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smp-boundaries · 4 years ago

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List of Boundaries: CaptainSparklez

Violence in fanworks: In one of his subreddit videos, Jordan reacts positively to a bloody drawing of him being accidentally stabbed by Tubbo, showing that at least in fanart, he is okay with violence and death.

Fanfiction: Jordan has done two videos where he read fanfiction, one of which was an x reader, and reacted positively both times. This shows that he is okay with fanfiction and the x reader did not appear to put him off, as he specifically chose it for a Valentine’s Day video.

Shipping: There is no distinct evidence for Jordan being for or against shipping as a whole. He seems comfortable with being shipped with Tom Cassell (Syndicate) as evidenced by various videos where they joke about kissing and being shipped together. On the other hand, in the third MC Ultimate, when AntVenom made a joking comment about SparkAnt (their ship name) being revived after they both respawned, Jordan replied with distaste, implying that he doesn’t like being shipped with AntVenom. He has also spoken on multiple occasions against being shipped with Lady Ianite (from the Mianite series), and shows discomfort when looking at romantic fanart of them.

AUs where Jordan is Tubbo’s and/or Crumb’s father: Jordan has reacted positively to fanart of Tubbo and Crumb as his children and is accepting of the AU. However, he seems to be unaware that it is an AU and not canon on the Dream SMP, therefore this cannot be used as evidence for his stance on AUs in general.

General PSA: Jordan does not like people prying into his personal life, which includes his IRL friends and relationship status. He doesn’t disclose this information and people should respect this about him.

Evidence: Jordan reacting to violent fanart, CaptainSparklez reads a CaptainSparklez fanfiction, Jordan reads an x reader, Jordan, Tom, and Mini Ladd joking about shipping, Jordan reacting negatively to the idea of SparkAnt (Jordan/Anteler), Jordan reacting negatively to Sparkanite, Jordan talking about Tubbo and Crumb being his children, Jordan talking about how it’s weird when people ask about his IRL relationships

clip transcripts below cut

reacting to violent fanart Jordan: (reading reddit post) uh, “blood. It was a mistake.” (opens post, revealing Among Us fanart) ah, no, dude.. (playing it up for the bit) ah no, back to back! I can’t believe I have to relive this moment again and again! I don’t think I - it’s - it’s - y’know, I don’t think I ever betrayed him, but I got betrayed in return. It was hard.

Jordan, Tom, and Mini Ladd joke about shipping Tom: (hugging Jordan and Mini Ladd) all in - all in, all in, all in - this feels good. hey, no kissing tonight, alright? Jordan: really? Tom: no kiss - (Mini Ladd kisses his cheek) okay. (looks at Jordan, points to cheek expectantly) Jordan: (kisses Tom’s cheek) Tom: (laughs) oh yeah!

reacting negatively to the idea of SparkAnt (Jordan/Anteler) Anteler: this is team Sparkant, being revived Jordan: no, not that - not that word.

reacting negatively to Sparkanite Jordan: alright people do this weird shipping thing with me, and Ianite, and I realize that it kinda stems from season two but let’s just - I feel like we need to keep it as a platonic relationship between a follower and their god, alright? Ianite is m’lady, my god, it doesn’t have to become like a romantic thing. Alright? alright. cool.

about Tubbo and Crumb being his children Jordan: (reading reddit post) “the Tubbo origin story is growing.” (opens post, revealing fanart) Is that Tubbo jumping out of the ____ to catch a bee? and then Crumb saying “there can be only one?” There actually - I’ve seen things on twitter though - Inga(?), who - who does lots of art and stuff and has done some of the MCC thumbnails, like, did a drawing where I was Tubbo’s dad in the Dream SMP server and I was like “is this a thing that’s actually going on?” I know nothing, I’m confused. But I guess I’m like - I’m Tubbo’s dad. on the server. I have no - I geniunely don’t know, but that’s what I’ve heard. And I’m like “oh, okay.” I guess - y’know. I did say I wasn’t having kids but there wasn’t anything about a kid that already has been had. So I guess it works. It doesn’t - yeah - doesn’t mess with my take. But also we have Crumb now. (laughs) “There can be only one.” But it’s been established that I’m his dad I guess, so - so, there has to be two. It’s already been said and done.

talking about it being weird when people ask about his IRL relationships Jordan: (reading reddit post) “Expose yourself, Jardoon. Did you break quarantine for a video?” (opens post, revealing screenshot of Youtube comments under his video) I can’t - I can’t, like, it’s so - it’s so weird.. to me, that every comment is just - who filmed the video - does any other channel get that? It’s bizzare - like I - I feel like other channels just have people film their videos and it’s - the entirety of the comments section isn’t, “who filmed the video,” it’s - it’s about the video content itself. I just - I mean, I don’t know for sure. Maybe that is a thing on other channels. But - also … and also, I do know other people who live in the general LA area. I’m not just completely solo without the ability to reach out to a single person. I know as much as I stay at home and am confined, I do know other people. Weird flex, I know. “Woah, this guy, look at him out here - knows other people? Who exist? Not just on the internet? Oh ho, mister fancy out here dude, okay. He’s got real life acquaintances and all that. Alright, way to flex on us all!” But I - oh my god dude, it’s so weird. And I made this comparison in my stream a couple days ago, that it’s like my mom when she’s asking about plans and what I’m doing, and I’ll be like, “oh, I’m going to such-and-such with friends,” …. she’ll be like “oh, what’s their name?” And I just think - I mean it’s - you’re not gonna meet them. Are you gonna look up their - like are you gonna look their name plus my name online to try to figure out who they are? I’m confused in that regard. It’s just a person who I know. And - and then, anyway, it’s just - you guys are my mom. (laughs) So that’s where we are with this.

#captainsparklez #jordan maron #smplive #smpearth #mcyt #mianite #vault hunters #boundaries list #smpb // violent themes in fanwork #smpb // fanfiction #smpb // shipping

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jurassicparkpodcast · 3 years ago

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Jurassic World: Camp Cretaceous Season 3 SPOILER Review!

The Third Season of Jurassic World Camp Cretaceous has arrived – meaning we’re bringing you some more content around the show, including our spoiler thoughts on how the third season did when compared to the first two. If you haven’t seen Camp Cretaceous Season 3 yet then click off this article now, as we are going to be discussing some of the key set pieces in this series which make it by far the best one to be released to date. Let’s get into it!

We’ll start by summarising the third season – and, in particular, it’s story. The story of the Campers attempting to get off of the island whilst uncovering that a terrifying new hybrid has broken loose is interesting, with plenty done to explore more of Isla Nublar and, indeed, the terrifying work which Doctor Henry Wu was doing in the shadows of the former Jurassic World. Although the kids ultimately escape the island, this isn’t without a few interesting sequences sprinkled in throughout – including direct tie-ins to Jurassic World Fallen Kingdom, and also hints at the future of Mantah Corp and their research into InGen’s work. The third story feels incredibly well balanced – with lots of fantastic set pieces balanced with meaningful storytelling and interesting characters alongside brand-new dinosaurs. The third season brings us a much more grounded story which aims to fill some of the canonical gaps left by Season Two – creating a story which feels satisfying and fulfilling.

The third season maintains the same cast of characters – with each of them getting plenty of interesting development. Darius, for example, spends some time earlier in the season filling the holes in his notebook – giving us a fun look at a Dilophosaurus drawing indicating he encountered this animal on the island at some point. Kenji struggles with the kids liking him and feels the need to use his wealth to impress them, whilst Sammy worries about what Mantah Corp may have done to her family back home. Each character feels three dimensional in the third season – with some great development showing how they have adapted to their environment. Of note here in particular is the character of Yasmina, who selflessly heads across the island in search on an anti-serum when Sammy is poisoned by the quills on the Scorpios Rex. This animal itself is handled incredibly well – with the kids feeling genuinely in danger at some points throughout the story.

The other dinosaurs in the story are good too – including surprising appearances from both the Ouranosaurus and the Monolophosaurus. These animals do go against the pre-established canon of the island a little bit, with neither of them ever mentioned as being present on Nublar, but it is possible that the prior existing list was only ever intended to reflect the public-facing dinosaurs. These animals get some interesting sequences throughout the story – although there are a lot of the Monolophosaurus at one point in the story. Beyond the small canonical issues here, the only other real issue I had with Season 3 was the fact that the Scorpios was developed before the Indominus Rex. This does retroactively go against a lot of the pre-established timeline in things like the viral marketing – but it is possible that the Scorpios was hidden from existence altogether given it was seen as a failure by Simon Masrani. It is interesting to note that the Scorpios was able to reproduce asexually – suggesting a second E750 which is present in the show was able to grow to maturity incredibly quickly. Perhaps this can be explained by the enhanced growth Bumpy also inherits, however. These small issues aside, Season 3 took big strides to fix my issues with Season 2 of the show – creating a much more well-rounded experience which fits better within the universe of the films.

There were a few moments throughout Season 3 which stood out to me as building on the critiques on Season 2 – the first of which was the Ouranosaurus Attack at the dock as the kids attempt to patch up the damage which Tiff’s boat has sustained. I loved how the ambience in this sequence felt reflective of sequences in both The Lost World novel and in Trespasser – with some fantastic, tense sequences utilising natural fog and darkness to really elevate the stakes and create something which felt darker and scarier in tone than anything beforehand. We don’t often see herbivores as direct threats for the human characters in Jurassic, so the attention to ambience and atmosphere throughout this sequence really helped to make the Ouranosaurus feel more intimidating when they eventually attacked. I also loved how this sequence is later explained as the animals behaviours changing due to the ecosystem being tilted off-balance by the Scorpios Rex – a fun note which perhaps suggests that the Spinosaurus may have had a similar impact on Isla Sorna. This was a really fun sequence and one which I thought was worth highlighting here as I really enjoyed it.

Next up I wanted to talk about a sequence which hits the nostalgia factor and tones it up to eleven – with the pair of Scorpios Rexes hunting the campers through the original Visitor’s Centre. A lot of the sequences in the centre feel very similar to those in 1993’s Jurassic Park – with sequences in the kitchen, in particular, recreating shot-for-shot some of the moments from the kitchen sequence in the first film. I really liked these call-backs as whilst they were quite overt, they felt as though they fitted with the show, and worked incredibly well. I also love how the series initially shows Blue nesting in the Visitor Centre before she heads to the Ford Explorer, as this underpins how much of this animal’s present-day existence is nested in Henry Wu’s past work at Jurassic Park. The Visitor’s Centre is also ultimately destroyed by the Scorpios Rexes during this sequence – with both animals buried by the rubble. Whilst some fans may be upset to see this location destroyed, I loved how it underpins a very core concept moving forwards – highlighting how Henry Wu’s arrogance and continued ignorance in the implications of his science has ultimately destroyed the legacy of the work that both he and John Hammond attempted to do.

Lastly, it’s worth noting that the third season features two bonus episodes – with the final two episodes tying directly into the Jurassic World Fallen Kingdom opening sequence. After Season One of the show, I tweeted one of the writers asking him if there was a chance we’d see reference to this in the future, so seeing this recreated shot-for-shot in the show with the kids watching on as the Indominus sample was extracted was awesome. It was also really cool seeing how Wu’s additional mission was to retrieve his laptop – noting that without it, the work he needed to do on the Indoraptor would take years and not months. This perhaps explains why the animal we see during the Lockwood Manor auction sequence is only a prototype – as Wu ultimately leaves the island without this information. It is interesting seeing some of Wu’s dialogue with Brooklynn throughout these episodes – with the character perhaps showing some small semblance of remorse. Ultimately, however, he leaves the kids on Nublar – reinforcing his status as a character with a questionable moral compass moving into Jurassic World Dominion. I have to admit – the way this tie-in played out was handled masterfully, and I was really happy to see things unfold in the way they did. I genuinely screamed out loud at my screen with happiness at one moment – emphasising how much work went in to nailing this crossover. It’s clear that the team working on Camp Cretaceous went to great lengths to smash the third season – and the result is some fantastic crossover which pays off and builds the lore of Wu’s work in meaningful ways without any of the massive contradictions I was worried these sequences may introduce.

The Series ends with the Campers finally escaping the island – heading off in a repaired boat, although we do see at the very closing moments that something else is on-board and hidden in the lower decks. This poses an interesting question in its own right, as it has been pre-established that Scorpios can self-reproduce – so is it possible a third hybrid existed on the island? If so then this could pose a grave risk to people on the mainland when the campers return there. We also know that Mantah Corp may potentially still be at play – with a quad-copter drone observing the Scorpios Rex on the island. Is it possible this shady corporation may now recover the carcasses of the dead hybrids for their own experiments? And what happened to the pilot of the Helicopter which the kids crashed in? She didn’t appear to have been eaten – but we never see her again after the crash sequence. These are just a handful of the questions we were left with at the end of Season 3 – implying there is more story to be told, even if the third season felt like it reached a nice natural ending for the series as a whole.

Overall, the third season of Jurassic World Camp Cretaceous is fantastic. Do not sleep on this season. It adds a lot to the lore of Doctor Henry Wu and his research, and it builds out a lot of interesting lore for the experiments which were happening on Isla Nublar. It also sets up some interesting plot threads for the future without them feeling overly intrusive and detrimental to the wider story telling in the Jurassic universe. Season 2 of this show left me feeling a little deflated, but Season 3 left me feeling reinvigorated. This wraps up the story of E750 and the wider universe in meaningful ways, and is a fantastic and more mature Jurassic adventure which adult fans will enjoy. I can’t wait to see the reception to this season – and how it informs Jurassic content in the future.

Written by: Tom Jurassic

#article #camp cretaceous #camp cretaceous season three #camp cretaceous season 3 #tom jurassic #tom fishenden

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humble-althemist · 5 years ago

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The Hargrove-Mayfield House

I’ve been working on drafting this floorplan for ages, but now that I’ve got quarantine amounts of free-time I’ve come back to it with extra focus and determination to get this thing right, so here you go!

reference photos with explanation will be below the cut, because there are some weird-ass bits to this house that I feel need explanation/clarification/general screaming, and that in some case are very variable depending on what canon you want to go with.

anyway! with the front of the house down there at the bottom, and keeping in mind this house is on a corner lot (streets on both sides that have exterior doors), here ya go!

(also just a heads-up that the exact proportions of everything was difficult to figure off based on a lot of these photos, and this house very much resisted attempts to be sketched out on graph paper, so while this is as close as I could get it without losing my mind, it’s definitely got some little issues here and there still.)

