Jaemin rolls his eyes, though not before nodding in agreement. Before he can even think about approaching his best friend, though, Jeno moves to walk up to the side entrance they’re all gathered around.

Everyone waits for him to speak with bated breath. They all notice the King of Hearts stuck to the top of the door, though nobody mentions it.

“I can shoulder through,” Jeno finally whispers after appraising the state of the rotting, wooden door they’re faced with. “Renjun on my right, Hyuck can take left. Jaemin, with me - we’ll go straight to the hostage. Chenle, with Renjun. Jisung, go with Hyuck. All of you - if anything happens, radio back to me and then call Mark. The other squad is already inside on the other end, so we’ll probably end up meeting them somewhere in the middle.”

“What about calling for back-up?” Jisung asks, ignoring the air of finality that comes with Jeno’s words. The elder chews on his lower lip for a moment.

“The less people there are involved in this, the better.” He decides, and Jisung and Chenle share a glance before nodding an affirmation of their understanding. With this, everyone gets in position, their vests properly strapped on, guns in hand, and their sense of duty at ready.

“On 3,” Jeno whispers, looking around at his team once more to steady himself. “One… two…” Jeno solidifies his stance, leaning towards the door. Everyone else inches closer, shoulders tightening and eyes filling with resolve. “Three.” Jeno says after what feels like aeons, and, in what feels eerily as if its in slow motion to everyone else, subsequently breaks the door clean off its hinges with all of the power in his body.

The six of them file in, and Donghyuck and Renjun split off as they’re supposed to, taking their partners with them. Jaemin comes up behind Jeno, shooting his friend a - hopefully - reassuring smile before they start to make their way straight through the maze of boxes that awaits them.

There’s nothing - no creaks, no footsteps, no hushed whispers - as the two of them walk through towards the center. The moonlight filters in through the small windows at the top of the building, illuminating the warehouse well enough to avoid using flashlights. Jeno and Jaemin remain careful, taking in everything and filing small things they notice away in the back of their minds for later. It isn’t until they reach the clearing in what they believe to be the middle of the whole warehouse that anything substantial really happens.

“Might’ve been a bad tip,” Jaemin finally sighs, lowering his gun ever-so-slightly. Jeno says nothing, his face stony. “I’m sorry, man, but (Name) isn’t here -”

“Jeno?”

Both officers whirl around, Jaemin cocking his gun on instinct. When he sees that it’s you, he lowers it, straightening up onto his feet and furrowing his brows as he does.

“(Name)?” Jeno speaks, your name falling, breathy, off of his lips. You look entirely different from how you’d been just days ago - your eyes look empty, and there’s fear replacing your usual teasing manner.

“You shouldn’t be here, Jeno, it’s dangerous -” When you speak again your words are rushed, your weariness and terror evident in your inflection. Your voice rises in pitch and volume before being interrupted by Jeno.

“I’m a cop -”

“Guys -” Jaemin cuts in, though he barely gets out a word before being stopped himself.

“I see you’ve found your precious witness,” A voice interrupts the detective, and Jeno pulls you into his hold on instinct. He ignores how you’re shaking, knowing that if he dwells on it he’ll be too angry to do his job. The three of you turn around - albeit slowly - and find yourselves face-to-face with a figure in all black, mask and all.

They pull a deck of cards from what seems to be out of thin air and sits down, patting the floor next to it. Jeno and Jaemin, pulling themselves out of their dumbfoundedness, both pull out their guns, pointing it at the silhouette.

The figure laughs.

“See this right here?” They ask, drawing forth what seems to be a small remote. “You make any move to shoot, I’ll press the button. It has a ten second count-down, and then the bomb in this building will explode. It’s in one of the boxes in this place - I doubt you’ll find it, no matter how hard you look. Instead, how about you all sit.” They gesture for all of you to sit down again, taking the cards out of their box as they do so. You sit down, and Jeno, his eyes trained on you, follows. Jaemin does so as well, his gaze never leaving the criminal before the three of you.

The masked figure laughs, the kind of laugh that feels like nails dragging across a chalkboard. Jeno pulls you closer, and you find yourself clutching at the fabric of his pants to root yourself. The figure begins shuffling the cards, and the three of you wait anxiously for your kidnapper to speak.

You all know what will be said, but their words strike fear through your hearts anyways.

“How about… we all play a game together?”

[Friday, September 6, 2019 at 5:16 A.M.]

“You know how I said that the night shift sucks?” Mark asks, receiving a chorus of stifled yawns and “Amen”s in response. The grin he sends back reflects nothing of his subordinates’ feelings.

“I was wrong.” His smile stretches even wider as he hops off of the desk at the front of the briefing room, throwing a case file down onto the space he’d previously occupied. “We have a serial killer on our hands.”

“Wait, for real?” Donghyuck perks up immediately, all traces of exhaustion magically gone from his face. Even Jisung looks slightly more awake after their Captain’s declaration, and that’s truly saying something.

“Right? But, wait!” Mark exclaims as if he’s a commentator from an as-seen-on-TV ad, spreading his hands out. “There’s more.”

