#captain tommy vega
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renegadesstuff · 3 months ago
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SHE IS THE CUTEST 🥹
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pearsonspearson · 2 months ago
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I need Tim to write paramedic captains into the Los Angeles 911 and bring my baby to LA 😭🥹
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guardian-angle22 · 1 month ago
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911: Lone Star | Tommy Vega S2E10 -> S5E7
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kamisobsessed · 1 month ago
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I KNEW RANGER CAMPBELL COULDN'T BE TRUSTED THAT FUCKING PIG
TAKE HIM DOWN CARLOS
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lonestar-s5countdown · 5 months ago
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Thank you @guardian-angle22 for the character journey gifs
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batcavescolony · 1 year ago
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911 Lone Star S2 E13
AHHHHHHH WILL SOMEONE PLEASE CALL SOMEONE FOR TOMMY SHE NEEDS HELP.
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alchemistc · 1 month ago
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Part One
Part Two
They make it past the second six months.
It's agonizing. It's wonderful. Tommy wants to scream.
"Why are you calling it your six month anniversary?" Hen asks, with a quirked brow, eyeing them both from across the twelve-top they'd scooped up (and modified under the careful scrutiny of the curmudgeonly bartender Joe) early.
Tommy's glad his hand is under the table. The nervous habit of running a thumb along the underside of his empty ring finger would be the kind of thing Hen notices.
"You don't just get a Mulligan on the first six."
It's been a year and a half since Tommy met Evan Buckley. Over, actually, since Evan had just gone a little insane instead of taking a step back to examine his feelings, at the start. It always makes Tommy wonder exactly how much he'd examined those first days with Eddie. He's heard the story, clips of it, bits and pieces scattered between everyone Evan knows, and he wonders if Evan will ever come to the conclusion that he'd had virtually the same reaction to Eddie, back at the beginning. It's settled, now. They are firm in their friendship, and any attraction that might be there isn't simmering under the surface waiting to blindside Tommy. But he wonders sometimes if Evan won't just bolt up in bed ten years from now to shake Tommy awake and tell him he'd had a crush on Eddie.
Ten years?
Christ.
If Evan ever knew how many times the future popped into his mind like a jump scare, he'd -
They're far past the deadline for annulment. At this point they're at "split the assets before you go". Can't quite talk your way out of a committed relationship six months post-marriage.
Neither one of them has brought it up, and Tommy is getting great at pretending like it's not a scythe shifting closer and closer every time the pendulum swings past him.
Evan tosses a balled up napkin at Hen and sticks out his tongue, and before she can do more than scowl there are five more people flooding through the door behind them to shout congratulations and drop into their seats to gossip.
---
Hiding it becomes a moot point. He's had it in his head this whole time that if it were to get out, it would definitely be Evan's fault.
The universe does enjoy a twist
He'd gotten a jumbled text from Evan mid-flight, and a more coherent one from Eddie when his captain asked him to turn the bird around and land, and he's a bundle of nerves as he spills through the barely open doors of the elevator and spots the rest of the 118 looking concerned off in the corner of the waiting room.
Eddie catches him first. Spots the look on his face and makes a valiant attempt to explain, to soothe his worry, but there's a nurse rounding a corner and all Tommy has gotten to this point is <Buck's being transported to Good Samaritan. He's stable but you should come.>
He's kind of an ass about it. He'll regret it later when she narrows her eyes and reminds him visiting hours have ended. He'll shoot back with the same shit he's gearing himself up for in this moment and they'll reach a detente.
"Evan Buckley. Do you have any new information?"
She eyes the flight suit he hadn't bothered to take off before booking it to his truck. Tilts her gaze behind him, to the 118, and maybe that's what does it. The idea that they're any more family than he is. "We'll inform family immediately with any updates."
Tommy can see Eddie wince out of the corner of his eye, but all he's thinking about is the hundreds of moments Evan's smile has left him breathless, all the promises they'd made each other that night with the neon lights of Vegas spurring them on.
"Seeing as I'm his husband, I'd like a full update. Now."
He regrets it the moment the words are out of his mouth. Not just because he's being a complete fucking dickhead about it, either.
The pendulum gets its first taste of blood and swings away again.
---
Evan grins at him. He's bruised and bandaged and high as a kite, and he's so fucking beautiful it nearly takes Tommy out at the knees. Thankfully he's already sitting.
Perched on a chair close enough to the bed that he's annoyed an orderly, a doctor, and two nurses, hand curled over Evan's in the bed, he's just finished confessing he can't keep a secret for shit and Evan is smiling at him.
The rest of the 118 is still waiting outside. He'd let Maddie go first, so it's likely Evan already knew this tidbit, but it doesn't hurt to be honest. Or so he's learning.
"You love me," Evan sing-songs.
Tommy sucks his lips behind his teeth to hide his grin. Blows out a breath. "So you're not upset?"
He looks - momentarily shifty. "Uh - don't be mad."
Tommy quirks a brow.
"It's - okay so you know how we have to update all our medical information every year for the insurance?" Tommy nods. Licks his lips. "Um."
The next sentence is a garbled rush. Tommy gets 'power' and 'just in case' and nothing else. "Say again?"
"I... Uh. I updated my forms."
That paperwork was due about two months after the Vegas trip.
"To... Just in case I was incapacitated, I wanted to make sure..."
"Evan," Tommy presses.
"You have, uh. Power of attorney. And you're listed as next of kin with Maddie. Just. Just in case."
It should freak the hell out of him. It should make him question everything they've been doing, with the open honesty crap, for the last eight months.
"I want a divorce," Tommy says, and then grimaces. "Shit, that's not what I - ." And Evan's grin gets wider. Like he knows. Like he understands. Like everything they've been building and breaking and rebuilding for the last almost two years has actually made him an expert at interpreting Tommy when he doesn't have the right words in the right order.