OK! so starting from the front, we’re all familiar with the view from the street, the long, thin porch along the front. but did y’all know the front of the house isn’t as flat as the porch makes it seem?

this is supported by the inside of the house, where we have Billy’s room in that pushed-out bit, and the front door visible through his door, leading into a living room in the pushed-back bit. (if any of that makes sense.) not the best screenshot but you can at least kind of see the corner behind Billy’s door and how it’s clearly not level with the front door

now, I’m not gonna spend much time on Billy’s room because @gothyringwald has already done the work of the gods with that one (IN THREE PARTS, MY HERO), except to briefly say yes, there is a fireplace in here, it’s the back-end of a slightly bigger one in the front room. also, not that it’s at all important cause I won’t be using s3 screencaps for his room, but his room was very clearly not filmed in the same house for s3. the view out Billy’s door changes from the front door to a hallway from s2 to s3 (and there are no hallways in this house, as you’ll see), and the view out his front-facing window changes from porch to bushes. it drove me crazy the whole time so I just had to throw that out there.

anyway, for now I want to turn your attention towards Max’s room while we’re still in here because...

first of all, yes there is a door straight into Max’s room from Billy’s, and no, I have not included it on my layout. That’s because in the show they use a bookcase on both sides of the door to hide it, so you could canonically say that there is no door. to be fair, though, they use this inset shelf thing that looks like in actual fact it wouldn’t work if both of them had one. so, use the door if it suits you, use the bookshelves if they suit you. canon is putty in your hands.

also I wanna point out that in the very bottom right corner of this shot you can see the corner of some wall trim. that’s the edge of Billy’s closet. and yes, it does stick out from the wall like that. at a guess I’d say about half of that wall is closet, and half of it is pushed back by exactly the closet’s depth, giving us this corner look.

moving on to the view into Max’s room, we can see the tiny closet space that her room has. it doesn’t appear much wider than the door to it is wide, though it is deeper than it appears from this angle, probably by about a foot. we can also see her door to the living room from here.

moving into Max’s room...

in season 2 you can feel the camera operators doing their damn best to show as little of this room as possible because it’s so weird and got so many doors, but in s3 we do get a little bit of a better feel and the screenshots I got from there do seem consistent enough with real-estate photos and s2 that I’m like 99% sure they shot Max’s bedroom scenes in the same house as in s2.

so, firstly we have a shot of that inset bookcase I mentioned hiding the door to Billy’s room, and Max’s lil closet to the right. it takes a stupid about of staring at the bottom right corner, but you can just barely see the shadow of what must be the closet’s outer corner there.

panning left, we can see Max’s windows, prime for sneaking out to do nerd shit. in the show they put a lil firewood storage thing directly under her windows for extra sneaking out potential, but I can only put so many pictures in here before tumblr makes me split this thing into two posts so I’ll refrain from adding a cap of that.

note also that that’s Billy’s window closer to us, and Susan & Neil’s at the back of the house. Billy’s would seem ideal for climbing out of as well, but some asshole put his sound system and vanity right under that window so idk how he’d manage it if he did. I’d love to see the elaborate shifting-stuff-around/gymnastics that goes into Billy’s regular sneaking out, though, if anybody wants to get on that.

ok, back into Max’s room cause we’re not done with it yet. we’ve accounted for a door that may or may not be between hers and Billy’s room, one to a lil closet space, and the one into the living room, but this girl has two more fuckin doors in her room.

unfortunately these two doors are never photographed together, so I didn’t figure out that there are two on this last wall until literally this morning while editing this post, but hopefully I can take you along my thought process on why it has to be two different doors.

essentially the thought process is, (L) no wall at all between darkened/blocked-off door and corner, (R) at least a foot of flat wall to the left of door. going back to all of my screencaps with this knowledge makes a whole lot of stuff make more sense, but again I can’t put everything here. If there’s demand for more detailed screencaps and stuff maybe I’ll make a part 2, but for now I’m trying to be as succinct as possible. (lol)

so anyway, that door on the right clearly goes into the third bedroom of the house, because why the hell not have all the bedrooms connected, and that one Susan’s standing in front of in the screencap, I believe, leads to a bathroom. (to be clear, there are two doors in that screencap. one on the left that leads to the living room as mentioned before, and the one I’m talking about, behind her, which set designers have understandably tried to disguise as a closet.)

this is purely process of elimination, since the real estate photo I have of the bathroom does not show the door, does not have any windows, and doesn’t even remotely resemble the bathroom used in s3, but the only other bathroom space I was able to find in this house was off the dining room, which is definitely not big enough to hold a bath or shower. I may throw out all the reference photos of bathrooms I have if anyone is desperately curious, but for now in my head it’s just a general haze of ~a bathroom exists here~

anyway, from that right door let’s walk on into Neil and Susan’s tiny-ass bedroom.

this room is so comically small I’m amazed Billy didn’t get saddled with it, honestly, but if you want some headcanons about why he might not have, my go-to is that Neil /or Susan realized this bedroom was the best for any teen with a mind for mischief. while the windows are definitely not as ideal for climbing out of as Max and Billy’s are, if we take that door on the left we’re in the pantry (yes, the pantry. stay with me), and it’s a straight trip from there out the side door, and out to your smokin’ hot Camaro.

idk how sound that logic is, but it’s what I’ve got lol

But anyway, now we’ve reached the end of the house on one side, so I’m gonna take us back to the front living room and work our way back from there. here we’ve a quick glance at the other end of that fireplace, and another angle of how the front door and Billy’s door relate to each other:

the two parts of the living room are separated by this wide arch, and that further bit is where we see Billy’s weights and weight bench in s2. one could say that this is just normally where he keeps it, but my own personal hc is that they’re only there in s2 because the family just moved in, and that they later get moved to his room and the basement, leaving the living room more usable.

It’s hard to be 100% sure, but looking at these photos, particularly at the floor, I believe the second living room area is narrower (as shown in the floorplan sketch). It makes Max’s room make a little more sense size- and shape-wise, and it seems like all the pictures I have of this space confirm it.

anyway, the open door on the right of the second living room bit leads back into Max’s room, and through another arch we can see into the kitchen, and beyond that the dining room.

for some reason the only shots of the kitchen are taken from the back of the house looking forward, so try not to get dizzy as we spin around here.

as you can see we’re now pointed towards the living room, and on our left (towards the bedrooms) we see the doors to that pantry I mentioned earlier. I don’t have any photos of the inside of the pantry, alas. those would solve probably every question I have about the ground floor of this house. if you look closely they look like bi-fold doors to me, but they could just open inward.

we can also definitely tell that the wall on the left side of that arch is much shallower(?) than it is on the living room side, if that makes sense. essentially, these rooms on the left side of the house are getting narrower as they go on.

until the dining room! this room narrows a little on the right side, which you can see from exterior shots, but the pantry/bathroom weirdness in the middle of the house has definitely cleared out of the way to make room for dining here. we’ve also got two big-ass windows (comparatively), since going by the direction of the wood floors, the window on the left is not the same window as the one on the right.

and going by the existence of a window in that bathroom, we know this part of the house has three external-facing walls -- or however a professional would say that. (essentially, Susan and Neil’s bedroom can’t be overlapping the other side of the bathroom.)

we’ve been pretty low on storage space here so far, so that + the fact that the door in the corner looks nothing like a door to the outside + the fact that there’s a door to the outside literally on the other side of the room, gives me the conviction that this door is just into closet space. it could be a door to the basement, but we’ve seen the back of the house before and it doesn’t look like there’s enough space there for a whole other room full of staircase. observe:

not to mention Neil’s headlights are illuminating a perfectly good door to the basement right there, although idk shit about houses with basements. do they usually have two ways down if they’re built like this? I wouldn’t know, I live on a fault-line. we don’t do that shit here.

ANYWAY, that’s the house. somehow I feel like I’ve covered like way too much, and also not nearly enough, so do let me know if anything isn’t clear and I’ll try to fix it/do an additional post and link that. cause even if most of us are writing Billy living outside of Old Cherry Road/Cherry Lane at this point, this kind of shit is always handy to have around, at least imo?

#harringrove #billy hargrove #billy hargrove reference #stranger things reference #fanfic reference

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antilagardelle · 4 years ago

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My Conversion To Catholicism

Given the nature of this piece I will largely stay my usual impulse to abide by strict writing formalities. I will likewise employ a great deal more pathos than usual, albeit still less than most people, especially with respects to something as profoundly epiphanic as a conversion. That said, I reckon the best point of commencement for my story is at the beginning. I was raised Catholic from the cradle, but around the age of fourteen I fell away from the faith. Now I never became an atheist, although I did have a phase where I believed that God was evil and he created us as his guinea pigs for the mere purpose of torturing us. This belief was largely reflective of my domestic situation at the time.

As far as God’s existence goes--a subject which I do not have time to cover in this piece beyond a cursory review of thomist apologetics--I had always felt that these arguments, to which I was exposed at an early age, were essentially irrefragable: that a belief in any cause and effect without an uncaused cause at its outset was effectively an open rebellion against arithmetic, as was any belief in motion without an unmoved mover at its outset. Over the years I debated many atheists, all of whom advanced countless counterarguments to these undeniable verities. Yet not one of these rebuttals ever proved to be substantial argumentation, but rather clever forms of intellectual obstinacy; nay, that they never once posed an argument that both delegitimized these truths, and did not in so doing, delegitimize epistemology on the whole. So I was always convinced of the existence of a sentient uncaused cause: aseitas.

Now it occurred a couple years after I graduated high school in February of 2018 that I was quite spontaneously driven to look into the controversy of whether or not Jesus actually existed. I found that there were in fact extra-biblical references to Christ from trusted historians such as Tacitus and Josephus. And upon reading these references, and further finding that all attempts to repudiate their veracity, or even to argue that they were insignificant to prove that Jesus existed, were eristically facile. And it was upon this realization that I then knew that Jesus was a historical figure. When I was younger my stance on the story of the crucifixion would have been that the story accurately reflected the human tendency to hate that which is righteous. To hate that which is good, and love that which is evil. But as to the historicity of the texts I would have taken a neutral stance: I didn’t know. But after researching the matter, I now knew. The thing that I had been raised to believe, happened to be objectively true regardless of my having been raised to believe it. The values I was raised to believe were objectively true. And this was somewhat astounding to me. It was as if I no longer believed... I knew.

A couple months later, when Good Friday rolled around, I watched Mel Gibson’s The Passion Of The Christ. I had watched the film before, but this was the first time I watched it knowing beyond the shadow of a reasonable doubt, that the events depicted were verifiably historical. It was real. What I was watching really happened. And as such, I was so profoundly impacted by what Christ voluntarily underwent, and that through it all, he deigned not to provoke or to strike back, but instead to simply say “Father forgive them, for they know not what they do.” An innocent man, who did absolutely nothing, chose to undergo this torture anyway, without complaint. I was so deeply impacted by watching all this that I cried quite profusely. And I can remember thinking to myself that I wanted to be part of that man’s church. Whoever this man was, and whatever church he instituted I wanted to follow. And how could I not? The thought was burning through my mind, that if I had lived and seen what this man did, there was no way conceivable that I could choose not to follow him. And precepts such as saving sex for marriage, and going to mass every sunday were a small price to pay in comparison to how profound it felt to be numbered among this man’s followers.

Moreover, I recall the thought that I could not get out of my head for several months thereafter, was just how incredible the scriptures really were. In other words, the story of Christ was a story that on all accounts should have been a fairytale. I mean you’re telling me that the son of God came to earth and turned water into wine and he was crucified and the temple split down the middle and the vail rent from the top down upon his death, and the earth shook, and on the third day he rose again from the dead and is seated at the right hand of the father and he will come again to judge the living and the dead? But that’s just it... it was true. It was all real. It was as real as my own two hands. This story which on all accounts should have been the biggest fairytale of human history, just so happened to be objectively true regardless how surreal or mystical it was. Far from dismissing the scriptures from reality as some outlandish fairytale, it elevated the status of reality to that of a fairytale. This was my realization: reality was a fairytale. And it is no surprise then that the marked trait of reality is its need for fairy tales to express it. The modern idea that everything can be reduced under a “rational” system devoid of all numinous or esoteric qualities is flat out irrational. In fact anyone who impartially observes nature and the universe sees esoteric qualities all over the place: namely the Fibonacci Sequence, the fact that the moon wanes and waxes in 28 day cycles mirroring the menstrual cycle by sheer chance, the perfect transition of the four seasons(four being a symbol of wholeness). Now what’s the immediate conclusion of all these occurrences? The most immediate answer, if I am to forego relating these mystical realities to intelligent design for the sake of argument, is that the world is inherently esoteric. If your version of reality does not include ineffable, mystical, numinous doctrines, it isn’t reality at all. This was the conclusion that my conversion brought me to. And I distinctly recall thinking, “the things that are true, the things that are true, you wouldn’t believe the things that are true.”

It was not until late December of 2019 that I began to shift from a sort of vague unitarian Protestantism to Catholicism. My heart was no longer hardened. It had softened at this point in time, due largely I believe to the fact I had just moved out of my Parents’ house. My conversion to Catholicism from Protestantism was based on two principle truths that I had long known, but suppressed or ignored out of a fear of coming back to Catholicism. That fear was now removed. The two primary truths were as follows:

1. That Protestantism is merely moral relativism with a Christian flavor. As bluntly phrased as that is, it’s true. The scriptures on their own cannot adequately constitute morality without a central magisterium to interpret them. Without a magisterium, stoning gay men, raping women, and flogging would all be justified. And many Christian movements have done such things which were made excusable by the mere fact that they had no papal authority to condemn them. The magisterium mediates the meanings of the biblical passages. Discussion about infallibility is for another occasion.

2. That biblical canon is an unattainable standard where there is no central church to delineate between those books which are doctrinally adequate and those which are not: namely The Gospel Of Judas, The Gospel Of Thomas, The Book Of Enoch, etc... Without a central authority, the very notion of a uniform bible vanishes completely. One of the attacks on the bible made constantly by atheists, is just how various and contradictory the literature is that claims to chronicle the life of Christ, and of the individuals and events in the old testament. That these chronicles are so varied and contradictory that there can be no canon. This argument holds sway as long as one refuses to believe that there was an actual central church that went through all these varied accounts and pulled out only those that were coherent, and in line with the Church’s doctrine, and I had to accept this in order to properly defend the truth against the assault of atheists.

I have now been Catholic for over a year. I recall it started as an inkling. In late December of 2019 I felt like I was being pulled that direction, but I still didn’t consider myself Catholic for certain. I started going to mass every now and then. This eventually became every sunday. I went to confession so I could start receiving the eucharist. Month by month, week by week, day by day, I became increasingly more devoted to being Catholic. I went from saying that I thought I wanted to come back to Catholicism but was hesitant to call myself Catholic, to boldly considering myself Catholic. I hope this piece has been informative, helpful, or enlightening to fellow Catholics, as well as others of all creeds and philosophical beliefs. God bless all who chose to read this!

#catholicism #catholic #christian #christianity #protestantism #bible #scriptures #philosophy #religion #jesus #atheism #skepticism #literature #history #conversion #hermeneutics #epistemology

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inevitably-johnlocked · 5 years ago

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Hello lovely! I was just wondering if you know any fics of sort of developing relationship, in the sense that Sherlock and John are orbiting each other, growing realy close and intimate, but not quite aware they are falling for one another. All this mostly happening in 221b, in the private of their home, where they can be comfortable, let their guard down and just be the husbands that they are. Really hope you can help me Thank you so much❤️

Hi Nonny!

