#canon fodder

[alphamecha-mkii]

Leman Russ by Chris Trevas

[halopedia]

Announced during Canon Fodder Live; Keith Szarabajka, the voice of the Didact will be narrating the Halo: Epitaph audio book! Here is a clip of that reveal!

[mybeautifulchristianjourney]

by Michael J. Kruger | I think it’s fair to say that the last decade has witnessed a bit of a resurgence of academic interest in early Christianity. By “early Christianity,” I don’t mean the Christianity represented by the major figures in the fourth and fifth centuries when the church had risen to power—e.g., Athanasius, Constantine, Augustine. Rather, I am referring to...

[dougielombax]

New Canon Fodder dropped.

At last.

I always thought those ring totems were built by the Tudejsa.

I KNEW it!

I’m so glad to see that confirmed!

[pawpyruus]

woah! a cg approaches! woah! bentley was soo sure her hero korvette would save her from the Horrors (trap) but little did she know she would be Skewered by spikes tenfold!

part of my goal to draw important moments in the campaign i’m dming visual novel cg style!

[immaculatasknight]

Nothing changes

[buckevantommy]

alternate 8x06 where Buck doesn't race ahead:

They go to the movie. They share popcorn and hold hands and Buck watches a captivated Tommy more than the screen. He's thinking about date nights where they don't have to worry about two cars or parking. He's thinking about going to sleep next to Tommy and waking up beside him instead of one of them rushing back to their place for clothes or bc they have a shift soon. He's thinking about the drawer he gave Tommy turning into half a closet and all of Tommy's things in his space becoming their space..

..and then he remembers: Tommy has a garage with a carlift and engine parts and a muay thai setup. Tommy has furniture. Tommy has a yard and a garden and trees. Tommy has a house.

Buck turns his attention back to the movie. Now he's thinking about the illogical nature of asking Tommy to move into the loft: it's not fair to Tommy and also it's not the best idea. He doesn't know what the best idea is, yet, and maybe he won't know until he talks to Tommy.

Because that's where he went wrong in the past: moving in with girlfriends without actually talking about it first, it just sort of happened or was expected. and they all left him. He doesn't want Tommy to leave him. They've been together six months and haven't talked about the future. Buck is thinking about the future now so he needs to talk to Tommy - see where he's at and how he feels.

Back at the loft after the movie, in Buck's bed after sex, Tommy can sense Buck's restless mind. He checks in, because he always does, and Buck hesitates. Then asks: "Do you ever think about the future?"

And Tommy says sure, so Buck presses for details, curious, and then it's Tommy's turn to hesitate. But he mentions some stuff about work - flying certain crafts, heading up a training program, a few bucket list items, but all in all just keep doing a job he loves and keep renovating his little house or maybe there's a little holiday cabin that needs some work.

Nothing about Buck. Nothing about a partner or a family. Buck's heart does something funny in his chest, something uncomfortable, and his nerves kick in properly.

"What about you?" Tommy asks, and Buck swears he tenses under him.

"Captaincy, one day, I hope. I travelled a lot in my youth so I don't really have the bug for that anymore, but I was alone then. I think I'd wanna go places if I wasn't alone. And I don't wanna live here forever, obviously." He means the loft, but he's not closed off to the idea of living outside LA. And since he has no self preservation, he adds: "And.. you." He doesn't say mention getting married or being a father, because that feels like too much all at once.

His nerves are having a field day as Tommy remains quiet.

Buck leans up, terrified and desperate to see Tommy's face. "Do you.. see me in your future?"

They're naked and pressed together under the tangled sheets. Tommy's hand has stilled where it was tracing soothing patterns on Buck's arm. It isn't right. The air feels charged in a bad way, like waiting for lightning to strike.

"Evan.."

"I love you." He doesn't want to say it like this, not for the first time, but it suddenly feels urgent, like tommy has to know right now and maybe it'll change the way he just said his name - like an apology, like a regret.

"You don't love me. You love the idea of me."

