#can't you just accept that all were??

[nolonger-roses]

frodo is such a complex and sad character

after all the things he went through, the two stabbings, losing his finger, the hunger and thirst, the fatigue, all the emotional trauma and losing himself in the process. After everything, he still saw his home get damaged. And the worst parte is that no one acknowledged what he did. He wasn't treated as the hero he was nor was he important

And at the end, when he realised that he couldn't go back, that all the pain wouldn't go away, he accepted himself and left in order to heal. He did the right choice again

He saved the world by losing himself but I don't think he regretted it. He made a world were his loved ones could live, just not him.

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[thefriendoforatioisdead]

You know what truly truly hurts me about this episode ? It's not just that she's dead, but it's the fact that she knew she was going to die. This 15 years old child realized that she had no vision about herself after the age of sixteen, so she drew the conclusion that she was probably going to die. She saw her sister living a beautiful life and she was happy about it. She didn't tell Wa anything because she knew it was useless to try and stop fate, and she didn't want to worry her for nothing. She tried everything to make her last day fantastic and she even had a vision on how she would die, but she lived through it, stayed happy. And then, this weird guy tried to strangle her and she had her vision about her birthday gift, and she felt all the weight lifting from her young shoulders, because now everything was going to go back to normal, and Wa would always always protect her, and she had her whole life in front of her.

But she was wrong, and she was not only murdered, but murdered brutally, alone, right before turning sixteen.

Not only did she have to mourn her own life for who knows how long, realizing that she would never be an adult, never see Wa becoming a lawyer, buying back their house, that she would never become an illustrator. Not only that immense pain that she carried alone, but the fact that in the sickest tragic irony, all this work she did on herself of acceptance got ripped away, and she let herself be relieved, and hope again (because she's such a positive person that hope would come back very easily and so strongly in her heart), only for it to be an illusion of just a few hours before meeting a terrible, unfair and cruel death.

WHY REVERSE 4 YOU ? WHY ? WHYYYYYYYYYY ?

[beaulesbian]

maybe it's how luffy's love for zoro is more subtle in the animanga (even if it's everpresent), and people usually more point out zoro's devotion to luffy than how luffy cares for him., that the live action show really went and made luffy say to zoro: I need you. It's so simple, I need you. to instantly get across just how important zoro is to luffy

[seventh-district]

Sam: "Look at me. Hey- look at me a second. I know. I know you're tough. I know how strong you are. You have every right to be proud of that. But being able to handle somethin' doesn't mean you should have to. Least of all when I'm right here trying to help. Please let me help. If not for you then for me, because I don't like knowin' you're hurtin', especially when there's somethin' I can do about it."

Me, shaking my head, fighting back literal tears: "B-but it's gonna give you another headache!"

[wavesoutbeingtossed]

I know we skirt around and sometimes talk about the ~trauma~ of it all, but I think seeing how loudly Taylor and Travis support each other on main (while still carving out a private life together) really starts to illuminate to an even clearer degree how many of Taylor's choices and actions were a response to all of ~that~ in the last decade or so (and particularly since 2016).

Again, which is not to say it's all bad, and many of them were choices she needed to make at the time for her own health and I'm sure there are some things from the time period she's continued to keep with her, but it's just really striking that she's, like, in full bloom now. And as a lot of people here are saying, she's probably more like herself these days than she'd been in the last decade. It's getting to the point (at least for me) that sometimes I can't even imagine her the way she was in the last few years because she just seems soooooo much more comfortable in her own skin. Which is silly, because that was as much her as the person she is now, she is an amalgamation of all those parts of her (just like any other person is).

But you just see *how much* she just loves so freely -- not just romantically but in everything she does -- and it's even sadder to think about how she felt like she had to slice off all these parts of her and like she had to accept a certain way of living (and being loved) in order to survive and have a life of her own.

I'm just really happy for her that she seems to be healing every passing day and is just embracing everything coming her way.

ok gonna word vomit more in the tags

[sledge-in-space]

John Seed is a comfort character for some people. Folks like to ship him with their deputies or craft redemption arcs for him.

