#can you tell this is basically my main DR

[itsangelicasworld]

One of my absolute favorite scenarios in my Teen Titans DR is me wearing an "I ♥︎ Robin" shirt in public. The fandom goes insane. Speculations are off the charts. Everyone thinks this is either a declaration of love or some type of meta commentary. In reality, I saw the shirt at my local mall and thought "lmao this is so funny everyone's gonna get a kick out of this"

[raven-at-the-writing-desk]

sebek and his big ol' heart

Y’all thought I would be writing an extensive analysis on [REDACTED] or Skully but JOKE’S ON YOU, I love my lame idiot child Sebek 😭

When I tell you I actually CRIED MULTIPLE TIMES reading his Nightmare Suit vignettes… because all the pieces fit together SO well…

Before reading this (long) post, I’d like to ask that you also take your time to read this analysis and this analysis. They will help you understand some of the points I made later regarding Sebek and his internalized racism + how he expresses himself.

Have your recommended reading done? Great, then let’s hop to it!

***Spoilers for Sebek's Nightmare Suit vignettes, book 7, and various other Sebek and Silver card vignettes.***

Sebek is one of those characters that lives in infamy for how much time he takes to get warmed up to. He presents himself as loud and brazen, with these traits often earning him the ire of both in-universe peers and irl fans alike. Worst case scenario, Sebek can be seen as someone who is outright hateful. He’s rude to most people (including Silver, his childhood friend, sometimes), denounces humans, acts like Malleus can do nothing wrong, and doesn’t seem to respect his own father.

Well, I’m here today to tell you those claims are false and that Sebek is actually capable of so, so much love. All you need to really do is look at his Nightmare Suit vignettes—and how well they connect with the rest of his lore—to understand what I mean.

The vignettes start with Jack Skellington finishing a bento that Sally made for him. Sebek tells Jack that he should now return the basket that the bento was delivered in to her and to let her know what he thinks of her meals, but Jack says he can’t because he’s busy with Halloween preparations. Jack asks Sebek and Azul to return the basket in his stead, which they do. They aren't allowed to see Sally because Dr. Finkelstein has locked her up for misbehaving, so they leave the basket. Azul advises that they also pass along Jack's comments (he had called Sally smart, thoughtful, and kind; he often forgets to have meals when he's absorbed with his work, so it's generous for her to prepare a delicious meal like this for him). Sebek loudly refuses, as he believes that hearing these grateful words from Jack himself would be much more meaningful to Sally.

He later confronts Sally at Town Hall and asks to speak with her privately (in an ALLEYWAY lol). There, Sebek flat-out tells Sally that such roundabout tactics will never help her feelings reach Jack because he's way too dense. Of course, she reacts with denial which sends Sebek into a passionate speech about the lengths Sally will go to for love (short of actually speaking about it). She literally threw herself out of a window and put herself in bodily harm to get to Jack when Dr. Finkelstein locked her in her room. She deliberately disobeyed her guardian and brainstormed a way to get out when theoretically she should not have been able to move around freely. If that's not motivated by love, then what is? Sebek declares that it's really annoying to watch Sally dance around the issue and to see her devotion go to waste. IT'S LIKE HE'S WATCHING/READING A ROMCOM AND THE TWO MAIN CHARACTERS KEEP PLAYING THE "WILL THEY, WON'T THEY" CARD... She admits that she can't share her feelings because Sally thinks she's not worthy of someone as impressive as Jack... They're not compatible. And you know how Sebek responds??? BY TELLING SALLY ABOUT WHAT IS BASICALLY TWISTED ROMEO AND JULIET... Sebek reading tragic romance confirmed 😭 He describes the story as one of two lovers whose families do not approve of their union. In desperation, the lovers try to elope--but their plan fails and they return to their warring families. Instead of committing dying like in the original tale, the lovers live the rest of their lives lamenting the outcome and how they can no longer see the person they love most. Sebek shares his own interpretation of the story and its moral: because the lovers gave up hope that they could get their families to accept one another... because they never tried to get their families to get along... because they could not properly articulate their feelings to their families... the lovers could not be together. He is convinced that if they had communicated better, the story would have a happier ending. Sebek is of the firm belief that a story itself cannot come to be without the author wanting to share their own thoughts or feelings; he even suggests that maybe the author of Romeo and Juliet experienced something similar--a regret that resulted from neglecting to express deep-seated feelings. It's not just this book either, Sebek claims to have many stories with a similar theme or miscommunication leading to conflict.

Above all, Sebek stresses to Sally that she must believe in herself and take swift, decisive action. And why does Sebek whole-heartedly throw himself into this belief? Because his own family is living proof that a happy ending is possible if you try hard for it.

If you've paid attention to Sebek lore prior to this, you'll know that he has a human father and a fae mother. Their marriage faced opposition and scrutiny in Briar Valley, a country which is isolated from the rest of the world and suffered greatly from human invaders pilfering the fae lands for resources. One of these sources of opposition and scrutiny is Sebek's own grandfather and his mother's father, Baur. Apparently, Mrs. Zigvolt married Mr. Zigvolt against the wishes of her dad.

Sebek shares even more details with Sally in his Nightmare Suit vignettes. To this day, Baur does NOT approve of his daughter's marriage--but Mrs. Zigvolt doesn't let that get her down! No, she does everything in her power to prove to her father that she made the right choice and she's perfectly content with her life. She'll send letters enclosed with photographs of her family, take her children to visit Baur's home, and invites him to join family dinners. Sebek adds that he's sure his mom made other efforts too--all to try and get Baur to acknowledge her marriage. More recently, Baur seems to have lightened up a little... as in, he always used to turn Mr. Zigvolt away at the door, but now lets him in about once a year (though Baur still avoids eye contact with him and continues to frown). Mrs. Zigvolt stubbornly believes that if she keeps this up, her dad will one day change and bless her marriage with the man she truly loves. Sally commends Sebek and his mother's ability to speak their minds loudly and proudly, but then disparages herself again by saying she can't do the same. Sebek then confesses that he can relate to Sally's frustrations. He related her feelings to his own inadequacy in serving Malleus, the powerful and noble king-to-be of his country. That feeling... Sebek describes it as akin to heartache. But instead of wallowing in that heartache, he pushes himself to close that distance between himself and his idol. If he keeps hesitating, then there is absolutely no way he can catch up to where Malleus is! Sebek must dedicate himself to becoming someone worthy of serving him. He encourages Sally to do the same through both her words and her actions! At that moment, Jack walks in and Sally makes good on Sebek's advice. (This part isn't important to the analysis on Sebek's character, so I'm glossing over it.) The vignettes end with Epel complaining about Sebek being loud as per usual. Sally doesn't take issue with his volume though. She simply giggles and informs Epel that Sebek speaks so loudly and clearly so that his words can resonate with others--like how his words gave her courage.

We have learned new lore about Sebek's grandfather and mother. What does this tell us about Sebek? A lot, actually--if you slate it with all the other lore we have on hand.

We see just how strong of a woman his mother is. I suspect this is where Sebek picked up a lot of his hard-headedness, as well as the tendency to express himself very overtly, from. However, it also speaks to the loving environment he grew up in.

His mother seemingly never questioned her own life choices and never gave up fighting to prove her happiness to a father--and likely an entire community--that rejected her marriage, her husband, and maybe even her children. She fiercely loves and defends her family and the life they have made for themselves. Sebek states that he looks up to her for her magical strength, but that he also admires her principles and strong convictions. Indeed, it was her who ardently pursued Mr. Zigvolt and did not allow naysaying to deter her.

Then there is Mr. Zigvolt. In Sebek's Birthday Boy vignettes, he describes his father as "a strange man" who is "magically deficient" and "never lets his smile fade, no matter what I say to him [...] he defies comprehension." Though Sebek doesn't seem to hold the same amount of respect he has for his mother for his father, we don't hear Sebek openly insulting his dad, just expressing confusion about him. When asked about it, Sebek denies depending on his father--but it's clear there is a fondness there that he's not addressing. Mr. Zigvolt is impressed whenever his children use magic, buys them snacks they never asked for, and talks with them for long periods of time in a calm, patient manner. His father, too, has given Sebek so much compassion and understanding.

We don't know a lot about Sebek's siblings, but they seem to get along fine! He has mentioned going to parks with them. They've also gone fishing together and witnessed magic competitions, which they were all amazed by. The Zigvolts in general (or at least the parents) seem to be accepting too, as they volunteer to take Silver in whenever Lilia is unable to take care of him.

And you'd think that's where it ends, but NO. Baur ALSO has a lot of love to give. Despite not approving of his daughter's marriage, he doesn't actively despise his grandchildren. Quite the opposite, in fact! Though he's rough around the edges and looks scary, Baur doesn't fault any of his grandchildren for being born half fae and half human. He actually makes it a point to bond with them, and especially with Sebek. It was Baur who taught Sebek the language of nocturnal fae and instilled in Sebek his love for reading (as he bought many books for him and tells many stories himself). He also personally reached out to Lilia to train Sebek, as the young boy (at around age 7) expressed an interest in martial arts. Sebek has a love for salmon carpaccio because he and his siblings would fish at Baur's house and then prepare the dish for him--Baur was so happy about it. Additionally, Baur values getting a good education and was proud when Sebek shared with him that he was invited to attend Night Raven College.

Sebek grew up in a country that dislikes humans, but he was raised in an household where he was loved unconditionally and provided with all the resources he could need to get a good education and become someone who is physically strong. So of course he becomes frustrated when he sees Sally, who is so nervous to act on her feelings. What would have happened if Sebek’s mother had been like Sally? Sebek, as the youngest of three, might not event exist. His parents may not still be together… or maybe they wouldn’t have gotten together in the first place. It’s exactly because Sebek knows what love is supposed to be like--courtesy of his own family—that he can see it so well in others, and wants them to act on it. His very existence is proof that love is possible, and it transcends arbitrary labels like race that serve to divide people into categories.

One quirk of Sebek's is how he's always dishing out back-handed compliments or making comments that come off as rude but aren't at their core. He can't seem to help but say a good thing that sounds like something bad. His Diasomnia classmates, usually Silver, have to translate these Sebek-isms for others, who misunderstand him or interpret his words in the worst possible way. For example, from one of Silver’s Fairy Gala lines; “Sebek said to me that no self-respecting disciple of Lilia’s would dare get a single stain on this clothing. That's his way of encouraging me.” In Silver's Dorm Uniform vignettes, Sebek tries to reassure his friend and tell him to not let other people's opinions hurt him--but he phrases it as, "Hmph, ridiculous! I see no reason for you to heed a few random comments from some humans." The duo is also shown to be competitive with one another in training; it's never malicious, they both want to prove themselves as the superior knight, and the other serves as motivation to improve and/or a means of measuring one's own growth against a fellow disciple. When the mostly elderly population of Harveston is in need of physical labor, Sebek comments "[...] the humans in Harveston are woefully out of shape," yet he insists he "still [has] energy to burn" (as if to volunteer himself to do more work) and call such tasks "simple" (as if to point out how easy it is for him to do, so don't worry about troubling him). He hauls apples and helps the villagers with whatever they need, declaring that they should "be grateful"--but if he truly did not care, he could have stopped at any time or settled for just making fun of them. But Sebek doesn't, because he DOES care deep down. This aspect of Sebek is made even more obvious in Fairy Gala: What If. He appears at Ramshackle and opens by declaring, "NO! I am by no means worried about anyone! [...] Don't mistake my intentions. I am NOT here to help! If your mission doesn't succeed, the repercussions will definitely affect Malleus and Lilia. Hence... I shall lend you uneducated humans my aid! [...] You're welcome to weep with joy at my magnanimity..." Time and time again, we see Sebek demonstrating a lot of kindness, but deflecting or not being totally transparent with his intentions due to pride or embarrassment. This behavior is very reminiscent of Baur, the grandfather that Sebek loves dearly and spent so much time with. Baur, too, can be very passionate and loving, but struggles to speak of those feelings openly. Just look at how the man deals with Mr. Zigvolt. The behaviors of the family, then, imprint on Sebek and influence his behaviors--and being that Sebek is from such a loving group, it follows that Sebek puts out a lot of love into the world too.

A lot of times when the fandom discusses Sebek's attitude, I feel it's from the context of him being hateful towards humans. I'm not going to deny that Sebek has said some pretty nasty things about half of his own identity. The point I would like to make here is that Sebek can love just as strongly.

The most obvious thing that supports the claim that Sebek is capable of strong love is how he views Malleus. It's no great secret that Sebek practically worships the ground his dorm leader walks on. That's essentially Sebek's key defining character trait. What I'll ask you to consider instead is the nature of Sebek's love--not the obsessiveness of it, but rather the unconditional nature of it.

In Lost in the Book with Nightmare Before Christmas, Skully laments that Sebek has not been disappointed by his idol, Malleus. Sebek actually corrects him by saying that love isn't imposing your own views on your idol, it means preparing to accept them, flaws and all. He says the same of Malleus; should the time ever come where Sebek's expectations of Malleus falter or their paths have to diverge, then he will still embrace his young master, never once turning his back on him. And where does Sebek gets this from? His parents. The father who loves his children no matter how critical Sebek may be of him. The mother who remained so strong in the face of her friends and family being against her life choices.