"Gonna need that ring you've got hidden in your moms music box," Evan says, and then someone is rapping impatiently at the door Tommy shut behind him as he practically shoved past Maddie to get to him. "I get to propose this time." Tommy bites back a choked laugh while half the 118 spill into the room to whisper-yell at them both.
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virahaus · 8 months ago
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Another day, another time to debunk shitty takes I see online.
I've seen a multiple of people pointing out that "we don't know anything about Tommy" and how could people ship him with Buck (nevermind that the ship is canon and always will remain so) when we know so little about him?
First of all, I'd actually make a point to say that we as of now already know more about him then all the other LI that Buck or Eddie ever had in the show.
I shall make you a list, so that you may remember it more easily:
- He likes cars and he's a good mechanic (extrapolated by the fact that Eddie explicitly said that fixed/improved his engine)
- He likes playing basketball and he's also quite competitive ("we'll make short work of them" said in reference of Buck and Chim)
- He's sarcastic (the closet line)
- His favourite film is "Love, Actually"
- He loves Monster Truck and Craft Beer, and MMA
- He has a big scar on his chest and it came from a fire in a factory
- He's a very skilled pilot, able to manoeuvre in a hurrican, and doesn't waver in the face of danger
- He likes watching and practicing Muay Thai
- He was a pilot in the army
- He only came out when he started working in Harbor, but prefers not to publicise his sexuality
- He doesn't like Bella Swan (and it's implied he might like Jacob more) and he watched the Twilight movies
- He likes to drive his friends to events
- He has friends that can get him high up tickets for shows in Vegas
- He has permission to fly airplanes for personal reasons when he's not on the clock
- He likes to be helpful and he's thoughtful (driving Eddie to check out his sprain, going to Buck's to clear out the air without prompt, immediately agreeing in helping the 118 with the whole ship operation, trying to get Buck to be at ease on their date)
- He's loyal (he didn't rat the others out when the chief called on their way to Bobby)
- He's a smooth flirt
- He can do a mean mouth static (at least in his opinion)
- He pays the bill on first dates
- He is very much the definition of carpe diem (kissing buck was very much shooting his shot)
- He checks for consent
- He kept contact with Chim ever after he left the 118
- Chim called him for help in the episode Broken
- He went to the 217 and opened the spot for Buck at the 118
- He participated in the betting pool Hen made on how long Bobby would last at the 118 captain
- He apologises when he's in the wrong and is shown to be able to correct his behaviour
- He doesn't like chickens (lol)
- He likes the film fight club and can quote it
- Implies to have dated people he met on a call
See? We know quite a lot actually. So you may get off your high horse how about that.
I don't think I missed anything but do let me know.
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peppermintquartz · 5 months ago
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canon divergence if Tommy didn't show at the bachelor party or the hospital in time because the fire was still raging and by the time he could go, it was late and Buck was just about to leave the hospital. Tommy still gets kissed, goes to offer his congratulations, and Buck drives him back to his station to get cleaned up and drives him home after, because Tommy's been fighting a fire for way too long and is barely vertical
So in this scenario only Eddie, Maddie and Chimney know for sure, and Chimney's still recuperating so he's not at the station.
--
"Flowers for a Mr Buckley," the delivery man calls out into the firehouse.
Several people look up. Many look curious. The delivery man waits. After a minute, Buck hurtles down from the kitchen and signs for the bouquet. It's not a ridiculously big bouquet but it's full of oranges and yellows and reds, geraniums and chrysanthemums and roses, even, wrapped in pale pink and snow white paper. There's a card that he sticks into his pocket but there's no hiding the smile on his face. He practically floats upstairs again with the bouquet, no doubt to put it in water.
Ravi nudges Eddie with his elbow. "What's with the flowers?"
Eddie raises his eyebrows. "How would I know? I didn't send him those." But there's a smug look on his face that says that he does know.
"No? But aren't you-" Ravi begins to say, when the alarm goes off, and everyone runs to do what they're supposed to.
By the time they're done extricating a handful of people from two buses that crashed into each other, Ravi forgets all about the bouquet.
-
The next shift has a delivery of chocolate muffins and a dozen donuts, and again it's for Buck. Except this time, instead of glowing happily, Buck rolls his eyes and his cheeks turn pink.
Ravi sidles up to Hen. "Do you know who this is from?"
"No clue." Hen snaps her fingers at Buck, who's engrossed with typing a message on his phone. "Buck, who are these from? They're safe to eat?"
"Yeah, yes they are," says Buck, distracted, as he snags a jelly and walks away.
Ravi isn't above baked deliciousness. The muffins are awesome.
-
Buck shows up for a shift after a 72 with a slight limp. No one says anything about it. Chimney's back and everyone is happy to see him around, and while there are a few gaps in his memory, he's pretty much back to normal.
And Cap gave them news about receiving medals for their daring rescue. Ravi is so proud of them, even though he knows he would never have the guts to do that based on a hunch. Probably not.
Buck winces as he sits like he's pulled a muscle, but he has been limping for most of the day anyway - not that Ravi stares a lot at Buck, they just had several tasks to do together today - and Ravi doesn't like to see his people feeling poorly.
Discreetly, Ravi hands him an ice pack when no one else is looking. "For your aches and pains," Ravi says, a little embarrassed. He's not part of them, he knows. He's gonna find his own people, eventually. But that doesn't mean he can't show care for someone who's one of his mentors.
Buck looks... touched? Shy? He smiles at Ravi and thanks him, then slides the ice pack over the base of his spine.
Ah, that explains a lot. Maybe he slid off some steps and hurt his tail bone.
-
Ravi doesn't expect to meet the Tommy at the firehouse a week before the medal ceremony. He's heard from Buck and Eddie and Chimney and Hen how cool Tommy is, and of course he remembers hearing Tommy fly Eddie out to Vegas to watch a fight.