Oh GOSH, I have a tonne of Developing Relationship fics, and the lists I have are so scattered and messy because I did them before I had a system for my fic recs lists and decided to keep everything separated. But I’ve SO many of them that to plop them all into one fic list, I realised as I was trying to do it, would have been too many fics for the list, so I’m going to continue to stress about how disorganized the old lists were and make a Part 4 to my past lists, LOL

DEVELOPING RELATIONSHIPS / SLOW BURN Pt. 4

See also:

Love Confessions / Slow Burn / Dev. Rel. (Fluff Version)

Falling In Love / Slow Burn / Dev. Rel. || [MOBILE POST] (April 2019)

Platonics & Domestics Pt 2 / Hugs, Cuddles & Kisses Pt. 3 / Tooth-Rotting Fluff Pt. 5 / Love Confessions, Slow Burn & Dev. Rel. Pt. 2 / Established Relationship Pt. 3

Slow Burn / Dev. Rel. / Falling in Love Pt. 3 (Nov. 2019)

To the Nines by suitesamba (M, 2,724 w., 1 Ch. || PODFIC AVAILABLE || Magical Realism, Pining, Angst, John Whump, Time Travel, Fortunes, Time Jumps) – John skips forward in time, and Sherlock reads the signs that point to nine. John knows he’ll eventually be with Sherlock, but the waiting is nearly impossible, and his body is a lot more than transport. A foray into magical realism where all the canon events occur, and a hell of a lot more.

Stranded by BeautifulFiction (T, 5,798 w., 1 Ch. || First Kiss, Communication / Relationship Discussion, Pining Sherlock, Sherlock POV, BAMF John, Doctor John, Case Fic, Drinking, Huddling For Warmth, Friends to More) – When stranded on a derelict barge at high tide, John and Sherlock reconsider their friendship.

Bridges by sussexbound (M, 6,602 w., 1 Ch || Post-TLD / S4 Fix It, Love Confessions, Mending Relationships, Moving Back In, Pining Sherlock, POV Sherlock, Past Abuse, Shaving) – The silence between them is deafening, interrupted only by the hum of the traffic outside, and the soft click-clunk of the plastic cups Rosie is playing with on the floor beside them. It is the first time they have been alone together, since Sherlock’s birthday. It’s only been two days, but it feels huge, important, like there is a precarious bridge stretched out before them both that they need to at least attempt to traverse.

Out of the Woods by SilentAuror (E, 20,471 w., 1 Ch. || Post S4, Romance, Slow Burn, Flirting, Drunk Sex, Practical Jokes, POV Sherlock, Bottomlock, Possessive John, Pining Sherlock, Frustrated Wanking, Frottage, Hand Jobs, Blow Jobs, First Kiss/Time, Virgin Sherlock, Love Confessions, Soft Sherlock, Dancing, Bum Appreciation, Hanging out with the Yard) – Sherlock is fairly certain that John has taken to flirting with him of late, but can’t be entirely certain of it. At least, not until a case takes them into a forest, along with Lestrade’s team and something happens that will change everything about their lives…

Anchor Point by trickybonmot (E, 49,856 w., 80 Ch. || Truman Show AU || Psychological Drama, Suspense, Slow Burn, Dark Characters / Fic, Alternating First/Third Person, Protective John, Anxious/Worried Sherlock, Tender Moments, Love Confessions, Hand/Blow Jobs, Cuddling, Jealous John, First Kiss/Time) – The world tunes in nightly for Sherlock, the ultimate in reality TV: Sherlock Holmes, a real person with a legendary name, unknowingly lives out his life in a staged setting contrived by his brother. Things get complicated when a retired army doctor joins the show to play the part of Sherlock’s closest friend. This fic borrows its concept from the 1998 film, the Truman Show. However, you don’t need to have any knowledge of the movie to enjoy this story.

Points by lifeonmars (E, 53,791 w., 42 Ch. || PODFIC AVAILABLE || HLV Rewrite / Canon Divergence, Married Life, Pregnancy / Baby Watson, Drinking to Cope, Boxing / Fisticuffs, Clueless John, Angst, Minor Medical Drama, Tattoos, Christmas, First Kiss/Time, Eventual Happy Ending, Love Confessions, Doctor John, Sexuality Crisis, Slow Burn, Case Fic, Drugging, Blow/Hand Job, Emotional Love Making, Parenthood, Passage of Time) – What if His Last Vow never happened? This fic picks up a few months after John and Mary’s wedding, in an alternate universe where Magnussen doesn’t exist, but Mary is still pregnant. Life continues – just in a different direction. And slowly, Sherlock and John find their way to each other.

Just To Hold You Close by sussexbound (E, 70,841 w., 18 Ch. || Alternate First Meeting, Sherlock POV, ASD Sherlock, PTSD John, Demisexual Sherlock, Bisexual John, Cuddling/Snuggling, Platonic Cuddling, Enthusiastic Consent, Bed Sharing, Love Confessions, First Kiss/Time, Sexual Tension, Emotional Hurt/Comfort, Cuddle Negotiations, For a Case Until It Isn’t, Hair Petting, Sexual Negotiation, Anxiety, Trust Issues, Slow Burn, Panic Attacks, Frottage, Hand/Blow Jobs, Referenced Self Harm / Abuse / Suicidal Ideation, First Kiss/Time, Anal) – When a woman is murdered and the last person to see her alive is recently invalided army vet turned reluctant (and prickly) professional cuddler, John Watson, Sherlock Holmes is pulled into a world of intimacy and intrigue he never could have imagined. John is a conundrum and mystery: frank yet reserved, tender yet angry, open yet afraid. Sherlock is instantly drawn into his orbit, and begins to feel and desire things he never has before.

Thermocline by J_Baillier (M, 83,557 w., 14 Ch. || Scuba Diving AU || Adventure, Angst, Hurt/Comfort, Marine Archaeology, Asexual Sherlock, Horny John, Relationship Drama, Technical/Scuba/Wreck Diving, Slow Burn, Underwater / Medical Peril, Doctor John, Hurt Sherlock, Anxious Sherlock, John POV, Protective John, Body Appreciation) – John “Five Oceans” Watson — technical dive instructor, dive accident analyst and weapon of mass seduction — meets recluse professor of maritime archaeology Holmes. As they head out to a remote archipelago off the coast of Guatemala to study and film its shipwrecks for a documentary, will sparks fly or fizzle out?

The Bang and the Clatter by earlgreytea68 (M, 137,049 w. || PODFIC AVAILABLE || Baseball AU || Slow Burn / Dev. Rel., Possessive/Obsessive Sherlock, Jealous Sherlock, Mutual Pining, Body Appreciation, Depression, Closeted Sexuality, Family, Sherlock’s Mind Palace, Ogling Each Other, Anxious Sherlock, Panic Attack, Drunkenness, Talk of Forever, Big Feelings™) – Sherlock Holmes is a pitcher and John Watson is a catcher. No, no, no, it’s a baseball AU. Part 1 of Baseball

Proving A Point by elldotsee & J_Baillier (E, 186,270 w., 28 Ch. || Me Before You Fusion || Medical Realism, Insecure John, Depression, Romance, Angst, POV John, Sherlock Whump, Serious Illness, Doctor John, Injury Recovery, Assisted Suicide, Sherlock’s Violin, Awkward Sexual Situations, Alcoholism, Drugs, Idiots in Love, Slow Burn, Body Image, Friends to Lovers, Hurt / Comfort, Pain, Big Brother Mycroft, Intimacy, Anxiety, PTSD, Family Issues, Psychological Trauma, John Whump, Case Fics, Loneliness, Pain) – Invalided home from Afghanistan, running out of funds and convinced that his surgical career is over, John Watson accepts a mysterious job offer to provide care and companionship for a disabled person. Little does he know how much hangs in the balance of his performance as he settles into his new life at Musgrave Court.

#steph replies #johnlock fic recs #slow burn #developing relationship #my fic recs #e-rated fics #long post #Anonymous #fic rec wednesday

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superman86to99 · 4 years ago

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Adventures of Superman #506 (November 1993)

Superman vs. Superboy! I mean, vs. Superman, since the Kid still insists that Superboy is definitely NOT his name and never will be. The two Supermen meet while the younger, radder one is dealing with some sort of deformed flying babies that are trying to kill him, which is the sort of thing that happens to you when you wear an “S” emblem on your chest.

These turn out to be deformed flying babies THAT EXPLODE, but the Kid is able to push them away with his (very non-Superman-esque) telekinesis powers. He then deduces that these things must have come out of Project Cadmus, the top secret genetic experimentation facility that created him, and brushes off the elder Superman to get back at those geeks by doing what he does best: being a brat on live TV.

So I guess the “top secret” part of Cadmus’ description is no longer accurate, thanks to the Kid. On the other hand, I kinda feel like the people of Metropolis deserved to know that there's a nearby government facility churning out genetic atrocities into their sewers.

The Cadmus gang sends Guardian to bring their wayward creation home so they can talk to him. Obviously the Kid isn't very interested, and for a while it looks like we might get the fight scene teased in the cover, but then Superman the First convinces Superman the Second that he should at least hear them out. And, while at it, ask Cadmus to tell him exactly what the hell he is. If he’s Superman’s clone, why does he have those weird TK powers? The Kid agrees, but... he doesn't like the answers he gets.

The Kid finds out that he's NOT a clone of Superman since, as established a while back, Kryptonians are damn hard to clone. So, since Cadmus was determined to create a new Superman after the original appeared to be dead, they instead took a clone of a regular, non-super man and genetically modified it to approximate Superman's powers (for instance, translating Superman’s “aura” into a telekinetic field). But who was that human DNA donor? Surely it was someone good and cool!

Just after the Kid wonders that, the quite evil and deeply uncool Director Westfield bursts into the lab and demands that this "super-punk" be taken into custody, probably so they can flush him down the toilet like Cadmus' other failed experiments. Superman makes Westfield see that making Cadmus' whistleblower disappear wouldn't look very good right now, but they can't just let him run around unsupervised. So, at Guardian's recommendation, the esteemed telepath Dubbilex is assigned to follow the Kid wherever he goes. I smell a sitcom! (Or a spin-off comic.)

As a last order of business, the Kid decides to give Superman his trademark to the Superman name, which his manager Rex Leech doesn't take too well. So what are they gonna call this teenage “S” emblem-wearing hero now? Superman has an interesting suggestion: SUPERBOY. Our young friend still isn't a fan.

But after storming out and thinking about it for a couple of pages (and trying out the name on some guys robbing a jewelry shop), the Kid realizes he's "earned" the title of Superboy and accepts it. Character development! And just in time for his solo series. ("That Non-Superman Clone Who Also Calls Himself Superman" wouldn't look good on a cover.)

Plotline-Watch:

The final page shows a shadowy figure shaped like the recently introduced Bloodthirst outfitting someone with a weapon-teleporting gizmo, then calling him "Bloodsport"... except that this dude is quite paler than the Bloodsport we met way back in Superman #4 (in an issue inked by current writer Karl Kesel, so you'd think he'd remember the character). This looks nothing like Idris Elba! What gives?!

Superboy is still bummed out because his friend Tana Moon left Metropolis without telling him where she was going, which is now known as "ghosting". In the end, Rex talks about sending Superboy on a promotional tour to establish his new brand, and the first destination of that tour will be... exactly where Tana went to hide from Superboy. This is now known as "time to get a restraining order."

Clark Kent is slowly morphing into a hipster the longer he rooms with Jimmy Olsen. For a long time I assumed all the bands listed in the panel below were made up, but turns out the only non-existing ones are “James Rock” and "Axel Rose". Luckily, Superboy was happy to give Clark's old apartment back to him (apparently only Pulitzer-winning journalists can afford it), so Jimmy won't hipsterize him for much longer.

Westfield gladly assigns Dubbilex to Superboy because it means there won't be a telepath at Cadmus to read his thoughts and find out about his evil plans (like sending the ugly flying babies after Superboy). Very clever, Westfield! Except for the fact that he thought that right in front of Dubbilex, who clearly "heard" the whole thing.

Incidentally, there's an apparent error in this issue when Superboy thinks "They won't take me without a fight!" and Guardian shows up and says "That's too bad, son. Because I don't want to fight you." How did Guardian know what Superboy was thinking? Obviously, Dubbilex patched Guardian through to Superboy's mind to assist in finding him. Now where's my damn Baldy Award?!

Is it me or is this page reminiscent of the cover to Superboy Prime's first appearance during Crisis on Infinite Earths?

Patreon-Watch:

Special thanks to your Patreon pals Aaron, Murray Qualie, Chris “Ace” Hendrix, britneyspearsatemyshorts, Patrick D. Ryall, and Samuel Doran, and welcome aboard to Bheki Latha (our first $6.50 patron ever!), Mark Syp, and Ryan Bush! You are all excellent. This month they got to read a long-ass post entitled 45 Things I Learned by Reading the “Death of Superman” Novel (Part 1), in which I talked about the stuff Roger Stern added to the canon in the first part of the Death and Life of Superman book. This includes Superman’s private thoughts on the JLI (and Guy Gardner in particular), what Lex Jr. calls Supergirl in bed, and Professor Hamilton getting romantic. Find out more at https://www.patreon.com/superman86to99

But now: the Don Sparrow show! Take it away, Don.

Art-Watch (by @donsparrow):

The end of an era, at least temporarily, as Tom Grummett draws his last Adventures of Superman issue, moving onto Superboy (and I think still doing Robin at this time?) with Karl Kesel. He’ll return for the quarterly Superman: Man of Tomorrow and other things, but it’s a long gap until he does.

A pretty good cover, with Superman and Superboy about to tussle. Though it can be seen as cheaping out on the backgrounds, I always love radial rays as an effect.

Inside the issue, we have a great splash page of Superboy getting attacked by botched clones, and I love the gesture here—having his head snapping away from the camera adds to the motion and action. Great stuff.

Though he won’t be drawing her again for a while, Grummett excels at the new, shorter-haired Lois in these pages. Superman soaring to the skies is a great panel as well, and I especially like the way his cape and fist slightly break the panel barrier, giving it a sense of motion, again.

The sequence of Guardian acrobatically flipping from one ledge to another is very well drawn. Ditto the splash on page 13, where Superboy loses his temper. The body language in this whole sequence tells the story very well, as Superman is calm and patient, confident in his ability not only to reach Superboy with his words, but also withstand him physically.

The way Superboy snaps the carpet, but controls it mentally with his Tactile Telekinesis is a great example of his unique powers in use. It reminds me of a technique they tried on the CW Supergirl show (but almost immediately abandoned) where they made like the Kryptonian fabric of their capes was like “smart fabric” and could be used as a weapon.

Lastly, the dreamy, child-like expression on Superboy’s face during the Peter Pan exchange is wonderful, and a fitting end for Tom’s run on the book. [Max: You mean the William Shatner exchange, Don.]