A common fandom sentiment regarding Sebek is that he blindly follows Malleus--but when speaking about his idol to Skully, Sebek says that agreeing with someone and continuing to love them are different things. You can disagree with someone's actions and still continue to love them and accept them. This follows what Sebek does in book 7; though he is betrayed and hurt by Malleus turning his powers against the world, Sebek does not let up on the hope that he can bring his young master back. He even sillily calls the yet-to-be-hatched Malleus tamago/egg-sama, showing even an infant form of Malleus great respect after witnessing his OB. Skully took the opposite path that Sebek did; when he realized that his own idol, Jack Skellington, was not as he imagined him to be, Skully became enraged and lashed out over it. Sebek points out Skully's inadequacies as well, which ties back to how he spoke of his own drive to improve in his Nightmare Suit vignettes. Skully confesses to trying desperately to emulate Jack--so much so that he breaks down when Sebek's UM destroys his iconic shades. He wallows in his current state and doesn't make efforts to change or to be better; the past and his own vision is where he's comfortable. It's a strong contrast to Sebek, who has made it clear he will continue to train and work hard to prove his merits and to be someone worthy of protecting the great Malleus Draconia.

It is Sebek's passion and boundless love that makes him a hero both in Lost in the Book with Nightmare Before Christmas AND in the main story's book 7. He serves as a foil to Skully in the former and actively saves Silver when he's on the brink of despair in the latter. After learning that his biological father is the man responsible for killing Malleus's mother and leading the Silver Owls' onslaught on Briar Valley, Silver despairs and comes to the conclusion that his father must loathe him. "He could never love the son of the man he despised! He has to hate me! He has to!" Sebek rushes to Silver's side using Living Bolt, a UM he has yet to master (thus causing residual damage to him when he casts it), to correct him:

"You have this much strength... and you dare to say you weren't loved?! That you were hated?! [...] If [Lilia] hated you, he didn't have to give or teach you anything. He could've just raised you into a dimwitted coward and made you a servant. But he didn't--and look at you now. Even alone and helpless, you stood firm. You spoke up, unfaltering in the face of our liege's madness. Even trapped in the darkest despair, you kept on fighting! Who raised you to be so strong? LILIA DID! Why don't you see? Why do you doubt? You should have understood years ago! What can you call your strength, if not the direct result of Lilia's love?!"

WHETHER SEBEK REALIZES IT OR NOT, A LOT OF WHAT HE TELLS SILVER HITS HOME FOR HIM TOO... Like, thinking about it... Sebek must have faced a lot of prejudice from his community because of who his father is. He might have grown up thinking he, too, was hated, had he not been protected by his loving mother, father, and, yes, even grandfather, who is still struggling to accept the human in their family. Baur must have been feeling very complicated emotions upon meeting his half human grandchildren for the first time... but even though he dislikes humans, he could never find it in himself to dislike his grandkids. If he had hated Sebek, he wouldn't have wanted him to get a good education. Baur wouldn't be happy that he got into NRC. He wouldn't personally ask Lilia to train the grandson who expressed an interest in combat. He wouldn't buy so many books for Sebek or read with him or tell him stories or teach him his language. But Baur DID do all of these things, because deep down he loves Sebek no matter what he is. If it was anything less than love he felt for his grandson, if he decided to neglect his grandkids, then Sebek would have grown up as some "dimwitted coward". IT'S ALL CONNECTED.

And now here Sebek stands, able to tell others that they are loved and should be cognizant of that love. He reminds Silver that Lilia loves him. He advises Skully to reevaluate how he sees his idol. He tells Sally to speak honestly about her feelings, because it was his own mother speaking honestly about hers that led to Sebek and his entire family being as happy as they are now. He shouts at people to act and to speak their minds because he doesn't want them to live with regrets, because he doesn't want to see them be weak and timid--a version of himself that could have resulted if he hadn't been loved so strongly.

You can say many things about Sebek: that he's loud, that he's rude, that he's a fanboy, that he has big muscles. But of all those muscles, Sebek has a very big heart too. And what made him so strong? All the love he received from his family, despite growing up an environment that surely invited hatred for humans.

[often-daydreaming]

A Quick Chat

'Absolutely not!'

'I'm just gonna talk with him!'

Following the quickly escalating shouts down to the Batcave Bruce found Dick and a heavily armed Tim at each other's throats while their siblings oh so helpfully egged them on.

They were arguing about Wally and their last universal saving mission for some reason and Tim had nearly every contingency he could think of to handle a speedster on him.

-nna talk, that's it!'

'Then you can leave the gear here!'

'What's going on?'

All of his children froze, finally realizing he was here before they started shouting over each other.

'You remem-'

'-ick's trying to-'

'Father Dr-'

'-ng crazy, just because the universe re-'

'Enough!'

'Now, can someone tell me what's going on or do I have to get Alfred?'

And Jason was happy enough to tell him. 'Replacement's pissed because we finally discovered a pretty big difference with the universe after the League hit the reset button.'

Multiple screens on the Batcomputer held information on new heroes, a Junior JLD and everything Tim could dig up on two individuals. The first one was Phantom, a new addition to the Titans and had a number of detailed conspiracy theories tracking his appearances through time while the other held the detailed background information of a recently graduated Daniel James Fenton. Tim had dug up everything from his kindergarten grades to... Oh... Oh no... That explains why they were arguing about Wally.

Most of Daniel's latest online post covered his move to Gotham, his new job offer working in their engineering department and his new boyfriend Bernard. Looking at it all made it painfully easy to piece together that... 'They stole my life!'

And Dick and Tim were arguing again but Bruce knew it wouldn't get too heated and focused his attention on the gathered information. It was easy to see that a number of encounters his kids (mainly his oldest three) should have had with the Titans were adjusted just enough to fit Phantom now and Tim's involvement with the Children of Dionysus had been shifted around to involve Daniel in this new universe.

'-e universe reset doesn't mean you can ruin their lives. Phantom seems like a good kid.'

'Dowd would have left you eventually.'

Dick had to hold Tim back from launching himself at Damien while Jason and Steph stood by egging the two of them on, but then Tim got that look in his eye when Duke brought up the idea of reintroducing himself and everyone noticed.

'No.'

'Come on. Tim, you don't need another restraining order.'

'But it didn't happen in this universe so it doesn't count.'

'It counts if we still remember it!'

But Tim wasn't listening, too busy changing out of all of his gear as a plan quickly started forming together in his mind.

Why waste time with Wally when he can just as easily win over the new couple while ignoring everything else he's learned from his friends.

He'd figure it out one mess at a time. After he won Bernard back he'd figure out the situation between Red Robin and Phantom.

-_- -_- -_-

Reading over the sticky note Danny couldn't help but wonder what Clockwork meant when he wrote 'Have Fun'.

Again, I blame my medication for this, but this came from a couple of different prompts about Tim, Bernard and Danny and I just sort of went with it. Basically the main roster of the League has to stop (Pick a threat) and end up resitting the universe again. The problem is they still remember the old universe so they spend a week or two looking up any big changes and a sleep deprived Tim starts believing he barely knows Bernard in this universe when he's actually dating him and Danny. He just hasn't dug deep enough to figure out his own connection.

[aimasup]

just found some Valiant AU development sketches and notes in my old OLD sketchbook

I really thought it would be a webtoon

long post warning! And I mean long looooooooong post. If you get to the bottom and go "I'm not reading allat" I do not blame you

more under the cut:

^^^ OC

General notes:

This Valiant AU was meant to be a solarpunk superhero slice of life that slowly reveals a heavier plot, mostly focusing on character interactions and personal growth

White Hat Incorporated is a struggling, newbie business and clients are rare

The episodes can range from domestic shenanigans like fixing a leaking pipe or getting dinner, to running their business by defeating the villain of the week

The villains and heroes stay in their roles from canon. The only ones with major changes are our main 4 guys

All major information about White Hat would be discovered from the point of view of Lumencia and Zug as they realize that not only is PEACE corrupt, but that their boss is neither human nor demon nor alien

Now onto the characters themselves:

Dr. Zug Gleis

Like his name suggests, he likes trains. His train is also a drill that was an attempt to burrow out of government's arrest

Which he then modified into a laboratory, each train cart being a unique kind of laboratory for surveillance, medicine, etc. He sleeps very uncomfortably in cramped spaces and likes it that way

V.I.R.U.S is now a software he created and repurposed into his bratty computer assistant, now Cambot. She's also the one recording all their commercials and making his coffee. Basically Zug doesn't get along with ANY of his children

He doesn't like to leave his laboratories, so he set up a network of tunnels through White Hat's mansion that send and receive messages, inventions, food, etc. There's one little chute for these in most parts of the place

His arc was focusing on his inability to accept help from others because he sees any kind gesture as a possible way to control him. Even worse if the kind person genuinely means it, because he also sees accepting kindness as a handicap, a debt

His villainy was an easy way to make money and show the world his capability without any assistance from any hero or villain organization

Really, he just wants to be able to do whatever he wants, but his need to be the best or else he's the worst is tiring for him. Anger issues don't help

This stemmed from a past of constantly being bullied and compared to his brother, Goldheart

After dropping out of hero college, Zug became his own supervillain's known as The Mad Condoctor, whose theme was, you guessed it, trains. He stole trains, modified scrap metal, targeted stations and trade centers, held hostages, prepared puzzles for heroes to solve, etc

The Mad Condoctor was notorious for being uncooperative and a backstabber. He operated at night and was an expert in secret missions, spyware and tech-based combat and the likes

By the first season finale he would have genuinely cared for his coworkers but still didn't value his own life, so he let himself be taken in by PEACE. The crew have to go retrieve their idiot and many things about White Hat Incorporated are revealed to the public after they clash with their local PEACE headquarters

He finds authority annoying and hates seeing people kiss up. Mostly shameless in his actions and doesn't much care for other people's opinions. Can be honest to the point of hurting

So he is a terrible liar. It's like he's allergic to it or something. Prefers to lie by omission

Will only call White Hat 'sir' and 'jefecito' sarcastically or to get a point across. Unfortunately hopelessly devoted to him at the end of the series whoops

Lumencia

A superwoman with horse-like powers that decided to choose unicorns as her motif because that's way cooler. She has kicks and punches that convert her diet into energy, which is great because she loves eating

Changed it up so that Lumencia is the resident prankster and WH tells puns, not the other way around

She has a room with a slanted ceiling which she can climb out the window of to lie and chill on the roof. She's also converted that space, where flat roof meets slanted roof, into an outdoor cinema/gym, decorated with christmas lights. The mansion is a three-way clash of decorative styles from afar

She doesn't have a license to be a hero, but she helps out wherever she can anyway, stopping purse snatchers and helping lost children find their parents and such

In fact, she is actually one of the most beloved people in the little town they live near, with many residents familiar with her buffoonery but affirming her as a reliable source of help

She's also relatively well-known online, as she posts videos of her playing the guitar and well-intentioned but nonsensical 'Lumencia Tips', filled with terrible puns and comic-like ballpoint pen doodles

Her arc would have focused on letting herself acknowledge her strengths that aren't related to fighting

Shes very buddy-buddy with petty criminals and shop owners alike, able to strike up a conversation and make pals no matter who they are. Once she deems you chill, you can chill, yknow? This isn't on purpose.

Even though she has gross taste in food and is messier than Zug, her handwriting is very pretty and neat. She also is very good at graffiti and sticks to an aesthetic, with glitter and y2k stickers and denim-clad wizards on skateboards, all the works

She has a very straightforward view on heroics and is not big on plans, preferring to punch her way out of situations or annoy her enemies to tears. In fact, her main goal is to become an official part of one of the many PEACE-brand hero leagues.

There's other hero corporations too but PEACE is the number one in America

So one day she just showed up on White Hat's doorstep and never left because it would 'look good on her resume'.

Previously, she bounced from place to place, relying on connections and the occasional tip from her halfway-illegal heroism efforts to get by. She also doesn't remember where her powers are from, only that her parents worked at PEACE and where killed by 'villains' when she was a little girl

Her favourite place is the funfair because that's the last nice memory she had

By season two she would have started another arc where she learns that she was an experiment and her parents were killed by their own higher ups in PEACE to silence them, and she has to come to terms with why she even wants to be a hero as well as stand her ground when her optimism is challenged.

Lumencia's music is like whatever Equestria Girls and Electric Mayhem have going on. I think the genre is power pop? Either way it sounds like those elaborate 80s radical van murals look

Is an effortless liar in the sense that she says the most batshit things with utmost confidence and treats consequences like an afterthought.

Only calls White Hat 'White Hat' and not 'boss' when she feels the situation calls for it. Also unfortunately hopelessly devoted to him by the end of the series

624

An extra set of hands that cleans the place and helps out with their little business. Does not like being interuppted when listening to music

Goes from 'fucking hate these guys' to 'they give me food therefore they are mine' in the span of the entire series

Quite lazy, plays the winning side. Which is usually the heroes here

Dunno if I'd call his arc an arc. All I know is there's an episode where his spoilt teenager-ismd hits their peak and Zug and Lumencia have to reach an understanding with him by respecting his boundaries and helping him feel secure

And after that episode, 624 stopped being a total catalyst for disaster plotwise

White Hat

He is one of the comic reliefs and manages White Hat Incorporated, often making really stupid decisions because profit is not on his mind

The final voice I settled on for him was fucking Australian Markiplier

His "growth" would be the characters and readers seeing him to actually be a caring, experienced-in-heroics-but-not-business individual who gives really sound advice and becomes a source of comfort for his close friends

But is still a MEGA-PRICK. Every time he gets beat up it's for a valid reason

In canon, villainy triumphs because Black Hat is there. In the Valiant AU, the story is in the heroes' favour because White Hat is in his place.