What he really doesn't expect to see is Buck jogging out of the station, throwing his arms around Tommy, and kissing him. With tongue.
Ravi's eyes grow big and round. He's not the only one staring - Hen and Cap are both gawping. Chimney and Eddie are grinning and elbowing each other.
Captain clears his throat. Buck reluctantly pulls away from Tommy and says, in the dopiest tone Ravi has ever heard from him, "Hey."
"Hey," says Tommy, not letting Buck go. Then he smiles, big and bright, at the rest of the 118. "Hi guys. Mind if I steal him away five minutes before the end of shift?"
That smile, though. Ravi gets it now. Heck, he'd ask Tommy out if he were single.
Captain grins. "Only if you promise to bring him back."
Tommy releases Buck and slaps his ass. "Go get your stuff. If we hustle, we can have a leisurely dinner before karaoke trivia."
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glorious-spoon · 9 months ago
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to loosen his grip [9-1-1 | Buck/Eddie]
~1k words | eddie & tommy; pre-relationship eddie/buck
spec fic for 7x04
-
The thing is, Eddie's not stupid.
Eddie's not stupid, and Buck's about as subtle as a brick to the face on a good day. He can't help it. Everything he's feeling comes spilling out of him; keeping it inside seems as impossible for him as holding the tide back with a leaky sieve. It's not something Eddie relates to that much, honestly. If anything, he's got the opposite problem. He crushes everything he's feeling into a tight little knot and holds onto it with white knuckles until he can't hold on anymore. It lost him Shannon—would have lost him Shannon even if she'd lived—and it nearly lost him both his job and his sanity in the end. He's still learning how to loosen his grip.
Buck still needs to learn how to get a grip, like, at all.
So yeah, Eddie knows. Not right away; he doesn't really think anything of it when he picks Tommy up from the hanger and Buck is there. In the truck, he watches Buck's receding figure in the rearview mirror for a moment before Tommy says, "Not trying to poach Evan from the 118, I promise."
He's laughing about it a little bit. Eddie scoffs and says, "Buck? You'd have to pry him out of that house before he'd go anywhere else."
He doesn't mention the lawsuit. That's water long under the bridge now, and it's not a time in his life he likes to think back on that much. But he knows it's true; Buck can say whatever he wants about keeping his options fluid, but when he finds people and a place he wants to keep, he hangs onto them.
Tommy is good company, anyway. It's something he's missed, since the Army: the easy camaraderie over beers, sitting in a shouting crowd in Vegas, shooting the shit in a bar afterward. Tommy's got a lift, and he brings his abuelo's Chevelle over, and it's an easy slide from that into a half-casual bout of muay thai, and Eddie has missed that, too: sparring just for fun, just for the hell of it, not for the money or because his demons were going to claw themselves out of his chest with bloody nails otherwise.
"See you've caught some lead," Tommy observes once they're done, bruised and a little breathless, shirtless on the bench in his garage. Eddie caps his Gatorade and glances up, and for a second he doesn't even know what Tommy is talking about until he nods at Eddie's right shoulder and asks, "That from overseas?"
Eddie touches the bullet scar, a long-healed dimple by now. It's not that noticeable anymore, at least from the front. The surgical scars from his thoracotomy are still more obvious, but even they've faded.
"Oh, no," he says. "I mean, yeah, I did, but this one was right here in L.A."
"Right, the sniper," Tommy agrees. "Shit. I remember seeing that Captain Nash caught a bullet. Didn't realize you were the other one from his house that got shot."
"Yeah, well." Eddie shrugs, uncapping his Gatorade again. "It was a long time ago."
He likes that, too. Talking about it with someone who never saw the bullet hole, only the scar. Talking about it with someone who's never had his blood in his mouth, who never knelt above him in a speeding truck and begged him to hang on.
He lied to Buck about it, because Buck's so close to it that he might as well have been shot too. It's easier like this, because Tommy isn't wounded by the memory; Tommy shrugs and asks if he wants to grab a pizza after this, and Eddie slings a towel over his shoulder and lets Tommy pull him to his feet, and they have pizza and a couple more beers, and it's easy. He's missed easy. He thinks he deserves to have something easy, for a change.
-
"I mean, I think it's great," Buck says, apropos of pretty much exactly nothing a couple of days later. "You can never have too many friends, you know?"
He's vibrating with that exact same anxious energy that Eddie remembers from his first day at the 118, when Buck seemed one wrong move away from pissing on the exercise equipment or maybe shoving him down the stairs. It awakens some puckish little part of Eddie that can't help but needle him. You're standing in the wrong light, man, as if he's ever in his life had an opinion about photography lighting, but it got Buck to bristle and snap like a wounded dog, all electric fury, and Eddie liked that, too, for reasons that he understands better now than he did back then.
So he shrugs, and he says lightly, "You know, it's like that thing when you meet somebody and you just click. You know what I mean?"
It's a jab, and not a very subtle one. He still remembers standing in the sunlight and listening to Buck tell him that Natalia saw him, after Eddie watched him hang there in the rain and felt his chest unmoving beneath his palms and sat through those endless hours in the fucking hospital waiting for him to wake up. After Eddie brought him home, and listened to his quiet confession in his kitchen, and tried as well as he knew how to hold Buck's still-beating heart gently.
But sure. Natalia saw him. For all of four months, apparently.
He thinks he wants Buck to flinch and snap back, just a little. It's not the place for it—they're in the middle of a goddamn call—but he's stupid about Buck. Always has been.
Buck doesn't flinch. He sags instead, his mouth downturned, and he mutters, "Yeah. Yeah, I really do."
And it's something they should talk about, maybe, but then Ravi calls up for more slack, and there are other things to focus on for the time being.
