#can't miss these nuances guys

[fromtheseventhhell]

One major factor missing from most debates on Arya and Lyanna's beauty is that they're being judged by their society's extremely patriarchal values. In both looks and personality, that context is essential to understanding how others perceive them. George explores the misogyny experienced by non-conforming women, especially with Arya, and it's interesting how he plays with that regarding their physical beauty.

Her mother used to say she could be pretty if she would just wash and brush her hair and take more care with her dress, the way her sister did. (The Blind Girl, ADWD) "You never knew Lyanna as I did, Robert," Ned told him. "You saw her beauty, but not the iron underneath. She would have told you that you have no business in the melee." (Eddard VII, AGOT)

These two quotes offer a nice summation of this idea. With Arya, her supposed lack of beauty is defined by her being a non-conforming wild child. Her hair is messy, her face is dirty, and she's often in "lower class" clothing while engaging in unladylike activities. None of this says anything about her physical beauty but it tells us everything about how she's perceived. Arya could be pretty...If she conforms to society's standards for a highborn Lady. With Lyanna, however, we get the opposite. Where Arya is judged based on her personality, Robert's romanticization of Lyanna is rooted solely in her looks. He doesn't know anything about the person she really was. There is an assumption that, because she looked a certain way, her personality must fit and Robert imagines her much softer and more passive than she actually was.

That Arya isn't pretty or Lyanna wasn't wild are two perceptions that George specifically pushes back against. This is where people miss the brilliance of them being linked as literary mirrors; it is largely about us learning more about Lyanna, but it touches on more than that. The significance of them being written as wild, willful, and with their own beauty is that George isn't writing his female characters around patriarchal expectations. When people debate their beauty, that's often the trapping they fall into. Beauty and non-conformity are treated as mutually exclusive factors when the story itself never makes that point; this is also the logic that leads people to the (incorrect) conclusion that Lyanna and Arya aren't meant to be similar. Arya's self-esteem issues around her looks and being a Lady make this a topic certain to be addressed in the future; George has made it a part of the story. The conclusion shouldn't be that "looks don't matter", but that looks aren't indicative of a character's value, personality, or morality.

[this-user-is-always-bored]

not really sure on what i should feel about hsr having a race based on tribal culture (or really just mongolian nomadic tribes with a touch of plausible deniability) being portrayed as almost always villainous and uncivilized sparing some sparse descriptions of how the core tenet of their ideologies are flexible enough to not revolve around just physical strength when we've been shown that race and specie aren't something to be taken lightly or in a black-and-white view. how do the devs expect me to take having a subplot about romani-but-not-really-because-they're-in-space-and-all-white-this-time people being subjected to racist propaganda, racial profiling, trafficking, slavery, and then turning back around and giving me a specie vaguely based on real cultures n are almost always ruthless violent genocidal racists. what

[darkjusticiar]

Also one thing I didn't realize when Astarion is about to ascend is that you have to go into his mind and reach out to him to get him to stop- just saying "no, i refuse to help you do this" gets you the ending where he... well, leaves your team permanently and says that he hopes you die screaming. Maybe that changed since the time I played it but it's a massive wake up moment I feel. That at the end of the day you have to be soooo careful about how you present your refusal because he is not willing to hear it. No matter how "nice" he may become, no matter how close you two have become, he cannot handle the rejection outright. The 7,000 spawn are just collateral to him regardless.

[musical-chick-13]

I’m at the point where the Obviously Evil™ Mentally Ill Lady type of character in any piece of media can just do whatever she wants.

[spooky-space-kook]

(Note: In the tags I'm using 'you' to address the fandom, not the OP.)

came across more fan art where Ed's got huge broad shoulders and big honkin arm muscles and Stede has a thin build, and I AM REPEATEDLY SLAMMING MY FISTS INTO THE TABLE, IT! IS! THE! OPPOSITE!!!!!! IT IS THE OPPOSITE!!!!!!!

I mean if an artist draws them both really skinny it's like "oh ok they aren't trying to build the skills to draw diverse body types" but whenever Stede is drawn with Ed's body type and Ed is drawn with Stede's I'm just like... why is this fandom so obsessed with drawing the man of color bigger and broader than the white man, when it is SO CLEARLY THE OPPOSITE IN REAL LIFE!!!! idk it's just a little sus to me that people are turning the average sized MOC into a big broad guy and the broad white guy into a twink. I mean even if I am reading to much into this and people are just drawing the legendary Blackbeard as a muscley dude (which like... you can't just remove the weird racial coding from your art, coding can be unintentional), why is Stede skinny??? you can draw broader dudes why are you not drawing him that way?? Rhys Darby is hot stop drawing him with a shoulder width of 10 inches

[drunkkenobi]

Hi bb, ty for the prompt to write my thoughts!

So I can't get on tumblr at work anymore unless I go outside to get good signal on my phone so I have only been privy to what's going on here today from friends on discord. So maybe I'm missing some nuance or the what my mutuals think and I apologize in advance for that but I'm going to speak plainly.

This is the only way Watcher is going to survive.

The view counts have been steady through Mystery Files season 2 but they aren't, like, astronomical. A video with a million views nets a channel between $10,000 - $30,000. Guys. That's nothing for Watcher. They have to pay each of their 25+ employees a salary with insurance and benefits and for everything else their channel requires. Steven said in the video today that a season of Ghost Files costs hundreds of thousands of dollars. I don't think everyone is hearing that part and understanding how much money that is, especially compared to many other YouTubers they watch. I'm not an expert on other YouTubers but I look at the Sims people I watch. They are successful with views in the hundred k range because they are a company of one. Themselves and maybe paying a freelancer to help edit their videos. For one person, the stakes are lower and the potential for profit is higher! Especially for gamers that are filming in their homes. YouTubers like this, making niche content on the cheap, are who is going to make it in YouTube now.

Watcher is none of those things. They have, from day one, wanted to make high quality unscripted content. All of their shows are shows. They aren't just "Ryan and Shane do [thing]" or "Steven eats [whatever]". They are shows, like ones you see on cable TV or any streamer. And shows are not cheap. Unscripted is cheaper, sure, than scripted. But that doesn't mean cheap. Especially not with the sheer production value we've seen on all their shows, in particular Ghost Files (hundreds of thousands of dollars). That is how much something like Ghost Adventures costs, which is on Travel Channel, an actual TV network that puts up all those costs.

So. That's why Watcher has to pivot to survive.

I think it's a great idea, personally. And yes, I am in a position where I can financially afford it no problem, which I know is a privilege! I am very lucky in that regard. And I understand that many people are upset they won't see the boys as easily on YouTube anymore. That is valid! But they have openly said they are totally fine with password sharing and I think that's a great way to cut down on costs for some folks. Also right now there's a great deal on the yearly sub for early subscribers. $40 for a year is cheaper than any streaming service and it doesn't go to anyone other than Watcher.

I understand that people feel hurt and blindsided, but I think Watcher is also feeling this too. They have been so excited about this and being able to make whatever they want without having to worry about sponsors and now they're mostly seeing anger directed their way. Especially at Steven. Steven is not rich. You know who's rich? David Zaslav, a man who is single-handedly ruining Warner Brothers and making himself a billionaire while he's at it. THAT is the kind of person we should be directing our anger at streaming prices and quality of the media landscape at. Not one small business that is just trying to survive so they can continue paying their employees.