I wanted him to be (mostly) opposite to Black Hat in many ways! BH's office is huge, minimalistic, corporate and cold, while WH's office is small, maximalistic, filled with sentimental items and like a warm cabin.

BH basks in hellfire and while WH does use fire, he prefers the ocean. BH enjoys golf, WH enjoys dancing. BH takes himself seriously, WH very much doesn't. BH detests everything, WH has an appreciation for everything. And etc...

They're still horrible creepy eldritch monstrosities, the fish theme for WH is just because he likes ocean shit and fish are scary

BH has made himself known globally and universally, he has statues and monuments and paintings

WH has nothing; White Hat is five years old. This is his first time being White Hat

But he's been around since the beginning of time, taking many forms and names, learning the wonders of the universe and giving all of his time to help however he could

He believed this to be natural, he's the one of a kind who doesn't need rest or food. He can't die or get really hurt, and would later learn he couldn't bear to love either

Some of the things he was included many plants and animals before the humans, then farmers and warriors, witches and politicians, an entertainer vigilante, a writer, a parent, a fur-clad warrior in the snow, guiding forces of nature, and a female pirate.

I wanted him to cycle through the entire alignment chart in terms of morality as he exhausted everything he could do to make a difference

After World War 2 on earth, his psyche gave out and he collapsed into a long, long nap; a shadow pooling in a lake, his favourite

Finally woke up and decided to take his own form not based on any species or star or tree, chose his own outfit and everything

And made his debut as White Hat, forged documents to start a small business for heroes support

He doesn't have an arc, but if he did, he would be in the midst of learning to let himself get attached again and be properly selfish. Maybe identity issues.

But he doesn't have an arc

And so really only serves to help out Zug and Lumencia. He's comfortable with no one knowing these things about him ever, because what would they even do if they did?

Wouldn't change anything, they wouldn't understand the full scope even, so he's at peace with himself right now, grateful that he's alive for once

He uses manipulation to direct conversations away from himself and get people to spill their feelings, or burrow into their trauma without using magic

if he wants he can let loose to trigger some kind of indescribable primal instinct within a person, that cripples them with terror and despair and love for the sublime face of something divine, bigger than the observable universe. He doesn't like doing this.

He's a fan of ice and shadow manipulation, he thinks the colours go well with his coat

Most animals hate him and he cries about it

He also cries when he tries to download an app on a laptop

He is a competent medical doctor, babysitter, and waiter. In fact, he seems to have infinite patience and calm when he isn't whining over dessert like a toddler

The human skeleton hanging in his office is real

Hopelessly attached to Lumencia, Zug and 624 by the end of the series but they don't need to know that

This AU will forever make me warm and fuzzy inside I love them so much, I had so many locations planned, started Pinterest boards and shit

Instead I think I'll take some of these things and apply them to my OCs instead! HUGE thanks to everyone who enjoyed this version of this AU while it lasted! Maybe it'll come back one day, maybe not. Likely not

[ask-lab-rats]

A little explanation-

Lab Rats is a human au where Cobs has created 14 specimen as test subjects. Basically a "created in a lab" au. Some have powers relating to their objects, while some of them don't. Unlike Cobs and his family, the subjects have object names such as OJ, Taco, etc.

TW overall for: swearing, torture, abuse, experiments, and general hospital stuff (Ex: needles)

You can ask these characters at the moment:

OJ - 001

Taco - 002

Paper - 003

Pickle - 004

Bow - 005

Marshmallow - 007

Bomb - 008

Paintbrush - 009

Salt - 010

Lightbulb - 011

Pepper - 012

Balloon - 013

Nickel - 014

Knife - 015

Baseball - 016

More will be added as the story progresses. [Powers]

You can ask them anything! Just no inappropriate asks because most the characters are around 11 years old :)

And for funsies, I'll tell you Cobs family aka his bio children.

His oldest and only daughter, Apple Cobs - 20 yrs. Shes in college.

Middle child and oldest son, Gabe Cobs (3Gs) - 18 yrs. Just joined the military.

And the youngest, twins Michael and Shawn Cobs (mephone4 + 4s) - 11 yrs.

You can ask them stuff too if you want. But they're kinda busy.

You can also ask the doctors/staff (and others)

Dr. Parker (Cabby)

Dr. Spoon (Silver Spoon)

Dr. Berry (Blueberry)

Tessa Thomas (Testtube)

Finley Harrison (Fan)

Carmen Spoon (Candle)

Asks are open!

For the askers

You guys are just normal people on the internet reading about these unfortunate children. You don't really have any special powers. You can still try if u want but it probably won't end how u want.

Be nice and be patient plz I promise I will get to everything

Fanart is always welcome!

Now about me, the creator!

I go by she/her go check out my main acc @dicediceking

@dicedice69 , @babygirls-alt-acc and @ask-ii-bfdi-shipkiddos are also me. I don't post on the 1st one, the 2nds my reblog acc, and the last is my other ask blog

There will only be ships with the older characters that I plan on adding later.

I apologize if some are out of character. I'm only human. I will also add in a few headcanons.

You can ask me any question u want too (but nothing inappropriate, I'm a minor ok)

CreatorNotes are when I'm ooc. Any post without tags will also be ooc

Inspirations

[aoxizu]

i have another 2.1 character dynamic post in the recesses of my brain but i need to get this out first

star rail's 2.1 update main plotline leans a lot more into existentialism and absurdism than i thought it would which is a really nice surprise

like i thought before 2.0 that at most it was just going to be some "oh no capitalism bad ipc bad cults also bad" thing but honestly what we got is so much more interesting. the spoilers start now

also massive disclaimer i am not a philosophist and actually i really don't like philosophy because it makes my brain hurt and i would much rather just look at logical nice things like math and plants so. if i get anything wrong please correct me

acheron's past and how she became an emanator of nihility reminds me somewhat of the absurdist theme of how people always look for meaning when there isn't any, until they finally realize that the universe is meaningless

and the entire path of nihility basically is a road towards that realization that people tread on, and the difference between the real world and star rail is that in the real world here we have people who will see that and then go write a book about a guy not crying at his mother's funeral, whereas in star rail it seems that just accepting that the universe is meaningless turns you into a pathstrider or even emanator of the nihility (not sure if i remember the details, correct me if i'm wrong)

and then aventurine's whole motivation is trying to understand why the universe is so cruel to him, and to find meaning when you have everything except freedom, both of which are absurdist themes

the leap of faith argument often attributed to søren kierkegaard claims that even though there is no rational logic for believing in god, you should do it anyway because the alternatives are madness, suicide, and ignorance. this was one solution to the problem of confronting the universe's meaninglessness: choosing to believe in a higher being regardless

later world wars i and ii both contributed heavily to the rise of absurdism as people returned from the war, having seen so many others die around them, and then just going back to a normal society with none of what they as individual soldiers had contributed seemingly doing anything. and then it happened again, but on a much greater scale with even more deaths. both wars and the destruction they brought led many people to start questioning why a supposedly moral god could allow this suffering, and this is where camus comes in and says that actually religion and nationalism both aren't good solutions, and instead we should just accept meaninglessness and keep living despite the absurdity

and i think dr ratio's scroll thing kind of relates to that

he tells aventurine to open it when he's about to die, or when he's completely out of answers for the question of how to confront absurdity

and dr ratio's answer for aventurine is to just tell him to keep living, good luck

which is. yeah

it's the argument that there are more answers to nihilism than just 1) going insane, 2) pretending like it doesn't exist, and 3) dying

it's the bold claim that despite everything, you can still choose to live

sure nothing makes sense but that does not detract from your life. it doesn't need to make sense at all

and with the understanding that things do not need to fit our human definition of meaning, we can continue on knowing our true place in the universe

and with that aventurine walks into the very big black hole like look at that thing you cannot tell me there is no symbolism there

let's go back to acheron.

in the part where you get a snippet of acheron's conversation with some guy just before this cutscene, the other party states that "[IX] leave[s] woven strands of fate for humans to walk, and together THEY weave a great shadow...And this shadow silently envelops them."

which to me sounds like a statement on how people across time and space have again and again come to the same question, what is the meaning of life?

and acheron's whole color thing seems to mean that she is one of the few who, after walking so far on the path of nihility, somehow have not died yet, be it from madness or something else

like it seems implied that many many more have seen the meaninglessness of the universe and have not reacted as well as acheron has

ok i have more to say about the elation and how it in turn relates to the nihility but that will have to come later but there is. a lot of interesting things there to explore

once again disclaimer: I Am Not A Philosophist And Do Not Know What The Correct Definitions Of These Words I'm Throwing Around Are. thank you for coming to my ted talk that was more of a longwinded ramble

[ppndos]

Why Papyrus is even in Undertale

And no, I'm not saying that he's not important. In fact, he's one of the most important plot devices. But why Papyrus ?

List of stuff Papyrus did for the plot :

Helped Frisk befriend Undyne

Gathered everyone in the Pacifist ending

Worldbuilding (phonecalls)

Characters' personalisation (phonecalls)

Told Frisk to go to the True Lab (phonecalls)

Basically the reason we were able to get the Pacifist ending

Quite a lot, but it all could be easily done by the others.

Befriending Undyne? Alphys. Being manipulated by Flowey? Monster kid. Info dumping on the phone? Sans.

Even among the main characters he seems a bit off.

Toriel is the caretaker of the ruins and former queen. Sans is the royal judge. Undyne is the capitan of the royal guard. Alphys is the royal scientist. Mettaton is the biggest star of the underground. Asgore is the king. Asriel (flowey) is the prince.

And Papyrus is… just some guy.

He could easily be a secondary character like Napstablook. Especially considering his lack of backstory, no character development and a skippable battle in which you can't even die.

But instead he has the biggest amount of words in the game, huge impact on the characters in all of the endings, very detaled hangout/date and a PERSONAL Q&A (also the entire Underale Q&A was centered around him).

What about Deltarune

Papyrus didn't show up in DR yet, but I can feel with my GUTS that he'll be important.

We all know that DR was in Toby's brain even before Undertale, and also we know that Bonetrousle was meant for DR.

Based on some theories about ch3, we can assume that the characters from UT actually might play some big roles in DR.

So… you can tell what I'm trying to say here, right? What if the reason why Papyrus is so important in the game AND in a lot of additional stuff is because he's going to play some role in DR and even have a character arc or be shown from unusual side.

And this “busy” is hunting me 24/7. Too suspicious.

[one-idea]

Master list

This is more for me so I have a record of all my Aus in one place but incase anyone is interested.

Dream Dream Masterlist

A devil fruit user with the ability to steal a persons dreams/ambitions steals Luffy’s dream to become the pirate king. This leaves a despondent Luffy who doesn’t believe in his or any of his crews dreams (their dreams have become part of his) the crew is left to get his dream back.

(Big family feels for all of the Strawhats and some Zolu)

Reverse Strawhats Masterlist

In a parallel universe where Ace meets Whitebeard early and much like Luffy and Shanks makes a promise (to one day surpass Whitebeard) when he sets out to sea he meets with Kuina, Nojiko, Kaya, Reiju, and many others. They go on the strawhat journey (with some twist and turns)

One day (maybe in the Wano fight maybe not) a devil fruit activates sending Luffy and the strawhats to this world. Allowing for Luffy and Ace to reunite, but also Robin and Olivia (her mom) Chopper and Dr. Hiriluk, Law and Rosinante and many more.

Official Fic

Zoro’s arc Masterlist

I really wanted a Zoro arc. Where his old sensei contacts him about needing Wado Ichimonji (to defeat an enemy that can only be cut by one of the 21 great grade blades) Zoro has to return but he hates leaving the crew. He tells Luffy (there’s no way he’s leaving without an explanation) and Luffy is not letting him go alone.

There are many twist including old memories and new knowledge (maybe Kuina’s death wasn’t an accident)

Big Zoro feels, his relationship with the crew and some Zolu (cause I can)

(Pleant of Zoro and crew feels but mainly Zolu)

Nika cult Masterlist

A Nika worshiping cult wants to bring Nika back to the world, to do this they have to kill Luffy. They almost succeed, Nika takes over to keep Luffy alive. Now it’s up to the crew to find away to save Luffy. But it’s so weird to travel with Nika. Who knows them, because Luffy loves his crew, but Nika is not Luffy. So it’s like hanging out with your loved ones friend you never met.

Big focus on the crews love for Luffy. (All the crew including Jinbei) big focus on Sanji (whole cake guilt) Robin (she adores her captain and crew) and Zolu

Wado’s POV Masterlist

A retelling of One Piece from Wado Ichimonji’s point of view

Her pride in her dumb son Zoro, her adoration of their captain and king, her love of the crew, and her absolute annoyance with Sandai Kitsune. (Also the relationships with Yubashiri, Shusui, and Enma)

Sun god and king of hell / madoka magica fusion

If you’ve watched Madoka Magica you know. But Luffy loses himself to Nika. Maybe to save the crew of maybe the whole fleet, but Luffy’s no longer in control. Zoro truly becomes the king of hell and uses his power as Asura to block Nika’s influence over Luffy, allowing Luffy to be Luffy. But every now and then Nika tries to break free.

Please just watch the end of madoka magica revolution

Part 1

An actually plot?