STRAY OBSERVATIONS:

I almost never like it when they reference pop culture stuff in Superman comics, particularly music. Karl Kesel isn’t the worst offender in that department (that would be JM DeMatties a few years down the line, who had Clark Kent bizarrely asserting he loved the Beastie Boys) but Clark’s discussion with Jimmy about an apparently fictional musician working with a rolodex of early nineties names makes me cringe (as does trying to imagine how awful a “Hip Hop Lyle Lovett” or “Grunge Frank Sinatra” would sound).

The car poster on the wall of Jimmy’s bachelor pad looks for all the world like Robin’s Redbird, also a Tom Grummett creation. (Fun fact: Tom once told me he still gets {very small} royalty cheques from the Batman & Robin movie, because Robin’s motorcycle was called the Redbird, though that might no longer be true with Paul Levitz no longer in charge of such matters.)

Superboy (in no less than his third time calling those pink creatures “spuds”) references John Candy and Joe Flaherty’s “Farm Film Celebrity Blow Up” where the guests would frequently “blow up real good” and it does my SCTV loving Canadian heart good.

It’s interesting (and a little sad) that they again note that Superboy knows things (pop culture, etc) without ever having experienced it. I feel like there’s a lot they could do with this concept.

This issue reads very much like the end of the Superboy “Reign” issues, as Superman is more of a secondary character to the kid. All of it begs the question of why Superman, or Guardian put up with Cadmus. Superman has said in previous issues that he has moral problems with how Cadmus treats life with their cloning experiments, and they’ve attacked him in the past (and also stole his corpse!) so other than the fact that it’s a launchpad for Superboy’s series, there’s really no reason any of these heroes should associate with Cadmus. Especially Guardian, who comes off as little more than an errand boy here. He wants to bring Superboy in, but won’t promise Superboy won’t be harmed or imprisoned?

Nice to see Superboy return to his “Slammin’” catch phrase!

An interesting bit of foreshadowing when Superboy asks Big Words whose clone he is, and who immediately enters but Westfield. [Max: That’s right, Westfield! Not Luthor! Sorry, sorry.]

#superman #karl kesel #tom grummett #doug hazlewood #superboy #project cadmus #paul westfield #dubbilex #guardian #carl packard #rex leech #roxy leech #bloodthirst #bloodsport #hip-hop lyle lovett #grunge sinatra

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yue-muffin · 4 years ago

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Time Raiders (2016)

Part 1 || Part 2 || Part 3

In my quest to consume the entirety of the DMBJ franchise available in English, I have decided to start with the non-canon movie because at least this one has an ending, unlike the train wreck that is Reboot/Chongqi’s pacing. I will probably be bitter about that for all eternity, but I digress. I heard good things about the movie from the bird app, and as I am a Pingxie shipper at heart, I decided to finally watch this one.

P A R T O N E

The cut-in animation to the title was gorgeous, I do so love the qilin in every adaptation. It’s particularly striking here with the gold outline and geometric, maze-like lines. It looks like the cards at the very beginning were being arranged in the image of this qilin.

My first reaction upon seeing white people in a dmbj adaptation is: oh no, the English, but I was pleasantly surprised to hear perfect English that matches the actor’s lips! What a miracle, haha. I remember The Lost Tomb 2 being the worst for how many lines had to be in English, sob.

These look so cool. I see we start off with a good old “seeking immortality” antagonist, and an obsessed collector who has dedicated his whole life to this apparently. As usual, he is a scumbag threatening the locals.

The old guy’s accented English is also better than TLT2, ha. The breathy/nasal quality is not at all uncommon. I don’t know what language the locals speak though.

Me, immediately: Zhang Qiling already??

I know he appears in rather early in TLT1, TLT2, and Reboot/Chongqi, but he’s so often mysteriously absent or stuck behind a gate (or in Reboot’s case, put on a bus) that I got excited, ok.

My favorite Zhang Qilings are the cold-looking pretty boy types in terms of my mental image of the character, but this one is also very easy on the eyes and as usual, unfazed in the face of danger coming at him with a knife. This is the only series in which I’m not bothered by the constant cast change between adaptations (unlike Ever Night), I suppose since it’s been this way from the start.

I’m interested in seeing how the backstories differ from canon. It’s actually rather interesting that this is pretty much an official AU, like that’s kind of wild as a concept. I’m used to the late 1990s/early 2000s anime adding new characters and changing plot points and endings everywhere, but Time Raiders takes it a step further.

Zhang Qiling being an ultra-competent badass who doesn’t even need a weapon to take the bad guys down never changes, no matter the universe. He steamrolls everyone, no questions asked.

Did he- he break the blade with his bare hands hahaha. Oh, yup, and a Zhang Qiling with a weapon is even more dangerous. I see those severed fingers. Such a good fight scene and we’re not even 5 minutes into the movie.

I love how he could have simply fired the arrow while he was still on the statue, then jumped down, but he had to be Extra and fire while he was jumping off haha.

It- the divine piece was right there?? By “beneath the statue” I would have thought it would at least be under it, not in a convenient little slot on the side of the altar area haha. So Zhang Qiling’s mission is to destroy the divine piece(s)? To, um, save the world apparently.

WHO ARE YOU? What an excellent question to ask a Zhang Qiling (and that staring into the mirror shot, too.)… I wonder if this one even knows - it’s possible he doesn’t have his signature amnesia here.

Wait- a gate? I think it’s in a cave or something in the novels, but gates have significance in DMBJ. The cinematography is really nice in these mountain shots. I know nothing about film, but I like the shots in the snowy mountains.

This Zhang Qiling knows and practices martial arts on screen! You would think he’d pull some moves normally, but in the drama-adaptations he tends to just beat people up as efficiently as possible. Sometimes with his sword. Other times he just fights ‘em. I have to admit Jing Boran looks excellent going through some forms. He nailed the force and power underlying every movement, then exploding outward with a strike. I do like the impression it leaves.

I, on the other hand, am an absolute noodle and look ridiculous when I do martial arts.

What in the world is happening in this flashback scene with the weird CGI qilin. Ah, it’s when he received his tattoo. That was super dramatic.

Wushanju is looking real edgy with the heavy iron gate on the interior, haha.

He is puzzling (ha!) over those cards so intensely you’d think it was a thousand piece puzzle instead haha. You’re almost there! Just a few more to finish the qilin!

Aw, is this our Wu Xie? Haha his facial hair is- hm. But I love his voice it’s so soft. Really fits that “Mr. Naive” vibe.

Is that. Is that the author of the series. I found out that he makes cameos in almost all (if not all of) the adaptations!

NO. ONLY I CAN FINISH THE PUZZLE. HANDS OFF BUDDY.

Why are there so many pigeons in here. Who let them inside.

A writer, who came to hear his story and turn it into a novel- HA yup it’s the author.

“This should be a story about me and him.”

Ahh I’m loving it already. DMBJ is the ultimate bromance story. Fair warning, I do ship Pingxie so my shipper goggles will be on throughout the movie. But even without shipping, you do have to admit the series is a bromance underneath all the mystery – between the Iron Triangle, between Wu Xie and Xiaoge.

This Wu Xie is a photographer and that is sort of adorable. Already there’s a theme emerging of needing to record events and telling stories. Interesting that he wants to turn his memories into a novel to record his experiences, because otherwise he’s afraid those memories might turn into a mere story in his own head. Wu Xie, that’s a worrying mindset.

Those ancient mask things always make me crack up, I don’t know why.

Ooh, background about Wu Xie’s birth into the Wu family. I’ve never read up to the part in the books where they go into his place in the family in detail. To be fair, his grandfather had three sons and only one of them had any kids – and Wu Xie is his parents’ only child. So, he becomes the only one who can really carry on the family legacy. Aw, I really like seeing his extended family present though! In the dramas we only ever get either his Second or Third Uncle, and he rarely ever mentions his parents even though they’re alive.

And there’s his namesake! The origin of his nickname, and the irony once the story gets into the Sha Hai timeline.

Wu Xie was a bit of a rascal as a kid, haha. To be fair he has a pretty sharp tongue in the novels and is mostly a pure cinnamon roll in the early dramas.

Little Wu Xie in a suit is so adorable. Nooo kid don’t go into locked up abandoned places. He’s already so adventurous haha. Seems that it’s not actually abandoned judging by all the lights on, but.

UH. MASKED MAN BEHIND YOU. I think he wants that item back. This is why you don’t go into abandoned places, kid. He definitely does not learn his lesson though. Also why are you still holding onto that thing, just drop it, I think he wants it back.

Haha he kept one of the coins.

WOAH. Every month someone in your family dies?? That’s uh- sort of traumatic. Also that would be a really good first line for a novel…Just saying. I do love the singing though.

Oh, the Nine Families exist in this universe too! They even give a quick explanation about the ranking system.

Oh yeah, I love how Wu Xie is such a nerd for all this knowledge of ancient texts and tombs. And YES HE FINALLY DOCUMENTS STUFF FOR ONCE.

Uncle Three looked dead for a moment there, scared the shit out of me too.

VAMPIRE MOTHS? Oh I hate bugs I would not be okay lol. WHOOPS. You guys are really good at reading ancient texts on the fly lol.

That’s the mask he has in the beginning of the film, isn’t it. NO DON’T TOUCH THINGS IN TOMBS. AHHH. So you just put it on your face?? Well that was a stupidly simple way to open the door. I’m guessing the creator didn’t care if anyone opened it.

This guy just severed his own arm, ok…and how many years later is his hand still clinging to it? UH. THIS IS WHY YOU DON’T TOUCH THINGS IN TOMBS. Then he proceeds to steal the box thing.

Ah the white dude again. I am so happy there is GOOD ENGLISH though haha.

Oh, hi Zhang Qiling. Just hanging out on a rooftop I see.

He looks so melancholy. Someone give him a hug! This adaptation makes him more human, less stoic robotic superhuman, I noticed. You rarely see him eat or drink anything in the other adaptations, but here he’s just chilling on a rooftop having some drinks haha. It’s ok. I love all the Zhang Qilings.

WHAT THE HELL, LIGHTNING? What the hell is this high tech machinery haha. Eight days? Coincidentally eight days after sitting in a tomb for how many years.

That is a very Extra bookcase to hold a book that apparently has ALL the secrets.

WOW that is a fancy notebook. It looks so beat up in the other versions haha. In this one, it even gets its own hidden shelf in a giant portable bookshelf!

The props for this franchise are so cool and detailed. I always wish they would show more of the creative process in the BTS, I’m such a nerd for that stuff. The Longest Day in Chang’an was pretty good at that, which is half of my enjoyment of that show haha!

I’m also still pleasantly surprised they bothered to incorporate other languages. I’m not sure what the Snake Lady and the old man in the beginning were speaking, but at least the English is good.

I can’t believe they worked in a steampunk chastity belt this movie went all out, huh. Also with these weirdly high tech structures and lightning and moving tomb structures.

And all the pieces start coming together! So that’s why it’s believed they hold the secret to immortality. What a steampunk-looking key.

Is that a writing desk??

Oh, they’re getting a team together to go tomb raiding! Ha, forget money! You may or may not end up dying on this adventure, so who cares about money, right.

He’s so cute standing there with his camera. Look at the little smile as he watches everything going on!

It’s a desk and a storage container?? Oh, there are ~qualifications~ to going on tomb raiding. Makes sense. That is the oddest looking sword.

Must appreciate Zhang Qiling’s fingers in every adaptation. They look very strong and steady here. Let’s not talk about the slooow trailing across the handle.

Wow did you really just throw sand in his face. Have we not learned not to mess with Zhang Qiling after he trounced that first guy who attacked him. I love the fight scenes so much after the bore-fest that was Reboot/Chongqi’s second half of Season 1.

Super pretty, but why did it cause him to stop and stare in the middle of the fight?

This is like a Final Fantasy sword haha. Also I think you should stop while you’re ahead, why did you think a table would stop this dude. (Hey, it’s Da Kui! He was in the novel but not TLT1.).

It’s HERE. Their first meeting. How did he know the coin was on that cord? It wasn’t visible, I don’t think. But uh. That was a hilarious move on his part, he is so Extra?? He just casually flicks the necklace off with his big-ass sword and it drops into his hand. Then casually goes “oh, here, you dropped this” as if he wasn’t the one responsible for it coming off in the first place!!

HERE IT COMES. The unnecessarily long eye contact. Pingxie in every adaptation needs a Staring Into Your Eyes scene.

Real smooth.

Ahh this Wu Xie is such a cutie. He’s like a puppy.

WHAT. Third Uncle, I can’t believe you let him tag along so easily haha. In the beginning he was scolding Wu Xie to never get involved in tomb business, then what happens? They’re going tomb raiding!!

Next Up: to the tomb we go! This can’t end badly or anything what are you talking about.

#daomubiji #time raiders #dmbj #盗墓笔记 #image heavy post #perhaps don't view on mobile #in which i lose my mind for 2 hours #the muffin's liveblogging adventures

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hamliet · 5 years ago

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Hello! Have you seen TROS yet? [Spoiler alert] I was really devastated by the ending - coming out the theater feeling upset and disappointed. Do you have any thoughts on it? Or maybe any plan to write fix-it fic? Thank you!

I am seeing it tomorrow. That said, I’ve read the plot summary, and no good execution can save that. So I was planning on posting this after I watched it with amendments made as I hope to enjoy it, but I’ll just post it now and amend this as necessary based on the film as I see it. (I still believe I will enjoy the film, even if I don’t think it’s a good film. I do think that. I really do... I hope.)

BASED ON THE PLOT SUMMARIES ALONE (grains of salt everywhere!):

I think it’s technically… messy writing at best and downright bad writing in other parts.* 10/10 it’s a blockuster-y, JJ Abrams-esque, (hopefully) fun, messy narrative movie that will be forgotten in 0.3 seconds.

Disclaimer before everyone comes after me: if you like it, AWESOME. If you think it’s good writing, great! Good writing and bad writing are inherently subjective; that said, there are general consensuses among literary studies about what constitutes bad and good writing. Hence, I’m relying on those consensuses when I call it messily written.

Before we get into specifics, I’ll compare it to two other major pop culture endings: Game of Thrones and Avengers: Endgame.

TROS is similar to the GoT final season in that it attempts to incorporate every aspect of fan speculation ever. However, it’s more like Endgame in that it is still somewhat true to the themes and characters—but unfortunately also like Endgame, it is not transformative or particularly interesting as a story on its own. In fact, it’s rather boring and honestly… bad storytelling. It tries to rehash Return of the Jedi but it doesn’t succeed in any way because the world and the overall story has grown since the early 1980s, and so the same story doesn’t work anymore.

Showing a cyclical story remaining cyclical with no sign of that breaking–instead, the cycles are even reinforced–does not give optimism nor does it give hope.

Redemption=death needs to die already. If we really want to reach people and tell them that the message is that you can always make a better choice (as Daisy Ridley and JJ Abrams have said about Kylo’s arc), maybe don’t send the message in each and every story that you have to die to redeem yourself. Look outside of cultural secular Calvinism, for the love of God and the betterment of the world and stories as a whole.