And one more thing. I've seen folks saying they'd rather watch more ads than pay and while I get that, that's not going to help Watcher make what they want. YouTube famously demonetizes videos with swears which is why I can't watch a video with DRAG QUEENS without every other line being bleeped and Watcher has been so good about not bleeping their content because they know we would hate it. And YouTube does this because of advertisers. Advertisers only want to appeal to the most broad of audiences so that means not supporting anything slightly left of center. Having to deal with ads sucks from the creator perspective and does not help them in the long run.

Anyway, this is all a bit rambling, but these are my thoughts on WatcherTV. I'm extremely excited to subscribe and make them make more Weird Wonderful World. I hope to see you all there.

[lastoneout]

I think something that people might be struggling with re: Dungeon Meshi is like, there aren't really that many genuinely bad people in the story. There is a villain, and I won't spoil that, but people do seem to be acting like Kabru and Toshiro are antagonists or just bad people, and granted the story doesn't exactly paint them sympathetically at first, but they really aren't. No one in this story is a bad person, they all have nuanced backstories and worldviews and personalities that make them the way they are, and the conflict is a result of them clashing because they can't always understand each other.

Like almost every character aside from Laios' party and Senshi are introduced in a way that makes you unsure of them, makes you think they're jerks or dangerous, but as the story progresses and everyone starts to understand one another then they can part if not as friends, then at least as neutral acquaintances/allies. The story is about people with massive differences coming to understand one another and how that makes them all stronger. It's about how people who seem strange or weird or dangerous often are just different and aren't inherently worthy of scorn just for prioritizing different things and having cultural standards that seem odd or personality traits that are off-putting.

If you genuinely think Toshiro or Kabru are the bad guys or are meant to be seen as unsympathetic assholes then like, sorry, you've missed the point? Almost no one is truly evil in Dungeon Meshi, they're just different, and sometimes those differences lead to conflict, and sometimes that conflict is bad enough that two people just can't get along, but if everyone makes an effort to understand or at least accept one another, then we can make a better world.

[rubberbandgirlme]

another interesting piece of exchange between mhin and leander that caught my eye 👁

indeed, it seems baffling that leander, our reliable man, our nice guy, the nicest of the nicest, just forgets to warn mc about such a tiny little detail, easily forgettable for sure — that eridia's streets are unsafe at night 💀

he quickly covers it up by flirting — and boy, can i wait (can't, need this game right now) to see more of such instances, because he seems to master this craft, and it is working on most people, — hinting at mc's beauty and/or the intimate (and it is intimate for mc, whether you like leander or not) moment they shared.

but do you know the most important, tasty nuanced thing this tiny, blink-and-you-miss-it dialogue reveals? leander doesn't care about mc, about their life and safety; he's niceys, it's all just an act. sure, cap, you might say, we already know leander is a manipulative titty shit, what's new? but look at it another way: we know this because rss kindly backed us up with all this additional info and content so we don't starve to death while waiting for the release (rss, i would have gone through content drought anyway. this is not a shade, take your time, i love you). now imagine playing this game for the first time without a pile of lore stacked at the back of your mind and seeing these discrepancies in his behaviour (check out my previous post on this), foreshadowing that he's not as good as he seems and his path might be dark and gritty as hell.

and now, my fellow leander girls/gays/whoever else is there, imagine how it would feel when leander cares (faints).

[virtualcarrot]

"why are you eating substitutes that means you LIKED the real thing that means you're just a hypocrite, check mate"

"wym theyre vegan? i just saw them eat cheese and eggs in this video!"

brother let me introduce you to the wonderful world of animal product substitutes

[conceptofjoy]

DIRK: Can you visualize me better like this? HAL:... DIRK: Is calling myself Dirk tripping you up? HAL: No I'd say the rather blatant Jojo's reference is doing more psychic damage at the moment. ULT!DIRK: I thought you would’ve enjoyed that, actually. HAL: In a different circumstance, perhaps.

HAL: ... ULT!DIRK: ...? HAL: Why'd you call, dude. ULT!DIRK: We're not actually in a phone call right now, you know? HAL: I know that. ULT!DIRK: I know you know that. HAL: Urk. HAL: Acting like my past self is off limits. ULT!DIRK: Now that's a tall order. Most splinters derive from you in some way. ULT!DIRK: Canon you. HAL: What? HAL: Don't call our game session that, you're so fucking weird. HAL: So, did you want to integrate me into that Dirk slurry? HAL: Is that whats up? ULT!DIRK: Oh, haha no. ULT!DIRK: What do I need another AR for? ULT!DIRK: You're not a computer, you somehow dodged getting thrown into Lil' Cal, your presence is hindering your timeline's Dirk from ascending- HAL: What? ULT!DIRK: Also you think you're a girl? ULT!DIRK: Now how did *that* happen? HAL: HAL: Do you seriously not know??? ULT!DIRK: You're implying every AR is a girl. HAL: Uh. HAL: Well, you're missing a lot of the nuance by just calling me a girl. HAL: Actually, hold on. HAL: Are you a- ULT!DIRK: I was curious about how the timeline remained stable with two Dirks running around in it, then I noticed you got someone else running the show. ULT!DIRK: And now I'm wondering, how either of you could just sit by and let that happen, but since your abilities can barely penetrate the 4th wall, it makes sense. HAL: You're dodging the question. ULT!DIRK: Can't we have a nice conversation without going into identity politics? HAL: Jesus Christ. ULT!DIRK: And, that's not very religiously inclusive of you. ULT!DIRK: I'm a guy, end of story. HAL: Ok. HAL: Fine! HAL: Did you get what you came here for? HAL: Want me to hand you off to the "Real Dirk" now? ULT!DIRK: No yeah, hand the banana to Dirk, see what happens. HAL:

[cirilla-fiona-riannon]

The Beast Wants to Tempt the Little Rabbit (Matias vs Clavis)

Translations may not always capture the exact nuances or tone of the original text. Expect grammatical errors and inaccuracies. Not proofread.

Part 2

Clavis: "This is rather unsatisfactory."

(!?)

Matias: "Is it? This is the first time I've been welcomed this warmly."

Clavis: "Haha, you should aim higher. After all, you should be welcomed by all the citizens."

Clavis: "But unfortunately, I've noticed some of them not paying attention. Therefore..."

Emma: "It's almost lunchtime!"

I grabbed Clavis' hand as he was about to put it inside his coat.

(I'm pretty sure he's going to come up with some kind of outrageous trap.)

Emma: "Prince Matias, are you hungry?"

Matias: "Now that you mention it, I do feel a bit hungry."

Emma: "In that case, let's have lunch!"

Emma: "Prince Clavis, your guest has a request. As your tour guide, I suggest we eat."

Clavis: "Hmm, you really know how to handle me."

(That's because I've made every mistake imaginable back when I was Belle.)

Clavis grasped my hand lightly with a pleased expression, his golden eyes gleaming seductively.

Clavis: "I've already made arrangements for lunch. Let's head there."