There's nothing wrong with that, obviously.

But I just can't wrap my head around it.

There's nothing comforting about the way John Seed treated Joey Hudson. I don't understand why the ordeal she went through doesn't seem to matter to fans of his.

She was bait for the rookie deputy and nothing more, because she wasn't going to give in and join the cult.

He terrorized Joey and the rest of Fall's End, stooping to the lowest, most inhumane levels to get his way. Some even theorize that he hurt the "sinners" in his care just because he wanted to, for malicious, sadistic reasons that didn't have anything to do with the cult. At worst, some people go as far as to speculate that he raped Joey.

It's easy to see why someone might come to that conclusion. The way he acts is deplorable and he makes everything feel extremely personal, sometimes in ways that can be interpreted as sexually charged. He'll do anything in order to get his way because "no" is antithetical to him. He regularly flies off the handle, so much so that Joseph is threatening to cast him out. All the touching and getting right up in the player's face is so uncomfortable and obsessive (which is the point, but I digress).

So why does he get to be redeemed and venerated by fans? Don't his actions warrant consequences?

Are people willing to let him off the hook because he's attractive? Because he had a horrible, abusive childhood? Obviously he's got a lot more lore than most of the cast. Is that something people are interested in exploring for him over other characters?

I'm not trying to come after anyone personally. There's nothing wrong with liking villains and Jacob, Faith, and Joseph have also done terrible things to innocent people.

Which is like, fine. It's a video game.

And I know that John, like Joey, is a victim of Ubisoft's choppy, inconsistent writing and storytelling. Things got changed and swapped and cut during development that got us to where we are, with the story we have. Flaws and all, not like it was ever going to be perfect.

But in my opinion, I feel like the adoration for John does a huge disservice to Joey. People make thirsty edits of him while she's literally tied up behind him. It's tasteless and makes the optics of her situation look even creepier.

Her pain has largely been ignored for as long as the game has existed. I can't for the life of me figure out why.

[natelia-aldelliz]

"What if I fade?"

Soap lifts his head from his journal, looking up at Roach who is eerily floating near the ceiling. The slow movements almost make him look like he's in water. Kind of ironic given the way he died.

"What do you mean?" he asks, confused.

"What if I move on, what if I disappear," Roach elaborates, refusing to meet his eye. "Not everyone is a ghost, right? We'd be overly crowded. The fact that we're not also means that not every ghost stays."

Soap forces his dry throat to swallow. He honestly didn't want to think about that. He still needs Roach, he probably always will, but he hasn't even told him that he - he takes a deep breath in to calm himself.

"I don't know how it works," he admits quietly, bouncing his leg absent-mindedly. "You're probably right, like most of the time. Even if I really want you to be wrong about that."

Roach finally looks towards him.

"Maybe I should move on," Roach whispers. "It's not healthy, Johnny. You have no idea the things I want, what I wish for, that I'll never get."

Soap doesn't stand up, just keeps staring into Roach's eyes.

"I think I might have an idea, actually," he whispers back. Roach flounders for a moment. Soap really wishes he didn't get that wrong. He's pretty sure Roach meant that he can't have Ghost, and he himself can't have Roach. So... It's pretty similar.

"I've been feeling less like myself recently," Roach insists, deciding to ignore that comment for now. "I find myself wishing one of you would die so I wouldn't be alone. I never thought like that before, I fear that I may have stayed too long, that I'm starting to lose myself."

And he looks scared. It's written on his features so clearly and it breaks Soap's heart.

"You're not alone," he swears. "I'm here with you, and I'll make sure you stay you, however I can."

Roach looks at him, examining his face, looking for... something. Whatever it is, he seems to have found it because he exhales through his nose like a very soft laugh and averts his eyes, almost... blushing? It's a bit hard to tell from the distance and his left cheek being covered in burns while his right is covered in freckles, but he's pretty sure his ears are red.

