#canon fodder

[halopedia]

Canon Fodder - Dawn of Lore

A new Canon Fodder has dropped, Halopedians! This one covers various subjects such as the name of the next Halo novel, details from the previous Waypoint Chronicle, and a brand new Armory Infinitum.

[alphamecha-mkii]

Leman Russ by Chris Trevas

[mybeautifulchristianjourney]

by Michael J. Kruger | I think it’s fair to say that the last decade has witnessed a bit of a resurgence of academic interest in early Christianity. By “early Christianity,” I don’t mean the Christianity represented by the major figures in the fourth and fifth centuries when the church had risen to power—e.g., Athanasius, Constantine, Augustine. Rather, I am referring to...

[princessmisery666]

Long but interesting read. I shall be following this advice for future fics.

TLDR: Dean does not use sweetheart as a term of endearment.

“Sweetheart,” Dean said, looking right into her eyes, “I think you should...”

Careful! How you finish that line is gonna make-or-break how well you’ve captured Dean Winchester in that fic you’re working on. Why, you may ask? Keep reading. And to you who are familiar with this topic… 

Keep reading

[dougielombax]

New Canon Fodder dropped.

At last.

I always thought those ring totems were built by the Tudejsa.

I KNEW it!

I’m so glad to see that confirmed!

[pawpyruus]

woah! a cg approaches! woah! bentley was soo sure her hero korvette would save her from the Horrors (trap) but little did she know she would be Skewered by spikes tenfold!

part of my goal to draw important moments in the campaign i’m dming visual novel cg style!

[juicedpeachy]

do you ever think about how lonely Shang Qinghua probably felt until cucumber also transmigrated…

[buckevantommy]

alternate 8x06 where Buck doesn't race ahead:

They go to the movie. They share popcorn and hold hands and Buck watches a captivated Tommy more than the screen. He's thinking about date nights where they don't have to worry about two cars or parking. He's thinking about going to sleep next to Tommy and waking up beside him instead of one of them rushing back to their place for clothes or bc they have a shift soon. He's thinking about the drawer he gave Tommy turning into half a closet and all of Tommy's things in his space becoming their space..

..and then he remembers: Tommy has a garage with a carlift and engine parts and a muay thai setup. Tommy has furniture. Tommy has a yard and a garden and trees. Tommy has a house.

Buck turns his attention back to the movie. Now he's thinking about the illogical nature of asking Tommy to move into the loft: it's not fair to Tommy and also it's not the best idea. He doesn't know what the best idea is, yet, and maybe he won't know until he talks to Tommy.

Because that's where he went wrong in the past: moving in with girlfriends without actually talking about it first, it just sort of happened or was expected. and they all left him. He doesn't want Tommy to leave him. They've been together six months and haven't talked about the future. Buck is thinking about the future now so he needs to talk to Tommy - see where he's at and how he feels.

Back at the loft after the movie, in Buck's bed after sex, Tommy can sense Buck's restless mind. He checks in, because he always does, and Buck hesitates. Then asks: "Do you ever think about the future?"

And Tommy says sure, so Buck presses for details, curious, and then it's Tommy's turn to hesitate. But he mentions some stuff about work - flying certain crafts, heading up a training program, a few bucket list items, but all in all just keep doing a job he loves and keep renovating his little house or maybe there's a little holiday cabin that needs some work.

Nothing about Buck. Nothing about a partner or a family. Buck's heart does something funny in his chest, something uncomfortable, and his nerves kick in properly.

"What about you?" Tommy asks, and Buck swears he tenses under him.

"Captaincy, one day, I hope. I travelled a lot in my youth so I don't really have the bug for that anymore, but I was alone then. I think I'd wanna go places if I wasn't alone. And I don't wanna live here forever, obviously." He means the loft, but he's not closed off to the idea of living outside LA. And since he has no self preservation, he adds: "And.. you." He doesn't say mention getting married or being a father, because that feels like too much all at once.

His nerves are having a field day as Tommy remains quiet.

Buck leans up, terrified and desperate to see Tommy's face. "Do you.. see me in your future?"

They're naked and pressed together under the tangled sheets. Tommy's hand has stilled where it was tracing soothing patterns on Buck's arm. It isn't right. The air feels charged in a bad way, like waiting for lightning to strike.

"Evan.."

"I love you." He doesn't want to say it like this, not for the first time, but it suddenly feels urgent, like tommy has to know right now and maybe it'll change the way he just said his name - like an apology, like a regret.

"You don't love me. You love the idea of me."

And that- that's not true. And it hurts. And Tommy's face has fallen. "No, I-"

Tommy sits up, dislodging Buck, and swings his legs over the side of the bed.

"Wait- where are you going?" Tommy's gathering his things. He's getting dressed. Anxiety and dread swirl in the pit of Buck's stomach.

"I'm going home."

Home. It hurts to hear. "You don't have to leave-" Buck knows he's pleading, he doesn't care. He scrambles off the bed, tugging on his boxers as Tommy reaches for his shirt.