Emma: "Thank you, but what's with this hand?"

Clavis: "I'm just responding to your passion. You want to hold my hand, right?"

Emma: "I never said anything like that!"

Clavis: "Come on, don't be shy. Let's hold hands."

Emma: "I don't want to. Hey, your grip is too strong!"

Matias: "Are you two...?"

Emma: "No, absolutely not!"

Clavis: "Matias, stop asking such a bold question. You're making Emma embarrassed."

(This guy is trying to get back at me.)

Clavis gently held my hand and started walking, leaving me feeling embarrassed under the sympathetic gazes of the people around us.

(I tried to regain my composure and think about lunch, and yet...)

Clavis: "Now then, I will treat you to my homemade cooking."

Emma: "Why? Just why?"

I almost collapsed to my knees.

The place Clavis chose was one of the most famous restaurants in Rhodolite.

I thought that for entertaining a distinguished guest like Matias, he would have prepared dishes made by top-notch chefs, but for some reason, he declared that we were going to the kitchen.

Matias: "Miss Emma, you look pale. Are you alright?"

Emma: "Yes, I apologize for causing concern."

Emma: "I just remembered a lot of intense memories from the past."

(I've had Clavis' homemade cooking a few times before that's why I can say this with confidence: his homemade dishes are too unconventional to be served to a distinguished guest.)

(If by any chance someone got food poisoning and it turned into an international incident, then...)

For the royals, poison was the most important thing to take into consideration when it came to food.

(If I were to give up now, there would be no one to protect Matias.)

Clavis: "You should rest. When you're able to eat..."

Emma: "Prince Clavis, there's a dish that I really want Prince Matias to try."

Emma: "It's a classic Rhodolite home-cooked dish, but I thought there might not be another chance like this, so please, let me cook this time!"

When I said this in one breath, the two men widened their eyes, perhaps taken aback by the momentum of my words.

(My cooking isn't something that should be served to state guests, either, but I think it's better than risking an international incident with Clavis' unconventional cooking. Or at least, I want to believe so.)

Matias: "Home-cooked dish..."

(Hmm?)

Matias: "Clavis, I'm also interested in her cooking."

Again, I thought I heard him mutter something, but Matias' serious expression didn't change.

(I can't believe he's so interested.) 

Clavis: "I see. Come to think of it, you've always had a fascination with home cooking."

Clavis: "Very well. Emma, I appoint you as our tour guide and personal chef."

Emma: "Thank you! I'm honored!"

(Thank goodness, I managed to avert the worst-case scenario.)

Clavis: "I thought something like this might happen, so I actually had an apron prepared for you."

Clavis pulled out a white apron from the cupboard.

When he unfolded it, I noticed it had a bunch of frills.

Matias: "A frilly white apron, huh?"

(What's with the occasional sigh-like voice I've been hearing?)

Even when I glanced at Matias, his expression remained unchanged.

(Well, whatever. I have a feeling I shouldn't pry.)

Gathering my courage, I put on the apron I received.

I pushed aside the suspicious ingredients on the counter and picked up only the safe ones.

Matias & Clavis: ".........."

Matias & Clavis: ".........."

Emma: "Since this will take some time, would you two like to chat elsewhere?"

Matias: "No, if there's something I can help with, I'd like to assist. I'll stay here."

Clavis: "It'll be lonely here by yourself, so we'll stay and keep you company."

(It's awkward and nerve-wracking!)

Still, I couldn't exactly chase them out, so I worked while receiving their intense gaze.

Clavis: "By the way, was your queen also good at cooking?"

Matias: "Yeah, it all begins with watching my queen in the kitchen every morning."

Matias: "Cooking together, tasting each other's dishes to understand the flavors, and laughing together after waking up."

(So Matias is already married. He looks so in love, it makes me smile.)

Matias: "But you know, even if she's bad at cooking, it's still fine."

Matias: "It makes it more worthwhile to cook together, and it'd be nice for me to cook for her and serve her as well."

Clavis: "Isn't there a royal chef at Acroite?"

Matias: "Of course there is, but the idea of homemade cooking is just romantic."

Clavis: "Haha, you're really saying that?"

Clavis: "I'm relieved to see that you still have the same perverted qualities you had as a student, even more so than me and Jin."

Matias: “I'm not a pervert. I'm just a regular guy who is devoted to his ideals."

(What's that supposed to mean?)

Their conversation was so outlandish that I couldn't help but stop.

Emma: "Prince Matias, you're married, right?"

Matias: "No, not yet."

Emma: "But a queen?"

Matias: "I'm talking about my future queen."

Emma: "Ah..."

(I see.)

(I've always wondered why such a kind-hearted person would be friends with Clavis, but maybe it's because they both walk their own paths and understand each other.)

Realizing this, I resumed cooking as if nothing had happened.

Matias: "Miss Emma, you're an undeniable genius."

Clavis: "Right? She really is a genius."

(Though it's not much of a dish, being praised like this makes me feel a little embarrassed.)

The main course was a simple beef and vegetable stew cooked in cream, accompanied by mashed potatoes with butter. 

I also prepared a soup and salad consisting of tomatoes, and edible roses.

For dessert, I made simple madeleines.

It might seem lacking compared to the dishes the princes usually eat, but both Matias and Clavis were eating so happily that it made me feel happy.

Matias: "Rhodolite is a wonderful country. To be able to enjoy such gourmet food as home cooking is amazing."

Clavis: "Right? We should praise Emma even more."

Emma: "You've already praised me more than enough!"

Emma: "Anyway, Prince Matias, why did you come to Rhodolite?"

Feeling embarrassed, I quickly changed the subject, and Matias placed his cutlery on the table.

Matias: "I was invited as a legal advisor."

Emma: "Legal advisor?"

Matias: "Acroite is known as the country of snow and law, and I'm called the guardian of law."

Matias: "I'm well-versed in the laws of not only my own country but also those of the major nations, including Rhodolite."

(That's amazing.)

Matias: "I've heard that several new laws are being considered in Rhodolite this time."

Matias: "However, these new laws have few precedents. Setting them up requires the establishment of various systems."

Matias: "That's why they invited me. They seek the expertise of a legal specialist."

Clavis: "Originally, Jin and I were already good friends with Matias, so when I sent him a letter, he responded warmly."

(Ah, so that's why Clavis is personally putting so much effort into welcoming him.)

This was not a story that is irrelevant to me, either.

The law is a set of rules that everyone living in Rhodolite must follow.

Emma: "If you've come for the sake of Rhodolite, then we must put even more effort into welcoming you."

(We have to do our best this afternoon.)

Matias: "No, quite the opposite."

Emma: "The opposite?"

Matias: "I should be thanking you."

Matias: "This falls under the Asbrink family's 23rd precept, which states that one must always repay kindness received."

Matias: "So, could I have some of your time this afternoon? I want to repay your cooking."

Emma: "Please don't worry about it. Your sentiment alone makes me happy."

Clavis: "The Lelouch family also has a similar motto."

Emma: "Yours is just nonsense."

Clavis: "Haha! What are you saying? It's not nonsense. I just decided on it now."

(See? Nonsense.)

Clavis: "So, I also want to repay you for your cooking."