Who remembers and why Ace is a problem

Roger and Rouge live and raise Ace/Sabo/Luffy

Roger doesn’t die for his illness and lives with rouge and Ace. Shanks finds Luffy and adopts him, but leaves him in the east blue. Roger comes to meet Luffy and takes him a and Sabo (who Luffy befriended) with him

Part 1: main concept

Shanks raises ASL brother Masterlist

This involves a lot of rearranging of cannon events. But basically Shanks realizes that Luffy is living alone and promises him the next time he comes to Dawn island he’ll take Luffy with him. Crap finds out and take Luffy to Dadan, where he meets Ace and Sabo. Shanks returns just in time to stop the Bluejam pirates from separating the ASL brothers. He spends some time getting to know the other two boys and decides to take them with him.

Skyward Sword/Zelda au

Luffy remembers his past Life and Nika while separated from the crew. The crew is trying to find him while slowly remembering their own past lives. They are only finding bits and pieces but one memory stands out. The death of Nika at the hands of Asura.

The whole story follows the idea of Skyward sword. That Luffy is Nika reincarnated and needs to finish the job Nika set out to do before he past. Other people (the red hair pirates or the revolutionary’s) are helping him remember his past life while stoping the Strawhats from interfering.

The main idea

Who is guiding Luffy/who is taunting the crew

The Strawhats past lives and feelings

The Spade’s save Ace Masterlist

Masked Deuce, Mihar, and Skull the officers of the Soade pirates chase after Ace when he leaves the Moby. They catch up just in time to pull him out of his fight with Blackbeard. Hurray Ace is safe, but they have a new problem. Blackbeard is going after Luffy.

One shot ideas/asks

DnD Ace/Sabo character sheet

Acedeuce: cooking

Part 2 the cookie saga begins

Cookie saga 1, 2, 3, 4, 5, 6, 7, 8, 9

Zolu: a devil fruit that forces you to obey orders hits Zoro and the resulting angst from our boys

Part 2

Fem Ace runs into Sabo pre-cannon leading to some fun assumptions by the Whitebeard crew.

Art of Fem Ace by @vulnonapix1234

More Fem Ace

More are of Fem Ace by @vulnonapix1234

Jail break au: the strawhats head straight for Ace after Thriller Bark

Will Sandai Kitsune break

[world-in-a-nook]

Prediction : the tragedy of Amorpheus

Welcome one and all to my theory crafting around the next HSR planet !

For this, we will use Black Swan's lines about Amphoreus and try to analyse and probably theorize on what Amphoreus' story will be about.

I hope that you pardon my english, it isn't my first language.

I- The story of the planet II-The three paths

I- The story of the planet

A- The state of the planet

First of all, we have all the flags abount an antiquity inspired planet : the name of the achievement, the planet's name and so on.

We also know that the planet is only accessible through "the light from the mirror of the Garden of Recollection" and that Akivilli never reached Amphoreus.

So here is my theory : we are going to use the Graden of Recollection's miror to go back in time to when Amphoreus existed/was in better shape.

The keywords from Black Swan are "reached" and that it "only" possible through the Garden of Recollection. We know that the Garden's task is to gather memories to make sure that the universe is remembered after the Destruction. We also know that their members can "freely traverse between worlds, unconstrained by physical limits." (Data bank ; Factions)

We have seen that with Black Swan and the dreamscape : she can freely go from the dreamscape to reality. So that means that they aren't affected by space. But what if they aren't affected by Time either ? Then, only people unaffected by time from the Garden of Recollection could access Amphoreus, and such Akivilli would have never reached Amphoreus.

This would also explain why the Astral Express would never need fuel after that : it would make it a timeless machine, that goes beyond time and space, a paradox. In a more darker turn of events, it could also be the planet's destruction that fuels the Astral Express.

B- The plot

Since the planet must be either destroyed or in a very catastrophic way. I would imagine the story based on the tragedy : the Astral Express will tell the people of Amphoreus that their planet is destroyed, everyone will try so that it doesn't happen but everything has already happened and it will end up destroyed. This mixed in with a "Fall of Rome" kind of context.

Why am I thinking so ?

First, Rome is known for its political history being a mess.

Rome and Ancient Greece are known for their tragedies. Those have usually prophecies that are trying to be escaped but ended up happening anyway. And by the Astral Express coming from the future, they would be the ideal prophetic role.

The japanese name for Amphoreus is Omphalos. And Delphi's was known to be the center of the world, according to the greeks. Delphi is well known for its oracles.

"Eternal Land" isn't used to be literal. Black Swan is a Memokeeper and as such believes that all "world will eventually perish, but they can live on in another way — through Remembrance." (Databank ; factions). And such, Black Swan would be basically using some dramatic irony (mostly used in tragedies) to mock Amphoreus' people. It is how we view Rome's Fall : there were the signs that Rome would fall, yet nobody could stop it.

The planet's destruction would be a political crisis from the three paths (a word of them ahead) with a stellaron at play. My theory would be that one of the paths would want to exploit the stellaron for power linked with the hybris theme (the theme that men always try to be as powerful as gods but end up punished). We could also link it to Cesar's deification signaled by a comet.

Post Scriptum : If the Astral Express aren't the one announcing the planet's destruction, we could have an apparition of the Omen Vanguards, Terminus' followers (since they "They are dedicated to drawing prophecies from Terminus's obscure words.").

II- The three paths

"Human behavior flows from three main sources : desire, emotion and knowledge" - Plato

Erudition - Mourning Actors- Enigmata

Erudition :

For the fact that Ancient Greece had an immense impact on today's intellectual (look at Dr.Ratio's design).

The Genius Society, Nous' followers, are already known to be quite prideful so it would made sense for the hybris theme.

We don't know Nous' creation and ascension to aeonhood. So we could have Nous' followers in that point in time.

"Knowledge comes at the price of suffering." (Fu Xian voiceline Chat : Third Eye) and so, following my idea, it would be the knowledge that the planet will end up destroyed/dead that makes the Trailblazer and the Astral Express suffer.

We need another path for the trailblazer

Mourning Actors :

Their performances are akin to greek tragedies

Like Nous, we do not know when Aha arose to aeonhood.

Despite doing greek tragedies, their philosophy is closer to Pascal's (“Distraction is the only thing that consoles us for miseries and yet it is itself the greatest of our miseries.” ; replace Distraction with Elation and you have it.). And Pascal also has some quotes about truth. I wouldn't be surprise if we see Mourning Actors get inspiration in Amorpheus.

Enigmata :

Purely out of opposition to Erudition, first and formost.

The romans were well-known to copy the greeks (even in their mythology) yet hate them. So Enigmata being opposite to Nous would fit the bill but also Rome could be replaces with Enigmata : taking history and changing it.

There is the sentence of erasing someone from History known in ancient history and it would fit the Enigmata pretty well.

Enigmata has been hinted through Gallagher in Penacony and Hoyo doesn't show us something just for the sack of it.

Enigmata could be seen as an easy antagonist for the arc. (And if we follow my idea, Nous' followers would be the one creating their demise)

Side note : Beauty is a path that I have seen mentioned in theories and could be (since Aeneas, the founder of Rome, is seen as the son of Aphrodite, goddess of love ). Though I have to say that it wouldn't fit with the idea of "balance" because it doesn't have a counterpoint.

Thank you for reading my messy theory ! Have a wonderful day/night ! (It is 2AM when I finish writing this).

[heartsforkento]

my jjk x kpop dr!!

i hope you all will give fucks about this post umm soo let's go

i haven't shifted here YET but once i will 🙏

soo i have the hidden inventory arc characters here + choso (pookie) + sukuna (still pookie ig?)

we're called PARA (i thought of that in two seconds) because it comes from the word 'paranormal' and our concept is themed around paranormal and absurdity and shit like that 🔥 so think dreamcatcher or redvelvet. idk what to call our fans but we'll figure it out soon.

we debuted in 2013 and we're almost like bts/nct/svt type popularity. and we work like xg, like we're japan-based but promote in south korea.

our genres are rnb, psychedelic rock and pop and city pop. so that's like tame impala, pink floyd and various rap and city pop artists. sometimes we do nct/aespa style music as well.

like i mentioned before, we have a weird concept and that changes all the time. we debuted like loona but instead of solo songs, we debuted with group songs, like the vocal team, rap team and dance team. our debut song is "the 7th sense" from nct !

we used to be in some company later bought by hybe. and the jjk manga exists, but it's kinda like how enhypen has dark moon? i'm gonna script our manga is delivered slightly better than it is here and no one fucking dies. and that it wins multiple awards asw hehe.

i forgot to mention we're a 9 member group, 3 people each for vocals, rap and dance. and we're a co-ed group: 6 boys and 3 girls. the girls have our own sub-unit as well.

we kinda have lore? we have made some songs for our manga but our discography isn't entirely based on that.

and here are our positions: (this isn't in age order btw, idk about our ages i'm gonna let the universe decide that)

sukuna. leader and main rapper. he gives off leader vibes and he's totally the main rapper like i don't think any other position fits him 🙏

gojo. main dancer, visual and face of the group. i kinda see him as an all rounder but mainly focused on dancing

geto. lead/main vocal and visual. also plays the guitar, but only for some of our songs because we're a group not a band

nanami. main vocal. he is main vocal coded idc. i was stuck between choosing the rapper position for him or the vocal and i went with vocal. oh also he's my husband just putting that out there

shoko. she's main pookie. also the lead dancer. i was going to give her vocal but then i remember she smokes a lot so ... which is perfectly fine ofc

choso. lead rapper. there is no arguing against this 😡 my pookie will rap like a pro, fight me on this. also he could be the face of the group asw no harm

haibara. he's also main pookie. (😁) and he's lead vocal btww. and maknae *yayyy*

utahime. she's a dancer. confirmed by me. (she gives off yuna vibes)

me. lead rapper. also an all rounder and face of the group. i'm also good at vocals so maybe like a sub-vocalist, like i'm not part of the vocal team but my notes always hit 😘 i'm also uhh very well known for both singing and rap and i'm also the it girl and i think that's enough 🙏 (you can almost tell i shifted to this reality)

we have sasaeng fans and they aren't all that harmful, they're just there ... sometimes annoying but not too much

our fandom is kinda like carats/atiny/nctzens but backed with the streaming power of blinks and armies (ooh we won). also scripted we have a lot of chinese fans (they are so powerful)

as for scandals, i haven't scripted anything i'll give that also to the universe (nothing too serious tho)

and ofc i scripted i have the mental capacity to deal with scandals like i'm such a baddie 💔

and ofc we win a lot of awards and go on talk shows and shit 😍

ooh and i scripted a variety show but like it's a reality tv show, pretty cool and we call it paranormal, once again took two seconds to think of that lmao

in that we basically run around doing shit and try not to kill each other (me vs. everyone except nanami, hai and choso they're too cool to be trying to kill me)

oh and fancalls, i'm scripting our fans are funny so fancalls will definitely be an experience and hopefully not like those vernon fancalls (poor guy)

oooh i almost forgot. i scripted that we start w a survival show and from there all 9 of us gets selected (can't wait to see all my emotional edits)

ooh and also it's like 2012-ish soo all the guys will 100% have the justin beiber ahh hairstyle

examples below: (thank you seventeen)

(these pictures are us predebut core 😍😍😍)

kento alr had that side bangs hairstyle i just wanna see the other guys also looking like justin beiber sooo .... (except geto he'll have long hair like jeonghan)

wait imagine a paranormal x going seventeen episode where geto and jeonghan battle each other with their long hair

anywayyy

that's all i have scripted (i think)

this was so unorganized but thank you for reading ❤️❤️❤️

lmk if there's anything else you guys wanna know

also nanami will definitely dance to newjeans songs watch out ‼️

[watercolor-hearts]

For the fanfic thing. I need some Charlos so could you talk about Good Effects please?

Oh my God, of course I can talk about it for you. I wanted to talk about it in the ‘Trick or treat!’ game but I wasn't sure about whether you liked Charlos so I went with Carlando. But let's now dive into this universe and the story of this fanart I drew around April 2024. ❤

So a little background story for those who don’t know what Good Effects is about: It’s a Charlos kink discovery story that was inspired by the vo2 max video Carlos posted around the beginning of the season, and it focuses on cardiophilia (heartbeat kink).

In Good Effects Charles realizes that he might be into Carlos’ heart because he likes the idea of making it faster and then listening to it calm down, and things like that. You can read the whole story by clicking on the title below the drawinh. In this post I’ll talk about the second chapter/story I planned but didn’t end up writing because things changed – I’m gonna talk about the reason at the end.)

In the second chapter/story, they buy a stethoscope and start discovering it, how to use it, what the auscultation points are, and things like that. (I have a few scene ideas and some sentences written, I’m gonna put them here after I write down the main things about it.) They listen to each other’s hearts and after a while, Charles starts wondering how breathing might sound and asks Carlos if he could listen to his, and Carlos obviously says yes and asks whether he should turn around so Charles can reach his back easier, but Charles says no and tells him to come closer and basically hug him. (Imagine a position like in the drawing.) And then he tells Carlos to take deep breaths and listens to his breathing for a while. It was a long day for Carlos so he’s a bit tired and starts to drift off, so Charles tells him they can stop but Carlos says it’s okay, Charles can keep listening if he wants to. So Charles does, and basically hears as Carlos falls asleep because his breathing changes, and in the end he thinks about how amazing and intimate this is, being able to hear Carlos’s heart and breathing and basically all his internal workings.