"I think it's for the best."

"No, it's not- we can talk about this."

"There's nothing to talk about."

Buck stills. Tommy's holding his jacket, standing at the top of the stairs, trying to school his features to hide his emotions. He does that. He hides things. "What's happening right now?"

For a brief moment, tommy lets devastation show on his face, before it's tucked away behind a mask.

"I thought.." He doesn't know what he thought. He'd hoped Tommy felt the same, that they were on the same page. Six months in and he can already picture a life with Tommy.

"I'm sorry."

Sorry you thought this was more than what it was. Buck feels sick. His heart is stuttering. "Tommy-"

"Goodnight, Evan."

It feels like Goodbye, and Buck can't find the words to make Tommy stay before he's disappearing down the stairs and the loft door is closing behind him.

Sometimes lightning strikes the same place twice. Maybe it's connected to the string of bad luck that's followed him his whole life. Maybe he's jinxed, or cursed. Or maybe it's his own fault, his choices acting as a conductor for the kind of carnage most people only experience once.

[corpocyborg]

You know, I think one of my favorite things about a super evil play through is actually how hard it is to net approval with even the most potentially evil-leaning companions.

Astarion talks a big game about how much he likes violence and evil, and he does often give you approval for those types of actions, but you get this distinct impression from interactions with him that he's just sort of put on a permanent mask. I saw this post going around that Astarion dislikes it when you are very benevolent and heroic because he's thinking "How can there be so much goodness in the world but none of it was ever for me? It's not fair." And I think that's true. And I think when you actually take him down the road he claims he wants to go down, he takes on this mentality of "Ah, yes. Of course. I knew it. The world is without love." And he tries to pretend that it doesn't bother him but there are moments you can see it breaking through that it does. That's why I'm at the end of Act 1 of nonstop evil and I can't get him past medium approval.

On the other hand, I can't even get Shadowheart past neutral approval. She goes back and forth on giving me approval and disapproval, and, in my experience, she does the same exact thing in a good play through. I always find it hardest to predict what Shadowheart will approve of or disapprove of because she's so inconsistent. I think this is because her whole story is about the fact that she doesn't know who she is. I mean, she literally can't remember much about her life, to begin with. But also, she's in a state of indecision, not only does she not remember who she is, but she hasn't decided yet who she wants to be. Or more precisely she feels like who she wants to be is not a real option. She is definitely the companion (of the ones I actually had) who reacted most poorly to raiding the Grove. She got drunk and she went off about how it's not a real victory if you're killing people who can't even defend themselves. But then the next day she acted totally different. She was sober, and she took on this mentality of "Goblins killed some people. They didn't kill us. Time to move on." So she reasserted this control over herself that she has on most of the time, that had mostly only slipped because she was so upset and because she was drunk.

Lae'zel has been the easiest for me to get approval with. She got up to high approval very quickly, and she's currently at very high approval and stays there consistently. I think this is because she's way more honest than either Astarion or Shadowheart. She really is what she says she is. She's ruthless. And I don't actually mean that she inherently has to be evil. It is very possible to take her down a good path and convince her to embrace ideals of freedom. But I do think that her persona is far more honest than either Astarion or Shadowheart's is. And I think this makes sense because she was raised in a whole society of believers in "might makes right" who have believed in that for many generations and she was given chances to excel in that society rather than completely victimized. This is very different from Astarion because he was always a victim and never had an opportunity to actually strive for power. It is likely more similar to what Shadowheart would have experienced, though I think her memory loss complicates this, but it also just seems like Shadowheart doesn't take to ruthlessness as naturally. They both had to adopt that mentality because it was the only way they could survive, but I think Lae'zel is just better at it because she's just a way more straight-forward person. I think it's also why if she does decide to go against Vlaakith, it's an instant 180-degree change in her allegiance. She doesn't have to waver like Shadowheart does in regards to Shar, she just goes "This is what I believe now." and just switches.

Anyway, yeah... you learn so much about them on an evil play through... can't wait to torture them some more.

[halopedia]

Announced during Canon Fodder Live; Keith Szarabajka, the voice of the Didact will be narrating the Halo: Epitaph audio book! Here is a clip of that reveal!

[hoahoahoahoahoa]

I can abide by— and even actively support— most of the Twilight vampire lore. Smeyer got creative and was committed to the bit, and I can appreciate that.

But why did she take the fangs away? If they’re supposed to be super attractive, where are the gotdamn fangs

[mith-gifs-wrestling]

Lots of amazing Sami reaction moments at the end of the Cody and Kevin match. I've got a full thread on Bluesky breaking down the details, but suffice to say: it was A Lot.

[mybeautifulchristianjourney]

by Michael J. Kruger | To read the Gospels as covenant documents keeps the larger redemptive-historical narrative of the Bible front and center, allows us to see how the whole of Scripture is unified around the person and ministry of Jesus of Nazareth, and reminds us what makes the canonical gospels distinctive from the other “gospels” in the ancient world...