Nobody says anything at this, though pretty much everyone noticeably leans forward. Mark leans towards them too, building suspense, before turning around and turning the TV on. A smattering of different years shows up on-screen, seven dates from between 1994 and 2019.

Everyone waits. The Captain glances at his team expectantly, excitement glimmering almost maniacally in his sleep-deprived eyes.

“Mark,” You finally break the pregnant pause, figuring that it’s you doing your due diligence as secretary to the Captain. “You have a call incoming at 6 from HQ. It’s best to just get into it.”

“Right,” Mark nods, wincing at your reminder. There’s nothing he loves more than some good suspense, and nothing he hates more than imminent tongue-lashings from his higher-ups. “Anyways, guys, these are the years that this specific killer has struck. It’s a 25 year old case!”

A low whistle follows immediately, courtesy of Jaemin. Chenle raises one eyebrow while Jisung raises the other.

“Totally unsolved?” Jeno questions from the back, and Mark nods.

“Yeah - but there’s still more to come. Just wait until you see their modus operandi.” The Captain clicks through to the next slide, revealing a picture of a blood-stained carpet. A leg of what must be a coffee table is barely noticeable in one corner of the image, and a pale hand clutching a shattered wine glass fills a quarter of the frame. The true focus, however, lies on what’s dead center in the photograph - a white King of Hearts playing card, tinged red with blood at its edges.

Nobody notices the color draining from your face, and not one person sees the way you step back and clutch the table behind you to steady yourself. You let out a small, shaky breath before doing your best to compose yourself. Meanwhile, Mark has moved on with the briefing.

“- all have gunshot wounds to the chest, everything suggests from a point blank range. Different gun every time, but that’s likely just to throw us off. No finger-prints anywhere, no working security cameras for half of the murders. If there were any, they were all redirected somehow throughout the duration of each crime - all we have is this short clip of someone dressed in all black entering from the 2002 house.”

Your breath hitches yet again, and, this time, you fathom your oncoming panic attack. Setting your clipboard and files down onto the tables you’re leaning against, you wait until Mark’s back is turned and everyone else is talking amongst themselves to slip out of the briefing room. If anyone notices, they’ll chalk it off to a bathroom break or something of the sort - you’re sure of this. They might be detectives, but they generally don’t find things they aren’t searching for.

Armed with this knowledge, you make it out of the room smoothly, managing to rush into the nearest bathroom before your panic sets in. As you’d expected, only one person notices your departure.

Jeno sees your hands shaking and registers the way you’re chewing on your bottom lip. It’s something you do when you’re worried, or nervous, or afraid, or all of the above. You’ve done it without knowing about it for years, now. He does his best not to stare at you as you rush out, though he can’t keep his own perturbation hidden nearly as well as he wishes he could.

“Eyes on the board, lover boy,” Jaemin leans in, whispering almost conspiratorially in his partner’s ear. “You can stare at (Name) all you want later. It’s murder time now.”

Jeno furrows his brows at his best friend’s wording, but shoots him a sheepish smile anyways. He shakes off the unease that’s settled on his shoulders, though he makes a note of seeing how you’re doing before you both get off shift.

[Friday, September 6, 2019 at 7:04 A.M.]

“(Name)!” You turn around to see your boyfriend barrelling towards you outside your precinct’s office, and you can’t help the smile that overtakes your features upon seeing him. Before you can respond, he catches up to you, lacing your fingers in his.

“We should get breakfast,” Jeno says, and he sounds so excited about the prospect that you feel even worse than before when you shake your head in disagreement, pulling him closer as you do. Both of you ignore how your smile falls quicker than it ever has before.

“I think I should just get back to my apartment, Jen,” His nickname falls from your lips easily as you sigh a response, mustering as bright a grin as you can when you look up at him. “Today sucked the soul out of me.”

“The night shift sucks ass,” He agrees, not questioning you. Jeno’s always been understanding, even if he isn’t aware of it. He withdraws his hand from your grip, opting instead to wrap his arm around your waist and pull you into his side. “I hope we’ll get back to our regular scheduling soon.”

You snort at this.

“Not fucking likely, babe. Chief Lee walked in on Mark mimicking his dance from this year’s Captains’ Fourth of July party, remember? Lee also heard Doyoung say, and I quote, ‘it’s like that one video of that little green alien dancing to, like, super funky background music except the alien actually had talent’.”

Jeno lets out a loud, snorting laugh - the kind that makes his eyes draw themselves into crescent moons and his nose scrunch up in happiness. If you had to pick one sound to hear for the rest of your life, it would be this - Jeno’s genuine laugh, the one he reserves for you and others who love him. You take note of how he hasn’t asked you about how you’d left the briefing earlier, finding yourself hoping that he hadn’t noticed at all.

He hasn’t questioned you about it, so you assume he hadn’t. One bullet dodged there, at least. You’ve never been good at keeping your hardships away from your boyfriend - he insists on shouldering your burdens on top of his. You don’t let yourself dwell on this, shoving the serial killer case on hand out of your mind from the time being, no matter how difficult you find it. Rather, for the rest of the walk down to the subway, you focus on talking and laughing with Jeno.

