#canon plot holes

[sherlockianscholar]

the solitary cyclist from the canon, in my opinion and acd's, is not the greatest work among doyle's repetoire. but i would like to call to your attention one point that has needled me since i first read this story.

violet (yes, one of the six violets in the canon) smith takes on a live-in music teaching position in the country for her un-married employers' (carruthers) ten year old daughter. the daughter is mentioned once in the entire story, during violet's exposition at 221b. violet goes back to the country with no further mention of the girl. after the ruckus and holmes/watson's intervention, carruthers and the others get arrested and taken to jail. off the father goes without making any inquiry into the fate of his daughter nor does violet comment on it.

now the granada episode (which i'm rather fond of) seals up this plot hole, simply and sweetly, by having violet and her soon-to-be husband look after the daughter while her father's in jail. but that doesn't happen in the story. which leads me to wonder...considering the lack of attention by violet or carruthers, did she run away or die (i say, very tongue in cheek)? did carruthers just say fuck them kids and abandon her?

or my personal favorite, did he hire a random 10 year old girl for this express purpose? given the absolute chaos and ever-unfolding half-baked schemes concocted by every member of carruthers and co, i can imagine those men coming up with something that ridiculous.

acd makes a lot of mistakes and slip-ups in the canon, but honestly, if i could ask him one question, this stupid pedantic detail would be high on the list.

[spookedbees]

Solangelo headcanons? 👀👀

Uhhh lemme think…

Will likes morbid things from a more scientific perspective while Nico likes them philosophically

This actually annoys them a bit at first (especially pre-dating) but over time it becomes one of their favorite qualities about each other because they like hearing the other’s perspective

Will can vibe with any kind of music but he prefers more alternative stuff (anything from alt country to heavy metal, he’ll eat it up)

Meanwhile Nico’s music taste is the weirdest mix of older classical songs, punk rock, and hyperpop (he also enjoys pretty much any song Will puts on)

Halloween is their favorite holiday (they go all out on goofy stuff for the younger campers and scary stuff for the older kids)

One of Will’s hyperfixations is space so Nico helped him map out different constellations on the hades cabin ceiling (it was darker than the Apollo cabin and they had more room)

Sometimes they’ll swap fun facts about the constellations while cuddling (Nico shares mythology tidbits and Will gives space facts)

I know Nico gives Will his skull ring in tsats, but I personally prefer the idea that Nico only has Will hang onto it whenever he has to leave camp - it serves as a promise that he’ll come back and that he trusts Will to keep it safe

They have two main cuddle modes - little spoon Will with Nico hanging on like a backpack OR Will just grabs Nico like a teddy bear

[astrologysaysno]

I have a random thought to pitch to you all the idea of Airplane SQH acting as SJ's lawyer in PIDW.

(Confession: I have not read SVSSS, so I have no real clue on how the trials happened, but just hear me out)

Shen Jiu stands on trial at Huan Hua Palace, charged with the grievous crime of the murder of Qiu Haitang's family, the death of Liu Qingge, and the mistreatment of Luo Binghe.

For the sake of propriety, SJ is assigned someone to defend him in the trial as his defence. The people clamour, Qiu Haitang and Liu Mingyan especially, arguing that he does not deserve someone to aid his defense, but Yue Qingyuan does not relent.

He assigns Shang Qinghua as the lead, a compromise to quell the rabble of protesters.

Shang Qinghua presents as clumsy, disorganised, and tongue tied. A barely qualified Peak Lord who looks as if an ant on his shoulder would give him enough of a scare to induce cardiac arrest. They believe Shen Jiu is guaranteed to be found guilty on all accounts when YQY picks him.

But Yue Qingyuan knows his shidi and knows just how capable he is. He has witnessed him weave through social dilemmas and negotiate with merchants, each time coming out on top with diplomats willing to do anything and traders selling even at a loss. He has made this sect richer and more influential than he has ever had in years.

So Yue Qingyuan is confident that Shang Qinghua can pull this off.

The day of the trial comes, and like the sound of the first horn at the front lines, it commences.

Shang Qinghua and the prosecutors spend hours on each and every charge, with Qinghua breaking down each argument and exposing the cracks to them.

He pulls out witnesses that Shen Jiu thought he would never see.

Former slaves of the Qiu family who attest to the horrific crimes of what Qiu Jianluo did, of the abuse Shen Jiu was put under, even forcing the sect leader himself to explain their history and air everything out.

