#can you see why I stopped writing it?

[wing-ed-thing]

LMAAOOOOO I'M DYING

so i have this doc called "bits and pieces" and when i cut parts of my fics, I put it all there. It's an old document and I just opened it again

and i literally have half a page of a fic that wasn't really going anywhere and it's just neji judging you for buying too much corn

please enjoy the work entitled "Neji corn?"

Neji Corn?

It was busier than you thought it would be. Neji waited on the other side of the bustling road as you gingerly made your approach. People milled around the street, leisurely browsing market stalls. A guitar strummed over speakers in the background as people sampled cheese and slow-roasted meats. You grinned over at Neji, holding up a paper bag full of corn. You weaved your way through the crowd to proudly present your produce, letting it drop into his open palm. 

“How much corn did you buy?” Neji pinched the bag between his fingers, surprised by the weight of it. You laughed as he brought the paper to face level, giving it a shake as you whisked him off back into the street. 

“Just three.” You shrugged, weaving your arm around his. “I was thinking we could have them for dinner tonight.” Neji studied the bag skeptically.

“They’re heavy.” 

“It’s a lot of corn.”

[coquelicoq]

what i like especially about the pronouns in the goblin emperor is that this language doesn't just have the T-V distinction (aka informal vs. formal second-person pronouns, in this case 'thou' vs. 'you'), it also has informal and formal first-person pronouns. having BOTH of these distinctions in the same language lets you fine-tune your tone by mixing and matching. with only one axis of formality, when you use informal pronouns, are you being familiar in an intimate way, or in an insolent or dismissive way? when you use formal pronouns, are you being polite or standoffish? you can't tell just from the pronouns; there's ambiguity. but a language where you can use a formal first-person pronoun in the same sentence as an informal second-person pronoun allows you to distance yourself (via the formal first) while also being familiar (via the informal second), thereby achieving the conversational tenor known to linguists as Fuck Thee Specifically.

[eikichi-supremacy]

If nothing else Koenma is a Kuwabara stan and I'm right there with him o7 (I need to write the kuwameshi fic that goes with this fr)

[neproxrezi]

someone else could write it better than me but i love how the fucked up nasty shit you can make harry do/say/be in disco elysium isn't just like, random stuff caused simply by the player having free will and control over him but they're parts of who he is and who he has been

you're not a tabula rasa. you're a sudden shock of blank pages in a big, aged, damaged book and sometimes the paper you're trying to write a better man on is torn and you see something through the gaps nobody needed to see ever again. and it's just there now again, back to the surface

[himbohimhoe]

Holding out hope that the writing in veilguard will get more bearable but rook saying to lucanis that it's "not nice that Spite hurt him" and he "shouldn't accept that it’s fine bc it wouldn't be ok if a person did that" like. That is a demon. Built off a single emotion called SPITE. Rook I am finding it really hard to believe that u have lived in thedas for more than 30 seconds.

[otaku553]

My brother recently got into Demon Slayer so I wanted to make a kny oc for him since I did it before with both me and my sister and never got around to my brother :)

But I started by refreshing my own design because wow?? It’s been 4 years since I first made my kny insert character and a lot of things are now outdated! Not to mention my art has improved a lot, I hope. More details under the cut!

Meet Ebisu Koharu: youngest of the Ebisu family and physically the weakest. They only barely passed Final Selection by hiding for the entire week and surviving off tips from their older siblings. Nonetheless, they still want to contribute, which is why they hold onto a thick, leather bound book that records every demon they’ve ever met in precise detail, with labeled diagrams and scribbled calculations in the margins of different strengths and weaknesses.

After spending a few years on the job, and properly seeing their data contribute to the successes of other demon slayers, they’ve come a bit more into their own as a competent researcher and fighter, though they still do tend to request paired missions with friends and family to act more as a support role rather than a fighter.

The Ebisu family is one of scholars. The eldest daughter Kaoru is a doctor, and the eldest son Shougen is a chemist. By nature, fighting is not necessarily their strong suit, which is why their family breathing style and techniques are all poison-assisted. Of the three, Koharu is the weakest and most averse to combat— they wield a short half-length blade, with more of a smooth ceremonial hilt and sheath than any practical weapon.

[lightningidle]

Fig's line "I don't think I'm an artist, I think I'm just a good friend" has not left my head at all. Just...

You're Fig Faeth and your horns came in over the summer and you pick up the bard class as a form of adolescent rock 'n' roll rebellion, and it works! It's exactly the outlet you need! You give a guy you just met drumsticks and you start a band and it's good enough that within a year and a half you're touring. You are, in every sense, good at being a bard.