Now let’s talk Rey’s parentage.

We know Rey Palpatine wasn’t planned from the beginning (Trevorrow, the original write/director of IX, who was thankfully fired, said that he never planned for Palpatine to return), which means Rey’s parentage was most likely retconned from TLJ and there was no real plan for the sequel trilogy’s overall character arcs (save for Kylo’s, according to the actors and writers).

Listen to me. You don’t have to have everything planned when you start a three-film saga, but you gotta know the major beats.

This is like a sad game of movie telephone.

Yes, I know the OT Star Wars didn’t have a plan either and it’s like one of the only examples I can think of where no plan worked out–albeit not without hiccups (Leia kissing Luke, anyone?) If you expect lightning to strike twice in the same place, I’m sorry, but you are hopelessly naive.

Having Rey decide she wants to carry on the name Skywalker at the end is lame as shit. It’s a way to appease fans while being like nah she still isn’t related. Trying to please every fan is a sure way to guarantee that you will please no one. It might make for a perfectly pleasant film experience (I really hope it does), but not good, lasting storytelling (though not like, horrific either). It’s meh. It’s like… giving someone who is starving oatmeal. It will get the job done but will it satisfy and enthrall people? Not quite.

And let’s switch gears for a minute to Finn and Rose, my first and third favorite characters in this trilogy (Kylo is second, Rey is fourth). The sidelining of Rose is nothing short of a terrible attempt to please the white-supremacist-aligned Fandom Menace. Let’s not pretend it’s anything else. JJ’s lipservice about how wonderful it was that Kelly was cast at SW Celebration is, in hindsight, absolutely nauseating.

Shame on JJ. Shame on Disney.

But the main problem I have with this film is this:

Why did it need to exist?

The answer is money. Obviously. I know, I know stories exist to make money. That doesn’t mean I can’t criticize the fact that the story was sacrificed on the unholy altar of capitalism and Disney’s desire to own our souls. (Disney–the reason I like your movies is that a lot of them are good stories. I’m not interested in pandering soooooo.)

The Rise of Skywalker does not enhance the Star Wars narrative. Nothing about this film satisfies the Skywalker Saga nor the sequel trilogy, and it kind of all comes down to Kylo Ren’s death being the nail that sunk the entire world of Star Wars.

Keep in mind Kylo is not my favorite character when I’m saying this. Finn is. But I never spoke about Finn as much because the story didn’t utilize him properly. I never had concerns about Finn getting a happy ending while I was worried for Rey and Kylo’s arcs. (Finn’s arc, however, did have a ton more potential than was capitalized on; in particular, he would have been better if he was more conflicted over say, shooting other stormtroopers. His whole character humanized the usual red shirts, which when paired with Rose’s everywoman character, had so much potential I could shriek about it all day. That he didn’t lead other brainwashed stormtroopers into rebellion and freedom saddens me. Also, his ending again seems to bring about a good victim/bad victim dichotomy when it is compared with Kylo’s. The reason these two are my faves is that they were brainwashed as kids which, well, I can kinda sorta heavily relate to.)

Kylo Ren and Rey’s relationship doesn’t really get much better than it did in The Last Jedi. It actually rehashes that arc significantly. We already knew Kylo would fight for Rey and the galaxy, so… how was this different? Now, if he had lived, it would have been different, because it was the after the fight that proved that Kylo wasn’t ready to redeem himself in The Last Jedi. It was Kylo’s choice to stay at the expense of Rey and the Resistance that was literally the set up for conflict in the next film. This… turned it into nothing? Their conflict is rehashed and then whoo-hoo! Easy way out! Kill him so that they don’t have to deal with the “after” this time! They never have to deal with the conflict literally set up in The Last Jedi.

That’s bad writing, fam.

Life is infinitely more interesting. Leaving the story open with a living Skywalker instead of killing literally everyone involved with the Skywalkers except Rey who now adopts that name is… so unsatisfying I can’t even. Even if later material shows him showing up as a Force Ghost, like: cool saw that with Vader so this… adds nothing to the existing films. It doesn’t really reconcile anything.

It also… does not help the Rey=Mary Sue argument. She is NOT a Mary Sue, and that is a sexist term itself, but in no way is it a satisfying ending to her arc, because it isn’t a well-written ending which means it isn’t a well-written arc. The problem with Rey’s ending is a mirror of my problem with Kylo’s ending: it’s the very much a combination of her ending in The Last Jedi and her life before The Force Awakens.

She and Kylo are now separated (permanently this time).

She’s has her Resistance friends.

She’s alone on a desert planet.

But wait! Now she’s now happy!

Uh, why? The only reason I can think of is that the narrative demands it. Because honestly, what changes? The family she chose–the Skywalkers–are just as dead as her Palpatine birth family, soooooo. I suppose she reconciled with her heritage and come to peace with it and so that’s why she’s happy now, but… I can’t lie. It’s not hopeful. It’s not optimistic. It’s not Star Wars and it isn’t consistent for the message (especially if this is supposed to be the ending to the saga!) to be both:

life sucks for the Skywalkers and then they die–seriously, look at Shmi, Anakin, Padmé, Leia, Luke, Han, Kylo–it is LITERALLY ALL OF THEM; and

deciding to be a Skywalker means you’re at peace.

I can only assume Rey’s life will suck and then she’ll die, tbh, unless of course she is better off because of her blood… which negates the point of her being a Skywalker and is a really gross idea.

YOU CAN’T HAVE BOTH IN YOUR ENDING. PICK ONE.

Rejecting the Skywalkers would be anti-Star Wars, for sure, but marrying into them as a way of bridging the unfinished pain between Anakin and Padmé and Leia and her father? Much better. Or just leave it open. Honestly, leave it open for Kylo and Rey to both be alive and see each other again.

But you’re just upset your ship didn’t get a happy ending!

No, I’m upset about the storytelling, of which shipping is a part. A canonical part just as much as the lightsaber fights are. Anakin and Padmé. Leia and Han. Finn and Rose. Poe and Zorii. Rey and Ben.

The Force created Anakin, remember? All films–even the spin-offs–encourage our heroes to trust the force. “May the force be with us.” But the Force created an ENTIRE FAMILY THAT LIVED LIVES THAT SUCKED AND MADE LIFE SUCK FOR EVERYONE AROUND THEM AND THEN THEY DIED.

May the Force stay far the f*ck away from me, amen.

But seriously I can’t trust the world of a galaxy far far away or its narrative anymore. It’s a contradiction that causes all nine films to unravel. Why?

Again, let’s return to my earlier GoT comparison, because there is one thing TROS does that is more similar to GoT than to Endgame: Endgame drew together a bunch of unique distinctly separate stories into a crossover. TROS, just like GoT, relied on cliffhanger, incomplete endings to its films and therefore the ending matters a hell of a lot more than a stand-alone story.

I’m not dying to rewatch it like I am with stories where I realize I might learn more the second time. And by “rewatch it” I mean the entire nine-film saga. Knowing that canonically Leia, Luke, Han–they all die and their last descendent dies, the last descendent of Padmé and Anakin–for me, it’s personally gonna be hard to watch again. It’s gonna be hard to watch TROS going into it the first time.

And so the saga of bad endings continues.

Game of Thrones remains the worst at a -100 out of 10. It’s followed by Tokyo Ghoul:re which is still 2/10, and Star Wars is, on paper (meaning after I see it I am hoping it rises a few notches) now… 4/10. Endgame is a solid 6.5/10.

Banana Fish, sweetie, I’m sorry you were ranked down there. Your ending is a 7/10 but the rest of your story is like, 10/10 so you are sprung from this list.

Help me, Shingeki no Kyojin. You’re my only hope.

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wonderfulworldofmichaelford · 5 years ago

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Psycho Analysis: Christmas Special Villains

(WARNING! This analysis contains SPOILERS!)

Much like I did for Halloween, I wanted to do a bunch of one-shot or at the very least minor Christmas villains, which presented me with an interesting problem – most Christmas specials don’t really have villains. Usually the main obstacle to overcome in any holiday special is some sort of emotional fault of the main character, a lack of belief in the spirit of the holiday, or something to that effect, and when there is an actual villain, it tends to just be ones from the show at large with a Christmas-related scheme. Like I’m not doing Princess Morbucks or the Kanker sisters for this.

Luckily, There were a few I was sure on, and I managed to scrounge up a few more to deliver five lovingly-wrapped holiday villains. We have:

Mrs. Claus from The Grim Adventures of Billy & Mandy

Ghost Writer from Danny Phantom

Robot Santa from Futurama

Edna Jucation and the Faculty Four from Codename: Kids Next Door

The Woodland Critters from South Park

Here’s the most interesting thing: Despite Christmas stories tending to lean more towards internal conflict and self-reflection, when they do have actual, tangible threats like these, they tend to be honestly and genuinely great. This is in stark contrast to A lot of the villains from the Halloween specials, who tended to just be big scary baddies without much oomph to them.

Actor: Mrs. Claus is portrayed by Carol Kane, an incredibly prolific actress who you may know best as Valerie, the wife of Miracle Max from The Princess Bride. And much like in that film, she manages to be as enjoyable and funny as the guy playing her husband, which is a tall order indeed – in that film it was Billy Crystal, and in the special it’s Gilbert Gottfried.

Ghost Writer is portrayed by Will Arnett of all people. This was post-Gob Bluth but pre-Batman and BoJack, so while not unknown by any stretch it’s definitely weird to go back and see him in a Butch Hartman action cartoon of all places. He does a great job, as to be expected; when has he ever done poorly?

In his first appearance, Robot Santa was voiced by none other than John Goodman. Normally I’d say Goodman would be perfect for the role of Santa, but… this one’s a maniacal robotic serial killer. It’s a wonderfully jarring juxtaposition. After that, John DiMaggio gave Robot Santa a voice for his other appearances, and he does a good job for sure. Obviously he’s no John Goodman, but really, who is?

Edna Jucation is voiced by Candi Milo, and the Faculty Four are played by Dee Bradley Baker and Darran Norris; Baker is the Unintelligible Tutor and Thesaurus Rex, while Norris is Mr. Physically Fitastic and the Human Text. These are all top-tier veteran voice actors, and they do a fine job, but I can’t particularly say they really make any of these characters stand out or be memorable, which is a shame.

As to be expected, the Woodland Critters are voiced by Trey Parker and Matt Stone. Big shock there. Even less shocking is that they are perfectly funny as these depraved animals.

Motivation/Goals: Out of all of these, I think it’s really fitting that Mrs. Claus is the one with the best motivation. As the HEAD head vampire in the North Pole, she has turned Santa into a vampire and put a halt on Christmas because she is overworked and exhausted, having to do all the household chores all year while Santa only works one night. It is absolutely, perfectly understandable that she snapped… but apparently this isn’t even the first time, as Santa mentions at the end this has happened on multiple prior occasions. You think he’d treat her better after the second or third time, but then we wouldn’t have a plot.

I’d say that Ghost Writer and the Woodland Critters are tied for the next spot; both of them have solid reasons for doing what they’re doing. Ghost Writer was just a humble author trying to finish a Christmas story in time for Christmas, but unfortunately this caught the eye of the extremely Scroogey Danny Phantom, who absolutely hates Christmas due to traumatic events caused by his family fighting on Christmas in the past. Danny, in a moment of incredible callousness, blasts the poor ghost’s manuscript to bits and then proceeds to rub it in, which drives GW to breaking the annual truce and using his powers to torment Danny by trapping him in a Christmas story where he and everyone else can only speak in rhyme. It’s honestly hard to feel sympathy for Danny here, but GW does take it a bit too far.

The Woodland Critters, on the other hand, are just utterly depraved… but that’s to be expected seeing as they are the creations of Eric Cartman, inhabiting a Christmas story whose sole reason for existing is to make Kyle look like a tool. In the story, they get Kyle knocked up with the Antichrist. You see, there master is Satan, and they want nothing more than for his spawn to be born into the world. They really just exist as a reason for Cartman to rip on Kyle for being a Jew at Christmastime, as Kyle himself points out in their debut episode.

Edna and the Faculty Four are a bit simple and amusing, as is befitting of a gimmicky villain from The world of the KND. They team up with the Delightful Children because Substitute Teacher’s Day is virtually unknown compared to Christmas, the kind of absurd, wacky reason for villainy you’d expect from a world where some of the most feared supervillains include an evil dentist and a vampire who spanks people. Robot Santa is likewise extremely simple, yet effective: every Christmas he flies down to Earth to punish the naughty – which is everyone except Zoidberg. This is due to a programming oversight that left his standards set way too high, so no one can ever measure up. Except Zoidberg. There’s really not much more to him than that, but really, does their need to be?

Final Fate: Mrs. Claus is redeemed at the end of the special thanks to Billy, who helps her understand the true meaning of Christmas and who heals her husband so that he can apologize. Things seem like they might work out for real this time because now Malcolm McDowell’s vampire is around to help with tidying up, so hooray! Happy ending here!

Ghost Writer gets thwarted because Danny picks up an orange; as Ghost Writer never watched Drake & Josh and thus didn’t realize that “door hinge” is an acceptable rhyme, he was unable to continue writing his story and got beat up by Danny and his rogues gallery and then thrown into Walker’s prison for breaking the yearly truce in the Ghost Zone. At least he got to complete his book?

The Woodland Critters go out when Santa comes in and blasts them away with a shotgun… but since they are technically fictional characters, they show up in Imaginationland to cause problems. Still, it’s reassuring to know they can be taken out with simple firearms.

Edna Jucation, the Faculty Four, and Robot Santa really don’t have any canonical final fate; they just get defeated and then go on their merry way. In Robot Santa’s case, he actually showed up quite a few more times after his initial appearance to wreak havoc, but the Faculty Four and Edna were entirely oneshot antagonists.

Final Thoughts & Score: Christmas honestly fares a lot better than Halloween does as far as I can see. The villains tend to be a lot more thematic, or at the very least they have more personality and thematic function. Halloween doesn’t really have any sort of core themes to work off of as opposed to Christmas, which has a lot of reoccurring themes in works based around it. Still, most of these characters just settle on being funny.

Mrs. Claus and the Woodland Critters are the best of the bunch here, and both earn themselves a spot on the Nice List with a 9/10 each. Mrs. Claus is just a lot of fun, mostly because of the fact she has legitimate grievances on top of being a unique twist on the character. Mrs. Claus as a vampire overlord who commands hordes of vampire elves? That’s the sort of creative wackiness that Billy & Mandy delivered on. The Woodland Critters are just funny, plain and simple, acting as the sort of amusing subversion that could be expected of from South Park in its glory days as well as being totally in line with Cartman’s personality. These are the exact sort of original characters I’d expect from a guy who ground up a kid’s parents and made them into chili, what with their blood orgies and ultraviolence. Amusingly enough, they score a point higher than Cartman did in his own Psycho Analysis, which is mostly due to their limited appearances meaning that they stay remarkably consistent, where Cartman tends to be whatever an episode needs to be, be that hero, anti-hero, or villain.