The scene ideas I have for this second chapter/story:

At the beginning when they open the box of the stethoscope and Charles puts the stethoscope into his ears, Carlos touches the diaphragm and Charles gets startled by it because the diaphragm is so sensitive every little touch on it is really loud. *insert Barcelona moment when Carlos almost gave Charles a heart attack when slapping the table*

Another moment is after this when Carlos asks if he should take off his t-shirt and he adds Dr Leclerc at the end of the sentence to kinda test the waters and see whether Charles wants to go into a role-play direction. I have a few sentences of this written:

“Shall I take my t-shirt off, Dr Leclerc?” Carlos asks with a cheeky smile on his face, already preparing to free his body from the white t-shirt he’s wearing.

Charles’ face immediately turns red at the role-play-like wording Carlos uses. “Don’t call me that,” he tells Carlos as he glances at him and then back at the instrument in his own hands, trying to find out how to start. “Yes, please take off your shirt,” he says, hoping it’ll give him enough time to get himself together.

“If you don’t want to be a doctor, you can be a nurse or a medic, too, anything’s good for me,” Carlos says while he tosses his t-shirt to the other end of the bed so it won’t be in the way. “I want you to feel comfortable.”

Carlos’ gentle touch on Charles’ hand warms Charles’ heart. He’s always so nice and gentle. 

“Can I simply just be… your boyfriend?” he asks shily, not really sure about how to do this whole thing. 

The scene that explains the title (Hummingbird) is when Carlos starts listening to Charles’ heart when they first try the stethoscope and Charles asks how's it and Carlos says it’s like a hummingbird. (Because it’s really fast, or at least faster than Carlos expected it to be.) 

Also, Carlos has done some research after buying the stethoscope so he could “impress” Charles. (“Did you know hummingbirds have the fastest heart rate in the world?” etc. etc. (Not true but let’s ignore it, I need it to be true because of the title. It came before I researched the topic. 😂)) He tried to memorize the auscultation points and stuff like that and watched a few videos for med students on YouTube, and it really surprises Charles because he didn’t expect Carlos to deep dive into the topic, he thought it’d be more fun to just dive right in when the stethoscope arrives and find everything out together. He’s the experimental type and Carlos is the one that likes to do some research and prepare. But in the end, they discover everything together because it doesn’t have to be textbook perfect, the only thing that matters is to enjoy it. 😊

And the reason why I couldn’t write this second chapter/story is that as I opened up about cardiophilia here and started paying attention to the drivers this way, too, I realized that there are drivers who show more signs of possibly being a cardiophile so I couldn’t see Charles as one anymore, it just didn’t work.

(Because let’s be honest, from a cardiophile’s point of view it’s way more enjoyable to write cardiophilia-related stories about someone who talks about their heart and touches their chest a lot compared to writing the same type of stories about someone who doesn’t do any of these things.)

And also, the vibes around Charlos are not the same as they used to be so I can’t really write about them anymore, which is really sad because they used to be my favorite pairing. So yeah, a disappointing end to something that one day meant everything to me. Because yeah, this was my first cardiophile story where I wanted to show how it works and why it’s nice and stuff like that. But luckily things aren’t that sad, I have other drivers/pairings and universes where I talk about these things. And I still have Good Effects, this drawing, and these scene ideas. ❤

Thank you for asking about it and giving me the chance to talk about it. I wanted to show this drawing earlier but I hoped I could write the story and post it there because it would’ve been weird to just post it here without a story that explains what’s going on. But now it’s here with this explanation, which is not as good as a story would’ve been but at least now I don’t have to keep it in anymore. ❤ (Because even though I couldn't write it, it still means a lot to me and I still wanted to talk about it.)

[niuttuc]

What are your opinions on the Commander bans?

(Putting this out of the blue, this will be about the fast mana. Nadu also got banned, but Nadu doesn't really matter here. It's good that he's gone, though it doesn't make a ton of difference considering people already identified him as a broken card and pushed it away. Also this post became long but there's a TL;DR at the end if you want.

And for context if someone somehow missed the announcement this week: Mana Crypt, Jeweled Lotus and Dockside Extortionist were just banned in Commander. A bunch of controversy has ensued.)

Alright, tackling this can of worms. It will be a long one. Well, I have very positive thoughts about the bannings themselves, they can only be positive for the gameplay end, my only slight bad feeling personally is that I've traded my mana crypt (I wasn't playing with it) to someone I know three or four months back and I feel bad for them, but they found a home for it in a cube, so it stays being played.

I have generally believed fast mana makes for worse games, and I have for years removed my Sol Rings from my decks, didn't play my mana crypt even after I opened it, and never tried to even obtain a dockside even when I knew it could be a great card in several of my decks. I am plenty surprised at the announcement that seemed to come out of the blue after so long of no changes, especially since these cards have been issues in the way the ban announcement describes for years at this point. But at some point the band-aid needs to be ripped off. I also understand why Sol Ring isn't banned, even if I believe the format's gameplay would be better if it didn't exist in it. There are more factors at play here, and most people, particularly casual people, would want to keep it in their decks than have it banned, and that's more important. I'll just keep not putting it in mine.

I've seen some people claim that it would negatively impact cEDH metagame. Now, I do not play cEDH so feel free to disregard my opinion on this if you do and think I'm completely off-base. But my understanding of cEDH is NOT that it's a healthy metagame or an actually good competitive environment. The rules of the format are designed to make commander awful to compete in. And the banlist has, from its inception, explicitly not been aimed at regulating a balanced competitive format. This is also why, in my mind, the idea of splitting cEDH and Commander into separate banlists and formats is a nonstarter. As I'll get to later, there are already separations like that, the only thing that'd change is that there would be a new niche format, and actual competitive commander using Commander's rules would keep on, because using Commander's rules is the point of it.

cEDH comes from the will to take the rules as they are, NOT meant for this, and see what happens when you push them to the extreme. cEDH's meta as far as I can tell is basically just a bunch of flavors of combo decks pitted against each other, with a handful of hyper-targeted combo-killers in the meta too. This is reminiscent of combo winter, widely regarded as one of the least healthy metagames of all time, but stretched to years and years.

There are certainly people that will appeal to, since it's not actually about a healthy metagame and more about tiny optimizations and ultra-tight piloting and navigating a pod. But this also means a banning doesn't change the fundamental nature of all this, nor should it take it into account. If someone wanted an actual singleton competitive experience designed for a more healthy and balanced metagame, they could look at Duel Commander, now officially supported on MTGO and that walks back many of the uncompetitive rules changes of Commander to allow it, or even Highlander formats of all kinds, designed for the ground up for a diverse and balanced but powerful competitive experience.

Now, with that aside, the main complaints I've seen about the bannings have overwhelmingly been along the lines of "I lost money so this decision sucks", either outright or behind a thin veil. While it does suck that people lost money, the monetary value of a card cannot shield it from banning if it's egregious. The next argument, then is that there should have been more of a warning that the RC was looking at those cards and considering banning them. But for how long? And for what purpose? Relatively few actually read what the RC writes, particularly when there are no changes, and thus far it hadn't resulted in actual changes in years. And if the warning was stronger, what would be the result? People in the know selling their cards in advance to people who aren't so they aren't the ones left holding the bag? That just pushes the problem away to different people. If the price goes down by half, it doesn't matter if it's over the course of three months or two days, someone is "losing" that money somewhere.

And yes, a banning cut the price of those cards in a bunch, but so do reprintings. If the cards were reprinted regularly, and not at mythic in masters sets, they'd not climb this high to have so much to lose. If they were a positive on the format, reprints would even be welcome by all, allowing more people into the format. WotC is the one handling that end of things, and they see more profit in starving players than in overflooding a market.

I've also occasionally seen the argument that "they shouldn't have banned Jeweled Lotus because Jeweled Lotus was made for Commander and only works in Commander and now there's nothing to do with it (meme Legacy deck aside.)" It is true that Jeweled Lotus is now essentially a blank piece of cardboard. But if it is such an issue in the ONE FORMAT IT WAS MADE FOR, then that isn't a reason to just ignore it and carry on. That's a reason that WotC shouldn't have made the card in the first place, yes, since the result is the same except a lot of players got burned. It's not like Jeweled Lotus being an issue was a surprise, there was plenty of commentary on that end when it was revealed, and the most optimistic ones on the impact on the format were along the lines of "I don't know how this could make the format better, but maybe it doesn't make it worse."

With all of that, I must add and condemn people who used this as a pretext to attack individuals, most prominently members of the Rules Committee and Commander Advisory Group (the latter of which had no idea this was coming), or more generally people trying to support the ban, and probably some directed at people protesting it too, though I've seen less in the way of very public examples of the latter. Emotions runs hot, the knee-jerk reaction to change is already negative and it's even worse if you feel like you've lost money, but that's no excuse for the kinds of insults, threats and other name-calling that has occurred in startling amounts over the past week. Only a tiny percentage got there, but any amount is too much.

I believe that the negative reactions (the regular ones, not the actively harmful ones), as loud as they are, only represent a small portion of the overall community. The people discussing Magic: The Gathering on the internet are, overall, a small fraction of the playerbase, and tend to be way more into the game than the average player. As such, they're also way more likely to have obtained some of these expensive cards that were banned, and therefore to feel affected by these bans, both monetarily and by needing to remove the cards from their decks. To further that, negative comments are much more likely to get posted (and to linger days later, and keep being posted), than positive ones, or people that don't care enough to post their thoughts to begin with. So even if you see a lot of negativity on this ban in places, I believe it to be the product of a loud minority.

I've also seen people arguing that since Commander is a casual format, it doesn't need a banlist at all and they'll just ignore this one. That's true! If it works for you, that's great, that's the format working as intended! But many people don't have the luxury to curate a personal experience with a specific group, or don't have the time and knowledge to do so. For those, the official banlist provides a good base, and now that base states that stuff that makes a ton of mana early is usually makes for worse games.

TL;DR:

I like the bans on a gameplay perspective, the announcement was out of the blue but the band-aid needed to be ripped off, cEDH will be fine because that's what it was made for, sorry if you lost money on this, but it shouldn't be more important than the health of the entire format, the people shouting loudly are likely a minority, and the people attacking others over it a small minority within that one, but don't be a part of that select group. A banlist is good and one that actually tries to fix things instead of claiming the issues are smaller than they are is also something positive.

[ofstarsandvibranium]

My Sweetheart: Part 2

Fandom: Marvel

Pairing: Bucky Barnes x F!Reader

Summary: You purchase a vintage sweetheart bracelet from an antique store and with it, comes the spirit of the woman who owned it. Through her, you go on an interesting journey to find out what happened to her old lover.

Part 1

It's been two days since you've basically taken a ghost back home with you. Said ghost named Dot who was attached to the sweetheart bracelet you bought. In the few days since discovering her, you've discovered that she can be pretty powerful. She'll open doors, knock things over, stuff to grab your attention. While she does have a lot of energy, communicating with you can take a lot out of her sometimes. Now it's day three and you're at your computer with a pen and paper beside you to see if she can give you the name of this Jamie person.

You watch as the pen moves a bit but doesn't lift. You're sure she's trying her best, but it kind of frustrates you. You want to help Dot so she can move on and so that you can get back to living your regular life, completely alone without your newfound ghost roommate.

Ways to talk to ghosts

You type the words into google and click on the first link you see: ouija board, a spiritual medium, pendulums, rods, voice recorder, or a spirit box.

Out of all the options, you felt like the ouija board would be the best bet to communicate with Dot. So later that day you go to your local Target and purchase a ouija board, because, yes, they do sell those there. The board being considered as a game.

Later that night, after you've had dinner, you sit in your living room. You have the ouiji board set on your coffee table. The lights are off in the room except for a few candles you lit. You place the sweetheart bracelet beside the board, hoping it'll bring as much of Dot's energy as possible. Beside that, is a pad and paper for you to jot notes

You take the planchette, sliding it over to HELLO.

You take a deep breath, "Dot, are you here?"

With your fingers lightly touching the planchette, they slide towards YES on their own.

"Alright. What is your full name?"

You watch at the device slides over each letter to spell out D-O-L-O-R-E-S-M-I-L-L-A-R-D.

"Dolores Millard. Okay. Nice to meet you, Dolores. But I'm assuming you prefer Dot?"

YES, she says as it slides to the upper left of the board.

"Alright, Dot. Who is this Jamie you want me to look for him? Why do you want me to look for him?"

J-A-M-E-S-B-A-R-N-E-S

"James Barnes? Uuuhh, is there anything else you can give me? Does he have a middle name? It'll make things easier to looking him up."

B-U-C-H-A-N-A-N.

"James Buchanan Barnes. Alright. Give me a second," you pull out your phone and type in James Buchanan Barnes as well as 1940s.

You went through a list of men, Dot either telling you YES or NO. Then it hit you, "Wait. Hold on."

You type in BUCKY BARNES to google and tap on a picture captured of him and Sam Wilson, "Is this your Jamie? Is Bucky Barnes your Jamie?"

YES.

"...well shit!"

_______________________________

Bucky didn't expect things to go this way. He didn't think he'd find himself working beside Captain America again. However, he did find it therapeutic in a way. Sure, he still went to therapy, just not with Dr. Raynor anymore, but this was a different kind of therapeutic. This was him doing good, to make up for all the bad he's done as the Winter Soldier.