He prods at Liu Mingyan's accusations, revealing the hearsay and conjecture of her story. His accusations of lecherous acts are dismantled as he brings the head of the Warm Red Pavillion and other workers to testify in favour of him.

With Luo Binghe, it is Shang Qinghua's most difficult test yet. How can one justify the hate that was perpetuated by Shen Jiu, the endless suffering caused by him to Luo Binghe?

He cannot, what he can do is create a sense of empathy towards Shen Jiu, building an argument of constant sequential trauma which had molded him to become this jaded, cynical individual caught in the cycle of abuse.

He appeals to the remains of Luo Binghe's humanity for mercy, and to the crowd of Luo Binghe's instability caused by Xin Mo. Weaving both together the case of Luo Binghe being too manic and unstable to properly pass judgement, that what Luo Binghe really wanted was justification for all the hurt brought down upon him.

Shen Jiu is still given punishment for his mistreatment of Luo Binghe, but the air feels as if it has shifted, changed into something he doesn't know what to do.

[weirdwildwonderland]

How TUA should've ended

Lila and Five relationship-Lila and Five don't spend 7 years in the subway. They do get lost, but it's more like two years this time (whoever thought of 7 years was crazy). Two years is enough for Five and Lila to almost kill each other many times, enough for them to cry to each other one night and swear to never talk about it again. Enough for many bouts of food poisoning and starvation and cold nights when the train didn't show up. Enough for Lila to keep waking up with a sick feeling in her stomach because she keeps having dreams where she wakes up in her house, with Grace and the twins and Diego just downstairs. Enough for Five to stay awake as he wipes silent tears away because he's thinking of his siblings. The only ones who have been there for him. They find the strawberry timeline near the end of the two years, and it only makes them miss everyone more. There's a lump in Five's throat as he mutters something about how "wish we could've taken the idiots here" and Lila starts to cry, because something about this timeline is so warm and safe, because she would give ANYTHING to have a Saturday morning with her family again, Diego making her coffee, waking up the twins, reading to Grace. She finds a delicate silver bracelet on the floor of the greenhouse, and remembers how her father gave Grace a bracelet just like this when she was born, and that's when she breaks, and Five begrudgingly helps her off of the floor and pats her on the back. They find the notebook a few days later, and both of them well up as they ride the subway back. It's only been a few hours for the rest of them, and as Diego hugs Lila again, this guilty feeling wells up in her chest, because she remembers how they were before, how distant they had become. But he's still here, somehow. So they go inside and she starts crying when she sees everyone. Diego asks about the bracelet and Lila and Five exchange a look. You tell him. No, you. Diego asks if something has been going on, and it all comes out. Lila crumbles even more. Isolation does funny things to the emotions.

They all finish watching the dance of the sugar plum fairy before the news about Ben flashes onto the screen. It's the most peaceful hour or so of this whole fucked up week

2. They get swallowed by the cleanse.

3. And then they all wake up in the void. All of them are dazed and drained. The man on the TV is talking about shattered timelines (or something related to the themes of time in the show). God watches on her bicycle as they slowly figure out that they lost their powers again. Diego starts crying because he realizes Ben isn't there and Lila comforts him. Luther looks more worried about Diego than about the fact that they're dead. Allison, Klaus, and Viktor seem glad that their powers are gone. Five just looks happy that they're all still together. Klaus goes up to God.

He says something along the lines of "Hey, I'm happy that I can still come up here and all, but you need to get us back down somehow, because there's no way I'm spending all of eternity with THEM. Plus, I have nieces and a nephew and I hope they're...not up here too."

She says something like "They're not."

He stares at her.

She says "I think you're insufferable. I don't know anyone who comes up here multiple times and then goes back down."

"Look, God, I've had it up to HERE with my life so far, and I can say the same about all of them over there. But I've gone through some things recently, and it made me realize that I would really like to keep living it, if you wouldn't mind. And," he points at everyone "they have their reasons. And they deserve to live the rest of their lives out, too."

She stares at him. "I've had it up to here with you too. You know, I watch you down there, sometimes. I think you're better off there. Not up here, annoying me. Plus," she looks over at everyone else (they're freaking out/arguing etc) "it's too early for all of you to be here."

She picks 8 marigolds from her basket and plucks the heads off. They fall to the ground and new sprouts start coming up from the earth. "Whatever was in you, it's gone now." She looks over at everyone, annoyed. "Oh yeah, I forgot you need help to get back." She rolls her eyes.