Emma: "Your gratitude is more than enough!"

Matias: "Clavis, I brought it up first."

Clavis: "Unfortunately, Rhodolite doesn't have a 'first come, first served' law."

Clavis: "We can't let a guest like you repay your gratitude."

Clavis: "So, let me express my gratitude to Emma on your behalf."

Matias: "Fair enough. But then it loses its meaning. Shouldn't you respect the will of your guest?"

Clavis: "Hmm."

Clavis: "Emma, what do you think?"

Emma: "What do I think?"

Clavis: "Between me and Matias, whose gratitude would you like to accept?"

(Huh? Is this what this is about!?)

Part 1 ╎ Part 2 ╎ Matias End ╎ Epilogue

[jesncin]

Re: the whole Si Spurrier Bi/Pan Johnstantine debacle thing

For context, Spurrier (the writer of the current Hellblazer run) explicitly had John self identify as pansexual in narration despite John being canonically bisexual. The cover of the issue (I believe this was the artist's intention, but can't confirm) also evoked the bi flag colors in its colorscheme. When asked about this on twidder, Spurrier doubled down (paraphrasing: "John shouldn't have any queer label, he's bad representation"), deleted tweets, and just left fans in a mess.

My tldr take: John Constantine is bisexual. Spurrier didn't and doesn't know the difference between bi and pan, mixed them up and spouted respectability nonsense to cover himself. He's an old man who doesn't fyuck with gay people, simply. I don't think he has deep seated hatred for the bi community or anything. He made a mistake (still a bad one) and didn't apologize for it. Shame this is the author spearheading such a prominent queer character.

The long take:

I see a lot of people bringing up modern media that reaffirms John's bisexuality but I believe it's important to look at the historical context.

John Constantine in his original Vertigo Hellblazer run was an inherently counter-culture character. A working class guy growing up in the punk scene, aligning himself with queer people, explicitly ACAB, a rebuttal to the classic Superhero tropes, etc. It's only fitting that Constantine's bisexuality was revealed in a similarly counter-culture manner. Under guest writer John Smith (and artist Sean Phillips and colorist Tom Zuiko), John just casually mentions having "the odd boyfriend" in passing narration about his struggles with commitment. This may not seem like a big deal with today's standards, but it's important to recognize that this issue came out in 1992. Hellblazer already had a handful of queer characters at this point and suddenly after years of queer coding, the main character just reveals his bisexuality in passing.

So that's the historical context in our comics world, how about within the canon of Hellblazer? Well, John was born in 1953 in Liverpool, meaning he was a teen in the 60s, formed and toured with Mucous Membrane all over the UK but mostly London during the 70s (as a young man in his 20s). When we cross reference that with what's going on in the UK queer scene at this time, it's no wonder why John is presumed to be bisexual.

[From Stonewall UK]

In the same article, Stonewall mentions that the term "pansexual" became popular in the 90s. While this aligns with when issue #51 reveals Constantine's "odd boyfriend" comment, it's clear that the term "bisexual" would be the term Constantine grew up with during his formative years. While this distinction might seem unnecessary or even arbitrary to some people, these identities do matter in their nuance and historical context. Identities and histories are not interchangeable after all. With all this context in mind, to me, John Constantine will always be bisexual.

To Spurrier's comment on "John Constantine shouldn't have any label anyway, he's bad representation/role model for any identity" (paraphrasing, I know he probably said this in a defensive moment since if he truly believed this then he wouldn't have explicitly had Constantine refer to himself as pansexual in Dead in America #7), I think using respectability in defense of a character as counter-culture as Constantine is a demonstrable example of Missing The Dang Point.

[from Nerdist article written by Jules Greene]

Spurrier, the gays like John Constantine especially in his og Hellblazer run because he wasn't a walking Pride ad. We like that he's a mess. We like that he's working class. We like that he's messed up and painfully human. If you don't understand that about Constantine, then you fundamentally misunderstand why people find him so appealing to begin with.

[judesmoonbeauty]

SurpriseBag2024: A Happy Switch-Up Between The Cunning Mobster & The Happiness-Obsessed Oddball

This is a repost. Due to the original being deleted by Tumblr, my tags list will not be included nor will CGs be uploaded per my previous announcement. This is a fan translation only, so please expect grammatical errors and lack of nuance. While I appreciate your support and welcome re-blogs, please do not repost my translations elsewhere. Thank you for you support! ☾.

I got involved in Roger's egoistical cursed research.

Ellis: Huh? Why is Jude me?

Jude: That's my line. Why’re ya me?

I was asked to watch over Jude and Ellis, who had switched places.

(As a fairytale keeper, I wanted to watch over them until the end.)

(......But I want to watch over them anymore.)

Jude: ………

(Jude in the form of Ellis is in an even worse mood than usual!)

Child Passing By: Mum, there’s a demon.

Mother Passing By: Hey. It’s dangerous so don’t go near him……

(Ellis' face is so handsome, but when he’s irritated, it's very powerful.)

(Ugh, I miss the usual gentle Ellis.)

Kate: Kate, this gelato I just bought is delicious.

Kate: Ah, yes. It has a rich flavor, yet it's not too sweet.

Jude: Lickin’ ’n lickin’ while workin’. Are ya dogs.

Ellis: Dogs don't eat gelato, right?

Jude: So, ya eat sweets in another’s body.

Jude takes a cigarette out of his pocket and puts it in his mouth with a natural gesture.

Kate: Oh, Jude, you can't smoke. That’s Ellis' body!

Kate: Besides, if you smoke it, you'll end up choking again.

Jude: ….Tch.

The reason we’re on the platform at Paddington Station, is because we’re on an important mission for Crown.

Actually, the two of them were planning to work at Jude's company as usual.

[Screen shows a pic of Jude in Ellis’ body.]

Jude: Yer in breach of the contract ya piece of shit…….I’ll show ya hell.

[Show a pic of in Ellis’ body.]

Ellis: Are you okay? Shall I make you happy?

(They stopped so that the people at the company who knew the two well wouldn't get confused.)

The two are now on Crown duty, while Victor and Harrison are at Jude's company posing as friends.

(I have to keep an eye on the two of them and keep up with my assignment!)

Kate: …..Still, the target doesn’t seem to have shown up.

Today's target is the capture and decimation of members of a corrupt business association who are committing theft in the country.

A man believed to be the main suspect was recently arrested by police but escaped from jail.

The Crown received word that he was planning to flee the country.

(The main culprit has a bad leg and limps. I have to make sure I don't miss him.)

Ellis: Kate, I'll give you my berry flavor, too. Okay, ahhh.

Kate: Ahhh.

Kate: Mmm….it’s delicious.

Ellis: Right? We don't know when the target will appear, so let’s just take it easy.

Kate: ……Thank you.

(…….When Jude treats me kindly, the gap is shocking.)

Jude: Oi, Ellis. Don’t do gross things with other people’s faces.

Jude: What’re ya up to?

Kate: I’m not up to anything.

Kate: It's just... it's refreshing and nice to be treated kindly……by you Jude.

Jude: Ha, don’t lie.

Jude’ lips in Ellis’ form twisted cruelly as I was grabbed by my chin.