And then, finally, your junior year, you start to take it seriously. Your art goes from an outlet and a form of rebellion to a practice. A discipline. (Can rebellion exist within a discipline?) Your classmates know what they want to do with their work. They all have a thesis statement. And yeah, there's cohesion in the music you make, but you've never had to think about why you make it. You've never sat down and dissected what it is about bass that speaks to you. You've never poured over your lyrics to pick at any deeper meaning. Why should you? You don't play music for a grand design, you do it to... huh, why do you do it?

(Your art is the one form of self-expression that feels as safe as Disguise Self does, because even if you're pouring your heart onto the page and then screaming it in front of thousands of people, it's not like you're really making yourself known. You can sing I'm lonely, I'm scared, I'm furious, and your fans will sing it right back, and there will still be the distance between performer and audience to keep your heart safe.)

Now you're being asked to look inward to explain the artistic choices you're making, and you can't help but recoil at that, because you'd rather do anything than look inward. Meanwhile, your classmates have no problem with it, so you start to wonder if you're a real artist at all. Can your art be authentic if it only exists to bolster a thesis statement? Has your art been unauthentic this whole time because you've never really thought about a thesis statement before? Is that what makes it art, and not just the next track on somebody's teen angst playlist?

You can't think about yourself— acknowledging your own existence makes you want to puke. So if your music is an extension of yourself, (and it is, even if it's just because the spotlight reveals only what you want it to,) you can't think about your music. You can't. You have to. Your grade depends on it.

You're Fig Faeth, and you keep multiclassing because you'd rather be a good friend than a great artist. If introspection is what great art demands, then fuck it. You must not be a bard at all.

[nuclearanomaly]

Bookshop AU - The All Saint's Party Incident: Outfits

[therentyoupay]

im completely feral over all your jelsa stories!!!!!! do you ever write established relationship jelsa or have any headcanons about what they would be like together in a serious relationship or marriage????

THANK YOU SO MUCH. 😭😭😭😭😭😭💕💕💕💕🙏 thank you thank you nonny for this super sweet ask and this really lovely question and all of your love and support!! 💕💕💕💕💕

i have... never actually written established!relationship (in any fandom), now that i'm thinking about it? that said, i guess i can come up with a quick list of some headcanons, maybe? 😂 i will have to think about this more, but for now, here's a quick drop:

elsa is an early riser; elsa helps jack create more sustainable sleeping patterns and habit formations 😂

when jack gets Impetuous Urges to Do Something Rash and Impractically Spontaneous, elsa will ground jack, reminding him to think before acting. (he occasionally Still Does It, anyway.) elsa knows what she signed up for, lol.

jack loves to play Harmless(!) Pranks, just to watch elsa’s reaction. (he is no longer allowed to sneak up on her after The Incident).

they also quibble over the definition of "harmless" and the specific logistical implications of that; for a while, jack was banned from further pranking, but then he got more creative at showing elsa that pranks could be wholesome and genuine, in which they could both be in on the joke. however, due to elsa's deeply-rooted Need to Excel and her (Not-so)Secret Competitive AF Streak, her retaliation in escalating the Cleverness Prank War quickly resulted in jack's prompt implementation of the Prank-Free Zones and Time Periods. (no, he was not scared.)

elsa, usually reserved, has learned to let her playful side show more often with jack. she might still pretend to be exasperated by his antics, but sometimes it's part of the game (or habit).

elsa sill struggles with opening up emotionally sometimes, but she progressively feels safe enough to share her innermost thoughts and fears. with time, she confides in him more about her worries. she still never likes the idea that jack sees her Imperfect Parts, but at least she can tolerate the discomfort (and, yes, take comfort in it) now

(jack loves elsa's Imperfect Parts, and jack admits that he is Weirdly Proud and Competitively Honored to be one of the only people, even including anna, who gets to see them. he also is strangely Comforted and Validated that elsa is, in fact, not perfect because for a while there, he was pretty freaked out and intimidated by how fancy she is.)

until he realized that no one ever let her actually be a Weirdo before, and once he realizes the Truth of Elsa Also Being a Secret (albeit perhaps more Subdued) Weirdo, the Universe Aligns.

jack listens to elsa's Big Conversations intently, activating varying levels of Serious Mode.

jack is getting better at recognizing the moments when elsa needs him to play and needs him to listen or Give His Opinion or any combination of those things.

jack learns that it's not always about Saying the Right Thing (which he is not very good at, anyway, or so our Serially Unreliable Narrator thinks), but rather being able to read elsa's mood and anticipate what she might need (even if she is not aware of it herself yet).

elsa is meticulous about planning and preparing for special occasions.

elsa likes traditions! jack likes tradition only because elsa likes them, lol, and hey, okay, these are more fun than he thought?? (who knew fun could be organized??!!?)

so he really wants to show (off to) her by pulling off Incredible Planning Feats in her honor, too (they do not go as smoothly, lol).

jack will often go out of his way to spontaneously create something meaningful, a moment or a gift or a gesture, that reminds elsa that he cares. he is big on words of affirmation, gift giving (but like, souvenirs that he collects on adventures like, "i saw this rock and it reminded me of your cousin olaf, we should put it on the window after we paint his face on it"), and acts of service, as well as physical touch and quality time. HE WANTS LOVE. he wants TO BE LOVED. he wants to prove that he is worthy of being loved.