Next up are Ghost Writer and Robot Santa, who both get 7/10. Ghost Writer is a very amusing oneshot, but it’s honestly weird that out of all the Villains from Danny Phantom, he’s the first one I talked about. You’d think it would be Ember or Vlad or something… at any rate, he’s an amusing antagonist, but he’s also one who it’s hard not to view as being in the right, especially since Danny was just a jerk to him completely unprovoked due to his own personal hangups with the holidays. As usual with fun ideas on the show though he was only ever used once, which is a real shame but at the same time understandable; his gimmick really only works with Christmas, so it would have been weird shoehorning him into another episode’s plot. For what he is, he’s fun.

Robot Santa has a similar problem, not really being able to function outside of Christmas specials, but his few appearances leave him as an amusing antagonist who never really overstays his welcome. He’s not as entertaining or engaging as, say, Mom, but he definitely offers some laughs with his hilarious concept and his ridiculous levels of bloodlust. Points t him for helping out the heroes in the first Futurama movie too.

That just leaves us with Edna and the Faculty Four, and the Faculty Four just manage to scrape onto the bottom of the Nice List with a collective 5/10. They don’t really have much character or personality, especially when compared to the heroic Marvel pastiche that is Elfa Strike, but as brief amusing gag villains meant to pay loving tribute to the Fantastic Four, I think they’re decent. Edna is not so lucky; she’s a bit obnoxious, shrill, and doesn’t really correlate to any sort of Marvel character, which is baffling since the entire episode is one big love letter to Marvel comics. Sad to say, but she’s landing smack dab on the Naughty List with a 2/10. She doesn’t even have a cool gimmick!

I suppose that wraps it up for Christmas special villains. Doing something like this is tough, because it really makes you sit back and wonder what sort of Christmas villains you should put on. Obviously I avoided any theatrical film villains, but that did leave one particularly glaring omission of a villain from a holiday special… a big, green, unpleasant omission. He’s a mean one, for sure...

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popculturebuffet · 5 years ago

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Comics Corner: Child’s Play #1 “Night of the Living Doll”

Happy days before Halloween everybody. While I have an X-tra Spooky treat planned for the day itself, I thought i’d start branching out from X-Men Comics (though that will be my primary focus), with a comic i’ve been dying to read since I found out it existed: The Child’s Play mini series from innovation comic, one of only two series and 10 comics overall starring your faviorite murder doll and mine: Charles “Chucky” Lee Ray. Also contains a slasher off to see who would win between Chucky and some classsic killers because the comic put the idea in my brain. Wanna Play? Then join me after the cut.

WARNING: This review contains scenes of Gore. While I did try to cut it down being a horror comic about a slasher villain, this was inevitable, Discretion is advised.

Child’s Play is a horror franchise I absoltuley love. While i’ve procastinated on seeing the DTV sequels, not that I think their bad i’m just a forgetful mess sometimes, and Seed, because no amount of Jennifer Tilly or intresting gender identity issue stuff will compensate for me having to watch Chucky masturbate, I have followed the series for years, afraid to watch it because I wasn’t a huge horror fan at the time and Chucky scared the shit out of me as a kid. Eventually I realized that despite my fear I loved the franchise for it’s thoroughly interesting killer, entertaining kills, and at it’s best great stories and at it’s worst so bad it’s good royalty. Even the Don Manncini, creator of the series and writer of every film and director of three, disowned remake is pretty good if thoroughly it’s own thing. So naturally a Mini-Series taking place between 2 and 3 that may fit neatly into continuity, this is my shit and i’m so happy to finally read it.

For the lapsed and unintiated, the Chucky/Child’s Play series, the original anyway the remake is it’s own thing and has it’s own backstory, follows Charles Lee Ray, aka Chucky, a serial killer who in desperation to get away from the cop perusing him after his partner ratted him out, used his vodoo knowledge, because every serial killer knows voodoo apparently, to put himself in the nearest vessel, a doll. The rest of the backstory can be covered as we go as the first issue does a really good job of organically explaning it for the unaware. Granted I don’t know if most non child’s play watchers would be intrested in this comic but it’s a nice gesture.

This mini comes to us from innovation entertainment, a 90′s publishing company that made tie in comics for a number of things, and from writer Andy Mangels who also wrote Innovation’s Nightmare on Elm Street comics, which Linkara has covered in detail if your curious and which i’ll probably cover myself at some point, especially since this issue made a strong impression on me. Speaking of which, the mini as mentioned takes place between the second and third films, both of which have their own adaptations that i’ll cover eventually, but I felt the original story was more appealing. As far as I can tell there have only been really three bits of media outside the franchise, not counting the aborted video game: A , from all accounts, terrible endless runner game, this mini series, and another mini series from Hack/Slash creator and former Nightwing Maestro Tim Seely, as well as a crossover between Hack/Slash and Chucky from Seely. And having read said crossover and found it excellent and feeling just like the movies in regards to the little shit, I hope to find the mini one day and share it with you lovely people. But even if I had i’d probably be covering this one first since chronological order combined with the fact it seems that mini dosen’t fit into canon anymore and this one might. Now the exposition is out of the way let’s get to the good stuff.

Since I didn’t really cover the covers in my first two X-Men reviews, and feel I really should going issue by issue it just hadn’t occured to me, let’s look at the cover. It’s decent, kinda a parody of old horror comics covers or old horror movie covers and a nice start to things.. although frankly I would’ve preffered the splash page instead.

I love it. It’s a nice little gag, and while the blood splatter is partly nonsensical and looks like Chucky just killed a guy to splatter some extra blood about to make his collection look more badass.. though given who we’re dealing with it wouldn’t suprise me, so it dosen’t really detract. That being said being a burgeoning horror fan and having seen films from most of these franchises and knowing enough about those I don’t from other reviewers reviews, i’d be remiss if I didn’t speculate about if Chucky could win against these other titans of terror. PLACE YOUR BETS BITCHES, IT’S A SLASHER OFF.

Chucky Versus Micheal Meyers: He’d stab him for the love guru. Easy joke aside the horror of haddonefield does have size and strength, even in his old man version from the recent movie and upcoming sequels, over Chucky and while I thought this would be easily him... Chucky has him in speed and agility. He could climb that fucker and stab him up and down, shadow of colossus style, until even Micheal would have to buckle over, or just as likely set an elaborate trap like 2k18 Laurie. Micheal has some intellegence and a Chuck’s own drive not to give up, but that won’t save him from an opponent who’s faster, smarter and just as piss angry stubborn. Chucky wins. Chucky Versus the Creature from the Black Lagoon: Chucky. The creature is strong but chucky’s craftier and would poison a lake just to kill a bastard. Chucky Versus Jason: Tough call. Like Micheal, Jason is slow.. but he’s also 20 times more durrable, stronger and way more likely to get Chucky off him. He’s also more likely to use the environment meaning even if I vastly prefer Chucky, it’s a more even fight and more likely to go in Jason’s favor, as any trap Chucky set would likely get walked off. Jason wins. Chucky Vs The Phantom of the Opera: Not really a traditional slasher and I don’t really know the version that is or the version that isn’t to be frank, but it seems like Erik could take chucky in cleverness and ruthlessness and combined with having home field advantage, i’m calling advantage Erik. He wins. Chucky Vs Dracula: Okay 1, make this a movie yesterday Mancini and 2, this is a tough one. On the one hand Drac has mist, a horde of brides, wolves and transformation. If it’s home court, Chucky’s gonna die, especially if the count simply uses his brides to seduce him as Chucky is kinda easy that way. But in the US? Chucky is an onry bastard and Dracula has a ton of weakness, so I could see Chucky loosing round one then coming back to kill the bastard at dawn and anyone dumb enough to defend his coffin. Plus Chucky isn’t alone having Tiffany and the ablity to split himself among good guy dolls, so I could see Chucky creating another army of himself to do a suicide run on Drac’s castle. It’d hurt but Chucky is a vengeful dick. Chucky wins. Seriously Mancni get on this. Chucky Vs Freddy: Depends on the setting: In the Dream World, it’s likely Freddy as he can throw Chuck off guard by giving him his body back or using former survivors, while in the real world it’s Chucky’s turf but Freddy still has knife hands with more reach than his lumbering opponents, so even with prep I expect Chucky to eat that one, so I give it to Freddy. But honestly I prefer Don Mancini’s ACTUAL pitch for a crossover he’s trying to get happening: Chucky and Freddy meet up, and actually admire each other’s style but realize that two killers in town will dry up all the victims so they wage a dirty rotten scoundrel’s style looser leaves town contest: whoever chops up the most teens by dawn stays. I want that yesterday too. Chucky Vs Xenomorph: If it’s a facehugger as shown, Chucky, it probably woudln’t be able to bond with him and he’d stab it. But a proper showdown.. xenomorph. It matches Chucky’s speed, ferocity and while not as intelligent is still far stronger and just as ruthless. Chucky Vs Leatherface: Chucky. While Leatherface has the better weapon and matching speed, Chucky can outthink him. Chucky wins but while I haven’t seen Texas Chainsaw Massacre, against the whole clan Chucky probably woudln’t win.. but would probably throw in with them long enough to survive since he’s a murderous bastard too and as long as he dosen’t have to join in dinner, it’s essentially his MO with help and family. He’d probably grow to either love them or get annoyed enough to kill em all. Chucky Vs The Tall Man: Tall Man. The Phantasm Ball is just too powerful and Chucky too vunerable and stubborn for a teamup. Chucky vs Pinhead: Pinhead. I may be too squeamish for hellraiser but he’s FAR above Chucky’s paygrade. So overall it’s 4 to 6 with Chucky loosing, but he still put up a far better fight than you’d think. And for funsies before we move on to the actual meat of the comic at long fucking last. Chucky Vs Ash: Ash. Ash is dumb sometimes sure, but he’s just as stubborn, has dealt with being accused of murder before so framing him won’t work, and unlike the Slashers he’s got a shot gun, which while chucky can dodge, I could see Ash pining him. Dumb dosen’t mean he isn’t clever. However I do want to see the hyjinks that would insue so please, Mancini, do this one if you either can’t get freddy or if you can after that. Please? Okay so with ALLLL of that out of the way, let’s dive in.

We open on the above, what’s left of Chucky after Child’s Play 2, being reforged into a fresh body. It’s exactly as pleasant as you’d think.

Maybe he just says that because the sight of him with lipstick gives grown men heart attacks.

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See? Unsuprisingly, that’s one of my faviorite Child’s Play moments. Or maybe he just needs a pair of fresh eyes to stop being so hetronormative.

I do love this bit, it’s a nice bit of comedy that dosen’t feel too broad and fits right into the franchise, even before the outright horror comedies. And now for you ladies and gentleman and other’s pleasure...LIVE NUDE CHUCKY!

Granted Bride would later retcon in a penis, but given he’s in a third body by then. Or maybe it’s the fact his body gets more human the longer he’s in one, so maybe he grows one or fused a strapon to himself. I dunno. I’m not an expert in Chucky’s Penis. That’s Don Mancini’s job. So Chucky puts some pants on, because wether it’s because you love somebody or want to stab them silly, you put your pants on for them, and wonders if he should wear something more inconspicuous before realizing he’s a 3 foot animate doll.. he’s always going to be conspicuous, another inspired bit of comedy. This is something I like about the issue: Regognizing how ludicrious the two sequels at the time were, Mangels leans into the comedy a little, but without overriding the horror, as you’ll soon see, somehow correctly predicting the direction of the franchise. But chucky made a mistake.. the last page showed him triggering an alarm by accident and well.

As you can see in a neat stylistic choice, the siren blares over the entire page as Chucky makes a run for it and a mysterious observer sees a slight against god running about, decides cool and follows. He accidently slams into chucky in another funny bit. He offers a ride and while Chucky balks at this weirdo, said weirdo points out that how’s he’s going to outrun the cops otherwise and Chucky reluctantly gets in. And it says something if the guy with a bigger body count than a heart attack still has reservations going with you. The teen says Chucky reminds him of a kid who was in the papers for claming a doll killed some people and his mother who backed up the story, was suspected to have did it and put her in an insane asylum, or as this little shit calls it “Electro-Shock Pallace” as someone who himself is mentally ill, and afraid of asylums and lives in a world two decades removed where mass killings happen often and are often pinned on mental illness, fuck this twerp and I can’t wait for his commupance. Chucky sets him straight.

See this is why I didn’t jsut do a big infodump on everything right up front, the comic does a good cjob recapping child’s play 1, and 2 isn’t relevant to the plot aside from the intro. They explain things quick and fast and chucky himself gives a good chunk of the film’s backstory pretty quickly once he and shades here get back to his house.

This is also interesting as even the films haven’t really gone into how Charles Lee Ray felt as he became a doll or if he was conscious when Karen first got him. There’s more of course, and while it’s not necessary to this story, Karen does show up in this series, so i’ll fill you in on where the story went from there, as well as what Chucky left out or wasn’t there for. Here we go... Karen Barclay was the struggling mother of young Andy, who wanted a Good Guy doll for his birthday. Karen, not having much, found one second hand... Chucky. Chucky started manipulating the young kid, offscreen though that just makes it more unsettling even if the mystery of if Chucky’s real or not is kinda pointless when we saw a guy explode himself into a doll. I also like the nod that Chucky knows about as much as the fans do as to why their was a mega explosion. He first kills Karen’s best friend and Andy’s babysitter for the night, which Andy blames Chucky. No one belivies him.. which is understandable.. what’s not is when Chucky kills next, having andy take him to his acomplice’s house and blowing it up, NO ONE seems to question why a little child blew up a known criminal, how he knew where the house was, or why, when the previous crime was done in the home with motive, he killed some random guy. I do love this film but this bit feels especially dumb on the cops part not even bending a LITTLE. But this isn’t a review of the first movie so let’s move on. Andy is comitted, which as sad as it is to see an innocent child thrown in an institution does make at least some sense so they can find out if he’s really seeing things or not, and Karen returns.. and finds that the Good Guy dolls don’t come with batteries, yet Chucky has been talking like any other toy. As a result we get one of the best scenes in the franchise history if not it’s best, and really, as much as I try I can’t do it justice. Though if you can’t watch in short he does an exorcist when she checks the batteries, she threatens to burn him, and he reveals himself. In long... it’s worth a watch.

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Chucky runs for it, Karen tries to tell Mike who dosen’t belivie her.. until Chucky comes for him. Chucky then heads for Dr.Death, his vodoo 101 teacher, who refuses to help him viewing him an abomination but stupidly left a vodoo fetish of himself around and you can guess the rest. He reveals Chucky can only transfer to the first person he revealed himself too so he heads for Andy with .. this.

Mancini had to know what he was doing right? Right? Anyway. Karen and Mike find a dying Death who tells them to aim for the heart and who his target is. Andy dodges Chucky and escapes the Aslyum heading home where we get a final confrontation between the Barclay’s, Mike and Chucky, which is damn good and ends with Andy burning the fucker with a badass response to his claim of being his friend to the end “This is the end friend”. This dosen’t quite finish him but a shot to the heart, with Mike to blame, kills the bastard.. for now. Now we’re all caught up, let’s get back to the story.