"You know, you kind of remind me of my niece." Klaus says

She snaps her fingers

Cut to black again.

Cut to outside Diego and Lila's house. It's hot out, and they all wake up on the asphalt in their winter clothes. Everyone starts complaining about how hot it is. Diego gets up and knocks at the door. No one knows what day it is. For all they know, their kids could be teenagers now, and that scares him.

Someone bumps into Lila on the street, and it's the Handler. Only, she's not. She's just a normal woman talking on her cellphone, and she looks at Lila apologetically before continuing her conversation. A woman looks at Viktor and asks him if he needs help off the ground. It's Grace, and she's walking with a baby stroller. Viktor nudges Diego and they're both speechless.

The door opens, and Lila's mom answers. Lila bursts into tears and hugs her. Grace and Claire come to the door and Grace says something about "you didn't pick me up from camp on time, Mommy! And Coco's been crying for FIFTEEN minutes, that's what Grandma said. I think she misses you. Oh, and Ben (boy twin) broke a bowl, but Grandpa said it's okay" and Claire rolls her eyes and asks what they're all doing dressed in coats and tells them that they're all so weird. Grace turns to Claire and accusingly says "You never told me that grownups cry too." Klaus and Allison both burst into tears too, Luther and Viktor look like they're about to cry, and Five just looks the most relieved he's ever been in his life.

Lila's mom sighs and says "Come in, everyone. I don't want to know what you've gotten yourselves into now, but you look hungry. It's too hot out to cook, so you're eating the leftovers." Diego is still crying, but he starts to laugh. And then Five starts laughing too. And then the rest of them. Lila's mom tells them that they really need to get inside now before someone starts looking at them weird.

Cut to shot of all of them walking into the house, taking off their shoes, flopping onto the couch, hugging their kids, etc. Continue to "I think we're alone now" montage of all the side characters walking on the street living life as normal people.

POGO: On the twelfth hour of the 8th day of August, 2024, nothing out of the ordinary happened. You might say it was just a normal day.

Cut to black

Credits roll

Post credits scene

There's a knock on the door. Ben walks in looking dazed, holding Jennifer's hand. "What's up, assholes? I'm back!" he says, before everyone groans and the screen cuts to black again.

END S4E6

[lilacella]

I find the Chamber of Secrets to be such a weird idea...

We know from jkrs super thought out "wizards used to shit wherever and hex it away" post that Hogwarts did not get built with plumbing.

And yet - the Basilisk travels through PIPES. What fucking pipes? And the entrance is in a BATHROOM. A facility which - according to the wizarding worlds assigned insane defactation habits - DID NOT EXIST IN THE CASTLE.

This arises the following questions: How did Salazar Slytherin think this would work? Did he just build random pipes into the walls and the others failed to notice this? Did the chamber simply not have and entrance and MC Snake thought that someone in the future surely would figure that one out for him? (Also, what did the Basilisk eat for the hundreds of years it was locked in there? Animal cruelty!!!) And what did the person who eventually installed the plumbing and bathrooms think they were doing there? They must have seen the entrance when placing a fucking sink over a giant hole, right? Did they not question why there were pipes already? Was the plumber also beseeched by Salazars influence even after his death?

None of this makes any sense! It is almost as if someone hadn't put that much though into this

[rottmnt-residuum]

How do you feel after predicting that Splinter dies pretty much right after the movie/j (sure not in the same way but tomato hamato amiright)

The comics mean nothing to me sksksk

[lime-bloods]

so long as I've been talking gravity, it feels like I'm obviously missing something by not talking about the Green Sun, which formed the gravitational center of Homestuck's cosmos long before black holes became part of the equation. it's emblematic of Lord English, obviously, the villain who keeps our heroes gravitationally bound to their homes, but that felt too simplistic... I think I've hit on something more solid, though.

Cascade, part 6.

in the sense that the Green Sun - being composed of the rendered-down remains of both of Homestuck's universes - is a very literal representation of the comic's incestuous slurry of ideas, Dave and Rose emerging from the Sun's radioactive green sludge very much reads as their being reconstituted from ectoplasm. indeed: Hussie suggested years ago that to "die spectacularly in an explosion of green fire" is actually a requirement for reaching the god tiers without a dream self, and while this doesn't turn out to be exactly true, the central premise remains; the old self must be immolated completely to make way for the new self. in this exact same way, trolls find themselves gravitating toward the cocoons they were born from and are completely destroyed via explosion in the process of ascension - for Dave and Rose, the Green Sun is the figurative birth-cocoon they return to in order to be broken down into slime and built back up again.