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stagefoureddiediaz · 9 months ago
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Costume Meta 7x04
How we all doing?? have we managed to find some semblance of equilibrium in this new world where we have canon bi buck?? I’m not sure I’ll ever know how to exist in this world but that’s fine with me! I’m still here writing my silly costume metas and having a blast in this bright new world!
No Hen this week as we never see her out of uniform!
The rest is below the cut because you would all hate me if i clogged your feeds with this beast (shes 7k)- you have been warned!!
Actually going to start this week with a uniform out of work section!
Because three times in this episode, we had one of the firefam wearing an element of their uniform out of work and its actually pretty key!
We have Bobby in his LAFD polo when he informs Athena that Harry is wanted for assault and he fled the state.
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Then we have Chim at the basketball game in his LAFD hoodie
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And finally Buck at the airfield on his tour with Tommy.
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All three are playing into the idea of protecting ones self by being in an official capacity in some way. Firefighters (like all first responders) are of course there to 'protect and serve' the community.
Bobby delivers the news to Athena about Harry - he's in uniform because he can inhabit a small aspect of his captain mentality - makes it easier to deliver the news and also gives him the distance to play the 'don't shoot the messenger' card if necessary.
Chimney has to step into paramedic mode at the end of the scene. The LAFD hoodie separates him from everyone else at the court and foreshadows that he will have to 'go to work' its also about chimney being there as the colleague not the almost brother in-law of Buck. An important distinction - it protects Chim from being seen to favour anyone (specifically from Buck. (Buck is angry and not being rational so Chimney has protection from Bucks potential anger for helping Eddie - Buck is already feeling awful by that point so the protection isn't needed but it provides cover if it were) and allows him to go into first responder mode. (this is so badly worded but I'm sure you get what I mean!!)
Buck is at the airfield under the guise of wanting to find out more about becoming an air support firefighter - its the cover under which he is operating to try and befriend Tommy. The jacket also provides him protection from Eddie when he shows up and finds out Buck is not coming to Vegas with him and Tommy.
Bobby
Just the one costume for Bobby this week - a maroon tee that her's wearing to sleep in. we see him in this colour a lot - its a bit of a staple colour for him and I've spoken a lot about maroon tees and shirts representing parental roles in relation to the various children of the 118. Its no different here -we can see from Bobbys face he isn't buying what Harry is saying and the parental concern we see evidenced here plays out with him calling Michael and finding out what is really going on.
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Athena
Athena wears a lot of black this week, which is fairly typical from her, although we are in a much more overall muted palette than usual and its missing the jewel tones we're used to seeing her increasingly wear. its a bit of a signal of returning to normality now they're back from the cruise disaster.
She starts off in black and pink pyjamas but I'm going to talk about those at the end in the pink section so we're skipping ahead to this ruffle smocked cream blouse and her gorgons head necklace is back. the ruffling is an nod to her feathers being ruffled when Bobby tells her about Harry and his arrest warrant, and the white with the black trousers is about things being black and white - for Athena as a cop things do tend to be black and white when it comes to the law - of course Athena has always been one to work within the law to bend the rules but in this moment things are black and white.
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Then we have her all in black with a red longline cardigan which has a open weave that give the appearance of mesh or a cage. The show has been using Red since day one which makes sense as it is a first responder show and you literally cannot escape it when the fire trucks are red! But they have always been pretty careful about when they use bright red in the costuming meaning its appearance with such regularity this season so far is pretty telling. Its an advance warning of incoming danger/trouble/strife, but it is rarely worn by the one who is directly in danger - they will be involved, but not the centre of it. The best example of this is Bucks bright red broadcloth shirt when Christopher calls him because Eddie is smashing up his bedroom.
Here we have it on Athena in the scene when things are about to properly kick into action with Harrys story. Athena is literally a red net about to ensnare Harry. its the one time in this episode we see Athena in a bold bright colour - something that generally is attached to her being happy or having fun, but not here.
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The denim sleeveless shirt/jacket when Athena goes to the hospital to visit the lady who shot her son (does she have a name - I cant remember!) and later to talk to Harry about the reality of his altercation, is quite bulky and blocky. It's far less fitted, structured or flowy that we are used to seeing on Athena. To me this is about playing into her struggles to tread the line between mother and cop - that neither role fits right. That denim is also a fabric associated with labour, it suggests Athena is working hard to figure it out.
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Then we get this all black outfit when she takes Harry to the station - it is such a simple yet effective bit of costuming, especially with the silver zips and buckles- it blends her in with the police officers in the station so she can hover the line between mom and cop - and makes it look like an arresting officer bringing in a suspect.
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Harry
New Harry comes with a new style!!
I actually can't wait to see how they dress him over the rest of the season because there was a definite colour theme at play here this week with all the beiges, greens and redish browns which is very not how younger Harry dressed (he was much more bright colours).
Not going to lie - my hatred for the copaganda and the fact I've been in Bi Buck land since the episode aired has made it hard to focus on Harrys outfits in greater detail, but I do have a few thoughts!
This first shirt is a map print, maps denote journey's andHarry is on a literal and metophorical journey - the literal being the one he made form Florida to LA. The metaphorical one is all about his journey to become a man, and learning to take responsibility for his actions, so this shirt is essentially setting out his arc for the season - Makes me feel like the storylines with harry we're going to see are going to be about the community service he has to undertake and him figuring things out and growing up a bit in relation to that.
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Then next up we have this cream hoodie with an brownish beige pocket. the thing I found interesting about this choice was the fact that Harry played himself off as innocent. lawyers usually instruct their clients to wear white shirts to court, and to avoid loud patterns. The white is because i suggests purity or innocence, and the loud patterns should be avoided because it suggests you're trying to employ subterfuge (that you're lying). So Harry wearing a block of cream is a play on this idea. We see him in the map shirt before - when he is employing subterfuge about his reasons for visiting, and now this cream is him trying to suggest his innocence to his mother - the use of cream rather than white is telling us that he isn't as innocent as he is making out!