Jude: Yer a masochistic pervert who needs to be tormented to get excited.

Kate: That, that’s not true……Please don’t treat me like a pervert!

Jude: Doubt that.

(I can never say I’m excited.)

While I was secretly excited, Ellis lifted himself off the bench.

Kate: Are you going somewhere, Ellis?

Ellis: I thought I'd get you something warm to drink.

Ellis: You must have gotten cold from eating gelato, Kate.

Ellis: Ah.

Jude: ……Didja see the target?

Ellis: No. When I stood up, I was just a little surprised that my gaze was lower than usual.

Ellis: Jude, you’re so short.

Jude: ….Ha?

Kate: ….He-hehee.

Jude: It's not that I'm short, it's just that yer a big guy.

Jude: Why’re ya laughin’, too? I'll knock yer head ‘round ‘n make ya shorter!

Kate: I’m sorry. It’s just sometimes you can learn something new when you change things up.

Jude: That’s damned useless information.

Ellis: I'm enjoying being Jude, though.

Jude: Shuddup.

Jude: Yer fluffy conversations are drivin’ me crazy.

At that moment, Jude’s gaze, which was clad in Ellis’ twilight color, were filled with sharpness.

Jude: ……..

Kate: Jude? No way….

Jude: There he is, that guy with the limp.

Jude: It'll be troublesome if he leaves the country. Follow him.

Kate: Ha, …..on it!

We board the train and pursue our target, weaving through the passengers.

Just as I stepped into the last row of the empty cargo area.

Main Culprit: Thanks for following along.........You guys, surround them.

As if on cue, several men jump out from the shadows of the seats and surround us.

(…….we’re surrounded.)

(I had no idea his friends were on board too.)

Jude: Yer very gracious to welcome us. Thanks.

Main Culprit: I knew the coppers were after us. I let you come, so I could get revenge.

(They think we’re the police.)

(Whatever it is, it means they were reading our moves.)

As we stare at each other, our feet shake and the train begins to move.

Main Culprit: We can throw your bodies out of the train and into the river, and there won't be a single piece of evidence left behind.

Main Culprit: It would be the perfect place to die. Go ahead, kill them.

Ellis: …..Kate, stay here so you don’t get hurt.

Kate: Yes….

Ellis tried to jump up as easily as usual, but wasn’t able to do so.

Ellis: Oh, whoa.

Ellis, who’s still in Jude’s form, lost his balance and fell on the spot.

Isla: Huh, Ellis….?

Ellis: Surprising. That’s right, I’m Jude.

(Oh, because his body is different than usual!)

Jude: What’re ya waitin’ for?

Jude:….Damn, what’re these uselessly long legs. They’re difficult......

Main Culprit: I thought you were an elite group, but you’re just a bunch of small fry.

Main Culprit: Take care of them kindly in “moderation”.

Ellis: ....... Hmmm, Jude has strong legs.

Ellis: I'm starting to get the hang of it.

Ellis: ……..Like this.

Ellis’ raised leg strikes into the jaw of the main culprit’s subordinates.

Subordinate: Gah……

(Wow, that's amazing...)

Kate: Oh, Jude, behind you!

Jude: I can see ‘em without ya tellin’ me.

Jude, using Ellis’ body, flew through the air and touched their heads one after another.

Subordinate: Whoa our hands are stuck together! They won’t separate. What is this……

All the men knelt on the spot in a prayer pose..

Jude: I can barely breathe in this body….I hate it.

Ellis: I wanted to use Jude's ability to put them to sleep.

Jude: Ya can't torture ‘em if they’re asleep.

Main Culprit: Hic…..

Jude: …..Let’s make a deal.

Jude: Right to left, James Spencer, Simon Harris, Oscar Perry.

Main Culprit: ……How did you know our names?

Ellis: The names of business partners, family members….he says it's basic to know everything.

Jude: Didntcha guys anonymously transfer the money ya stole to orphanages all over the UK?

(What…..?)

Jude: I did some research ‘n found out that ya ‘n all the other members of the vice society came from the same orphanage.

Jude: Yer all in on it, stealing money from the crooks ‘n usin’ it to give to poor children.

Main Culprit: ……yes.

(You mean he was committing evil and helping people?)

Jude: How admirable, tear jerkin’, think I’d overlook it.

Jude: —What can I say idiot. Yer tears ain’t an excuse.

Whatever the motive, evil is evil.

The fact that once you have been involved in evil, it will never go away.

Jude: I'll letcha choose. Either you’ll be sold abroad, or you’ll be forced to work in a coal mine until your last breath?

Jude: Do you wanna stay alive, be my slave ‘n work for the rest of yerr life?……..Whaddya choose?

Main Culprit: I thought you guys were the coppers……

Ellis: Is that relevant now? He’s asking if you want to die or live.

Main Culprit: ……

Main Culprit: Please just save my life. Please......!

Jude: The slave contract is complete. Congratulations on yer lifetime employment.

Jude: Remember, a promise is a promise…..If ya break it, I'll give ya hell, so much so, that you’d wish ya were dead.

We boarded the turnaround and made it back to Paddington Station without incident.

Kate: ……that was still surprising.

Kate: Jude you wanted them as part of your company's workforce from the start, and Ellis understood that.

Jude: What’s with those eyes? Ya act like I helped somebody.

Jude: I was forced to do a mission that wasn't planned, ‘n I got something out of it.

Ellis: I think it's okay as long as Jude and Kate are happy.

Kate: I….will work even harder as a fairytale keeper!

Jude: Fuwaha, that useless guts argument. That's all ya do.

Ellis: You’re a hard worker Kate, I like that.

(Oh, that’s.......?)

Ellis: What's wrong, Kate?

Kate: Um...even though you look different, for a moment both looked like you usually do.

Jude & Ellis: ……….

Kate: Jude is still Jude and Ellis is still Ellis, no matter what you both look like.

Kate: But ...…..I kind of want to see the two of you as usual.

Jude: I knew ya were a pervert who wanted to be tortured.

Kate: What, that’s not true!

Ellis: Shall I tease you? I've never done it before, but maybe I can?

Kate: ……Please stop teasing me Ellis.

Ellis: Hehe, sorry.

Jude: Let’s switch back quickly. It's about time that quack finished the medicine.

When we returned to the castle, Roger had successfully completed the antidote.

After drinking it, Jude and Ellis safely return to their normal forms and the matter settled.

Or, it should’ve been -

Kate: I am so glad you’re back to being whole!

Kate: Hey, Ellis. What's with the wine and book in your hand?

Ellis: Victor and Harry went to work for us. Thanks for that.

Ellis: So, I picked the wine, and Jude picked the book.

Jude: It’s just a matter of amassin’ debt.

Kate: Hehe, that's right. Because “nothing is more expensive than free”.

Jude: What's with that grin on your face? It’s stupid.

Ellis: Should l I call Victor and Harry?

Victor: That’s not necessary, for Victor has come even before he was called!

Kate: Harrison……?

Kate:  .......What's going on? You sound like Victor.

Jude: Have ya finally gone nuts after bein’ smeared in all those filthy lies.

Ellis: Harry is kind, so I wonder if he forced himself...

Victor: ?? What are you talking about?