(so it's interesting, at the very least, that the very same black hole that usurped the Green Sun's position as the center of reality is now the cocoon Vriska Serket finds herself trapped within - complete with lain-thick imagery of fire and death!)

p. 2728

compare as well the Matriorb and Tumor, obvious visual twins which also serve the same purpose as malignant growths which must kill their previous host so as to give rise to a new brood. for Rose, in particular, the gravity that keeps the suburban family unit together - the Green Sun's gravity - is also the gravity that pulls her toward the familial role Sburb has lined up for her, that of the mother. and the icons of the Green Sun hidden, womb-like, within the guts of Rose's planet tell us everything we need to know about the role the Green Sun is supposed to play in this motherhood destiny.

(from Hussie's commentary in Book 5, p. 271: "This is another one of those things that makes it feel like this quest is narratively what is demanded of her [...] it's supposed to feel that way to her, and has a strange sense of obligatory gravity surrounding it.")

Scratch's deception regarding the Green Sun then takes on a characteristically insidious subtext: he's tricking Rose into giving birth. and not just to the Green Sun, or to Lord English, but - in the characteristically incestuous, cyclical nature of things in Homestuck - to her own ascended self! and as such, in the inverse: when Rose flies out to the Furthest Ring believing that she's about to defy the role Sburb has laid out for her by aborting the Tumor, she's also unknowingly setting out to abort herself - a "suicide mission" in more ways than just one.

[screwpinecaprice]

Although I barely make content for my connverse kids, there is a series of headcanons it's storyline follows so might as well jot it down. ¯⁠\⁠( ⁠•́⁠ ͜⁠ʖ⁠ ⁠•̀⁠ )⁠/⁠¯

I headcanon that Steven isn't really immortal and that the Pink Diamond Gem will become an heirloom of sorts.

I headcanon that each of the Diamonds is some kind of representation or parallel to what forms the Universe. I don't know what the others could be, but Pink is the organic parts. Organic creatures, specially the sentient/sapient kind, is a rarity in the vast ocean of space, which was why she's the smallest.

Her affiliation to organics made her much more sympathetic and fascinated with them, and she was captivated with humans the most. Eventually, after living with them and her envy and wonder for them grew, she had the desire to be one. Or rather, something deep in her gem wanted to.

While she can make a baby without giving up her form, she chose to sacrifice herself so the gem can be passed down to Steven.

However, as Pink/Rose and Greg are different species, there had been an inconvenience. The offspring exists, but the gem and organic connection is imperfect and unstable.* The gem needs to develop it's connection to the physical body more. This can be done by letting the body naturally learn to adapt to the gem/magic, then passing both the gem and the DNA (with that learned knowledge) down to the next generation; who's physically more capable of hosting the diamond. The result is not instantaneous so it's going to take a number of generations before the gem and body becomes perfectly fused. (Slow burn route, babyyyy)

Passing down the gem can be done in two ways.

One is the natural way: by giving birth to the child with the gem intact. Of course, this will cause the parent to die. (There miiight be a chance they will still live despite now not having a gem, if they have the technology for it. But it can get trickier down the line as the body and gem becomes more connected.)

The alternate instance the gem can be passed down is when the current keeper becomes deceased and their "Pink Form" (like the Pink Steven in Change Your Mind) appears. They will guard the gem until a progeny claims it. There's a possibility the gem rejects the new body though.

There's a cool down after the gem is passed down. Of course, that and how mentally ready the person is can affect how long the cool down lasts. (Which was why Steven's gem powers didn't come out sooner.)

I was thinking about when you inherit the gem in the second way, how part of the cool down works is that you can still see the prior host as an apparition others can't see. They can talk to you and stuff. (Guide you? Torment you? Be your friend? Idk) But they can't really interact with anything else. They disappear when the new host (keeper?) is fully mentally ready to take in the gem.