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Finally we have check theory (my most beloved) in play. harry returns to wearing patterns - this one check and in greens and browns. there is an element of military to the green shades, its a coloour we've seen used on Eddie to show his military background, but it is also a colour frequently worn by Athena - usually when she is fighting for her family in some way. Here it feels like a refelction of that, with the added aspect of green being a colour of growth. Harry shows contrition and is willing to take his punishement, showing his growth, but also showing his understanding of fighting for his family - and Athenas willingness to do the same. its showing us tht he is his mothers son. And of course the check is the pointer towards the fact he is in trouble - that his earlier protestations of innocence were false!
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Then we move on the he Buckley-Hans
Chimney
Only the one for Chimney this week, it's a very short scene where he is completely oblivious to the tone of the conversation. He's dressed completely in greys and is by all accounts neutrally costumed. this is intentional - he's not the focus of this scene and when we think that so much of this episode is shown from Bucks pov, the use of neutral grey makes sense - Buck is projecting on to chimney in this scene. Buck himself is speaking his jealousy and fear, while what Chimney says is actually the little voice inside his head that isn't in fact jealous of Tommy, but is impressed by him
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Maddie
Again only two costumes for Maddie this week and one of them is her dispatch outfit, but I'm including it because of its place with a mini colour theme for this episode, which both of her outfits play into.
I spoke about the use of red in Athenas section and its representing danger, and it is in play for both of Maddie's outfits, the wearer changes though. In the first scene, Maddie is in blue - dark blue. a tee with 'The Great School' and bobcat logo on the front. I love this, the bobcat is a symbol of inner strength and resilience in the face of adversity, while Maddie is a great source of learning for Buck - he essentially raised him and has been a sounding board for him since she returned to his life. Maddie is the next level wise older sister, her point of view is important to Buck and is grounding for him. She had got him to back down from his spiral over Eddie and Chris, until Chimney came in (and like I said above, that was Bucks inner voice, not really Chimney)
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Then we have her dispatch uniform and its red. This is a clever play actually, it allows the costume team to put Maddie into red, a colour we don't really see on her outside of work (a deliberate choice as it helps distinguish work from non work to the audience). Just like Buck was the angry one in the other Buckley siblings scene, her Maddie is the one who is angry (with good reason) and we again get Buck recieving education at he hands of Maddie - in her place of work where she is a lifeline to people and where she holds authority. Buck needed her in a lifeline capacity in this moment and he got it, despite her anger. She gave him the advice and help he needed.
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Eddie
Eddie my man looking suave and confident - this Eddie is Bucks version of Eddie so of course he looks cool, well dressed and in a green and black combo. In nearly every scene where Eddie nad Buck have a deep meaningful conversation - one that gets through to Buck on a higher level - that works on Bucks abandonment complex, Eddie is dressed in a black shirt and khaki green trousers (the only exception is the will reveal when he's in navy blue but that is to play in the yellow blue colour theming and its a close to black as they could have a blue!), this outfit is an inverse though, which is actually really clever. Eddie (Bucks version) here is playing into Bucks fear of abandonment - Bucks version of Eddie has spent so long building him up and chipping away at that fear that to invert that colour theme and have green on top and black trousers is a fun way of inverting that chipping away at Bucks fear - this is putting another brick in that abandonment wall
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The black tank top!! Its back and everybody cheered! Ok so I wrote this meta about when the show puts Eddie into a black tank top and how it means he's in an emotionally vulnerable place and once more, the theory plays out. Obviously Eddie gets physically injured, but his face when he looks at Buck after he's gone down shows him emotionally vulnerable. Yes there is a little bit of anger and a lot of pain in the look he gives him, but there is also understanding and a little guilt too.
It's the moment Eddie realises that he has unintentionally sidelined his best friend, and the effect that has had on Buck and his abandonment issues. This is Eddie showing his truly deep understanding of Buck and how Buck ticks (and because this is also from Bucks pov, its also showing us Buck understanding that Eddie understands how Buck ticks) we get all of this proven when Tommy comes over to Bucks later and clearly states that Eddie is feeling bad about the whole situation.
It is also worth noting that When Buck has seen Eddie at the gym or being sporty in some way Eddie has either been in uniform or in a black singlet and that he always looks super competent (even if he is working through things when he is in the black singlet). From my perspective, this is an interesting choice to play into because it suggests Buck recognises Eddies emotional maturity over him, even when he's not in a great place (we can discount fight club Eddie becasue Buck didn't actually see him there), its clearly something Buck admires and places as central to how he sees Eddie.
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Tommy
Tommys costuming is chefs kiss perfection to me. The wardrobe department have literally dressed him as Eddie and I am living for it.
Its a way to emphasise that Tommy and Eddie are super similar. this serves two purposes - it builds a visual connection for the audience - we don't need to be shown Tommy in the army or fighting/ training in Muay Thai etc, we can mentally make a connection to the ones we've seen of Eddies in the past and accept the information as fact. obviously not all people who join the army or undertake MMA are going to dress the same, but this is television where visual information is valuable real estate, so playing into tropes and stereotypes is a key piece of arsenal.
The other thing about it is the specific Eddies its calling back to - fight club Eddie and to a lesser extent, post breakdown Eddie when he's back in therapy and unrepressing himself.
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Tommys basketball outfit is really about making him stand out from everyone else - it makes him seem to appear more because the blue shorts and the light coloured top will catch your eye, even if he's not the focus of the camera at that moment. This is all about the fact that this is Bucks perspective on things - he is seeing Tommy everywhere and feeling like he's taking over/ taking away Eddie and so we the audience feel that same thing in a visual way. The thing the blue shorts do is visually connect Tommy to buck in the next scene we see Buck in - when he is talking to Maddie at dispatch - the blues are similar enough for us to subconsciously connect back to that scene and link Buck and Tommy together rather than Buck to Eddie - who Buck is dressed more similarly too in the basketball scene.