Once you both reach your platform - he’d insisted on walking you to it right after buying you a coffee from an on-the-way Starbucks - you give Jeno a quick, chaste kiss before turning towards the train that’s pulling in. Before he leaves to find his own platform, he leans close to peck your cheek. Right before he steps back, and right as the doors to your train open, he moves his lips to dwell by your ear.

“When you’re ready to tell me what’s bothering you, I’m here. I’ll see you tomorrow. Love you!”

You whirl around to respond, eyes wider than you’d like them to be. Jeno, however, is already halfway up the staircase. He shoots you a bright smile before motioning you backwards as if to tell you to get on your train. Then, as quickly as he’d managed to walk away from you, he’s gone, too far aboveground for you to see him.

The doors close right behind you, and the metal pole you hold on to for stability as the train jolts back to life feels colder than usual.

Maybe Jeno’s observation is a force to be reckoned with.

[Saturday, September 7, 2019 at 8:02 P.M.]

“We could’ve just stayed in, you know.” You tease, your words soft and lilting against Jeno’s muttered swears. The man in question dabs haphazardly at his lap with a napkin, and you cover your mouth with your hands while you chuckle so as not to agitate him even more. He manages to get most of the sauce off of his slacks, though it does leave an oddly shaped stain - as you turn your head, you realize that it almost looks like Australia.

You tell him so.

“You suck,” Your boyfriend throws back at you, brows furrowed. He isn’t angry - the softness in his eyes gives this away. Rather than respond, you raise your wine glass in a toast and Jeno, though with confusion scrawled across his face, raises his in return.

“To slacks with sauce and nights with…” You pause, and Jeno raises a perfectly arched eyebrow. A thought strikes you, and you have to bite down on your lower lip to keep from laughing. “...with Nono.”

Before he can react, you knock your glass lightly against Jeno’s, leaning back in your chair before downing half of the wine you have. Your boyfriend, on the other hand, sets his glass down, dumbfounded, before placing his face in his hands and groaning.

“That’s literally the dumbest nickname - you’ve been hanging out with Jaemin too much, haven’t you?”

“I wouldn’t say too much,” You grin, leaning close to set your own glass down. Wrapping your hands around his wrists, you pull them gently away from his face. You’re pleased to see a soft blush spreading across his otherwise sharp features - not everyone can fluster a bigshot detective, after all. You almost feel as if you have a super power.

“Yeah?” Jeno asks, his voice less inquisitive than it is teasing, playful. He leans in, too, and as his blush dies down yours only grows. “What do you two talk about?”

The corners of your mouth twitch upwards at this - Jeno, unknowingly, has thrown the ball back in your court. All you have to do now is hit an ace.

“Nothing too interesting, you know,” You say, voice equally light. One of your fingers finds the rim of your glass, idly tracing it as you speak. “Just about the fifth grade adventures of Nana and Nono.”

Jeno groans again, pushing his chair back enough to rest his forehead against the table. Across from him, you burst into quiet laughter before taking another sip of wine. Ragging on Jeno is your favorite pastime, and you’re sure he knows it.

“I’ll kick Jaemin’s -” A siren blasting from outside interrupts Jeno, and, before he can continue, two more - now, three more - join it. Before either of you can react, your boyfriend gets a text. He reads it quickly, his jaw tightening as he skims the message.

“Jeno?” You find it in yourself to ask, receiving a heavy sigh in return. He sets his phone down and stands up to pull out his wallet, taking his Visa credit card from it before reaching his hand out to give it to you. You take it, letting it dangle between two fingers.

“Dinner’s on me, darling,” He musters a small smile before leaning in to press his lips to your forehead. “Give it back to me tomorrow, or something.”

Jeno’s gone before you can badger him further, the only proof of him having been there at all resting between your index and middle fingers and on one of his pant legs. You find that you aren’t in the mood to finish eating your meal, opting instead to wave over the closest server you can so you can get the bill, all while ignoring the pitying glances from everyone at surrounding tables.

Once the check comes out, you slide Jeno’s card into your wallet, pulling out your own to pay with.

The wincing sympathy in the air around you amplifies. You continue to ignore it.

[Monday, September 9, 2019 at 11:03 P.M.]

A short but resounding thud in front of you draws your attention away from poring over Mark’s schedule. You look up to see Jeno, armed with a steaming cup of coffee in each hand and a sheepish smile. He’d put your order down on your desk, resulting in the sound you’d just heard, but hadn’t taken his hand off of it.

You don’t take it from him - instead, you pull your wallet out of your purse, rifling through it quickly before finding Jeno’s credit card and putting your hand out towards him. Jeno doesn’t take it. Rather, he lets go of your cup, pulling out his own wallet with his now-free hand and giving it to you so you can do the honors.

“Didn’t seem to get charged for dinner,” He mentions casually as he shoves his wallet back into the back pocket of his work slacks. You nod, confirming his unasked question before turning back to your computer. For some reason, your eyes can’t focus as they had been before. You minimize Mark’s schedule, leaving you staring at your background - a picture of Jeno you’d snuck during your first date together. He’s staring out the window of a cafe in it, white sweater sleeves pulled up around his hands that are, in turn, cradling a cup of coffee. The smallest, but most genuine, of smiles graces his lips, and his cheekbones are highlighted by the light filtering in beside him. He looks angelic and too good to be true in it.