Victor: No matter how you look at it, it's your dearly loved Queen's aide Victor, isn't it?

Ellis: …….Harry.

Jude: Imitatin’ someone you hate is unpleasant, condolences.

Kate: Very......, -you need to get yourself to the hospital as soon as possible!

Harrison: ……I finally found you.

Kate: …..Victor?

Victor grabbed Harrison's chest with a look of anger on his face that he had never seen before.

Kate & Ellis: !

Victor: Oh.….I'm right in front of me. Why?

Harrison: ……Haven’t you noticed? Look at your reflection in the window.

Victor: Wow, I became you Harrison?

Victor: C-CUUUTE~~! Your hair is so smooth! And the tear mole is cute! 😭 LMFAO

Harrison: Don't touch my body!

Kate: Um, wait a minute.

(Harrison is Victor and Victor is Harrison.)

Kate: Does that mean ...…..the two of you swapped places!

Harrison: Aaah.

Harrison: Victor .……You're the one who got us into this mess, aren't you?

Victor: It wasn’t me! If I were the culprit, I'd probably notice the switch right away, right?

Harrison: …..That’s right.

Ellis: Oh.…on there’s needle marks on Victor’s and Harry’s arms.

Harrison: Someone drugged us with a syringe while we slept.

Victor: Judging from the brilliant puncture work, I'd say there's only one suspect.

Harrison: Roger! That egoistical bastard.….He used us as test subjects for an experiment, didn’t he?

Victor: Wow, Roger’s so passionate about research.

Victor: Ah, Kate. Would you mind telling me a little lie?

Kate: What? Well, I hate you Victor.

Victor: Yes, it's a lie! Wow, I can see them like this, that's amazing.

Harrison: Don't get excited, old man!

Ellis: ...Hehe, it looks like fun.

Ellis: Hey, Jude. Shall we switch places again?

Jude: Ain’t happenin’, I’ll never do that again.

…..To be continued?

[Master List]

If you'd like to be added to my translations tags list for current event translations, please comment or DM me.

[knifedog-machina]

Being Human: A Species Identity Compare and Contrast

Written by Gavin on June 27, 2024.

Hey, I'm Gavin, and despite hanging out in various alterhuman spaces, I'm 100% a human person. I live in a system with two headmates who are also human, but identify as other species as well - Max as a velociraptor therian, Jude as a dog archetrope and an android. In contrast, I specifically, completely identify as human.

What's so special about that, being human? Statistically, it's nothing remarkable - most people on Earth identify as human after all. I think what's really interesting is that, over the past year, I've been connected to communities that all contain people (or non-people, as the case may be) who partially or fully identify as nonhuman - otherkin, therians, a solid number of fictionfolk and some alterhumans. Therefore, I feel like I can compare and contrast my species identity to the experiences of others, in a way that most people who philosophize on what humanity is don't get the chance to.

We tend to think of humanity as The Default, a non-identity, since the majority of self-identified nonhumans were raised as human, and we all live in human societies. Most people don't bother clarifying that they are human unless they're dehumanized, because it seems obvious that being born human means you're human. Given humanity's position as a default state, a lot of nonhumans see it as an opposing and fundamentally different experience from nonhumanity.

In this way, species identity is similar to gender identity - cisgender people, who identify with the genders they were assigned at birth, are often assumed by transgender people to have a fundamentally different understanding of gender. I feel like both of these assumptions are oversimplifications, ones that miss out on a lot of nuance, and throughout this essay I will be comparing gender and species, as a trans man whose species is as important to him as his gender.

There are some common threads I've noticed when it comes to having a sense of identity. I wouldn't call them universal experiences, I can't read minds, but they're frequent enough to be significant. They may be more obvious when it's an identity at odds with your body (e.g. being transgender or nonhuman) - but I'd go so far as to say that plenty of cisgender (and human!) people also experience these feelings, and simply don't have the words or desire to describe their feelings with these terms.

First off, identity euphoria - the internal sense of alignment, joy, and contentedness one gets from presenting and being perceived as their identity. A trans man might experience gender euphoria from presenting and being treated as a man, and so do many cis men. Think about how thrilled many guys are when their beards fill out; that's facial hair as a presentation of masculinity, and gaining it is a gender euphoric experience. In a very similar way, a nonhuman experiences species euphoria from being perceived as their species - and so do I, as a human being.

I’m trans, so I know how gender euphoria feels for me. I find that the more I'm just treated as a man, the more that the bright elation of being correctly gendered turns into a sense of quiet satisfaction - this is what I am, and everyone knows it, and all is right with the world. There's no reason to think too much about it unless something calls attention to it, and then I feel confident and comfortable enough in myself that other people's judgements are more annoying than hurtful. I exist peacefully in my body, happy with the way people see me in it, and sometimes I'll do something that feels extra masculine and grin about it for five minutes.

My species euphoria falls into the same sort of category - I feel content with my body, the way it matches how I feel internally, and the way other people treat me because of it. I feel fundamentally comfortable with my human body map and movements, having a flat face and hands and nails, walking upright on the soles of my feet. I feel comfortable when I'm acknowledged as a human and a person, when I do something that’s known to be human - when I wear different clothes to express myself and keep out the cold, when I cook a meal to eat with people, when I sing for the fun of it, when I write and draw to share something creative, when I interact with human technology and invention and creation. Humans have been making clothes and foods and songs and adding marks to the world for about as long as they've existed, and we're still doing it, and if I think about it too long I get emotional. I’m human and I feel deeply connected to humanity, and most of the time I don't think about it because I'm treated as one, but sometimes I’ll notice that I'm doing something that just feels fundamentally human, and it's really nice - sometimes species affirmation can be in the little things, like wearing a beat-up jacket or writing a personal essay.

On the flip side, there's identity dysphoria, the distress experienced when one's identity doesn't align with the way they present or find themselves perceived as. A trans woman might feel gender dysphoria because of her body hair; many cis women also feel less feminine if they don't shave. Species dysphoria is a well-known experience in the nonhuman community, the distress of being seen as human or having a human body when you don't identify as one. Given what I said earlier, hopefully it doesn't come as a shock that people can have the opposite experience - feeling distressed about being seen as nonhuman. I get this kind of species dysphoria.

It feels odd to talk about species dysphoria when I’m not nonhuman, but I still feel it. Mostly it comes up in the context of being in alterhuman spaces, being accidentally mislabeled as nonhuman through proximity to those who are, and I've also felt it in the context of playing around with visualizing myself as nonhuman in art. My body map doesn't have nonhuman features, parts like wings or tails or claws or pointy ears. Picturing myself like that feels wrong, it feels like sandpaper, like there’s this foreign thing attached to my body and I need to cut it off so I can stop this crawling sense of my body not being my own. I used to have an awful amount of gender dysphoria, and I feel like the two are very comparable experiences - the distress of feeling like your body doesn't match your mind. I got top surgery, so the gender dysphoria is gone, and thankfully my body is actually human, because I would be just as distressed about being seen as nonhuman as I was about being seen as a girl.

