#can you tell where I fixed it?

[getvalentined]

Vincent Valentine ❇ FINAL FANTASY VII: EVER CRISIS

Bouncer Suit.

[ screenshots free to use with credit ]

[egophiliac]

don't think I'm not still deep in the episode 7 brainrot. because OH BOY AM I

(also one more extremely, obnoxiously self-referential thing, I'm -- I'm so sorry)

[cosmicredcadet]

enough stories about how someone learns to truely be happy through love. i want a story where someone is desperately seeking out love thinking it's the only way to be happy only for them to learn by the end that happiness is what they make of it and they don't need love at all to make it.

[vitreouspositive]

alright guys fun quiz time!! is megatron insinuating he knows that optimus' true feelings for him! or is he stating how he knows optimus would never choose him over the autobots...

[everysongineverykey]

as part of the getting-worse-before-it-gets-better portion of aziraphale and crowley's season 3 relationship arc we NEED a desperate "i love you" from aziraphale met with a hissed, spiteful, and quickly regretted "i forgive you" from crowley

[amphibianaday]

Hello I would like to request your favourite little freak(amphibian) for day 1432

day 1432

[seiwas]

boyfriend iwaizumi hajime fixing your posture every time he sees you hunched over and slouching—the way he holds your shoulders and straightens it by rolling it back, thumbs pressing into your shoulder blades.

he gently pushes your lower back whenever he notices you curling into yourself, runs his fingers up your spine too.

and he does it all quietly, your only warning the feel of his hands on you.

it’s almost like he has a radar for it, some posture-sense that tingles every time your back is anything but straight.

when you complain about back pain, he snorts, mumbling a ‘wonder why’ before coming over to knead out the knots anyway.

he buys you an ergonomic chair to hopefully help out, even leaves x-rays and scans of bad backs lying around to give some subliminal message of what could happen if you don’t fix it now.

and when he takes you from behind, pushing down on your lower back to give him that arch he likes, he’s teasing, telling you that you only seem to listen when he has you like this.

he’s really starting to think, should he start fucking you with your back straight?

[soren-apologist]

time for more soren character analysis:

petrine’s battle conversation with soren in chapter 23 has always been a favorite of mine, and now that i’m looking at it again i noticed a few extra details:

it’s important to mention that this battle takes place directly after ike and soren’s a-support, in which soren confesses he’s a branded and expects to be shunned, only for ike to tell him that it doesn’t matter and he wants soren to stay by his side regardless.

anyway, besides “Now let me show you true fear!” being a really hard line, it’s really cool to see how soren’s reaction to his branded status being pointed out changes so sharply over the course of a handful of chapters. i already analyzed his reaction to nasir’s betrayal where he’s agitated over the fact that he could have prevented it if nasir hadn’t threatened to reveal him being branded to the army, so seeing him being so confident in himself is great, and i’ll touch on why here.

one of the reasons i like to say the game treats ike and soren’s a-support as canon is actually this particular conversation. soren, having just been reassured that ike will always want him at his side regardless of who or what he is, now suddenly has had his biggest fear and insecurity taken off his back. he doesn’t need to hate himself for being branded because ike, the only person who’s ever truly mattered to soren, doesn’t care at all.

back to the conversation, soren’s judgment over the situation at hand is no longer clouded by his own self-loathing. instead of comparing them as branded and seeing himself as just as horrid and disgusting as petrine (tiger branded, fun fact), he’s able to instead compare them as individuals and realize that what he’s done up to that point will never measure up to the atrocities she’s committed. i think the best part personally is just how disgusted soren looks by the notion he and petrine are the same, because he’s right— him being cutthroat and pragmatic is nothing compared to everything petrine has done in daein’s name— and the fact he can clearly see this means that, for the very first time, he’s finally starting to heal from the mental wounds inflicted upon him by his childhood.

overall, i like this little nod to soren starting to learn to grow and change from who he was at the beginning of fe9. it’s more clearly seen in radiant dawn, where he’s calmer to the point ranulf even comments on it, but these little inklings implying the start of soren’s healing are really cool to see.