Maybe he is.

“You can’t seriously be mad at me,” He tries again, and you look up at him again. Warmth lingers in his demeanor, but an annoyance is starting to overpower it. You find yourself ticked off, too, and roll your eyes rather than deigning to talk to him.

“(Name).”

“Do you need an appointment with the Captain?”

“I was just doing my job, darling -”

“I’m not mad at you for stranding me, Jen,” You finally speak, your eyes finally meeting his. He blinks as he registers the hurt in yours, his shoulders relaxing slightly as he does. “I just -” You begin, before sighing and shaking your head. You aren’t sure how to word your feelings.

“Sweetheart?”

“You left without telling me why, and then you didn’t text me back until almost 24 hours later. I was on edge, wondering if anything had happened to you, and you didn’t even think to check in with me! And when you did, it wasn’t about why you’d left or what had happened, it was to ask me about if I’d seen some random movie trailer!” You take a deep breath, doing your best not to raise your voice in your workplace. Swallowing to calm your dry throat, you start again, whispering this time. “I was worried sick, and you didn’t even think about my feelings long enough to register that.”

“You could’ve texted first -”

“I did! You never responded.”

“I never got a text from you,” Confusion spreads across Jeno’s features as he pulls his phone out to show you. You take it nimbly from his hand, scrolling quickly through his conversation with you to confirm that he hadn’t, in fact, gotten any texts from you until he had texted you.

“I didn’t tell you why I’d left because it was classified at the time, but I didn’t want to leave you hanging for too long,” Jeno explains further, but you only barely listen to him, focusing instead on finding your conversation in your own phone. Your boyfriend, recognizing this, speaks no further as he takes his phone back and slips it into one of his pockets. He watches you, intrigue barely concealed within his features.

Suddenly, your face pales, and you let your phone drop face-up onto the counter in front of you. Jeno’s eyes widen as he reaches across to grab one of your trembling hands, his worry greater than his confusion.

“(Name)?”

“It - he -” You manage to speak out before giving a shaky sigh and pausing to swallow the bile that has risen in your throat. “I- I need to tell you something.” You finally gasp out, pointing towards your phone. Jeno glances at it before letting out a noise of shock, his fingers tightening around your own.

Panic burns in his veins as his mind works overtime to work out the meaning of what he’s witnessing . Rather than seeing your texts as he’d hoped, Jeno finds a black screen staring back up at him. There is just one thing adorning it.

Dead center is a King of Hearts playing card, the words ‘found you.’ in blood red letters underneath it. It is mocking you, telling you that you are out of time.

It is telling you that you have lost.

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blackkudos · 5 years ago

Text

Star Jones

Starlet Marie Jones (born March 24, 1962) is an American lawyer, journalist, television personality, fashion designer, author, and women's and diversity advocate. She is best known as one of the original co-hosts on the ABC morning talk show The View, on which she appeared from 1997 to 2006. She was also one of sixteen contestants of the fourth installment of The Celebrity Apprentice in 2011, coming in fifth place.

Early life

Jones was born in Badin, North Carolina and grew up in Trenton, New Jersey with her mother, a human services administrator, and her stepfather, a municipal security chief.

Jones graduated from Notre Dame High School in Lawrenceville, New Jersey. She earned a B.A. degree in Administration of Justice at American University, where she was initiated into the Lambda Zeta chapter of Alpha Kappa Alpha sorority. Jones earned a J.D. degree from the University of Houston Law Center in 1986, and was admitted to the New York state bar in 1987.

Television career

From 1986 to 1991, Jones was a prosecutor with the Kings County District Attorney's Office in Brooklyn, New York. In 1992, she was elevated to senior assistant district attorney. She was recruited by Court TV in 1991 as a commentator for the William Kennedy Smith rape trial and spent several years as a legal correspondent for NBC's Today and NBC Nightly News. In 1994, she was given her own court show, Jones & Jury, which mimicked the arbitration-based reality format of The People's Court, though with a talk show like set as opposed to a courtroom set. Although the show was canceled after only one year, Jones became the first black person and female to serve as a television arbitrator of a courtroom series.

Jones then became chief legal analyst on Inside Edition, where she led the coverage of the O.J. Simpson murder case. She was the only reporter to interview Simpson during his civil trial, which she covered for American Journal.

The View

In 1997, Jones joined The View as one of its original four co-hosts. Jones's nine-season tenure on The View was marked by controversy at times. Jones, who had been diagnosed as morbidly obese, began to undergo dramatic weight loss beginning in 2003. In a September 2007 essay in Glamour magazine, she revealed that she had undergone gastric bypass surgery in August 2003, resulting in a loss of 160 pounds (73 kilograms) over three years. Many criticized Jones for her initial dishonesty when she claimed she had lost weight via diet and exercise. Barbara Walters told Oprah Winfrey in May 2008 that she had kept Jones' gastric bypass surgery a secret because Jones had asked her to, and that lying on the show turned the audience off.

