#cant believe about to tag this but

[dorkfruit]

all i do is draw ianthe and watch donkey kong speedruns in the background

[applestruda]

"You Have Succeeded Your Task"

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[skyartworkzzz]

Pressure

We been playing the silly lil gayme lately

[ghosted-jazz]

Black Mercy

[umblrspectrum]

oh yeah i forgot to post this here too

[sweeneydino]

You just know he would.

Thank @enclarice for the idea :)

[iphigeniacomplex]

it’s very easy to tell the good satires and pastiches from the bad ones because the bad ones are too afraid to live within the form. like if you are doing work with fairy tales and you are refusing to look closer at the underlying logic and unspoken rules of what can seem at first to be a senseless form, you are not going to create meaningful work. to borrow a turn of phrase originally used by maria tatar, if you refuse to enter “the house of fairy tale” as anything more than a gawking tourist, you will miss the particular order to the way the table is set, the rooms that are locked vs the rooms that are simply difficult to enter, the set of the floorboards and the position of the furniture. whatever you build will then be a gilded imitation of how you believe the house of fairy tale ought to look, the table set according to your educated specifications and every door open. there can be no interrogation of themes from a writer who views the form as beneath them!

[cobaltfluff]

sasuga my ace detective mind-reading soulmate, I knew I could trust you

[maudiemoods]

Whoa sun and moon what are you doing here

[lunian]

...wait

what a man he is, this Gale Dekarios

[itslilacokay]

"i should probably be careful posting when ava ships are involved, maybe i should keep ava shipart stuff to myself"

i say as i post victim and agent being extremely fuckihg gay

[vikita-doodles]

I like the thought of him being very sound sensitive

[nilo05]

[ooglywooglies]

saw some people talking about the differences between different types of privilege and saying "white male privilege is way more powerful than white female privilege" and i feel like people really overestimate how big the gap is, like white > nonwhite is like a chasm compared to male > female

[greatgoddyke]

but my heart is like a claw machine