And that- that's not true. And it hurts. And Tommy's face has fallen. "No, I-"

Tommy sits up, dislodging Buck, and swings his legs over the side of the bed.

"Wait- where are you going?" Tommy's gathering his things. He's getting dressed. Anxiety and dread swirl in the pit of Buck's stomach.

"I'm going home."

Home. It hurts to hear. "You don't have to leave-" Buck knows he's pleading, he doesn't care. He scrambles off the bed, tugging on his boxers as Tommy reaches for his shirt.

"I think it's for the best."

"No, it's not- we can talk about this."

"There's nothing to talk about."

Buck stills. Tommy's holding his jacket, standing at the top of the stairs, trying to school his features to hide his emotions. He does that. He hides things. "What's happening right now?"

For a brief moment, tommy lets devastation show on his face, before it's tucked away behind a mask.

"I thought.." He doesn't know what he thought. He'd hoped Tommy felt the same, that they were on the same page. Six months in and he can already picture a life with Tommy.

"I'm sorry."

Sorry you thought this was more than what it was. Buck feels sick. His heart is stuttering. "Tommy-"

"Goodnight, Evan."

It feels like Goodbye, and Buck can't find the words to make Tommy stay before he's disappearing down the stairs and the loft door is closing behind him.

Sometimes lightning strikes the same place twice. Maybe it's connected to the string of bad luck that's followed him his whole life. Maybe he's jinxed, or cursed. Or maybe it's his own fault, his choices acting as a conductor for the kind of carnage most people only experience once.

[profoundmakerdreamerss-blog]

Tomarry AU where Tom HATES this book he read because his favourite character dies a miserable death. So what if his favorite character was a no-named side villain? Why does it matter that he only had like seven lines (seven is Tom's favourite number anyways)? He was still gorgeous, smart and strong and beautiful — and it doesn't matter that others think he isn't all that because they would never know him— understand him like TOM DOES.

An AU where Tom has a healthy obsession with a character named Harry Potter, a no named baron's son who was the first to go against the king (MC's father, and the mc who is incidentally known as Draco Malfoy, ahem anyways); he tries to “poison” him. But he gets caught or to be more precise he ends up sacrificing himself for the common girl Hermione Granger (the female lead, I'm sorry guys but imagine the fucking drama.) who gets blamed for his transgressions.

But that is not why Tom falls for this weak villain, no — it's because he respects how this no-named orphan became a baron on his own two feet without anyone being there for him especially in a world where old money and title is everything— and he hates how he had to give his life for the MC to notice the female lead? (Harry is better looking and smarter than her anyways — Tom, in an online forum perhaps.)

Anyways, now imagine Tom dying (he hated it so yes he ends up looking for immorality anyways.) and waking up in the world he hated. Now imagine, Tom Riddle, waking up in the body of a Duke who wasn't even given a name in the novel. (He would know because he has a photographic memory, ok? It's totally not because he read it more than 14 times) and then saying fuck it and owning it.

Just think, Tom taking over the world slowly with his worldly knowledge while trying to keep Harry alive because even though he was right about Harry being smart; the guy treats his life like Draco treats his money - you get the idea.

[awsok]

okay. let's talk about shin, sabine, and whatever the hell is going on here:

i've been trying to figure out this moment, and why shin responds like this. because it feels like a change, right? the shin of episode 1 would be thrilled to have permission to hunt down and kill sabine. but here, she's clearly protesting the order (indirectly, because she can hardly outright say 'no' to thrawn).

on one level, this is definitely at least in part because the order is coming from thrawn. orders from baylan are fine for shin: baylan is her master, and by this point in the series it's obvious how much she respects him. but thrawn? baylan told her finding thrawn would bring them power, but instead both she and baylan are being treated like his underlings - this is not what shin thought they were signing up for.

but if this were solely about thrawn giving orders, i'd expect shin's reaction to seem irritated or offended - she's hardly a stranger to anger, after all. but i think it's fair to say that shin's response here can be best characterised as alarmed? she's clearly surprised that they aren't letting sabine go, and more than that: she's not happy about it.