The newly renovated Avengers Compound in upstate New York was where Bucky stayed a majority of his time. He still had his place in Brooklyn when he needed to get away from Sam and the newbies, but, for the most part, this was where he can be found.

"Uh, hey, Mister Barnes?"

Bucky looks away from the tv to see Kamala looking at him confused, "What is it, kid?" He asks the young Avenger.

"So there's this lady in the main lobby asking for you. She said it's important?"

"Define important."

Kamala shrugs, "I don't know. Something about a bracelet and a lady named Dot."

Bucky's brows raise in interest, "Dot?"

"FRIDAY?"

"Yes, Bucky?"

"Bring up the CCTV footage of the lobby?"

"Got it," a holoscreen appears and you're seen sitting in a waiting area. Your leg is bouncing, your fingers are tapping on your lap.

"Is she someone you know?" Kamala asks.

Bucky shakes his head, "Nope, but she's mentioned someone that from my past. So I guess I'm gonna talk to her."

Kamala excitedly asks, "Need backup?!"

He chuckles at her eagerness. Even after working with Carol and Monica, Kamala is always wanting to jump in to help, "I think I'll be okay. You can watch the live footage if you want, just in case."

"OKAY!" Kamala plops herself onto the couch where Bucky previously sat and watched the holoscreen eagerly.

It takes a few minutes for Bucky to get to the lobby. The new Avengers Compound is much bigger now after Thanos destroyed the first one.

His brows furrow as he thinks about Dot. It's been literal decades since he's seen her. He knows she's long passed away after looking her and several other of his loved ones up on the internet. She ended up marrying another guy, had a few kids, and a few grandkids. She died about a decade ago.

When Bucky entered the lobby, you spotted him immediately. One of the security guards rushed to stop you, but Bucky held his hand up, "It's okay."

He then looks at you, "Do I know you?"

You shake your head, "No, sorry, um...can we go somewhere private?"

It's Bucky's turn to shake his head, "Sorry. Since I don't necessarily if you're a threat or not, this is the best we can do."

"Alright," you sigh and pull up your sleeve to reveal a bracelet, "Does this look familiar to you?"

Bucky looks down at your wrist and gestures, "May I?" You slip it off and place it into his metal hand. He looks at it and suddenly remembers, "Dot. I gave this to her before I was shipped out for the war."

"Right. Okay, so, um...do you believe in ghosts, Mr. Barnes?"

He snorts, "Call me Bucky, and, I mean, I've fought aliens, super soldiers, died and came back a few times now, so, sure, I guess ghosts are real. Why?"

"Soooo it seems that Dot's spirit is still connected to this...realm...? Anyway, she's attached to this bracelet and her spirit asked me to find you. I think, maybe, for some closure?"

"Is Dot here now?" Bucky asks, a bit, weirded out by this whole thing.

You shrug, "I don't know. I can't see her."

"Then how'd you communicate with her?"

"She wrote on my steamed up mirror the first time and then it's been primarily through ouija board."

"Those things actually work?"

"Seems so. Anyway, I'd really appreciate it if you helped me give her spirit closure so I can start living a normal life again, sans my new ghost roommate."

Bucky snorts. You're very interesting. It seems you're also very determined and a little desperate to solve this Dot situation out. Bucky's not busy. Sam's away on his own mission, so that leaves Bucky to some free time.

"Yeah. Sure, I guess I'll help."

"Thank you!" you fist bump the air, "Should we start now?"

"What exactly should we do first?"

You slip off your tote bag that you've been carrying and pull out the ouija board you've been using, "We can make contact with Dot?"

"You're...efficient," you shrug and Bucky chuckles, "Yeah. Sure. Okay. Um, we need to get you clearance first so, uh, come with me." You follow him to the desk and watch as he discusses your clearance badge to one of the security. You never thought buying a pretty vintage bracelet from an antique store would lead you to meeting an Avenger.

[unidrm]

INTRO TO MY ACC

Àngel 2005 shifter 17+ only

🧌 hi everyone, my name is ángel , I’m lowkey kinda of new to tumblr (lurking on loa & shifting posts) but I genuinely want to start posting on here to share my thoughts and my drs! I have instagram and TikTok @unidrm where i post about my main drs and other cool stuff.

I’ve learned about shifting around Dec 2020 and ever since I have learned a lot throughout my journey, I mini shifted once but it was only for second ish so there’s not much I can say, all I know is I’m not giving up! 🦭

I plan to post about my drs later on and hopefully shifting storytimes when I shift!

little basic about me:

Born February 9th (Aquarius)

I like the color blue if u couldn’t tell already..

mexican american

I honestly listen to all kinds of music fr fr no judgement

> MAIN DR LIST

..Unfortunately that’s all of the drs I’m planning to shift too I know boring but..i hope you all will still love to hear about my drs as much as I love them!

DNI: under -17 🙅‍♂️ anti shifters & closed minded ppl nah

[jq37]

Seeing you describe your opinion on Wish (the movie itself) as "def do have oh boy" just has me curious now. What is it?

OK, so I let this sit in my inbox for a while because I planned to see Wish and I figured that it would be more fair to wait until I had a full picture of what the movie was before I started talking about it and...yeahhhhhhh having seen it my opinion has not changed. It's just intensified. 

MAJOR SPOILERS BELOW (lol, this got past 7k words)

And, fair warning, it's pretty critical so if you don't want to read something critical about this movie then this is your exit.

tl;dr: I think the movie Wish fails at basically everything it sets out to do and it's an absolutely awful 100th Anniversary movie for Disney. 

When I say it fails at everything, I mean EVERYTHING*. I'm going to break this into sections for organizational purposes. 

*The one thing I'll give it a slight pass on is the art style which I don't love but also wasn't like make or break for me. I would have preferred true 2D or a better implementation of the blended 2D/3D style, but if the movie was otherwise of the quality of something like Spiderverse or Puss in Boots, the animation wouldn't have bothered me. Like, I watched S1 of The Dragon Prince with no problem. I can forgive janky animation--and it wasn't even super janky. Just odd. What I can't forgive is literally everything else about the movie. 

Characters

How is this movie so full of characters and yet devoid of characters that matter? There are a million characters in this movie and basically only two of them matter: The King and Asha. But neither of them are compelling in any meaningful way.

There's a lot of to do about the last batch of Disney protags being very same-y in a quirky, all fluff and no substance way and I don't really buy into that. I don't think that Raps, Anna, Moana, and Mirabel are palate swapped carbon copies of each other. They have unique backgrounds and struggles and motivations. I feel like they're all quirky, sure. But they all also have an identity BEYOND being quirky. 

I do NOT get that with Asha. I don't feel like I have a good idea of what makes her tick at all. Like, she's kind. She wants her grandpa to get his wish. She wants to be the King's apprentice so she can help people. The queen (we'll get to her) exposits to us that she cares about people. But being kind isn't in itself an entire personality. The way Mulan is kind (defying the law to spare her father the ravages of war in his old age) isn't the same way as the way Cinderella is kind (making clothes for her mouse friends and protecting them from the cat). Asha just has a generalized want to help people, which is an admirable trait, but doesn't give us much to latch onto. It's so telling to me that in a movie called "Wish" our main character's wish is just, "To have more than just this" And yes, Disney princesses wanting "more" is literally their whole thing, but it's always more specific than that. Mirabel wants to prove herself to her family. Rapunzel wants to experience life beyond her tower. Even Snow White--the Disney princess with the flimsiest story--wants to find her true love. That's a concrete motivation! Asha doesn't feel real to me as a character. It feels like the thing that drives her is that the plot needs to happen and that's it. 

The other important character in the movie is King Magnifico who was supposed to be a return to form for Disney in introducing another classic villain but he just fails at that so hard. The idea that he could stand toe to toe with any of the OGs like Lady Tremaine or Scar or even the latest villains like Dr. Facillier or Mother Gothel is laughable. He just doesn't have any gravitas. And his characterization is so odd. You can tell that they were trying to give him a "reasonable man doing unreasonable things for a good reason” backstory (both because of some images in the film and some stuff in interviews I read) but then they just...don't actually give the backstory? Like, they imply that the backstory exists but I don't remember them going into it at all. Which like, he doesn't NEED a tragic backstory. He can just be doing what he's doing because he's evil. Ursula didn't need a reason to want to rule the seas. She's just a boss bitch and she wants power. I don't need to dissect that any further. BUT if you tell me there’s a reason your villain is doing something, I need to see that reason. I don't understand why they would include that in the movie, just to do nothing with it. 

Beyond that, he's written in such a weird way. Like, despite the "maybe he has a point" angle they seem to want to go with, he's very obviously a self-absorbed ruler--like he'll say things like, "Yeah, I am super handsome" to his wife--which immediately dumps him into the camp villain category. But he's doing the controlling things he does in the movie of his own accord to get people to stick to the status quo he set up. Fine. That's a fine thing for a camp villain to be doing. But then, at a certain point in the movie, he just uses a forbidden magic evil book (which he has for some reason) that just fills him with evil, green magic and makes him 100% unhinged all of a sudden. And that's just...boring? Like, anything interesting you might have been able to do before that point about power and control and how sometimes you make a wrong choice with good intentions is just gone at that point. It sucks because there were a lot of right answers here. You could just make him evil because he's evil. That works. You could have him be seriously convinced that what he's doing is right and be willing to do whatever he needs to do to keep things that way. That works. You could say that he started out trying to be morally upright and then slid into enjoying the praise and control just a bit too much--and I think maybe that's what they were going for. But it does not come across that way. He just seems like a dick to the point where you're kinda questioning how he's pulling any of this off. Asha asks him one question and he flies off the handle. How does everyone not know he's an asshole if it takes so little to fluster him?

So I don't like our main hero or villain. But there are still SO MANY CHARACTERS in this movie. 

You've got Asha's SEVEN FRIENDS. Yes, SEVEN. they're based off of the seven dwarves, which is cute enough but do you know what happens when you give the hero seven sidekick characters? None of them get developed at all and you have to treat them like a unit. Only two of them matter at all--Dahlia (her best friend and the one who actually does more than just make dumb jokes or, worse, nothing at all) and Simon (the one who betrays them--more on that later). There is no story reason for them to have shoved in this many sidekicks. Especially since she also has…

Her animal sidekick, Valentino. Who is a very cute goat until he gets sprinkled with stardust and boom. He can talk. Which immediately made me like him less. Flounder he aint. The whole joke with him is that he's a baby goat with a rich, deep, baritone voice. That's it. Almost every joke he makes is either about that or his butt. Boo. 

Then, there's the Queen--Queen Amaya--who is such a NOTHING character. There's no effort made to build up her relationship with the king so that her flipping on him later has an emotional impact. I have no idea what she cares about or desires. When she shows up, she's basically acting like the king's secretary, which is weird. I don't think that's what a queen does. There's a moment during a later song when she joins the "revolution" and it just has zero impact because again, it's like, I don't know who you are in any significant way! She seems nice, and I would love to live somewhere ruled by someone boring and benign, but that makes for an awful movie character. 

I almost wrote "lastly, there's the star" because I totally forgot about Asha's mom and grandpa. They're in this movie too but even though Asha's whole motivation at the start of the movie is getting her grandpa's wish granted, we never get a good idea of what their relationship is. They have like, one quick scene at the top which tells us nothing, then they're in a crowd scene later, then Asha has dinner with them later the same day and that's it. And, again, we get nothing significant. Compared to something like Mulan where you have a good idea of what Mulan's relationship is with every member of her family by the time the military order comes in or Encanto where between the musical number at the top and the first group scene, you get an entire picture, this is really weak. Again, so weak that I completely forgot that they were even in this movie. 

And NOW lastly, there's the star. Who is like, cute enough but he really makes me annoyed because I've seen the original concepts and they would have been so much more interesting! That's the case for the queen too, so I'll talk about both of them together here. 

I am sorry to inform you if you didn't already know but the queen was originally supposed to be evil too.

She was supposed to be a part of an evil power couple with Magnifico and how dope would that have been? We've never gotten that from Disney before. Imagine! Disney Villain Song Duet! A Hot couples costume for next Halloween! An actual relationship that's developed in this movie! But nope. They unflavor-blasted her into the paper thin, placeholder of a character we have in the movie. 

And the Star went through a couple of concepts. One, was the spirit of her dead grandpa, taking a younger form, which isn't my fave one but it at least would give her a relationship with this person who is supposedly an important person in her life, something we don't have in the movie right now. My favorite alternate concept is that originally, the Star was supposed to be her celestial love interest. And listen, anyone who's followed me for long enough knows that I am a big advocate for platonic relationships and FRONTING platonic relationships. I don't think that a story needs a romantic relationship to be compelling and I think forcing one in almost always makes it worse. But there is NO central relationship in this movie to carry it. Asha has too many friends for any one of them to make a serious impact so it's not a friendship story. Her mom and grandpa are nothing characters, so it's not a family story. She interacts with the star a lot, but that's basically just her talking to herself because the start doesn’t talk. So nothing is really there to latch onto. If they'd decided to go with the romance angle, it would have forced them to focus on at least ONE relationship and it would have been a nice way to throwback to classic Disney movies from the past. Much better than just sticking her with SEVEN WHOLE USELESS FRIENDS. Literally, all they provide is backup vocals in the fight song. Special Dishonorable Mention to Gabo. Man I hate that dude. 