Additionally, when she married investment banker Al Reynolds in 2004, Jones reported her wedding plans on The View for months beforehand, including "plugs" (public mentions) for her suppliers, such as the wedding invitations, clothing, and airlines. It was later revealed that Jones had pushed product-placement in exchange for receiving those products and services for free. ABC claimed that her excessive self-promotion alienated viewers. On April 21, 2006, Jones discovered that her contract would not be renewed for the following season. Her agent called her then husband Al Reynolds and informed him as Jones was in Phoenix at the time. Reynolds flew to Phoenix & told Jones her contract would not be renewed.

ABC, Barbara Walters and Bill Geddie then told Jones she could go out on "her own terms". They had collectively decided for Jones to announce her impending departure on Thursday, June 29, 2006, but Jones surprised her co-hosts by announcing it two days earlier on Tuesday, June 27, 2006 when they returned from their first commercial break that she would be leaving the show. She stated that she would remain on the show through July, and she would not return in the fall. She did not reveal during her announcement that her contract wasn't renewed. After Jones revealed her departure live on air, co-host Joy Behar jokingly said, "Who am I going to fight with now?" to which Jones replied, "I have a feeling you'll have someone else to fight with."

Despite this, Walters announced the next day that Jones would no longer appear on the show with the exception of previously recorded segments, publicly claiming feeling "betrayed" by Jones for unexpectedly making the announcement two days ahead of schedule. In an interview with People, Jones claimed the decision to leave was not hers and that in April, producers told her that her contract would not be renewed.Walters later stated that ABC executives had decided not to renew Jones' contract due to diminished approval for Jones through their market research.

Jones's contract was due to expire July 13, but after the program finished on June 27, ABC had discovered Jones had released an article with People magazine about her contract not being renewed, and that the decision to leave was not her own, saying, "What you don't know is that my contract was not renewed for the 10th season... I feel like I was fired." The next day, Barbara Walters gave a statement to the audience at the start of the program revealing that she had been "blindsided," and that Jones would no longer appear on "The View". When the series went into summer reruns, only programs in which she had been absent from the panel were rebroadcast. Jones was removed from the opening credits, leaving only Walters, Joy Behar, and Elisabeth Hasselbeck.

Shortly after her dismissal, Jones appeared on Larry King Live to respond to questions about why ABC had refused to renew her contract. Regarding her wedding controversy, Jones insisted that every mention of her wedding had been specifically approved and negotiated by the network, and not in violation of any policy. She also denied that she had caused a ratings drop, and claimed that the ratings during the 2004-05 season were the highest The View had had in the nine years she was a co-host.

Jones' departure caused a rift between her and Walters that lasted nearly six years. In May 2008, in response to allegations in Barbara Walters's autobiography, Audition, Jones told US Magazine: "It is a sad day when an icon like Barbara Walters, in the sunset of her life, is reduced to publicly branding herself as an adulterer, humiliating an innocent family with accounts of her illicit affair and speaking negatively against me all for the sake of selling a book. It speaks to her true character." Walters did not respond.

On February 22, 2012, Jones returned to The View as a guest, and has made subsequent guest appearances since then.

truTV

On March 7, 2007, Jones announced that she would return to her original network, Court TV—now rebranded truTV—as its new executive editor of daytime programming, and that she would host an eponymous live weekday talk show based on the law and pop culture. Star Jones premiered on August 20, 2007, as a guest-driven live broadcast (with taped segments) covering recent stories from the worlds of pop culture, entertainment, crime, and justice.

Just six months later, her show was canceled, and it was announced that Jones was leaving truTV due to "changes in their programming selection." The final episode of Star Jones aired on February 1, 2008. Jones received the balance on her $24 million, three-year contract, and the network stated that Jones was eliminated from the channel's lineup because it deemed Jones "too serious" for its tabloid-focused coverage. However, according to The Washington Post, "[Jones's] show averaged 186,000 viewers and, by its final telecast, was down in the neighborhood of 85,000." In January 2011, the talk show was featured among "10 Notable Talk Show Failures" by CNBC.com.

Other appearances

From September 2004 to September 2005, Jones was a red-carpet host for the E! television network, conducting interviews at awards shows. E! declined to renew her contract after one year.

Jones has hosted or guest-hosted numerous cable programs, including the HGTV program House Hunters in New York City (which "scored the largest household ratings in the cable channel's history"), the Michael Eric Dyson radio show, Larry King Live (where she interviewed Beyoncé Knowles while King was on vacation), and The Bad Girls Club Season 2 reunion on the Oxygen Network.

In addition, she has made acting appearances on Law & Order: Special Victims Unit (where she played a former incarnation of herself—a Brooklyn prosecutor named Star Jones—in the eighth-season finale), and as a judge in Drop Dead Diva in August 2012.

She has also served as a legal analyst for The Insider and Dr. Phil, and often appears on The Wendy Williams Show.

On July 17, 2009, Jones appeared on a celebrity version of Are You Smarter than a 5th Grader?, during which she won $25,000 to benefit The East Harlem School at Exodus House, a New York City middle school for underserved populations.