It doesn't hurt that the blue shorts also play into yellow blue theory - especially against the sunsets yellow hues in a scene that is playing homage to a famously queer coded scene from Top gun.
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Then there is this outfit from Bucks loft. again is very similar to an Eddie outfit - its the same style of shirt we often see Eddie wearing especially in seasons 4 and 5.
Tommys jeans have always been reminiscent of Eddies Jeans (I mean I know they are jeans, but I promise the significance will become clear when I get to Buck!)
Even Tommys watch is similar to Eddies Christopher watch (every other watch in the show worn by the men is all black - black strap black face and mount only the Christopher watch is different) in that it has a different coloured strap to the watch face and its mount.
The other thing I want to mention quick, is the progression of Tommys costumes in relation to them being similar to Eddies. By this I mean the first non uniform costume we see Tommy in is very stage 2 Eddie, while the one below is very much more stage 3 Eddie.
I also really like the use of a purple/red/black shot tee for this scene as well. If you watch the scene through, the way its lit changes its colour as different sections of the scene unfold. The red tones are there early on, during the apology and conversation around Eddie being allowed to have more than one friend and Christophers adoration of Buck. it gives it that air of danger lurking, because Tommy isn't sure how things are going to play out. and plays into the red/blue theme we saw with Buck and Maddie in this episode - just on a much lower level.
Then it turns this purplish shade as we move into the initial stages of flirting - from the moment Buck moves around the counter to put himself in the same space as Tommy. It gives things an air of mystery, but purple can also be a colour of enlightenment - both elements are in play here and I love they were able to do this with this shirt.
The shirt turns black at the moment Tommy says 'my attention' - the moment he essentially hold all the cards on making a move - he is the one with the power here (as the already queer person in the room) and black is a power colour, so its the perfect choice for the moment he makes his move.
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Buck
Buck my beloved bi disaster. His costumes were doing some pretty impressive storytelling this episode!
We start off at the air field - I spoke at the start about this LAFD jacket and the theme of protection, but I also have other things to say about it and the rest of the costume. We don't generally see Buck out of work wearing uniform (we actually don't see many of the firefam in uniform out of work tbh) so when we do its going to have meaning. T
he thing with the bomber jacket being the choice (they could've made it a hoodie which we've seen him wear out of work more!) is that on one level plays into its name and the fact that its being worn at an airfield, while on another level it low key plays into the Buck cheating arc. which is actually fun - the idea that he's 'cheating' on the 118 by claiming he's thinking about his career options and also cheating on Eddie by trying to befriend Tommy (because at this point that is all it is its only once Eddie appears that things change).
The trousers are also important. I know I've said before about how trousers are less important than tops because they are less likely to get screen time. We not here - here they are really important, but only with the context of the rest of the episode.
These are the short in the leg dark trousers we've come to know and love on Buck - he's been solidly wearing them since season 2 and what we have seen him wearing so far in season 7 so no surprises to see them here. But this is the last time we see them and its super important and telling.
We also have Bucks white trainers - the ones that he wears when he moves forward on his journey - we see him in them the entire time this episode.
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Buck and Maddie this episode have a red v blue thing going on in their scenes together. In this one Buck is in red and Maddie in blue. I spoke about the red for danger theme they seem to be using this season for the red clothes above in Athenas section and it applies here - Buck in red is foreshadowing the danger/strife that the basketball game presents as that is what he is talking about and what he is most upset about over Tommy and Eddies friendship.
It's a slightly burnt out red in comparison to Bobbys red shirt from the cruise, Athenas red cardigan, or even the red he wore when Eddie had his breakdown. Its not a full high alert colour, its a more muted and restrained colour - suggesting the danger is going to be less of a big thing, that it's just a part of it rather than the main big thing
We can also see that Buck is now wearing more traditional stonewash jeans - this is the first time we're seeing them on him since Eddies arrival at the fire house. I'll explain them in more detail in Bucks last outfit of the episode, but I needed to point their presence out here.
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Basketball Buck in his white shirt and dark blue marl cut off tee - its very Buck posturing at the firehouse gym and its meant to be. Its a direct reference to the last time Buck showed any jealousy towards Eddie. The shorts are different this time in that they're white/light grey rather than black, but I think this is done for two reasons - it creates a pairing with Eddie - they are dressed similarly with dark tops and lighter grey shorts, but on opposite teams/sides.
It also makes him stand out from everyone else at the game - excepting Tommy (and a random guy in a red top with white shorts that I'm living for. When Red = foreshadowing as I've talked about above, this guys actions on the court are precursors of what is about to happen - we see him bump into Tommy - a couple of moments later and Buck does the same thing, then just before Eddie gets taken out by Buck, he gets breezed past by Eddie stumbles and starts limping. Its fun and clever and not something many people will pick up on - its a bit like the role of the bullet in Hamilton!)
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Bucks bright blue chunky corduroy shirt with white tee underneath. I already spoke about the visual connection between Tommy from the basketball game and this shirt. It also fits into the red and blue theme I spoke about above - this time Buck is the one in blue and with the combination of Buck in his danger incoming white shirt and Maddie being in red it signals exactly what this scene is going to be about.
The danger, in my opinion, is Maddies wrath at Buck getting physical with Eddie. Its a perfectly valid and important response from her and plays into the growth we get from Buck in this episode that is not connected to his bi awakening - the recognition and acceptance of his bad behaviour in a far more mature way than we saw from s3 Buck.
The chunky corduroy give the shirt vertical stripes and we all know how I feel about Buck and vertical stripes at this point - I wrote about them a lot in my seasons 5 and 6 metas and the blue and white nature of bucks outfit plays into the theming that was at play in early season 6 - where Buck was free from Taylor and resisting buying a couch because he was looking for the right couch etc. (and playing house husband to Eddie nad feeding them!!!)