[autism-alley]

hi originally posted this at the end of a long thread of back and forth, here’s the og post if you want full context but i feel like this needs to be its own post especially bc i keep seeing this argument being made—the argument that the kids (in this case it was annabeth) SHOULD just know the monsters are monsters and who they are and how to defeat them before ever encountering them, that it’s a problem if they don’t.

the problem is not if 12 year olds should recognize a trap when they see one, even if they’re smart 12 year olds, and if that’s realistic. that is entirely beside the point.

the problem is rick riordan wrote a book series whose formula is bringing myths to the modern age and he’s not sticking true to that in the show—percy jackson and the olympians’ Shtick is taking these classic, ancient threats and giving them a new face. these traps work because these kids are not walking into a cave marked with Get Out and getting ambushed by monsters—the monsters are disguised as harmless mortal human beings, in harmless mortal human being places (for the most part) and i think we—and more importantly, the show—are all forgetting the mist, the magic involved here. it’s not just that medusa is a “creepy lady with her eyes covered” it’s that there is ancient magic at work here, magic that, like the systems of abuse pjo exists to criticize, has been evolving and continuing its malevolence for millennia. it’s formulaic, that’s the point. it’s the same trap you’ve learned about all your childhood, the same trap a thousand children before you learned all their childhoods, and still, it works. you fall into the trap. because that’s how generational abuse works. it’s a trap. it isn’t enough to learn monsters exist, what they look like from a second hand story that originated thousands of years ago. if you want to escape alive, you have to adapt as quickly as they do, recognize their face, and ultimately, beyond any individual trap, the game itself has to change. real, generational change.

so. the problem is rick riordan wrote a series with a formula for action that perfectly captures the overarching, systemic conflicts he was commentating on, and then threw that formula out in the show because it was “unrealistic”. i don’t give a damn about realism when it works to the detriment of the story. this is a story about generational abuse, yes, but it’s told through ‘a tale as old as time’ and that’s why it works so fucking well. and when it comes to basic storytelling, if your characters know the threat before they even walk in and you do practically nothing to then make up for the stakes you have removed, that’s a flaw. now you’ve lost the entertainment value for your audience, on top of also lessening your themes.

something else that is so. honestly soul-crushing as a writer and a creative, is that to me this is reflective of the way we are now afraid to tell earnest stories. stories where we care not for listening to the people who want to pick apart fictional, mythical, fantasy stories for not being “realistic” instead of aligning with our target audience who acknowledges reality is not what makes a story. think of your favorite movie, show, book, comic, what have you—has the reason for your favoritism ever been because it is the most reasonable, the most grounded, the most practical out of any you’ve seen? or is it because of the emotion? the way it speaks to you, to your life and the person you are? the journey it takes you on? is the percy jackson and the olympians book series so good because it’s inherently realistic?

the secret to storytelling is, very simply, focus on your story. everything else is secondary. if it’s written well, it doesn’t matter to me that the characters walk into a trap that, to the audience, is obviously a trap. because i can understand how the characters don’t know it, and how the story falls apart if the narrative just tells the characters it’s a trap from the jump. that’s what dramatic irony is—first used in greek tragedies! this is literally a tale as old as time in every sense except for the end—where it’s happy. and it’s not earned if we don’t first see, over and over, the status quo as a tragic trap.

it’s not about if annabeth (or the other kids) is “smart enough” to not walk into a trap, or about if she’s just too prideful to not walk into what she knows is a trap (or any reason that could apply to the other characters), it’s that annabeth, at the end of the day, is a character. she is a storytelling tool for the messages of the narrative. that doesn’t make her any lesser. in fact ignoring it reduces her, because it reduces what she represents. it’s about how rick riordan, or whoever else at disney, has fumbled the storytelling bag so ridiculously hard that they can’t take the simple, effective formula outlined from start to finish (by good ol 2009 rick himself) and adapt it to the screen without answering the most unimportant, derailing, anti-story questions.

[r0semultiverse]

How Homestuck Beyond Canon Candy Timeline has/will have parallels with Homestuck proper around and during the events of [S] Game Over

Jane Crocker heavily aligned/influenced by with Crocker Corp. Notice how her neck accessory looks very similar to the Crocker computer tiara. There's also the circuits surrounding the button, which are reminiscent of Crockertier Jane's visual mind control effect by The Condesce.

Jane also kind of looks like The Condesce with how she's silhouetted here.

The head of Crocker Corporation on a large Crocker space ship. A ship which I would like to point out looks eerily similar to the ship that The Condesce flies around in except the forks/sporks are facing the opposite direction and it's got black on it instead of mostly red.

Jake dying at the hands of Crocker influenced Jane and coming back to life parallels with this Jane coming close to killing Jake, but stopping right before death. Same green text too.

The cast of characters surrounding this time in the comic are also similar.

We also got the whole Crocker laser beam of death being hinted at which we've absolutely seen before.

I talked about this in one of my previous theories, Jake is getting a better grasp of his hope powers; so, I think we could see another hope explosion again in some capacity out of Jake's concern for Tavvy.

I could also totally see Jake being held hostage by one of the Crocker Clones A.K.A. the Brig Boys and Kanaya cutting them up with her chainsaw (hopefully avoiding Jake).

This is more of a little side detail, but Vriska is once again on the sidelines while this massive important fight takes place because she's trapped in her own personal Hell this time.