Jones was also a contestant on the fourth season of The Celebrity Apprentice. She placed fifth on the show, eliminated after her brand messaging efforts in a TV commercial for OnStar were not well received by the OnStar executives.

Books

Jones is the author of You Have to Stand for Something, or You'll Fall for Anything, a collection of autobiographical essays published in 1998. Her second book, Shine: A Physical, Emotional, and Spiritual Journey to Finding Love (2006), detailed changes she made to reshape her life, including her marriage and dramatic weight loss. She released a third book in March 2011, Satan's Sisters, a roman à clef about a fictional television talk show featuring five women of clashing temperaments. A scripted television series based on Satan's Sisters, titled Daytime Divas, aired for one season on VH1 from June 5 to July 31, 2017. Jones served as an executive producer on the series, and guest-starred as herself in the July 24, 2017, episode.

Affiliations

Jones is the President of the National Association of Professional Women (NAPW). She created the organization's philanthropic endeavor, NAPW Foundation, to benefit the American Heart Association, of which Jones is also a National Volunteer; the Breast Cancer Research Foundation; Dress For Success and Girls, Inc. Jones also conducts regular visits to NAPW Local Chapters and hosts the organization’s annual National Networking Conference.

Jones is also the president of Professional Diversity Network (NASDAQ: IPDN). She is also a member of its board of directors, becoming the youngest of a small circle of African-American women in the US leading a public company.

Personal life

Jones underwent gastric bypass surgery in 2003. She lost 160 pounds as a result of the procedure.

Jones married investment banker Al Reynolds on November 13, 2004. Reynolds proposed to Jones during the 2004 NBA All-Star Game. Amid much publicity, the wedding was held at Saint Bartholomew's Church in New York City in front of five hundred guests and featured three matrons of honor, twelve bridesmaids, two junior bridesmaids, three best men, twelve groomsmen, three junior groomsmen, six footmen, four ring bearers, and four flower girls. More than thirty corporate "sponsors" donated wedding attire and merchandise for the event in exchange for mentions in the media and on Jones's website. After the wedding, Jones began using the name "Star Jones Reynolds" professionally, but reverted to "Star Jones" in 2007, telling Entertainment Weekly that she wanted to keep her public persona separate from her private self. On March 9, 2008, Jones and Reynolds announced they were divorcing.

On March 17, 2010, Jones underwent cardiac surgery related to a surgery she had three decades earlier for a thoracic tumor.

On October 24, 2017, Jones went public with her engagement to Ricardo Lugo, who recently worked in the Cook County State’s Attorney’s Office. Lugo was employed as an assistant state's attorney from April to August, according to a State’s Attorney’s Office spokesperson. He was one of 17 prosecutors laid off because of county budget issues.

Jones married Ricardo Lugo on a cruise ship in the Bahamas on Sunday, March 25, 2018.

#03/24

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theculturedmarxist · 6 years ago

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Directed by Anna Boden and Ryan Fleck; written by Boden, Fleck and Geneva Robertson-Dworet

The production and release of Captain Marvel, the new science fiction superhero adventure from Marvel and Disney, has a number of remarkable features, but none of them involve the film’s drama, action or characters.

Briefly, Captain Marvel, in convoluted fashion, follows US Air Force pilot Carol Danvers (Brie Larson) who absorbs an awesome energy source, making her potentially “one of the universe’s most powerful heroes ever known,” according to the film’s publicity.

However, six years later, she is suffering from amnesia, doesn’t know who or what she is and has become a member of the repressive Starforce Military under her mentor Yon-Rogg (Jude Law). The shapeshifting Skrulls, the apparent enemy, force Danvers to crash-land in the US in the mid-1990s. But all is not what it appears. Danvers discovers secrets about herself and about a “galactic war” between two alien races.

Not much of this is interesting, although it is noisy and “action-packed.” Captain Marvel, as a film, is predictable, empty and tedious. The more “sensitive” scenes on Earth, focusing on Danvers and her African American friend Maria Rambeau (Lashana Lynch) and daughter (Akira Akbar), are possibly the most contrived and least convincing.

The first genuinely noteworthy fact about the new film, not surprisingly, concerns money.

Disney, the film’s distributor, is the world’s largest media company, with some $100 billion in assets. With a market value of $152 billion, it ranks as the 53rd largest company of any kind in the world, just behind Total (oil and gas), Merck (pharmaceuticals), the Bank of China (one of the four leading state-owned commercial banks in China), Unilever, DowDuPont and BP.

Media reports place Captain Marvel’s combined net production and global marketing costs at $300 million. To date, the film’s global box office stands at $774 million.

Captain Marvel is truly “corporate entertainment”—i.e., the very process by which it came into being prevents it from being entertaining or enlightening in any meaningful fashion.

This type of large-scale, officially sponsored filmmaking, whose success is avidly promoted and tracked by the media and business publications in particular, inevitably intersects and overlaps with other aspects of American establishment culture. In the case of Captain Marvel, this means militarism and feminism specifically.