(and elsa has to get him to Chill Out sometimes, remind him that he doesn't have to Do Things For Her/Anyone in order to be deserving of care; he is more than what he provides for other people.)

(jack gets its, and appreciates it, but also, the Urge to Provide and Protect is still strong, even after so much time, and sometimes Old Habits Die Hard.)

i get the sense that he'd be the type to he wake elsa up in the middle of the night to take her on a surprise adventure, or convince her to Do a Fun Thing without any preparation (/warning).

and she would Be Alarmed at the Lack of Plan (especially if/when jack Did Not Think This Through), but he also took precautions to ward off Concerns by pacifying her with tea, or reassurances that yes, he did call ahead to make sure the restaurant was open before they left the house, of course he did, he would never just leave home without double-checking beforehand (and frantically googles it two minutes later when he thinks she's not looking; she is, naturally, and even occasionally pretends not to be).

elsa approaches conflict with a desire to resolve things Calmly and Logically. she tries to understand jack’s perspective, even when she disagrees, and she’s careful with her words, not wanting to escalate the situation.

however, she can sometimes withdraw emotionally, fearing that she might say something hurtful if she’s too overwhelmed.

jack was initially (and, honestly, still is, even though he understands more now) hurt by her tendency to shut down when she Feels Too Much, and understands (although it's still hard) that elsa needs time to process her feelings and organize her thoughts.

jack also helps elsa actually Feel her Feelings, instead of just trying to intellectualize and analyze them. (she hates it, BUT sees the value. jack lives for these moments in which he realizes that he's actually contributing positively to her life and helping her in some way, rather than just being a burden or a nuisance, as was/is his fear.)

his initial reaction might be to push for a resolution quickly, but he’s also deeply afraid of Creating Distance between them, so after the first few fights, he really makes an effort to find the right balance between Pushing Hard Enough and Not Pushing Too hard, so that he doesn't drive a wedge between them as they work things out.

jack FEELS intensely, and can be so stubborn. he does not always have the most precise vocabulary or tools to describe his thoughts and feelings, or identify the root causes of what is actually going on inside him; sometimes elsa asks a lot of insightful and guiding questions that help jack come to the conclusions himself, and other times, she Puts Into Words the very thing that he had been thinking or feeling, but could not name, and it is very reassuring to have someone who understands him well enough to be able to do that.

after conflicts or arguments, they take time to Decompress and reassure one another (especially if at least one of them, if not both, was Overthinking again).

when they argue (and healthy couples do, remember!), it’s a dance of patience and understanding: elsa might need a moment to Collect Herself, and jack learns to give her that Space while also making it clear that he’s ready to talk whenever she is, and that he is going to try very hard to be Rational and Patient About It.

in the end, they both prioritize their relationship over any disagreement, always finding a way back to each other.

[bayetea]

I'm gonna froth at the mouth over this in the tags so bear with me but reason #1278038 why the way rick went about breaking up jiper was bad: rereading her povs in hoo where she gushes over jason feels like even more of an unreliable narrator queer girl comphet psychological horror story

[frogeyedape]

I am so unbelievably pissed off. FUCK HOAs

Oh, my trash/recycling bin can't be visible except on pickup day? Ok whatever fine I hate you but I can deal with this

Weekly inspections?????? FU FU FU FU FU

SECOND NOTICE ALSO WE'RE CHARGING YOU MONEY TO SEND YOU CERTIFIED MAIL OF THIS TOTALLY LEGIT TOTALLY SECOND NOTICE OF WHAT IS ACTUALLY A VIOLATION cue me: checks notes. Hmm. My recycling bin was. on the curb. on recycling pickup day. You know. The day it has to be out. The day it is motherfucking ALLOWED TO BE FUCKING OUT AND VISIBLE.

so. 1) not a violation

I have sent them the trash AND recycling pickup schedules, which are DIFFERENT, btw

I have disputed the fact of the violation

I have disputed the linking of this "violation" to a previous violation MONTHS AGO--their "first notice" in this case was a "Courtesy Notice" LITERALLY 5 MONTHS AGO and they've done so many inspections since then and my bin CLEARLY WASN'T OUT IN THOSE INTERVENING MONTHS so WTMFH

So I am posting like a crazy person here instead of sending the absolutely deranged email I almost sent (I did send a slightly less deranged version with the disputes, and requesting a hearing)

OMG. It has been. Less than one hour since I learned this fun fun news. My bin was out YESTERDAY, y'all. YESTERDAY. I am going to blow a gasket

[babygirlgiles]

I think my fic where Xander accidentally becomes a successful novelist (largely without realizing it) is the funniest idea I’ve ever had. This guy started writing little stories to remember their adventures in Sunnydale (his last line in Chosen about “how will anyone even know about this unless we tell them” burrowed itself into my little archivist brain and won’t let go) and posts them online. He unintentionally goes viral. He thinks someone named Simon N. Schuster is leaving him voicemails. He ends up on the New York Times bestseller list.