CHARACTER DEATH FLAGS - I don't know how to organize this post and there was a lot more potential evidence to this than I thought there was going into it.

Let me preface this with the fact that the existential split between Meat and Candy sometimes seems to try to course correct itself and much like certain peoples DNIs, it doesn't want any doubles. We see this with Dirk, Dave (he died even if he ascended to ultimate self afterwards), June/J/John, Terezi(seemingly), Meenah (her other self is in the black hole with Lord English so we can't necessarily confirm death but yknow), Aradia (is just Aradia), Gamzee, Calliope (that is a whole complex situation), and Rose (if her future sight is correct, but we'll get to that). Those are the only examples I can think of at this time, but it's absolutely a repeating pattern of the universe sort of course-correcting to have only one of each of our main characters exist at a time. This, at least in the cases of Dirk, Dave, & Rose seems to be related to the ascension to ultimate self, but we can't really say if that's why the other characters only get one existence at this time.

Karkat has has at least 2 deaths from around this time, one involving Crockertier Jane as well which could be a sign of things to come.

Rose's death flag is that she has literally foreseen her death in her future sight. She is thinking about Kanaya and Roxy in the same thought process while seeing her own death, feeling full of regret (even though she's trying to repress her own feelings) about her relationship to Roxy and Kanaya. Very similar to her being regretful as she was dying in Roxy's arms. I'm also guessing the bullet that hits her will be from Jake's gun, just throwing that out as a possibility.

ROSE: What... ROSE: Happened to me? ROXY: the witch got u ROXY: with her fork ROXY: but youre gonna be ok ROSE: Oh. ROSE: That's nice. ROSE: *Cough.* ROXY: maybe you uh ROXY: shouldnt try to talk now ROSE: You saved me, didn't you? ROXY: ... ROSE: Thanks. ROSE: But, ROSE: She's gone, isn't she. ROSE: For good, I mean. ROXY: ? ROSE: I saw her die. ROSE: And. ROSE: It's a shame how... ROSE: *Cough.* ROSE: A shame that I never even... ROSE: Got to tell her... ROSE: I loved her. ROXY: who?

ROSE: Kanaya. ROSE: But... ROSE: You too, mom.

Kanaya also has a death flag here in getting hit by The Condesce's laser beam of death, but it's more of a maybe given that we see Rose's future vision of Kanaya holding her body in her arms. Keep in mind though we also had this bit of dialogue about the reliability of future sight right before we saw that vision.

JADE: dont forget im more than a little versed in future sight myself ok JADE: i dont care how credible it seems, you cant depend on that information!

Jake and Jane are also on the chopping block potentially, but I can't think of a way at this time, unless Kanaya mistakes Jake for one of the clones amidst her rage and ends up cutting through him along with the Crocker clones. The one pictured below was done by Aranea who is out of the story. Maybe Meenah's trident hits Jake somehow or something, I don't know. We also have meat Jake and Jane who are doing more okay.

On top of the parallels to the doomed timeline that was [S] Game Over, we also had Vriska say that this reality was fake and didn't matter. I'm paraphrasing and I don't know if we'll get a doomed timeline situation yet with the 4 kids still in it, but I just thought the amount of parallels was interesting & worth pointing out.

I also wanted to get this out before the next update in case it's related to the flash animation and any of my predictions come true.

Alternatively I think the flash animation will be Ultimate Dirk kick starting his SBURB home brew session on Deltritus. He probably has all the tech and narrative powers to do it based on what we've seen, they just need a species they'll both be satisfied with as the players for the session.

[pastelaspirations]

As a last hurrah before the year is done, have my take on lesbian Errorink ✧˖°.

I saw an interesting question once. One that posed the controversial thought that "if your yaoi ship got turned into yuri, would you even still ship it anymore??" It was an interesting question, although perhaps a leading question, that gave the idea that many people may cease to ship a pairing if they turned from boys to girls.

I only had one thought to that question.

It's cute that you think that would have any chance of deterring me. No, w a t c h. My undying love for my otp is only strengthened.

Case in point; if yaoi errorink has consumed my entire mind and soul, then it would make perfect sense that yuri errorink would do so as well. Don't you see. It's literally the exact same ship, with all the same dynamics and interactions, but they're ✧˖°.girls now✧˖°.

SO. BIG SHOUTOUT TO JUNIEMUNIE FOR THEIR REFS WHICH STRONGLY INSPIRED MINE. I want to draw their versions one day. And I will, I will, just let me cook, man, I promise I will-

Of course, obligatory "p l e a s e open drawings in another tab to see them better 'cus they look like dog water on here."