Dipshit has called his friends to see Chucky and as seen above, Chucky is wondering why he shoudln’t kill the guy.. but Dumbass has a good point for once: his one friend is studying magic, presumibly at Durmstrang since Hogwarts dosen’t tolerate that kinda shit, and could help summon dr. death to see if they can fix his situation. Granted Death viewed him as an abomination and wanted nothing to do with Chucky, but he might let something slip or have no choice and it’s better than the nothing Chucky has to go on. Chucky gives exposition to Fuckwit’s friends and claims he killed Dr.Death in self defense, which isn’t entirely innacurate and Steaming Bowl of Elephant Piss suggests holding a seance. But one of his friends, Burt, who seems to be the only one to see Chucky for the red flag he is, calls an audible and Chucky grumbles off while they talk in private.

As you can see, Fuckbucket sets the intellgence standard for his group. However their not SO obnoxious that it distracts from how horrible what’s about to happen will them will be. Except shitty shitty bang bang. Since It’s hard to remember all of the dead meets names i’ll be calling the girl Molly Ringwald, Burt by his name since he’s being sensiable, the moron drinking his own blood Edgelord, and Numbnuts MCGee my current barrage of creative insults. But yeah none of them take Chucky as a threat seriously, which is a nice little meta commentary on how most people think they could take Chucky, even though the guy is nigh unkillable, smart and fast and stronger, if not heavier, than him being a doll would make you think. Burt is the ONLY one here who seems to think harboring a serial killing doll is a terrible idea and thus the only one I respect. And “Most LIkely To Run Into A Wall” has the genius observation seen above where he asks “we’re helping him why would he hurt us”... when he’s already threatned to kill him and has no use for any of them once he has any info they can scrape up, with Burt pointing out even if their sucessful they’ll be responsible for more killing. Sadly he’s outvoted. Seriously while I do like Mangels, I question his opinon on teenagers and horror fans, especially given his long screed about the horrors of the world at the front of the issue and how his comics horrors don’t compare to racisim or homphobia, though the latter is a nice touch considering this was the early 90′s and some horror audiences could be homphobic morons, when the horror fans he portray are a darwin award of the decade winner, a moron who cuts himself not because he has serious issues with depression but to drink his own blood, a witch who goes along with their stupidity, and ... one likeable guy who’s coded as a wuss but is the only sane one here.

So morons r us, plus burt and chucky, call Dr.Death’s spirit forth in a very moody and atmospheric scene. Naturally it goes GREAT.

Dr.Death’s form dissolves terrifyingly and awesomely and our morons, and Burt, are left, literally since they turned the light’s down in the dark> Burt is freaking out and has shards of crap in him thanks to all this.. couldn’t of killed fuckaround could you John? Burt is lead to the bathroom, while Fuckwit and Edgelord head downstairs, Fuckwit heading further down to check the breakers since the power is out for the whole house while Edgelord actually says something smart and wonders what they ALL shoudlv’e been thinking about: Where’s chucky? He has a response in this AWESOME looking panel.

And here’s where the it dosen’t undercut the tragedy bit comes into play. Sure these kids are kinda dumb.. but most teens are, and they might not belivie he actually killed peope or even if they did, think they can take him as foolishly stated. They had their whole lives to become better people, and Mollly Ringwald and Burt seemed like decent enough people while Edgelord was probably going though a phase. Dum Dum Dumbassigan dosen’t really get a huge repreive but the point is NONE of them deserve to die and they aren’t dialed up to obnoxious, except assface, to be that unsympathetic. Their being stupid sure, but again MOST TEENS ARE or will at least be easily talked into doing something that all common sense says should kill them. And sadly in David, aka edgelord’s case...

Yeah it took a while but I had that gore warning for a reason. And he then decides to fill David with knives. I also stopped calling him edgelord because well. .look at it. The death is horrifying, well drawn and only made worse when Chucky decides to play “pin cushion” and fill him with knives off screen. His next target is sadly my man burt. He does complain A LOT and while a little whiny, given he’s covered in cuts, about to die and was the ONLY ONE here to excercise caution.. yeah he has a right to be. And then.. this happens to Burt in the bathroom...

Yup, THAT just happened. But I like it a lot.. it’s done with style, humor.. but not without horror either. A nicely done little parody. Molly, or wendy as the comic calls her, wonders around the Darkness for a bit.. and then finds David’s corpse.. which I own’t show as holy shit it’s as graphic as it is horrifying. And given what I showed you of his death earlier, that’s saying something.She tells an approaching Moron to stay back.. and well..

In order....... I am so angry at that first panel “I don’t know what happened here....” I DON’T KNOW WHAT HAPPENED HERE.

BITCHCAKES, YOU LET A SERIAL KILLER INTO YOUR HOUSE WHO VANISHED ON YOU AFTER A SPOOKY GHOST TOLD YOU TO KILL HIM OR SUFFER THE CONSEQUENCES. WHAT IN THE STAR SPANGLED, CHERRY COATED MARSHMELLOW FUCK DID YOU THINK HAPPENED. Second, while I get her logic, Fartnugget isn’t capable of working out basic sequence of events let alone killing a person. And finally.. there is no amount of gifs that can convey how happy I am at that last panel.

Wendy goes mad from the shock and Chucky, whos’ been lurking under the table this whole time with a Freddy Glove, strikes.

It’s no “welcome to prime time BITCH”, but I think Freddy would dig it. Naturally, the glove dosen’t kill her but she snaps her neck.. and then chucky , of all things, calls the police.

I’ll not explode with rage again btu the david’s dead line tempted me, as HE JUST KILLED YOUR FRIEND OF COURSE HE DID. As for his threat... Chucky is unimpressed. See this was his plan. At least once they stopped being useful. Gee who could’ve predicted that? Chucky has decided to frame ponytailed idiot for it, a real brilliant way of going about things, and to me WHY Chucky is such a threat. Even if you beat him, if you don’t have proof.. he still gets you locked up and then comes back stronger than ever. This ending also actually helps with a plot hole some might have with the series.

Chucky dosen’t leave fingerprints. He MIGHT as he turns more human, bud odds are he dosen’t, thus it’s easy enough to frame whoever’s left.. though it was neat to see him do so intentionally. Truck Nuts breaks down, Chucky flees and we end on a teaser for the next issue as some mysterious Doctor has come to Karen Barclay with promises to help go after Chucky. But that’s for another day. For now our story is done. There’s also a page for a “Stuck On Chuck” contest, with the winners getting to be in issue 5. Just bringing that up so if I ever get there, I won’t have missed it. And with that we finally close out.

Final Thoughts:

This issue is excellent. I was expecting something slightly cheesy and not great, and while there are narmy elements: the commentary on horror being a media scapegoat seems out of place and as I made abdundantly clear on second read the lead is insufferable. His fate is still tragic, but he’s such a moron I can’t help but feel he brought it on himself, but his friends aren’t so obnoxious that you don’t feel bad when they do die, a mistake full on horror movies make too often. The kills are gory, as shown there’s some nice visual flair here and there, and chucky is drawn amazingly, especially for the time. There’s an awkward shot here or there but for the most part the artist really captures him well. This comic is a hidden Gem and if your a fan of the films or even just the first one, I strongly recommend it, or if nothing else as I haven’t gotten to the rest, this issue. If you liked this review, feel free to like or reblog, and if you want one like it for the issue or graphic novel of your choice, just pm and slip 5 bucks into my paypal and i’ll get right on it as soon as the first week of november. Until then, i’m your friend to the end.

#Child's Play #Chucky #halloween #horror #comics #reviews #Andy Barclay #Karen Barclay #freddy kruger #leatherface #jason vorhees #phantom of the opera #the creature from the black lagoon #dracula #pinhead #the tall man #xenomorphs #alien #don mancini

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inversionimpulse · 5 years ago

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there’s a difference between ‘internal consistency’, ‘canon’, and ‘faithfulness.’

Internal consistency is necessary to the suspension of diselief. Your story needs to be consistent with itself to be believable, and a story that isn’t believably is hollow. ‘Believable’ doesnt mean it has to mimic reality exactly, it means it has to portray its own reality effectively.

Internal consistency is incredibly important and not really up for debate. You can bend it or break it when it’s necessary to make the story more effective, but you shouldn’t do that too much lest the audience stop believing.

(everything below this point might be a bit of a hot take, I actually dunno. Also, this is just me trying to work out some recent thoughts by putting them on a page, I might change my mind next week, who knows. Hell, I’m not even sure I agree with all of it now. Also I’m gonna slap it under a readmore because I have anxiety)

Canon is something that’s very silly to get too caught up in. While I don’t encourage some of the more extreme uses of Death of The Author I’ve seen, the fact remains that personal experiences and interpretations are extremely valuable. Every story means something a little different to each person who reads it. The author’s intent is, of course, still very important, and knowing what it was can enhance the experience. But the thing that matters most to the reader is the reader’s own engagement. Canon is not your god - treating stories like mathematical problems with only one proper solution is what high school English teachers do, not what you should be doing.

And then, when ‘canon’ extends past the creator, what does it even mean?

I think I should illustrate with an example. The Killing Joke by Alan Moore, one of the most famous Batman stories ever written. The ending is a common subject of debate. Did Batman kill the Joker? The ending is open-ended. I don’t know what Alan Moore intended, and I don’t care to look it up - and I don’t think he’s ever said, anyway. I don’t think Batman killed Joker, other people (such as Grant Morrison, one of my favourite comic book writers) think he did - both these interpretations are completely valid, even though they create radically different stories - one where the Joker’s nihilistic view isn’t entirely wrong, and one where, as Gordon says, they “show him our way works!”. These two endings are completely different and they change the meaning and themes of the story, but saying that only one is valid is rather wildly missing the point. What’s important is the story that you read (it’s still possible to be wrong, though. You’re still working within the constraints of the written word - if your interpretation goes completely against the text, it’s still wrong).

Now, ‘canon’ agrees with me. The comics continued on, and Joker kept breathing. But why is this ‘canon’? Why is this a more valid an interpretation than that of people who think Joker died? These continuations, they weren’t written by the same person as Killing Joke, they were appended on to it by other people. Why is their writing a more valid continuation of Moore’s work than, say, a fanfic? Because executives at DC said so? What gives their approval so much weight? They didn’t create Batman, Bill Finger did. These corporate suits don’t have anything to do with Batman outside a court of law. What makes Moore’s work more valid than a fanfic, even? Bill Finger created Batman, not Moore, and Finger was too dead to give his approval to Moore’s work, and again, the corporate suits who say what goes and what doesn’t never had anything to do with Batman’s creation.

So what i’m getting at here, is this: why are these things ‘canon’? Even though Batman comics kept rolling and Joker kept breathing, why is that more ‘canon’ than Joker’s death? Why is The Killing Joke more canon than a fanfic? Because Copyright law says so? First of all, that copyright would have expired long ago if not for a certain mouse’s all-consuming greed. Second of all, that’s all just words - the only person to have a moral right to authority over Batman is Bill Finger, and he’s gone.

So if we look at this, what is ‘canon’? By the strictest definition, the only canon Batman work is Finger’s and everything else is invalid. But I think a more appropriate answer would be that ‘canon’ is something entirely up to the reader’s interpretation. The stories you like are part of your canon, and the ones that you don’t, aren’t. Because it’s more important that a reader has a good, meaningful experience than that you can slot everything into some strict timeline. It’s modern mythology, not in the hands of any corporation, but in the hands of anyone who can tell a story. Every Batman story is technically valid, whether DC published it or not.

And my use of the word ‘technically’ just then brings me to my third point, what ‘faithfulness’ is. Even if every Batman story is technically valid, that doesn’t make it good and it doesn’t mean people have to like it. The character of Batman is malleable, having been passed through as many hands as he has, but there’s still a core to it. if your Batman story has him as, I dunno, how about, a Yakuza dude who kills people with a bat-shaped knife, why is that a Batman story? You really think people are going to see Batman in that? A Batman story at the end of the day should still be a Batman story and people who love Batman should still be able to see the character they love in it. And if they don’t see that, they have every right to hate it.

The example I’m going to use here is MCU Spider-Man, who I’ll try to be as neutral as possible because otherwise I’m just going to piss everyone off. For a lot of older Spider-Man fans, Spider-Man is a working class schmuck who claws his way to greatness entirely under his own ability, who is a hero because he knows it’s the right thing to do, even though he’s so often tempted to use his powers for selfish short term gain. And a lot of them don’t see that in MCU Spider-Man - what they see is someone whose suit was made for them by Iron Man, they see someone who rarely faces real consequences, they see someone who cares more about being a hero than doing the right thing. These people have every right to hate MCU Spidey; if they can’t see the character they loved in this new character, they have no obligation to love the new one just because of a shared name. I’m not making any judgments on MCU Spidey himself, I’m just laying out some opinions people have about him. And if you do see the Spidey you fell in love with in MCU Spidey, you have every right to argue the point with those people.

(Confusing canon and faithfulness is silly, too. Just because, I dunno, Ra’s Al Ghul isn’t actually immortal and doesn’t have supernatural powers in some adaptation doesn’t mean it’s not a faithful adaptation of Ra’s Al Ghul if you can still tell immediately it’s Ra’s Al Ghul, if you still see the parts of Ra’s Al Ghul that really matter. Canon is the little nitty-gritty details that don’t matter as much as some people think if the whole is still faithful - more than the sum of your parts, right? Maybe a character doesn’t quite look the same, maybe they don’t quite have the same backstory - but if it’s still recognizably that character, if it’s still faithful to the spirit, I think it’s usually still good. When arguing about faithfulness, you’ve gotta learn to pick out the details that really matter and not worry about the ones that don’t)

So when making a story using a pre-existing character, you really ought to be as faithful as you can - not to some nebulous idea of ‘canon’ but to what you interpret to be the spirit of the character. Because at the end of the day, if you’re making a Batman story, it’s for Batman fans, isn’t it? If you’re making a Spider-Man story, it’s for Spider-Man fans, isn’t it? And it’s for the people who would be Spider-Man fans if they had been exposed to it - which hopefully your story will do. What’s the point of radically changing Batman to appeal to people who don’t like Batman instead of people who do or who would? If they even bother to bite the bait you’re dangling for them, which doesn’t happen often... what then? Now you have people who expect something that isn’t really Batman and you’ve lost the people who like things that are Batman. You’ve got Johnny-Come-Latelies who are after something very different from what other Batman stories offer who will leave when they realize that and you’ve lost the loyal, established fans. This sort of thing can work out and be mega-profitable, but not often.

And leaving aside all talk of profit and fans... if you’re writing a Batman story, shouldn’t you be trying to write a good Batman story? Not something entirely else you’ve put the name Batman on? Snyder.