Here in this episode we kind of have Buck going through a similar process - free from the shackles of death and trying to figure things out - who he is and what he wants, he's still on that hamster wheel in many ways at this point in the episode but he is about to jump off it.
This is the key to happiness and Lev's advice and the year of yes scene 2.0 - the same shade of blue are at play here. Lev figuring it out ('I get it now') just as he's dying and Buck then trying to figure out what Lev had figured out and essentially failing before he died only to now get it and free himself is a blue thread we've been following through season 6 up to bucks death, then the use of this shade of blue in Bucks costumes tailed off - we saw it reappear a couple of times after the lightening strike - specifically around Natalia and his continues flirtation with death - almost like his hovering around death was him trying to grasp what Lev had figured out.
Then the blue had been gone again only for it to reappear here in this episode in a scene that precedes Bucks bi awakening and his comments about being free and 'yeah that works' with their double meanings that play in the same way as lev's 'I think i get it now' just without death coming immediately after. It's a scene when he starts to get an inkling on what his jealousy is actually about. (The fact we know he's going to be back in this bright blue in the next episode in a scene with Eddie - that is very likely a coming out scene also plays into this idea.)
And the stone wash jeans are once more there for all to see!
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Then we get this dark navy blue shirt with silvery white dots and yet again those stone wash jeans.
Ok lets talk about the jeans! The fact that we haven't seen Buck wearing stone wash jeans, which if you watch the opening couple of seconds of the dispatch scene, you will see are proper normal length on him and not ankle swingers like we've got used to seeing him in for the last few seasons!
The thing with him suddenly wearing these stonewash jeans is all about imitation - imitation of Tommy (and by extension, imitation of Eddie even though we don't see Eddie in stonewash denim in this episode) because you know that old adage of dressing like the person you want to be , or the idea that you subconsciously start dressing like the person you have a crush one?? Well yeah - Buck has all these new feelings that he doesn't know what to do with, but Tommy is cool and Tommy dresses like Eddie and Eddie seems to like Tommy better than Buck now so maybe if Buck starts dressing a bit like Tommy he'lI get Eddies attention back. So he's pulled out the stone wash jeans so that he's dressed a bit more like Tommy, but he's also dressing a bit like his crush that he doesn't yet realise is a crush.
The other small thing that I think is a nice nod - So Like I said earlier, the last time we see the jeans is in 2x01 - Eddies introduction to the firehouse. This is the moment (on screen at least for us as viewers) that Buck ceases to be the probie - that baton is passed to Eddie, so its almost like a symbol of him graduating and maturing in some way. then we get the jeans back for Bucks bi awakening - we see them the entire time he's navigating all these new feelings he has - he's never been with a man, so he's like a probie again.
The thing is, that the jeans appear to be gone for his date with Tommy (makes sense - he's on a date so he's got to look good for his man!) , and from what I can tell from the (super dark even when brightened) stills from the Buck Eddie loft scene, it would appear they are gone for that scene too. We've had bts of Oliver in the jeans again, so I don't think they're gone completely, but that makes sense, he's still a baby queer after all, still navigating his way through things.
On to the shirt! I wrote a whole meta about this shirt (and the jeans actually!) when we first got this still - you can read it here and I'm still a little awestruck at how close to the mark I got!
What I want to add to what I said, now I have context is that the two previous times we've seen blue shirts with dots are played upon in this scene - the lawsuit is the obvious one and the parallel is showing Bucks growth - he got jealous and worried about being replaced and ended up lashing out and suing everyone, now he got jealous and thought he was being replaced, but as soon as he lashes out, he realises he is in the wrong and verbally acknowledges it.
The diner with Maddie scene is a bit more tricky to parse out, but for me, it ties to Doug - Maddie is quick to call Buck out when he confesses to Eddies injury not being an accident, because of her experiences at the hands of Doug. In the diner scene she is determined to go back to her apartment and her life in the aftermath of killing him - she wants life to go back to normal. In the loft scene Buck is trying to achieve that end too - he's in a new world where Tommy exists as part of his life now (as Eddies friend initially) and he wants to clear the air and move forward - so he's still a part of Eddies life.
I also want to talk about the contrast between this scene and the one where Taylor turns up at his door after the shooting and the difference between being chased and doing the chasing. Its spots v stripes!
Buck is in a similar shirt - short sleeved button up in a dark shade (black) - this one with vertical stripes for the Taylor scene and he thinks he's being chased for the first (ish) time (Abby sort of chased him but he is the one who pushed for it to be a relationship when I think she just wanted a bit of fun and a hook up! so I'm not sure if it actually counts or not). Thing is Taylor only chases him after they've already kissed and when he's then made it clear thats what needs to happen. (as an aside - Natalia does pursue Buck - not romantically, but because he has died - and she is the one wearing vertical stripes
While in this scene he doesn't have to say anything, yes he flirts, but he isn't explicit about what hewants - Tommy is the one who makes the decision to go for it, and so when he genuinely gets pursued, he is wearing dots
Chased verse's doing the chasing - dots v stripes
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Then we have the Pink.
Pink is back in full force in 7x04 with it popping up regularly throughout the episode.
I didn't include Athenas pink dressing gown or Bucks pink shorts in their sections because I actually wanted to talk about them here. The context the scenes they were in gave me the information I needed to figure out what I think the purpose of all the pink we've been seeing is.
Lets start with a quick recap of all the pink from the 3 previous episodes then we'll look at the pink from this episode as well as the fact I've already spotted some for 7x05 from the trailer
7x01
Athena's pale pink top in therapy with Frank
Sue at dispatch in a pink cardigan
Christophers pencil is pink when he's sat at his desk - when he reads the letter from Shannon
Marisol in her bright pink strappy top
Lola's Manzanillo outfit is bright pink and white
Norman has pink flowers on his Hawaiian shirt and he later wears a bright pink polo shirt when he's pretending Lola is still with him.