so then, i thought maybe that this was about honour - that shin was so disturbed by this, because it is dishonourable for baylan (who has made a point of insisting on keeping his word to sabine) to break their agreement. (and i know it may seem counterintuitive to assume that shin cares about such a jedi-like concept as honour, but judging by the way baylan speaks of the jedi and shin's padawan braid, he probably instilled her with their values if not their morals.) but then i remembered where episode four left off (which is indicated by the show to be a most a day or two ago):

this takes place literally immediately after sabine has made a deal with baylan. if shin cares enough about honour for it to override her hatred of sabine in episode six, it doesn't make sense for her to disregard honour (even in the heat of the moment) to try and kill sabine in episode four.

so if this isn't about thrawn (not entirely), and it isn't about honour (probably not at all), what is this about? what has changed to make shin go from homicidal obsession to protesting seemingly on sabine's behalf?

sabine, of course.

(by which i actually mean: shin.)

let's talk about The Look!

shin staring at sabine is nothing remotely new. shin staring at sabine without a homicidal glare or a mocking smirk? that's extremely new. this scene makes me crazy (i'm trying so so hard to keep the shipping goggles off and to be objective guys). it may not seem like much at first glance, but this is a dramatic change of behaviour for shin. she's looking at - no, observing sabine in a completely neutral and open way. there's no hostility in this gaze, no judgement, not even fear or conflict. just: observing. and she's doing so openly as well - not just that she isn't disguising herself - she turns to face sabine, as if to give sabine a better look at her. as if to let sabine observe her right back.

why??? why is shin doing this??

um. well. i actually don't know.

i can't make any remotely certain assumptions about what has changed since they left seatos. maybe shin has done a lot of introspection. maybe she feels like she's seen a different side of sabine. maybe they fucked on that spaceship.

the only conclusion i do feel it might be safe to make is this:

i don't think shin sees sabine as an enemy anymore.

i don't know when exactly that changed, i don't know what exactly caused it. but it's true. and if shin and sabine aren't enemies anymore - what are they to each other? what will they become?

tl;dr - shin doesn't want to murder sabine in cold blood anymore. also i think they should hold hands.

[necrotic-nephilim]

for the ask game, an AU where (somehow…) jason and tim (begrudgingly) team up in the search for a hero/battle for the cowl era (either when jason says tim should work with him on the gang stuff or when batman jason asks tim to be his robin) :]

for the ask game!

god, Search For A Hero my beloved. for the Search For A Hero version of their team-up, I think I'd write it something like this

I think the biggest reason Tim says no when Jason asks him is Jason asks Tim too early in the arc. as the storyline develops, Tim gets more and more desperate to best Ulysses, which is what pushes him to make the mistake that gets Ulysses' siblings killed. he's in a tight spot and he misjudges the situation. (i think the guilt he carries from that moment is one of the biggest inciting incidents for becoming Red Robin) so, i'd introduce Jason to the plot just a little later. just as Tim is on the edge of desperation. Tim isn't entirely adverse to working with villains if he thinks he can stay on top of them. so instead of sending Jason to prison, i think if Jason came to Tim at the right time, Tim would begrudging accept Jason's help

part of Tim's plan would be leveraging Jason's power with the mafia/mob scene in Gotham. they'd agree that topping the gangs would just cause a power vacuum (i'm pretty sure that's actually addressed in SFAH but i could be misremembering) so it's more about a balancing act, which is where Jason thrives. Tim is right on the cusp of being willing to do more morally questionable things, so it'd be a fun internal war for him to second-guess himself at every turn.

there would be such a delightful lack of trust in their partnerships. TIm has *zero* reason to trust Jason, and while Jason likes Tim enough, i don't think he's naive enough to put any trust in Tim. so there'd be moments where they don't fill each other in on aspects of the plan. Jason kills people behind Tim's back, Tim keys in his cop friend behind Jason's back. it builds the tension between them with a lot of hot arguments that get more and more charged.