WARNING; RAMBLING AHEAD THAT I WILL T R Y TO MAKE SHORT I thought it would be so funny, man, hilarious, if Error was like. This scrunkly girlboss badass who could, and would, absolutely destroy you. B u t she is sort of dressed like a high end hobo?? Like- SHE GOT THE BUNNY SLIPPERS ON AND LOOKS LIKE SHE LOW KEY JUST ROLLED OUT OF BED, but she gonna make damn sure her makeup is on f l e e k before she walks out that door ✧˖°.

BUT, THEN, COMPARE THAT. COMPARE THAT WITH. Just comedy gold, I tell you. This badass, skrunkly girlboss Destroyer of Worlds and her love interest, the only one who holds the key to her heart... is just Ink. A teeny lil cutie patootie who runs around completely barefoot in Care Bear lookin' overalls, with a paintbrush taller than she is and a giant burrito scarf. Just-

Yep. That's the Destroyer of Worlds's gf, right there. (I can see the crap posts now. Error being an absolutely horrifying entity to be reckoned with, but immediately switches to a sing-songy, happy voice as soon as Ink pops into the room.)

Fun fact; I'm sick as a dog as of this post. I finished these drawings not being able to breathe or swallow. :D Well, f i n e, I wasn't as bad when I finished Error's first, but then I got worse with Ink's. Like. I was staring at the screen, half-dead and unable to focus, when I was finishing her up, but she doesn't look half that bad, huh. Not too shabby for someone who can barely concentrate and had to proofread this post four times before giving up and hoping it is at least somewhat coherent in my fever induced fog state.

[cherrypicked-pearls]

Oh the struggles of drawing a fire thing but having to change it for it to make logical sense....urghhh YURIOUS STARE SAVE ME!!! Anyways the inherent romanticism of feeding your best friend as she gazes up at you in reverent awe....Happy Aoinene week for those who celebrate <3

[flying-cat]

Preparing myself to read a Persona 5 fic because it sounds super interesting but Maruki is a tagged character which means there's like a 70% chance that he's being mischaracterized

[kurthummeldeservesbetter]

Sky deserved better

[sanshinexx]

Here's part two of drawing my family pictures as the Bad Batch because I can and you can't stop me

[ratatatastic]

"I gotta have you talk about Barkov a little bit... 'cuz, you know, he's your Captain but like... What should we know that we don't know about this guy? He's so quiet, he keeps a low profile—I'm sure that's by design—but he's the quietest, incredible superstar that...When Chris Pronger was working there (VP of Hockey OPs/Senior Advisor from 2017-2020), I remember he used to say to me, 'Hey, this guy is a Top 5 player in the game.' Even when nobody was even putting him in the Top 10 at that time, you know? But what makes him so great? What do you know about him now that you thought you knew before you got there?" "You know, well, everything—because I'm with you! I knew he was in the league, I knew he was a great player but playing on the other side—I'd see him play twice a year and I wouldn't watch that much and I had no appreciation for how good he was. But the answer—I'm gonna give you an answer about Barkov and it's not gonna be good enough... 'cuz I can't answer that question about him yet, I still haven't gotten to figure it out. I don't know to do it justice but he's this extreme perfect blend of absolutely no ego and an incredible drive to be better at the same time. So usually the guys that are really driven have a bit of an ego. Ego's not bad always, right? Maybe I'm using the wrong word to describe it but he will put his teammates and his—everything—first, and it won't bother him one bit! That's exactly the way he wants it! He doesn't want to be the first guy out, he doesn't want to—it's not that he doesn't want to do interviews because of the media! Talk to this guy! You walk in our room—you don't know hockey and you don't know names—you can't tell if he's the 1st forward or the 13th forward by the way he treats people. That's absolutely the truth! And the reason he's not appreciated as much as a player is: I have never, ever once seen him even remotely cheat to the offensive side of the game to score a point. He just won't do it. That doesn't mean he's sitting back defensively! He doesn't give a rat's ass about his point totals, he just wants to win. So he's never gonna put the numbers up that he could. If Barky decided he was gonna generate points—if somebody'd convince him, 'Hey, Barky! If you just cheat the game and score—we'd got a better chance of winning!' I don't know, [he'd put up] 120, 130 points? Like he is brilliant but he will never, ever put the game—you know, what? He wouldn't put himself in front of the game. The game demands certain things and you can't get past that no matter how good you are. There are certain things you got to do in this game and usually those are hard things... he'd never once put himself in front of the game." "You can't score 120 or 130 without cheating a little bit, right? It's just a real—" "Yeah, except those guys don't call it cheating! They call it anticipating. Bad players cheat, good players anticipate." "They see things before they happen, Paul! That's what happens!" "Exactly, exactly!"

The Cam & Strick Podcast | 9.24.24 (x)