7x02
the woman who is teaching her daughter to drive
the pink roses on Hen's jacket (which I know I said play into the theme of family bonds etc but the pink has a second meaning)
7x03
The cruise ship family nearly all wear pink at various points (grandma and mom are the exceptions)
and now 7x04
We have Ashley C in hot pink at the Bachelor mansion
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Athena in her dusty pink ddressing gown (and pyjama pants
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The woman who shot her son is in pink
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And then there are Bucks pink shorts!
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All of these scenes with the pink are scenes about either naivety and or innocence
The pink on Athena is about her being naive about her relationship with Bobby - not recognising that she is nothing to fear about them spending time together.
Sues pink cardigan. Sue's line is about the civilians at risk from the fighter jet - she is representing their innocence
Christophers pink pencil - in that scene his behaviour might be naive (he's a child so of course it is) but it comes from a place of complicated feelings as he does begin to mature - he was the innocent party in the loss of Shannon and he is the one left to suffer.
Lola is naive on the ship about having an affair and thinking she could get away with it and that it wouldn't hurt Norman. She’s also innocent in the plot regarding the bitcoin (or whatever it was)
Norman is also both naive and innocent - not recognising the fact his wife is cheating, for selling up their entire life and he is innocent in the bitcoin plot.
The mother and daughter were innocent in the car crash.
the pink flowers on Hens jacket hint at her being innocent of any wrong doing (from a departmental perspective) at the car accident.
The cruise family are innocent - just in the wrong place at rhetorical wrong time and they are a representation of all the innocent people on the boat who end up in danger on that ship.
I think the Marisol top is an interesting one - it plays into Chris being naïve thinking he can date multiple girls without them finding out. But I also think it’s foreshadowing her naivety in general - I think we might either see her immaturity in some way (perhaps on a date with Eddie) which will prove terminal for her relationship with Eddie. Now we know about this date scene coming up this is possible but it could also end up being about the fact that she is likely going to be an innocent party caught in the crossfire of Eddie unrepressing himself (much in the same way Ana was back in s4/5.
Ashely C's pink dress is a representation of the innocence of trying to find love.
Athena's pink dressing gown is about her innocently and blindly/ naively being excited about Harrys return home to her.
The lady who shot her son is innocent in that her actions were brought about by something out of her control and so she can't truly be held responsible for them.
Then Bucks pink shorts are about his queer innocence and naivety about his feelings the fact that we see them in a scene where Tommy isn’t present, a scene that is meant to inform the audience that his behaviours is all about Eddie and not Tommy - that he’s naively not grasping that part of this internal confusion that he's experiencing.
To add to all of this, we have Marisol carrying a pink bag in the teaser for next week, to me if pink theory is correct then this is playing into the idea that Marisol is naively dating Eddie and that she's going to be an innocent caught up in whatever goes down in that scene (part of this arc) the use of lighter pink here specifically on a handbag is giving me babyish vibes as well (its screaming little girl playing at dress up!). As a quick aside - I am very amused that shes been dressed in a basic black top - she looks like wait staff!
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And of course there is Eddies pink ensemble that is connected to either Chims bachelor party or the Madney Wedding. I have no idea what is going to happen in this scene(s) but whatever does go down - place your bets on Eddie being innocent (and or naive!) in whatever goes on - itll be fun to see if I'm right! 🤓
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Right 7k later and that is me done for this meta!!! I am handing out the tea, coffee, cake and biscuits (all dietary requirements catered for!)🫖☕️🧁🍩🍪- you've earnt them if you've made it to the end of this monster! Hope you enjoyed reading. i'm off to revel in Bi Buck some more - I can't believe its happened I'm overcome!!! 🩷💜💙
Tagged peeps as always are below!
@theladyyavilee @mistmarauder @xxfiction-is-my-realityxx @bewilderedbuckley @spotsandsocks @bewitchedbewilderedbisexual @rogerzsteven @wanderingwomanwondering @oneawkwardcookie @leothill @copyninjabuckley @shammers86 @crazyfangirlallert @missmagooglie @katyobsesses @radiation-run @gayandbifiremenofmine @bi-moonlight @crazyaboutotps @princesschez75 @alliaskisthepossibilityoflove @sherlocking-out-loud @tommykinarddd @satashiiwrites @lover-of-mine
(if the tags don't work its because people have changed their url (very valid of you!) and I didn't know, so let me know if you want tagging in future in the comments so I can catch the new urls!
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renegadesstuff · 3 months ago
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THIS PARALLEL 🥹
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pearsonspearson · 2 months ago
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Haven’t watched lonestar cause I said I wanted to wait to binge, but now I’m seeing they apparently gave my baby cancer????? I literally don’t even wanna watch now 😭😭😭😭
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guardian-angle22 · 3 months ago
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911: Lone Star | Tommy Vega in 5.02
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911lsbts · 6 months ago
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In the upcoming fifth season, Captains Strand and Vega, along with the 126 team, race into action when in a multi-episodic opening storyline, a catastrophic train derailment endangers several lives including some of their own. With Judd resigning from the 126 to take care of his recently handicapped son Wyatt (Jackson Pace), Owen must find a new lieutenant to replace Judd and has a difficult decision ahead of him when both Marjan and Paul apply for the promotion. Tommy is ready to take the next step in her relationship, but she finds the road to happiness is filled with obstacles. On his 30th birthday, T.K. gets a surprise visit from someone from his past that could change his and Carlos’ lives forever. Now officially husband and husband, T.K. and Carlos’ marriage is put to the test when Carlos becomes obsessed with solving his father’s murder.
Here is another synopsis for the premiere including the train derailment and the surprise visit will happen on TK’s birthday.
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maxbegone · 2 years ago
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TOMMY VEGA — CAPTAIN FABULOUS
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