the jealousy. there would just have to be a scene where Jason gets wildly jealous over Ulysses' complex over Tim. Ulysses tries so hard to pit himself as like, Tim's biggest adversary, his opposite. and Jason would *despise* that. sure, Jason is working with Tim, but part of the fun is that they're still enemies as they do it. i think it'd be sort of fun to have the moment where Ulysses blows Tim up be something Jason witnesses and he raises unholy hell about. because if anyone is going to kill Tim Drake, it's going to be him. and that angry possessiveness is what makes the romantic/sexual tension something neither of them can ignore anymore.

Tim deciding to put on the Red Robin suit to fight Ulysses would be where Jason just. goes full tilt possessive "he's mine i marked him that's my suit. see. mine. i said so." and Tim would push back but. what ground does he have to stand on bc he could've picked any suit with any cowl to protect his head after the blast, but he did choose Jason's. it was his own open invitation to Jason in a way. and well. they fuck nasty about it. and then Damian becomes Robin, so why not Tim keep the suit and just maybe, keep Jason in his back pocket.

and!! for the Battle for the Cowl version. man on one hand i love "Tim accepts Jason's offer to be his Robin" fics but i feel they lack a bite to them, so this is personally how i would try to pull it off, while being relatively in character.

so the biggest thing for me is, TIm agrees to be Jason's Robin not because he trusts or likes Jason, but for the same reasons he became Robin in the first place: to keep Batman stable. being Jason's Robin isn't about wanting to work with Jason, it would be Tim knowing there's no world Jason is ever going to stop and seeing Jason slowly tip over the edge of madness and well. if Tim was self-sacrificial enough to do it for Bruce and attempt to do it for Jean-Paul, he can do it for Jason.

him agreeing would i think startle Jason. like, Jason's offer was never particularly serious because he's at the point he knows Tim wants nothing to do with him. so when Tim says yes it sort of. snaps Jason out of the rage BftC puts him in. he's so startled but enticed by the thought, he willingly agrees to stipulations Tim sets, like no murder. like even if just to see where this goes, Jason jumps on the chance.

i'd really want to keep Dick and Damian as Batman and Robin, and the weird divide that would exist with Dick/Damian and Jason/Tim both running around as Batman/Robin and how off kilter that puts Gotham. like Gotham is so baffled by it, it actually makes criminals easier to handle. because they have no clue if they're getting the Batman who needs Robin to keep him in line, or the Robin who needs Batman to keep him in line. people know there's two Batmans, two Robins and no one knows quite what to do with that information. who's the "real" Batman? who's the "real" Robin? and on the personal level, the divide between Dick and Tim would be unmistakable. Dick would know what Tim's doing and try to convince him Jason is a lost cause bc well, Dick at this point *really* believes Jason is a lost fucking cause. So Dick's genuine care and concern for Tim just drives a further wedge between them.

i think there'd need to be a scene where Tim flat out asks if Jason even *wants* to be Batman. in a sort of attempt to slowly ween Jason off of being Batman, but also because i don't think Jason ever really wants to be Batman, he just wants Batman to be what his vision of justice is. and it'd be the first real heart to heart they have, discussing the legacy of the Robin and Batman mantles and how it's affected them. it'd be heated, but it'd be their first real conversation as just. Jason and Tim.

to me, i think the end goal of this AU would be Tim successfully "taming" Jason, and not in like a soft way, but in like a manipulative way, where even Jason knows that's what Tim is doing, but he just goes along with it because it's the first real human connection he's had in a while. also, i would work in Scarlet, Jason's sidekick in Batman & Robin (2009) as like. a pseudo daughter figure for them to help Jason find his humanity a bit. so it's not just Tim as Jason's rock, but also this misguided girl they'd both try to help. and well, then they ride into the sunset and all that, but still have a complicated, toxic dynamic they're both aware is unhealthy, but as balanced as it can be.