The US Air Force was involved in the production of Captain Marvel.

In fact, Task & Purpose reported that Marvel Studios launched the official start of production “with a photo of Larson, and Air Force Brig. Gen. Jeannie M. Leavitt, then-commander of the 57th Wing and the service’s first female fighter pilot, atop an F-15 at Nellis Air Force Base in Nevada.”

“To prepare for her role, Larson,” according to The Wrap, visited the Air Force base “to join simulated dogfights. The film’s red-carpet premiere included testimonials from Air Force men and women and a flyover by the Air Force’s Nellis-based Thunderbirds.”

Task & Purpose, a website that follows the American military, also cited the emailed comments of Todd Fleming, chief of the Community and Public Outreach Division at Secretary of the Air Force Public Affairs: “The Air Force partners on any number of entertainment projects to ensure the depiction of Airmen and the Air Force mission is accurate and authentic. Our partnership with ‘Capt Marvel’ [sic] helped ensure the character’s time in the Air Force and backstory was presented accurately. It also highlighted the importance of the Air Force to our national defense.”

“[Captain Marvel] is not part of a recruiting strategy but we would expect that audiences seeing a strong Air Force heroine, whose story is in line with the story of many of our Airmen, would be positively received,” Fleming said.

The issue of female recruitment is no small matter. American imperialism, recklessly gearing up for war against Russia, China and other rivals, needs vast new supplies of human fodder. Task & Purpose explains, “The spotlight on airmen [in Captain Marvel] comes at a time when the Air Force, like the other services, is hunting for the next generation of pilots. The Air Force, Navy, and Marine Corps are all short 25 percent of their pilot billets, according to a GAO [Government Accountability Office] report published this summer; the Air Force in particular has doled out cash incentives like candy in a vain effort to prevent pilots from defecting to the private sector. Indeed, the branch’s plan to increase its number of squadrons by 76 to Cold War levels will require an additional 40,000 personnel, further straining the service’s recruitment capabilities. At the Air Force Academy, female cadets are increasingly encouraged to vie for pilot spots to help bridge that gap.”

Larson, who has made all sorts of useless (or worse) comments about #MeToo, alleged sexual abuse and her own “social activism,” like most of affluent Hollywood, is entirely oblivious to the criminal role of the US military, the greatest source of terror and “abuse” on the planet by an order of magnitude of 100 times or more.

The female heroism in Captain Marvel, of course, has been greeted with plaudits. Entertainment Weekly noted excitedly that the film would “mark the first time a woman will be headlining her own solo superhero movie in the Marvel Cinematic Universe. It also marks the first time a woman will direct a superhero film for Marvel Studios: Anna Boden will co-direct with her Mississippi Grind partner Ryan Fleck.”

The hope is that Captain Marvel will do “for women” what Black Panther did “for African Americans”—which is, of course, nothing whatsoever, except for a small layer of prominent studio executives, writers, performers, etc.

This comment from Deadline is typical: “One film finance source believes that it’s pretty much certain that Captain Marvel will see $1 billion around the world and break the glass ceiling for female-led pics at the global B.O. [box office], dashing past Wonder Woman’s final global of $821.8M.”

As is this Vox headline: “Why Captain Marvel’s milestone status creates so much pressure for it to succeed—Why Captain Marvel represents more than just a superhero movie.” The article proposes to answer these important questions: “What does a woman superhero mean for Marvel Studios and the MCU [Marvel Cinematic Universe]? What are the takeaways from Captain Marvel’s already overwhelming box office success? What does the film have to say about feminism? What might have happened if it had flopped? And who gets to shape the conversation and narrative surrounding it?”

The final and perhaps most remarkable feature of Captain Marvel involves its writer-directors. (And, secondarily, its performers. What are Larson, Jude Law and the talented Australian actor Ben Mendelsohn, whose acting in The Land of Steady Habits we recently praised, doing in this rubbish?)

We have made the point previously on more than one occasion about the objective significance of the “long march” of numerous so-called independent or art filmmakers toward empty-headed, “blockbuster” movie-making. We noted the examples of Steven Soderbergh (Ocean’s Eleven, etc.), Alan Taylor (Terminator Genisys), the Russo brothers (the Captain America and Avengers franchises), Kenneth Branagh (Thor), Christopher Nolan (Batman Begins, etc.), John Singleton (a Fast and Furious installment), Lee Tamahori (Die Another Day, one of the James Bond fantasies), Marc Forster (another of the Bond films, Quantum of Solace), Sam Mendes (yet another Bond film, Skyfall) and Patty Jenkins (Wonder Woman).

To that list, one can add the more recent examples of Jon Watts (two Spider-Man films), Taika Waititi (Thor: Ragnarok), Ava DuVernay (A Wrinkle in Time) and Ryan Coogler (Black Panther).

In a number of these cases, the filmmakers had earlier indicated vaguely oppositional political views or a certain concern at least for the fate of broader layers of the population.