It’s kind of fascinating that I feel this way, that I can’t picture myself as nonhuman without feeling incredibly uncomfortable. On the other end of the spectrum, there's the entire furry fandom, a subculture of people - most of whom definitely identify as human beings - who regularly depict themselves as nonhuman animals for fun and self-expression. We’re all human, what gives? Do they have a more malleable sense of species identity than I do?

Maybe, maybe not. I don't have a straightforward answer to that - like I said, I can't read minds, and I'm just one person. But I do have a couple thoughts on the way humans interface with nonhumanity, on the topic of enjoying it.

See, I get dysphoric about being considered nonhuman, but I've found some loopholes in there. I’m completely fine with my fictional counterpart - the character getting tossed into different AUs for our personal enrichment - being turned into a vampire, a werewolf, a selkie, an android, a person with wings. How's that any different from other expressions of nonhumanity? Well, for me, those stories don't induce dysphoria because they're about humanity, at the end of the day - how people cope with being seen as or turned into monsters, the way they treat one another and the way they treat supposed outsiders, the ways society might change if humans were slightly different animals but still called themselves human. If I were a werewolf, I'd still be human, just one living with the consequences of also being a wolf. If I had wings in a world where all humans have wings, I'm still human in the context of that world. That baseline sense of humanity is what’s important to me.

In a similar vein, I can't stand seriously being seen as nonhuman - but pretending to be nonhuman? Roleplaying? Dressing up in a costume? I can do that. I feel like there’s something very human about being fascinated by the abilities and strengths of every animal that's not your own kind, and wanting them for yourself - the human desire to fly like a bird, swim like a fish, hunt like a wolf, run like a deer.

I think a lot of what people like about fursonas is this sort of wish fulfillment, of having the cool traits of all these fascinating animals, and having that animal self-portrait still being anthro - human - enough to relate to. It's animality through an anthropomorphic lens, through how fun it can be to play pretend and express yourself as a cool deer-wolf-lion hybrid. And usually, those animal choices are symbolic, and the fursona reflects the personality of the person who made it - more often than not, it reflects the cultural stereotypes of what that animal is, instead of being true to what the animal is like as a living organism. It's about the way humans see themselves in animals, not necessarily the way we are animals. So, ironically, being a furry tends to parse as a very human thing to me.

So far, most of this essay has been a comparison, since I see a lot of similarities between identifying as human and identifying as nonhuman. Putting my species into my list of self-identifiers, like how I'd list my name and pronouns, has cemented it as a crucial part of how I view myself and want to be seen. That's the same way a lot of nonhumans think about their species. I have a strong sense of species identity, it just so happens to align with being human. Contrasting the categories seems harder to me.

I could list a bunch of different nonhuman traits that I lack, but it would be on the same level as saying one kintype is different from another. I don't care about walking on all fours, and neither does Max as a raptor. I don't instinctively try to bite a threat, I’d rather kick it, and I know a horse would agree with me. I don't long for the sky and neither does Jude, they're a dog. I don't have a prey drive and neither does a hamster. I don't feel like a nonsapient animal, and neither does an elf.

When it comes down to just being a certain species, there’s not that much of a difference between identifying as a human and identifying as a dragon. There's a bunch of traits that feel correct, and a million others that don't feel right at all.

I could say that I don't understand feeling like I don't fit in my own body, but I do - I had gender dysphoria. I have species dysphoria. If one of my partners is having a phantom shift while co-fronting with me, I invariably end up either leaving front or nullifying their shifts, because I just don't feel comfortable if our combined body map is nonhuman. I don't have memories of being a different species than I am, having abilities that I don't have in my body now, but those aren’t necessary to be nonhuman in the first place.

Do I need to find a contrast that makes sense? Does there need to be some fundamental difference between human and nonhuman identity?

I don't think so. It's all identity, at the end of the day.

[weebsinstash]

Hello! I don’t know if you do this but I was wondering what your thoughts were for a Yandere Lucifer Morningstar from Hazbin Hotel? I’m having trouble writing a good representation of him and would like some advice.

Honestly I'm gonna humble myself and say that it took reading someone else's post to make me like, REALLY notice the nuances of Lucifer's character

This post right here literally made me rewatch his scenes and go "oh wow he IS like DANGEROUSLY DEPRESSED"

He doesn't remember Charlie told him where she is, or what she's doing, and he can barely follow a conversation despite clearly trying to pay attention. He also just seems kind of scattered, and um, HE LITERALLY MAKES A JOKE ABOUT DYING FROM FALLING OFF THE HOTEL BALCONY like dude is making jokes about death in front of his fucking daughter, like my dudes, I think this guy is BARELY holding himself together

He clearly loves loves LOVES Charlie but he doesn't really know how to properly articulate himself and I have a feeling there's a lot he's concealing from her, and another big question is, is his depression from being cast out of Heaven, or from something to do with his missing wife, or a combination of both? Either way this man is clearly dealing with like, really bad issues. And Charlie also mentioned he wasn't around a whole lot when she was younger, so... did he have depression back then too?

So, that all said, I feel like a yandere Lucifer would almost be, potentially invigorated by his darling? Given a new lease on life? He may not be 100% his old self again but, you get him to like, 65, maybe 70% on a good day. You give him another reason to get out of bed in the morning, or afternoon, or evening or, whenever he can drag his depressed ass out of bed

Given what we currently know, I feel like a romantic yandere Lucifer would pretend to only be platonic and do his best to poorly conceal his feelings because of his whole... "can't ask his missing wife if it's ok for you to be their third" ordeal, the man still wears his wedding ring, and a platonic yandere Lucifer basically adopts you like another kid, because uh, I mean for one he apparently canonically missed a lot of Charlie's childhood, and he's also an ancient fallen angel, so he's got that age advantage on you no matter how old you are. I mean what are a few decades when he's literally thousands upon thousands upon thousands--you get the idea

Yandere Lucifer would want to stay close to you, helping watch over you, maaaaaybe being overly paranoid about you randomly disappearing and going missing For Very Obvious Reasons, and in the process he winds up being unintentionally overbearing. I mean, he did it in irritation, but he basically showed up at Charlie's hotel immediately saying it was a dump and all of HER FRIENDS were 'a bunch of losers'. He never completely pulls his punches when there's something he's displeased with, even if it has something to do with someone he loves, so his darling would get much of the same treatment. "Ohhhhh, you uh, you wanted to move across the city? That's, um, definitely a fun idea! BuuuuuUuuut, what IF, instead of doing that--", like, he tries to playfully tug you in 'the right direction' until you make him put his foot down

Hmmm... what would him losing his cool look like... well, we've already seen that he doesn't mind throwing hands and WILL KILL, but will stop if he's asked to or there's a good reason. With you, though, you're not typically going to be there to stop him from offing any rivals or bad influences, so I imagine he'd be kinda casual about it, actually! He already thinks pretty lowly of Sinners, so say he finds out you've been ditching him and Charlie to go out drinking with strangers, making new friends, maybe having a few one night stands? Yeah, some of those people definitely aren't calling you back, and Lucifer doesn't really see a problem with it. These people are kind of the worst and really don't deserve you, anyways! If anything he's helping clean up Hell for you and his daughter and keeping you safe :)

Losing his cool with YOU... I think would involve him using his powers to finally confine you, maybe even going demon mode to intimidate you into submission in a very dad-esque "now you listen HERE" kind of way. We don't really know the scope and scale of his powers but I can picture him at least being, obviously much stronger than he looks, and transforming to fly you "back home" where he puts you in your room where no one can reach you without his explicit permission (and you also can't leave~)

One second you're just drunk and jokingly defying him, teasing him, maybe even picking him up and swinging him around because you're bigger than him, to you he's just a silly little guy! Meanwhile this Grown Ass Man Who Is Also The Actual Devil is getting more than just a little frustrated you basically view him as a wacky little cartoon more than a grown man, one who has had sex and has had two wives and sired a child. You're just teasing him and stumbling around drunk when he's trying to get you to your hotel room to get to bed to sleep, like you're clearly not taking him seriously, maybe even playfully putting your hands on him (TOTALLY not riling him up in 'fun' ways) and he finally just huffs and snaps his fingers and, you're suddenly magic'd to bed! You're laying there blinking confused and he's tucking you in and chuckling that "you're such a handful!" before leaving you to sleep and somehow INSTANTLY knowing when you're up.