[utilitycaster]

the revelation that the Ruidusborn are keys to Predathos's cage to wake it up...I know Ruidusborn are quite rare and only recently began increasing in number but like. this eldritch entity has been giving people Uncontrollable Psychic Migraine Nightmare Disorder for millennia to no avail because they couldn't even get to the moon until a month ago. Just tons of people living out their lives not knowing what was wrong with them because a fucking eldritch hunger monster was like well maybe someone will figure out how to make the space elevator in your lifetime, if not, enjoy knowing how everyone feels about you all the time without an ability to turn it off! what the fuck.

[halopedia]

Starship Saturday - Huygens-class survey ship

Introduced in 2499 by Aerofabrique SA, the 85m-long Huygens is a scout ship intended for mapping new worlds, charting slipspace routes, and - in wartime - hunting for raiding targets that can be attacked by UNSC Navy destroyer wolfpacks.

[mybeautifulchristianjourney]

by Michael J. Kruger | It probably comes as no surprise that the most common question I receive from both Christians and non-Christians is “How do I know the Bible is the Word of God?” And the reason this question is at the top of the list is not hard to...

[fandomfuntimem]

A collection of "veldigunization" symptoms I've seen.

Throwing up goo

Yellow scalera

Longer limbs, fingers, and nails.

Sharp teeth

Face just falls off

Weight loss

Pale skin

✨️stripes✨️

Severe illness

Now some other symptoms i would like to propose (you can add to this list):

Fatigue in the day

Energized at night

Hunger

Increased flexability

Aches (back pain for spikes and tails, head aches for horns, hand and feet pains for claws, ect)

Depending on your vedigun designe increased hair, or hair loss.

Mental fatigue (could later turn into mental instability or someother mental thing.

Just thought it would be fun to compile a list. Its good stuff to mess with for veldigun Alex aus.

[kacievvbbbb]

Something about the fact that the Winchesters never really acknowledge the fact that this might be hard for Castiel. Not even in the physical all angels are continuously brainwashed to never question authority level but just on the level that the angels were his family. And hey it might have just been a little bit hard to have my whole world view upended and now I’ve killed my family in droves all for you but you don’t even care that it might have been just the tiniest bit hard for me. Just as long as you don’t gave to kill your little brother right?

What’s even worse is that the narrative bends over backwards to justify it. Like why should the Winchesters care that these are essentially Cas’ siblings when they are objectively evil? The angels used to be complicated with frustrating and contradictory motivations now if you’re not Cas or Lucifer or haven’t magically completely escaped centuries of brainwashing and devotion and family then fuck you I guess and even when you do fuck you still cause your name isn’t Sam or Dean Winchester

Even fucking Michael, objectively the most brainwashed of all, like I know Michael’s not squeaky clean but come on the Winchesters and Cas have done so much worse to earth and heaven, than Michael ever managed too. They literally have no higher ground. But yet their whoooooole plan revolves around Michael going back to his father and it’s this big gotcha moment and not two traumatized adults exploiting the very real traumatic devotion maintained by years of abuse in a moment where Michael literally had the only other source of stability he had for years snatched away from him and it was looking like his only options where to spend eternity in the company of those two clowns. You do this after he literally already helped you and just fought his brother for you? you don’t even try to come up with another plan? Honestly, It just feels malicious. As if Dean can’t understand running back to your father when every other sense of stability has been taken away from you.

Supernatural has shown over and over again that family is only important to Dean and Sam when it’s their family. Because fuck anyone else that tries to pull the same bullshit for their family you’re objectively wrong and Winchesters have the moral high ground and the right to stop/kill you. they are only ever called on this twice in 15 seasons. But come on not even fucking Cas? Cas?

[assiraphales]

if usopp didnt have a conventionally goofy character design the sanuso ship would fly high bc they are soooo flirty

(even tho usopp is a cutie got the last laugh with the FINEST live action casting)

patiently waiting for live action sanji to get usopp's goggles back in alabasta to jumpstart a lil something something for them