He doesn’t even realize that everyone else thinks the stories are fiction. Xander is out here writing autobiographical non-fiction but everyone else thinks he’s a weirdly dedicated author that’s really committed to maintaining a Lemony Snicket style pseudonym/persona for the narrator of his novel. There are “Who Is Xander Harris?” articles. No one can dig up much of anything on him because he lived his whole life in a town that got wiped off the map. He keeps rejecting requests for interviews because of his stage fright. At first this drives his publicist absolutely ballistic but it just adds the the air of mystery that’s drumming up book sales so she lets it go.

He only responds to questions over email and only ever responds “in character” as his “novel’s narrator” and this baffles everyone, only adding to the supposed mystery. It’s literally not even Xander actually writing the emails 95% of the time. It’s Dawn. She has appointed herself as “Xander’s representation” even though she doesn’t really know what being someone’s representation means. She printed business cards.

[yellowsubiesdance]

i think i’ve learned a lot when it comes to not applying my own values to the media i consume

for my script analysis class yesterday, we discussed two gentleman from verona, and nearly every classmate of mine was up in arms about how sexist the story is.

and i'm not saying it's not, or that it's not infuriating to read. but i'm also not putting my energy into getting upset about something written 500 or so years ago. and i'm not about to put my own beliefs onto these characters that are not me. i'm going to let their choices speak for themselves, and interpret it in the context of the story.

all that said, this now brings me to the point of alastor in episode 5, and how viscerally people are responding to it. those of you up in arms about the choices he’s making, and the violent threat he gave husk, you’re missing the entire point of his character, of this place they’re in, of the story being told. he’s an overlord, and he became an overlord by killing much bigger overlords and broadcasting their deaths over the radio.

HE IS NOT A GOOD PERSON.

if you started this show with the belief that every character working the hotel is a good person, you’re in the wrong place. watch the good place if you’re looking for a good wholesome story about getting dead sinners into heaven, because that’s not what this show is about.

you’re more than welcome to hate him after seeing the way he exerted power over a being whose soul he owns, but you’re doing the media you’re watching a disservice by writing it off so quickly. if you don’t like to be uncomfortable watching media, watch something else. this is an uncomfortable show, it handles uncomfortable topics, and it’s going to be an uncomfortable ride, and if you’re not up for something like that, then you should take a break from it and pick up something else. you don’t have to get online and defend your own ideals while you watch a show that goes against your ideals.

[dreamedfyre-a]

firm believer there was no bedding ceremony when helaena and aegon married because she would cry and possibly kill someone

[hungerpunch]

stop engaging the person with a huge fanbase and giant platform about rpf ships!!!! stop engaging the person with [checks] almost 40k followers + monstrous amplification power through reposts, reblogs, screencaps, etc. about rpf ships!!! stop it stop it stop it STOP IT!!!!!!

[tumblweeds-omegaverse]

worldbuilding thing I've been wondering about:

how do you handle gender identity, gender expression, and/or gender stereotypes, within your omegaverse writings?

this goes for ocs and for fanfics!

if alphas are physically male in the way we'd consider a human to be physically male, that's a statement on their sex, yeah? not their gender.

you can have the body parts implied there and still be a gender that is not "man". so how's that work for omegaverse? especially if alphas can be male or female.

how do you describe gender within your omegaverse? is it based more around dynamic / secondary? (alpha/beta/omega) or around sex? (male/female/others if they apply)

do people get gendered expectations assigned to them based on their sex, on their dynamic, on the combination of both?

(ex: is there a difference between the gender roles given to a female omega versus a male omega? are the stereotypes for a male beta like or unlike those of a male omega?)

could there be such a difference between female alphas, female betas, and female omegas, that only some female people are considered women, while others are labeled with some other term due to their dynamic? or are all female people considered to be women? (assuming they're all cisgender...but if you've got trans headcanons I wanna hear those too!)

I'm curious about this because it's reasonable to say something like "our image of what is masculine appearance / behavior is shaped by our society and time period," right? (since male doesn't have to equal man or masculine, but there's often some connection)

but that structure wouldn't be built from the same stuff in omegaverse. since behaviors and such could be associated with different groups.

so...if a male alpha is seen as a feminine presenting person, what does that mean in your verse?

are masculine and feminine less about what exists in your verse and more about the limitations of our own language?

is it something else altogether?