So, to recap this section, Asha's personality is only sketched out in the loosest possible way, King Magnifico is entirely half-baked, and there are so many side characters that no one can form meaningful relationships with each other. And it's really a shame because (1) they very easily could have pared down the cast and (2) very recently Disney put out Encanto which handles a large cast beautifully. There are a ton of Madrigals but I can tell you what the deal of each and every one is. This could have been done well and they fumbled so hard. 

Concept

OK, so next up is the general plot and concept. This story takes place in the city of Rosas which is ruled by King Magnifco. It is supposedly a paradise, but much like a YA dystopian novel, it has a twist: When you turn 18, Magnifico takes your wish away from you and puts in in his wish room with the promise that it might be granted at one of the monthly wish granting ceremonies. Once your wish is taken from you, you are "unburdened" and you're "free" from having to pursue it. You don't even remember what it was. 

There's a kernel of something interesting there. A ruler making his subjects docile, placid zombies that won't challenge him by taking away their ambition? That's interesting. People willingly giving away a part of their heart to dull the pain of trying and failing? Interesting. Someone doing this with no ill intent, but rather genuinely thinking that this half-existence is better than the heartbreak of the alternative? Interesting!

But the actual implementation of this idea? Ughhhhhh. 

So first off, just logistically, Magnifico grants one wish a month more or less (Asha says once a month and in his villain song, he said he granted 14 wishes "last year"). So like, realistically, most of these people have to know their wishes will never be granted, right? Because of like...how math works? Asha acts like it's a big shock when she learns that most wishes won't be granted but like girl...math. 

Secondly, there are two moments that are meant to imply that having your wish taken away turns you into a shell of yourself. Asha's friend (who betrays her) Simon is said to be all sleepy and more boring since he turned 18 and had his wish taken. And then, later in the movie, we see two new residents have their wishes taken, and they look a little disturbed after it happens. But, here's the thing. NO ONE ELSE IN THE MOVIE ACTS LIKE THAT. Asha's mom and grandpa act like normal people. So do all the other characters. It’s not consistent enough to establish that this is what’s on the line. Does taking your wish away make you a robot or not?

And does everyone just have one wish? I know I could fill a full sheet of paper, front and back, with things that matter very dearly to me. If you took away my wish to write for TV someday, that would still leave my wishes to travel the world and get a comic book adaptation of one of my novels and a whole lot of other things! Does taking your main wish away make you lose your ability to form new wishes? Logistically, how does any of this work? And you can't just say, "It's a metaphor. Don't think too hard about it," because there's a scene where the citizens start asking these questions. Like, "What happens if we have a new wish than from when we initially made it?" As if having unnamed side characters ask the questions first will alleviate the need to answer them. It's not lamp shading at that point. You're just being lazy. 

Also, this is more a me thinking about the implications too hard than an actual plot problem but if he's taking the wishes at 18 I feel like a lot of peoples' greatest desire at that stage in their life is, "I want a romantic partner." And if the central conceit of this premise is that once your wish is taken, you stop wanting to pursue it then the city of Rosas is gonna have a population Collapse problem very soon. 

The characters--especially Asha--get so emotional about wishes. It's like they're giving a My Little Pony: Friendship is Magic speech every time they talk about it (except MLP has MUCH better writing). It's bizarre to see Asha's mom get her wish back and be like, "Oh my wish. My precious wish!" when she doesn't act any differently than a normal person before or after she has it back (Sidenote: She says this and she's holding the wish ball but we never see what that wish is and that's maddening. Why do I know what the dream of every patron in the Snuggly Duckling is, but they didn't show that? Ridic.) It almost is like, being in contact with a wish ball is a quasi-religious experience that drives the characters’ actions (Asha and the King are both totally enraptured while singing together in the Wish Room), but because we, the audience, are very much not in contact with the wish balls, we're not getting ANY of that. 

Anyway, to recap this section: the central premise of how wishes work and how taking them affects people is not treated consistently or explained well, which makes the stakes feel very undefined and sloppy. 

Pacing

This has to be its own section, because it's the thing that baffled me most when I watched this movie. So, here's the setup. Asha is going to interview for the internship with the king. She wants to help people and she has the secondary motive of wanting to try and get her 100-year-old grandpa's wish granted because he's not getting any younger. 

Here is the entire sequence: Asha is led into the interview by Queen Amaya. Asha is awkward but makes a good enough first impression that Magnifico is moved to show her the wish room (for some reason). They sing a duet about the wishes where they’re both dazzled by the Wish balls. During the song, Asha finds her Grandpa's wish and after the song, she asks him to grant it. He looks at the wish and says while she has good intentions, it's too dangerous to grant--as are most wishes. She asks why not give them back then and he immediately flies off the handle and starts ranting about how HE decides which wishes get granted and what everyone deserves! 

Their first meeting and him showing his true colors happens in the SAME SCENE. It's like 7-10 minutes and they just RUSH through all of that. And it's like, why? Did they really need to get to that dumbass star song (we'll get to that) faster? 

I know that he isn't a twist villain so we don't need to keep the fact that he’s the bad guy under wraps. And, the way the story is structured, she needs to learn what he's doing before she can rebel against him. But it's not gonna be a big, impactful moment if you're rushing from beat to beat like this is an essay that's due in twenty minutes and you started five minutes ago. 

And it really makes you wonder, if Asha can blow the whole lid off this conspiracy within ten minutes of meeting this guy, why is this not happening more often? Between how obviously smarmy the King is, how paltry the wish granting system is, and how easily Asha was able to start asking questions and get him to blow his top (something that happens again later when the citizens start asking question–it literally drives him into his villain song) I don't believe that this wouldn't have happened earlier (Sidenote: Finding out that it HAD happened earlier and that Asha is the latest in a line of failed apprentices who questioned him? More interesting premise). 

So to recap: I have no idea why this movie is paced like this but it's not doing it any favors. 

Humor

Humor is very subjective so you can take this with a huge grain of salt but I think this is a deeply unfunny movie. 

The jokes fall into about three main categories:

(1) Quirky Humor: This is like Asha babbling and tripping over her words. The scene in the trailer where she's like, "Is my face drooping?" is a good example. It's not really a joke but it's clearly an attempt at humor that I don't think meets the mark. It's also in the songs with, for instance, the animals or the King saying slang that doesn't match how they talk or you'd expect them to talk at all and it just feels deeply incongruent, not funny. 

(2) Referential Humor: This is probably what bothered me the most because it was just so so very eye-roll inducing. And listen, I love a good reference. Enchanted is my favorite movie of all time. I don’t begrudge them for putting a few references in their 100th Anniversary movie. But ugh. There is a scene after the king's gone crazy where he's destroying wish bubbles for power and he's like, looking at the wishes and making a quip before he crushes them. And for the second one he goes, "Oh you want a nanny for your kids? Definitely  POPPING this one!" And he might as well have looked at the camera and said, "Get it? Get it?" and it took 6 months off my lifespan. (Sidenote: He he does a direct ref with the first two wish bubbles--Peter Pan and Mary Poppins–and then he just makes a general ref to the concept of true love with the last one and it's like, come on at least rule of threes this if you're gonna do it. Commit to your awful bit!)

(3) Kiddie Humor: This is where things get especially subjective because maybe a little kid would find this stuff really funny and they are a part of the target audience so that's valid. But it doesn't add much substance to the movie. This is like the goat being like, "I found a secret passage with my butt" or leading a chicken choir or singing the line, "So that's where all the balls of gas come from" while sticking his butt in the air--a lot of these have to do with the goat and his butt now that I think about it. 

I think I only laughed at one thing in the movie that was meant to be at least partially funny--when the Queen interrupts the fight song and everyone is like "Oh shit, we're busted!" before she starts singing along. 

So to recap: Sometimes a movie has a weak story but it's super funny and that makes up for it. This is not one of those movies.

Music

This is the one thing I already knew before I watched this movie: The music in this movie is bad. 

Like, fullstop, no qualifications bad. Not bad for a Disney movie. Not bad for this story. Just bad.

I was a little confused by the choice to pick a pop artist instead of someone who specializes in musical theater style music for this project, but a more pop-y musical doesn't automatically mean a worse musical. Sure, maybe it's a weird choice to pay homage to the past 100 years of Disney movies, but it could be good. I love Six the Musical.

But that's the problem. The songs aren't just unfitting. They're not just un-Disney. They're fully BAD. They feel so half-baked and God, I've never been so assaulted by slant rhymes in my life. Like, this bothers me to the point where I have to go through the entire tracklist. I can't just make a blanket statement, I have to show you what I mean:

1) Welcome to Rosas: This whole song sounds like someone listened to “Where you Are” from Moana (the "consider the coconut" song), “Belle” from Beauty and the Beast, and “The Family Madrigal” from Encanto and was like, "I could do that". And then they couldn't. It's not really catchy and it's pretty repetitive. Super forgettable. 

Worst Line: Honestly, this song is too boring to have a worst line. 

2) At All Costs: This is the duet that Asha and Magnifico sing. Before I saw the movie, I thought it was going to be Asha singing about a wish and Magnifico singing to his wife to set up the eventual rift between them but that was before I realized that this movie doesn't believe in relationship building. Some of the movie's worst musical sins are on display here. Turns of phrases that seem like they were written by AI and bizarre syntax. 

Like what does, "You pull me in, like some kind of wind" mean? That's not what wind does. Why would anyone ever say, "Felt this? No, I haven't" instead of "I haven't felt this?" That's so awkward. 

Worst Line: "Leave you here, I don't wanna. I wanna [promise as one does]." My feelings about this line could be a whole other essay, but I've been writing this for 2 hours already so I have to move on. 

3) This Wish: This is the big "I Want" song and it fails on several levels. It fails in comparison to all the songs it’s standing in the shadow of--like the last “I Want” song we got is, I believe, “Waiting on a Miracle” and man! How can you not feel for Mirabel after watching her go through everything she goes through at the start of the movie and it getting topped with her being excluded from the family portrait? You see all the build up (including the implied build up from before the movie started) and you see why it's all bubbled up to the point where she has no choice but to sing about it! With Asha, there isn't a whole lifetime of angst that's bubbling up to make her sing this song. Everything that's happened to her has happened over the hour of like eight hours tops. She meets the king, finds out about the king, realizes the whole system is bad, and then gets into an argument with her family who's drunk the Kool-Aid and doesn't wanna hear what she has to say (which makes no impact on us because we have no idea what their relationship is). That's it. It doesn't feel like the movie has earned the song.

And then with “Waiting for a Miracle” the music itself is plaintive and soaring. Like, I just paused writing to listen to it and I couldn't help but sing along and pour a little of my actual IRL "I Want" energy into it. It's a song that feels very real. “This Wish” isn't any of that. And it's not the actresses' fault! She's pouring her whole heart into it and she consistently does all movie. But the song is just, bland. Like I said, "I want to have more than this" is too weak a hook to hang your whole song on–especially when it’s the song that’s supposed to be the thesis of your whole movie.  

Worst Line: "So I look up at the stars to guide me/And throw caution to every warning sign." That's not a thing people say and also it doesn't mean anything. If anything, it sounds like she's saying that she's being extra cautious at the warning signs! You can't just throw words together haphazardly and expect them to retain their meaning!

4) I'm a Star: This is, imo, the worst song on the whole track. A friend of mine described it as sounding like a song from a preschool science show and that's exactly it, but there's more to it than that. 

First of all, a big part of the reason this song exists is to set up the fact that humans are made of stardust because that's a plot point in the climax. But there didn't need to be a song about that. That would be like if Frozen 2 had a song about how water has memory. But like, OK. If the song was a bop, it wouldn't matter that it was superfluous. Haus of Holbein in Six does NOT need to be there, but I enjoy it! I do NOT enjoy this song however. 

This is something I alluded to earlier, but this soundtrack in general and this song specifically sounds like it's trying to do LMM's schtick but poorly. And I know some people don't like his whole style of music (I personally like it) but love him or hate him, his style without his skill? Awful. The presentation of fun facts in the middle of a fun song makes me think of his "Look it Up" in “Shiny” or "That's true" in “A Winter's Ball”. And there's a part where a turtle (we'll get to the talking animals) sings "See we're all just little nebulae in a nursery/From supernovas now we've grown into our history/We're taking whys right out of mystery, closure/Now we're taking in all the star exposure" And it really sounds like someone doing their best to emulate Lin's flow in things like Mirabel's aside to Mariano in “The Family Madrigal” or any number of songs I could name from Hamilton. But it just falls so flat here. It sounds so preschool and cheesy. And not preschool in a fun way. Backyardigans would never. 

Also, this song is sung by a bunch of talking animals (the Star gives them the ability to talk) and I find them so obnoxious. They say stuff like, "Did we just blow your mind?" with the "boom" sound effect and I hate it. Maybe kids will like them, I dunno. I refuse to get into it further. 

Worst Line: This song completely misuses the word allegory, which I hate, and it rhymes it with "excitatory" which I hate more (and I am saying this as someone who has made peace with the fact that Schwartz rhymes "nasty" with "flabbergasty" in Disenchanted) but there is only one line in this song that can be considered the true worst line because it's my least favorite line in the whole movie. A dumbass, stoner-sounding deer named Bambi (boo) sings, "Ooh, I'm a star! Watch out world, here I are"

They rhyme the word star--not a hard word to rhyme at all--with HERE I ARE. 

I firmly believe someone should go to jail for that. 