"You can't look at me like that, Johnny," he says almost coyly. "I can't do anything about it, it's not fair."

Soap's face is burning and his eyes are wide. Was he too obvious? Did Roach understand or is he joking?

They probably look stupid, both of them redder than a fire truck, avoiding the other's eyes, regretting their words. Or at least he supposes that it's what's happening, because he's sure not looking up.

"If it makes you feel better," Roach finally says, sounding like he's smiling, "you were right for once : I am right most of the time. Judging by your reaction, you did indeed have no idea what I want."

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[katyspersonal]

Regarding previous post about disco horse: I really appreciate that everyone is actually talking for once, but a kind of jab happened on my mental health so I have to step away. It isn't from this post, but the reason is sort of connected

Again, I personally find no problems with the DLC except for how Radahn ship came from nowhere and can justify how that comes. But regardless of how many things anyone else dislikes about the DLC: you are valid to hate it as much as you want, but when you start insulting people who loved/accepted/justified the DLC as "media illiterate fromsoft dickriders who keeps coping even after the honeymoon phase passed" and variation I draw the line. There are many ways where other fans can find reason where you didn't and there is potential in new lore that you won't use. Absurd how some people are still willing to support illusory narrative that Radahn Redditor simps are the "worst" part of the fandom when not even at their most arrogant and annoying they can dream to reach HALF of the toxicity cultish Miquella/Malenia fans have, over the awful crime of having different readings, opinions and priorities.

And yes, I know it is inevitable that Tumblr and Twitter fans WOULD make a moral/intellectual/maturity contest out of how people feel about the DLC (🤡🤡🤡), but it hurts when people I actually don't want to butt heads with who start to approve of this mentality. Like, okay cool. Wallow in your elitist toxic pool of Ledas while we, "pathetic dickriders" go and "cope" somewhere else, hope everyone is more comfortable this way 🤦‍♂️ I am tired of getting hurt through endless passive aggression and I have my limits. It is just always hurtful to finally rip the bandage, even IF it is to the better. I need a hiatus for a longer time, albeit for a different reason now

[an-ruraiocht]

sometimes it's like. i don't really wanna have an opinion about this in public because i don't feel that strongly. but a lot of people are having ill informed opinions about it and i don't feel i can offer correct information without also an opinion. so i just have to suffer

[icewindandboringhorror]

boy in silly sitting positions compilation

[walugus-grudenburg]

crazy how every non-voting post manages to turn into "it's okay if more people die as long as they aren't Palestinian :)" and just like. jesus christ. I know the genocide is horrific but letting more people die doesn't solve anything???

[blackswallowtailbutterfly]

Still haven't messaged my mom back. And I don't think I'm going to.

[stellacadente]

actually confuses me how so many nonblack people want to make it seem like it's hard or something to not use aave bc it's literally so easy? you just have to not say words. and you can start any time. you didn't know a word or phrase is aave? now you know, don't say it anymore. it already happens anyway bc we bastardize aave so much, overuse one word or phrase that belongs to black people for a few months or something until it's not "trendy" anymore and then it's cringe to say it, so nonblack people stop saying it. what we can and should do instead is every single time we learn something is aave (and if you know/follow black americans you will hear about it!! just pay attention and stop only listening to white people!!) we immediately stop saying it and i guarantee you it won't take you long at all to start recognizing aave without having black people holding your hand through it. literally just listen and learn and then you'll be more and more used to recognizing aave and its appropriation and it'll be so incredibly simple to just not appropriate it even unknowingly

[sanji-screenshots]

I'm FINALLY through with Dressrosa which means I'll be seeing our main man again soon, but now I'm thinking about how long I'm going to be in Whole Cake Island... like it took me a (relatively) long time to get through Dressrosa and Sanji wasn't even there for most of it! With WCI I'm going to be pausing every 5 minutes to get screenshots! Lord help me, I'm going to be stuck there for the rest of my life...