*I was wondering also. Either conveniently or by design, Steven has a positive disposition as a lower morale can disrupt the gem's balanced state. Unfortunately for our boi, he's the first meat host, so he has to learn how to keep a stable mind the hardest. 😞

[this-simplefeeling]

did the whole bi-generation thing make any sense whatsoever? no. do i give a shit? also no! my favorite characters got to have their fix-it fic ending where they're together and healing and happy, idgaf how dubious the semantics were, whatever rtd has to pull out of his ass to make it happen is fine by me

[okapiandpaste]

between boimler expressing confusion over spock being straight in the snw crossover episode and irreversibly altering the course of snw because of that and the writers saying fuck it! let's make garashir canon now that we got cancelled i definitely think lower decks is an lgbt all-timer. its gay aura had a fallout zone and to me that's beautiful.

[thejakeformerlyknownasprince]

anitv Jake did WHAT

OP refers to these tags #4d chess psychological warfare#like that time in anitv jake acquires tom and successfully talks a bunch of controllers into shooting the real tom

The episode "Face/Off Pt. 3" is a classic combination of AniTV having some plot ideas with fascinating potential... and then executing those ideas so badly the show is nigh-unwatchable.

Various Animorphs are running around the yeerk pool in the season finale. (Rachel is in Tobias's brain as a yeerk to defeat the Gleet Biofilter, speaking of cool ideas that got wasted.) Jake drags Tom into a back room, and when the controllers break down the door, there are two identical copies of Tom standing there. It's kinda cool that the audience also doesn't know which one's Tom and which is Jake, because both of them immediately start shouting about how the other one is an imposter and the controllers should shoot that guy.

For the rest of the episode — which switches to focus on how Marco collapses the entire yeerk pool cavern by pulling down a single ceiling tile and throwing it against a pillar — there are two copies of Tom running around. There's some dramatic tension when we see one of the Toms get crushed to death by falling rubble and don't know if Jake just died, as well as in a later scene where one of the Toms walks in on Cassie mid-morph. That Tom demorphs into Jake, with the honestly funny line "Phew! My parents were about thirty seconds away from having a set of identical twins." Original flavor Tom is dead in the basement, but that's fine, because the Animorphs are off to a dance party. Also, Tom's back two episodes later with no explanation because Melissa Chapman needs a boyfriend. Sigh. So much potential, so badly wasted.

[oceanbluuu]

“Song Daozhang! It’s not like it’s my fault!”

Post-canon song lan actually try and help xue yang before he actually dies just to force him to help revive xiao xingchen.

One day when they were getting ready for another failed attempt, the soul of xxc were nowhere to be seen in the pouch.

As they were fighting over who loses his last pieces of soul, they both hear a familiar voice from behind.

“Long time no see!”

✨ bonus ✨

***still shots of xxc under the cut btw !

One day,, one day I’ll stop drawing him as the biggest bbg to ever exist 😔💖

[queeringclassiclit]

Philip Lombard

from And Then There Were None by Agatha Christie

submitted by anon

[greenerteacups]

Are there any other wizarding families that are underexplored in canon and pique your interest in a similar way to the Blacks?

This is a unique function of what food my brain worms like to eat, but no one's doing it like the Blacks. The drama? The intrigue? The Gothic horror? The prodigal sons and lost daughters and killers and sinners and martyrs and saints? The wizard Catholicism of it all? The story of the House of Black is the best book never written.

[dazais-guardian-angel]

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

[crimeronan]

Does Luz know about the grimwalker graveyard 👀? If so, what has she done about it? Big fan of her finding it, being an absolute wreck for days afterwards and unable to really communicate with Hunter, while everyone wonders wtf because Belos is gone so Luz shouldn’t be acting like that

as of right now, i don't Believe luz knows about the grimwalker graveyard -- belos specifically spell-blinded her on the way to his lab so she wouldn't see it. it WAS right outside the door when they killed the half-baked grimwalker kid, though.

as far as i can Remember, luz hasn't been back to the lab since that day. it's debatable on whether she could find the entrance and get in now. if she had a damn good reason to -- like, if she thought she DID need to scavenge body parts from the dead grimwalker boy -- then she could probably figure it out.

she might also go back for the sake of laying him properly to rest, assuming belos did shit-all to respectfully bury him. i don't think i ever established what happened to his body. father-daughter shovel bonding, i guess....?

and, well. you are 100% right that that would be more than she can emotionally handle right now. she'd want to cross-reference belos's notes to figure out exactly who each of them are & give them a proper burial. but obviously for most of them, she's never going to know. or have any closure. or be able to give Them any closure.

it would be.... upsetting, to say the least!