5) This is The Thanks I Get?!: This is the much anticipated and extremely disappointing villain song. There's just no gravitas and it's not clever enough to be very fun. It's just kinda bopping along which is eh, kind of fun at best, but like everything else in this movie, doesn't leave an impact. A musical number doesn't have to be obviously sinister like “Be Prepared” or, the holy (unholy?) grail, “Hellfire”, to be impactful. “Mother Knows Best” is bright and filled with false cheer but it still works because we can see the manipulation that Gothel is doing and she spins Raps around in mental circles to keep her docile. This is just an egotistical rant--and not even in a fun, Gaston kind of way! (Sidenote: Gaston is a good example of a villain who is preening and pompous and kind fo campy, but who you see why he’s beloved AND he can be menacing when the scene calls for it). 

Also, it's so full of weird slang that Magnifico doesn't use at any other point in the movie. "Peep the name", "Ungrateful much", "Mmm, are you sure you're not the prob?" It's like he suddenly got possessed by Urban Dictionary. It's bizarre. 

It also comes weirdly late in the movie, which isn't a complaint, just an observation. 

Worst Line: I think "peep the name" is my least fave but, because I already said that, the opening lines of this song are, "I can't help it if mirrors love my face. It's genetics! Yeah, I got these genes from outer space" and that's such a weird thing to say. I got these genes from outer space? He wasn't even there for the star song so what the hell does he mean by that?

6) Knowing What I Know Now: I feel like this is the song that had the most potential. But for all its build, it never builds to anything. It starts and ends so abruptly (which is the case for multiple songs on this list). We don't really get to know any of the characters well except for Asha so them joining the revolution has no impact. The Queen turning on Magnifico really doesn't have much impact. 

(There's a line in this song where a character sings, "I was sweet but now I'm something else" which is so funny because we literally know nothing about her except that she surprises people when she's in a room which, lmao, me too. Fully forgot you were in this movie, girl). 

Worst Line: "The good in him, I've watched it melt". There's technically nothing wrong with this line but I hate it because melting with regard to emotion is never, "Oh, his goodness is melting". It just hits the ear so wrong. You can watch the good in him disappear or fade or vanish. Not melt. Hearts melt. 

There's also a reprise and a credits song but I have talked about the music for too long as is so to sum up, there is not a single song on this list that I will ever purposefully listen to for enjoyment ever again and there are a few lines that I feel calls for someone being forced to go to whatever the musical version of the Hague is to explain themselves. 

MISC

This is just a section for things that annoyed me that didn't fit anywhere else. 

There's a moment where Asha sees Star which is a star that has fallen to earth and is shaped like a star and she's not able to put together than he's a star until she looks up at a ball of yarn that's tangled in the trees and sees that the yarn is shaped like a star...which again, Star is ALSO shaped like a star! Baffling. 

Gabo at one point makes a comment to the effect of, "Wishing on a Star? Grow up Asha, this isn't a fairy tale." And it's like, dude shut up. Your king is a sorcerer. This movie isn't funny enough to pull off that kind of wink to the audience. 

The actual funniest part of the movie is when a talking mouse (not a thing that usually exists in this world) runs onto the Queen's shoulder during a big speech in front of a crowd and not only does no one notice, but she has no stronger reaction than if a messenger was telling her that her dinner was ready. And not in an underreaction for the purposes of a joke way. Like, in a they forgot to write in a reaction for her way. It's so unintentionally hilarious. 

They specifically set this in the real world–off the coast of the Iberan Peninsula–but I didn’t get any of that influence in any significant way here. It could have been any generic island town. Rosas sounds like a Spanish name and “Welcome to Rosas” there is some dancing that looks like traditional Spanish dancing. But on a whole, it feels pretty bland. When I think about studying abroad in Spain, one of the big things I think about are all the moments with food–patatas con bravas, pan con tomatae, paella, and so so much coffee. The only food I remember from this movie are the novelty cookies Dahlia is always baking. Which is wild to me because their last big musical was Encanto and you could feel the cultural influences in every scene and it was seamless. This wouldn’t even bother me if that hadn’t made a point to set it in a specific part of the real world and call it out. 

A lot of the dialogue is super expository in a way that both makes me think the writers think we’re stupid and that they realized at certain points that they forgot to establish things but instead of fixing the script they just shoved in a line. Like, to the first point, there’s a part where Magnifico crushes a wish and it’s very clear that he’s getting a high from it. But instead of letting the moment stand he’s like, “Oh yes. Who knew crushing wishes would feel so good? I must continue to crush wishes so I keep feeling this good feeling,” and it’s like…why did you need to say all of that? Old Power Rangers episodes have their villains monologue less than that!

This movie opens on a storybook–just like Snow White–and it has a voice over of Asha narrating the history of Rosas as the pages flip. Not a bad idea–until you push into the scene and realize she’s telling all of this to…her grandpa? Who is 100 years old and lived through all of this? What? Why not have that scene be a kid flashback and the story is being told to her? Or have her be doing the little kid thing of telling a story to an adult? Either way, that would help establish their relationship which is ostensibly very important to this movie. Or, wild thought, just have her be telling this story to kids! Like Mirabel explaining all the Madrigal gifts in Encanto! Like, if you’re gonna take cues from that movie, at least go all the way so your movie makes sense. 

It’s very unclear how Star’s magic works. It seems like he mostly just gives wildlife the ability to talk. I thought he was just granting wishes but he never does that to any of the humans. And I find it hard to believe that the wish of every animal (and mushroom)  in this movie is just to be able to talk.

Easy Fixes

And all of this is compounded by the fact that this isn’t just any random movie or even any random Disney movie. It’s the *100th ANNIVERSARY*. You only get one of those and this is what they wasted it on. My hopes were really high here! I was expecting a lot of love and care to be put into this one, but it just fell absolutely flat. It feels so rote, so by the numbers, so lacking in care. It feels like the shell of an outline of a movie that relies on the fact that we know what a movie of this sort should be and can fill in the blanks. 

And the worst part? The absolute worst part?

IT WOULD HAVE BEEN A REALLY EASY MOVIE TO FIX. 

Like, I’m serious. If you watch this movie, you will be able to, off the cuff, name tons of things that would have solved problems without breaking a sweat. 

For instance, just cutting her friend group down from seven to two would have helped immensely. If she, Dahlia, and Simon have a Three Musketeers relationship, then when he betrays her to the king, it actually means something now! 

For a bigger but still obvious change, why not have Asha have an existing relationship with Magnifico? So then this story can be about her losing faith in this relationship she’s had for a long time after she’s seen behind the curtain and become jaded over time and not a 7 minute “Don’t Meet Your Heroes” speedrun.

And making it clear what taking a Wish from a person means–and following through with that portrayal all movie–would all be a game changer. Show that Magnifico’s magical wish granting still leaves the people hollow. Show that Asha is a vibrant, bright person amongst a sea of robotic adults. Show me some worldbuilding! 

Also, just hire a musical theater person to do the music. Seriously I can’t believe I have to say this? How is there not a single good song in this movie? There are DCOMs with more bangers than this. Almost every song in High School Musical is a bop. How are you getting outshone by High School Musical?

And these are just changes that preserve the bulk of the story as is. This movie could have been even better if they’d change the direction to go with some of their scrapped ideas!

This is just a movie that absolutely baffles me. I wouldn’t think it would be possible for a movie with this high of a profile to be this bad. You would think that even accidentally they’d have to get SOMETHING right. But they really don’t. I can’t recommend this movie, even for a fun-bad watch. It’s like eating unsalted saltines while you have dry mouth. Just watch a better movie. And here are three movies I think are more in the spirit of Disney’s 100th anniversary than Wish:

(1) The Princess and the Frog does literally everything that this movie is trying to do but better. You’ve got a movie that used a 2D style in the 3D era. You have integration of cultural elements–in this case New Orleans in the 20s. You have a classic princess story with the classic trappings: romance, villain, fairy godmother. You have a rocking villain song. Hell, you even have a wishing star motif! 

(2) Encanto is the latest Disney movie of the modern era to have that classic Disney magic, imo. It sidesteps a lot of the classic Disney tropes–no princess, no serious romance (Delores and Mariano end up together but it’s very much a side thing), no villain beyond generational trauma–but it still feels musical and magical and full of character and life. It shows that you can keep the big emotions that we expect from Disney even with more modern sensibilities. 

(3) Enchanted is my favorite movie of all time so I’m biased, but I still firmly believe that it stands as a better movie in general and tribute to Disney specifically than Wish. THIS is how you do an homage. The whole plot is a loving roast of all the quirks of classic Disney movies, but it’s also a sincere story that stands on its own. It has references to old movies, but they’re integrated very naturally. And it’s funny enough to get away with things like a character mid-musical number being like, “What the hell is happening? Why is everybody singing?” without it feeling like lazy, “Well that just happened” humor. And the music is so good! 

(A quick note on the music btw: Most of the songs in Enchanted are musical theater style songs but there’s one song near the end called “So Close” which is like a pop ballad. And it totally makes sense why they’d depart from the musical theater style in that moment in context but, even if it was jarring and totally unfitting for the movie, it’s still objectively a strong song. Out of context, it would be a great, sad, romantic song. And if the music in Wish was all like that–good but unfitting–this would confuse me less than it does.)

Anyway, I would shell out a LOT of money for a making of documentary for this movie in the style of the Frozen 2 one because as writer and a fan of a lot of Disney’s past stuff, it is completely beyond my comprehension who a team of accomplished people get together to create the 100th Anniversary project with their vast resources and produce this. It just doesn't feel like a movie with any serious care put into it. Which is separate from quality, btw. I don’t like the movie Raya very much but I think it’s obvious a lot of care went into it and I respect this. Wish feels like a movie that was made to fill some kind of contractual obligation and it makes me sad because I really wanted to like it. 

[kamari333]

O great UTMV lore expert, would you mind explaining the differences between the korean farmtale and the meme farmtale? I find it hard to understand what aspects belong to which AU and would greatly appreciate the help

Oh! 0/////0 Well, I do like being helpful! I do not specialize in Farmtale lore, nor have I gotten around to compiling my thesis on it. I do not have any proper citations on hand, nor can I definitively say what came first.

but I can give you some basics!

Because I dont have any backdates to offer at this time, I'll tell you about "Farmtale" in the order I became aware of it.

That starts with the Japanese Translation.

During the earlier fandom, when the game was being translated, it came out that Sans used the pronoun "oira". (I do not know if this was a fan-spread rumor, a beta concept, or if it made it into the final game -- all I can be sure of is that "sans uses oira" got traction)

In Japanese, to my understanding, "Oira" is a pronoun that has a lot of rustic connotation. To my understanding, it is used (at least in popular culture) by the japanese equivalent of "country folk", being part of a sort of "country accent". (There is a specific demographic/region it is popularly associated with, but I cannot be confident in naming it at this time: i dont want to give you wrong information)

So when it came out that "sans uses oira", a LOT of memes and fanwork came out of Sans in a straw hat, in various kinds of farming clothes.

This started in the eastern side of the fandom and then found its way to the western side of the fandom, where the aesthetic shifted towards the more american-localized "southern rustic".

To start, this kind of AU was aesthetic in nature, and didnt have a concrete singular creator or agreed upon lore. That being said, it was very common at least at one time for the story to be "Post Pacifist", where the skelebros just became farmers after coming to the surface.

That is the "memetic" "Farmtale" and "Oira Sans". It is an aesthetic AU based around the loose idea of the skelebros settling into a rustic lifestyle, with no real solid design other than Sans wearing a straw hat.

This is very different from GuinongTale.

GuinongTale (known as "farmtale" in the english speaking fandom) is a Korean-made AU. It is a surface-AU (meaning the monsters were never underground to begin with). The story takes place in a rural korean farming town, where the main undertale cast reside (including, but not necessarily limited to, Sans, Papyrus, and Undyne).

The characters all have distinct redesigns, as well as Korean-Localized Names.

Sans is called Saejun. On top of the seemingly universal straw hat iconography, he wears flower-print pants and rubber-palmed farming gloves. His gaster blaster is just a cow's head. Instead of bones, he summons little farming tools (a specific kind used often on korean farms, which has a specific name i cannot recall). He also has one-strap sandals instead of slippers.

Papyrus is called Pilsu. He wears a floral-print neck-scarf and overalls with one patch on the left leg. He has been depicted carrying a rake.

Undyne (her korean name is unknown to me, but i know she has one because they all do) has been depicted with a sweater hanging off her shoulders and dog tags around her neck.

The themes of GuinongTale, to my knowledge, center around Nature vs Modernization. I have been told that the "pacifist" route is where the farming community is preserved through Frisk's actions, and the "genocide" route is where the community is driven off their land by the encroaching urbanism/gentrification. However, I have to clarify that I dont at this time understand Korean, so this is secondary information rather than direct knowledge I have gleaned from the source material.

TL;DR:

In the english-speaking fandom, content tagged as Farmtale is usually a rustic-aesthetic post-pacifist AU which is believed to have been inspired by memes from the japanese Oira Sans era. Western creators will often bring their own flair or spin to the worldbuilding, making it a highly variable AU.

However, the Korean Farmtale GuinongTale (which in the english side of fandom is ALSO tagged "Farmtale") also exists separate from that, with a distinct aesthetic and lore all its own, which has its own unique charm deserving of distinction.

Like I said before, Farmtale isnt quite my area of expertise. I unfortunately dont have much concrete data or backdates. I do hope this little bit of info is helpful! (and if i got anything wrong, i am always excited to learn new fun facts)