The lure of large amounts of money is obviously an issue. But perhaps the more pertinent question is: what are the social and ideological conditions that make writers, directors and performers susceptible to this “lure”? It is not inevitable. Artists, including in the US, have been known to repudiate such offers with contempt. Almost inevitably, however, such resistance has been rooted in political and social conceptions and opposition of a left-wing character, sustained by a confidence in the better instincts of the population and its willingness to struggle. Those conceptions and that confidence are sorely lacking today.

The directors of the dreadful Captain Marvel, Ryan Fleck and Anna Boden, should not be entirely unfamiliar to readers of the WSWS, although the context—big-budget Hollywood—may be unexpected. We have reviewed two of their films in the past, Half Nelson (2006) and Sugar (2008).

The Atlantic notes with surprise that Fleck and Boden “until now have worked in the realm of quiet, sensitive indie films.” More than simply “quiet” and “sensitive,” Half Nelson centers on an obviously left-wing high school teacher working at an inner-city school in Brooklyn.

A 2006 New York Times article about the making of Half Nelson is worth citing. The Fleck-Boden film, wrote Dennis Lim, “is a political allegory, a film about a would-be visionary who wants to change the world but can’t get his act together and is often his own worst enemy. It’s not a stretch to read it as a comment on the sorry state of the American left.”

“‘That was more or less conscious,’ the film’s director, Ryan Fleck, said of the political subtext.” Fleck and Boden “started writing Half Nelson … four years ago, as the Bush administration was preparing to invade Iraq and the antiwar movement was gaining momentum. ‘It felt like we were going to protests every other week,’ Mr. Fleck said recently. ‘But ultimately you don’t have the energy to do it all, and you feel like you’re doing very little. A big part of the frustration was the inability to make meaningful change.’

“The activist spirit comes naturally to Mr. Fleck, who was born to socialist parents on a commune in Berkeley, Calif. As a child he was taken to rallies and protests. As a teenager he read Noam Chomsky and Howard Zinn.”

In an interview with Slant magazine, Fleck, asked about religion, replied jokingly “I was raised communist.”

Fleck and Boden’s Sugar, about a Dominican baseball player playing in the minor leagues in the US, the WSWS commented, was “about immigration and acculturation, capitalism and exploitation, hospitality and loneliness.”

Now, a decade later, Captain Marvel.

The same 2006 Times article referred to above contained this passage:

“Mr. Fleck said he hoped that their future projects would remain, however obliquely, rooted in a sense of social justice. ‘Filmmaking is kind of a vain hobby when maybe we should all be taking to the streets,’ he said. ‘But it seems irresponsible not to be informed by politics in some way.’

“Ms. Boden’s idealism is more tempered. ‘I don’t have an inflated sense of what a movie can do,’ she said. ‘But you can at least try not to put something out there that you don’t believe in.’

“Mr. Fleck added: ‘That’s a rule we try to follow, to not put garbage in the world.’”

Unfortunately, they have now.

#captain marvel #brie larson #disney #marvel #marvel mcu #feminism #usaf #us military #war criminals #capitalism #class warfare #propaganda #bourgeois propaganda

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barrysmycarpets · 2 years ago

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doctorfix · 2 years ago

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Planning and Executing Commercial Fit Outs

When it comes to designing your new office, commercial fit outs can really help you save money. Not only will you be able to maximize the space you have, but you can also be sure that your employees will be more productive and your customers will enjoy the ambiance of your business's premises. In addition, a good fit out can help you portray a positive image of your company to the public. Therefore, it is crucial to budget a reasonable amount for the fit out.

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When planning a commercial fit-out, determine what reasons you'd like to make the change. Most effective fit-outs are based on analysis of how the office functions. Ask yourself how employees use the space. Find out what makes your office space a good place to work. If you ask them, they'll be happy to provide you with detailed feedback on temperature, colour palette, lighting, and other aspects. They'll also be glad to see some extra space!

In addition to the design and scope of work, make sure you hire a good fit-out company to help with the migration process. This way, the office will still look great once the fit-out is complete. Make sure you hire a company that can offer these services and is able to communicate the requirements of your business throughout the process. That way, your business will continue to run without interruptions. A company that is highly rated will be able to provide excellent fit-out services.

A good commercial fit-out should include both elements. Proper planning is critical to a successful commercial fit-out. Proper planning includes costing, detailed design, and construction. A brief should be created and agreed upon before the work can begin. It should also define the overall look and feel of the space and provide guidelines for the design process. The final handover of the space should go smoothly and on budget. For the most successful commercial fit-outs, a professional team can help you design and construct a space that will meet the needs of your business.

There are three primary types of office fit-outs. Cat B fits outs involve the construction of different rooms. Using finishes, artworks, and other details, it is possible to create a work of art while still making the space functional and attractive for the intended business. And of course, it is possible to add your brand to the space. The end result of a commercial fit-out is a space that reflects your brand and your business. If you're considering a commercial fit-out, make sure to talk to a professional today.

Office fit-outs and office renovations are often confused. Although they are related, they serve different purposes and require different procedures. Office fit-outs are aimed at transforming an empty space into an attractive, efficient workspace. It includes installing structural features like doors and walls. It may also include installing new lighting and heating systems. The latter involves updating the interior design of the space, while fit-outs focus more on the structural aspects.

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