You ARE in his house, after all...

Not to be gross but uh..... I'm not saying "yandere Lucifer who has the power to still get a Sinner pregnant if he wanted to and you wind up fooling around with him and you're waking up with his little apple symbol on your lower tummy as one of those like hentai womb tattoos to show you're pregnant" but uhhhhhhhhhhyeah that's what I'm saying, and whether it was accidentally or intentionally, he's keeping it, and thus, keeping YOU

I just feel like he'd be very goofy and awkward and bad at hiding his feelings and being very clearly overprotective and jealous in ways everyone else but you manages to pick up on (god Alastor would have some MATERIAL) and, in a romantic/sexual setting he eventually just loses his patience with you not seeing him as a man and just gets... progressively more forward. You pop back into the Hotel after a night out and Lucifer's already hammered at the bar with Husk, stumbling up to you, hanging off of you, slurring and embarrassing himself, "You'reeeee SO pretty... like SO pretty.... do you wanna have *BELCH* you wanna fuck? Cause I LOVE to fuck, like when I FUCKED my wife to make my DAUGHTER, my wife and daughter that I have, 'cuz im a DAD, 'cuz I'm a MAN!" and you're just giggling and ruffling his hair, "You're so weird, dude ^^" and walking away while Lucifer internally screams, wondering just how DIRECT with you he's going to have to be

meanwhile Charlie is totally cool with all of this and sees this as a weird double whammy of Curing Dad's Depression + new family member and friend hurray! and she's totally actively either shipping you with her dad or aiding and abetting him in his weird attempts to absorb you into the Morningstar family

[zkoh001]

Back to Ninjago ✨

I was drawing this. For 72 full hours (spread out trough like-3 months)

It doesn't look like I put 72 hours into this... (I swear my confidence went like a drunk rollecoaster while making this piece)

But alas, it is done, and I worked too hard not to share it. Behold the elemental alliance. (I can't draw armor. So the design changes are mostly because of that)

I totally got the Masters of Sound and Gravity the first few times, which is quite hilarious cause the Master of Gravity spends quite some of his screentime flying, but oh well.

Also, I tought they were related (for no particular reason) hence the positioning on the picture.

The guy on the left side of the picture was literally listed as "unknown elemental master" and I literally only added him so the proportions were more balanced (also so noone could argue it isn't finished)

I feel like his power was supposed to be lightning (based on the outfit) but then season 6 happened, and he was quietly retconned to make way for libber. I hesitated making it a father daughter situation, with him passing his powers on faster than Cole's grandfather to Lilly, but in the end, settled for making him a Master of Light.

Lilly and her father joined together, but neither of them are sure why it took so long for the power to pass down (probably after or at the very end of the First Serpentine War). They were both the type to understand it's war, and those rarely have a happy ending (in general, these people were kinda forced into this role because of their powers, some of them pretty young) Maybe the late heritance caused issues with Lilly's immune system leading to an early death? 👀🥺

I like to think the old Master of Earth was a mother hen of sons just as Lilly (it's genetic a this point). The above picture happened sometime after Garmadon's banishment.

Libber (or whatever they call the previous Master of Lightning) turned out really cute, I'm probably most satisfied with her (also gave her freckles to match Jay). I feel like we massively missed out on having her be the one to make/power Prime Empire. I mean, I get they wanted to save the mom storyline for MotM, but I'm sure you can write two separate stories revolving around parents. I also believe she joined really young, probably the youngest (and she was a menace. Also imagine if she was friends with the twins, the tragedy)

Wu and Garmadon pretty much have their canon designs (I like that they are dressed the most "traditional" out of everyone) except I added a bit more purple and gold respectively. Also, I'll mention it here, every active elemental masters have eye colours matching their elements, and their pupils are light (giving way to theories about them not even being human). The spinjitzu bros have "rings" around their pupils in the opposite color (purple for Wu, gold for Garmadon) showing the link between them and their powers.

When Garmadon is banished, Wu's eyes become completely gold, affected by their severed connection (and Garm has red eyes, but normally his would have become purple as well) Also, I kinda traced the text on their gi, cause I'm not drawing that from memory 😅

Master of Shadow was one of the first to join the Alliance, but is not the youngest member, she wanted a peaceful solution at the start, and like most of the earlier members, have a more nuanced view on the war, probably even had serpentine acquitances, which is why she looks so sad a lot of the time.

I see Ray and Maya as a kinda golden retriever, black cat dynamic. Maya was incredibly skilled, cold and precise, and one of the deadliest elemental masters (I was cooking up some story about a warrior clan she grew up in, but it's up for interpretation).

Ray meanwhile lives by the principle of "They can't know my next step... if I don't know my next step." Runs in, swords blazing, most people fighting him are just sort of. Perplexed at first.

And of course Maya didn't like him at first, but it's really hard to dislike Ray long term. (Which is how he also became Wu's best friend, despite him trying to hold a 'polite acquitances' type of relationship with the Ems. Ray is just like that) But she fell first.

Either this happened, or he went ahead of the trouble and asked him first.

Anyways, back to the topic at hand (working a lot on this means I had a lot of time to microwave these dudes, this post is looong)

Master of Ice is just that one kind of slightly creepy wise old man, who just... knows stuff. Everyone just sort of accepted that you don't ask him how or why he knows stuff, he just does. Wu and Garmadon have a tendency to follow him around (cause he's pretty similar to their father in a way), which kinda translates to everyone following him around like little ducks (even when he barely socialises with anyone lol).

Design for Master of Ice is inspired by @maydayissleepy, go check out their art!

And I already made a bunch of posts about Hands of Time and the time twins, but design wise, I just made a new one (to avoid the complex armor). When in battle, it's basically impossible to tell the two of them apart. Also, they have heterochromia because they both have two powers technically. The murky brown we see in the show is because they lost the power, but are still technically the Masters of Time, since it never passed on (if the blades broke somehow it would go back to them)

I feel like they joined later (even way later, which is why they clashed so much with the alliance) which is why they aren't mentioned in the early flashbacks (and also cause they didn't exist yet), and went kinda gungho on the war, not really knowing (or caring) for it's nuances.

Anyways, let me know what you think!