[profoundmakerdreamerss-blog]

Tomarry AU where Tom HATES this book he read because his favourite character dies a miserable death. So what if his favorite character was a no-named side villain? Why does it matter that he only had like seven lines (seven is Tom's favourite number anyways)? He was still gorgeous, smart and strong and beautiful — and it doesn't matter that others think he isn't all that because they would never know him— understand him like TOM DOES.

An AU where Tom has a healthy obsession with a character named Harry Potter, a no named baron's son who was the first to go against the king (MC's father, and the mc who is incidentally known as Draco Malfoy, ahem anyways); he tries to “poison” him. But he gets caught or to be more precise he ends up sacrificing himself for the common girl Hermione Granger (the female lead, I'm sorry guys but imagine the fucking drama.) who gets blamed for his transgressions.

But that is not why Tom falls for this weak villain, no — it's because he respects how this no-named orphan became a baron on his own two feet without anyone being there for him especially in a world where old money and title is everything— and he hates how he had to give his life for the MC to notice the female lead? (Harry is better looking and smarter than her anyways — Tom, in an online forum perhaps.)

Anyways, now imagine Tom dying (he hated it so yes he ends up looking for immorality anyways.) and waking up in the world he hated. Now imagine, Tom Riddle, waking up in the body of a Duke who wasn't even given a name in the novel. (He would know because he has a photographic memory, ok? It's totally not because he read it more than 14 times) and then saying fuck it and owning it.

Just think, Tom taking over the world slowly with his worldly knowledge while trying to keep Harry alive because even though he was right about Harry being smart; the guy treats his life like Draco treats his money - you get the idea.

[awsok]

okay. let's talk about shin, sabine, and whatever the hell is going on here:

i've been trying to figure out this moment, and why shin responds like this. because it feels like a change, right? the shin of episode 1 would be thrilled to have permission to hunt down and kill sabine. but here, she's clearly protesting the order (indirectly, because she can hardly outright say 'no' to thrawn).

on one level, this is definitely at least in part because the order is coming from thrawn. orders from baylan are fine for shin: baylan is her master, and by this point in the series it's obvious how much she respects him. but thrawn? baylan told her finding thrawn would bring them power, but instead both she and baylan are being treated like his underlings - this is not what shin thought they were signing up for.

but if this were solely about thrawn giving orders, i'd expect shin's reaction to seem irritated or offended - she's hardly a stranger to anger, after all. but i think it's fair to say that shin's response here can be best characterised as alarmed? she's clearly surprised that they aren't letting sabine go, and more than that: she's not happy about it.

so then, i thought maybe that this was about honour - that shin was so disturbed by this, because it is dishonourable for baylan (who has made a point of insisting on keeping his word to sabine) to break their agreement. (and i know it may seem counterintuitive to assume that shin cares about such a jedi-like concept as honour, but judging by the way baylan speaks of the jedi and shin's padawan braid, he probably instilled her with their values if not their morals.) but then i remembered where episode four left off (which is indicated by the show to be a most a day or two ago):

this takes place literally immediately after sabine has made a deal with baylan. if shin cares enough about honour for it to override her hatred of sabine in episode six, it doesn't make sense for her to disregard honour (even in the heat of the moment) to try and kill sabine in episode four.

so if this isn't about thrawn (not entirely), and it isn't about honour (probably not at all), what is this about? what has changed to make shin go from homicidal obsession to protesting seemingly on sabine's behalf?

sabine, of course.

(by which i actually mean: shin.)

let's talk about The Look!

shin staring at sabine is nothing remotely new. shin staring at sabine without a homicidal glare or a mocking smirk? that's extremely new. this scene makes me crazy (i'm trying so so hard to keep the shipping goggles off and to be objective guys). it may not seem like much at first glance, but this is a dramatic change of behaviour for shin. she's looking at - no, observing sabine in a completely neutral and open way. there's no hostility in this gaze, no judgement, not even fear or conflict. just: observing. and she's doing so openly as well - not just that she isn't disguising herself - she turns to face sabine, as if to give sabine a better look at her. as if to let sabine observe her right back.

why??? why is shin doing this??

um. well. i actually don't know.

i can't make any remotely certain assumptions about what has changed since they left seatos. maybe shin has done a lot of introspection. maybe she feels like she's seen a different side of sabine. maybe they fucked on that spaceship.

the only conclusion i do feel it might be safe to make is this:

i don't think shin sees sabine as an enemy anymore.

i don't know when exactly that changed, i don't know what exactly caused it. but it's true. and if shin and sabine aren't enemies anymore - what are they to each other? what will they become?

tl;dr - shin doesn't want to murder sabine in cold blood anymore. also i think they should hold hands.

[pastelshroomsbasement]

If I transmigrated to MDZS Im locking IN FOR THE BEAUTIFUL GRANDMASTER LAN YAAA BE MY VALENTINE LAOSHI 😍😍😍😍😍😍