Basically what I’m trying to say is this: If the original author has left the figurative building (and only if. While the original author still has a hand in things, their word is pretty much law), then everything appended to it by anyone is equally valid, no matter if the law says so or not. But that doesn’t mean it’s good or that people have to like it equally. Also copyright law is bullshit and Disney should not be allowed to fuck it up any further.

Oh, and I should add that a bad story doesn’t erase the good stories. If a video game you like is remade and the remake is bad... well, the original game is still there, isn’t it? And even if the remake is good, the original might just offer something different that’s still worth experiencing. Nothing can negate the original work’s quality. So if, say, I think the most recent Spider-Man film is bad, then, well, no skin off my neck - as much as I’d like new good Spidey films, the old good ones are still there and so are the comics they’re based on.

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luverofsupernatural · 5 years ago

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Jameson Jackson theories

Okay, so I know I’m late to JJ’s video being released (nearly a month late). But, I had some theories and thoughts as I was watching the video. So, just bare with my ramblings.

P.S. I do reference Say Goodbye & JJ’s Power Hour.

P.P.S. Some of my thoughts may have been proven/dis-proven/discussed already, but this is just what I thought when watching.

P.P.P.S After watch the Jolly Jaunts video a third time, I realized it was starting to trigger me, so my theories may not be fully comprehensive (and any references to other videos are from memory to again avoid being triggered).

Even though the video is silent, Jameson was speaking, or mouthing words. This means that he must know how to speak or how words are formed. So, if he is canonically mute, that means that he had a voice at one time. But, on the flip side, silent movies don’t have talking in them. So, JJ may actually be speaking but we don’t hear him because of the time period and film he has available to him.

He signed \You Help Me.\ He recognizes what’s going on. He’s scared. You can see it on his face.

JJ is also a lefty. When he goes to tug on the strings, he grabs with his left. The main character is on his left.

When his eyes go white and his mouth opens wide, I think this is the moment that he is getting possessed. Possessed by a demon or evil spirit (though I prefer demon).

Those stocky movements he does I think could mean two different things. They could be the demon (well, Anti. We know it’s Anti) trying out his body and figuring out the control mechanisms. Figuring out how to properly puppet internally (and externally if I’m not mistaken, sometimes the strings are pulling at these points). The other, sadder idea is that JJ is just about brain dead. He can only do basic motions and functions, but he isn’t there anymore.

Jameson notices the strings. This goes into my bigger theory that the puppet show is actual a metaphor or some kind of projection from JJ’s mind. The show is his happy place, and he gets to have fun. The problem is, reality bleeds into this because, after all, this is in his mind. So, he sometimes see the strings and wonders why they are there, physically taking it off, or trying to, because he is the one in control. But in reality (at the very end), he’s not the one in control. He is fighting against the strings dancing him around

It the same throat cutting motion as before. I might even go as far as saying it’s the same motion as holding the knife (not running a finger along, but just dragging a fist holding an invisible knife). I can’t go back and check because watching the video on repeat is starting to trigger me. **Side note, because I realized this and things associated with Anti are starting to trigger me, any comparisons I make with other videos and notes on this one are from memory. So, I may get stuff wrong, and please correct me if I do, though maybe not with photos.

Jameson has the same stare as.... whatever the video is where Sean shifts from silly to very serious and the eye twitch (I think it’s \Don’t Look Away From the Screen\ or something like that). We know it’s Anti. And he is fully in control of JJ at this point.

Chad appears in the puppet show. Now, easy explanation is that he is a puppet, but things in this universe aren’t that simple. If this truly is a dream state and in JJ’s mind (or some reality perception filter), then that means Chase must exist in this universe. We haven’t gotten any indication that Chase knows JJ or vice versa though. So, either they know each other, or Anti added the puppet in. Meaning that Anti has Chase for sure.

Another thing I like to think about the puppet show (if it’s in real life or just in JJ’s mind doesn’t matter). The show is JJ’s reality. It is his life. Jack was murdered, and we the fans are crying out trying to find Anti, the man who murdered him. In comes JJ (Sherlock Holmes) to try and help out. Carving pumpkins and using a knife to murder pumpkins are his specialty you know. (by this, I mean he was in a similar situation to the one in SAY GOODBYE in his first debut video). He searches for clues and goes to the ends of the earth. And in the video, he looks for clues AS HIMSELF, not as the detective. He’s the one searching. And we meet a drunk Leprechaun, which is supposed to be a parody on being so Irish. So, one may come to a conclusion that this is a drunk Jack (Jack being referred to as a character like the egos). But, I submit that this could be just Anti wearing a disguise. Additionally, when JJ/detective is searching for murderer Anti, he is right on his back. Anti is right in the back of JJ’s mind, the thing out of the corner of your eyes, the shadow behind you, the thing you know is there but can never see (well, characters can never see).

So now I come to the last 30 seconds of the video.

There are 6 main states JJ goes through

Limp. His body is limp, hanging over. My easiest explanation is that he is dead. Or at least brain dead (like I said before, which explains the blocky movements).

Blocky. He’s not in control anymore, he’s a puppet. His brain is not in control, Anti is.

Fighting. He’s pulling at the strings, fighting back. He wants to stay alive, stay in his body. In one frame, you can actually see that he is being strangled by a wire. And in an instant, he turns to fear.

Calling out. He is trying to talk to us. There are no words that he can put on screen like the silent movie, he can’t control those. There is no audio, he can’t scream. So what does he do? ASL, a visual language. Calling out Help Me. Because he is scared. Frightened.

Possession. This is the scene where his eyes go white and mouth opens up (which, is terrifying btw, thank you for the nightmares). I am saying that this is the moment when JJ is getting possessed by Anti.

Full on control. This is when JJ gives us that Anti TM look. Anti is in full control now. And there’s nothing anyone can do about it.

But, we know that Anti glitches out, and time is broken. So, here are the order of events that I think happened. Fighting. Calling Out. Limp. Possession. Blocky. Full on control. I know that as soon as he stops the show, that’s when he goes limp, so this isn’t the logical order. But I submit that maybe he was fighting, called out, and the puppet show is what he does in his final moments to try and make sense of everything, then he goes limp and then is fully possessed.

And finally, this is my brain came up with a final theory about our dapper boy Jameson Jackson. Jameson really is Jack. The way he talks isn’t like someone from the 1920s, or whatever old timey era JJ is in, it’s more modern than that. Some old timey bits are peppered in, as happens when you are trying to play a character or are thrust into another culture. But it sounds like Jack. I think Jack had said that JJ is mute on a tumblr post (I forget if he did or did not confirm), so JJ talking doesn’t exactly make a lot of sense, especially if he got used to not having a voice. Jack however is very loud and talks a lot. He talks and can sometimes forget that he’s playing a part (which is why Jameson talks even though it’s a silent film).

Lastly, the cutting the throat and head tilt after the act is complete. If I’m right, and his hand is more of a draggin motion than a finger slicing, then this is a re-enactment of what happened three years ago in SAY GOODBYE. I even think that the head drop is the same (or at least very similar. I know you can only drop your head down so many ways, but like, it felt SO familiar). Anti is recreating the moment he took control of future Jack as he takes control again.

Maybe Marvin sent Jack back in time to try and save him (hence 2017’s video), but Anti wormed his way in anyway. Back in 2017, it was the cut on the finger. And now, in 2019, it’s the same act yet again.

Also, SEAN. YOU MDFETJL CHANGED THE TITLE!!

#jameson jackson #jj #ego theories #jameson's jaully jaunts

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chaniters · 6 years ago

Text

UPSTAGED

I’ve been promising to write this series for so darn long... Finally got an idea on how to start it. Hope you enjoy it! (Sentai themed. This is just the first part, introducing the setting!)

--------------------------------------------

"You'll never get what you want, you maniac!"

"Now now, Governor... let us keep calm. My terms have been most generous."

"We can't negotiate with terrorists! You know that!"

"I do. But we both know what will happen if I use my disintegration touch on the West Coast's entire gold reserves"

"Ha! The Rangers will stop you!"

"I doubt that, considering I locked them down myself in one of the vaults." You let out a loud cackle.

You got him. You can hurt the system right where it hurts. Money. If the reserves are out, west-coast dollars will lose all value, destabilizing its flourishing economy, the only reason it's status as a free economic zone was never revoked. And a place like the farm cannot operate in the main country. They have real laws there. Still, it isn't a sure bet. A million things could go wrong if you actually destroy the economy. Too unpredictable. But you know they'll have to relent.

Unpredictable is something the politicians at play hate just as much as you do.

"W... Damnit! Damn you freak...! You wouldn't dare do it! Do you know how much chaos that would cause?"

"Of course I do Governor. And there are many other banks for me to visit after this one, you know... unless you want to tell the world you can't your valuables safe?"

"Go to hell!" he yells exasperated. "I know you won't do it! There's nothing for you to win in this! Why don't you just steal some of the gold?" He doesn't get it. He can't understand that you don't care about money at all.

"You test my patience governor. Perhaps a little demonstration is in orde..." You are interrupted by a loud siren noise from the Governor's office. "What is that?"

"It's the citywide alarm system... what's going on? Are we at war?" the Governor turns to one of his aides, who fumbles a remote control to turn on the TV.

You activate a console on your helm to watch as well. Is he trying to gain time? Maybe you should make a third of the gold reserve evaporate... that ought to make him reconsider.

The Governor's TV settles on the main news channel, as do you.

Mia Ochoa is in Los Diablos according to the labels, reporting from under a table, as pieces of ceiling fall all over. She appears to be at a bar. What the hell is going on and how did you not catch up on it sooner?

"... there is a very unstable situation on the ground, that is unfolding very quickly. The floating disc descended from high altitude at great speed and emitted a blue ray over the fields, which released a swarm of humanoid creatures armed with energy weapons. They are firing indiscriminately on civilians!"

"Quickly! Call all of Los Diablos police stations! Contact Los Diablo's Mayor! Send in the National Guard!" The Governor seems to be going into overdrive mode as his aids run back and forth.

Mia goes on with her reporting.

"I will try to get some images for our viewers! I remind you, we are risking our lives doing this so we might not be able to get the best takes. Also, we might see graphic violence!"

Fuck. Mia Ochoa does not back down, you have to give her that.

The film crew creeps to the bar's door, and soon enough, you can see the armed soldiers. They seem to be wearing similar outfits and move in a robotic fashion. Drones? Worse of all, there is a giant spinning metal disc floating above them. They start firing again and the Mia Ochoa and her camera crew go back inside.

You mute the governor's and the news channels open a third one to Mortum's lab.

"Doctor, are you seeing this?"

"Afraid so Retribution."

"Is this for real?"

"I think so. Never seen anything like this."

"Thank you. I'll get back to you later...I'll be at the lab soon" You close Mortum's and Mia Ochoa's channels and focus on the Governor again.

"Afraid I'm going to have to leave you Retribution," he says.

"WHAT?" you ask outraged.

"I've got a bit of a situation on my hands, can't you see?"

"But the gold reserves..."

"Are irrelevant if I lose an entire city to an alien invasion. All I can say is please don't do it? Thank you"

"..." awkward silence as you have no idea what to even say after that.

"Anyways, I really have to go so..."

"WAIT!" You plead, the roles reversed.

"What for?"

"There might be a win-win situation here... you know what I want. And you have a bit of a situation in your hands. What If I helped deal with it...?"

"You mean work for us? Fight off those things"

"Yes," you say finally.

"I could consider it...yes... You know what if all you want me to do is close that camp of horrors from the feds, I can do it. I'll fucking evict them from the entire West Coast if you want. But I want results!”

“Oh, I’ll get you results! I’ll exterminate those things so fast they won’t know what hit them!” you say energetically

“Also, I want you to release the rangers. We need all hands on deck"

"...fine" you grumble with a complete loss of your previous enthusiasm.

A wave of cold anger flows through your body as you walk towards the smaller vault. You've never done any of this out of revenge or seeking fame, but having someone steal your thunder like this when the governor was right at the palm of your hand..., even if it's an alien... it just makes your blood boil. Whoever's responsible is going down. Big time.

***************************************

"HARDER!" Steel commanded as Herald flung him at high speed against the vault's reinforced gate at great speed. Ortega and Argent joined with a combined strike, but the gate remained impervious.

"Fuck! It's no use!" Charge cursed outraged. Argent continued slashing at the metal, only creating superficial marks. Herald looked defeated, and Steel just studied the gate with his sensors, trying to find a weakness. There was none.

"You're right" he let on sitting on a pile of gold bars. "He got us good this time"

"FUUUUCK!" Charge went on kicking a few bars against the wall. Argent just kept slashing.

"That's not helping" Herald muttered while trying to get signal with his cellphone.

"At least I'm doing something!" Argent replied breathing heavily. "You'll never get signal! We're in a sealed VAULT!"

"The kid's right" Steel spoke tiredly. "Even if we can’t get signal we have to get someone to open it from the outside. It's not going to magically open just because you..."

And then the gate did just that, unsealing itself.

The Rangers gathered together, shocked to see Retribution on the other side.

"What gives? Lost something here?" Steel asked sarcastically walking over the gate ready to fight. The other rangers assume fighting stances behind him.

"Only my time." His terrifying voice lacked the characteristical aggressiveness this time. "Come out already, we've got a lot of work to do," he said motioning them out.

Steel looked puzzled but then advanced striking a warrior's pose. "I don't know what game you're playing or what you're planning, but it will never succeed! And we'll never EVER work with you!"

"Well tough luck hunk because you're totally going to be seeing a lot more of me! Oh, and by the way, you better hurry to Memorial Park unless you want to be late for your first alien invasion!" He said, before pressing a palm to the bank's wall which instantly dissolved, creating a circular hole for him to escape with his jump jets.

"The fuck?" Steel was astonished

"Did she just call you hunk?" Charge asked with a wide grin.

"What do you mean she? Retribution's clearly a guy!" Steel replied.

"Oh wow... I didn't think you were into...him"

"Wha... No, I mean... I never meant it that way..."

"Come on... first I learn you're gay, now you're really wanting that one to be a guy... I can see where this all leads Chen!"

"THAT'S NOT WHAT I MEANT YOU IDIOT!"

"Yeah right," Ortega was cracking in laughter by now.

"Hey I've got phone signal finally," Herald says. "The Mayor's calling us! And the Governor too! We've got to go to Memorial Park right now!"

"Let's go, Herald... They'll catch up when they grow up" Argent said hurrying to the Ranger's helicopter dragging floating Herald by his arm.

Steel and Ortega soon followed.

____________________________

My fanfics: https://chaniters.tumblr.com/post/181692759294/my-fanfiction-for-fallen-hero

DISCLAIMER: This is a work of fan fiction using characters and the setting of the Fallen Hero: Rebirth and upcoming Fallen Hero: Retribution games written by Malin Riden. I do not claim ownership of any characters from the Fallen Hero wold. These stories are a work of my imagination, and I do not ascribe them to the official story canon. These works are intended for entertainment outside the official storyline owned by the author. I am not profiting financially from the creation of these stories, and thank the author for her wonderful game/s, without which these works would not exist.

#fallen hero: rebirth #Fanfic #Sentai

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